Articles in regional publications that pertain to a wide range of North Carolina-related topics.
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for "Brown-Hudson Folklore Award"
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Record #:
39439
Author(s):
Abstract:
Barbara Garrity-Blake is the co-leader of the Down East Cajun and acoustic-roots band the Unknown Tongues and founder of the annual folk-feast at the Gloucester Mardi Gras.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 60 Issue 1 and 2, Fall/Summer 2013,
p21-23
Periodical Website
Subject(s):
Record #:
36514
Author(s):
Abstract:
Lau is a scholar, ethnographer, administrator, advocate, activist, and artist. Her competence at festival coordination reached far beyond the complex skills required for production: she touched the lives of participants through her empathy, observation, and communication.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 54 Issue 2, Fall-Winter 2007,
p22-25
Periodical Website
Subject(s):
Record #:
36536
Author(s):
Abstract:
Duncan is the recipient of the Brown-Hudson Folklore Award for her work in giving Cherokee people a voice in folklore and ongoing research. She developed folklore and folklife curriculums for teachers in Macon County and created an archive for research.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 55 Issue 2, Fall-Winter 2008,
p32-36
Periodical Website
Subject(s):
Record #:
36324
Author(s):
Abstract:
The Huffmans are collectors of folk art who bring important appreciations, interactions, and study that go beyond simple acquisition.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 47 Issue 2, Mid-Winter 2000,
p179-181
Periodical Website
Subject(s):
Record #:
36893
Author(s):
Abstract:
Crawford is a folklore researcher of all the old families between Waynesville and Bryson City, North Carolina. His work deepens and expands the appreciation, continuation, and study of the cemetery decoration traditions the figure in the lives of the people of Western North Carolina.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 62 Issue 2, Summer-Fall 2015,
p13-17
Periodical Website
Subject(s):
Record #:
36881
Author(s):
Abstract:
Carmine Prioli’s initial interest in boatbuilding evolved into years of caring, working, believing, struggling, hoping, giving, sometimes pushing hard, for the people who build, work, and appreciate not only those boats, but all the pieces of heritage on Harkers Island.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 59 Issue 2, Fall-Winter 2012,
p16-22
Periodical Website
Subject(s):
Record #:
39438
Author(s):
Abstract:
Becoming a musician at a young age, one of McMillian’s greatest contributions has been his teaching career. He began teaching music in a shack behind his house in 1975, and stopped charging them money, instead doing it for free or charging a canned food donation to the community.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 60 Issue 1 and 2, Fall/Summer 2013,
p17-20
Periodical Website
Subject(s):
Record #:
36513
Author(s):
Abstract:
Holt is receiving this award for his ability to communicate the importance of traditional arts to different audiences from North Carolina to nationwide.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 54 Issue 2, Fall-Winter 2007,
p18-21
Periodical Website
Subject(s):
Record #:
36841
Author(s):
Abstract:
David Lee began playing music and creating song lyrics when he was a teenager, which led to his launching of his own record company and his own music. Over the years, his career in music represented an important contribution to folklife, especially vernacular music and occupational folklife in North Carolina and the Southeast.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 58 Issue 2, Fall/Winter 2011,
p14-19
Periodical Website
Record #:
39656
Author(s):
Abstract:
Known as a master craftsman for his woodworking abilities, Eddie Hamrick has created works of art for presidents and children alike. He follows the utilitarianism of the craft from the work of his father and grandfather, but still branches out artistically as an artist.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 64 Issue 1 & 2, 2017,
p22-24
Periodical Website
Subject(s):
Record #:
36876
Author(s):
Abstract:
Wanting to move to a small town, the Albrights bought a building and turned it into a general store and eventually also turned it into a music hall.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 59 Issue 2, Fall-Winter 2012,
p4-9
Periodical Website
Subject(s):
Record #:
39644
Author(s):
Abstract:
Mr. Parnell learned the art of rug weaving from his mother and continues to keep her legacy alive by making rugs and teaching others to do the same.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 64 Issue 1 & 2, 2017,
p4-6
Periodical Website
Subject(s):
Record #:
36355
Author(s):
Abstract:
Scancarelli received the award for his behind the scenes work recording and promoting musical traditions. He led recording teams, took photos, wrote liner notes, created cover art, and distributed annual LP recordings on his own label.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 49 Issue 2, Fall-Winter 2002,
p119-121
Periodical Website
Subject(s):
Record #:
39661
Author(s):
Abstract:
Leroy Smith began making a name for himself in the bluegrass music scene in the mid-1960s and has continued to perform and compose music since then.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 64 Issue 1 & 2, 2017,
p25-27
Periodical Website
Subject(s):
Record #:
36843
Author(s):
Abstract:
Inspired by the banjo-playing of his mother, Ward developed a two-finger banjo picking in his own style, creating his own unique sound.
Source:
North Carolina Folklore Journal
(NoCar GR 110 N8 N6), Vol. 58 Issue 2, Fall/Winter 2011,
p20-22
Periodical Website
Subject(s):