Text encoded by Digital Collections East Carolina University. J. Y. Joyner Library
Digital Collections Joyner Library, East Carolina University East Fifth Street, Greenville NC 27858-4353 USA
2012

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 Library of Congress Subject Headings English

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GENERAL INSTRUCTIONSThe list we are sending you is subdivided into four sectionsconcerning:The studio itselfits worksOther works that could have been produced thereAn authors! indexWould you please check in the list all the numbered pointslisted below:? A -~ The studio itself1) Check the year of foundation of your studis, and itsofficial title,2) Indicate which of the four following categories yourstudio comes into:a) officially sponsored, permanentb) using "official" equipment (e.g. at a radio sta-tion), but not permanent, "improvised"c) private equipment, permanentd) private equipment, impexmanent, "improvised"In many cases a studio of a) or c) began as one of b)or d): please indicate the early date in brackets,followed by the date at which it became permanent -@egs (1953) 1957opo0n0ggn0cgangagSs? B ? Its works4) Check the order in which compositions are listed. Wefeel that a chronological order is better for a histo-rical picture of the development of tape music, sothat we have rearranged the list of compositions thatwere given in the original "R?pertoire" into a roughlychronological order,5S) Give the titles of compositions in the original langua~

ges, except in the case of different orthographiesswe will add translations of all these that are not inEnglish, French, or German, whenever this seems neces-=sary. If you already have "official" translations ofthe titles, we would be grateful if you would sendthem, When we list a title in inverted commas (" "),this is a translation we have found, or an approximateversion of the title we have translated into your lan-guage.Add the correct details whenever we have put a quesetion mark: these are mostly for the numbers of tracks,and for durations (when the duration is variable, asin a "mobile", please indicate the maximum and minimumdurations). A question mark preceeding the author'sname stands for a general lack of information on ourpart concerning the item listed.Indicate the function of every work, apart from thoseintended for concert performance, and whenever the ta-pe is combined with live performance of voices or instruments. We intend to use the following categories:concert, study, radio, TV, film, theatre,opera, ballet, signature tunes, backgroundmusic (for exhibitions, etc.), total thea-tre (happenings, etc.).Indicate methods of distribution apart from the studios: gramophone records (symbol *), and tapes on hireor on sale from music publishers (symbol +), ete.We have given the details of those that we alreadyknow in the far right column. Please also indicateany published scores.s0a0dgncacncocg000gDd? C ~ Other works9) Check the works listed at the end, under ? ? 7: someof these may have been produced in your studio, inwhich case please indicate this, Otherwise please letus know, if possible, where these pieces were compo ~sed, and let us have the addresses of the studios orthe individual composers.10) Do you know of any other studios or individual compo~

sitions produced in your country that we are unlikelyto know about?goa0g0ng0ggguagayg? 0 ~ Authors! index11) At the end we give an index, which will be incorpora-~ted into a complete alphabetical index of the documen=tation. Please always give the composer's full name,country of origin (and of permanent residence, if dif-ferent), and year of birth.HDoa000naacancaa? E - Other informations12) We hope to be able to give appendices on:iPredecessors of tape music, giving details ofexperimental works from before 1948 that usegramophone recordings or music drawn on filmsound=tracks,Use of computers, synthesizers etc. for the pro-duction of tape music,NF lectronic-instrumental" music or "electronicmusic without tape".Use of tape by poets, and manipulated sound inconnection with painting and sculpture.Didactic courses organised by studios, and gra-mophone introductions and radio programmes abouttape musiceWe will welcome any information you can give us onthese subjects.Finally we would appreciate any documentation that you couldsend us in addition to correcting our list, such as concertprogrammes, programme notes on compositions, articles, and soOnsWe would like to thank you for your cooperation, and wish youand your studio every success in the future.