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Articles in regional publications that pertain to a wide range of North Carolina-related topics.

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5 results for Metal-work
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Record #:
27583
Abstract:
Neoclassical and Empire are two major styles of brass andiron produced in Charleston, South Carolina. These two styles were brought to light through an analysis of Charleston brass founders conducted at the Museum of Early Southern Decorative Arts in Winston-Salem, North Carolina.
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Record #:
34477
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Abstract:
This article describes vernacular oyster dredge manufacture by Mr. Closs Harvey on the Outer Banks in the 1930s. Dredges were made of steel rods joined with a hand-cranked forge. Images of the dredges are included.
Source:
The Researcher (NoCar F 262 C23 R47), Vol. 8 Issue 3, Summer 1992, p10, il, por
Record #:
36178
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Abstract:
Faux was defined as making surfaces look like something else. Faux finishes noted were fresco, Venetian plaster, marbleizing, stenciling, rag painting, sponging, strie (French for stripe or streak), and faux bois (French for fake wood). Referenced were the Italian and French schools that emerged during the Renaissance, the latter profiled artist Pandy Autry reflected in her work.
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Record #:
25858
Abstract:
Robert Ebendorf, a distinguished professor of art at East Carolina University, has been given North Carolina’s highest honor, the North Carolina Award, in recognition of his world-renowned art and jewelry pieces made from gold, silver, bronze, and other unusual materials.
Source:
Edge (NoCar LD 1741 E44 E33), Vol. Issue , Fall 2011, p25 Periodical Website
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Record #:
25695
Author(s):
Abstract:
An award winning teacher at East Carolina University School of Art, Linda Darty is also an internationally recognized metal artist who memorializes moments from her life in her sterling silver and enamel metal works.
Source:
Edge (NoCar LD 1741 E44 E33), Vol. Issue , Spring 1998, p24-28 Periodical Website
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