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Showing 46 - 60 for Syracuse at East Carolina football game film

This collection contains information regarding the Alumni Association's constitution, administrative records, records about College Day, homecoming, faculty data, The Lost Colony drama, Outstanding Alumni Awards, legislative committee, alumni loyalty fund, and the annual fund drive, as well as newsletters and brochures.

Collection (ca. 1975-2000 [bulk: 1995-2000]) of correspondence, meeting minutes, committee files, printed rosters, membership requirements, and videocassette of a film entitled "North Carolina's Role in the American Revolution."

Records (1919-2016) of the Rotary Club of Greenville, North Carolina, including correspondence, minutes, financial papers, deeds, membership lists, publications, scrapbook, clippings, motion picture film, audio tapes, photographs and memorabilia.

Records of the Jackie Robinson Baseball League of Greenville, North Carolina (1991-2012), including minutes, correspondence, financial records, newspaper articles, printed material, and photographs

In this oral history, Carl Long (May 9, 1935 - January 12, 2015) discusses his professional baseball career (1952-1958) with the "Negro American League" and the Pittsburgh Pirates farm clubs including among others the Kinston (North Carolina) Eagles in the Carolina League where he was the first African American baseball player in the league; his time as the first African American deputy sheriff and first African American detective in Kinston; and his subsequent career as the first African American bus driver in Lenoir County (NC) from which he retired in 1995.

The John W. Warner Papers (1947-1986) document the career of filmmaker and entrepreneur John W. Warner, with a primary focus on the creation, financing, distribution, and later rediscovery of the independent film Pitch A Boogie Woogie. Dating chiefly from 1946 to 1958, with additional materials from 1986, the collection includes correspondence, legal and financial records, promotional materials, memorabilia, scripts, photographs, and audiovisual media that illuminate the business and creative challenges of independent filmmaking in the mid twentieth century. Supplementary materials reflect Warner's broader professional activities in North Carolina, including television production and local theater operations. Together, the papers provide insight into regional film production, film exhibition and promotion, and the processes through which a largely forgotten work was reclaimed and recontextualized by scholars and the public decades later.