Articles in regional publications that pertain to a wide range of North Carolina-related topics.
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for Artists--Asheville
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Record #:
29719
Author(s):
Abstract:
Sahar Fakhoury is a figurative artist, painter and sculptor who moved from Kuwait to Asheville, North Carolina in 1990. Creating some continuity from her childhood as a gymnast and dancer, Fakhoury’s most recent work is inspired by the human body in motion. She also sees the importance of art as a form of historical documentation.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 13 Issue 2, February 2017,
p10-12, il, por
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Record #:
29724
Author(s):
Abstract:
The art of mosaics stretches back over five-thousand years and its appeal is as strong in modern times as ever. Some of the world’s best mosaic instructors are at Linda Pannullo Mosaics and Workshops in Asheville, North Carolina. This article profiles six of those instructors, highlighting each of their styles, techniques, and workshops.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 13 Issue 2, February 2017,
p66-67, il
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Record #:
29730
Author(s):
Abstract:
The Asheville Area Arts Council will present Cyan-Magenta-Yellow-Black, a new exhibit at The Refinery Creator Space. The exhibit showcases mixed media from a group of young artists based in Asheville who use color and light immersion inspired by the color-printing model known as CMYK. Their work explores the transition from analog to digital culture, and how we communicate as a society.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 13 Issue 2, February 2017,
p87, il
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Record #:
29733
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Abstract:
Assemblage is a relatively young art form in which the composition is made from scraps, junk or an assortment of objects. Eco-Depot Marketplace in Asheville’s River Arts District displays the works of assemblage artists that are all categorized in some way as environmental. To qualify, the work must relate to the environment in materials, technique or subject matter.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 13 Issue 2, February 2017,
p100-101, il
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Record #:
29825
Author(s):
Abstract:
Asheville artist Scott Mills is known for his surreal paintings of nature and animals. In an interview, Mills discusses how his work is derived from the concepts of symbiosis where different organisms work together to benefit each other.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 13 Issue 5, May 2017,
p10-12, il, por
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Record #:
29870
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The Grovewood Gallery will debut Shawn Krueger’s solo exhibition, Southern Migrations, in July and August. Krueger has become a fixture in the Asheville art scene, being drawn into the multitude of landscapes available in the region. His painting style is tonalism, which is an American progressive art form featuring by soft tones and dark hues, creating the effect of a colored atmosphere or mist.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 13 Issue 7, July 2017,
p19, il
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7.Feature Artist: Amber Marshall by Malone, Gina Laurel of Asheville Vol. 14 Issue 12, December 2017
Record #:
41227
Author(s):
Abstract:
Amber Marshall did not start off wanting to be an artist, but after taking more and more art classes in college, she shifted her focus to glassblowing. Since that time, she worked her way up into making and selling her own pieces, as well as having some works on display in galleries in Asheville.
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Record #:
29678
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Abstract:
Andy Cooper is an artist in Asheville, North Carolina who creates furniture and accessories from salvaged materials, such as reclaimed wood, metal and glass. Cooper describes his work as a combination of functional art and artful furnishings. Recently, Cooper joined the gallery and artist cooperative, Eco-Depot Marketplace.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 13 Issue 11, November 2016,
p38-39, il, por
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Record #:
29702
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Black Mountain College Museum and Arts Center, in Asheville, North Carolina, will present two exhibits featuring the work of artists from Black Mountain College. The first exhibit highlights twentieth-century painters. The second exhibit exemplifies the independence and interdisciplinary qualities for which the school is famous.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 13 Issue 12, December 2016,
p48, por
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Record #:
22488
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Acrylic artist Angela Alexander of Asheville creates colorful renditions of pets and animals, which often have amusing titles and reflect her passion for furry companions. Her studio sells not only original works, but also prints, cards, and magnets.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 12 Issue 1, January 2015,
p8, il, por
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Record #:
22491
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John W. Anderson, an Asheville watercolor artist began his interest with art in childhood cartoon characters and later in architectural drafting. While Anderson was born in New York City and grew up in Philadelphia, Anderson and his wife, Ellen, an interior decorator, have spent 22 years in Florida and retired to Asheville in 2005.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 12 Issue 1, January 2015,
p10-11, il, por
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Record #:
22500
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Abstract:
A recent addition to Asheville, former snowboarder Jessica Hall is a young jewelry artist who has traveled the world.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 12 Issue 1, January 2015,
p47, por
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Record #:
22781
Author(s):
Abstract:
The River Arts District along the French Broad River has become the center of creativity and artistic opportunity in Asheville. Over two hundred artists perfect their craft in former warehouses and offer tourists and locals an artsy district in the growing small town.
Source:
Charlotte Magazine
(NoCar F 264.C4), Vol. 20 Issue 3, March 2015,
p72-76, il, por, map
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Record #:
23605
Author(s):
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Asheville resident and artist Jim Hefley discusses the inspirations for his artwork, which features natural landscapes and country vistas.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 12 Issue 3, March 2015,
p11-12, il
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Record #:
23611
Author(s):
Abstract:
Artists John Wayne Jackson creates intricate 'fossils' of leaves by casting them in concrete.
Source:
The Laurel of Asheville
(NoCar F 264 .A8 L28), Vol. 12 Issue 3, March 2015,
p42-44, il
Periodical Website
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