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Articles in regional publications that pertain to a wide range of North Carolina-related topics.

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33 results for Pottery
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Record #:
35119
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Edmond Boudreaux chronicled an updated ceramic development of the Town Creek Region, needed in light of the area’s extensive excavation history. Parts of this chronology included a description of the South Appalachian Mississippian Tradition, the six steps of the ceramic analysis for the author’s research, the use of multiple seriation methods, earlier research by Oliver (1992) proposing the groups of pottery fell into three ceramic phases. The excavation’s sites, typology for the pottery, and Ford seriation graphs were featured in figures. Tables contained seriation data and Mississippi period radiocarbon dates. Pottery images were located in Appendix A.
Record #:
27570
Abstract:
An inkstand made by John Bell in 1825 is the first inscribed American tin-glazed pottery to be discovered. The tin-glaze technique was introduced by German potter Carl Eisenberg who visited Salem, North Carolina in 1793. Since tin-glaze was so uncommon at the time, many questions remain unanswered regarding Bell’s apprenticeship, influences, and products.
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Record #:
27835
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Archaeological excavation and research of the Tildon Easton pottery site in Alexandria, Virginia has enhanced the knowledge base in earthenware and stoneware through much of the nineteenth century. Research also provides evidence of competition for the Wilkes Street pottery, and a better understanding of the industry’s economics and operation in the eastern region.
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Record #:
21888
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This article discusses Andrew Duche, an 18th century potter who worked with porcelain while traveling through North Carolina, South Carolina, and Georgia. Reputed to be one of the South's earliest stoneware producers, Duche was also heavily involved in Southern politics during his travels throughout the region.
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Record #:
36174
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Pamolu Oldham measured the value of art by the amount of light and way that space was used. Being mindful of these aspects generated an awareness of other aspects, valuable on both sides of the canvas: people and animals, interior and exterior settings, and objects secular and sacred.
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Record #:
27581
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One of the earliest marked examples of southern salt-glazed stoneware is a jug produced by B. Duval & Company in Richmond, Virginia. Owned by apothecary Benjamin Duval, the company manufactured pottery to complement Duval’s medicine business. The jug is now on display at the Museum of Early Southern Decorative Arts in Winston-Salem, North Carolina.
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Record #:
20362
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Among the historical foundations and items of historical interest at the excavations at Brunswick Town, pottery sherds are of particular interest, being a unique style to the region.
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Record #:
21907
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This article examines the production of tin-glazed ceramics in Salem, North Carolina and other parts of the country. Tin-glazed ceramics were first introduced to the Moravian community in Salem by Carl Eisenberg near the end of the 18th century.
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Record #:
5775
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North Carolina has a rich pottery tradition stretching from the present-day back to Native Americans 2,000 or 3,000 years ago. From its early utilitarian days, pottery has evolved into an art form. At one time there were over 200 potteries in the Seagrove area, and some potters working there today are ninth-generation. House discusses pottery and places in the state to view it.
Source:
Carolina Country (NoCar HD 9688 N8 C38x), Vol. 35 Issue 3, Mar 2003, p22-24, il
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Record #:
21501
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In 1737, Andrew Duche was the first English colonist in the new world to make porcelain from clay he received from the Cherokee Indians of western North Carolina. After initial enthusiasm and financial success, sales in porcelain from Cherokee clay waned until the 1760's. In 1767, potter Josiah Wedgwood of England reintroduced the product to the British Empire when he acquired Cherokee clay from the Cherokee village of Ayoree in western North Carolina. This was done through the work of his agent, Thomas Griffiths, who also provided a trove of information about Cherokee society and Indian-English trade relations.
Source:
North Carolina Historical Review (NoCar F251 .N892), Vol. 63 Issue 4, Oct 1986, p477-510 , il, por, map, f Periodical Website
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Record #:
21943
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This article examines the flow of pottery material, styles and craftsmen from the Connecticut River Valley into the Cape Fear region of North Carolina. It also focuses on the Webster family of Connecticut, a family of potters who were responsible for the unique work identified as the 'bird and fish pottery.'
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Record #:
27837
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A number of potters in the Tidewater region exported wares to North Carolina in the seventeenth and eighteenth centuries. The Virginia pottery were strongly influenced by the Germanic pottery tradition.
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Record #:
42657
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The Cedar Creek Gallery National Teapot Shoe began in 1989. The show is now held every three years.
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Carolina Country (NoCar HD 9688 N8 C38x), Vol. 52 Issue 6, June 2020, p28
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Record #:
36328
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South Carolina face vessels are wheel thrown jugs with human features applied by hand. Originating from enslaved Africans, the tradition grew to be produced by European-American potters.
Record #:
6260
Author(s):
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Twenty square miles of land in the Piedmont, touching Moore, Montgomery, and Randolph Counties, have become famous in recent years for reviving the art of traditional pottery. The first known potter was J. D. Craven, who settled there in 1857. Of the forty or so shops that operated in the region, only a half dozen remain today. Moose discusses the potters and their craft.
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Tar Heel (NoCar F 251 T37x), Vol. 7 Issue 1, Jan/Feb 1979, p45-47, il, map
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