Articles in regional publications that pertain to a wide range of North Carolina-related topics.
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for "North Carolina Museum of Art--Collections"
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Record #:
29717
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The Museum recently acquired the false door from the tomb of the Egyptian Ni-ankh-Snefru, known as Fefi. Fefi was a lector priest, Overseer of the Two Cool Rooms of the Great House, Overseer of the Pyramid Complex Menefer-Pepy, and a courtier of the royal house. The false door was a painting or sculpted relief representing a door that served as a passageway for the ka(soul) of the deceased to travel freely between the tomb and the afterlife. A description of the door, Fefi, and ancient Egyptian burial practices is detailed.
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Record #:
29718
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The Egyptian collection at the Museum was recently reorganized and updated after over 20 years on display. This reinstallation has allowed for updated educational material to be produced, a rearrangement of the objects into a thematic display, and for new items to be added to the display. The gallery’s reorganized display cases now introduce three important themes: The Afterlife and Funerary Practices, Gods and Goddesses of Ancient Egypt, and Artisan Craft and Technology.
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Record #:
29737
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The removal of a painting for conservation has opened the opportunity for 13 Dutch Kabinet paintings from the 17th century to be displayed. These small, finely crafted paintings would have displayed in the Dutch home in the 17thcentury. The collection includes still-lifes, history scenes, landscapes, and scenes of everyday life and are among the most important treasures at the Museum.
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Record #:
29740
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The Museum’s newest affiliate members group, the Friends of Photography, funded the recent acquisition of five new photographs for the Museum’s permanent collection. The new works include two photographs by Seydou Keita of Bamako, Mali and three by Deborah Luster or New Orleans. Four of the photographs are pictured and the artists and their work is detailed.
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Record #:
32443
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This year marks the twentieth anniversary of the North Carolina Museum of Art, and the fiftieth anniversary of the North Carolina Art Society. This article discusses the history of the art museum and the society. Several of the museums fine art collections, including the Robert F. Pfifer Collection, are also highlighted.
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Record #:
32914
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Abstract:
Over one-hundred paintings purchased by the State Art Commission in 1952 with the General Assembly’s one-million-dollar appropriation of 1947 included several well-known Nativity scenes by European masters. One of the most important of them was Flemish master Peter Paul Rubens’, “The Holy Family with St. Anne.” A donation from the Phifer family of North Carolina to the State Art Society was also important in broadening the collection, which is now at the North Carolina Museum of Art.
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Record #:
35350
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As Emily Matthews alluded, this snipe’s tale could have ended from its collision into the NC Museum of Art facility. Through the efforts of the corpse’s discoverer and preservation tactics such as storage and tagging, though, this bird is part of the NCMoA’s collections.
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Record #:
35351
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The author reflects on the various poems, biblical writings, stories, and writings down my famous historical figures that allude to finding the cure for male flaccidity via herbal remedies.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 17 Issue 2, Nov 1969,
p61-66
Periodical Website
Record #:
35358
Author(s):
Abstract:
The quintet of profiles in this article covered topics such as the larval stage of the Trapjaw ant; the “Lost and Found Colonies: Using Science and Technology to Uncover the Past” exhibit, which included Roanoke; the North Carolina Museum of Art’s newest animal ambassador, the Tenrec; the NCMoA’s film “Museum Alive 3-D,” and Alvin Braswell, the NCMoA’s 2017 Thomas Quay Wildlife Diversity Award winner.
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