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961 results for "North Carolina Folklore Journal"
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Record #:
5569
Author(s):
Abstract:
Connie, Cleonia, and Celester Badgett learned to harmonize under their father's direction. They sing in the jubilee style, a form popular in the 1930s and 1940s. They received a 1990 N.C. Folk Heritage Award for continuing the gospel tradition.
Record #:
5570
Author(s):
Abstract:
Walter Calhoun was awarded a 1990 N.C. Folk Heritage Award for preserving and teaching the ancient ceremonial arts and customs of the Eastern Band of the Cherokee Indians.
Record #:
5571
Author(s):
Abstract:
Eva Wolfe is one of only ten people who practice the rare art of weaving traditional Cherokee rivercane baskets. She is also known for her doubleweave baskets, one of the most difficult weaving styles. In 1989, she received an N.C. Folk heritage Award.
Record #:
5572
Author(s):
Abstract:
Born in Madison County, Thomas Hunter is a master fiddler who preserves the traditional western Carolina fiddle tunes. Recognized by the Smithsonian Institution for his work, he has also received a 1989 N.C. Folk Heritage Award.
Record #:
5573
Author(s):
Abstract:
Sisters Effie Rhodes Bell and Hazel Rhodes Reece have made quilts for over fifty years, creating original designs or using traditional patterns. Featured in national publications and exhibits, they received an N.C. Folk Heritage Award in 1991.
Record #:
5574
Author(s):
Abstract:
At age 103, Sally Parnell of Davidson County has been a rag rug weaver for almost 95 years. When her husband died, she needed to make a living. Rug sales gave her skills greater prominence. In 1990, she received an N.C. Folk Heritage Award.
Record #:
5575
Author(s):
Abstract:
Wilma McNabb of Cherokee County received a 1990 N.C. Folk Heritage Award for preserving the art of overshot pattern weaving. Almost lost at the start of the 20th century, it is done on a large wooden loom and demands great technical knowledge and skill.
Record #:
5576
Author(s):
Abstract:
Dellie Norton of Madison County received a 1990 N.C. Folk Heritage Award for preserving the old Scottish and English ballads brought by the first settlers to the Southern Appalachians. She performs in the traditional, unaccompanied way.
Record #:
5577
Author(s):
Abstract:
Quay Smathers of Haywood County was awarded a 1991 N.C. Folk Heritage Award for playing, singing, and preserving western Carolina traditional music. He is a leader in preserving and popularizing the shape note style of singing.
Record #:
5578
Author(s):
Abstract:
Thomas Strickland of Johnston County was awarded a 1991 N.C. Folk Heritage Award for preserving the art of weaving baskets using traditional materials, such as split oak wood.
Record #:
5579
Author(s):
Abstract:
Joe and Odell Thompson of Alamance County received a 1991 N.C. Folk Heritage Award for continuing the African-American stringband tradition. The cousins play banjo and fiddle together, a combination that once provided much of the South's dance music.
Record #:
5580
Author(s):
Abstract:
Bertie Dickens of Alleghany County received a 1992 N.C. Folk Heritage Award for preserving the traditional style of banjo playing. Mrs. Dickens performs in the old-time clawhammer style and the rarely heard two-finger up-picking technique.
Record #:
5581
Author(s):
Abstract:
Emma Dupree of Falkland, in Pitt County, received a 1992 N.C. Folk Heritage Award for continuing the old practice of herbal medicine. She possesses a wide knowledge of the healing properties of herbs and grows many of her supplies.
Record #:
5584
Author(s):
Abstract:
Lela Brooks used her skills as a tobacco stringer to learn the art of crochet needlework. Using available material - cotton tobacco twine - she creates intricate designs on bedspreads and other items. In 1991, she received a N.C. Folk Heritage Award.
Record #:
5585
Author(s):
Abstract:
Nationally known Burlon Craig of Lincoln County learned pottery making through apprenticeship, and his methods and materials for making salt-glazed stoneware haven't changed in over fifty years. In 1991, he received a N.C. Folk Heritage Award.