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Showing 691 - 705 for Daily Reflector, August 29, 1910

Documents pertaining to World War II activities of a squadron designated at various times as Bombing Squadron 106 (1943-1944), Patrol Bombing Squadron 106 (1944-1945), and Patrol Squadron 106 (1945-1946), including historical summaries, action reports, war diaries, interviews operational orders, articles, rosters, etc.

Papers of Cleanth Brooks (1951-1986) documenting the life and literary career of the noted Murray, Kentucky-born American editor, literary critic and educator at Yale University, who was influential in the New Criticism movement as editor of The Southern Review, 1935-1942; consisting of loose manuscript items transferred from the Stuart Wright Book Collection, including Brooks' signed contract to sell his books and literary periodicals to Stuart Wright correspondence between Brooks, George Garrett Stuart Wright; also a reprint of Milton and the New Criticism, by Cleanth Brooks (1951).

Ledgers (1911-1968) of Beaufort County, NC attorney, containing abstracts of deeds and other land conveyances; plats of land; and historical and contemporary observations about the county and its people.

Collection (1947-1951, undated) of programs relating to various organizations at Greenville High School, Greenville, NC. Organizations include the glee club, Dramateers and the football team.

Records of Greenville, NC book club (1937-2018), including minutes, correspondence, newsletter clippings, constitution and by-laws, treasurer books, yearbooks, and eight scrapbooks.

Papers of Carson McCullers (1941-1985 [Bulk: 1941-1945]) documenting the life and literary career of the noted Columbia, Georgia-born American author of Southern Gothic novels and short stories, consisting of her correspondence with noted American composer David Diamond (1915-2005), 1941-1945, and a letter from McCullers' biographer, Virginia Spencer Carr, to Stuart Wright, regarding publication of the McCullers – Diamond correspondence, 1985.

Papers of William Harrison (1969) documenting the life and literary career of the noted Dallas, Texas-born American novelist, short story writer, screenwriter, and educator who was founder and director of the Master of Fine Arts program at the University of Arkansas, Fayetteville, consisting of a proof of his novel In A Wild Sanctuary (1969).

Papers (1861-1946, undated) consisting of correspondence, Indian reservation schools in Oklahoma, legal records, receipts, poetry, receipts, poetry, handwritten history, blueprint.

Papers (1820, 1879-1925) including photographs, correspondence, a commencement announcement, a newspaper clipping, and miscellany.

This collection consists of materials and documents (1918-1986) pertaining to the lives and military service of Macon Jasper "Jack" Moye, Sr. and his son, Macon Jasper "Jack" Moye, Jr. Most of the collection pertains to Macon J. Moye, Jr.'s military career (1937-1968), as well as his personal life and teaching career. Macon J. Moye, Jr.'s materials include official documents and correspondence from his career in the U.S. Army, personal correspondence with his wife, photographs, clippings, ephemera, and books and other published material relating to his career and life. Macon J. Moye, Sr.'s materials (1918-1966) consist of official documents, manuals, and correspondence from his service during WWI. His materials also include personal items, like contracts pertaining to his tobacco warehouse and clippings about his life and family.

Papers (1945-1984 [Bulk: 1984]) documenting the life and literary career of Karl [Jay] Shapiro (1913-2000), the noted Baltimore, Maryland-born American poet, critic, and educator, consisting of an unbound page proof of Love and War, Art and War (1984) by Karl Shapiro; also containing loose manuscript items transferred from the Stuart Wright Book Collection relating to Collected Poems, 1940-1979 (1945-1984), New and Selected Poems (1984), and To Abolish Children and Other Essays (1984) by Karl Shapiro.

The Louis Orr Collection contains a set of forty-eight prints of the original fifty-one print set (and one replacement print) made from etchings of North Carolina historical landmarks and architectural sites. The etchings were created from 1939 to 1952 by artist Louis Orr, a world-renown etcher, at the behest of North Carolina resident Robert Lee Humber who wanted to preserve North Carolina's heritage by providing the artwork to schools, colleges, public libraries and institutions throughout the state.