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Articles in regional publications that pertain to a wide range of North Carolina-related topics.

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Record #:
36551
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Abstract:
At this nonprofit organization, those otherwise classified as living on the fringes of society can find themselves treated as part of the community. Services offered by BeLoved to help generate this perception include assistance with completing job applications; transitional housing for vulnerable populations; food access; children’s enrichment programs; supporting the Rise Up Studio artists collective; and collaborating in homeless rights projects and campaigns.
Record #:
24731
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From October 17, 2015 through January 17, 2016, the North Carolina Museum of Art exhibited the work of the twentieth century Dutch artist, M.C. Escher. The exhibit featured over 130 pieces, including woodcuts, lithographs, drawings, and more, made between the 1920s and the 1960s. The exhibit was the most comprehensive collection of Escher’s work ever displayed in the United States.
Source:
Indy Week (NoCar Oversize AP 2 .I57), Vol. 32 Issue 44, November 2015, p18-19, 21, il Periodical Website
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Record #:
24870
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George Holt remembers his friend Joseph Wilson after Joe’s death in May 2015. Wilson had many accomplishments in life from his tenure as the director of the National Council for the Traditional Arts to the dozens of CD’s he produced throughout his life. Wilson has received several honors and will be sorely missed by the folk art community.
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Record #:
36957
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Butch and Louise Goings are professional artisans with a lifelong commitment to preserving tradition. Louise is a basket maker, a skill learned from her mother, and Butch does wood carvings.
Record #:
23872
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Burnsville conceptual artist Mel Chin was the subject of a major retrospective at the New Orleans Museum of Art, titled Mel Chin: Rematch. O'Sullivan examines Chin's inspirations and artwork.
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Record #:
27600
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Painter Marvin Saltzman is a former University of North Carolina at Chapel Hill professor known for rigorous critiques and pushing students hard. Influential in the careers of many Triangle area artists, Saltzman is a landscape painter who combines impressionist and expressionist styles. Fourteen of his landscapes are on display in Hillsborough’s Eno Gallery in a new retrospective.
Source:
Indy Week (NoCar Oversize AP 2 .I57), Vol. 31 Issue 28, July 2014, p25-26 Periodical Website
Record #:
29501
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Four of the featured artists of Estampas de la raza are interviewed about the challenges they face in creating their art, how their cultural background affects their work, and how Estampas continues to influence them. Vincent Valdez, Oscar Magallanes, Ceasr Martinez, and Sonia Romero are all interviewed. The four artists all contributed prints to the exhibition and discuss how being Latino has affected their work and perspective. The exhibition highlights contemporary prints created by Latino and Hispanic artists.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 2014, p6-11
Record #:
29502
Abstract:
The Museum recently acquired six new works of art and is opening a new video gallery in the East Building. Giovanni Martinelli’s Memento Mori: Death Comes to the Table circa 1630-38, Yink Shonibare’s, MBE Wind Sculpture II 2013, Flemish, Antwerp School’s Saint Jerome in His Study circa 1560-70, Hieronymus Mittnacht’s Torah Shield 1747-49 are four of the works that were acquired. The artist of each work, an illustration of the work, and a description of the subject and style are detailed. A preview of the upcoming exhibits in the new video gallery is also included and will feature the work of James Nares.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 2014, p14-19
Record #:
29519
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The exhibition Edvard Munch: Symbolism in Print is currently on display and focuses on the idea of death in sex. Munch believed that in love, individuals lost their personal identities and this idea is seen in this collection of prints. His complicated prints of relationships and feelings between men and women often convey anguish, despair, lust, and passion. Munch’s personal experiences and a preview of the exhibition are detailed.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2013, p14-17
Record #:
27785
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Bending Sticks: The Sculpture of Patrick Dougherty, is a new documentary film by Penelope Maunsell and Kenny Dalsheimer on North Carolina artist Patrick Dougherty. Dougherty is an internationally known contemporary artist, and the film takes a look into Dougherty's creative process from before the idea stage through the final execution of the work. The film also examines the artist’s life and career which he has spent creating sculptures by interweaving thousands of locally culled tree saplings into giant windblown forms and figures.
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Indy Week (NoCar Oversize AP 2 .I57), Vol. 29 Issue 48, November 2012, ponline Periodical Website
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Record #:
38286
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Miller Pope lived life and art through the same philosophy: success happens by luck and snap decision making. Proof of his success included producing illustrations for The Saturday Evening Post, co-founding the New Brunswick Chamber of Commerce, and shifting career gears from artist to author through publishing a crime novel and autobiography.
Source:
Our State (NoCar F 251 S77), Vol. 78 Issue 8, Jan 2011, p46-48, 50-52 Periodical Website
Record #:
29610
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The Museum will display the work of Norman Rockwell in an upcoming exhibition. 40 original paintings and 323 Saturday Evening Post covers will be on display. Rockwell was influential in shaping the nation’s self-image during the twentieth-century through his illustrations in media publications. Rockwell’s art is noted for its humor and portrayal of everyday life. Rockwell’s style and criticism of his work are discussed in this preview of the exhibition.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2010, p12-17
Record #:
30811
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In 2008, Ken Burkel and other members of the Clemmons Rotary Club in Forsyth County launched a program to heighten public awareness for the need for organ and tissue donors in North Carolina. The program created roadside billboards and recently partnered with the North Carolina Trucking Association to display custom banners of organ recipients and donor families.
Source:
Carolina Country (NoCar HD 9688 N8 C38x), Vol. 42 Issue 9, Sept 2010, p20, il, por
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Record #:
29623
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The exhibition Far from Home features work by artists of diverse national, cultural, and spiritual backgrounds. The exhibit also includes works of art that address the displacement of people and populations in the global community as they relocate for economic, political, education, or familial reasons. All of the artists featured have relocated and their art often reflects this event and the distance they feel from their homes. The exhibit explores how being displaced affects creativity and one’s identity.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 2008, p10-11, il
Record #:
36529
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Felipe Jesus Consalvos was a Cuban American collage artist and cigar maker. Each of his collages incorporates US manufactured cigar box labels and date from after his immigration to America from Cuba. His collages extrapolate the hobbyist hobo vernacular tradition of patriotic patterned cigar band collage to formally sophisticated, politically subversive, and sexually transgressive ends, using the body as a vehicle for absurdist satire, both hilarious and anxious.
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