NCPI Workmark
Articles in regional publications that pertain to a wide range of North Carolina-related topics.

Search Results


25 results for Brown-Hudson Folklore Award
Currently viewing results 1 - 15
PAGE OF 2
Next
Record #:
20922
Author(s):
Abstract:
Fariello received a 2010 Brown-Hudson Folklore Award for her studies in folk traditions and contemporary folk art forms in North Carolina, various others states, and around the world, as well as her work as a museum curator.
Full Text:
Record #:
36324
Abstract:
The Huffmans are collectors of folk art who bring important appreciations, interactions, and study that go beyond simple acquisition.
Record #:
36325
Abstract:
Ms. Peterson has gained the Brown Hudson Award for her contribution to folkloric exhibitions.
Record #:
36355
Author(s):
Abstract:
Scancarelli received the award for his behind the scenes work recording and promoting musical traditions. He led recording teams, took photos, wrote liner notes, created cover art, and distributed annual LP recordings on his own label.
Record #:
36513
Author(s):
Abstract:
Holt is receiving this award for his ability to communicate the importance of traditional arts to different audiences from North Carolina to nationwide.
Record #:
36514
Author(s):
Abstract:
Lau is a scholar, ethnographer, administrator, advocate, activist, and artist. Her competence at festival coordination reached far beyond the complex skills required for production: she touched the lives of participants through her empathy, observation, and communication.
Record #:
36536
Abstract:
Duncan is the recipient of the Brown-Hudson Folklore Award for her work in giving Cherokee people a voice in folklore and ongoing research. She developed folklore and folklife curriculums for teachers in Macon County and created an archive for research.
Record #:
36841
Abstract:
David Lee began playing music and creating song lyrics when he was a teenager, which led to his launching of his own record company and his own music. Over the years, his career in music represented an important contribution to folklife, especially vernacular music and occupational folklife in North Carolina and the Southeast.
Record #:
36843
Author(s):
Abstract:
Inspired by the banjo-playing of his mother, Ward developed a two-finger banjo picking in his own style, creating his own unique sound.
Record #:
36876
Author(s):
Abstract:
Wanting to move to a small town, the Albrights bought a building and turned it into a general store and eventually also turned it into a music hall.
Record #:
36878
Author(s):
Abstract:
Bill Myers is an artist and interpreter of African American music traditions in his community and region.
Record #:
36881
Author(s):
Abstract:
Carmine Prioli’s initial interest in boatbuilding evolved into years of caring, working, believing, struggling, hoping, giving, sometimes pushing hard, for the people who build, work, and appreciate not only those boats, but all the pieces of heritage on Harkers Island.
Record #:
36891
Author(s):
Abstract:
Belt is a Cherokee Nation member, native speaker, and language instructor; as an advocate for language revitalization, Belt believes language is a fundamental aspect of every culture.
Record #:
36892
Abstract:
As a testament to the power and importance of folklore in everyday life, Coyle has made contributions through teaching, fieldwork, research, and service to various organizations such as the National Park Service, NC Folklore Society, and Western Carolina University.