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Articles in regional publications that pertain to a wide range of North Carolina-related topics.

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Record #:
29324
Author(s):
Abstract:
A group of French and American paintings from the turn of the century will be shown together as an introduction to the Twentieth Century Gallery. Included will be two works that have been on view recently as well as serval important paintings that have not been on display for a number of years. Paintings by Pierre Bonnard, Jacque-Emile Blanche, William Merritt Chase, and Gari Melcher are included and previewed.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1985, p13-14
Record #:
29326
Author(s):
Abstract:
The Museum recently received on long-term loan a sixteenth-century painting by the Venetian/Veronese artist Paolo Caliari (1528-1588) titled The Dead Christ with Joseph of Arimathea (circa 1585). Considered one of his masterpieces, the work depicts the body of Christ being supported by an angel and a man, probably Joseph of Arimathea. Caliari is considered one of the greatest colorists in the history of painting. This painting comes from the latter period of his life and shows his move toward a more deeply felt and intimate form of spirituality.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1985, p14-15
Record #:
29328
Author(s):
Abstract:
Claude Lorrain’s Pastoral Landscape with Huntsmen is the first work from an outside institution to receive conservation treatment as part of a new service made available by the Museum to other agencies. The painting from New Bern’s Tryon Palace underwent a three-month treatment procedure. The process for restoration and the Museum’s new service are detailed.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1985, p16-17
Record #:
29332
Author(s):
Abstract:
This exhibition offers a survey of photography from its inception in the early part of the nineteenth century to the present. The photographs come from the George East House Collection and include 200 works by famous and obscure photographers. Portraits, landscapes, and cityscapes are all represented. The photographers, the history of the exhibition, and the history of photography are all detailed.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1985, p5-8
Record #:
29334
Author(s):
Abstract:
A new five-week exhibition surveys recent work in the single-channel video by four artists. Videotapes by Laurie Anderson, Dara Birnbaum, Michael Smith, and Bill Viola will all be exhibited in the Contemporary Gallery this fall.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1985, p9
Record #:
29337
Author(s):
Abstract:
The work of North Carolina artist Vernon Pratt will be exhibited in the North Carolina Gallery through this winter. Pratt is known for his work as an abstract painter and the building up of shapes and surfaces. Pratt’s style of his canvas works are described as elegant and calm while his work with building structures is described logical, having raw energy, and full of mystery that draws the viewer in.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1985, p10-11
Record #:
29353
Author(s):
Abstract:
The paintings of Janis Provisor and Robin Winters will be on display in the Contemporary Gallery this winter. Provisor’s work is inspired by the landscape of Colorado and she uses a lush painting technique with unusual colors in her paintings. Winters is best known for humorously drawn cartoon faces which appear in abstract landscapes and her work is dreamlike and childlike in its humor.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1985, p12-13
Record #:
29354
Author(s):
Abstract:
A terracotta sculpture by French artist Joseph Charles Marin (1759-1834) was recently purchased by the Museum. The sculpture is titled Bacchante Carrying a Child on Her Shoulders and was sculpted during the late 18th century when such sculptures were popular. Marin was a student and collaborator of the artist Claude-Michel Clodion and likely created the figure between the 1780s and 1796.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1985, p14-15
Record #:
29355
Author(s):
Abstract:
The process for how an art museum plans and displays an exhibition of art is detailed. Frequently, a lending museum begins the process by contacting other museums who might be interested in displaying their art. The potential exhibiting museum must then decide if showing the art is worth the cost and time. Once a collection is agreed to be shown, plans are decided for how the art will be installed and many staff members collaborate to prepare to display the collection. The success of the recent Art Nouveau to Art Moderne exhibit used as an example to illustrate each step of the process.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1985, p15-19
Record #:
29356
Author(s):
Abstract:
‘Of Space and Time: Motion in Art’ open this fall in the Mary Duke Biddle Education Gallery. The exhibition’s current focus is teaching patrons about motion in art. The featured works of art include paintings, sculptures, music, and architecture. This exhibit follows two others in the series which focused on line, shape, color, and texture, and the use of light.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1985, p22-23
Record #:
29358
Author(s):
Abstract:
Dr. Richard S. Schneiderman has been appointed as Director of the North Carolina Museum of Art. Schneiderman comes to the museum from the Georgia Museum of Art at the University of Georgia. A biography of Schneiderman is provided. Schneiderman was selected over other candidates for his strong and dynamic leadership capabilities, his combination of youth and experience, and his creativity and enthusiasm.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 1985-1986, p3-4
Record #:
29359
Author(s):
Abstract:
This winter, the Museum will present selections from one of the finest college collections of American painting loaned by The Maier Museum of Art at Randolph-Macon Woman’s College in Lynchburg, VA. Of the 38 works to be exhibited, more than a quarter have received conservation treatment in the North Carolina Museum of Art’s conservation laboratory. The exhibit will feature works from the late nineteenth and early twentieth centuries and its group of American impressionist works is the collection’s strength.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 1985-1986, p3-4
Record #:
29362
Author(s):
Abstract:
The art of Long Creek, Pender County, North Carolina native Minnie Evans will be displayed through this spring in the North Carolina Gallery. Evans work is often inspired by a religious vision she had in the 1930s and from her time as a gatekeeper at the Airlie Gardens at Wrightsville Beach. Evans work often incorporates nature and is described as being closer to Near Eastern art than Western prototypes. The approximately 30 works include paintings, drawings, and collages.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 1985-1986, p7-8
Record #:
29364
Author(s):
Abstract:
Selections from the Sara Roby Foundation Collection will be exhibited in the Contemporary Gallery this spring. The foundation was created to teach the public about art and the paintings to be shown have collected since 1950 produced by American artists. The works are linked by their realistic style and often have an element of humor, mystery, or surrealism in them. A biography of Roby is included along with a preview of the exhibition and some of the artists to be displayed including Edward Hopper, George Tooker, Philip Evergood, and others.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 1985-1986, p9-10
Record #:
29366
Author(s):
Abstract:
One of the country’s most distinguished collections of early twentieth-century German paintings will be on display in the Museum on loan from the Saint Louis Art Museum. The forty-five paintings by most of the important members of the German avant-garde were collected during the first half of the century by Morton D. May. Half of the exhibition is devoted to Max Beckmann who fled the Nazis and taught at in Saint Louis at Washington University.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 1985-1986, p11-12