Articles in regional publications that pertain to a wide range of North Carolina-related topics.
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for Photography--Exhibitions
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Record #:
9265
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A program organized by Durham's Council for Creative Arts in Public Schools made it possible for fourth to sixth graders to write poetry and stories, to sculpt, take photographs, to dance, and to sing. Children made pin-hole cameras, took the pictures, and learned darkroom techniques to develop them. An exhibit of their work appeared at the dedication of the new Durham City Hall.\r\n
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Record #:
19506
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North Carolina is full of communities that are devoted to success through remaining connected to their heritage. They farm or clam, gather or dig to provide for their families and their community. A new photography exhibit--North Carolina at Work: Cedric Chatterley's Portraits and Landscapes of Traditional Labor--displays these working relationships and highlights the rich holdings of North Carolina folklore they represent.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 59 Issue 1, Spring-Summer 2012,
p11-17, f
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Record #:
24269
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The Triangle Photography Festival entitled \"Click!\" is a month-long celebration of photography that occurs annually in the Triangle Area. The festival includes 70 exhibits and events in 40 different venues. The festival also features a variety of art displays, workshops, portfolio reviews, and museum tours, among other activities.
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Record #:
26047
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UNC photography teacher, Jeff Whetstone, says observation and attention to details are the most important skills photography students should have. Animal Planet, Whetstone’s latest exhibition, is a commentary on how humans relate to nature.
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Record #:
26993
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Sally Mann is known for photographing children in provocative poses. The photographs are meant to capture how society looks at girls, and how girls confront sex. Sally’s new exhibit will be featured through December 6 at the Royall Center for the Arts in Raleigh.
Source:
Independent Weekly
(NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 6 Issue 22, Nov 17-30 1988,
p18, por
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Record #:
27420
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In October, Reframing Food will be on exhibit at the Carrack Modern Art in Durham. The exhibit features photography by members of the Food Youth Initiative, a network of four groups across North Carolina working toward food justice in their communities. Their work intimately portrays a powerful personal perspective uncommon in the mainstream food world.
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Record #:
28783
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The North Carolina Museum of Art’s new exhibition, Panorama: North Carolina, features black-and-white photos taken by local photographers. In more than thirty photos, the exhibit surveys the changes that have swept across rural North Carolina, casting light on the Old North State.
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Record #:
29332
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This exhibition offers a survey of photography from its inception in the early part of the nineteenth century to the present. The photographs come from the George East House Collection and include 200 works by famous and obscure photographers. Portraits, landscapes, and cityscapes are all represented. The photographers, the history of the exhibition, and the history of photography are all detailed.
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Record #:
29513
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Allen G. Thomas, Jr. of Wilson, NC recently donated over 60 contemporary photographs to the Museum. Select photographs will be exhibited through this spring. The works cover a range of photographic techniques and processes and show the diversity of contemporary photography. Thomas’s collection has proved as a catalyst for the expansion of the Museum’s permanent photography collection.
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Record #:
29516
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Photographer Brian Ulrich’s Copia: Retail, Thrift, and Dark Stores, 2001-2011exhibition shows a decade-long investigation of consumer culture. The photographs show the excess of big-box stores, the discarded items at thrift stores, and the landscape of empty shopping centers in urban areas. Ulrich’s photography is intended to help us learn about our behaviors, habits, comforts, and purpose. The exhibit starts with the events of September 11, 2001 with the “call to spend” by politicians through the financial collapse of 2008 to the present.
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Record #:
29608
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A Discerning eye: Julian T. Baker Jr. Photography Collection
The photography collection of Julian T. Baker, Jr. of Raleigh was recently acquired by the museum and will be on display through December. Baker’s collection is one of over 700 photographs spanning from 1903 to 2005 and focuses primarily on black and white images. His collection includes works from celebrated photographers such as Ansel Adams, Brett Easton, Alfred Stieglitz, and Dorothea Lange.
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Record #:
29712
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The Mountain Gateway Museum in Old Fort, North Carolina has a new exhibit titled, Appalachia a Century Ago, Craft Through the Lens of William A. Barnhill. The exhibit showcases the work of photographer William Barnhill, who captured the process of making baskets from the bark of young poplar trees in the early twentieth century.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 13 Issue 12, December 2016,
p94, por
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Record #:
29735
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A new exhibit by the Museum presents 23 large-scale photographs by a diverse group of contemporary photographs who are expanding the size and pushing the boundaries of photography. The photographs include portraits, landscapes, cityscapes, and fabricated worlds and all are unusually large in size. The exhibition addresses the themes of personal identity, fantastic narratives, environmental issues, the changing landscape of cities, systems of power, the passage of time, and images of contemporary life.
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Record #:
29736
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The BIG Picture is a new photography exhibition that showcases work on loan from Allen G. Thomas, Jr., Dr. Carlos Garcia-Velez, and the Museum’s expanding photography collection. Previewing the collection, the work of photographers Lorna Simpson, North Carolina’s elin o’Hara slavick, Anthony Goicolea, and Chris Jordan are featured. Their work looks at the role personal and cultural identity plays in our everyday lives. The style, composition, and criticism of 6 works from the 4 artists are detailed.
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Record #:
29850
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Toe River Arts Council (TRAC) presents The Interbeing Project, the Interface of Woman and Nature, a photography exhibit by Bonnie Cooper. The exhibition reveals female nudes composited with representations of nature, creating a merger and relationship between the two. Cooper hopes that viewers will experience the exhibit as a celebration of woman’s natural beauty as well as the beauty of the natural world.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 13 Issue 6, June 2017,
p85, il, por
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