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23 results for "Green, Paul Eliot, 1894-1981"
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Record #:
21491
Abstract:
This article examines the early years of the life and career of playwright Paul Eliot Green through 1927, when he left the University of North Carolina at Chapel Hill after winning the Pulitzer Prize for his play \"In Abraham's Bosom.\" A white Southerner, Green wrote plays about poor blacks, mill workers, and rural whites and stirred controversy with essays on Southern culture and society.
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Record #:
23314
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Abstract:
Tunc discusses the life and works of Paul Eliot Green (1894-1981), a North Carolina southern Gothic playwright. Green played a significant role in the social developments of the new south of the first half of the twentieth century.
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Record #:
32606
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Since 1937, Roanoke Island has been home to “The Lost Colony,” the late Paul Green’s outdoor drama about Sir Walter Raleigh’s abortive efforts to establish a permanent English colony in America. Green called the play a “symphonic drama” and wrote fifteen others, six of which are still produced annually. The Pulitzer Prize-winning playwright died May 4 at age 87.
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Record #:
34660
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In 1931, Paul Green was asked to change the ending of his play by the directors. The old ending involved the murder of one white former sharecropper by two black sharecroppers after she married the wealthy landowner, while the new ending would spare her life to create a positive image of rising above the class she was born into. This change was originally thought to have been made to cater to the ideology that one can rise about their rank to attain fortune. However, Vines argues that the original ending depicted the real tensions between the white and black populations of the South after reconstruction, and the new ending ignores these issues.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 25 Issue 1, 2016, p72-85, il, por, f Periodical Website
Record #:
34696
Abstract:
In the 1930’s, playwright Paul Green attempted to create a play regarding the Lost Colony of Roanoke in North Carolina. The story known by most people does not include the ending, however, and even today, there is debate about what happened to the colonists. Paul Green changed his endings several times, the last of which in 1980’s left on a more hopeful note. This article goes into detail about what prompted each of these changes and how they were interpreted by the audiences.
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North Carolina Literary Review (NoCar PS 266 N8 N66x), Vol. 27 Issue , 2018, p52-71, il, por, f Periodical Website
Record #:
35878
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Roanoke was getting ready for its quadricentennial celebration. Part of the preparation: building a replica of the ship that brought the colonists ashore and Lost Colony Center near Waterside Theatre. As for the celebration, flora and fauna paintings of disappeared colonist John White was being remembered as much as the disappearance itself.
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Tar Heel (NoCar F 251 T37x), Vol. 8 Issue 6, Aug 1980, p40-41
Record #:
38258
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Described by the author and displayed in photographs by Patrick Schneider is a Waterside Theatre performance of Paul Green’s The Lost Colony. Words and pictures collaboratively explain the enduring mystique of his play and the Roanoke Island colonists’ story.
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Record #:
40683
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Cited as the longest running historical symphonic drama in America, Paul Green’s famous play retells the story of the New World’s first colony. Included in its production company's profile is how the Roanoke Island Historical Association brings the legend to life.
Source:
Carolina Country (NoCar HD 9688 N8 C38x), Vol. 51 Issue 7, July 2019, p10-12