NCPI Workmark
Articles in regional publications that pertain to a wide range of North Carolina-related topics.

Search Results


20 results for "North Carolina Arts Council"
Currently viewing results 1 - 15
PAGE OF 2
Next
Record #:
29241
Author(s):
Abstract:
Jim Collins, William Bernstein, Kim Irwin, and Clarence Morgan were all recently awarded a fellowship from the North Carolina Arts Council. Their work is also featured in a new exhibit in the North Carolina Gallery. A short biography and description of their artistic style is provided along with a description of the selection process for the applicants by the North Carolina Arts Council.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 1983/1984, p14-15
Record #:
28910
Abstract:
The North Carolina Arts Council developed a plan framework of key issues to consider in 1995-1997. The identified priorities include support for artists and organizations, racial and cultural equity, arts in communities and education.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 10 Issue 2, Winter/Spring 1994, p1-4, il, por
Record #:
40677
Author(s):
Abstract:
Literary guidebooks co-created by the North Carolina Arts Council celebrate the selected writings and their authors, representatives of the state's multicultural spectrum. This article, Tour 12 of the “Literary Trails of North Carolina” series, profiles novels set in North Carolina towns and writers such as O. Henry.
Source:
Carolina Country (NoCar HD 9688 N8 C38x), Vol. 51 Issue 4, April 2019, p32-33
Record #:
28911
Author(s):
Abstract:
Every July the selection committee for the North Carolina Arts Council’s Community Arts Administration Intern Program interviews applicants who want to work at a local arts agency. The committee looks for applicants who can help to reshape and redesign what arts administration is in North Carolina, how it serves artists and how it relates to its community.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 10 Issue 2, Winter/Spring 1994, p8
Record #:
38133
Author(s):
Abstract:
Started at the Richard Theatre in 1922, Ahoskie’s Gallery Theatre still puts on plays depicting areas across the world and spanning across time. Plays from last season include The Crucible, Mary Poppins, and Bagdad Café—the Musical. Next season’s productions include The Grapes of Wrath, The Foreigner, and Into the Woods. Supported by grants and an annual fund drive, this business also develops budding talent through the Summer Youth Theatre Workshop.
Record #:
28860
Author(s):
Abstract:
Since 1964, the North Carolina Arts Council has worked with various partners in the arts. Public and private partnerships may occasionally discourage experimentation, or reflect prevailing political sentiment. But these partnerships are what allow major arts projects to occur.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 2 Issue 1, Sept 1985, p8-9, il, por
Record #:
28893
Author(s):
Abstract:
With an annual grants budget of over four-million dollars, each year the North Carolina Arts Council awards over one-thousand grants. An exemplary grant from each section of the Council is outlined.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 4 Issue 2, July 1988, p8-9, il, por, f
Record #:
28896
Author(s):
Abstract:
Members of the North Carolina Arts Council Board and Staff and representatives of the statewide arts service organizations have suggested a range of issues, questions and concerns to be addressed in long range planning for the 1990s. Among the topics include support for artists, cultural diversity, communication, and regional development.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 5 Issue 1, Feb 1989, p2-5, il
Record #:
28894
Author(s):
Abstract:
Twenty-four citizens of recognized accomplishment in the arts, humanities, business, education or public service are appointed by the Governor to three-year member terms on the North Carolina Arts Council. Profiles of each member on the Council are provided.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 4 Issue 2, July 1988, p10-11, por
Record #:
28915
Author(s):
Abstract:
North Carolina Arts Council became an official state agency on April 11, 1967, and unprecedented growth in the arts began. Executive Director Mary Regan discusses how the arts have changed over the past thirty years. Many of the changes have related to organization development, government support, culture, and community collaboration.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 12 Issue 1, Fall 1997, p2-3, il
Record #:
28908
Author(s):
Abstract:
In late 1993, Governor James Hunt made his first North Carolina Arts Council Board appointments of his new administration. Members of the Board have a diverse background in the arts, including expertise in Native American culture, education and outreach, folk life, dance, visual arts, and music.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 10 Issue 1, Summer/Fall 1994, p4-11, por
Record #:
28897
Author(s):
Abstract:
The Biennium Plan is an important tool that guides the North Carolina Arts Council in developing programs and funding arts projects which address the needs stated in the plan. Presented is an outline of the Council’s plan for 1989-1991, showing suggestions for ways to accomplish the objectives.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 5 Issue 1, Feb 1989, p2-5
Record #:
28887
Author(s):
Abstract:
The North Carolina Arts Council’s Grassroots Arts Program filters money from the state budget back down to the counties, and ensures local decision-making and distribution of funds. Money is allotted reliably and non-competitively to local distributing agents.
Source:
NC Arts (NoCar Oversize NX 1 N22x), Vol. 4 Issue 1, Jan 1988, p4-5, il, por
Record #:
34462
Abstract:
The N.C. Department of Cultural Resources launched a program called the smART Initiative as a way to promote local artists around the region through funding from grants. They hope this will help boost the economy by bringing in more creative individuals and businesses, providing jobs, and increasing production of goods and services.
Source:
Southern City (NoCar Oversize JS 39 S6), Vol. 62 Issue 5, May 2012, p8-9, il
Record #:
41284
Author(s):
Abstract:
It was a dynamic decade, due to social and cultural forces encouraging progress and protest. The author observed that progress and protest were particularly manifest in higher education, government, sports, and entertainment.
Source: