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Articles in regional publications that pertain to a wide range of North Carolina-related topics.

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Record #:
29480
Author(s):
Abstract:
To commemorate the thirtieth anniversary of its opening, the Museum will present an exhibition of fort-five seventeenth-century Dutch paintings from its collection. This collection is considered one of the finest in the United States and will be paired with approximately thirty etchings and copper plates by Rembrandt lent from the collection of Robert Lee Humber. The history of Dutch art in the seventeenth century is discussed in depth and is unlike art from other European countries during the seventeenth century. The Dutch art from the time period is characterized as being more human and natural, reflecting contemporary life.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1986, p4-7, il
Record #:
29499
Author(s):
Abstract:
Dutch, Flemish Paintings Treated for Exhibition The Museum’s conservation staff have been performing conservation treatement on Dutch and Flemish paintings selected for display as part of the upcoming “Dutch Art in the Age of Rembrandt” exhibition this fall. These works immediately became top priority after the exhibition was scheduled. Originally treated in 1982, the conservators referred to that survey to guide them toward troublesome areas for each painting. The process of restoration is described in detail with the work on the painting The Dentist by Dutch artist Jan Miensz Molenaer is of particular focus.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1986, p17-19
Record #:
29405
Author(s):
Abstract:
A selection of 9 prints by 5 German artists will be exhibited in the Twentieth Century Gallery conjunction with the Modern German Masterpieces from the Saint Louis Art Museum exhibition. Max Beckmann, Ernst Ludwig Kirchner, Otto Mueller, Kathe Kollwitz, and Georg Schrimpf will have their prints displayed. The graphic arts were of major importance to the Germans and helped to develop their individual styles of their paintings. The prints are known for their high emotional content and are among the group’s greatest accomplishments.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Spring 1986, p13-14
Record #:
29519
Author(s):
Abstract:
The exhibition Edvard Munch: Symbolism in Print is currently on display and focuses on the idea of death in sex. Munch believed that in love, individuals lost their personal identities and this idea is seen in this collection of prints. His complicated prints of relationships and feelings between men and women often convey anguish, despair, lust, and passion. Munch’s personal experiences and a preview of the exhibition are detailed.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2013, p14-17
Record #:
29607
Author(s):
Abstract:
The Museum will display a selection of prints by Edvard Munch which focus on the symbolism in his work. Munch was a Norwegian artist whose paintings, drawings, and prints draw the viewer into his inner world of raw emotion and anxiety. Munch explored themes such of love and jealousy, loneliness and anxiety, and sickness and death in his work through symbolism. This exhibition looks at Munch’s achievement as a printmaker and was one of the most influential and prolific printmakers of the modern era.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2012, p14-17
Record #:
29292
Author(s):
Abstract:
Eleven paintings by Russ Warren from 1983-1984 will be exhibited in the Contemporary Gallery this spring. Warren’s paintings are narrative and deal with nightmare, destruction, and death. Warren is an Associate Professor of Art at Davidson College in North Carolina and won the North Carolina Artists Exhibition at the Museum in 1980.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Spring 1985, p6-7
Record #:
29501
Author(s):
Abstract:
Four of the featured artists of Estampas de la raza are interviewed about the challenges they face in creating their art, how their cultural background affects their work, and how Estampas continues to influence them. Vincent Valdez, Oscar Magallanes, Ceasr Martinez, and Sonia Romero are all interviewed. The four artists all contributed prints to the exhibition and discuss how being Latino has affected their work and perspective. The exhibition highlights contemporary prints created by Latino and Hispanic artists.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 2014, p6-11
Record #:
29216
Author(s):
Abstract:
The North Carolina Museum of Arts’ collection of European paintings is one of the finest and most important in the United States. The history of the collections’ acquisition and rationale for collection is detailed from the 1940s through the 1960s. Until the opening of the new museum, the collection was primarily viewed outside of North Carolina due to a lack of space at the old museum. Beginning September 10, the European paintings will be on view in a series of sequential galleries in the new museum after restoration work in the museum's new conservation laboratory.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1983, p4-7
Record #:
1574
Author(s):
Abstract:
An exhibition in North Carolina Museum of Art examines the range, functions, and styles of masks found throughout the Western Hemisphere dating to the Pre-Columbian period.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1992, p5-7, il
Record #:
29645
Author(s):
Abstract:
In the new exhibit Far From Home, the idea of disorientation and opportunity play a large role. The exhibition features works of modern art which focus on the idea of home. This idea of home could center on a family dwelling, geographic location, or culture and the complicated sense of origin and belonging our modern world has created.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 2008, p6-9
Record #:
29698
Author(s):
Abstract:
In the new exhibit Far From Home, the idea of disorientation and opportunity play a large role. The exhibition features works of modern art which focus on the idea of home. This idea of home could center on a family dwelling, geographic location, or culture and the complicated sense of origin and belonging our modern world has created.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Spring 2008, p6-9
Record #:
43613
Author(s):
Abstract:
The first work to enter North Carolina Museum of Art's People's Collection by a Danish artist is Jeppe Hein's "Mirror Labyrinth NY".
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue Winter, December-February 2022/2023, p18-19, il
Subject(s):
Full Text:
Record #:
29313
Author(s):
Abstract:
The work of the Bertie County, North Carolina native Francis Speight will be on display in the Twentieth Century Gallery this summer. Speight’s landscapes of the industrial suburban hillsides of Philadelphia and rural, northeastern North Carolina will be the focus of the exhibition. A brief biography of Speight and a description of his style preview the exhibition.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1985, p12-13
Record #:
29410
Author(s):
Abstract:
Some of the country’s finest selections of French painting will be on display this summer in the Main Exhibition Gallery. The paintings are on loan from the Chrsyler Museum in Norfolk, Virginia. The works range from the seventieth through the twentieth century. Artists included are Chardin, Boucher, Gros, Delacroix, Rousseau, Daubigny, Manet, Renoir, Cezanne, Degas, Gauguin, and Matisse among other.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Spring 1986, p14-15
Record #:
29418
Author(s):
Abstract:
One of the major goals of the Museum is to increase the public’s knowledge of the major art collections of the Southeastern United States through exhibitions. In attempting to accomplish that goal, the Museum will exhibit 45 paintings by French artists from the Chrysler Museum in Norfolk, Virginia. The paintings date from the seventieth through the twentieth centuries. Examples of the periods of realism, the French Baroque, rococo, romanticism, impressionism, and post-impressionism are all represented.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1986, p6-8, il