Papers of Mary Lee Settle (1956-1986 [Bulk: 1980-1984]) documenting the life and career of the popular Charleston, West Virginia-born American novelist, actress, and educator at Bard College, the Iowa Writers' Workshop, and the University of Virginia; consisting of loose manuscript items transferred from the Stuart Wright Book Collection volumes by Settle including All the Brave Promises (1966), The Killing Ground (1980), O Beulah Land (1956), The Scapegoat (1980), and Water World (1984), containing advertising letters, a biographical sketch of Settle by George Garrett, and Settle's letters to Stuart Wright, etc.
Settle became most famous for her series of novels called The Beulah Quintet, which include: O Beulah Land (1956), Know Nothing (1960), Prisons (1973), The Scapegoat (1980), and The Killing Ground (1982), in which the plot takes place against the panorama of West Virginia history.
Settle received numerous awards, including the Merrill Foundation Award (1974), the National Book Award (1978), and the Janet Heidinger Kafka Prize for Fiction (1983). She also twice received the John Simon Guggenheim Fellowship (1958, 1960).
Mary Lee Settle was married three times, first, to Rodney Weathersbee (ca. 1939-1946). She then married Douglas Newton (1946-1956). William Littleton Tazewell became her third husband on 2 September 1978. She died of lung cancer in Ivy, Virginia on 27 September 2005, aged 87.
"Mary Lee Settle Biographical Sketch", by George Garrett (1980) in Stuart Wright Collection: Mary Lee Settle Papers (#1169-102.1.b, d), J. Y. Joyner Library, East Carolina University, Greenville, NC. https://digital.lib.ecu.edu/special/ead/findingaids/1169-102
"Mary Lee Settle collection, circa 1985-1987 (#MSS 80)". 0.25 lin. ft. Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Atlanta, GA 30322. http://pid.emory.edu/ark:/25593/8zvwc
"Mary Lee Settle Collection, 1918-2005 (#M2005.05.02-8)". 1 folder. Southern Highlands Research Center, D. H. Ramsey Library, Special Collections, University of North Carolina at Asheville, Asheville, NC 28804. http://toto.lib.unca.edu/findingaids/mss/southern_appalachian_writers/settle_mary_lee/settlef_mary_lee.htm
"Mary Lee Settle Collection, 1918-2005." Howard Gotlieb Archival Research Center. Boston University, Boston, MA http://hgar-srv3.bu.edu/collections/collection?id=122752
Author: Jonathan Dembo, 3/8/2017, 3/27/2017.
In the fall of 1966, Wright enrolled at Wake Forest University as a pre-med, history, German and music student. Wright earned a B.A. in German and music in 1970. As a graduate student at Wake Forest University, Wright focused his studies on Southern history and literature, his ambition being to build an authoritative Southern Studies collection for the university. He received a master's degree in Southern Studies in 1973 and a second master's degree in U.S. History in 1980. Additionally Wright holds a professional degree from England in a medically related field. It was while studying there that he became interested in Thomas Wolfe, the noted North Carolina native and novelist.
Following his graduation from Wake Forest, Wright began to develop his collections more systematically, acquiring many first editions of Southern writers. In 1976 he began teaching at Reynolda House, a Wake Forest University affiliate dedicated to the arts and arts education. Wright taught classes in American music as well as human anatomy for art students. In 1978 Wright became Lecturer in Education at Wake Forest University. During his 10 years teaching at Wake Forest University, Wright authored numerous works of Civil War and North Carolina history, and dozens of articles, bibliographies, essays and reviews on Southern literature and the writers whose papers he collected. In addition, he developed a strong interest in the writings of the English poet Donald Davie and the Minnesota-born poet Richard Eberhart, whose works he also collected.
At the same time, Wright also began a career as a publisher by starting Palaemon Press in Winston-Salem, North Carolina. By 1984, Palaemon Press had produced 316 titles, consisting mainly of broadsides and limited editions, of the poetry and essays of such Southern writers as A. R. Ammons, Fred Chappell, James Dickey, William Goyen, George Garrett, and Eudora Welty. He also built comprehensive collections and compiled book-length descriptive bibliographies of A.R. Ammons, Andrew Lytle, Reynolds Price, James Dickey, William Goyen, Walker Percy, Randall Jarrell, Peter Taylor, George Garrett, Richard Eberhart, and Donald Davie. As well as serving as editor of the contemporary literature section of the Bulletin of Bibliography throughout the 1980s, Wright also contributed pioneering checklists of the writings of Southern poets Henry Taylor, Charles Wright, and Robert Morgan. For Meckler Publishing he served as series editor for a number of book-length bibliographies and checklists. In recognition of these accomplishments, when he was just 32, Wright was elected to membership in New York's prestigious Grolier Club.
All of these works are represented in the Stuart Wright Collection. In his dealings with these various authors Wright made consistent efforts to acquire personal papers, letters and documents, photographs, manuscripts, drafts, proofs, and published materials to supplement his continuing activities as a purchaser of their works. In this way, Wright acquired perhaps a majority of his overall collection. Over the years a number of biographers used Wright's collection to aid their research. For example, James A. Grimshaw, Jr. used the collection extensively for his Robert Penn Warren: A Descriptive Bibliography, 1922-1979 published by the University Press of Virginia, in 1981 and Craig S. Abbott did so as well for John Crowe Ransom: A Descriptive Bibliography, published by Whitston Publishing Company, Inc. in 1999. Joseph Blotner also used the Wright collection in researching Robert Penn Warren: A Biography, published by Random House in 1997.
Nevertheless, from the mid- to late 1980s, Wright began to look for a permanent home for his collection, which he felt had grown too large and yet had been too little used. Unable to find a repository willing to accept the entire collection under suitable conditions, he sold a number of individual author collections to Vanderbilt University, Duke University, the University of Texas at Austin, and Emory University. It was not until 2010 that he reached agreement to house the remaining, and largest part of his collection at East Carolina University. The Stuart Wright Collection in the East Carolina Manuscript Collection of J.Y. Joyner Library includes 106 sub-collections of the papers of Southern American writers, illustrators, composers, and publishers. The related Stuart Wright Book Collection holds several thousand volumes by or about many of the same writers. Many of these volumes contain annotations, inscriptions, and insertions that reveal much about the authors in the collection and their relationships with one another. In 1998 Wright moved to England, and since 2001 he has resided in the medieval market town of Ludlow, in Shropshire.
Author: Jonathan Dembo, 11/2/2016
Stuart Wright Collection: Mary Lee Settle Papers (#1169-102) are arranged in original order in a single series.
Series 1: Ludlow Addition #2 to the Stuart Wright Collection consists of loose manuscript items transferred from the Stuart Wright Book Collection volumes by Settle including All the Brave Promises (1966), The Killing Ground (1980), O Beulah Land (1956), The Scapegoat (1980), and Water World (1984), containing advertising letters, a biographical sketch of Settle by George Garrett, and Settle's letters to Stuart Wright, etc. Series 1 is held in Box 1.a-1.e.
Purchased from Stuart Wright, 7/20/2012
Processing, Preliminary inventory & Container List, by Jonathan Dembo, with the assistance of Nathaniel King, 2/26/2016, 10/3/3016; Final inventory by Jonathan Dembo, 10/3/2016, 3/8/2017; Finding aid by Jonathan Dembo, 10/3/2016; Biographical Sketch, by Jonathan Dembo, 3/8/2017; Encoding revised by Jonathan Dembo, 3/8/2017.
Literary rights to specific documents are retained by the authors or their descendants in accordance with U.S. copyright law.