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Articles in regional publications that pertain to a wide range of North Carolina-related topics.

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108 results for "Folk music"
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Record #:
35137
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Abstract:
This is a ballad about the life and death of Josiah Wedgwood Sheffield, also known as Old Joe Shuffle, who was a potter at Jugtown.
Record #:
35141
Author(s):
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A ballad about a mother who kills her newborn sons, and then is foretold by some children that she will go to hell in seven years’ time.
Record #:
35145
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This is the origin of UNC Chapel Hill’s official song. It is set to the tune of Amici, and was originally sung by a glee club, although many of the lyrics are different now. Several of the verses are included.
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Record #:
35149
Abstract:
The authors traveled around different places in the US, Mexico, and Europe collecting ballads.
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Record #:
35154
Abstract:
The two songs mentioned in the title are preceded by a short story about a woman that the author had met who sang wonderful folksongs. The two songs recorded were sung by that woman and are titled “My Horses ain’t Hungry,” and “Black Jack Davy.” Each song is accompanied with both the sheet music and lyrics.
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Record #:
35155
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A brief story of the serenading of a young woman gone wrong. Through miscommunication, the serenades were run off by the father, who thought his household was under attack.
Record #:
35160
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A song inspired by the true event of a woman, Lottie Yates, getting murdered by her husband in Kentucky, 1895. Complete with the lyrics and sheet music.
Record #:
35164
Author(s):
Abstract:
From 1911-1912, the Allen family was the subject of a feud that resulted in the shooting up of a courthouse that killed and wounded around a dozen people. The author of this article provides an in depth look at the people, circumstances, and outcomes of that event. It also includes three ballads about some of the main players and events.
Record #:
35170
Author(s):
Abstract:
The author seeks to re-evaluate the similarities between British and American folksongs, past the already established knowledge of medieval modes. A brief overview of terms and folksong styles are recounted, and then points of contention within past interpretations are acknowledged.
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Record #:
35193
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Three songs complete with their sheet music, lyrics, and singer: “The Ore Knob Song,” “Hicks’ Farewell,” and “Soldier’s Farewell.”
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Record #:
35196
Author(s):
Abstract:
A list of eleven folksongs with lyrics and a brief introduction from whence they came. The songs are: “Blue Mountain Lake,” “Gilgarry Mountain,” “Dan Doo,” “Lord Lovel,” “The Ballad of Montcalm and Wolfe,” “Tom Dooley,” “Old Abe” or “We Go Marchin’ On,” “The Days of ’49,” “Lynchburg Town,” “Jolly Rovin’ Tar,” and “The Unreconstructed Rebel.”
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Record #:
35258
Author(s):
Abstract:
The author seeks to call attention to the imbalance in the understanding of relations between English-Scottish ballads and Scandinavian folkeviser, and the relation those two have to the French romancero traditionnel or chanson populaire. This imbalance came about from romantic nationalism in the 19th century and the author references works done by Grundtvig and Child.
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