Photographer’s work depicts more than just provocative pictures. Greg McNeal seeks fo provide positive images and breakdown stereotypes of the Black male. by Tim Butler Tri-State Defender Entertainmenr Editor Greg MCNpal, an African-American photographer living in Los Angéfes, will make two appearances in Memphis this week- end. First up is a poster-signing at Club Allusions on Friday night at 7 p.m., followed by a series of workshops from 9 a.m. - 5 p.m. on Saturday. (For more information, contact Anthony Hardaway at 274-0163.) McNeal is a Black, gay male, self-taught master of the lens. Although some of his images drip with sensuality and eroticism, there is much more to McNeal than simply the remarkable abil- ity to capture the Black male figure in evocative poses. McNeal is an ardent believer in the power of photography - art in fact - that can promote a more positive image of the Black male to an audience that can use this medium as a way to uplift the race. Reached by telephone at his home in Los Angeles on Sunday, Sept. 7, McNeal explained how he was troubled with the images he found which depicted the Black male. This was when he first moved to Los Angeles about twelve years ago. “I was checking out Black images of us one day,” he said as he remembers thumbing through magazines and watching television. “There were no positive images of us” This was during a time period when crack cocaine and gangs were prevalent in the City of Angeles and were among the main things which helped shape the media’s image of Black men. Everywhere you turned there were Black men in gangs or vic- tims of gangs and Black men whose lives were ruined by drugs. Over on the fashion front, things were not much different - there were virtually no positive images of Black men. For McNeal, this was unacceptable. , Lucky to catch up with the photographer before he was off to celebrate his 38th birthday on Sunday, McNeal told me he was subsequently inspired to do something about offering a more uplifting image of the Black male. how to shoot pictures and went about his way doing what he could to change the way the world saw the Black man. Around 1994, he told me nobody wanted to photograph the Black man. And when he talked to professionals about the situ- ation, they told him that nobody was interested in the Black male. The Black male was not worth it. How could this be? As a native of South Fulton, Tenn. McNeal said he was shocked by some of the things he saw when he first moved to Los Angeles. And he had a perfect vantage point, as he did an assortment of odd jobs to pay the rent at first. In South Central he explained it was sad to see how we as Black men saw our- selves. The lure of getting nioney at the expense of all else was one of the things that troubled him. Where would this leave the future of the Black man? “It was kind of hard getting through some days seeing the kinds of things I saw.” One of the problems was the attitude of some Black men on- ly caring about what they could achieve financially with little regard for the rest of the race. “God blessed some people so that they could give back,” McNeal believes; but this was not hap- pening. The underlying problem as he saw it was that Black men didn’t value their own lives - consequently they couldn’t care about anyone else’s. We must change the way the world - and particularly our own people - see the Black male. Disturbed by what he saw as stereotypical images of the Black male in the media, McNeal chose the Black man as his subject matter. A lot of times, according to this photographer, when a White man turns his camera lens on a Black man the re- sulting photograph features‘ poses that are somewhat feminine and too flamboyant. “I often wondered why we can’t see a strong Black man from a Black perspective.” As a result, he set about teaching himself how to take pic- tures. He chose photography as his medium because photogra- phy depicts real life and is of the moment - unlike sculpture or " characters.” McNeal He PrecefAKs, taught himself, poe aa you. Photography has a timeless quality painting or what have that he likes. “We have to start to see the real of who we are - not cartoon points out. He taught himself the profes- sion of: photography because, “there was something I wanted my pictures to say and nobody could teach me that.” McNeal wanted to display such qualities as unity, strength and pride with his work. And he’s still learning. “Everyday I learn something new,” he says. In‘the late 90s, McNeal’s reputation grew due to a series of public service campaigns for Los Angeles- and San Francisco- based AIDS organizations. In July 2000, he was chosen as the photojournalist to cover the XXIII International Conference on HIV and AIDS in Durban, South Africa. In addition, he shot a sepies Of projects for The African-American AIDS Policy and Training Institute and other organizations, including STOP AIDS, Minority AIDS Project, Spectrum & Charles Drew Uni- versity of Medicine and Science. “We have to start to see a work of McNeal says of what he does. “By doing so, it’s hard to put a bullet in the back of someone’s head” - as you would then val- ue that person’s life. And this is what he tries to convey - the beauty of everyday, common Black men. McNeal says most of his subjects are not gay but straight men, married with wives and children. But they all are everyday, ordi- nary men that work in the grocery store...deliver packages...de- liver pizza - whatever. “I wanted to make that person a work of art.” They are not professional models. But yet these men deliv- er star status when McNeal’s lens captures them on film. McNeal wants his photos to overcome stereotypes and break down taboos. “Black men fear being homo-sexual in art and we shouldn’t fear that,” he says. Additionally, there is a fear of be- ing too strong...too sexy when it comes to Black men. And we need to overcome that, too. More than anything, he says, “we heed to change the way we see each other. We have to give val- ue back toeachothe” His photos help to deliver this message. McNeal admits he wants his work to be timeless. “We have to put images our there that kids can look at 100 years from now and say, ‘Now, that’s what unity...strength...pride looks like’.” As he explains it, “My work is a blue print. There will be others to follow that will do greater things” based on his work. And that’s the whole purpose. In fact, “everybody should be finding their own way of help- ing these kids,” he admonishes. But we are afraid that they will be better than we are. Which is tragic. On the other hand, “White people always inspire their own future.” But sadly we don’t. What is it like being a Black gay man today? By and large, he says, Black gay men are facing the same stereotypes as before. In fact, some men have gone further into the closet, he believes. Bisexuality has become vogue because it is often easier for a Black gay man to declare himself as bisexual rather than gay. “It’s more acceptable being bisexual...it’s cooler. It’s better than being completely gay,” he says some men believe. And this shottidn’t be the case. For some reason, McNeal believes, “we have been trained to be afraid of that which looks most like us.” Sadly, the church plays a big part in perpetuating this image. “Most of us go here to hide,” the photographer notes. “But we need to quit hiding behind the church because God isn’t going to allow us to do it anymore. People can only hide for so long.” It’s time Black gay men stood up for what and who they are. “The battle you don’t fight today your children will fight to- morrow. “Freedom can’t come unless you start to trust each other,” he believes. And that’s what we must learn to do - trust each other to be who and what we are. art in everyday people,” . The man behind the man - photographer Greg MeNeal RANDOM NOTES by Tim Butler Entertainment Editor Football kicks . off with concert f ~—siIt’s that time again - i football’s back! And the first game of the new season made a big. Splash, introduced. with a pre-Zame music fest broadcast last Thursday originating from the National Mall in Wash- ington, D.C. But for all m™ of the hype - and there i was plenty - NFL Kick- off Live failed to deliv- | er. , Looking nowhere near as garish as we’re accustomed to seeing, Mary J. Blige provid- ed a true highlight. Has she lost weight? She looked much thinner than on previous occa- sions - and she was better made-up. She prac- tically sparkled! Anyway, wearing a pair of killer black stiletto boots and blue jeans, Blige stirred it up for the crowd in fine fashion, proving again there’s plenty of talent underneath that rough exterior - which is beginning to show signs of softening. Could those itty-bitty micro-shorts Britney Spears wore underneath her longer pants have been any shorter? (Answer: No...and no’ have the show still be a family program!) Attired better than we’ve seen her look in a long, long time (read MORE COVERED UP) the always excellent sounding Aretha - Franklin delivered the goods and.then some. Sadly, she only sang one song, while all of the other artists on the program sang more than one. And Ms. Franklin came on last! Show organizers are probably to blame. No one of Franklin’s stature in the business should be relegated to only one song and have it seemingly eclipsed at the tail-end of any show!! Perhaps, true Aretha fans will get some satisfaction when.the Queen of Soul’s. new album drops soon. Suit settled over Aaliyah’s death? Though it won t'6fing Aaliyah back, re- portedly her parents, Michaél and Diane Haughton, have reached a settlement in wrongful death suits against her label, Virgin Records, as well as several video production companies and the owner/operator of the twin-engine Cessna plane that crashed with Aaliyah on board in August 2001. Word is the suits were tentatively settled earlier this summer. A family spokesperson says he expects everything to be finalized soon and (naturally) filed under terms not to be made public. It’s not much consolation, but it must be difficult drawing a line that determines a hu- man being’s worth when they die premature- ly. And it’s got to be more difficult when it appears the deceased is as popular in death as she was when she was living...and was mak- ing movies and records and such! (The world is such a funny place and when you throw the legal system into the equation, | life becomes even more strange!) Here comes the judge; there goes the cameras | The judge says cam- eras will NOT be al- lowed in the courtroom during Kobe Bryant’s Oct. 9 preliminary hearing. At that time, prose- cutors will outline their case against the L.A. - Lakers star accused of sexual assault. It will also be determined at. that time whether or not there’s enough evi- dence to take the case to trial. You can be sure of one thing, though, if it does go to trial the question of allowing cameras into the courtroom will most as- suredly come up again. (What’s truly inter- esting is the fact that if this was simply “Joe Blow Ordinary Citizen” being accused of sexual assault instead of an internation- ally known NBA basketball player with star charisma and a net worth in the mil- Bryant lions of dollars - would anybody care about the outcome let alone-whether or not cam- eras should be allowed in the courtroom to cover the action? The answer: NO. Will celebrity worship ever end in a world where so much money can be made putting people up on pedestals and then knocking them off? The answer: NO) SEPT.19 2003 pg7 MUSIC WORLD by Tim Butler Entertainment Editor Come taste their Ice Cream flavors Once the background singers for the Isley Brothers, “new R&B duo JS has a debut y album, /ce -Cream, and a 4 concert tour to their credit. The sisters, Kandy and Kim John- son, are opening for the R. Kelly concert tour, which visits Memphis Friday at the Mid-South Coliseum, Ice Cream, the first radio track off the CD, was produced, written and arranged by R. Kelly - as were the second radio song, Love Angel, Bye-Bye, Slow Grind, Half, Stay Right Here, Sister, and Ice Cream (Remix). While still in elementary school, the two Los Angeles natives began performing togeth- er as The Johnson Sisters. Their musical train- ing stretches back to the church choirs they’ve graced since they first learned to sing. __ It was the Isleys’ musical director that had heard about JS through persistent word of mouth. “The Isley Brothers needed back- ground singers for a tour, and we were asked to audition,” Kandy recalls. “During the audi- tion, Ronald Isley came into the room. He lis- tened to us sing for a while, and then he hired us on the spot. We were so excited!” : The Johnsons a , But having grown a reputation singing Emma Wilburn continued her employment with the Zion or- Memphis on that airline. Refusing to accept this blatant dis- ganization after her marriage but then tragedy struck again. Her crimination, she immediately wired the airline headquarters Posband, Andrew, was employed with the Illinois Central Rail- complaining of the racist treatment and was subsequently al- foad and had been involved in a feud with a fellow employee of lowed to board the flight. Emma Wilburn died on April 13, 1937, but the family, con- - tinued to operate their various businesses for a number of years. In fact, the family even diversified their business interests. A part of the acreage that was purchased on which to establish the . cemetery was reserved for the family estate. This the family converted to what became known as the Barbee Ranch. Locat- ed on Horn Lake Road this pastoral estate served to accommo- date (on a rental basis) numerous African-American social func- tios held by fraternities, sororities, civic and church organiza- tions and other groups. During the 1970s the family sold the cemetery to the West- minister Corporation, a company then headed up by hotel devel- oper and founder of Holiday Inns of America, Kemmons Wil- son. As the children of Emma Wilburn began to reach advanced age and hildren moved away the tragic pattern of “no one being left to run the business” had come into effect. Still, however, New Park Cemetery and even the existence of Southern Funeral Home both stznd as monuments to the “can do” spirit of this daughter of slavés. Emma Currin Wilburn, a Black woman, three times a widow, and a single parent during most of her childten’s formative years, was a shining example of “can do” — the epitome of strength, in- genuity and fortitude. the railroad company. Oh September 10, 1914, the feud came to a head and Emina’s husband was shot and killed by the co- Svorker, Charles Hill. . * Saddened by the loss of her third husband, but undaunted in her pursuit of success, Ms. Wilburn combined the insurance roceeds she received as a result of her late husbands with sav- angs she had accumulated from her job at the cemetery compa- fly and in 1918 bought out the interest in the Carson Funeral ‘Company owned by Samuel Carson. The companty had been in usiness for ximately 13 years and had become one of the ‘most successful businesses of its kind in the city. * Ms. Wilburn acquired a property that had formerly thoused a grocery business run by Italian immigrant, Frank Bononcini, at the northeast corner of Georgia Avenue and South Orleans Street. For the next two years Wilburn oper. fated her business at that location. Her eldest son, Hudson Barbee who received his training with the firm of Campbell ak Wiggins, went to work for his mother as the funeral es- stablishment'’s embalmer, | ae *’ In 1920, Ms. Wilburn acquired a property at 913 Mississippi ‘Blvd. which also served as the family residence.and was joined vin the business by her ra ryote Sadie Barbee and Minnie, H. and Cutis Rideout, By te early 1930s, the Emma Wilburn Funeral Home had be- é Scome one of the most successful businesses of its kind in Mem- , 2 . ae *phis. In addition, her son, Hudson, was now operating a related oan 7 phe TTestasee that she helped him establish, the B Casket Com- SR ee, RE Sint 2F37") pany, which had become very successful. By all accounts, Business Services. Owning a business is one of the most rewarding things you'll ever do. Of course, it’s a whole lot * easier when you've got the right people behind you. That's why we have relationship bankers who will personally work with you to support your banking needs. From loans and leasing to insurance and Business ‘Online Banking, we have so. M@.tOOl8 you need to succeed. To learn more, stop by your ry «nuloeat Branch, calt 1-888-FC DIRECT or visit firsteitizens.com. ra FIRST CITIZENS BANK Do somethinig amazing”: © SEPTEMBER 2003 . Alpha Kappa Alpha Sorority, Incorporated Mi , : porated Mid-Atlantic Region 2003 Undergraduate Roundup Luncheon "Polishing Our Pearls: | Reclaiming the Spirit of Alpha Kappa Alpha " SEPTEMBER 2003 INVEST IN YOUR HERITAGE SUBSCRIBE TO THE M'VOICE NEWSPAPER . pgll Mr David L. Lawrence Appointed General Manager Hamilton Inn & Conference Center of pce emenbpe Bay, _ Greenville N.C. ; a “tateseerb@e bb. pe % Cs "A ‘ re ” Boo. le © ona oe The Hamilton Inn and Conference Center, 702 goa ge ee | Bea Memorial Drive, Greenville, North | . i orn © owe hh paste arolina is now under New Management. . © | : ‘¢ Vine 2k Beg ed { Mr. David L. Lawrence has been appointed the i REE eee General Manager. Mr. Lawrence is a native of e Western North Carolina with ten (IO) years expe- tg ih > ae PO Sy rience in the hotel business, He has served in all 4 1) pine we As (ahha. capacities relevant to the hotel b-qsiness and is pio Ns | very familiar with introducing change in this in- - dustry. Mr, Lawrence has served as a Elementary, Middle and High School Teacher, Employment Consultant and Coordinator for the Iredell Statesville School System. Mr. Lawrence is a graduate of Gardner-Webb - University, Boiling Springs, North Carolina with a BA in Social Science and Human Services. He | ee also is a graduate of Mitchell Community College, with an Associate Degree in Pre-Liberal Arts. He is a Master Mason and member of the First Baptist Church, Statesville North Carolina. : He is the son of Mrs. Betty Lawrence of Statesville, North Carolina and the father of two sons, David Jr., and Arthur, iad ss Pe. Saker eae The Corporate Staff of JAM, Investments, LLC, invite the general public to stop by and visit with Mr. Lawrence. To apply for your subscription write: ‘ SPECIAL NOTICE SUBSCRIPTIONS _ CITY OF GREENVILLE 41)5 Evans Street een NC 9783. avira diab Whi , — 2 | Greenville, NC 27834 regs et Bea bo pt a ATTENTION GREENVILLE RESIDENTS BECOME INVOLVED IN CITY GOVERNMENT The Mayor and City Council will soon be considering appointments to the Board of Adjustment, Community Appearance Commission, Human Relations Council, Planning and Zoning Commission, Police Community Relations Committee, Sheppard Memorial Library and Environmental Advisory Commission (EAC). Ile EAC appointees will be considered for the following categories (1) a building contractor, land developer, or someone familiar with construction techniques and (2) a lawyer. If you live inside the city limits of Greenville and would like to be considered for an appointment, please call 329-4423 to obtain a | fo talent bank form to indicate your interest or send a written request to the City Clerk's Office, P. 0. Box | | 7207, Greenville, NC-27835. Li 12 month subscription $50.00 J ] SUBSCRIPTION PAYMENT MUST BE INCLUDED WITH YOUR ORDER: | . Also, you can access a talent bank form on the web at http://ci.greenville.nc.us/. 6 month subscription $25.00 & "YOU ARE ENCOURAGED TO VOLUNTEER YOUR PARTICIPATION IN CITY GOVERNMENT!"" Name: PACA CS Sie reseesarstte SAWYER'S LAND-DEVELOPING,-INC.- Sawyer's Land Developing, Inc. is solicitation DBE City: State. Zip: Subcontraetor quotations for the 2003 Airfield A Uy: : | .| | Improvements--Global TransPark Authority, Kinston, NC’ Items of work include: Trucking, fencing, storm drainage, | | | erosion control, seeding and pavement marking. | _ Please forward quotations to Len Hunt @ 252-943-2154, fax: 252-943-3325. Employment Qpporitunt Apartment CEO NBA’ St. John Housing _ in Washington NC seeks apt. man- neers; ~— ager for senior living community. Successful candidate will oversee | TT oe total operations. Experience in : propery management/subsidized ” housing preferred. Computer ex- perience required. Knowledge of MS Word and Excel important. Communication skills necessary, Startin ssalary; $18,000 wexcellent benefits package. Send resume to: The National Benevolent Association, Attn: Recruiting,11780 Borman Drive, St. Louis, MO 63146-4157: . &mail resume to: recruiting@nbacares.org EOE on. Dr. Goodnights, Home Furnishings 741 Eo 10th Street Greens ilk BEST CASIE PRIC]I \NIWHERI WELCOME TO MARY KAY | R KA G GREENVILLE FINANCIAL SERVICES, INC. \ New Beauty Consultant | "on the block " F¢ Gory 6. Doareal Pamper Yourself with the | — Private Spa Collection Automobile & Personal Loans _ Phone: (252) 493-0110 Fax: (252) 499-0115 Call for your order 3N01 $, bamoria Ov POBox 30008 he. Brenda Rouse | Senne te 27034 ene, NC 27605 a" anes Facial 9 | -SADCREDIT @ No CREDIT @ SLOW CREDIT ®@ sLow PAY © REPOS PO's | omail-brn2wil@aol.com . $500.00 WITH THIS AD DOES N oT MATTER ‘$500.00 WITH THIS AD. ad , a \ | | a ‘an Bo ak es } pgl2 SEPTEMBER 2003 Syndu! opne Zz pur oapia p YUM JOAIBO0Y - esuodse, sseq pepuedx3 . S810WSs Pasesjuy » _ WaLsis OIGNV UWALVAHL aWOH XOG-ANO annos I 00S-LHA UALVN | VHUWYA SAL ANT Ae PUE CEST ONAN eo eT a OOlSsZEAY uv ZO " @AMND1cf-Ul-OINDigj JOUN | -Z « OPN @IBE YM }ONUOD BWN}OA DyeWOINY WAPUNOS Apeels . | RONA OIPNY GE (WeIShs feAsUIeY PUNOS) SUS « 0,4 Bpent ° | saeco ree Susu fOUOd ( MO VHC) 2A - facie vom} YU -G:91 « OOISIZZAN BE eo's. vLdMSrAV Op NAAWISAGIM | nA “ puenyy jauueyd « Punos punouins sedA} « e]0WeaL [PSJBAIU) PUBWWOD Jedng payeulWNy|) (Jee € ‘UO Z) SINdu] S e | yNnduj capi, JUOUOdWOD e JOUI4 QWOD jey6iq eur7-¢ « a }SEW MOPEUS HVANI UM LY9 [Ray » 2666‘ T ABER 49S r ss (Aiossecce yeuondo/m) aiqeyunoy !e(\\ « UMOC-INd Z-E OSIOABH wiVONOWOUID « UOISIGAUOD ¢f/| OXif~AQ-IOXiqj « WEISAGIOPLIOUED exig /eyBIG « UORNOSEY HZO1 X PZDI « (2xM6) Sueyeeds ceraiS Uj-yINg JOUNL AL OS.LN yi ° JOWUOW ALOH « UBISeQ GUC UI {IY « UOISIAGIO| BUISBIg PEYIBEIU wiVDAM CWSElY zp a i eect linialt ts Sethe co. \eOOK Se eoueUWOLed eunjoid quedns 40} uoNNjose: O8ZLXB9Z UM sjoued GD] « Ayiqedes soyuow sejndwoo SB j}oM Se Buimain QH eouRWOYed-yBiY 40) peubiseg « '48}104}U0D-18A18004 [BY'5IQ 000S-QH eu) Bu2@UUOD Aq Auqedes ,1QH peyes6ayur jIny 0} pepesBidn 9q ue?) « SOBYaU! y YUTONUOW Areyaudolg “SsOUOUs JeINdWOd/SUOISIAG}a} G97 .0€ puke ,22 pepesBdr-qH seues wnuNeid 20002‘, oz0el] ,Of = O2ZZ VT J03}U0W ALGH-G)1 ey4eq USWA] y [eng e MOPUIM ni MII AtBI[D BIg e do}x00>D sse]y ture1a> S[O}U0D UIAC A] 12SHIING e SjUsWs]q SuNneay uogqny e Ayloedesy uaaQ aBIeT-13dns e QUnou seas) Joy adunoGaing e WaIsés MO] Je paseueiu duis | UOIsIva1g snydeis 3 ofpeq JsTepLau ye Joop Aep 4e2]> e Ajuo 4918 ¥Y Soqnd /m sasuddsiq] YONu] uvaj> e UIAQC UPI[D-FIPS e - : q SOAJOYS Sseps apegyuds ce vo js Beit Iq 400p YoTedS squisnipe ony yy ze (Jo4su09 Auprumy [) susdsu se9}9 7 « Op) ‘ one: faASIAMATA AGIS AG HMHH89dar 7 LOOd 91909 $"sz MVZU9ZSUA weer r trv p> S[O.QUOD YoNO} dTU0.N321q « JJYS Joop sO;e19BUjaI dn-dy.y e ayes Ajrurey anoA sdaoy 40] PID v IFLIOWS JOOP VOLES party e WlaysAs SAB MNIIID @ $ 103 94,no4 yey 998 joseid wi0sdo0g e [O.QUO,) Ssoudig SneEWO NY e um JaAiq ,,Uorysnjeing e aunjeJadura) Sayeoyaq 0) Aig SUL], WO - PI2N NOX S9}IAD ay] wiayshg Suthig nm. IZIUGIPUI @ Slee qiAAgG Steex(Ts o8S= | juRyduioe)-AB.19Uq 700Z Ayueire yy wi QQ] swunayry Ang-Aaeazy Sug Ayyengy-fersiausU0,) « SBUIIAg YseM JANN © | | i, cate 0} Asta yI ayeur suadsLo an A-ZA e sqouy JO.RU0) aunjesadiua uo0-dp ued eau seajo Ayioeded nd FT e SSIS J-ejosuoD Je.U0 WIS 40) sfaueg 100g AJOSSIIIY Potojo> e SOUNJCI] PIpPejoq soy e WIISAG YS A [94d] Cy 1d39MG O1pAP] e JOYSEY BWEMIIAIIC ITIR-L.XT Ayioede> ATES!) SIOW %FZ - j49Aq ISaBuey] 1nO - qny HEL e suondgo 3945 Z uM SUOHIIPES sPAD EC e Sulsunj-o1g ON - 4asodsiq] poo.4-pueqy e JOHOIUT [IIIS SSOPUIEIG SPEI+) [EIDIIUIUIO*) « oBeyIeq PUNS QING Jodsiy . udIsag sjosuo7 poyeisaquy AN S- . ees “es se es daHSVMHSI -SPpew Sy Aem du) 104 -PiwW*#o«¢>25 93 HMTI 10-IdnMy ® pue siadsi 18319 ‘suIg J00p 4ea}> Sapnjout WWaysds ued ywaul an4-77 « { - Saajays Ssej3 Jazipiiids aiqersnipy e = 3 “Yor NySUOD qn) aIqQNop |. 5 ~ PUB SuOOp ade;d-tn-WWeO} Lyi Ways4s sou aS Loy JoNUOD aunyesaduia |TYD-NIy « 2PIS Ag ops s, OYDOLLA LLA waouncig® MPU Saws ayy _utepmeus OB Saacay ‘80; 21 Peay Wide - sPseU Loddis antam 5 Apog > SNOA Spada HANITL voddns uae . ge * “35 "M2 ST | . Vos todd "2 ee | veneoods ‘sBPEe oS: yoyseg BM va ‘VW mos¢ uey ay ——— VEDSOOdd Une g Magog © SHaZaa4A LSaAHD AB OVs —~_— & 35 oJ M2 OF = MVPOOTNAA = SW -NING aes ~SPBW Sj! ABM ay) 104 Prywuve ©g7235.958 Surin a > ah = a a a a ah oe om ae at oe ee ae an en . AL NAWUDS LV1a VWASV'I ef ra a WISAG YSB AY mmo e ANOS |} zsizi-a ANOS |! vos OVIAVA EY