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961 results for "North Carolina Folklore Journal"
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Record #:
5586
Author(s):
Abstract:
The Menhaden Chantymen of Beaufort and Carteret Counties sing chanteys that reflect the work, religion, and loves of the men and are also reminiscent of the old field-work songs. In 1991, the group received a N.C. Folk Heritage Award.
Record #:
5587
Author(s):
Abstract:
The Five Royales of Winston-Salem were nationally famous rhythm and blues artists in the 1950s and 1960s. Their style influenced many others in the field, including James Brown. The group received a 1992 North Carolina Folk Heritage Award for their work.
Record #:
5590
Author(s):
Abstract:
Ray Hicks of Watauga County is as impressive physically - standing almost seven feet tall - as he is as a master storyteller. A recipient of many awards, he received a 1992 N.C. Folk Heritage Award for keeping the mountain storytelling tradition alive.
Subject(s):
Record #:
5591
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The musicians are well known. Lesser known are craftsmen who make their instruments. Leonard Glenn of Watauga County received a 1992 North Carolina Folk Heritage Award for building traditional mountain banjos and dulcimers.
Record #:
5592
Author(s):
Abstract:
Algia Mae Hinton learned music from her mother and dancing from older members of her family. She has appeared at the National Folk Festival and Carnegie Hall. She received a 1992 North Carolina Folk Heritage Award for continuing the buck dancing style.
Record #:
5593
Author(s):
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Robert and Myrtle Dotson received a 1994 North Carolina Folk Heritage Award for keeping alive traditional flatfoot dancing styles of Western Carolina. Flatfoot dancing is smooth and light. Both feet are kept close to the floor, as opposed to buck dancing's heavier and higher steps.
Record #:
5594
Author(s):
Abstract:
Lauchlin Shaw of Harnett County and A.C. Overton of Wake County were playing the fiddle and banjo long before they teamed up in the 1950s. Both prefer performing the traditional Appalachian repertoire. In 1992, they were awarded a North Carolina Folk Heritage Award.
Record #:
5595
Author(s):
Abstract:
Louise Anderson is a nationally known Afro-American storyteller whose tales have delighted listeners at films, festivals, and stage appearances. In 1993, she received a North Carolina Folk Heritage Award.
Record #:
5596
Author(s):
Abstract:
John Guthrie built his first boat in 1930 on Harkers Island. He was twelve. Since then, tradition and experience have created others, and the Guthrie Boat is well known. In 1993, he received a North Carolina Folk Heritage Award for continuing the Harkers Island boatbuilding tradition.
Record #:
5597
Author(s):
Abstract:
Unlike many blues musicians who were itinerant performers, George Higgs rarely travels beyond Edgecombe County. Family members, records, radio, and bluesmen helped develop his style. In 1993, he received a North Carolina Folk Heritage Award for continuing the Piedmont blues tradition.
Record #:
5598
Author(s):
Abstract:
Not only is Mary Jane Queen a performer of traditional ballads, she also has a knowledge of traditional flowers, medical practices, and foods. In 1993, she received a North Carolina Folk Heritage Award for communicating the traditions and values of her life to modern audiences.
Record #:
5599
Author(s):
Abstract:
George SerVance, Jr. of Thomasville is one of the state's most accomplished woodcarvers. He is self taught and carves a variety of figures, with dancing dolls being the most popular. In 1993, he received a North Carolina Folk Heritage Award in recognition of his life's work.
Record #:
5600
Author(s):
Abstract:
Amanda Swimmer, of the Eastern Band of Cherokee Indians, lives in the Big Cove community in the Qualla Boundary and creates pottery using ancient techniques. She works without a wheel and is an expert in open-pit-fired pottery. Her pottery style was almost lost in the 19th-century, following the Cherokee Removal. In 1994, she received a N.C. Folk heritage Award for preserving and reviving this pottery tradition.
Record #:
5601
Author(s):
Abstract:
Vernon Owens of Moore County was born into his family's pottery tradition and was making salable pottery by age ten. He creates both in traditional and newer forms. Since 1960, he has worked at Jugtown. In 1994, he received a North Carolina Folk Heritage Award for his contribution to the pottery tradition.
Record #:
5603
Author(s):
Abstract:
Elsie Trivette has created rugs and quilts for over fifty years, using skills learned from her mother and grandmother. She is the complete master of her art, from raising and processing materials, to making natural dyes, and finishing the product. She has been widely recognized and, in 1994, received a N.C. Folk Heritage Award for the quality and range of her work.