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Articles in regional publications that pertain to a wide range of North Carolina-related topics.

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100 results for "North Carolina Museum of Art--Exhibitions"
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Record #:
29514
Author(s):
Abstract:
A new exhibit in the North Carolina Gallery titled "Line, Touch, and Trace" presents hand-drawn works by 13 North Carolina artists. All of these works explore drawing in its relationship to thought processes. The curator of the exhibition Edie Carpenter is interviewed about the exhibition. Carpenter explains why the exhibition was created, how the artists were selected, how the artists’ materials help them achieve their goals, and what drawing offers the viewer that painting or sculpture does not.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2014, p18-21, il
Record #:
29519
Author(s):
Abstract:
The exhibition Edvard Munch: Symbolism in Print is currently on display and focuses on the idea of death in sex. Munch believed that in love, individuals lost their personal identities and this idea is seen in this collection of prints. His complicated prints of relationships and feelings between men and women often convey anguish, despair, lust, and passion. Munch’s personal experiences and a preview of the exhibition are detailed.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Fall 2013, p14-17
Record #:
29518
Author(s):
Abstract:
The challenge of presenting a borrowed exhibit from a new perspective is discussed by John Coffey. Coffey is the curator of the show Still Life: Masterpieces on loan from the Museum of Fine Arts, Boston. Coffey discusses why the exhibit was brought to Raleigh, how museum’s plan for the installation of an exhibit, the reason for the placement of certain of the artworks, and other details about the exhibit.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 2013, p6-11
Record #:
28783
Author(s):
Abstract:
The North Carolina Museum of Art’s new exhibition, Panorama: North Carolina, features black-and-white photos taken by local photographers. In more than thirty photos, the exhibit surveys the changes that have swept across rural North Carolina, casting light on the Old North State.
Source:
Indy Week (NoCar Oversize AP 2 .I57), Vol. 33 Issue 51, Jan 2017, p23, il Periodical Website
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Record #:
29060
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Abstract:
Victor Ekpuk's new mural at the North Carolina Museum of Art was commissioned to augment the museum’s expanded African art gallery. Rendered in white chalk on a black wall, Ekpuk's symbolic composition forms an abstracted figure wrapping long arms around the perimeter. The mural’s meaning reflects the current social-political climate in America, but can be interpreted several ways.
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Indy Week (NoCar Oversize AP 2 .I57), Vol. 34 Issue 22, June 2017, p26, por Periodical Website
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Record #:
29205
Author(s):
Abstract:
Ten paintings from the Weatherspoon Art Gallery at the University of North Carolina Greensboro are on display in the Contemporary Gallery from August 13-October 23. The paintings were all made within the within the last twenty years and use the vocabulary of geometry for their visual language. Works by David Novros, Robert Mangold, Al Held, Alfred Jensen, William Bailey, Roger Brown, William Copley, and Alex Katz.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1983, p18
Record #:
29199
Author(s):
Abstract:
The exhibition Paris in the Great Age of Exhibitions: French Salon Paintings from Southern Collections is described. The Paris Salon was a government sponsored exhibition of contemporary art in Paris, France in the second half of the nineteenth century. The Paris exhibition was extremely popular and a collection of works displayed at the Salons is collected and on display at the museum.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1983, p11-13
Record #:
29202
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Abstract:
The North Carolina Gallery will feature the paintings of Maud Gatewood this summer. The Yancyeville, NC artist is known for her landscapes or panoramas. Gatewood’s landscapes present the long-range picture, usually in crisp sunlight and from a straight forward point of view with few human figures.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1983, p16-17
Record #:
29200
Author(s):
Abstract:
Hungarian-born photographer Andre Kertesz’s photography will be on display in the Contemporary Gallery this summer. A biography of Kertesz is provided, along with a description of his photography and its impact.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1983, p15-16
Record #:
29217
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Abstract:
North Carolina artist Jim Starrett’s paintings and drawings will be on display in the North Carolina Gallery this fall. Dating from 1976 to 1983, Starrett’s work focuses on the failure of organized religion to actively oppose the Nazis during World War II. Of particular focus is the Catholic Church and Pope Pius XII’s lack of action. His works are full of symbolism and are marked by a hard-edged, linear geometry and loose brushwork.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1983, p12-13
Record #:
29219
Author(s):
Abstract:
A new gallery with the work of Nicholas Africano will be on display in the Contemporary Gallery this winter. Africano’s work focuses on human beings, their pleasures, suffering, dismay, and fulfillment. His subjects are painted in high relief on blank fields of color to draw attention to the persons. Africano’s style, impact, and works are discussed to preview the exhibition.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1983, p14-15
Record #:
29241
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Abstract:
Jim Collins, William Bernstein, Kim Irwin, and Clarence Morgan were all recently awarded a fellowship from the North Carolina Arts Council. Their work is also featured in a new exhibit in the North Carolina Gallery. A short biography and description of their artistic style is provided along with a description of the selection process for the applicants by the North Carolina Arts Council.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 1983/1984, p14-15
Record #:
29242
Author(s):
Abstract:
110 pieces were selected by Howard N. Fox to be displayed as part of the forty-third North Carolina Artists Exhibition. Fox is a guest curator and his biography is included along with his process for selecting the winners. The open competition allows the community to see the diversity of contemporary art.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Spring 1984, p4-6
Record #:
29247
Author(s):
Abstract:
The first major exhibition organized by the North Carolina Museum of Art in its new building will feature Baroque Paintings from the Bob Jones University Collection. The paintings all depict religious subjects and were collected by the university for moral instruction and as inspirational resources for students. These purposes serve many of the same purposes as they would have during the seventeenth century when they were painted. The history and characteristics of the Baroque Period in art and of life in seventeenth century Europe are also detailed.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1984, p4-7
Record #:
29248
Author(s):
Abstract:
The new exhibit Howard Pyle and The Wyeths: Four Generations of American Imagination places the art of artists, Howard Pyle, N.C. Wyeth, Andrew Wyeth, and Jamie Wyeth. The exhibition explores the impact Pyle had on three generations of Wyeth’s as N.C. Wyeth’s teacher. From the Brandywine School, the four artists are connected by the narrative quality of their work. A description of the four artists’ work and their impact on each other and viewers is discussed in a preview to the exhibition.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 1983/1984, p11-13