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They never listen
Animation by Paul Gene Lamere for Spring 2011 in ART4470.
The windmill: demonstration of a mechanical device
Animation by Paul Gene Lamere for Spring 2011 in ART4470.
Fresh crate logo
Graphic design by Jana Kay Tyler for Spring 2011 in ART3210.
Kinetic logo
Animation by Paul Gene Lamere for Fall 2011 in ART3082.
Running roughshod video game walkthrough
Animation by Paul Gene Lamere for Fall 2011 in ART3082.
Ms. Proctor
Print: photographic by Jana Kay Tyler for Spring 2012 in ART4250.
A fifth of special sauce
Print: photographic by Jana Kay Tyler for Spring 2012 in ART4250.
Mr. William
Print: photographic by Jana Kay Tyler for Spring 2012 in ART4250.
Church gossip
Print: photographic by Jana Kay Tyler for Spring 2012 in ART4250.
The good stuff
Print: photographic by Jana Kay Tyler for Spring 2012 in ART4250.
Dutch breakfast special
Print: photographic by Jana Kay Tyler for Spring 2012 in ART4250.
Charming Charmin 2!
Print: digital output by Timothy Daniel Moore for Spring 2012 in ART5610.
Charming Charmin!
Print: digital output by Timothy Daniel Moore for Spring 2012 in ART5610.
High risers
Print: digital output by Timothy Daniel Moore for Spring 2012 in ART5610.
Protest bottle design
Print: digital output by Timothy Daniel Moore for Spring 2012 in ART5610.
Creepy Ronald
Print: digital output by Timothy Daniel Moore for Spring 2012 in ART5610.
USS VAN VALKENBURGH (DD-656) Action Report of Shore Bombardment of Iwo Jima, Volcano Islands
Commanding Officer's Action Report of Shore Bombardment of Iwo Jima by the destroyer USS Van Valkenburgh (19 - 23 February 1945). Photocopy typescript. 6 pages.
Oral history of Mrs. Essie E. Ramy, February 18, 1979
Oral history interview with Mrs. Essie E. Ramy of Farmville, N.C. Ramy discusses her childhood in Lebanon, her immigration with her father to the United States in 1911 at the age of 12, her upbringing in Greenville, N.C. including her schooling and bullying due to her accent, her employment, her courtship and marriage to Joseph L. Ramy of Farmville, N.C., the raising of her children, travel from Farmville to Greenville, the various forms of transportation she experienced throughout her life, and the changes she has witnessed in Farmville over the years. The interview closes with a discussion of the conflict in Lebanon occurring in 1979 and the causes of the conflict between Israel and Palestine. Interviewer: Moses Moye Jr.
Bears-adrift
Digital imaging by Timothy Daniel Moore for Spring 2012 in ART5610.
Yardbirds jazz cafe
Graphic design by Justine Elizabeth Rosati Thompson for Spring 2011 in ART4210.
Tennis brand
Graphic design by Justine Elizabeth Rosati Thompson for Spring 2010 in ART3210.
Demo reel
Animation by Paul Gene Lamere for Spring 2012 in ART4411.
Postcard
Graphic design by Sabrina Louisa Carmon for Spring 2012 in ART5210. These calling cards allowed me to experiment with metallic silver and varnish. The silver makes up the cage and the music notes are in varnish (shown in yellow). The back of the card has process black and orange showing the bird breaking free of its cage.
Vitality
Graphic design by Sabrina Louisa Carmon for Spring 2012 in ART4210. Vitality Medical Center is a fictional hospital designed with the help of fellow Graphic Design student, Rachel Klingenberger.
Chocolate
Print: letterpress by Sabrina Louisa Carmon for Fall 2011 in ART3003.
Butterflies in your backyard
Graphic design by Sabrina Louisa Carmon for Spring 2011 in ART3210. This is a booklet I designed and illustrated. All illustrations were produced with color pencil then digitally enhanced in illustrator.
Christmas card
Graphic design by Sabrina Louisa Carmon for Fall 2011 in ART4210.
Rose: large detail
Painting, figurative by Ashley Brooke Winders for Fall 2011 in ART4560. "Rose" from the Distinguished Topography Series (large detail)
Farmer's mart
Graphic design by Chelsea Morgan Dvorak for Spring 2011 in ART3210. The objective of this project was to increase the awareness of local food in the college community. With bountiful amounts of research, our class delegated research tasks and collaborated on solutions to solve this problem. My partner, Jackie Lopez, and I decided to make a store on campus similar to a Farmer’s Market to allow local food to become a more significant part of daily college life. Through branding, we showed how our idea would be an effective way to promote local food on campus.
Patsy: large detail
Painting, figurative by Ashley Brooke Winders for Fall 2011 in ART4560. "Patsy" from the Distinguished Topography Series large detail.
Annette: large detail
Painting, figurative by Ashley Brooke Winders for Fall 2011 in ART4560. "Annette" from The Distinguished Topography Series large detail. Oil on canvas.
Velma: large detail
Painting, figurative by Ashley Brooke Winders for Fall 2011 in ART4560. "Velma" from the Distinguished Topography Series (large detail). Oil on canvas.
Ernestine: large detail
Painting, figurative by Ashley Brooke Winders for Fall 2011 in ART4560. "Ernestine" from the Distinguished Topography Series (large detail). Oil on canvas.
Patsy: detail
Painting, figurative by Ashley Brooke Winders for Fall 2011 in ART3563. "Patsy" from the Distinguised Topography Series (detail). Oil and paper on canvas.
Velma: detail
Painting, figurative by Ashley Brooke Winders for Fall 2011 in ART3562. "Velma" from the Distinguished Topography Series (detail). Oil and paper on canvas.
Annette: detail from The Distinguished Topography Series (Detail)
Painting, figurative by Ashley Brooke Winders for Fall 2011 in ART3562. "Annette" from The Distinguished Topography Series (Detail). Oil and paper on canvas.
Rose: detail
Painting, figurative by Ashley Brooke Winders for Fall 2011 in ART3562. "Rose" from the Distinguished Topography Series detail. Oil and paper on canvas.
Rose
Painting, figurative by Ashley Brooke Winders for Fall 2011 in ART4560. "Rose" from the distinguished topography series. Oil on canvas.
Oral history of Miss Tabitha DeVisconti, February 8, 1979
Oral history interview with Tabitha DeVisconti. DeVisconti spends the majority of the interview describing the history of the town of Farmville, its churches, hotels, politics, railroads, schools, industry, agriculture, fire department, and the town's participation in World Wars I and II. She also describes her family's arrival in the United States from Scotland and their settling in Farmville, the building of her house by her grandfather, James W. May, her parents, and her upbringing. Interviewer: Francis D. Moye.
Sand and sulphur
Performance documentation by Jonathan D. Burger for Spring 2011 in ART5700. Sand, gunpowder. Stop motion footage of my performance Sand and Sulfur. The design was drawn in sand and filled with gunpowder, then the gunpowder was ignited.
Shell screen design
Graphic design by Rachel Marie Klingenberger for Spring 2012 in ART4200. A redesign of the fueling process at Shell stations, using a touch screen interface. Created with Grace Kooken.
Mothturnal
Painting by George Bason for Spring 2011 in ART0. Oil on canvas.
Duel
Drawing by George Bason for Spring 2011 in ART0. Charcoal. Charcoal on paper.
Snake vs. mongoose
Painting by George Bason for Spring 2011 in ART0. Oil on masonite.
Letter from Lt. Richard S. White, U. S. Marine Corps, to Mary Bason
Letter from Lt. Richard S. White, HQ 28th Marines, 5th Marine Division, Iwo Jima, to Miss Mary Bason in Chapel Hill, North Carolina, describing the fighting on Iwo Jima from 19 February - 10 March 1945, including his role in the capture of Mt. Suribachi from the Japanese. Also including 2 captured Japanese picture postcards, one featuring the Meiji Shrine in Tokyo etched by Mitsuki, and the other featuring a portrait of a woman entitled "The Moon" by Nakamura.
Morning attack
Painting by George Bason for Fall 2011 in ART0. Oil on masonite.
Forever Pirates medallion rendering
Graphic design by Patrick Thomas Schrader for Spring 2011 in ART5210. A medallion designed for a client on campus through course work, my design was cast and given to students who had earned the title "Forever Pirate."
Interview leave-behind
Graphic design by Patrick Thomas Schrader for Spring 2011 in ART5210. A part of my personal brand, a piece that was designed to be an interesting and eye-catching piece that also had my contact information on it as well.
Gas pump re-design
Computer art by Patrick Thomas Schrader for Spring 2012 in ART4200. Graphic Design. The size of the original as it would stand if it were a real pump. We were tasked with creating the gas pump of the future, a re-design to increase ease of use and options available(different grades, languages, etc.).
Foresight vitamins
Graphic design by Patrick Thomas Schrader for Spring 2012 in ART4200. The packaging for a line of vitamins that I developed for aging men.
Business card
Print: letterpress by Patrick Thomas Schrader for Fall 2010 in ART3003. Graphic design. My professional business card.
Air distances to Nanpo Shoto
Photocopy (1994?) of map originally published by the United States Navy, 10 October 1944. Scale not given. Cincpac-Cincpoa bulletin 122-44. Marked "confidential."
Intelligence Map : Nansei Shoto, Okinawa Gunto
Prepared by: Intelligence Section, Amphibious Forces, Pacific AC of S G-2, Tenth Army. Scale 1:36,000. Sheet 6 of 16. Installations as of 3 Jan 1945 shown in magenta. Marked "top secret."
Beach diagram : Southeastern beaches, Iwo Jima
Beach information taken from aerial photographs of 4 July 1944. Appendix 7 to Annex B. Prepared by Intelligence Section, Amphibious Forces Pacific and A.C. of S. G-2, Fleet Marine Forces Pacific. Marked "secret."
To Randall from Dandeen, Xmas 1926.
Family photograph album by Randall Jarrell's great-grandmother (Dandeen) containing photographic prints, some with captions. Jarrell lived with his maternal grandparents and great-grandmother in California for about a year from 1925-1926, after his parents' separation.
Rage showcard
Print: letterpress by Patrick Thomas Schrader for Fall 2010 in ART3003. Graphic design. A showcard for a concert that was to become the music video for a Rage Against the Machine song.
Love is Blind
Print: letterpress by Patrick Thomas Schrader for Fall 2010 in ART3003. A letterpress piece.
Night terrors
Mixed media by Cherish Star Martin Gregory for Spring 2012 in ART5610.
Martha, the last passenger pigeon
Mixed media by Cherish Star Martin Gregory for Spring 2012 in ART5610.
Taxidermy fox
Mixed media by Cherish Star Martin Gregory for Spring 2012 in ART5610.
Night terrors
Mixed media by Cherish Star Martin Gregory for Spring 2012 in ART5610. Screenprint, found objects.
Yellow planter
Ceramic: functional by Lisa Lianne Wojciechowski for Spring 2012 in ART5100. Glazed stoneware, mixed media. Yellow glazed stoneware with white flowers, green foliage, marbles, rocks, candle.
Blue fountain
Ceramic: functional by Lisa Lianne Wojciechowski for Spring 2012 in ART5100. Glazed stoneware, mixed media. Glazed stoneware fountain.
LilyPad
Ceramic: functional by Lisa Lianne Wojciechowski for Spring 2012 in ART5100. Glazed stoneware, mixed media. Glazes stoneware fountain.
Purple trio
Ceramic: functional by Lisa Lianne Wojciechowski for Spring 2012 in ART5100. Glazed stoneware, mixed media. set of glazes stoneware; one purple planter with flowers and foliage. Two purple fountains.
Purple planter
Ceramic: functional by Lisa Lianne Wojciechowski for Spring 2012 in ART5100. Glazed stoneware, mixed media. purple planter with pink flowers, green foliage.
Celadon planter
Ceramic: functional by Lisa Lianne Wojciechowski for Spring 2012 in ART5100. Glazed stoneware, mixed media. green planter with pink flowers, green foliage, marbles and candle.
Blue planter
Ceramic: functional by Lisa Lianne Wojciechowski for Spring 2012 in ART5100. Glazed stoneware, mixed media. Blue stoneware planter with pink flowers, green foliage, marbles and candle.
Lam O' God
Mixed media by Cherish Star Martin Gregory for Spring 2012 in ART5610. Wire, screen print, intaglio, found objects.
Mystery meat
Mixed media by Cherish Star Martin Gregory for Spring 2012 in ART5610. Found objects, screen print, lithography, relief.
Mystery meat
Mixed media by Cherish Star Martin Gregory for Spring 2012 in ART5610. Found objects, stencils, screenprint, lithography, relief.
Taxidermy fox
Mixed media by Cherish Star Martin Gregory for Spring 2012 in ART5610. Taxidermy fox, screen print, buttons.
Taxidermy fox
Mixed media by Cherish Star Martin Gregory for Spring 2012 in ART5610. Taxidermy fox, screen print, buttons.
Testing... 1,2,3
Print: screen by Cherish Star Martin Gregory for Spring 2012 in ART5610. Screen print on bedsheet.
Nomura's jelly
Mixed media by Cherish Star Martin Gregory for Spring 2012 in ART5610. Screen print, found objects, spray paint, adhesive, fishing line.
Lam o' God
Mixed media by Cherish Star Martin Gregory for Spring 2012 in ART5610. Wire, fabric, screen print, intaglio.
Night terrors
Mixed media by Cherish Star Martin Gregory for Spring 2012 in ART5610. Screen print, found objects.
Martha, the last passenger pigeon
Mixed media by Cherish Star Martin Gregory for Spring 2012 in ART5610. Cigar box, fabric, wire, block print.
Road litter critter
Print: screen by Cherish Star Martin Gregory for Spring 2012 in ART5610. Fabric, thread.
Bird flu
Painting by Zachary Ryan Agee for Spring 2012 in ART3560. Water color. The painting was done for my water color class, we had to do a painting that had birds being used as the main source for the composition.
Female figure
Drawing by Chelsea A. Peedin for Spring 2010 in ART1030. Charcoal on gray paper. Black and white charcoal drawing of a female figure's back on toned paper.
Figure study
Drawing: figurative by Zachary Ryan Agee for Spring 2012 in ART2550. Charcoal on paper. Figure study done in my intermediate figure drawing class.
Reclining female figure
Drawing by Chelsea A. Peedin for Spring 2012 in ART2550. Charcoal on gray paper. A black and white charcoal figure study on toned paper.
Torn
Painting by Zachary Ryan Agee for Spring 2012 in ART3561. Oil on masonite board. One half of a dyptich.
Cosmo
Painting by Chelsea A. Peedin for Spring 2011 in ART2561. Oil on canvas. A before and after painting of a cosmopolitan.
Decisions
Painting by Chelsea A. Peedin for Fall 2010 in ART2560. Oil on Canvas. A female figure with an eyeball in her breast. A skeleton representing life and death on her right and doves representing spirituality on her left.
faces
Painting by Zachary Ryan Agee for Fall 2011 in ART2561. Oil on canvas.
Overseers of playland
Painting by Chelsea A. Peedin for Spring 2012 in ART3561. Oil on Canvas. A diptych of toys (Furbies and the Pillsbury Doughboy figurine).
Lamp cover
Painting by Zachary Ryan Agee for Fall 2011 in ART2561. Oil on canvas. Composition study with the goal to hide one item under another item while still being able to tell what that item is.
Sublime
Painting by Lupita Dan Nava for Spring 2012 in ART2561.
Self portrait
Painting by Lupita Dan Nava for Fall 2011 in ART2560.
Contour lines portrait
Drawing by Lupita Dan Nava for Spring 2011 in ART1030.
Still life
Painting by Lupita Dan Nava for Fall 2011 in ART2560.
Calm II
Painting by Omar Mohamed Abbas for Spring 2011 in ART5230. Oil on canvas.
In prisoned
Painting by Omar Mohamed Abbas for Spring 2012 in ART3551. Oil on canvas.
Shame
Painting by Omar Mohamed Abbas for Summer 2011 in ART3515. Oil on canvas.
Let go
Painting by Omar Mohamed Abbas for Fall 2011 in ART3561. Oil on canvas.
The beginning
Painting by Omar Mohamed Abbas for Spring 2012 in ART4560. Oil on canvas.
Haunted
Painting by Omar Mohamed Abbas for Spring 2012 in ART4560. Oil on canvas.
Becoming the alien
Painting by Omar Mohamed Abbas for Spring 2012 in ART5500. Oil on canvas.
Calm
Painting by Omar Mohamed Abbas for Fall 2011 in ART3561. Oil on canvas.
The leave
Painting by Omar Mohamed Abbas for Spring 2012 in ART4560. Oil on canvas.
Tolerate
Painting by Omar Mohamed Abbas for Spring 2012 in ART5500. Oil on canvas.
Cherry blossoms, shells, and a leaf
Painting by Lupita Dan Nava for Spring 2012 in ART2561.
Personal identity
Graphic design by Meghan Leigh Harper for Fall 2010 in ART3200.
Heritage Memorial identity
Graphic design by Meghan Leigh Harper for Spring 2012 in ART4200.
Internship
Game design by Meghan Leigh Harper for Fall 2011 in ART4020.
Lost Louise
Ceramic: sculptural by Robert Landon Price for Spring 2011 in ART2105. This piece is based on a family story about my great-grandmother and grandfather trying to find one another after he had been shipped to San Francisco for the navy in WWII.  They traveled separately and one ended up in Oakland. They missed one another 3 times before Junior told Louise to "Sit on her suitcase, and he'd come to find her". After 60 years of marriage Louise lay on her deathbed, and told Junior that she would go to heaven and wait on her suitcase for him, and shortly passed away.  Junior slipped into dementia after Louise's death, but the day before Junior died, several years later, he awoke entirely lucid and asked to me to take him Louise's grave. He climbed from his wheelchair, a feat we all believed to be beyond him at this point, and knelt on her grave and told her he was coming to find her. He passed the next day, and this is one piece in an ongoing set of the Searching Sailor and Lost Louise.
Dinner pests
Animation by Robert Landon Price for Fall 2010 in ART5700.
Scrap dragon
Sculpture: sculptural by Robert Landon Price for Spring 2009 in ART3720.
Meghan Harper
Graphic design by Meghan Leigh Harper for Fall 2010 in ART5210.
Bio-organic appetite
Sculpture: sculptural by Robert Landon Price for Fall 2010 in ART5700.
Soundwave
Sculpture: sculptural by Robert Landon Price for Fall 2009 in ART3700. Found objects, steel, poplar, iron weights.
Centurion 2: the captain
Sculpture: sculptural by Robert Landon Price for Spring 2011 in ART5710. Found objects, steel, brass. The second in a series of robotic creatures.
Centurion 1: the professor
Sculpture: sculptural by Robert Landon Price for Spring 2011 in ART5710. Found objects, steel. A robotic creature with a means of movement, yet without life.
The chalice
Animation by Robert Landon Price for Fall 2010 in ART3500. Poly-chromed copper and brass on oak with pine frame. This work draws from several different symbolic uses of the triangle, or the number 3, in religious and philosophical schools from across the world. It is displayed as a decorative wall piece.
Small talk
Painting by Lorelei Iris Voronin for Spring 2012 in ART4562.
Mom knows best
Painting by Lorelei Iris Voronin for Fall 2011 in ART4561.
The four ugly faces of stigma: discrimination, fear, prejudice and avoidance
Painting by Lorelei Iris Voronin for Fall 2011 in ART4561.
Lost in the game
Painting by Lorelei Iris Voronin for Spring 2012 in ART4562.
Screaming through a wall around my brain
Painting by Lorelei Iris Voronin for Spring 2012 in ART4562.
It's my genes, it's my life
Painting by Lorelei Iris Voronin for Fall 2011 in ART4561.
Only time will tell
Painting by Lorelei Iris Voronin for Spring 2012 in ART4562.
Demo reel
Animation by Alyssa Marie Stanzione for Spring 2012 in ART4411. Demo reel: compilation of my best work.
Cognito
Sculpture: sculptural by Jonathan D. Burger for Spring 2012 in ART5710. Aluminum, bronze, mirrors.
Opening the door
Painting by Jose Adolfo Grande-Gomez for Spring 2012 in ART2561. Oil on canvas.
The tulips' growth
Painting by Jose Adolfo Grande-Gomez for Spring 2012 in ART2561. Oil on canvas.
Surprised face
Drawing by Jose Adolfo Grande-Gomez for Fall 2011 in ART2540. Ink and ink wash on illustration board.
Self-portrait
Painting by Jose Adolfo Grande-Gomez for Fall 2011 in ART2560. Acrylic on canvas.
Hand Painting
Painting by Jose Adolfo Grande-Gomez for Fall 2011 in ART2560. Oil on primed paper.
Gardening booklet
Graphic design by Rachel Marie Klingenberger for Spring 2011 in ART3210. Booklet designed to be an at-home guide for starting your own vegetable garden. All illustrations are original watercolors done by me.
Marinetti poster
Graphic design by Rachel Marie Klingenberger for Fall 2009 in ART2200. Poster created for a fictional lecture on Filippo Marinetti, in a style similar to his work.
Nectar
Graphic design by Rachel Marie Klingenberger for Spring 2011 in ART3210. Packaging for bath products.
Vitality Medical Center
Graphic design by Rachel Marie Klingenberger for Spring 2012 in ART4200. Identity and graphics standards manual for a fictional hospital, created with Sabrina Carmon.
Elementary education ads
Graphic design by Rachel Marie Klingenberger for Fall 2010 in ART3200. A set of magazine ads promoting the Elementary Education program at ECU.
Self-promotional postcards
Illustration by Devin Blysse Butler for Spring 2012 in ART5230. Postcards intended to be mailed to potential employers.
Wine labels
Animation by Devin Blysse Butler for Spring 2012 in ART5230. Wine labels for Bogie's Bliss brand wine.
Anti_dev
Mixed media by Devin Blysse Butler for Spring 2012 in ART5230. Image incorporating digital drawing and photography.
Dagon movie poster
Illustration by Devin Blysse Butler for Spring 2012 in ART5230. Poster advertising a film adaptation of the book Dagon.
Oscar Wilde
Illustration by Devin Blysse Butler for Fall 2011 in ART4230. Portrait of Oscar Wilde with quote.
Aesop fable
Illustration by Devin Blysse Butler for Fall 2012 in ART4230. Book illustrations for an Aesop fable called "The ass, the fox, and the lion".
Pearly whites
Graphic design by Devin Blysse Butler for Fall 2011 in ART4230. Magazine spread for a fictional travel magazine about Alligator Adventure's albino alligators.
Ibex: chai labels
Illustration by Ariana Abbasi for Fall 2012 in ART3500. Pen & ink and digital. 1 of 4 illustrated chai labels depicting endangered animals of Pakistan.
Demo reel
Animation by Ariana Abbasi for Spring 2012 in ART4411. Compilation of work done in animation/interactive design (senior demo reel).
Postcard
Jewelry by Amanda Marie Chambers for Fall 2012 in ART3000.
Powder coat
Jewelry by Amanda Marie Chambers for Fall 2012 in ART5311.
49 mistakes on the wall
Painting by Samantha Ella Deason for Fall 2011 in ART4560. Oil painting of 49 marbles from my collection. Behind each marble is a written mistake.
The comfort of your memory
Weaving by Alyssa Kaygen Herring for Spring 2012 in ART2335.
Destiny
Textile by Sarah N. Arrington for Fall 2012 in ART4305. Felted garment.
Protection
Textile by Sarah N. Arrington for Fall 2012 in ART4305. Felted garment with flaps.
Highlander
Sculpture: figurative by Jenny Ann Readling for Fall 2012 in ART5710. Iron.
The awakening
Sculpture: figurative by Jenny Ann Readling for Fall 2012 in ART5710. Bronze.
Freedom of Life
Sculpture: figurative by Jenny Ann Readling for Fall 2012 in ART5710. Bronze.
The capitalist perspective
Sculpture: sculptural by Jenny Ann Readling for Fall 2012 in ART5700. Steel.
Veiled surroundings
Sculpture: sculptural by Jenny Ann Readling for Fall 2012 in ART5700. Steel.
Haussamann's Layers
Sculpture: sculptural by Jenny Ann Readling for Fall 2012 in ART5700. Steel.
Engine up
Sculpture: sculptural by Jenny Ann Readling for Fall 2011 in ART4700. Steel.
Isadora
Sculpture: figurative by Jenny Ann Readling for Fall 2011 in ART3710. Bronze.
Extracting essence postcard
Illustration by Kendall Booth Temotio for Fall 2012 in ART5311. Illustrations/sketches of ring designs altered digitally, images of rings.
I'm so fat!
Painting by Julie Angela David for Fall 2012 in ART3500.
Untitled
Painting by Julie Angela David for Fall 2012 in ART3500.
Don't hate the player; hate the game
Painting by Julie Angela David for Fall 2012 in ART4561.
Free food at the beach / insurance
Painting by Julie Angela David for Fall 2012 in ART4561.
Does what's inside matter?
Painting by Julie Angela David for Fall 2012 in ART3500.
Scintillating vivisection
Painting by Julie Angela David for Spring 2012 in ART4560.
Untitled
Painting by Julie Angela David for Fall 2012 in ART4560.
Untitled
Painting by Julie Angela David for Fall 2012 in ART4560.
Extracting essence: show poster
Illustration by Kendall Booth Temotio for Fall 2012 in ART5311. Illustration sketches of my ring designs scanned and altered in color digit.
Harmonic translation 2
Jewelry by Kendall Booth Temotio for Fall 2012 in ART4301. Necklace of sterling silver, 18 kt gold rivets, diamonds, rhodolite.
Harmonic translation
Jewelry by Kendall Booth Temotio for Fall 2012 in ART4301. Sterling silver, cast sea urchin altered in wax form, hinge clasp.
You're free to fly: brooch tryptich
Metalwork by Kendall Booth Temotio for Fall 2010 in ART2311. Copper and enamel tryptich 3 in 1 brooch series. You're free to fly is a triptych brooch that can be worn both as one piece or separately. It is based on a story of three sisters who grew up together then went their separate ways. This brooch is meant to be worn on their separate journeys but always able to come back together as one.
Thimbelina
Mixed media by Kendall Booth Temotio for Fall 2011 in ART3000. Sterling silver, antique thimbles (brass, plastic, aluminum, tin, pewter. Thimbelina reaches out to an older generation of people who learned to sew at a young age. Many woman collected thimbles and most company's produced thimbles for marketing. Thimbelina strings together modern playfulness and color with an antiquated collection of thimbles..
Rediscovered
Mixed media by Kendall Booth Temotio for Fall 2011 in ART3000. Fish scales, copper, antique lace, pearls, costume jewelry parts, Necklace. Rediscovered explores a series of objects both from nature and from "grandma's attic" that have been rediscovered to fulfill a new life. The fish scales were cut from a washed up fish on the beaches of North East Brazil combined with antique lace and pearls passed down from generations.
Senior show postcard
Textile by Smruti Pradip Bulsara for Fall 2012 in ART4316.
Antique meets contemporary
Jewelry by Kendall Booth Temotio for Spring 2011 in ART2321. Cast bronze, fabricated sterling silver rings containing felting techniques. Combining an age old method of casting into antique designed forms with a contemporary technique of needle felting. Both of these techniques can be dated back centuries but have evolved over the years. Combining the two mediums shows an even newer way of exploring each process's potential.
Maritimal
Jewelry by Kendall Booth Temotio for Fall 2011 in ART3301. Sterling silver, pearl, diamonds and blue diamonds. Maritimal is the study of life's beauty in nature and how it is translated into a wearable manmade form. These rings both represent sea life and how that can be represented into a form created through its surroundings rather than the environment.
Sunken jade & sunken red
Metalwork by Jeffrey A. Chen for Spring 2011 in ART4311. Electroformed figure, enameled.
Cypher forger
Metalwork by Jeffrey A. Chen for Spring 2011 in ART4311. Electroformed original figure, powder coated.
Self promotional postcard: hot air balloons
Illustration by Ariana Abbasi for Spring 2011 in ART5230. Pen & ink and digital color. 3 of 3 self-promotional postcards.
Faisal Mosque
Illustration by Ariana Abbasi for Fall 2012 in ART3500. Ink on clayboard, watercolor, digital. Poster of Faisal Mosque in Pakistan (companion piece for Badshahi Mosque illustration).
Carl Long oral history interview, 2014
Carl Long (May 9, 1935 - January 12, 2015) discusses his professional baseball career (1952-1958) with the Negro American league and the Pittsburgh Pirates farm clubs including among others the Kinston (North Carolina) Eagles in the Carolina League where he was the first African American baseball player in the league; his time as the first African American deputy sheriff and first African American detective in Kinston; and his subsequent career as the first African American bus driver in Lenoir County (NC) from which he retired in 1995.
C. Stuart Carr, Jr., oral history interview, September 15, 1980
C. Stuart Carr, Jr. was a tobacconist from Greenville, N.C who worked for a number of different tobacco companies in Eastern North Carolina and Richmond, VA. Carr first discusses the effect of the Depression on tobacco farmers in Eastern North Carolina. Carr next describes the competition between the companies selling to the Chinese manufacturing companies and the turmoil in China in 1938 with a strong Japanese presence. Carr worked for a time at Carolina Leaf Tobacco Company who sold American tobacco to Chinese manufacturers. Carr notes that employees of the British-American Tobacco Company were sent to plants up country and describes some of their living conditions. For much of the remainder of the interview, Carr details life in China for company employees and their families and discusses at length the business of American companies selling tobacco in China. He talks about the difficulty of small companies entering the international market; the use of filler tobacco and stems by the Chinese manufacturers; the cigarette as a status symbol with the Chinese picking up butts from the street to use the remaining tobacco for "coolie" cigarettes; the importance of "face;" and the difficulty of getting foreign exchange with companies in Japanese-held Manchuria (called Manchukuo by the Japanese). Carr describes the Shanghai nightlife, the use of contaminated whiskey, gambling, the prices of clothes, and the exchange with the tael and the "mex" dollar. Carr notes the increasing presence of the Japanese in 1941 and that B.A.T. employees left in China after the attack on Pearl Harbor were detained in concentration camps before being exchanged for Japanese prisoners. He left China in 1941 shortly before Pearl Harbor was bombed. He also mentions how Universal lost all their assets with the takeover of the Communists after World War II. On a more contemporary note, Mr. Carr discusses the Thai people, their position in the tobacco market, and the switching of tobacco after it is sold. He also mentions an arrangement to have American cigarettes made in China for tourists by Reynolds and Phillip Morris (ca. 1980) and the monopoly these manufacturers will have. Carr notes that China grows so much tobacco that it is an exporter, a fact which helps them in their foreign exchange. Interviewer: Donald R. Lennon.
Annimae White oral history interview, February 6, 1981
Annimae White, a native of Thomaston, Georgia, served as a Methodist missionary to the Congo for thirty-five years. Included in this interview are discussions of her background in rural Georgia, education at Scarritt and Peabody University, assignment to Africa, and her life there between 1930 and 1965. African topics include descriptions of travel up the Congo by riverboat, life in a mud hut at Tunda Station, experiences at a teacher training school at Wembo Nyama, difficulties of reaching home for 1945 furlough, and studies at Columbia University and in Paris. Also of major interest are accounts of the tribal wars, the Congolese Rebellion (1960-1961), evacuation to Rhodesia, and her final years of service at Kituta. Interviewer: Donald R. Lennon.
M. Louise Avett oral history interview, February 6, 1981
M. Louise Avett, a native of Norwood, N.C., attended Davenport College, Duke University and Scarritt College. She was assigned to mainland China in 1932 and remained there until 1945 when she returned to the U.S. In 1960 she was assigned to serve in Hong Kong where she taught until retirement in 1970. Topics of discussion include educational work in Soochow, her transfer to West China in 1941 and her work there during World War II, and conditions in Hong Kong during the 1960s. Details are provided for life among the Chinese people, experiences in rural western China, social and cultural observances, Japanese invasion, travel, food, local customs, airlift to India, and experiences in that country en route home. Interviewer: Donald R. Lennon.
Elma J. Ashby oral history interview, February 6, 1981
Elma J. Ashby, a native of Tunneltown, West Virginia, spent twenty-seven years as a Methodist missionary in Rhodesia. In this interview she recounts her background and education, her appointment as missionary to China in 1940 and her return to the U.S. due to the outbreak of World War II, and her subsequent appointment to work in Africa. Miss Ashby remained in Rhodesia from 1945 until 1972 where she worked in nurses training. Topics discussed include her work as a nurse, impressions of the Congo and Rhodesia, medical care among the natives, training of native nurses and other medical personnel, economic and physical factors in Rhodesian life, hospital construction, Zimbabwe independence, and impressions of conditions in that country during the past decade. Interviewer: Donald R. Lennon.
Carol Leigh Humphries oral history interview, November 28, 1980
Carol Leigh Humphries, a native of Person County, N. C., graduated from East Carolina Teachers College (E.C.U.) in 1944. She became involved in the home mission work of the Southern Baptist denomination and worked with church programs in Wilmington, N.C., Louisville, Kentucky, and Dallas, Texas. In 1951 she was appointed by the Baptist Foreign Mission Board to work in Nigeria, where she has remained since her arrival there early in 1952. In this interview, conducted during one of her furloughs home, she discusses her background in North Carolina, her work in Baptist missions in the United States, and her appointment to Africa. Topics of discussion include educational work in Nigeria, transition of Nigeria to an independent country, dress and customs of natives, attitude of Nigerians toward foreigners, work as W.M.U. director for Northern Nigeria, influence of Islam in the region, and the growth of the Baptist denomination. Interviewer: Donald R. Lennon.
John Davis Humber oral history interview, October 25, 1983
Dr. John D. Humber grew up in Greenville, North Carolina, and attended Wake Forest and Tulane Universities. He founded various medical organizations and was a co-discoverer of the Coffey-Humber treatment for cancer. In this interview, he discusses his childhood in Greenville, N.C., his college years, and his work as a doctor. Also discussed is the life of his brother, Dr. Robert Lee Humber, who among other things was a founder of the movement for World Federation and was a great force behind the establishment of the North Carolina Museum of Art; and the history of the Humber House at the corner of W. Fifth and Washington Streets in Greenville. This interview was done by Stanley L. Little of the Eastern Office of the Division of Archives and History of North Carolina.
Ben O. Jones oral history interview, November 9, 1981
Ben O. Jones, a native of Duplin County, North Carolina, served as Craven County auditor from 1921 until 1966. After retiring as auditor he continued as clerk to the board of county commissioners until December 1979, thus being in the service of Craven County for more than fifty-eight years. He discusses life in New Bern, the coming of the Great Depression, bank failures, and the responsibilities of the auditor's office. A transcript of the interview is also included. Interviewer: Donald R. Lennon.
Just another day
Illustration by Ariana Abbasi for Spring 2011 in ART5230. Pen and ink, digital text. Series of illustrations for the song "Just Another Day" by Good Old War.
Self promotional postcard: jellyfish
Illustration by Ariana Abbasi for Spring 2011 in ART5230. Pen & ink and digital color. 2 of 3 of self-promotional postcards.
Self promotional postcard: snails
Illustration by Ariana Abbasi for Spring 2011 in ART5230. Pen & ink and digital color. 1 of 3 of self-promotional postcards.
Badshahi Mosque
Illustration by Ariana Abbasi for Fall 2012 in ART3500. Ink on clayboard, watercolor, digital. Poster of Badshahi Mosque in Pakistan (companion piece for Faisal Mosque illustration).
Grimm's fairytales calendar: six swans
Illustration by Ariana Abbasi for Fall 2012 in ART3500. Pen & ink, digital transfer, digital color. 3 of 3 for Grimm's Fairytales Calendar.
Markhor: chai labels
Illustration by Ariana Abbasi for Fall 2012 in ART3500. Pen & ink and digital. 4 of 4 illustrated chai labels depicting endangered animals of Pakistan.
Deer: chai labels
Illustration by Ariana Abbasi for Fall 2012 in ART3500. Pen & ink and digital. 2 of 4 illustrated chai labels depicting endangered animals of Pakistan.
Crane: chai labels
Illustration by Ariana Abbasi for Fall 2012 in ART3500. Pen & ink and digital. 2 of 4 illustrated chai labels depicting endangered animals of Pakistan.
Digital monsters
Illustration by Ariana Abbasi for Fall 2012 in ART3500. Digital painting. Digitally painted versions of the monster series.
Grimm's fairytales calendar: fox and the cat
Illustration by Ariana Abbasi for Fall 2012 in ART3500. Pen & ink, digital transfer, digital color. 2 of 3 of Grimm's Fairytales Calendar.
Grimm's fairytales calendar: red riding cap
Illustration by Ariana Abbasi for Fall 2012 in ART3500. Pen & ink, digital transfer, digital color. 1 of 3 for Grimm's Fairytales Calendar.
Pink: monster series
Illustration by Ariana Abbasi for Fall 2012 in ART3500. Pen & ink and digital. Monster 8 of set of 8.