Articles in regional publications that pertain to a wide range of North Carolina-related topics.
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for Preview Vol. Issue , Summer 1986
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Record #:
29418
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One of the major goals of the Museum is to increase the public’s knowledge of the major art collections of the Southeastern United States through exhibitions. In attempting to accomplish that goal, the Museum will exhibit 45 paintings by French artists from the Chrysler Museum in Norfolk, Virginia. The paintings date from the seventieth through the twentieth centuries. Examples of the periods of realism, the French Baroque, rococo, romanticism, impressionism, and post-impressionism are all represented.
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Record #:
29421
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North Carolina artists Ron Rozzelle and Richard Stenhouse will have their drawings exhibited in the North Carolina Gallery this summer and fall. Both artists draw in a very technical, realistic style and incorporate hallucinatory images in their work. Both artists push the boundary of perception and consciousness to portray different versions of reality. The style, technique, tone, and biographies of each Charlotte native are explored.
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Record #:
29425
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This exhibition of public art by forty individuals from across North America and Europe will be on display in the Contemporary Gallery this summer and fall. The artistic media includes video, photography, posters, placards, type, logos, diagrams, and other forms. The purpose of theism works is to critique the way that traditional art functions in our society and to reveal the myths, ideals, and realities that form our opinions and control us as individuals. The exhibit, its artworks, and art theory are all discussed.
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Record #:
29473
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Seven prints from Georges Rouault’s Miserere series are being exhibited in the Twentieth Century Gallery this summer. The paintings portray the sufferings and hopes of the modern man. Rouault is known for his skills as a printmaker and painter and as one of the most significant religious painters of the twentieth century. Rouault’s biography, his artistic style, and the religious symbolism in his work are detailed.
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Record #:
29474
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Anthony Caro’s Table Piece CXCIV sculpture was recently acquired by the Museum. Caro is a British artist who has primarily created abstract sculptures over the past few years. Table Piece CXCIV is made of welded steel and appears thrown together, but was constructed with great care. Caro explains that the meaning of the piece is conveyed by its gesture and form rather than by its geometric shape or realistic representation of something.
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