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Articles in regional publications that pertain to a wide range of North Carolina-related topics.

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23 results for "Art and state"
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Record #:
3547
Abstract:
Government funding for the arts ebbs and flows. For example, in 1965, Congress funded the National Endowment for the Arts, yet voted to end it in 1997. Such instability makes it difficult for local art groups to plan, develop, and continue programs.
Source:
Independent Weekly (NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 15 Issue 44, Oct 1997, p23-25 Day 29 Periodical Website
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Record #:
32914
Author(s):
Abstract:
Over one-hundred paintings purchased by the State Art Commission in 1952 with the General Assembly’s one-million-dollar appropriation of 1947 included several well-known Nativity scenes by European masters. One of the most important of them was Flemish master Peter Paul Rubens’, “The Holy Family with St. Anne.” A donation from the Phifer family of North Carolina to the State Art Society was also important in broadening the collection, which is now at the North Carolina Museum of Art.
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Record #:
28885
Author(s):
Abstract:
The Art-in-State Buildings Program, managed by the Visual Arts Section of the North Carolina Arts Council, is a process of utilizing an appropriation from the General Assembly to place art in or around government buildings. The process of selection and placement of art in public spaces is discussed.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 3 Issue 2, Feb 1987, p4-5, il
Record #:
2945
Author(s):
Abstract:
Since 1990, arts groups across the state have almost doubled, to around 2,000. At the same time, however, funding and support in the General Assembly is waning, a trend that threatens the work these groups do.
Source:
Independent Weekly (NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 14 Issue 22, May 1996, p10-12, il Periodical Website
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Record #:
28920
Author(s):
Abstract:
The Art for Public Spaces Bill was introduced in the North Carolina Senate in mid-march. The bill calls for one-percent of the construction costs for new and remodeled state properties to be used for art. While modifications were made in the new legislation to make the program stronger, valuable and effective elements in the former Artworks for State Buildings Program were left intact.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 12 Issue 1, Fall 1997, p7, il
Record #:
28903
Abstract:
This article is a chronicle of the first fifteen years of North Carolina’s Grassroots Arts program. The program brings state funds that can be used only for the arts. Overall, the program has strengthened the state arts council’s relationship with local arts agencies.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 8 Issue 2, Fall 1992, p1-3, il, por
Record #:
3737
Author(s):
Abstract:
With funding for the arts being reduced at the state and federal levels, artists in the Triangle area are seeking new avenues of expression. Many are utilizing their talents in community projects, including painting prison murals and creative writing workshops for inmates.
Source:
Independent Weekly (NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 15 Issue 46, Nov 1997, p23-24, il Periodical Website
Record #:
28884
Author(s):
Abstract:
Controversies over public art are political and involve questions about what is considered art. Debates have been raised over public sculptures in Raleigh and sign ordinances in Asheville.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 3 Issue 2, Feb 1987, p2-3, por
Record #:
28919
Author(s):
Abstract:
An event called “When Visions Collide: A Seminar on Ethics as Tools for Resolving Issues in the Arts” was held in Raleigh last week. Speakers at the event discussed various ethical conflicts and dilemmas that occur in the arts.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 12 Issue 1, Fall 1997, p6
Record #:
28896
Author(s):
Abstract:
Members of the North Carolina Arts Council Board and Staff and representatives of the statewide arts service organizations have suggested a range of issues, questions and concerns to be addressed in long range planning for the 1990s. Among the topics include support for artists, cultural diversity, communication, and regional development.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 5 Issue 1, Feb 1989, p2-5, il
Record #:
28895
Abstract:
The Arts Congress will be the first-ever gathering of the state’s, business and political leaders to share their ideas and concerns for the future of the arts in North Carolina. The three-day agenda of the special programs and events planned for the conference is presented.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 5 Issue 1, Feb 1989, p2-5, il
Record #:
28901
Author(s):
Abstract:
The North Carolina Arts Council has faced a number of risks and challenges to support artists across the state. This article covers the history, politics, and direction of public funding of artists in North Carolina.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 8 Issue 1, Fall 1991, p1-3, il, por
Record #:
28887
Author(s):
Abstract:
The North Carolina Arts Council’s Grassroots Arts Program filters money from the state budget back down to the counties, and ensures local decision-making and distribution of funds. Money is allotted reliably and non-competitively to local distributing agents.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 4 Issue 1, Jan 1988, p4-5, il, por
Record #:
3359
Author(s):
Abstract:
Attacks by Congressional Republicans on the National Endowment for the Arts are seriously limiting funds for arts projects. There will be fewer modern-dance performances in the Triangle this year. Universities are also limiting dance offerings.
Source:
Independent Weekly (NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 13 Issue 36, Sept 1995, p29,31, il Periodical Website
Record #:
24994
Author(s):
Abstract:
While there is extensive intensive interest in the arts in Charlotte, the many fundraising efforts are often in competition for limited funds. Working at cross purposes, different organizations undermine each other. What is really needed is a good, financially stable foundation that the arts can rely on.
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