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1, this issue of the Rebel literary arts magazine, we strive to show the
impact of advertising while documenting the award-winning creativity of
the students at East Carolina University.
The average American is exposed to thousands of ads per day and it is
because of this continual onslaught that their underlying messages affect us.
Rebel 54Ts concept is to show that the advertising industry does more than
simply promote products; it encourages cultural and social stereotypes.
Advertising creates messages, instills values, tells us what to purchase and
targets consumers of all ages on both conscious and subconscious levels.
These messages are infused with concepts of what we should strive
for in terms of relationships, success, sexuality, and lifestyle.
Like it or not, advertisements are everywhere.
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Table of contents
Best in show 6-13
Dance 4-77
Illustration 28"3/
Ceramics 38-47
Painting 48-59
Poetry 60-67
Fiction 68~77
Non-fiction 78-85
Metal design 86-95
Graphic design 96-105
Mixed media 106-115
Digital photography 116-123
Traditional photography 124-13]
Drawing 132~"139
Textile design 140-149
Sculpture 150-161
Printmaking 162-173
Judges 176-177
Staff 178
Special thanks 180
Collage source 181]
Production 182
Copyright
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For when sunshine is hidden
Behind clouds of blackish gray,
Our shadows do not follow us
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REBEL~63
REBECCA BLANCHETTE ave trroucy © 2ND PLACE
My foot retreats from the pedal
as I float through a small Connecticut town,
quaint and friendly like the breath of a neighbor.
ThereTs a clock tower on a cobblestone sidewalk,
screaming at me to keep going
as it creeps its way towards 2 o'clock.
A big white gazebo is standing in a patch of grass,
taking its authoritarian stance in the center of town
as it watches over everybody.
ItTs competing with the wise walls of the coffee shop,
that listen to the townsfolkTs small talk.
What is it about fresh java,
that makes everybody spill the beans?
The park is littered with the snowfall of burnt leaves,
and a festival brings together all the people
who know each otherTs names.
Pumpkin pie is being sold,
alongside hot roasted peanuts and cider,
in wooden vendor stands.
And the trees are fashioning apples
that people are picking
and placing in burlap sacks.
They'll bring them home to their mothers or wives,
who will slice them up for apple pie,
and serve it warm after supper
with vanilla bean ice cream.
Children are stuffing leaves in old flannel shirts
building scarecrows to put on their front porches,
next to plump pumpkins
with googly eyes and marker-made smiles.
Crunchy cornstalks crinkle in the wind,
where the outskirts of town begin.
ITve only got three hours to go,
just enough time before the dark blanket
swallows the shy sun.
So I push a little harder on the gas
and keep pointing my jalopy north,
towards the city.
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KATIE THARRINGTON icxtcreune © 3RD PLACE
Mountains and continents
Toy with my confidence
Critical thinking and a critical mass
A mountain of monuments
With no lasting memories
I hear the starlit vespers
With each nightTs suggestive gestures
To the sky.
The birds and bats and nocturne owls
Nesting in the treetops, roosting hoots and growls.
Near the misty mountains we hear the lionTs
Mighty roar and half past the belt of Orion,
In the skies above she climbs.
Leo lights the lovely sky tonight.
REBEL:67
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oIs something wrong?�
I see his bare legs swing over the edge of my bed as he sits up. I wonTt let my eyes venture any higher than that.
I should respond.
Instead I fasten my bra, pick up my school sweatshirt from the laundry-strewn floor and pull it over my
head, not bothering to put on a top.
oIs something wrong?� he asks again. I feel him staring at me.
I can't look at him, sitting there in his underwear, watching me tug my jeans higher to cover mine.
oItTs fine. I just need to get a little fresh air. I'll be right back,� I say to the pink hibiscus printed on the bedspread.
He takes a long, steadying breath, then exhales huffy.
oOkay.� He hesitates. oDo you want me to go with you?�
oNo, Tl be right back.�
Three minutes later, ITm peeling back the hole in the chain link fence next to my apartment and shimmy-
ing my body through to the other side. I maneuver my way through the dark strip of woods buffering the
playground from my building, crunching over the fallen leaves. ItTs disconcerting at first, the sudden crackle
in the unlit grove, but after three or four steps itTs familiar, reminding me of selecting the best leaves to pulverize
beneath my light-up sneakers. I march the last few steps into the clearing, relishing the deliberate crack.
My pants vibrate.
oIs everything ok? "Kyle�
I put the phone back in my pocket. I should go back.
ItTs brighter on the playground than in the woods. Even though itTs late October, the trees still boast
enough leaves to block out most of the moonlight. There arenTt any trees here, though. I can make out
the silhouettes of all the equipment: the jungle gym, the slide, the monkey bars. All of them are blan-
keted in a blue wash, but not the swings. The sand beneath the swings is subtly luminescent, like snow,
and casts an ethereal light on the eight chains. The glow encourages me forward. I nestle into the seat
and wrap my hands around the thick chains. They feel cold against my skin. Perhaps I should have taken
the time to put on a real shirt. The swing is low to the ground; itTs going to be difficult to get started.
Rather than kick off just yet, I twist the chains around one another, rocking side to side.
I donTt know why I came here. I really had intended to get some air. I guess this still counts. ItTs appropriate,
in a way, that I would come here tonight. My first romantic experience was on a playground, after all.
Well, oromantic� probably isnTt the most accurate word for it. 1 made my friend tell the boy I had a crush
on that I liked him. Then I took off running.
Still, thatTs a lot more romantic than this. ITm certainly not going to scrawl oI love Kyle� on my
notebook or oMrs. Kyle"�
Do I laugh or cry? I do neither and allow the chains to run parallel again. Do I really not know his last name?
I pull out my phone and scroll to his name on the contacts list. Simply Kyle.
I have to know it.
Did Jessie say it when she introduced us Friday night? I didnTt know anybody at that party.
It was all people from her high school and her boyfriendTs friends, so there were a lot of names to remember
and everybody was so loud. No, she didnTt. ThatTs right, Kyle introduced himself. Did he say it?
No, he just said that he thought we had a biology lecture together last semester. I told him I thought I
recognized him. ITve never taken a biology lecture. It was nice to have someone to talk to, though.
We talked for three hours on the porch! How could he not have said it? It was much quieter out there,
REBEL:73
so I would have heard it if he had. A lot of the people at the party were underage, so the porch was generally
avoided to prevent the debauchery from being too obvious.
He didnTt say it on the way to the diner either. All P'd said was that ITd heard they had great sundaes, but
felt silly going without a date. Then we were in his car. He used his credit card to pay for the dessert.
I should have checked it then instead of worrying whether or not my hair was messed up.
He did compliment it, though.
My pants vibrate.
oAre you coming back? "Kyle�
Ltext back. oJust a minute.�
I meet a boy. We have one date. We get naked together.
I push off from the ground, tucking my legs tightly under me to keep my feet from dragging.
Each pump repeats the statements. Legs out.
I meet a boy.
Legs back.
We have one date.
Legs out.
We get naked.
Legs back.
I meet a boy.
Legs out.
One date.
Legs back.
Naked.
Legs out.
Naked. Naked. Naked.
I thrust harder, forcing myself higher into the air. I try to kick the thought away with my feet, leave it
on the ground, but I canTt escape it. Each squeak of the chains screams it at me. Naked. Naked. Naked.
I'd never been naked with a boy before tonight. ITve been without clothes, but never naked.
Until now, I never understood the difference between naked and nude. ITve been nude with boyfriends. I
felt vulnerable, sure, but thereTs a trust involved in being nude, a comfort level. I was in love with the boys
ITd been with before. It was never rushed or purely physical. It actually meant something.
I meant something.
I donTt mean something to Kyle-With-No-Last-Name. Not something important, anyway. I was naked.
I was exposed. We weren't going to make love; we were going to have sex. Some people think thatTs corny,
but it makes a difference to me. But thatTs not why I left. I left because I wanted to do it.
I want to do it.
I used to swear that I would stay a virgin until I was married. When I was seventeen, I fell in love and
made an exception, and it goes on from there until ITm in college sitting on an elementary school swing
without a shirt while a man I donTt know waits for me in my bed.
My pants vibrate.
I drag my feet, bringing the swing to a stop. I pull out my phone.
oChecked outside. You're not there. I can take a hint. ITm leaving. "Kyle�
I read the text again, digging a trench with my toes in the sand ahead of me.
I drag my foot back and forth as I weigh my options.
I get off the swing and type as I walk back to the woods.
oSorry. DonTt leave yet. On my way.�
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SARAH JAKUBOWSKI oiscrunren 2ND PLACE
oCan I have a Bt, double-meat, on whole wheat?� Maria looked at the customer. oWhy? Do you really
think the wheat will make it healthy?�
Shit. SheTd been saying things like that more frequently, lately. Just yesterday, her idiot boss had a
otalk� with her. Told her to stop being a smart-ass to the nice customers, only he didnTt phrase it that way.
Then he had smiled at her and patted her on the back, just like they were pals.
She didnTt care. She didnTt like this job. She was better than this job. But she needed this job to pay
rent, so she had to be a good girl and keep her mouth shut. Greet the customers and smile, smile, smile.
As she made the BLT, she idly contemplated murdering her boss. Hide the body in the big walk-in freezer.
Would whoever found it be able to know it was she who did it? Maria knew that to date bodies, they
checked potassium levels in their eyes. Potassium, K, atomic number 19. After death, potassium in eye
mucus decreases at a steady rate.
She didnTt know if freezing would slow that process or make it harder for the investigators to figure
out the time of death. Maybe if sheTd passed Chem1000, sheTd know by now. Of course, if sheTd passed
Chem1000, she wouldn't be back in her home town, making sandwiches for $7.25 an hour.
Maria didn't drop out of school because she was an idiot. Far from it. She just hated stupid, required classes.
And she was able to do well on exams without attending class, so she was often absent. The only problem
with prerequisite classes was that, unless attendance was required, nobody would show up, which is why
they made it so if you missed a certain number of days, your grade would drop, eventually to an F.
She did that her first semester, failing general chemistry. Fuck general chemistry. She wanted biochem.,
she wanted physical chem., she wanted organic chem. She didnTt need tests on the periodic table.
SheTd memorized the periodic table in middle school, had a poster of it on her wall, recited it silently
at work if she needed an internal distraction from external hell. Screw waking up at eight to go to class
and study it. General chemistry was the first class she failed. Next semester she failed it again, after she
overslept on exam day. The semester after that, she dropped out of school and slunk back home, like a
dog who'd tried to run away but couldn't hack it in the real world. Sorry, Mom. Sorry, Dad.
Her mother enrolled her in community college. oMaybe you just werenTt ready for real college,�
she said in an attempt to reassure. But of course community college Chem1000 was even worse than
oreal� college Chem1000. So she dropped out of community college, too.
Her parents didnTt kick her out like some parents do with their unemployed, dropout kids.
In fact, her mother had the habit of reminding her, oNo matter what you do, we'll always love you and
you Il always have a place to call home.� Sometimes, sheTd say this more than once a day.
There was only so much of that that Maria could take. So she moved out, to a tiny hotelroom of an apartment.
The carpet was worn. The faucets constantly dripped. Other than the bed sheTd brought over from her
parentTs house, she had no furniture. With no job yet, and no money left over after the security deposit, her
refrigerator was barren. After a week, the novelty of having her own place wore off and she started to hate it.
Thus began the frantic job search, the countless applications. It was the wrong time of year to apply for a
job. Everywhere she went, it was the same: oWe're not hiring now, but you can fill out an application.�
Well, fuck that. It wasnTt like she could say to her landlady, oWell, I donTt have rent now, but hereTs
a voided check.�
REBEL:79
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Finally, finally, finally she got hired at a place named Sandwich USA, a privately owned, incompetently
run Subway knockoff. Then came the training, her boss condescendingly walking her through the simplest
tasks: oAnd hereTs how to chop an onion...�
That was the first day. Chopping onions until her eyes watered. Then it was overripe tomatoes until her
hands and the work area were soaked in tomato juice. Every now and then, her new boss would peer over
her shoulder. oGood work!� heTd say, encouragingly. Maria gritted her teeth and thought, oHydrogen,
H, atomic number one. Helium, He, atomic number two. Lithium, Li, atomic number three....� Until it
was time to go home. She wanted to be a famous scientist who helped solve crimes, but instead she was
chopping vegetables and learning the aBcTs of customer service. But at least the job gave her financial
stability, which meant a lot to her. She still couldnTt afford furniture and her fridge always seemed woefully,
depressingly empty, but she could pay rent. She could pay rent.
A year passed, and then another. Not much changed. She'd acquired a couple of chairs, learned to save
her tip money to buy groceries. She didnTt have much, but did the best she could with what she did have,
and she managed. Physically, anyway. Emotionally, she was a wreck.
oItTs not supposed to be like this,� she would think before going to sleep. oITm a scientist. I shouldnTt be
stuck here, making overpriced sandwiches, prostituting myself out to rude customers for tip money.�
She would bite her lip and turn her face into the pillow, trying not to cry. She would think, oBeryllium,
Be, atomic number four. Boron, B, atomic number five.�
All things considered, it was no wonder she slipped up now and then and was honest with the customers.
She wrapped the Bit in wax paper and gave it to the health-conscious customer. Maria smiled and said,
oHave a nice day.� The customer didnTt tip.
When she went home that day, Maria was tired and in a bad mood. She unlocked her apartment and
looked around. oJesus,� she thought. oHow is it possible for a place with so little things to get so messy?�
It was mostly the kitchen. The few dishes she did own were dirty. They filled the small sink and crowded
the counter. Accidental science experiments of mold grew near her real science experiment of ammonium
nitrate and lye.
Whenever she was going through a rough time, she liked to make potassium nitrate. Potassium nitrate, KNO3.
A fun, cheap, homemade thing to set on fire. She didnTt have a TV, so she had to keep herself entertained
somehow, and setting things on fire was as good a way as any.
She decided that science had priority over dirty dishes, so she got started on the potassium nitrate.
A couple of days ago, she'd stolen a cold pack from the first aid kit at work because of its ammonium
nitrate contents. SheTd dissolved it in hot water. Mixed it with lye that had also been dissolved in water.
For the past two days, she'd been waiting for the water to evaporate. Her apartment wasn't well-ventilated,
so sheTd been constantly light-headed. Even with the oven fan turned on high, she'd had to wave away
ammonia fumes every time she wanted something from the kitchen. But now the mixture was dry and
all she had to do was add a little sugar and drop a match. Burn, baby, burn.
18
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Some part of her considered scattering the mixture across her apartment. Really rub it into the grain of
the carpet, then set the whole fucking place on fire. A purplish pink flame of bad memories and lost hopes.
But no, she lit it on an oven sheet, with a bowl of water next to her just in case something weird happened
and she needed to put out the flame.
Today, not even pyrotechnics could brighten her mood. Quite the contrary. She watched the brief
outburst of flame, and then started crying. Everything was wrong with her world. She wanted to be solving
crimes, she wanted to be saving the world. Instead, she was in a kitchen full of dirty dishes, setting
things on fire. She didnTt even know what potassium nitrate was really for. Surely it had a use, but all
she'd ever do with it was set it on fire. Pretty. But useless. Not saving anyone.
oFuck that,� she scolded herself out loud. oFuck that self-pity shit.� She balanced the oven tray on top
of the rest of the dishes, and went to take a shower. She was still in her red, white, and blue Sandwich
USA work shirt. The stench from work clung to her. No lie, thereTs no place dirtier than a restaurant.
She stood under the hot water, washing off her tears, washing off the work day, trying to wash off the past
three years of her life. She stayed in the shower until the hot water ran out (which, granted, wasnTt very long).
Dried herself off, then stood naked in front of the mirror, examining her reflection.
First the typical girl worries. She sucked in her stomach. Observed the thin sliver of fat that was starting
to form under her chin. She really needed to stop stealing cookies from work, it was starting to show.
After the usual ceremony of criticizing her body, she looked closer. Gave her reflection a wary smile.
Who are you? She leaned closer towards the mirror, just looking at her face now, just looking at her eyes.
They were wide and wondering and scared. Who are you:
She blinked and swallowed. Carbon, C, atomic number six. Nitrogen, N, atomic number seven.
Oxygen, O, atomic number eight.
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I have spooned with a skeleton. We both stayed very, very still. Lying like that " curled in the same position,
facing the same direction, sharing the same pillow " we were not so different. I was taller, but the
proportions were the same. Same number of ribs. It was held together with wire and masking tape and I
was held together with muscle and flesh, but we were there for the same reason " to be drawn.
Nudity isnTt something thatTs thought of on an everyday basis, even in this enlightened age.
ItTs possible that I was the first entirely naked person some of the students have ever seen " or at least
the first they've thought of in an artistic or anatomical sense. Same with the skeleton " bones just arenTt
thought about very often. All of us are somewhat aware of our inner structure. Maybe we've stood in a
graveyard and wondered about what lies underneath. Certainly we've all heard scary stories about
skeletons coming to life. But when was the last time you thought about your own skeleton, as much a
part of you as your name is?
To me, bones aren't horrifying or morbid any more than nudity is perverse or indecent. All the same,
sharing a dressing room with a to-scale model skeleton is unnerving. Undressing in a front of a skeleton
is different from undressing alone or disrobing in front of a group of people. ItTs sort of like when you
change clothes at home and your cat walks in " itTs awkward, but you're not entirely sure why.
Sometimes, I'd dress the skeleton. ITd pull my shirt over its skull or slip its long feet into my shoes.
Once, I put my bra on it. Unfortunately that day, the day I put my bra on it, was the first day the teacher
actually used the skeleton for a demonstration. He went to the closet to get it and I followed. After a long
moment, while he no doubt was trying to figure out the protocol of unclasping a studentTs bra, even if the
bra is not currently on the student, he said, oWell. It is a girl.� Which is how I learned the skeletonTs gender.
Later I learned that a previous class had named it Gertrude.
The reason Gertrude and I posed together was usually anatomical. We'd be set up in the same position so
the artists could compare what someone looks like on the outside versus what they look like on the inside.
In these poses, I was very aware of the engineering of my body. I knew that my knee operated by hinge
joint, my shoulders rotated by ball-and-socket joint. I knew that I had 12 ribs, the bottom two
ofloating� " as in not connected to my sternum. I knew that if I were to move my arm " which I
wouldnTt, of course " the parallel ulna and radius bones would move separately from one another.
I knew myself as a structure, as a machine.
Other times, the skeleton was used as a prop. Not as a replica of me, but something distinct.
I was the live subject, it was the still life.
On one of these poses, I was perched on a set of stairs, and the skeleton lay in a crumpled heap below me.
I was looking vaguely downward. It was a three-hour pose. I stared at a speck of charcoal on the floor
in front of Gertrude. ITd estimated that I was about an hour into the pose and was counting down the
remaining time. I would count to ten six times, then think, othatTs a minute.� ITd do this 60 times, then
would think, othatTs an hour.� Then Id do it all again. ITd wonder if it was possible to actually die of
boredom, for a brain to simply shut down out of lack of use. My vision blurred, my head started to droop.
My eyes met GertrudeTs eye sockets and we shared a silent, still moment of understanding before I
lifted my head again.
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Martha Graham, legend of modern dance, said oDance is the hidden language of the soul of the body.�
Well, if thatTs true, I suppose that means the soul of my body is mute.
You see, I cannot dance.
You, like so many others before you, may be thinking, oEveryone can dance.
What you mean is that you canTt dance well. Here, I will show you that you can dance.
Just move with the music, like this.� But I promise you it has been tried. At birthday parties, drama club
rehearsals, middle school dances, high school proms, downtown clubs, determined friends have placed
their hands on my hips and fought to make them match the music. I try to learn from my well-intentioned
instructors (Lord, do I try!), but the second my hips are free of their grips, my body reverts to its uncertain
spasms, stiff and inelegant as always.
I remember a wedding I attended as a kid; I couldnTt have been older than six. I strutted out to the dance
floor and whirled myself around, spinning in circles as my dress flew out around my knees, like the petals
of a baby pink flower in full bloom. The music pulsed from the DJTs station. My pirouettes quickened.
I lost my balance, was lifted off the floor and tumbling back to Earth all in one motion. It was then that
my mother noticed me, a pink-petaled heap on the floor. She grabbed my hand and plucked me from the
ground. oWhat are you doing?� she demanded, dragging me to the childrenTs table.
oDancing.�
oSpinning isnTt dancing,� she scolded. oSit here and behave yourself.�
As ITve grown older, ITve learned that most of what my mother tells me is correct.
In this instance, though, I have to disagree with her. I may not remember how to do it now"now that
ITm old enough to know what judgment is, now that I know how to feel foolish"but ITm certain that my
spinning, that swirling movement of unabashed elation, was dancing.
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Me. Beach, South Carolina
4 ¥ iis home to many must-see
attractions for animal lovers, from
RipleyTs Aquarium to T.1.G.E.R.S.
Preservation Station, but one desti-
nation stands out among the rest. If
you're looking for a unique experi-
ence and the chance to see rare and
unusual creatures, pay a visit to Al-
ligator Adventure. Not only is it the
home of Utan, the largest crocodile
in captivity, but it is also the only
place on the East Coast where you
can see the amazing albino alligator.
With their cream-colored scales
and milky white eyes, the albino
alligators are like nothing youTve
ever seen before. Alligator Ad-
venture rescued these two reptiles
from the swamps of New Orleans,
where they would never have been
able to survive on their own. The
reason albino alligators are such
rare finds is because of their cold-
blooded nature; alligators have
to sunbathe in order to keep their
body temperatures high enough to
survive. Because albinos have no
natural protection against the sunTs
radiation they canTt be exposed to
extreme light for long periods of
time. To make matters worse, albi-
nos donTt blend in with their envi-
ronments as well as normal alliga-
tors, and thus have a harder time
surprising their prey. The muta-
tion makes it difficult for albinos
to survive even long enough to
be discovered by humans, which
is why Alligator Adventure is
proud to be home to not one, but
two of these fascinating animals.
The albino alligators are housed
in a special building in the park
where they can be shielded from the
sun while maintaining a consistent
SC Travel Companion - Summer 2011
67
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Sica thanks to the judges of the 54th edition of the Rebe/ who
dedicated their time and expertise to jury the many entries submitted by
East Carolina University students during Fall, 2011.
Each judge brought her own distinct expertise, which yielded the selection
of the highest quality of creative talent featured throughout this magazine.
I
Ia
Judges
Visual art
Literature
Dance
Stacy Jarrell
Instructor, Advertising and Graphic Design
Pitr Community College
Jodi Hollnagel-Jubran
Professional Sculptor, President of J&H Studio Inc.
Adjunct Instructor 1998-2007, School of Art and Design
East Carolina University
Charity Valentine
Coordinator, Associate of Fine Arts,
Pitt Community College
Liza Wieland
Fiction Editor
North Carolina Literary Review
Associate Professor of English
East Carolina University
Patricia Pertalion
Retired Professor, School of Theatre and Dance
East Carolina University
Rebel 54 Staff
Ea
FG, Gan
Rebel 54 design
eee Jacklyn Lopez
Andrea Smith
Phillip Winn
Faculty advisor
z Craig Malmrose
Professor, Graphic Design
Photog aphy
ae Henry Stindt Photographic
Student media
Genevia Hill
Interim Director of Student Media
Paul Isom
Former Director of Student Media
Yvonne Moye
Administrative Support Associate
Student Media, Student Media Board
Copy editors
P. Lisa Beth Robinson
Tori Rodriguez
Speciat thanks Holly Garriott
Henry Stindt
Paul Isom
Craig Malmrose
John Dixon
Patricia Weeks
Yvonne Moye
Pitt County Arts Council at Emerge
Hanna Jubran
Carl Billingsley
PIP printing
Lisa Beth Robinson
Gunnar Swanson
Kate Lamere
Rich Griffis
Nikki Rausch
Kyle Walker
Campus 31 Student Television
Chris Stansbury
Cara Friez
Matt Egan
Genevia Hill
Teresa Ramaglino
Maria Modlin
Materials Management
Frank Pulley
Theo Davis Printing
Our professors, families, friends and anyone whom we might have left out.
Collage source
Playboy
Penthouse
Hustler
OMNI
Co-Ed
Esquire
Life
Farm Journal
DC Comics
Field & Stream
Car Review
lime
TV Star Parade
ena om
Production
Printer
Edition
Press
Stock
Typography
Theo Davis Printing
1,540 books and DVD's
Komori Lithrone S40
Cover: FRENCH POP-TONE in Lemon Drop, 100 lb. cover
Text: Mohawk Via Smooth Warm White, 801b. text
Mohawk Via Linen Pure White, 7Olb. text
Libel Suit
Adobe Garamond Pro
Copyright
Rebel 54 is produced by and for the students of East Carolina University.
Offices are located within Student Media in the Self-Help building.
The contents are copyrighted 2011 and 2012 by Rebel 54.
All rights revert to the individual artists and writers upon publication.
Contents may not be reproduced by any means, nor stored in any information
retrieval system without written permission of the artist or writer.
Printed with non-state funds.
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