Correspondence, November 10, 1964


[This text is machine generated and may contain errors.]





Electronic Instruments for the Musician

K-A-MOOG CO-

TRUMANSBURG, NEW YORK 14886 * AREA CODE 607 387-9200

November 10, 1964

Dr. Otto W. Henry, Chairman
Department of Music

Washington and Jefferson College
Washington, Pennsylvania

Dear Dr. Henry:

Thank you for your November 6th letter. Your suggestions
and comments are most welcome. We are the first to design and
build "standard" instruments for electronic music composition,
Our design effort is motivated entirely by our conversation
and working experience with electronic music composers. The
few instruments which we are now offering satisfy a wide-
Spread need for relatively inexpensive equipment which is easy
to operate, A simple studio may be assembled from our instru-
ments for less than $1000. While this amount is not excessive
aS electronic music studios go, it certainly does represent a
Sizable investment for independent composers. We certainly
do intend to include very simple modular instruments in our
line. These will be priced somewhat lower than our present
Oscillators and amplifiers.

Permit me to ask you what your greatest needs are at this
time. We are developing several new circuits and instruments.
It is our practise to loan developmental prototypes to electronic
muSic composers for trial and evaluation. For instance, do you
now need a ring modulator or a bell gate? Would you be interested
in trying a bank of oscillators?

Except for recording equipment, we have a more or less com-
plete studio here. I am mulling over the possibility of running
an electronic music composition workshop next summer, My pre-
sent idea is to invite two or three experienced composers and
perhaps twice that many talented and interested composition
Students. The workshop activities would consist of a course in
basic "electronics for musicians" (which I would give), seminars
in the techniques and esthetics of electronic music composition,
and lots of actual experience in composing. May I have your
ideas on such a workshop? Would you be interested in attend-
ing yourself?

SWERe

_
254 -19�





Moog to Henry
November 10, 1964
Page 2 -

I sincerely hope that you will have the opportunity to
answer the questions in this letter, and to offer further
comments. May I hear from you in the near future?

Sincerely yours,

Robert A. Moog


Title
Correspondence, November 10, 1964
Description
Correspondence between composers Otto Henry and Robert Moog, primarily about electronic music equipment. Creator: Henry, Otto; Moog, Robert - 1964/1966
Extent
Local Identifier
UA90.64.04.02
Location of Original
University Archives
Rights
This item has been made available for use in research, teaching, and private study. Researchers are responsible for using these materials in accordance with Title 17 of the United States Code and any other applicable statutes. If you are the creator or copyright holder of this item and would like it removed, please contact us at als_digitalcollections@ecu.edu.
http://rightsstatements.org/vocab/InC-EDU/1.0/
Permalink
https://digital.lib.ecu.edu/79404
Preferred Citation
Cite this item
Content Notice

Public access is provided to these resources to preserve the historical record. The content represents the opinions and actions of their creators and the culture in which they were produced. Therefore, some materials may contain language and imagery that is outdated, offensive and/or harmful. The content does not reflect the opinions, values, or beliefs of ECU Libraries.

Contact Digital Collections

If you know something about this item or would like to request additional information, click here.


Comment on This Item

Complete the fields below to post a public comment about the material featured on this page. The email address you submit will not be displayed and would only be used to contact you with additional questions or comments.


*
*
*
Comment Policy