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for North Carolina Folklore Journal Vol. 49 Issue 2, Fall-Winter 2002
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Record #:
5803
Author(s):
Abstract:
The North Carolina Folklore Society instituted a new award in 2001, the Thomas McGowan Award, given to a society member for outstanding service to the Society. Appropriately, the first recipient was Tom McGowan. Among his many contributions to the society are editing the North Carolina Folklore Journal for twenty-two years, founding and editing for twenty-two years the society's newsletter, and along with Karen Baldwin, instituting the Community Traditions Award.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 49 Issue 2, Fall-Winter 2002,
p66-68, il
Periodical Website
Subject(s):
Record #:
5804
Author(s):
Abstract:
The Briarhoppers, a long-time performing group on Charlotte radio station WBT, received a 2002 North Carolina Folklore Society Brown-Hudson Award. The string band, organized in 1935, has performed for 67 years. The group is seen by musicologists as \"an important link between the music of the pre-industrial South and the full-blown commercial country sounds of the late twentieth century.\"
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 49 Issue 2, Fall-Winter 2002,
p116-118, il
Periodical Website
Subject(s):
Record #:
36351
Author(s):
Abstract:
Sculptor Peter Toth gifted each of the 50 states and Canada Native American wooden statues in memorial of the Trail of Tears. Although not Native American, Toth felt compelled to honor the plight of the Cherokee and also used the statues as a way to remember his own family’s journey to America.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 49 Issue 2, Fall-Winter 2002,
p53-64
Periodical Website
Subject(s):
Record #:
36353
Author(s):
Abstract:
Reprinted from NCFJ 26.2, 1978.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 49 Issue 2, Fall-Winter 2002,
p69
Periodical Website
Subject(s):
Record #:
36355
Author(s):
Abstract:
Scancarelli received the award for his behind the scenes work recording and promoting musical traditions. He led recording teams, took photos, wrote liner notes, created cover art, and distributed annual LP recordings on his own label.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 49 Issue 2, Fall-Winter 2002,
p119-121
Periodical Website
Subject(s):