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101 results for "North Carolina Museum of Art--Exhibitions"
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Record #:
29698
Author(s):
Abstract:
In the new exhibit Far From Home, the idea of disorientation and opportunity play a large role. The exhibition features works of modern art which focus on the idea of home. This idea of home could center on a family dwelling, geographic location, or culture and the complicated sense of origin and belonging our modern world has created.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Spring 2008, p6-9
Record #:
29313
Author(s):
Abstract:
The work of the Bertie County, North Carolina native Francis Speight will be on display in the Twentieth Century Gallery this summer. Speight’s landscapes of the industrial suburban hillsides of Philadelphia and rural, northeastern North Carolina will be the focus of the exhibition. A brief biography of Speight and a description of his style preview the exhibition.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1985, p12-13
Record #:
29410
Author(s):
Abstract:
Some of the country’s finest selections of French painting will be on display this summer in the Main Exhibition Gallery. The paintings are on loan from the Chrsyler Museum in Norfolk, Virginia. The works range from the seventieth through the twentieth century. Artists included are Chardin, Boucher, Gros, Delacroix, Rousseau, Daubigny, Manet, Renoir, Cezanne, Degas, Gauguin, and Matisse among other.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Spring 1986, p14-15
Record #:
29418
Author(s):
Abstract:
One of the major goals of the Museum is to increase the public’s knowledge of the major art collections of the Southeastern United States through exhibitions. In attempting to accomplish that goal, the Museum will exhibit 45 paintings by French artists from the Chrysler Museum in Norfolk, Virginia. The paintings date from the seventieth through the twentieth centuries. Examples of the periods of realism, the French Baroque, rococo, romanticism, impressionism, and post-impressionism are all represented.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1986, p6-8, il
Record #:
29249
Author(s):
Abstract:
In celebration of the 400th anniversary of British settlement in North Carolina, the Museum is presenting works by three of the most influential British artists working today. The work of the duo Gilbert & George and Richard Long will be on display in the Contemporary Gallery. Long’s work concerns the world of nature and how man interacts and affects it. Gilbert & George’s work explores the mind and the struggles people undergo to answer questions about good, evil, hope, and desire.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1984, p8-9
Record #:
29623
Author(s):
Abstract:
The exhibition Far from Home features work by artists of diverse national, cultural, and spiritual backgrounds. The exhibit also includes works of art that address the displacement of people and populations in the global community as they relocate for economic, political, education, or familial reasons. All of the artists featured have relocated and their art often reflects this event and the distance they feel from their homes. The exhibit explores how being displaced affects creativity and one’s identity.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 2008, p10-11, il
Record #:
29362
Author(s):
Abstract:
The art of Long Creek, Pender County, North Carolina native Minnie Evans will be displayed through this spring in the North Carolina Gallery. Evans work is often inspired by a religious vision she had in the 1930s and from her time as a gatekeeper at the Airlie Gardens at Wrightsville Beach. Evans work often incorporates nature and is described as being closer to Near Eastern art than Western prototypes. The approximately 30 works include paintings, drawings, and collages.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 1985-1986, p7-8
Record #:
29248
Author(s):
Abstract:
The new exhibit Howard Pyle and The Wyeths: Four Generations of American Imagination places the art of artists, Howard Pyle, N.C. Wyeth, Andrew Wyeth, and Jamie Wyeth. The exhibition explores the impact Pyle had on three generations of Wyeth’s as N.C. Wyeth’s teacher. From the Brandywine School, the four artists are connected by the narrative quality of their work. A description of the four artists’ work and their impact on each other and viewers is discussed in a preview to the exhibition.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 1983/1984, p11-13
Record #:
1663
Author(s):
Abstract:
The North Carolina Museum of Art is staging an exhibition, \"Songs of my People,\" that includes more than 100 photographs by 50 African-American photographers.
Source:
Independent Weekly (NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 12 Issue 24, June 1994, p18, il Periodical Website
Record #:
29332
Author(s):
Abstract:
This exhibition offers a survey of photography from its inception in the early part of the nineteenth century to the present. The photographs come from the George East House Collection and include 200 works by famous and obscure photographers. Portraits, landscapes, and cityscapes are all represented. The photographers, the history of the exhibition, and the history of photography are all detailed.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1985, p5-8
Record #:
29716
Author(s):
Abstract:
A special exhibition titled Temples and Tombs: Treasures of Egyptian Art from The British Museum will bring 85 objects from Egyptian history to the North Carolina Museum of Art. The works in stone, wood, precious metals, and papyrus will illuminate the Egyptian view of life, death, and the afterlife. The exhibition will be split into four sections which focus on the influence of the pharaoh or king, objects of artists and nobles, statures of Egyptians, and objects found in Egyptian tombs.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , March/April 2007, p6-9, il
Record #:
29612
Author(s):
Abstract:
Jaume Plensa’s Doors of Jerusalem I, II, & III greet visitors as they enter the Museum’s West Building. The three larger figures are mounted high on the wall, are translucent, and are lit from within with words covering their bodies. The words are from the Song of Solomon found in the Bible and the names of the eight gates of the walled city of Jerusalem cover the figures mouths. The figures are described as contemporary gargoyles or celestial beings and their composition and the artist’s style are detailed here.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2010, p22-23
Record #:
29217
Author(s):
Abstract:
North Carolina artist Jim Starrett’s paintings and drawings will be on display in the North Carolina Gallery this fall. Dating from 1976 to 1983, Starrett’s work focuses on the failure of organized religion to actively oppose the Nazis during World War II. Of particular focus is the Catholic Church and Pope Pius XII’s lack of action. His works are full of symbolism and are marked by a hard-edged, linear geometry and loose brushwork.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1983, p12-13
Record #:
29274
Author(s):
Abstract:
The photographs of John Menapace of Durham will be exhibited this fall in the Museum’s North Carolina Gallery. The series of black and white photographs show public places in urban areas which are in a state of decay or disrepair. Despite the situations and the lack of humans, the photographs seem to capture the beauty and elegance and show the passage of time. Menapace has been the design and production manager for Duke University Press in Durham for nearly 30 years.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1984, p9-10
Record #:
29243
Author(s):
Abstract:
A selection of Jugtown pottery from the Museum’s permanent collection will be on display in the North Carolina Gallery this summer. Jugtown Pottery was established in the 1920s by Jacques and Juliana Royster Busbee in an attempt to revive the dying folk craft. Under the Busbees’ direction, potters of Moore County refined the traditional shapes and glazes of the pottery. As a result, the art form flourished and a major market was created for the pottery in New York.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Spring 1984, p7-8