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Articles in regional publications that pertain to a wide range of North Carolina-related topics.

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25 results for "Folk art"
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Record #:
40663
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The Asheville Area Arts Council hosted the American Craft Week exhibit in October 2017 to showcase the local artists and galleries.
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Laurel of Asheville (NoCar F 264 A8 L28), Vol. 14 Issue 10, , p36
Record #:
29081
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The North Carolina Museum of Art opened a new African gallery featuring decorative and ceremonial artifacts, as well as contemporary artworks. Linda Dougherty, the museum’s chief and contemporary curator, discusses the meaning of the collection and the challenges of merging folk and fine art.
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Indy Week (NoCar Oversize AP 2 .I57), Vol. 34 Issue 24, July 2017, p23, il Periodical Website
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Record #:
35274
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An overview of Blowing Rock Craft Fair, which hosted a wide array of folk artisans. The author described the setting and some of the participants.
Record #:
30195
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Opened near Blowing Rock, North Carolina on the Blue Ridge Parkway, the Parkway Craft Center is a place to show off the crafts of Southern Appalachia. The Southern Highland Handicraft Guild, Inc. which runs the Center, will provide call for demonstrations of weaving, pottery, metal work and other crafts of the region.
Record #:
27615
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A group of new pictorial material has surfaced from the record books of the Bannan, Fries and Hobday families, all of which were drawn by an unidentified artist in Winchester, Virginia during the early nineteenth century. Stylistic patterns in the artist’s design and calligraphy indicate German influence from Virginia, Maryland, and the piedmont regions of North and South Carolina.
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Record #:
36328
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South Carolina face vessels are wheel thrown jugs with human features applied by hand. Originating from enslaved Africans, the tradition grew to be produced by European-American potters.
Record #:
342
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Folk art and folk festivals have a rich tradition in North Carolina.
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NC Insight (NoCar JK 4101 .N3x), Vol. 5 Issue 4, Feb 1983, p68-71, il
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Record #:
28855
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Folk life and folk art, such as quilting and bluegrass music, are traditions that have been passed down through time. In our culturally diverse North Carolina communities, folk life continues to evolve, integrating past forms, techniques and values with the present.
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NC Arts (NoCar Oversize NX 1 N22x), Vol. 1 Issue 3, March 1985, p4-5, il
Record #:
43348
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Contributors and promiters mentioned are the Ledbetter Folk Art Auction, the Folk Art Center in Asheville, the John C. Campbell Folk School and the Vollis Simpson Whirligig Park.
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Carolina Country (NoCar HD 9688 N8 C38x), Vol. 54 Issue 5, May 2022, p12-13
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Record #:
40640
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Elia Bizzarri was featured at the Grovewood Gallery for his studio furniture.
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Laurel of Asheville (NoCar F 264 A8 L28), Vol. 14 Issue 10, , p27
Record #:
29362
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The art of Long Creek, Pender County, North Carolina native Minnie Evans will be displayed through this spring in the North Carolina Gallery. Evans work is often inspired by a religious vision she had in the 1930s and from her time as a gatekeeper at the Airlie Gardens at Wrightsville Beach. Evans work often incorporates nature and is described as being closer to Near Eastern art than Western prototypes. The approximately 30 works include paintings, drawings, and collages.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 1985-1986, p7-8
Record #:
21936
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This article examines the construction and use of key baskets, which were used for storing household keys until the 20th century. Solely a product of Virginia and North Carolina, key baskets are among the rarest forms of utilitarian American folk art.
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Record #:
35828
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Passed down from generations, Ms. Watson has made hundreds of bedspreads over her lifetime. The particular knots and materials used are included.
Record #:
4718
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The North Carolina Folk Heritage Award recognizes those individuals whose work preserves the cultural traditions of families and communities. Winners for the year 2000 are Reverend F. C. Barnes, Marvin Gaster, Melvin L. Owens, Bobby McMillon, Amanda Crowe, and James Allen Rose.
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Record #:
6694
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Scott Blackwell founded the Immaculate Baking Company, which makes gourmet cookies, in 1995. Blackwell also travels the back roads of the South to find the art of obscure, often elderly folk artists. He promotes this folk art by putting it on packages of his cookies. On the sides of the packages he includes photographs and profiles of the artists. Currently Blackwell is engaged in building the Folk Artist's Museum next to the cookie plant. The museum is scheduled to open in 2006.
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