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213 results for "North Carolina Literary Review"
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Record #:
34641
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Abstract:
This article focuses on interviews conducted with Robert Morgan, a native North Carolina author of historical fiction. He discusses his choice to make the main character a woman, the balance he must create between the character’s point of view and the history of the battle, and his inspirations throughout his writing career.
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Record #:
34642
Author(s):
Abstract:
In his long career as a writer and businessman, James E. McGirt bestowed praise and admiration for the Spanish-American War, the Philippine-American War, and the involvement of African-American soldiers. While he acknowledges that people of color had been mistreated by white Americans before, he does not concede the similarities in treatment towards Cuban and Filipino citizens during this war. His work, therefore, has been criticized for being a sugarcoated, glossy view of American expansionism and African-American opinions.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 23 Issue 1, 2014, p18-29, il, por, f Periodical Website
Record #:
34643
Author(s):
Abstract:
This two-part interview sheds light on a little-known German internment camp in the western landscape of North Carolina. Both authors interviews, Ron Rash and Terry Roberts, released works of fiction regarding the camp in 2012. Roberts focuses on the camp located in the Mountain Park Hotel, and its manager and internees, while Rash develops a love story between an escaped internee and a local woman. Both novels address the tensions between the two groups, as well as how the Germans began to integrate into society and form relationships.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 23 Issue 1, 2014, p30-47, il, por, f Periodical Website
Record #:
34644
Author(s):
Abstract:
At the beginning of World War II, Arthur Miller, before he became a world-renowned playwright, recorded interviews with civilians in North Carolina. Outside of Wilmington, he discussed the impacts on the shipping industry, African-American workers and strikes, and wartime attitudes against fascism. The interviews comment on the industry and population boom brought in by the wartime effort, as well as lament the loss of small-town life and cultural changes.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 23 Issue 1, 2014, p48-59, il, por, f Periodical Website
Record #:
34656
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Abstract:
William Forstchen’s novel “One Second After” focuses on a fictional post-apocalyptic event that takes place in Black Mountain, North Carolina. After an electromagnetic pulse devastates the entire United States, the small town reverts to a militaristic, patriarchal society that secludes itself from the rest of the world. Amende notes the “Southern” traditions that the town leaders continuously attribute to their success of survival: Christian political and religious beliefs, military values, and keeping away “outsiders”.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 23 Issue 1, 2014, p68-77, il, por, f Periodical Website
Record #:
34657
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Charles W. Chestnutt was one of the few African Americans to make their way into the white publishing circuit. His work was highly critical of white abuse and power struggle of the South, which Baggett argues is the reason his work was not as far-reaching or successful as Booker T. Washington, another highly regarded African American writer at time.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 23 Issue 1, 2014, p80-94, il, por, f Periodical Website
Record #:
34658
Abstract:
Margaret Bauer, the editor of the North Carolina Literary Review since 1997, discusses North Carolina authors and their work. This interview focuses on what she believes has shaped North Carolina literature, themes primarily addressed, and the future of the North Carolina Literary Review.
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Record #:
34659
Abstract:
This article is a follow-up of Higgins-Harrel’s previous interviews with the five listed authors. All five writers live in North Carolina or write about North Carolina topics, and have different ways of telling their stories, whether it be story-telling under a spotlight, writing poetry or fiction novels, or theatre productions.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 25 Issue 1, 2016, p42-70, il, por, f Periodical Website
Record #:
34660
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In 1931, Paul Green was asked to change the ending of his play by the directors. The old ending involved the murder of one white former sharecropper by two black sharecroppers after she married the wealthy landowner, while the new ending would spare her life to create a positive image of rising above the class she was born into. This change was originally thought to have been made to cater to the ideology that one can rise about their rank to attain fortune. However, Vines argues that the original ending depicted the real tensions between the white and black populations of the South after reconstruction, and the new ending ignores these issues.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 25 Issue 1, 2016, p72-85, il, por, f Periodical Website
Record #:
34661
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Why do so many writers come out of North Carolina? Ed Southern, executive director of the North Carolina Writer’s Network, attempts to answer this question in this article. He attributes the success of North Carolina to the Network, the “niceness” of North Carolinians, and the struggle between poverty and potential. He also states that in order to keep the title of “Writingest State”, North Carolina writers must encourage others to write the stories that they would like to write about, while demanding quality and perfection.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 25 Issue 1, 2016, p92-99, il, por, f Periodical Website
Record #:
34662
Author(s):
Abstract:
Jaki Shelton Green, North Carolina Literary Hall of Famer and poet, discusses the inspiration and processes behind her work. She attributes her recent writing to suffering several close losses, engaging in activism, and involvement in community.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 25 Issue 1, 2016, p100-109, il, por, f Periodical Website
Record #:
34663
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Abstract:
Established in 1995, the Carolina African American Writer’s Collective (CAAWC) has transformed into a networking group for writers, both young and old. The CAAWC offers workshops for its members, networking opportunities, and the ability to share their work in a supportive environment. Much of the credit for the success of the CAAWC goes to founder Lenard Moore.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 25 Issue 1, 2016, p110-114, il, por, f Periodical Website
Record #:
34664
Author(s):
Abstract:
This article pays homage to a little-known historical fiction writer named Mary Hancock, pen-name M.A. Hancock, through the eyes of someone who knew her growing up. Her stories often incorporated real historical events from the point of view of a young adult, and her unique choice of words and writing style made her a success.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 25 Issue 1, 2016, p130-139, il, por, f Periodical Website
Record #:
34665
Author(s):
Abstract:
Marjorie Hudson, a writer who moved to North Carolina in the early 1980’s, discusses the success of writers’ workshops and networking in the state. She began her Kitchen Table Workshops to allow small groups of writers to come together, share their work, and eat stew. In this piece, she offers advice to new writers, addresses what inspired her, and her process for creating literature.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 25 Issue 1, 2016, p142-153, il, por, f Periodical Website
Record #:
34666
Abstract:
This interview with William S. Price, Jr. delves deep into the relationship he had with his older brother and well-known author Reynolds Price. Discussions center on his brother’s relationship with his family, his sexuality, and his illness that led to paralysis and use of a wheelchair for the last half of his life.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 25 Issue 1, 2016, p164-178, il, por, f Periodical Website