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Articles in regional publications that pertain to a wide range of North Carolina-related topics.

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961 results for "North Carolina Folklore Journal"
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Record #:
16238
Abstract:
Clifford Glenn has skillfully made fretless mountain banjos and dulcimers in the Sugar Grove community since the 1950s. He comes for a unique family instrument-making tradition that stretches over four generations to the 19th-century. He also represents a large cultural tradition of the area around Beech Mountain and the Watauga River valley. In homes along the labyrinth of winding dirt roads in and around the area, musicians from several prolific families played old-time music, told Jack Tales, and made traditional crafts.
Record #:
16239
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Ruchala takes on the history and culture of the Blue-Ridge string-band tradition of the Blue Ridge and Piedmont sections of North Carolina. By focusing on the story of \"Sally Ann,\" Ruchala explores the issues of tradition and revival, continuity and change, insider and outsider, and music and dance.
Record #:
16240
Abstract:
The people of Western North Carolina look forward to spring for a number of reasons, one of which is a culturally unique food that tastes and smells like no other--ramps. A member of the wild leek family, ramps fulfill an important cultural and economic space in Western North Carolina. Locklear considers the role by investigating customs surrounding ramps that include uses, festivals, stories, cycles, and restrictions.
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Record #:
16241
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Although he started his musical career as a drummer in a rock and roll band, musician, storyteller, and photographer David Hold has been teaching, performing, and revitalizing old time Appalachian music and storytelling for more than thirty years.
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Record #:
16242
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Eason details the return of 400 people in Portsmouth Village, an island ghost town on the northernmost reach of Cape Lookout National Seashore. With a brief history of Portsmouth Island, Eason remarks on the current state of the area and attempts to bring this ghost town to life.
Record #:
16243
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The flamboyant, swaggering frontier tall-tale tellers and local colorists of American literature were invariably skilled narrators. The comic adventure tales and exaggerated lies chronicling outlandish deeds of fishing, hunting, and fighting flourished in the new country. These stories captured something of the exuberant national character and gave verbal expression to the wild individuality of the American frontier.
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Record #:
16244
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On any given day of the Smithsonian Folklife Festival, men and women from North Carolina's maritime communities could be observed laboring on markers of these maritime cultures such as duck blinds and sail skiffs, and explaining trapping and net fishing with songs and tales.
Record #:
16250
Abstract:
Shortly after World War I, the pottery industry in North Carolina underwent some major transformations. The wares changed from the old utilitarian jars and jugs to smaller, more brightly colored forms. The potters also adopted new technologies and marketing strategies to reach a new clientele. But perhaps the greatest innovation was that women began turning wares and taking a major role in the business. And the very first women of all was Nell Cole Graves.
Record #:
16251
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In quality and strength of its musical traditions, few areas of the United States compare with the region of the Blue Ridge Mountains. The region's old-time, bluegrass, and gospel music finds expression in the extraordinary talents of individual musicians and supports from a systems of institutions that include families, schools, churches, conventions, festivals, record companies and radio stations. Since it began broadcasting in 1948, Mount Airy radio stations WPAQ-AM has remained a powerful force in promoting its region's traditions. WPAQ owes its importance to the vision and commitment of station owner Ralph Epperson, who has made the radio a family and personal enterprise and support of traditional music a vocation.
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Record #:
16252
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Oxford discusses the performance paradigm for storyteller Ray Hicks, a traditional storyteller from Banner Elk, North Carolina.
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Record #:
16253
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A Singing Stream is the first film in the American Traditional Culture Series to chronicle 20th-century African-American history through the musical traditions of one family. It presents the Landis family of rural Granville County and suggests the cultural resources with which they have faced historical changes.
Record #:
16254
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Julian Guthrie is a native of Harkers Island, a small island community east of Beaufort, N.C. It is a unique community known widely for its traditional boats and its coastal folkways. Guthrie is a boat builder who learned the techniques and traditions from his uncle, traditions that mark the boats from this community with a unique identity.
Record #:
16255
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David Stick has written four major histories of the North Carolina coast. Through Stick's books and articles, the reader gains not only a factual chronicle of the history of the North Carolina coast, but also a lively appreciation of the details of regional traditional life--of the forms and functions of the folk-life of communities and occupational groups along the Outer Banks.
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Record #:
16256
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Bath, a riverside village in Beaufort County that is North Carolina's oldest town, is the setting for many old stories and legends. One of the most enduring local legends is the story of the Devil's Hoof Prints left from the disastrous riding accident of Jesse Elliot in 1813.
Record #:
16257
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At the southern end of Core Sound, in coastal Carteret County, lies Harkers Island. The areas of subsistence techniques and foodways provide clear examples of folkways different from those found inland. Traditional foods and ways of eating form a link with the past. In situations of cultural change, many people hold on to them despite pressure to change. The loon has been adopted by Harkers Island natives as a symbol of their shared culinary and cultural heritage.
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