Articles in regional publications that pertain to a wide range of North Carolina-related topics.
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Record #:
4411
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Abstract:
Bold colors, strip construction, and improvisation are characteristics of quilts made by Afro-Americans. Colorful quilt materials are sewn together in strips; then the strips are sewn together to make the quilt. Quiltmakers may start with a pattern, but they often vary it to suit themselves. Scholars feel this Afro-American quiltmaking style is influenced by their African heritage.
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Record #:
9241
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The 1960s saw a resurgence of interest in quilting, a tradition that has never faded from the Appalachian Mountains. The patchwork quilt is strictly a product of colonial America, and has spurred an interest in collecting quilts as a hobby. Not limited to the South, quilt enthusiasts can view collections all over the country.\r\n
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Record #:
9317
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Paul Green, native of Harnett County and Pulitzer Prize winner, turned eighty-five on March 17, 1979. To honor him, his assistant, Rhoda Wynn, gave him a quilt made of nine squares. Each square was made by a person connected with the dramas Green has written. The quilt hangs in Green's home library.\r\n
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Record #:
16264
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Horton explores the quilt patterns included in The Frank C. Brown Collection of North Carolina Folklore.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 35 Issue 1, Winter-Spring 1988,
p3-13, il, f
Periodical Website
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Record #:
23279
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A Roxobel group of women of the Sandy Run Baptist Church Quilters, created a fundraiser to help raise money for local missions.
Source:
North Carolina's Eastern Living Magazine
(NoCar F 252.3 N82), Vol. 5 Issue 1, Fall 2013,
p24-30, il
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Record #:
29803
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The Western North Carolina Quilters Guild will host a two-day juried quilt show in Flat Rock this May. The show will display over one-hundred quilts from across the mountain region, and teach visitors about quilt styles and quilting techniques.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 13 Issue 4, April 2017,
p64-65, il, por
Periodical Website
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Record #:
31374
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Jane Long of Cary has won the blue ribbon for best quilt in the show at the North Carolina State Fair for the fourth year in a row. Her latest winning entry, an original design, shows an Amish influence, with quilting done in black thread. This article discusses Long’s quilting techniques, patterns, and materials.
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Record #:
31380
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For the past ten years, Georgia Bonesteel of Hendersonville has been practicing and teaching lap quilting, a method of making a quilt in small sections and assembling them for the finished product. Bonesteel says the method offers people a way of hanging on to an important part of our heritage and adapt it to today’s lifestyle. This article discusses Bonesteel’s lap quilting technique, and provides a sample of instructions.
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Record #:
35830
Author(s):
Abstract:
Based on 16 interviews and informal discussions with quilters in the Blue Ridge region, the author sought to find a pattern in the techniques used to design the quilts, especially regarding the conceptual and behavioral processes shared by the women who make each type of quilt.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 30 Issue 2, Fall-Winter 1982,
p55-84, il, por
Periodical Website
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Record #:
35841
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Born and raised in Chatham County, Lillie Lee and Jennie Burnett both started making quilts when they were children.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 32 Issue 2, Fall-Winter 1984,
p, il, por
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Record #:
35848
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Was quilting’s comeback because, as Faulker speculated, of the current energy crisis or colder winters? Whatever the cause, the author was appreciative for the revival of interest that had also resurged warm memories.
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Record #:
36008
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Abstract:
A fading art kept alive yet by quilters such as Mrs. Charlotte Balance. Tales told by Mrs. Nettie Gibson revealed changes in quilting standards. Decades ago, the summer and winter quilting parties noted by Mrs. Ballance made it a commonly collective activity. The experience, then, was quite different from the common contemporary practice of quilting as a solo project.
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Record #:
36016
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It was a lost art to America in general, perhaps. In Hatteras Island, Mrs. Brittie Burrus proved interest in quilting could be found in girls who were part of the Methodist Church’s Day Circle.
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Record #:
36022
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A library’s archives typically contain donations of letters and documents. For Hatteras Island’s Library, a 125 year old quilt reflected what the town’s culture perceived as preservation worthy. Current creators of these quilts, in discussing the tradition of quilt-making, also proved that the “Human Library” concept is not so new.
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Record #:
36380
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Different patterns on quilts made by African Americans used to be a form of communication in the Underground Railroad. Ten to twelve different patterns were used to inform fugitive slaves as to what their next action should be. Although quilting patterns are no longer used for these purposes, patterns are still very important within African American quilting communities.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 50 Issue 1-2, Fall-Winter 2003,
p93-100
Periodical Website
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