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101 results for "North Carolina Museum of Art--Exhibitions"
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Record #:
29514
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Abstract:
A new exhibit in the North Carolina Gallery titled "Line, Touch, and Trace" presents hand-drawn works by 13 North Carolina artists. All of these works explore drawing in its relationship to thought processes. The curator of the exhibition Edie Carpenter is interviewed about the exhibition. Carpenter explains why the exhibition was created, how the artists were selected, how the artists’ materials help them achieve their goals, and what drawing offers the viewer that painting or sculpture does not.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2014, p18-21, il
Record #:
29515
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Porsche by Design: Seducing Speed tells the Porsche story by rolling 22 of the most rare and significant Porsche automobiles into the Museum for a 14-week exhibition. The exhibit showcases the beauty of Porsche’s aerodynamic designs and showcases the links between engineering and style. The exhibition s previewed by discussing the speed, capabilities, and design features of 13 of the models.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2013, p8-13, il
Record #:
29516
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Photographer Brian Ulrich’s Copia: Retail, Thrift, and Dark Stores, 2001-2011exhibition shows a decade-long investigation of consumer culture. The photographs show the excess of big-box stores, the discarded items at thrift stores, and the landscape of empty shopping centers in urban areas. Ulrich’s photography is intended to help us learn about our behaviors, habits, comforts, and purpose. The exhibit starts with the events of September 11, 2001 with the “call to spend” by politicians through the financial collapse of 2008 to the present.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2013, p16-19
Record #:
29518
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The challenge of presenting a borrowed exhibit from a new perspective is discussed by John Coffey. Coffey is the curator of the show Still Life: Masterpieces on loan from the Museum of Fine Arts, Boston. Coffey discusses why the exhibit was brought to Raleigh, how museum’s plan for the installation of an exhibit, the reason for the placement of certain of the artworks, and other details about the exhibit.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 2013, p6-11
Record #:
29519
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The exhibition Edvard Munch: Symbolism in Print is currently on display and focuses on the idea of death in sex. Munch believed that in love, individuals lost their personal identities and this idea is seen in this collection of prints. His complicated prints of relationships and feelings between men and women often convey anguish, despair, lust, and passion. Munch’s personal experiences and a preview of the exhibition are detailed.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2013, p14-17
Record #:
29579
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Abstract:
Eudora Welty photographed daily life in the South before she became a Pulitzer Prize-winning writer. Through September 3, the North Carolina Museum of Art in Raleigh will display eighteen of Welty’s early photos in its new exhibition, Looking South. The photographs feature portraits of farmers, churchgoers, porch sitters, and sharecroppers.
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Record #:
29606
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Abstract:
A new exhibit showcasing still-life paintings will be on display at the Museum on loan from the Museum of Fine Arts, Boston. The exhibition is centered on the idea of looking and looking at objects closely, slowly, and thinking about them. To preview the exhibition, the history of the form of still-life painting is explored and some of the more famous and interesting works by Paul Cezanne, John Frederick Peto, Auguste Renoir, and Girorgio Morandi are profiled.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2012, p6-11
Record #:
29607
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The Museum will display a selection of prints by Edvard Munch which focus on the symbolism in his work. Munch was a Norwegian artist whose paintings, drawings, and prints draw the viewer into his inner world of raw emotion and anxiety. Munch explored themes such of love and jealousy, loneliness and anxiety, and sickness and death in his work through symbolism. This exhibition looks at Munch’s achievement as a printmaker and was one of the most influential and prolific printmakers of the modern era.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2012, p14-17
Record #:
29609
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The inaugural exhibition in the Museum’s new North Carolina Gallery is titled Inverted Utopias and features 20 key works by Bob Trotman. North Carolina artist Trotman began his career as a furniture maker before transitioning to a full-time sculpture artist in 1997. Trotman’s painted and carved-wood portraits depict people at dramatic transitional moments on the brink of change. His works are often both humorous and unsettling and in unusual positions.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2010, p6-11
Record #:
29610
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The Museum will display the work of Norman Rockwell in an upcoming exhibition. 40 original paintings and 323 Saturday Evening Post covers will be on display. Rockwell was influential in shaping the nation’s self-image during the twentieth-century through his illustrations in media publications. Rockwell’s art is noted for its humor and portrayal of everyday life. Rockwell’s style and criticism of his work are discussed in this preview of the exhibition.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2010, p12-17
Record #:
29612
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Jaume Plensa’s Doors of Jerusalem I, II, & III greet visitors as they enter the Museum’s West Building. The three larger figures are mounted high on the wall, are translucent, and are lit from within with words covering their bodies. The words are from the Song of Solomon found in the Bible and the names of the eight gates of the walled city of Jerusalem cover the figures mouths. The figures are described as contemporary gargoyles or celestial beings and their composition and the artist’s style are detailed here.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2010, p22-23
Record #:
29621
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Fannie and Alan Leslie bequeathed 30 paintings to the Museum and 13 paintings from their collection are currently on display. The Leslie Collection paintings are examples of modern American art and include major works by leading Southern California modernists. In a preview of the exhibition, the works and styles of artists Stanton Macdonald-Wright, Hans Burkhardt, and Lee Mullican are detailed.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 2008, p6-9, il
Record #:
29623
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The exhibition Far from Home features work by artists of diverse national, cultural, and spiritual backgrounds. The exhibit also includes works of art that address the displacement of people and populations in the global community as they relocate for economic, political, education, or familial reasons. All of the artists featured have relocated and their art often reflects this event and the distance they feel from their homes. The exhibit explores how being displaced affects creativity and one’s identity.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 2008, p10-11, il
Record #:
29645
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Abstract:
In the new exhibit Far From Home, the idea of disorientation and opportunity play a large role. The exhibition features works of modern art which focus on the idea of home. This idea of home could center on a family dwelling, geographic location, or culture and the complicated sense of origin and belonging our modern world has created.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 2008, p6-9
Record #:
29695
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The first installation of community art projects that will be visible upon entering the Museum is detailed. Local artists Mathew Curran, Bart Cusick, and Vic Knight created a mural inspired by 19th century landscapes from the Impressionism movement. Their mural includes stencils of Renoir, Sargent, and Monet with swirling colors and images from Hawthorne’s Highland Light (about 1925) and Spencer’s The White Tenement (1913) included. Several times a year the space will feature new community art installations by local artists.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Spring 2008, p15