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        <distributor>East Carolina University. J. Y. Joyner Library</distributor>
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          <addrLine>Digital Collections</addrLine>
          <addrLine>Joyner Library, East Carolina University</addrLine>
          <addrLine>East Fifth Street, Greenville NC 27858-4353 USA</addrLine>
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        <date>2012</date>
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          <lb />REBEL ©¥<lb /><lb />ARTS AND LITERARY MAGAZINE<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />Rebel 57 pays homage to mid-century notions of<lb />creativity and innovation. Influenced by a time when<lb />the dream of tomorrow and a desire to explore the<lb />unknown were at the forefront of human ingenuity,<lb />this book is an adventure into the works of the<lb /><lb />creative minds at East Carolina University.<lb /><lb /></p>
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          <lb />CONTENTS<lb /><lb />See IN si © vv 04<lb /><lb />PEREPOCRMING ARTS<lb /><lb />@ DANCE O08<lb />@ MUSIC 10<lb />LITERARY<lb />Pre ON 14<lb />NONE Ion 26<lb />PORTE, 50<lb />GALLERY<lb />BOOK ARTS ES<lb />CERAMICS 5S<lb />DIGITAL Priore AO<lb />® DOCUMENIARY FILM 42<lb />DRAWING 44<lb />@® FILM ART A6<lb />GRAPHIC DESIGN 48<lb />ILLUSTRATION S10)<lb />METAL DESIGN 52<lb />MIXED MEDIA 54<lb />PAINTING se<lb />PRINTMAKING si)<lb />SCULPT] URE 60<lb />72 lee Die ol ain ©2<lb />TRADITIONAL PHOTO 64<lb /><lb />MONCRABLE MENTION 68<lb /><lb />CREDITS 74<lb /><lb />® These entries can be viewed in their entirety<lb />at the following address:<lb /><lb />www.ecu.edu/cs-studentaffairs/rebel<lb /><lb />Ol<lb /><lb /></p>
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          <lb />REBEL 57 |<lb /><lb />i anal li al aa<lb /><lb />ap i lace<lb /><lb />Se es<lb /><lb />Aili flan ila 2<lb /><lb />at "-<lb /><lb />mg<lb /><lb />"<lb /><lb />THE WHEEL OF THE YEAR |<lb />CODY TENAGEIA<lb />mixed media, oil glazing<lb />book arts |<lb /><lb />jn<lb /><lb /></p>
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          <lb />BEST IN SHOW O05<lb /><lb /></p>
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        <p>REBEL 57<lb /><lb />til<lb /><lb />we<lb /><lb />FIRST PLACE<lb /><lb />WHEN THE BOUGH BREAKS<lb />KANON SAPP<lb /></p>
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        <p>DANCE<lb /><lb />SECOND PLACE<lb /><lb />ALSO KNOWN AS<lb /><lb />JACOB REGAN<lb /><lb />'<lb /><lb />Toliko PEL Ce<lb /><lb />THE UNSEASONABLY WARM DECEMBER OF MY<lb /><lb />UNREASONABLY COLD HEART<lb /><lb />MEGAN RHODES<lb /><lb /></p>
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          <lb />|<lb />|<lb />|<lb />|<lb />|<lb />|<lb />|<lb />|<lb />|<lb />i<lb />:<lb /><lb />j<lb /><lb />REBEL 57 i<lb /><lb />Fike! PLACE<lb /><lb />DAYDREAM<lb />CHAD SMITH<lb />piano<lb /><lb /></p>
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          <lb />SECOND PLACE<lb /><lb />KEVIN TERRELL<lb />vocal<lb /><lb /></p>
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          <lb />pS ESO a SSE Ea<lb /><lb />ee SU eg ee ee yp ree ec<lb /><lb />ee<lb /><lb />a<lb /><lb />seg eye ea eee<lb /><lb />REBEL 57<lb /><lb />Pikot FEACE<lb /><lb />THE BOX OF PORN<lb /><lb />JESSICA RICEMOND<lb /><lb />ItTs amazing how much crap one person can<lb />accumulate in twenty-three years; itTs even more<lb />amazing how much crap two people can accumulate.<lb />The sheer amount of boxes we had to load into our<lb />new house seemed to be unrealistic. We couldn't<lb />possibly have that many pots could we? John and I<lb />were moving in together after four years of dating.<lb />We had found a small cape a few miles away from<lb />our new jobs. John liked to call it othe starter home.?<lb />I kind of liked the sound of that; it gave hope to the<lb />fact that this thing between me and him would have<lb /><lb />more than one home together.<lb /><lb />The house had crisp white siding with black shutters<lb />and a bright red door. ~The brick path up to the door<lb />was lined with pink pansies, and the fresh green yard<lb />was surrounded by a black cast-iron fence that was<lb />just one step up from being white and picket. Every<lb />time I walked out to the car to get another box, it<lb />was sheer force of will that allowed me to not kick<lb />every pansy on my way up to the door. ~The cookie<lb />cutter house in Fishers, Indiana was the last thing I<lb /><lb />ever wanted, but here I was.<lb /><lb />John called me from the kitchen and I ignored him<lb />and walked out to the car again to grab another<lb />box. He was far too ecstatic about wall molding and<lb />base boards at the moment for me to have a rational<lb /><lb />conversation with him. He followed me out anyway.<lb /><lb />oBabe, I found a box in here,? John said as he walked<lb /><lb />out to the car with me to grab another box.<lb /><lb />oCongratulations, thereTs a lot of boxes. Look, thereTs<lb />one and thereTs one and thereTs one,? I said as I<lb />pointed out the boxes in the still mostly filled SUV.<lb /><lb />He smiled sarcastically and picked up one of the<lb /><lb />boxes marked Kitchen, oNo, I mean like itTs not ours.?<lb /><lb />I picked up a box marked JohnTs Crap and said,<lb />oWhat? What do you mean itTs not ours??<lb /><lb />oIT mean itTs a box that we didnTt bring,? he said.<lb />oWell, whatTs it got in it?? I asked.<lb /><lb />He said, oUhm, video tapes? Looks like home<lb /><lb />videos.?<lb /><lb />oEw. We have someoneTs home porn collection,? I<lb /><lb />said. oWonderful.?<lb /><lb />oWhy do you assume itTs porn?? he asked as he held<lb /><lb />the door open for me.<lb />oWhy do you assume itTs not??<lb /><lb />oWe should watch it.?<lb /><lb />oRight now? Seriously? DonTt you think we're a little<lb /><lb />busy?? I called from the master bedroom.<lb /><lb />He followed me in and asked, oWho shit in your<lb />Cheerios??<lb /><lb /></p>
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          <lb />ot's pissed,?<lb />oWhatTs pissed??<lb /><lb />oThe phrase is, ~who pissed in your Cheerios?T not<lb />~shit,? I said as I turned to go out the front door<lb /><lb />again.<lb /><lb />oWell, you would know now, wouldn't you? ITm going<lb />to set up the TV and then youre going to stop being<lb />Bitchy Heather and come be Fun Heather who<lb /><lb />watches porn with her boyfriend.?<lb />oItTs not porn,? I called behind me.<lb /><lb />oAh, progress,? he exclaimed with his head tilted<lb />towards the sky.<lb /><lb />It had started to get dark and John promised that<lb />heTd get up at 6AM tomorrow and bring in the rest<lb />of the boxes if I would just sit down and watch<lb /><lb />the videos with him. So I did. We were sitting on<lb />the floor because we hadn't bought a couch yet<lb />and eating lukewarm pizza out of the box. John<lb />pushed the first tape into the VCR, which had<lb />somehow lasted through the age of DVDs, and the<lb />TV was alight.<lb /><lb />It was their baby girl. She was descending the stairs in<lb />silver heels that strapped above the ankle. Her delicate<lb /><lb />eighteen year old body was wrapped in a dark blue dress<lb />that fell just below the knee and her blonde hair fell in<lb />perfect curls around her shoulders.<lb /><lb />oHenry. Henry go get the corsage for Beth,? a woman<lb />shouted from behind the camera.<lb /><lb />Beth continued down the stairs beaming from ear to ear<lb />when she got to the bottom she twirled and laughed. An<lb /><lb />older man came into view and said, oPrincess, youre<lb /><lb />beautiful.?<lb />oThanks, Dad.?<lb />oOkay, okay. Here Henry hold the camcorder.?<lb /><lb />oMom, I canTt hold both the camera and the corsage. Pick<lb /><lb />one thing for me to do at a time.?<lb /><lb />oGive the corsage to your sister then hold the camcorder,?<lb /><lb />FICTION<lb /><lb />the woman said impatiently.<lb /><lb />Flenry thrust the boxed corsage at Beth and then<lb />unsteadily grabbed the camera from his mother.<lb /><lb />oOkay, I want a picture with Justin putting your corsage<lb /><lb />»?»<lb /><lb />on.<lb /><lb />A tall, lanky boy in a tuxedo came into the frame looking<lb />down at Beth with nervous glances. He took the box and<lb />opened it before pinning 1t on her dress.<lb /><lb />Aww, thatTs adorable, now stand together over here by the<lb /><lb />stairs.?<lb /><lb />Beth and Justin walked in front of the stairs and Justin<lb /><lb />awkwardly put his arms around BethTs waist.<lb /><lb />There was a flash and then the mother was shouting<lb /><lb />another command, oNow over here by the front door.?<lb /><lb />They shuffled to the front door and posed 1n the same<lb />awkward stance. There was another flash and then the<lb />mother was instructing again, oOkay, now one with you<lb /><lb />and your father. Come on, look alive, Rob. .<lb /><lb />oHow about you be in one, Tracy?? Rob said as soon as the<lb /><lb />next flash went off. Tracy handed the camera off to Rob<lb />and then stood next to Beth. Another flash went off.<lb /><lb />oOkay, now one of just you by the door,T Tracy said as she<lb /><lb />took the camera from her husband.<lb />oMom, havent you got enough pictures??<lb /><lb />oNo, I want one of you and Justin out in front of<lb />the house.?<lb /><lb />oMom!?<lb />oLast one, I promise.<lb /><lb />oFine.?<lb /><lb />John paused the tape and pressed eject, oWell, that<lb />was sweet. They must have been the family who lived<lb /><lb />here before us.?<lb /><lb />I said, oI guess so. Wow, | forgot prom was like that.<lb />It was such a big deal.?<lb /><lb />ibe)<lb /><lb /></p>
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          <lb />peas<lb /><lb />SESS ES AN a<lb /><lb />Sn Eg yatta<lb /><lb />LS SE SS ee A A<lb /><lb />REBEL 57<lb /><lb />oI didnTt go to my prom,? John said as he put the tape<lb />back in the box.<lb /><lb />oYou didnTt? DonTt you regret it??<lb /><lb />oNot really. I mean, I lost out on the thirty rolls of<lb />film my mother would have spent as made evidence<lb />by Tracy the photographer, but honestly, no, I donTt<lb /><lb />fegret ity<lb /><lb />oWell, thatTs good. I mean, my prom wasn't fantastic.<lb /><lb />I didnTt have a date or anything.?<lb />oAw babe, why not?? John asked.<lb /><lb />I laughed and said, oCause I was a horrid bitch to<lb /><lb />everyone | came into contact with.?<lb /><lb />John cocked his head and asked, oWas?? I picked up<lb />the remote next to me and threw it at his arm, oOw!<lb />Fine, fine, youre right. You're a bright big bag of<lb /><lb />sunshine now.?<lb />I smiled and said, oDamn straight. Okay next tape.?<lb />8 y Pp<lb /><lb />oLook whoTs on board with the porn festival now,? he<lb />said.<lb /><lb />oOh, shut up and put the tape in.?<lb /><lb />He pushed the next tape in and sat back down next<lb /><lb />tO me.<lb /><lb />~Happy Birthday to you. Happy Birthday to you. Happy<lb />Birthday, dear Henry. Happy Birthday to you,? the<lb />family sang in chorus as the camera zoomed in on a small<lb /><lb />boy sitting in a high chair.<lb /><lb />oOkay, Henry, blow out the candles,? Rob said as he held<lb />the small cake with three candles in it closer to the little<lb />boys chair. oCome on, like daddy,? he said as he mimicked<lb />blowing out the candles with his lips. Henry started<lb />laughing but didnt blow out any candles. A preteen Beth<lb />stood up and walked over to the chair and blew out the<lb /><lb />candles.<lb />oBeth!? Tracy shouted from behind the camera.<lb /><lb />~What? He was taking too long. I want cake,? Beth said.<lb /><lb />oSince you were So rude to your brother, now you dont get<lb /><lb />any cake,? Rob said as he placed the cake back on the table.<lb />oThat's not fair!? Beth screamed.<lb /><lb />oWell, was 1t fair that your brother didnt get to blow out<lb />his own candles on his birthday?? Rob asked.<lb /><lb />oWell, was it fair that my brother took like two years to<lb />blow out his candles?? Beth asked.<lb /><lb />oBeth, apologize to your brother,? Tracy said.<lb />Beth sighed and said, oHe doesn't even speak English.?<lb />All right, young lady, go to your room. Rob said angrily.<lb /><lb />oOA, god forbid my room, where my TV and all my toys<lb />are, Beth yelled.<lb /><lb />oOkay, go to your brother's room, oTracy said.<lb /><lb />oYeah okay,? she said incredulously as she walked out of the<lb />kitchen.<lb /><lb />~Elizabeth Grace Crenshaw, you come back here right<lb />now!? Rob yelled as the TV turned black.<lb /><lb />oWow, I guess she wasnTt always a perfect princess,?<lb />John said as he ejected the tape.<lb /><lb />oGuess not. So glad I was an only child.?<lb /><lb />oNah, it was fun growing up with a bunch of brothers<lb /><lb />and sisters.?<lb /><lb />oI would have rather been in an orphanage than grow<lb /><lb />up in the jungle that was your house.?<lb />oHey!? John said as he swatted at my arm.<lb /><lb />oITm just saying. Four sisters and two brothers is too<lb /><lb />much.?<lb /><lb />oBut you learn to share and get along with other<lb />people. Maybe thatTs why you're always so damn<lb />bitchy. No one ever taught you how to play nice.?<lb /><lb />oAh, Freud!? I exclaimed as I dramatically lay down<lb />on the floor. oDo psychoanalyze me. Did my mother<lb /><lb />not love me enough either??<lb /><lb /></p>
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          <lb />oYou could do with a good psychologist,? he said.<lb /><lb />oBut seriously, you really donTt think siblings are a<lb />good idea??<lb /><lb />I shrugged and said, oI donTt know.?<lb />oLike, when we have kids, you only want one.?<lb /><lb />oWe're having kids?? I asked.<lb /><lb />oWell, yeah, I was kinda planning on it. Do you not<lb />want kids?? John asked.<lb /><lb />oNo, I want kids,? I said. oI just didnTt know you<lb />thought about it. Ya know, like us in the future...?<lb /><lb />oOf course I do,? he said unbelievingly.<lb /><lb />I shook my head and said, oSo, how many kids do<lb /><lb />you want??<lb /><lb />oIT want three and a dog,? he said matter-of-factly.<lb />I interrupted, oA border collie.?<lb /><lb />oMmhmm, named Farfy.?<lb /><lb />oFarfy? What the hell kind of name is that?? I asked.<lb /><lb />oOur son named him. DonTt make fun of him, you'll<lb /><lb />scar him for life,? he said smiling.<lb /><lb />oFine, we have a dog named Farfy, but please tell me<lb /><lb />we donTt let him name the other children.?<lb /><lb />oNo, of course not. We name our first Brandon, after<lb />your father. Our second Jeremy, after my brother.<lb /><lb />And our youngest Emma, after your favorite Jane<lb />Austen book.?<lb /><lb />oYou've thought so much about this,? I said slowly<lb />truly not believing that he had thought so much on<lb />the subject.<lb /><lb />oYou haven't?? He asked.<lb /><lb />oT guess not. Not that I donTt want that. I do. I just...I<lb />didnTt know I was supposed to have baby names<lb />picked out. I canTt believe you thought to name our<lb />son after my father. You donTt know what that means<lb /><lb />to me,? | said in awe.<lb /><lb />FICTION<lb /><lb />He moved closer to me and tucked a stray piece of<lb />hair behind my ear and said, oOf course I do. Babe,<lb />you know ITm the planner. I just think about these<lb />things; that doesnTt mean you have to. I didnTt mean<lb /><lb />to rush you into anything.?<lb />oI know, I know,? I said. oHow about another tape??<lb /><lb />oOkay. LetTs see the Crenshaw family yell at each<lb /><lb />other yet again.?<lb />oSounds like a plan.?<lb /><lb />John stood up and grabbed a random tape from the<lb />box and put it in the VCR.<lb /><lb />The camera was panning over the house as the camera<lb />holder made their way to the backyard. A woman's voice<lb />started, oOkay, so we're just setting up in the backyard. I<lb />dont really know how to use this. I know Mom doesnt<lb />usually do a voiceover, but were mixing it up. Uhm,<lb />today is Mom and Dad's 50TH wedding anniversary, so<lb />we re having a party in the backyard. We've invited all<lb />their friends and family and itTs going to be tons of fun. I<lb />don't know where Greg 1s, but he should be with the kids<lb />whom I also cant seem to find. Jenn had to work, but<lb />Henry and Jack are here. Henry's actually out back trying<lb />to get the grill ready, but you know him, he's about as<lb /><lb />useful as a dead tree.?<lb />oHeard that!? Henry yelled from off-screen.<lb /><lb />oYeah, yeah, well. I don't see any grilling going on, so I'm<lb />not taking it back.?<lb /><lb />A little girl ran up crying and rubbing her head, oMom!<lb />Mom! Leah hit me in the head with her Barbie.?<lb /><lb />oWell, Abby, tell her to stop,? the woman said.<lb /><lb />Abby said, oI did.?<lb /><lb />oWell, where's your father?? the woman asked.<lb /><lb />oHe said to tell you that he went to buy more hot dog buns.?<lb />oWe have plenty of hot dog buns.?<lb /><lb />oHe said he went to get more. :<lb /><lb /></p>
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          <lb />eee eee ese tt<lb /><lb />sn SEE eae et tn UR<lb /><lb />ee ee eee<lb /><lb />REBEL 57<lb /><lb />oWell, we have plenty. He always does this, he over<lb /><lb />prepares anda freaks out over nothing. -<lb /><lb />oMom, I'm six,? Abby said as though completely losing<lb /><lb />interest in the conversation.?<lb />~Right, right. Go play with your sister and cousin.?<lb />oJack's not with us.?<lb />oWell, where the hell is Jack??<lb /><lb />oHe went with Daddy. To help him carry stuff, Abby said<lb />as she ran off to play.<lb />Lhe woman turned the camera back to the grill and yelled,<lb />oHenry! Did you know Jack went with Greg??<lb /><lb />Henry stood up from behind the grill and said, oYeah, we<lb />needed more hot dog buns.?<lb /><lb />oWe really don't. Whatever. Why'd your son have to go??<lb />she asked.<lb /><lb />oTo help Greg carry the tce.?<lb /><lb />The woman sighed and said, oWe have four bags of ice in<lb />the garage.?<lb /><lb />oWell, Beth we didn't know that.?<lb /><lb />The screen went black. When the camera was turned<lb />back on, it was zoomed in on an older woman in her late<lb /><lb />SIXTIES.<lb />oSo, what's the secret, Mom?? Beth asked.<lb /><lb />oThe secret is that murder is illegal and I'm not really good<lb />at digging, so it'd have been really easy for the police to<lb />have found the body.?<lb /><lb />oLove you too, dear,? Rob said from off-screen. The camera<lb /><lb />zoomed out to include him as he sat down next to his wife.<lb /><lb />oMom, seriously, advice for Henry and me. I mean about<lb />our marriages, how to raise our kids, how to live our<lb /><lb />lives, etc.?<lb />oWhy are you being so insistent? I'll be here tomorrow.?<lb /><lb />Actually, Trace, thatTs what theyre really throwing the<lb />party for. We're getting old, so they re gonna do the whole<lb />Eskimo thing where they put us on a big block of ice and<lb /><lb />fioat us out to sea,? Rob said. oBut dont worry, we get to<lb /><lb />share an tce block.?<lb /><lb />oWell, isnTt that just the sweetest thing you've ever said to<lb /><lb />me,? Tracy said as she laid her hand on his.<lb /><lb />He moved his hand so it was gripping hers and satd,<lb />~Td gladly wither and die with you in the middle of the<lb /><lb />»<lb />ocean.<lb /><lb />~I'd gladly use your dead body as batt to attract sea<lb /><lb />creatures,? she said with the same sincerity he did.<lb />oTrue love,? Henry said off-screen.<lb />oMother,? Beth said seriously.<lb /><lb />oYou should just answer her, or she's just going to keep<lb />pestering you, Henry said again.<lb /><lb />~Fine, fine. Uhm, dont waste moments. Everything 1s<lb />important, and you will take it for granted, but try not<lb />to. Patio furniture is very important; you need to really<lb />shop around for that because on warm nights, you should<lb />sit on the back patio with your husband and enjoy the fact<lb />that your kids arent there. Dont trust men who have<lb />tans under their wedding rings. That means they're either<lb />too young to be real men or theyre too busy cheating to be<lb />real men. Your kids are the single best and worst thing<lb />you will ever do with your life and you will always think<lb />theyre perfect, but they're probably not. When Leah or<lb />Abby drive you up a wall and you think that banging<lb />their head against a wall would make you feel so much<lb />better, go look up what real child abuse looks like and<lb />you ll never think about it again. When you want to kill<lb />your husband because he bought too many hot dog buns,<lb />go sit at an airport or a bus stop or a train station and<lb />watch couples who havent seen each other in months hug<lb />each other for the first time. You'll eat the damn hot dog<lb />buns by yourself just to make him feel better. The love<lb />of your life will surprise you, because nine times out of<lb />ten, they dont come riding up on a white horse. Usually,<lb />there's no horse involved, actually, but thatTs beside the<lb />point. Usually, the love of your life will be the one person<lb /><lb />more than anyone else you want to hit with a frying pan<lb /><lb />continuously until they no longer have the ability to form<lb />sentences. ItTs harsh. ItTs life. Your husband, your wife,<lb />your significant other should be able to drive you to the<lb />ends of the Earth They should know exactly how to get<lb /><lb /></p>
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          <lb />under your skin. They should know everything about you,<lb />including whether you brush your teeth starting on your<lb />left side or your right. [hey will hold the power to make<lb />you cry, know how to literally unravel your entire life in<lb />a few words, and destroy you. The reason you love them 1s<lb />because they dont. the difference between love and hate<lb />is no fine line"tt's holding the power to destroy someone<lb />and loving them instead. And when youre old and gray,<lb />and your daughter 1s shoving a damn camcorder tn your<lb />face as payback for all the times you did it to her, gust talk<lb />to her because she ll probably just keep pestering you if you<lb />dont.?<lb /><lb />Awww, Mom.?<lb />And never eat yellow snow,T Rob said.<lb />oThanks, Dad,? Beth said with annoyance.<lb /><lb />Rob huffed and said, oIt's important.?<lb /><lb />The tape shut off and John looked at me and said,<lb /><lb />oMarry me.?<lb />oVV hate<lb /><lb />oMarry me. Fuck this whole establishing ourselves<lb />in our career and getting a nest egg. What the fuck<lb />even is a nest egg? Just marry me because I want<lb />someone to find our home videos one day and watch<lb />our shitty lives. I want them to see us crazy and<lb />happy and screaming at each other. I want them<lb />to watch our kids grow up and watch us in our old<lb />age. I want that with you. I want to buy too many<lb />goddamn hot dog rolls, and I want you to actually<lb />contemplate burying me in the backyard. Just<lb /><lb />fucking marry me, Heather.?<lb /><lb />oMom, how did Dad propose? oWell dear, we were<lb />watching porn and then he yelled at me to marry<lb />him with about as many swears as humanly possible,<lb />and I just melted at his feet and said, ~Oh yes, please<lb /><lb />make me your wite,<lb /><lb />oSo, is that a yes?? He asked with a grin.<lb /><lb />oYeah, Yeah, | think it ws.<lb /><lb />FICTION<lb /><lb />19<lb /><lb /></p>
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          <lb />ee<lb /><lb />sso speeds ee asa es a a ees A ta<lb /><lb />REBEL 57<lb /><lb />SECOND PLACE<lb /><lb />THE TWIRLING EFFECT<lb /><lb />ERIKA DIE RICK<lb /><lb />We arrived just a few moments before the concert<lb />was about to begin; the lights had already been<lb />dimmed as we scurried down the aisle looking for<lb />seats. Gesturing in the dark, my dad pointed out a<lb />mostly empty row toward the side of the auditorium.<lb />We squeezed past three irritated old women in frilly<lb />dresses and a teenage couple"my family filled in the<lb />rest of row J.<lb /><lb />We all sat silently as the first song began and the<lb />pubescent ballerinas tip-toed across the stage. The<lb />wooden platform was so old even the delicate tips<lb />and taps of the petite ballerinas caused the boards<lb />beneath them to creak.<lb /><lb />In a terrible, donTt-look-my-direction mood, I<lb />flipped the pages of the dance concert program like<lb />an AP English teacher scoffing at a literary atrocity.<lb />I pouted when I saw that the song my sister and her<lb />dance class were performing in was the very last<lb />song in a two-hour program"lI didnTt even want<lb /><lb />to be there.<lb /><lb />The hours before the concert were the usual otornado<lb />meets a volcano,? as Eminem likes to describe it...<lb />that is, the usual disaster of my sister and I having to<lb />share a space or communicate with one another for<lb /><lb />more than five seconds.<lb /><lb />Two hours before we had to leave, I had just locked<lb />the bathroom door and stepped into the shower<lb />when I heard an angry THUD, THUD, THUD!<lb /><lb />oJAMIE, I need in!? she half-whined, half-yelled.<lb /><lb />oI just got in here! [ll be out in a few minutes!? I<lb /><lb />yelled back as I slathered my hair in shampoo.<lb /><lb />oJAMIE, I need in now! I have to get ready!!? THUD,<lb />THUD, THUD! oLET Mp IN!<lb /><lb />I didnTt respond, choosing to ignore her until she<lb /><lb />eventually walked away.<lb /><lb />THUD THUD THUD rub FHUD THUD THUD<lb />THUD THUD over and over like a hammer to my<lb />head, oGO AWAY!? I shouted, oLL BE OUT SOON!?<lb />The thudding continued. I waited it out impatiently<lb />like a child waiting to play with the best toy in day<lb />care, but I got angrier and angrier until I finally<lb />ripped open the shower curtain and unlocked the<lb /><lb />door.<lb /><lb />oYou're such a freaking brat!? I yelled at her as I<lb /><lb />furiously pushed the shower curtain closed again.<lb /><lb />Twenty minutes later, I stepped out of the shower<lb />with towel wrapped around me to see Caitlin<lb />applying the microscopic finishing touches to her<lb />make-up. Her hair was perfectly curled, not a single<lb />curl less curly than the other, and her nails were<lb /><lb />painted to match her sparkling red dance outfit.<lb /><lb />Irritated, I reached under the sink for my hair brush.<lb /><lb />I tried to squeeze between Caitlin and the wall for<lb /><lb />a spot in front of the mirror, but she concentrated<lb /><lb /></p>
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          <lb />on her artwork without so much as twitching in<lb /><lb />the other direction.<lb />oCaitlin, scoot over!?<lb /><lb />oYou donTt need to see the mirror to brush your hair,?<lb /><lb />she said as she lined her right eye.<lb /><lb />oWhatever,? I mumbled, wincing as I combed<lb />through my hair like I was trying to start a fire.<lb />After a few moments, I threw the brush back under<lb /><lb />the sink and opened the door to leave.<lb /><lb />oYou're not even going to blow dry your hair?? she<lb />asked in disgust, peering at me through the side of<lb /><lb />one Cye.<lb /><lb />Three performances"two ballet and one tap"had<lb />gone by. I checked my cell phone"only fifteen<lb />minutes had passed. I held my hot head up on my<lb />fist, my elbow resting on the arm of the theatre seat.<lb />Why did I even need to be here? | always come to<lb />her stuff, but she never wants to see me play soccer or<lb /><lb />run track, I thought crossly.<lb /><lb />When we were younger, we both used to stay the<lb />night at my grandma and grandpaTs house. My<lb />grandma, Caitlin, and I would all sit down to<lb /><lb />play Polly Pockets, or jump in the hot tub, or play<lb />Nintendo. All would be fine and dandy for a little<lb />while until Caitlin took the prettiest Polly Pocket<lb />outfit, I called the best spot in the hot tub, or either<lb /><lb />of us ocheated? during a Mario game.<lb /><lb />oCan't you guys just get along?!? asked my usually<lb />sweet grandma, finally worn down by the constant<lb />bickering. oYou guys are sisters. You guys should be<lb />best friends!? We would get silent as she declared,<lb /><lb />resigned, oITm going to have a smoke.?<lb />Upon walking away, I'd turn to my sister.<lb /><lb />oGood job, Caitlin. Look what you did!? And so the<lb /><lb />cycle continued.<lb /><lb />oWant anything, Jamie? ITm going to get popcorn,?<lb />my little brother whispered.<lb /><lb />oYeah, I want popcorn,? I replied.<lb /><lb />With dollar bills crumpled in his left hand, he<lb /><lb />FICTION<lb /><lb />scooted past me and out of the aisle.<lb /><lb />The lull of undramatic jazz music led me to the time<lb />my mom signed my sister and I up for a dance class<lb />at the YMCA. We both were so excited"we had<lb />practiced our signature twirling move over and over,<lb /><lb />laughing from dizziness the longer we twirled.<lb /><lb />Ten minutes into the class, we were still the only<lb />ones standing in the wide open room with the<lb />teenage instructor. I canTt tell you how my sister felt<lb />at 5 years old, but for me, it was incredibly awkward.<lb />I had always wanted to take a dance class, but this<lb />was not the way I imagined it. The instructor tried<lb /><lb />to remain positive, though.<lb /><lb />oAll right, guys, how about you just show me what<lb />ya got? LetTs do freestyle.?<lb /><lb />I turned to my sister and then back to the instructor,<lb /><lb />fidgeting anxiously.<lb /><lb />oWe donTt really have any moves,? I said with a<lb /><lb />red face.<lb /><lb />oAw, nothing? Are ya sure?? prodded the instructor<lb /><lb />encouragingly.<lb /><lb />oYes, we do!? cried Caitlin. oWe have our twirling<lb /><lb />b DY<lb /><lb />move, remember:<lb /><lb />oWell, itTs not really a move...?<lb /><lb />oLet me see it,? said the instructor. oGo ahead.?<lb /><lb />So, for the rest of the class, Caitlin and I held<lb />crossed arms and spun to unwind each other, rolling<lb />each other back up the arm and twirling again. We<lb />were very serious about our technique"we wanted<lb /><lb />to look like good dancers, after all.<lb /><lb />ItTs one of the last times I really remember being a<lb /><lb />team with my sister.<lb /><lb />I half-consciously noticed that the program was<lb />nearing its end as I continued to fall deeper into<lb />reflection. I didnTt remember when my sister and<lb /><lb />I stopped getting along, or why we never started<lb />again. I couldnTt pinpoint when games of Red<lb />Rover became screaming matches or when our room<lb /><lb />suddenly had toys that were mine or hers.<lb /><lb />21<lb /><lb /></p>
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        <p>ee ee a<lb /><lb />REBEL 57<lb /><lb />I had always just blamed our problems on the fact<lb /><lb />that WCE WELG complete opposites.<lb /><lb />oCAIT-LUIIINN! ...WHOO!? yelled a teenage boy<lb />from the back.<lb /><lb />The scarlet curtain had opened to reveal twenty or<lb />so teenage girls dressed in red ruby sparkling dance<lb />uniforms. All of the dancers stood posed like statues,<lb /><lb />a couple of them waving to people in the crowd.<lb />My sister stood front and center.<lb /><lb />A hip-hop song that I shouldTve known but didnTt<lb />blasted from the surround sound speakers as the<lb />dancers came to life. Stomping, jumping, twirling,<lb />and sashaying"the crowd was mesmerized by<lb /><lb />the moves of their little girls, their daughters and<lb />granddaughters, their nieces. But none of the dancers<lb />stood out like my sister. It wasnTt coincidental that<lb />she was placed in the front"she dominated the stage<lb />like the star of the show, hitting every move perfectly<lb />like her heart and the bass were the same. I watched<lb />bright-eyed, with a huge open smile across my face.<lb /><lb />I turned and mouthed to my mom, oSheTs good!!?<lb /><lb />I was giddy from the performance as they froze in<lb />place to the last beat.<lb /><lb />oYEAHHHHAEL, Go cAMiInit fi yelled up at<lb />the stage.<lb /><lb />Caitlin lined up with the rest of the dancers on<lb />the stage to take a bow. She stood confidently and<lb />slightly laughing at the front of the stage.<lb /><lb />She was all grown up...she was beautiful.<lb /><lb />I clapped as hard as I could alongside my family.<lb />Like any teenage girl, I was as quick to anger as<lb />I was to inspiration. The applause continued, and<lb />I stood up as the girls finally bowed and waved<lb />goodbye to their adoring fans.<lb /><lb />Whether my sister knew it or not, I was one of them.<lb /><lb />Because even though we have continually bickered<lb />and bafHed each other, she has always been the little<lb /><lb />sister ITve been proud to call mine.<lb /><lb /></p>
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          <lb />F<lb />F |<lb />|<lb />i<lb />a<lb />é<lb />i<lb />-<lb />H<lb />ie<lb />ie<lb />iE<lb />va<lb />/<lb />|<lb />|<lb />4<lb />i<lb />|<lb />|<lb />a<lb />i<lb />3<lb />A<lb />j<lb /><lb />es a a LTT<lb /><lb />secure ate<lb /><lb />ee<lb /><lb />a<lb /><lb />REBEL 57<lb /><lb />THIRD PLACE<lb /><lb />CHASING<lb /><lb />GREASED LIGHTNING<lb /><lb />MEGHAN MONTERO<lb /><lb />Nothing ever happens around here. But thatTs just<lb />one of the consequences of living in a small town<lb />like ours. The little bitty town of Zephyr is one of<lb />those places thatTs out in the middle of nowhere and<lb />barely has a dot on the map to let anybody know that<lb />itTs even there. Sure we have the essentials: a grocery<lb />store, a gas station, a library, a diner, and other<lb />various small mom and pop stores that people like to<lb />hang around. ~The television station even gets plenty<lb />of decent channels on a clear day. In all, itTs just your<lb /><lb />typical sleepy town, with not much to do.<lb /><lb />The only thing ever worth looking forward to around<lb />here is when St. MarkTs Church throws its annual<lb />carnival. What had started as a fund-raising event<lb />to build the new community center had become a<lb />yearly part of the fall break. All of the parishioners<lb />volunteered to run the booths and other concessions,<lb />with the proceeds going into their various project<lb />funds. It was nothing special. Just your typical fare<lb />filled with rides and games to win cheap prizes, and,<lb />of course, plenty of places to get your fix of deep-<lb />fried comfort foods. But to the folks around here, it<lb /><lb />was like an early Christmas.<lb /><lb />You know when the carnival is in town now because<lb />itTs the only time when the parking lot is overflowing<lb />with cars at the church. How they manage to<lb />squeeze all of those rides and stands into that small<lb /><lb />little clearing behind the church, I will never know.<lb /><lb />And how they manage to get all of those people to<lb /><lb />attend each year is a bigger mystery. But one thing<lb />I do know is that the church makes a killing off it<lb /><lb />every time.<lb /><lb />There must be some kind of unspoken competition<lb />between all of the volunteers about who can make<lb />the most money, because there are always a few<lb />specific booths that really rake in the dough. You<lb />have your ring tosses, shoot the duck, fish bowl<lb />games, and so forth. But the big money makers are<lb />found elsewhere. ThereTs the ball toss booth with<lb />bottles that are notorious for not getting knocked<lb />over no matter how hard you throw the ball at them.<lb />The dart games are a favorite among the local bar<lb />goers. Ihen thereTs the dunk tank that has become<lb />quite popular in recent years ever since the principal<lb /><lb />at the local high school started ovolunteering? to get<lb />dunked.<lb /><lb />But the attraction that always draws the biggest<lb />crowd is the Greased Pig event. ItTs not so much<lb /><lb />the event itself that gets peopleTs attention. Who in<lb />their right mind would want to get all muddy and<lb />greasy for nothing? Even folks around here donTt call<lb />getting down and dirty fun, and they are not all that<lb /><lb />eager to participate.<lb /><lb />The only thing that keeps people coming back is<lb />the fact that the game is sponsored by Mrs. MayTs<lb />Diner, and the prize for catching her prized pig,<lb /><lb />Lightning, is free confectioneries from her diner for<lb /><lb /></p>
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        <p>a whole year. Now, to all of you folks from out of<lb />town, that might not sound like much. But to we<lb />locals here in Zephyr, itTs like hitting the jackpot.<lb />Mrs. May is the best damn baker this side of the<lb />Mason-Dixon line. Her peach cobbler has won first<lb />place in the county cook offs for nearly a decade. Her<lb />pineapple upside-down cake melts in your mouth.<lb />Her seasonal pecan pies are out of this world. Her<lb />homemade coconut cake is simply to die for. And<lb />thatTs not even getting started with everything thatTs<lb /><lb />on the menu!<lb /><lb />~The trick of it is, though, that you only have three<lb />minutes to catch Lightning. That might seem like<lb />all the time in the world to catch a chubby little<lb />potbellied pig, but when it comes to Lightning,<lb /><lb />itTs there and gone in a flash. The thing about<lb />Lightning that you need to understand is that heTs a<lb />shrimpy little fellow. For whatever reason, heTs been<lb />a runt ever since he was born. HeTs small enough to<lb />where heTs fast and can slip past just about anything,<lb />but he is just fat enough that you canTt quite get<lb />both hands around him. When heTs all greased up,<lb />he can easily slip right through your fingers, and<lb />he'll keep running you around the ring until time<lb /><lb />runs out on you.<lb /><lb />In all of the years that the carnival has been going<lb />on, only a handful of people have succeeded in<lb />nabbing Lightning and laying claim to the reward.<lb />But the challenge of the event keeps them coming<lb />back for more because once you've had a taste of<lb /><lb />Mrs. MayTs pastries, nothing else compares.<lb /><lb />Good luck chasing after Lightning if you think<lb />youre quick enough to catch him. As for me?<lb /><lb />I have a hot date with a fresh slice of apple pie to<lb />get back to.<lb /><lb />FICTION<lb /><lb />Zo<lb /><lb /></p>
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          <lb />q<lb />i<lb />H<lb />L<lb />%<lb />i<lb />E<lb />UP<lb />i<lb />a<lb />i<lb />FA<lb />|<lb />i<lb />A<lb />i<lb />q<lb />&amp;<lb />i<lb />i<lb />i<lb />:<lb /><lb />ae SET ETA ES eS ESA<lb /><lb />REBEL 57<lb /><lb />rreRSi PLACE<lb /><lb />TWO WORDS, ONE KEY<lb /><lb />MEGHAN MONTERO<lb /><lb />These words are what most nosy younger siblings<lb />tend to expect when theyTre snooping through the<lb />journal of an older sister recounting the exciting<lb />events of growing up. But they are probably the last<lb />words people would think to read when opening up<lb />an anonymous letter from some unfamiliar place.<lb />The messages are simple. They sound more like a<lb />tourist recalling the specifics of a vacation abroad.<lb />Sometimes it is of an island getaway. Other times it<lb />is from the peaceful countryside in the hills of some<lb /><lb />small country.<lb /><lb />Everything is not always as it seems on the surface,<lb />however. Some might speculate that these strange<lb />letters have some dark and sinister meaning behind<lb />them. Others still might argue that all of the little<lb />details"from geological locations, to the dates and<lb />times recorded in these messages"contain some sort<lb />of code that unlocks a long-lost conspiracy. But in<lb /><lb />fact, it is much more than that.<lb /><lb />Those two simple little words are actually the<lb />beginning of a map that leads to a treasure trove<lb /><lb />of unimaginable wealth. ~This treasure is not made<lb />up of gold or jewels, or any other materialistic<lb /><lb />thing associated with riches. No, this treasure is<lb />something far more valuable than that. It is a record<lb />of seemingly insignificant events that occurred on<lb />this Earth. These messages in a bottle were left to<lb /><lb />float about on the seas of time, forgotten and tossed<lb /><lb />about with the day-to-day events that shape any<lb /><lb />individualTs life.<lb /><lb />For time is not always so forgiving to the mind.<lb />Sometimes the greatest treasure in life is the<lb />memories of the past that easily slip away from our<lb />thoughts because of how trivial they might seem at<lb />the time. More often than not, in the end, all we<lb />have to show for ourselves are the memories that<lb />were made along the way in the long, but fleeting,<lb />journey of life. Because when you blink, your life can<lb /><lb />easily pass you by.<lb /><lb />Looking back on the things of the past may seem<lb />more like fantasy at times. But as the years go by, we<lb />are more likely to forget most of the little things that<lb />we once cherished. And that is what makes those<lb />words all the more special. Just what kinds of stories<lb />come to light in that moment of jotting down those<lb /><lb />two simple words?<lb /><lb />Dear Diary...<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />SECOND. PLACE<lb /><lb />NIGHTMARE<lb /><lb />ALAN SKIRNICK<lb /><lb />Did] sercanicns timier.-:<lb />Why do my hands hurt so much?...<lb /><lb />Where am I? Am [still in my room?...<lb />Why is my bed shaking?...<lb /><lb />I shiver under the multiple layers of blankets<lb />covering my entire body from the neck down. I am<lb />drenched in sweat that has frozen my bones and set<lb />my body aflame. My hands are clutching the sheets.<lb />They plead for me to release, yet won't listen to me<lb />when I command them to let go. I am paralyzed. Ive<lb /><lb />woken up from my second or third nightmare.<lb />I alanis<lb /><lb />ITve lost count. Pve had them almost every night this<lb />week, and the week before that, and so on and so<lb />forth. I canTt compose myself. My heart is beating so<lb />ferociously, like a war drum, that my vision begins to<lb />blur. My eyes, open as wide as the night sky, strain to<lb />find a spec of light in this dark abyss. My bed shakes<lb /><lb />with every crash of the drum.<lb /><lb />Mud, Td...<lb />Thud, Tua...<lb /><lb />I start to gain control of my body, but I dare not<lb /><lb />move. My eyes scan the room the best they can,<lb /><lb />having finally recovered from my blurred vision and<lb /><lb />adjusting to the light. I am careful not to move my<lb />head; whatever is in my room cannot know I am<lb />looking for it. My heart continues to pound as I<lb />tremble with fear in my bed.<lb /><lb />Vhiid. Waud...<lb />Thad. thud...<lb /><lb />I start to panic even more. I canTt find the beast<lb /><lb />that has tormented me these past few weeks. I can't<lb />find the source of my night terrors. Letting go of<lb />inhibition, I bolt upright and cast away my covers.<lb />My skin embraces the freedom from the burning hell<lb />that was under the covers. I begin to shake as I jump<lb />out of bed and walk timidly towards my closet, my<lb />hand gently touching the cold metallic door knob,<lb />but I stand there, afraid. I never open my closet. If<lb />there is something in there, I donTt want to find it.<lb /><lb />I walk back to my bed, making sure to jump in it<lb /><lb />so whatever dwells underneath isnTt given a chance<lb />to grab hold of my ankles. Sitting upright in bed, |<lb />chastise myself for believing that there are monsters<lb />in closets or under beds. ~They've always been inside<lb /><lb />our heads.<lb />Thud. Phud...<lb /><lb />Tisud. Thud...<lb /><lb />Soft bumps against the wall behind me remind<lb /><lb />me that my heart still continues to beat and still<lb /><lb /></p>
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          <lb />controls the bed. I ache all over. Every fiber of my<lb />being is screaming out right now. I start to recall<lb />the nightmare, but in bits and pieces here and there.<lb />The edges of the dream have been burned, the ashes<lb /><lb />falling out of memory.<lb /><lb />There was a crash...<lb /><lb />Or mayne a fall...<lb />I think it had been a stabbing...<lb /><lb />All I can remember now is that there was blood<lb />everywhere, and | was holding someone I cared<lb />deeply for. T've seen almost everyone close to me<lb />die. Last words escape their lips as one final plea for<lb />life drifts away, but I never hear them. As the life<lb />fades away from their eyes, so does mine. Selfishly, I<lb />beg them to come back, knowing full well that my<lb />begging will be for naught. Is this my own special<lb />Hell made with love by my brain? What mortal sin<lb />have I committed to make this sadistic asshole my<lb />captor? I tried waking up. I screamed at myself to<lb />wake up. I was fully aware of what was happening,<lb />but my brain wouldnTt let up; it had become a traitor<lb /><lb />to its own self.<lb />Thud. thud...<lb />Thud. Thud:..<lb /><lb />Most people I talk to say that they never have<lb />nightmares anymore. They say that I should see<lb />someone about these terrors. I try to change the<lb />subject, regretting having brought it up in the first<lb />place. I'll figure it out on my own. ItTs nothing but a<lb /><lb />thing"a destructive, demoralizing thing.<lb /><lb />Time passes; I have no idea how much. I need<lb /><lb />to sleep, but I donTt want to. I try to calm myself<lb />down"my heart still beating as if it wants to escape<lb />my chest, as if it has given up on this war and wants<lb /><lb />to wage war with something or someone else.<lb />Think of your goals in life...<lb />Think happy thoughts...<lb /><lb />My eyes start to weigh down. My body starts to<lb /><lb />decompress. I know what is coming. Another round<lb /><lb />NONFICTION<lb /><lb />of self-induced torture. I try to fight it, but my<lb />defenses are weak.<lb /><lb />Deep, easy breathing...<lb />Think happy thoughts...<lb /><lb />My head meets the pillow as if they are old friends.<lb />ITm still fighting to keep my eyes open, but one<lb /><lb />way or another, | will sleep again"back into the<lb />monster's grasp. My heart weakens, its beating calms<lb /><lb />down.<lb />Dont Het it...<lb />Let your mind wander into the void...<lb /><lb />I close my eyes and take one last deep breath...<lb /><lb />Thod, thud...<lb />Thud. Vand...<lb /><lb />Did I scream this time?<lb /><lb />Le<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />FIRST PLACE<lb /><lb />WALKING THROUGH AN<lb />AIRPORT PARKING LOT<lb /><lb />ERIKA DIETRICK<lb /><lb />This morning I held you in my arms<lb /><lb />in a dimly lit center of goodbyes...<lb /><lb />Just nine hours ago I kissed your soft lips<lb /><lb />with clenched face and burning eyes.<lb /><lb />In just a few moments, you were gone.<lb /><lb />In just a few hours, you were home.<lb /><lb />Bridging hundreds of miles in those few hours,<lb />I cried with face hidden, pointed at the ground,<lb />stiff-legged in the parking lot trying to find a<lb />metal safe haven, but it was so dark and so early,<lb />the tears fell from the tip of my nose as I<lb />desperately searched for my car, the car that<lb />still clung to your scent in the passenger seat.<lb /><lb />An older woman with bright white hair stepped out<lb />of her bright white car<lb /><lb />and stopped to gawk at me, and as I felt her prying<lb /><lb />eyes bore into my soul<lb /><lb />it was all I could do to keep from running, to protect<lb />those parts of me<lb /><lb />that no one would see again...<lb /><lb />At least not for another few months, until I once<lb /><lb />again entered<lb />the center of goodbyes, of temporary stays,<lb />cruelly masked as a cheery place of welcome.<lb /><lb />Hello is never breathed without its evil twin<lb /><lb />Goodbye.<lb />My vocal cords shattered into a million sharp cries<lb />with the click of the closing car door.<lb /><lb />You can see him one last time as he walks to the<lb /><lb />plane, the guard said,<lb />Security isnTt the last goodbye.<lb /><lb />I nodded and tried to walk past him, but he followed<lb /><lb />me with<lb />the smile of a man who thinks heTs done a good deed.<lb /><lb />In the car, I wailed at the sight of the bent passenger<lb /><lb />seat from<lb />where you pulled your bags out of the back...<lb /><lb />Nothing is worse than saying Goodbye<lb /><lb />when you know Hello is six months away.<lb /><lb /></p>
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          <lb />SECOND PLP ce<lb /><lb />PICTURE FRAME<lb /><lb />MCKENZIE SHELION<lb /><lb />See the rugged photo on the sill.<lb />What lies beyond the gleaming faces still?<lb />A picture is a pose, how can it be proof?<lb /><lb />From a frozen smile, can you draw the truth?<lb /><lb />What secret and what tale is hidden far beneath?<lb /><lb />Horrifying wonder, malicious love, perhaps<lb /><lb />anxious relief?<lb /><lb />Is there trickery to detect in the eyes?<lb />Do they reflect a plethora of lies?<lb /><lb />Or are they as they seem to be,<lb />Showing no trace of misery?<lb /><lb />How to decipher what broods behind<lb /><lb />The picture perfect frame of mind.<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />THIRD PLACE<lb /><lb />HOMETOWN:<lb /><lb />FT. WASHINGTON, MD<lb /><lb />MAYA WILLIAMS<lb /><lb />It was such a blessing to move away.<lb /><lb />DonTt view me as a monster when you know<lb /><lb />its trwe.<lb />Cousin, I do not reject you.<lb />I reject your acts.<lb /><lb />Ps<lb /><lb />You've made the olove the sinner, hate the sinT<lb /><lb />expression so<lb /><lb />Relevant.<lb /><lb />Not that itTs a sin to use words such as<lb />oGirl, you got me bent?<lb /><lb />Like fitting a square peg into a round hole each<lb />time you<lb /><lb />Opened your mouth.<lb /><lb />And it isnTt a sin to use a preposition at the end of<lb /><lb />a sentence<lb />When it isnTt needed, no.<lb /><lb />ItTs the laugh that escapes from you like a chill in<lb /><lb />the winter<lb />Night whenever I speak...<lb /><lb />I have cracked you up for so many years<lb /><lb />Each time you called me owhite girl? or oschool<lb /><lb />teacher.?<lb /><lb />But I never knew using large words would beget<lb /><lb />your sticks<lb />And stones.<lb /><lb />I called them ocontusions,? while you made me<lb />dumb them<lb /><lb />Down to obruises.?<lb /><lb />I called them odefacements,? and you bent my<lb /><lb />tongue hard<lb />Enough to articulate oscars.?<lb /><lb />I even had to swallow the word ointrovert? as a<lb /><lb />dry pill<lb /><lb />To settle for being oshy,? or oquiet.?<lb /><lb />Hush, hush, you said, nothingTs wrong.<lb /><lb />You thought that I cowered away to find bandages,<lb /><lb />But you forgot that I didnTt change my<lb /><lb />appearance when<lb />Exiting my room.<lb /><lb />I found my healing in a book that was my personal<lb /><lb />snort of<lb /><lb /></p>
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          <lb />Cocaine.<lb />I didnTt want you to judge me for my habit.<lb /><lb />I didnTt want to be forced into that faulty rehab<lb /><lb />you made out<lb /><lb />Of Heinekens and J-Pain music videos.<lb /><lb />I have always had my share of dealers and stashes.<lb /><lb />Even when you wiped me clean.<lb /><lb />Each time you found my opiates, I had my pencil<lb />as my thrifty<lb /><lb />Heroin injection.<lb /><lb />Every night strung out, I was able to feverishly<lb /><lb />scribble away<lb /><lb />My problems.<lb /><lb />So, you know what?<lb /><lb />Yes. Over half of my stories were about you.<lb /><lb />Psychology has been too scary for you to<lb />understand, but<lb /><lb />Sublimation is the best defense<lb />Mechanism.<lb />You knew why I always ran home early.<lb /><lb />Zipping up my marshmallow coat in the daily<lb /><lb />northern cold,<lb /><lb />I hoped to be pulling a Harry Potter so you<lb /><lb />wouldn't see me<lb /><lb />Leave every time.<lb /><lb />It was time for warmth for me, cousin.<lb />Time to use my drugs freely!<lb /><lb />Time to be caressed by the open-minded,<lb /><lb />And have my mind more opened than it has been.<lb /><lb />Off to the south I went so you wouldn't shut me<lb /><lb />up anymore!<lb /><lb />It was such a blessing to move away.<lb />It wasnTt to stop loving you.<lb />I know you are not a monster.<lb /><lb />Radioactive outpours from your past drowned<lb /><lb />you to the<lb /><lb />Extent of preaching ono mercy,T I<lb />Understand now.<lb /><lb />The venom is not entirely your own, I know.<lb /><lb />...lell Auntie hello for me.<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />ns OC etree,<lb />Ri ee<lb /><lb />cacmeinill<lb /><lb />FIRS) PLACE<lb /><lb />A RIDE IN THE CITY<lb /><lb />NAN LOPATA<lb />enamel on copper<lb /><lb /><lb /><lb /><lb /></p>
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          <lb />
          <lb />TrigRD PLACE<lb /><lb />ITALIAN BOOKS<lb /><lb />ALCRIST MORETA<lb />book-board<lb /><lb />[ole] @ ag<lb /><lb />SECOND PLACE<lb /><lb />TWO SPOONS PAIRED<lb />BARBARA MCFADYEN<lb />enamel on metal, paper, thread<lb /><lb />ee ee<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />FIRST PLACE<lb /><lb />TRAINED TREATS<lb />ALEX INGLE<lb />clay, glaze<lb /><lb /></p>
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          <lb />
          <lb />iit<lb />Le<lb />oh a<lb />_ .<lb /><lb />a<lb /><lb />SE CONE PLACE<lb /><lb />WOOD-FIRED VASE<lb />GAINES BAILEY<lb />| stoneware, layered glazes<lb /><lb />THIRD PEACE<lb /><lb />POUR ME<lb />KYLIE DOWNIE<lb />clay, glaze<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />FIRS! PLACE<lb /><lb />MORNING RISE<lb /><lb />CADY MAY<lb /><lb /></p>
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        <p>DIGITAL PHOTO<lb /><lb />rpeapasinen A opygigail<lb /><lb />SECOMD PLACE<lb /><lb />GREENVILLE MILL<lb />RACHAEL BOWMAN<lb />archival inkjet print<lb /><lb />oge eas mS i ata<lb /><lb />TrHikD FLACE<lb /><lb />TRADED FOR GOLD<lb />ALCRIST MORETA<lb />inkjet print<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />Filipe! PLACE<lb /><lb />JACKSONTS STORY<lb /><lb />DENVER ROLLINGSVORTE<lb /><lb />BUTTERFLY<lb /><lb /></p>
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          <lb />smc OND PLACE<lb /><lb />LAUREN SAWYER<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />44<lb /><lb />rimpol FLACE<lb /><lb />AFGHANI WOMAN<lb /><lb />ABIR ABUMOHSEN<lb /><lb />lors, ink pens, markers<lb /><lb />_erimsaco<lb /><lb />watercolor<lb /><lb /></p>
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          <lb />DRAWING<lb /><lb />&gt;eCOND PLACE<lb /><lb />EMPTY EXPRESSION<lb />DAKOTA MERRITT<lb />charcoal, tan paper<lb /><lb />45<lb /><lb /></p>
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          <lb />FIRST PEACE<lb /><lb />WILSON NGUYEN<lb /><lb /></p>
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          <lb />SECOND PLACE<lb /><lb />RYAN SHACKLEFORD<lb /><lb />AUSTIN LAMB<lb /><lb /></p>
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          <lb />i<lb /><lb />t<lb /><lb />aya y,<lb />Fr ge, chichen ad<lb />anc | Just ADO WAL<lb /><lb />jambal!<lb />le<lb />RG<lb /><lb />with Andouit<lb /><lb />CAMPING FOOD<lb /><lb />REBEL 57<lb />ElecT Pile ce<lb /><lb />HIKE<lb />KATELYN STEWART<lb /><lb />packaging design<lb /><lb /></p>
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          <lb />SsEeCOND PLAGE<lb /><lb />HAPPY CHEFS<lb />JENNIFER WARD<lb />packaging design<lb /><lb />RAPHIC DESIGN<lb /><lb />hy<lb /><lb />oy<lb />Bon Bey<lb /><lb />neon ine ttt<lb /><lb />Phim PLACE<lb /><lb />ROBIN HOOD<lb />NOTTINGHAM PALE ALE<lb />KATELYN STEWART<lb /><lb />beer packaging<lb /><lb />49<lb /><lb /></p>
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          <lb />NS<lb />Lf)<lb />anal<lb />Lu<lb />a<lb />Lu<lb />~<lb /><lb />FIRS! PLACE<lb /><lb />DALI<lb /><lb />EMILY TRAPANI<lb />pencil and digital<lb /><lb /></p>
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          <lb />SECOND PLACE<lb /><lb />CHINESE NEW YEAR:<lb />DOG AND HORSE<lb />MARIAH MORDECAI<lb /><lb />oil glaze<lb /><lb />ILLUSTRATION<lb /><lb />TmiiaD PLACE<lb /><lb />EVE<lb />ALCRIST MORETA<lb />traditional with digital color<lb /><lb />S|<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />Riel PLACE<lb /><lb />QUILTED BELT BUCKLE<lb /><lb />ALISON BAILEY<lb /><lb />feloric.<lb /><lb />dyed and commercia<lb /><lb />, hand-<lb /><lb />enamel<lb />and thread<lb /><lb />copper,<lb /><lb />pearls,<lb /><lb /></p>
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          <lb />SECOND PLACE<lb /><lb />BEARY BOLO<lb /><lb />SARAH HARVELL<lb />copper, bear fur, bone, leather<lb /><lb />THIRD PLACE<lb /><lb />SUSHI WANDS<lb /><lb />(CHOPSTICKS)<lb /><lb />MARY KLACZA<lb /><lb />copper, sterling silver, shibuichi, shakudo<lb /><lb /></p>
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          <lb />NS<lb />Lf)<lb />al<lb />Lu<lb />a<lb />Lu<lb />8<lb /><lb />FIRe! PLACE<lb /><lb />CHROMA #1<lb /><lb />NAN LOPATA<lb /><lb />cast resin, knitted copper, sterling<lb /><lb /></p>
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        <p>~ECOUND PLACE<lb /><lb />BOUNDARIES<lb />SARAH HOOPER<lb />silver gelatin print with wax,<lb />thread, and paint<lb /><lb />THIRD PLACE<lb /><lb />THE PASSIONATE LIVES OF ANGELS,<lb />LUNATICS, AND WARRIORS<lb /><lb />AMBER D. WATTS<lb /><lb />mixed media on panel<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />FIRS; Peace<lb /><lb />CONVERSATIONAL TABOO<lb />RUTH JAMPOL<lb />acrylic ON wood panel<lb /><lb /></p>
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          <lb />THIRD PLA Ce<lb /><lb />MEESH<lb />EMILY POPE<lb />oil on panel<lb /><lb />hee He<lb /><lb />gs<lb /><lb />SeCOND PEACE<lb /><lb />THE SHORT LIFE OF A DAISY<lb />LUPITA NAVA<lb />acrylic OM OKlISto| OOard<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />4<lb />4<lb /><lb />&amp;<lb /><lb />e<lb /><lb />y<lb />|<lb />q<lb />7<lb />H<lb />i<lb />Fi<lb /><lb />t<lb /><lb />i<lb />4<lb />|<lb /><lb />E<lb /><lb />i<lb /><lb />I<lb /><lb />i<lb /><lb />i £<lb /><lb />i Soe<lb /><lb />i se couse<lb /><lb />FimRel PEACE<lb /><lb />TAYLORTS COMPASS<lb />CAMILLE BUTTRAM<lb /><lb />intaglio relief<lb /><lb /></p>
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          <lb />SECOND PLACE<lb /><lb />CAMILLE BUTTRAM<lb /><lb />intaglio<lb /><lb /><lb /><lb />PRINTMAKING<lb /><lb />{<lb />~ |<lb />| ! |<lb />wok<lb />4<lb />: 4<lb /><lb />*esnierenrarmn at<lb /><lb />THIeb CL AcE<lb /><lb />HOLA-POPPER<lb />JOSH JACKSON<lb />color lithography<lb /><lb /></p>
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          <lb />high relief of painted cast aluminum, walnut frame<lb /><lb />Fimo! PLACE<lb />CHRIS MORGAN<lb /><lb /></p>
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          <lb />&gt;ECOND PLACE<lb /><lb />DIGITAL REVOLUTION<lb />CWHERE ARE WE GOING?)<lb /><lb />JAESUNG LEE<lb />bronze, iron (cast), metal sheet<lb /><lb />THIRD PLACE<lb /><lb />APOCALYPSE<lb /><lb />JAESUNG LEE<lb />cast aluminum<lb /><lb /></p>
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          <lb />Set cd<lb /><lb />eae Tame<lb /><lb />ic ape coronene<lb />{iecasoneesraet<lb /><lb />ee ere raise<lb />peeeats baie conker nent<lb />ae<lb /><lb />woven cotton<lb /><lb />PIRS |] PLACE<lb />RAINSTORM ILLUSION<lb />ALLISON MCKINLEY<lb /><lb />nein<lb /><lb />REBEL 57<lb />hand-dyed<lb /><lb /></p>
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          <lb />THIRD PLACE<lb /><lb />UNDERNEATH THE<lb />FLOORBOARDS<lb />LEIGH BRYANT<lb />screenprinting<lb /><lb />SECOND PEACE<lb /><lb />PORTRAIT OF RADIANCE<lb />TERRI MENKE<lb />fabric/thread<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />FiRS? PLACE<lb /><lb />VOICE OF AMERICA<lb />(GREENVILLE, NC)<lb /><lb />SITE B<lb /><lb />Crrrio]INe ZURCHER<lb /><lb />ival ohotograpoh<lb /><lb />inkjet arch<lb /><lb /></p>
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        <p>|<lb /><lb />| TRADITIONAL PHOTO 65<lb /><lb />SECOND PLACE<lb /><lb />THE HAND THAT FEEDS (#1)<lb />| BRIAN CULBERTSON<lb />cyanotype print<lb /><lb />THIRD PU Ace<lb /><lb />| ENLIGHTENED<lb />: LISA SNEAD<lb /><lb />: Oram fim<lb /><lb /></p>
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          <lb />LU<lb /><lb /></p>
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          <lb />a le lll ll a se i ie se alge UL waa le A am ie a Li th lh i a i a ls Sw ~<lb /><lb />7 lg li AN i le il Al lel ar it AL Pg I Ur dl ST eK lg lh lh ia se te? ett Se o i Ys Sige Aidt tia sao MA te iat Sp Ms es MEADE ap 3 ee. i se AR, Ho ONAL ILE SAM Nt a, EAN a a a<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb /><lb /><lb /><lb /><lb /><lb /><lb />DIGIIAL PHOTO<lb /><lb />UNTITLED<lb />EMILY DIMSDALE<lb />inkjet print<lb /><lb />CERAMICS<lb /><lb />SAKE FOR TWO<lb />GAINES BAILEY<lb />wood-fired stoneware and cut glass<lb /><lb /></p>
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        <p>HONORABLE MENTION<lb /><lb />FILM ART<lb /><lb />THE BEARD<lb />MACKENZIE SMITH<lb /><lb />GRAPHIC DESianh<lb /><lb />ARCTIC MONKEYS<lb />SHOW POSTER<lb />JUSTIN GROEGER<lb /><lb />letteroress poster<lb /><lb /></p>
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          <lb />S<lb />Lf)<lb />saul<lb />Lu<lb />jee<lb />Lu<lb />~<lb /><lb />FLEUSTRAIION<lb /><lb />ART FEMINISTS<lb /><lb />tess OGLESE,Y<lb /><lb />dig<lb /><lb />ital<lb /><lb />Zz<lb />O<lb />W<lb />Lu<lb />i)<lb />me<lb /><lb />ae<lb />Lu<lb />=<lb /><lb />BLOOM<lb /><lb />ALYSSA CRUZ<lb />copper, ena<lb /><lb />] overglaze<lb /><lb />-<lb /><lb />3<lb /><lb />mel<lb /><lb /></p>
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        <p>| HONORABLE MENTION<lb /><lb />PRINTMAKING<lb /><lb />WE CAN NEVER GO BACK<lb />JOSH JACKSON<lb />lithography<lb /><lb /></p>
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          <lb />cz REBEL 57<lb /><lb />JUDGES<lb /><lb />VISUAL ART<lb /><lb />MATTHEW AMANTE<lb />AILEEN DEVLIN<lb /><lb />SARAH WEST<lb /><lb />LITERATURE<lb /><lb />ANONYMOUS<lb /><lb />DANCE<lb /><lb />ALYSON COLWELL VASE<lb /><lb />rilLM<lb /><lb />KEVIN TREADWAY<lb /><lb />MUSIC<lb /><lb />ANONYMOUS<lb /><lb /></p>
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          <lb />CREDITS<lb /><lb />REBEL 57 STAFF<lb /><lb />= Wl ) OK<lb /><lb />ALY Se ROCHEROLLE<lb /><lb />Das ONER S<lb /><lb />MAT PT ROUSE<lb />KRISTEN BITAR<lb /><lb />GENERAL MANAGER<lb /><lb />SUMMER FALGIANO<lb /><lb />FACULTY ADVISOR<lb /><lb />CRAIG MALMROSE<lb /><lb />PHO!|OGRAGEY<lb /><lb />HENRY STINET PHOTOGRAP Tc<lb /><lb />S&gt;IUDENT MEDIA<lb /><lb />JOIN FAK VE Y<lb />TERRENCE DOVE<lb />YVONNE MOve<lb />MARCOS ALICEs<lb />JANET ROLLING<lb /><lb />FILM CREW<lb /><lb />CAMPUS 3) PRODUCTIONS<lb /><lb />COPY EDITORS<lb /><lb />CRAIG MALMIROSE<lb />LisA PROC IOR<lb />LEANING &amp;. oMiim<lb />GUNNAR SWANSON<lb />ANGELA WELLS<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />PRODUCTION NOTES<lb /><lb />PRN |e<lb /><lb />eee BA is PRINTING<lb /><lb />EDITION<lb /><lb />7 OOC BOOKS<lb /><lb />PRESS<lb /><lb />KOMOR!] EITAHRONE S40<lb /><lb />SEOCK<lb /><lb />COVER:<lb />NEW PAGE GUSTO, GLOSs IOOLS<lb /><lb />le |e<lb />MCCOY SAPP, silk eOse<lb /><lb />Ty eCeorArH 1<lb /><lb />GOTHAM<lb />ADOBE CASLON PRO<lb /><lb />®<lb />a MIX<lb /><lb />Paper from<lb />responsible sources<lb />FSC<lb /><lb />www.fsc.org FSC® Ci 01 537<lb /><lb /></p>
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          <lb />CREDITS<lb /><lb />SPECIAL THANKS<lb /><lb />MARCOS ALICES<lb />JOIN DIXON<lb />TERRENCE WO ye<lb />HOLY SARRIOTT<lb />JORN RAR ey<lb />CRAIG MALMROSE<lb />YVONNG MOVE<lb />Liss PROC lOrR<lb />PRANK PULLEY<lb />LisA SEI ROBINSON<lb />JANIE TROLTING<lb />LEANN &amp;. oMiii<lb />HENRY olINiDe<lb />GUNNAR SWANSON<lb />KEVIN TREADWAY<lb />ANGELA WELLS<lb /><lb />THbo DAVIS PRINTING<lb /><lb />Pil | COUNTY ARTS COUNCIE<lb />Al EMERGE<lb /><lb />UNI VERS Cea NING<lb />AND GRAPHICS<lb /><lb />QUR PRORESSORS, --Mitips, Rishi ,<lb />AND ANYONE We MiG WAVE Te | Our<lb /><lb /></p>
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          <lb />REBEL 57<lb /><lb />COPYRIGHT<lb /><lb />Rebel 57 is produced by and for the students of<lb />East Carolina University. Offices are located<lb />within Student Media in the Self-Help Building.<lb />The contents are copyrighted 2014 and 2015 by<lb />Rebel 57. All rights revert to the individual artists<lb />and writers upon publication. Contents may not<lb />be reproduced by any means, nor stored in any<lb />information retrieval system without written<lb />permission of the artist or writer. Printed with<lb /><lb />non-state funds.<lb /><lb />Rebel Magazine is a division of Student Media.<lb /><lb />Please direct questions or comments to rebel@ecu.edu<lb /><lb /></p>
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