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20 results for "North Carolina Arts Council"
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Record #:
29241
Author(s):
Abstract:
Jim Collins, William Bernstein, Kim Irwin, and Clarence Morgan were all recently awarded a fellowship from the North Carolina Arts Council. Their work is also featured in a new exhibit in the North Carolina Gallery. A short biography and description of their artistic style is provided along with a description of the selection process for the applicants by the North Carolina Arts Council.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 1983/1984, p14-15
Record #:
34462
Abstract:
The N.C. Department of Cultural Resources launched a program called the smART Initiative as a way to promote local artists around the region through funding from grants. They hope this will help boost the economy by bringing in more creative individuals and businesses, providing jobs, and increasing production of goods and services.
Source:
Southern City (NoCar Oversize JS 39 S6), Vol. 62 Issue 5, May 2012, p8-9, il
Record #:
38133
Author(s):
Abstract:
Started at the Richard Theatre in 1922, Ahoskie’s Gallery Theatre still puts on plays depicting areas across the world and spanning across time. Plays from last season include The Crucible, Mary Poppins, and Bagdad Café—the Musical. Next season’s productions include The Grapes of Wrath, The Foreigner, and Into the Woods. Supported by grants and an annual fund drive, this business also develops budding talent through the Summer Youth Theatre Workshop.
Record #:
40677
Author(s):
Abstract:
Literary guidebooks co-created by the North Carolina Arts Council celebrate the selected writings and their authors, representatives of the state's multicultural spectrum. This article, Tour 12 of the “Literary Trails of North Carolina” series, profiles novels set in North Carolina towns and writers such as O. Henry.
Source:
Carolina Country (NoCar HD 9688 N8 C38x), Vol. 51 Issue 4, April 2019, p32-33
Record #:
41284
Author(s):
Abstract:
It was a dynamic decade, due to social and cultural forces encouraging progress and protest. The author observed that progress and protest were particularly manifest in higher education, government, sports, and entertainment.
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