Collection (circa 1988) of research material, interview transcripts, audiovisual materials, and clippings compiled by the donor for his UNC-TV documentary Boogie in Black and White, a film about the making of the movie Pitch a Boogie Woogie. This movie was shot in Greenville, North Carolina in 1947 using a local cast of African American musicians and actors, by John W. Warner, then owner of the Plaza Theatre in Greenville. The material in this collection includes an outline, subject background and questions regarding "The Block", a popular area in Greenville, all used for the making of Boogie in Black and White. Also included are questions for interviewees. Photocopy typescripts.
Boogie in Black and White is a UNC-TV documentary written and produced by Alex Albright about the making of the movie Pitch a Boogie Woogie. The movie was filmed in Greenville, North Carolina in 1947 with a local cast of African American musicians and actors. John W. Warner, owner and manager of the local Plaza Theatre, filmed the movie. Warner was known for the practice of filming local people and events and previewing the productions at his theater. The documentary contains interviews with local residents who discuss postwar Greenville, including "The Block", a two block district on Albemarle Avenue where many notable African American artists and musicians came to play in local clubs and warehouses. Also discussed are the movie's production, discovery and preservation. Interviewees include Beatrice Atkinson, Pervis Cohens, Bill Shepherd, Alex Albright, Donald R. Lennon, Sam Underwood, Jr. (Warner's attorney), "Little," "Guy," "Forbes," "Carlson" and "Woods." Albright is currently Associate Professor in the English Department at East Carolina University in Greenville.
Note: Only documents 1 and 2 contain both questions and answers. The remaining documents consist of only questions.
Document one is an outline of the documentary film Boogie in Black and White (1988). The outline contains transcription of interviews with locals, cast members of the movie, and those involved with finding the movie in the Roxy Theater, and the work to preserve the film and the story behind it. The outline also contains information about businesses on "The Block" and the neighborhood surrounding it.
Document two contains subject backgrounds and interview questions concerning "The Block", John Warner and the Plaza Theater. It also provides background material on E.H. "Red" Eaton, Millard Fillmore Bell, Bill Jones, Pervis Cohens, Sam Underwood, Jr., Donald R. Lennon and Bill Shepard.
Document three consists of a list of questions to ask interviewees about "The Block" and life after World War II on "The Block. The questions themselves give insight into people and places on "The Block", including theaters, restaurants and clubs.
Document four is entitled Beatrice Atkinson: questions to ask and information needed. Atkinson had a small part in the movie Pitch a Boogie Woogie, and was an important source of information to the documentary producer. Atkinson was working at East Carolina University when the film was brought in to be preserved. She was recognized in the credits, and she provided assistance in locating people and recollections of life on and surrounding "The Block".
Document five consists of a list of questions to ask Pervis Cohens.
Document six consists of a list of questions to ask Sam Underwood, Jr., who was John Warner's attorney. The questions were meant to uncover who John Warner was, why he made the movie and what he wished to accomplish by its creation.
Document seven consists of a list of questions to ask Donald R. Lennon, then head of Joyner Library's Special Collections Department at East Carolina University, about the discovery and preservation of the movie Pitch a Boogie Woogie.
October 3, 2023, (unprocessed addition 1), 2.25 cubic feet; Contains VHS tapes, Betamax tapes, photographic prints made from stills, a 331/3 rpm record, and clippings related to the UNC-TV documentary "Boogie in Black and White" made by Alex Albright. Gift of Alex Albright.
Gift of Alex Albright
Processed by Molley Brisendine, May 8, 2008
Encoded by Mark Custer, January 2, 2008 (preliminary) and April 29, 2010 (processed)
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See also the