All quotation marks retained as data.
All end-of-line hyphens have been removed, and the trailing part of a word has been joined to the preceding line.
All smart quotes have been converted into straight quotes.
[This text is machine generated and may contain errors.]
ssscdenccanpcescinsmictssinealuianamitastaraniis
ay
aE IR en a ty gyn ty
es,
a
>
~3
>
I
ta
1, this issue of the Rebel literary arts magazine, we strive to show the
impact of advertising while documenting the award-winning creativity of
the students at East Carolina University.
The average American is exposed to thousands of ads per day and it is
because of this continual onslaught that their underlying messages affect us.
Rebel 54Ts concept is to show that the advertising industry does more than
simply promote products; it encourages cultural and social stereotypes.
Advertising creates messages, instills values, tells us what to purchase and
targets consumers of all ages on both conscious and subconscious levels.
These messages are infused with concepts of what we should strive
for in terms of relationships, success, sexuality, and lifestyle.
Like it or not, advertisements are everywhere.
cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14 ls I Ia 18 Tg
Tg
18
Ia
16
ils
14
iS
lee
Iba
10
cm
Table of contents
Best in show 6-13
Dance 4-77
Illustration 28"3/
Ceramics 38-47
Painting 48-59
Poetry 60-67
Fiction 68~77
Non-fiction 78-85
Metal design 86-95
Graphic design 96-105
Mixed media 106-115
Digital photography 116-123
Traditional photography 124-13]
Drawing 132~"139
Textile design 140-149
Sculpture 150-161
Printmaking 162-173
Judges 176-177
Staff 178
Special thanks 180
Collage source 181]
Production 182
Copyright
cm dl z 3 4 © 6 at 8 S| 10 Iba lee iS 14 ils I Ia 18 Tg
~
fea
oe
=
issue
=
ae
ees
| Sees
Eee
I
I
ime
Ee
zs
ee
=
ae
aa
=
1
eee
ae
nee
=
ae
ae
ra
BLOT IN SHOW
| Cl !
""
| ==
ry
>" |
Thee
ce |
| om
| |
| ee |
| = |
" |
| me
| " |
| Lod
" |
| oO. |
EI |
aed |
Fe) |
| Cco)
| => |
Lendl
pn ae
som
| : a " & |
am | 7
| "
REBEL*II
ai SPSL SATA TTR HRD IAT aE RATE GOAN DRAFT CIN ATRL MTT TOT TT TROOP TINT i i in Dedicated cei sitseasaion
sii anche m7 siaaeop inne > epee PN LOL DHA iar Soe pe IT ME ARRAS TRI Tm
3
REBEL
1
"
EE
cE
I
|
|
|
1
~~
=
FUT TUTTE TTT TTT TTT TTP] TT TTT
CHOREOGRAPHER: LEAH DAVIS pespies
IST PLACE = PERFORMERS: KATIE-BETH PAYNE
ELLEN SICKENBERGER
BETH GREEN
2ND PLACE
CHRISTEN QUATTLEBAUM
oMARCUS HARDY
PERFORMERS
a,
5
26
=
>"
(om |
C=
>"
a
os
ee
|
oc
"ol
_"
CHOREOGRAPHER
-BETH PAYNE sour
KATIE
CHOREOGRAPHER
SAD PLACE = PERFORMERS: KATIE-BETH PAYNE
NICOLE PITTMAN
ELLEN SICKENBERGER
RYANN VAUGHAN
PERFORMERS
HONORABLE MENTION
CHOREOGRAPHER: AYANN VAUGHAN wauscoue |
me
ELLEN SICKENBERGER conn
CHOREOGRAPHER
HONORABLE MENTION
ELLEN SICKENBERGER
MARCUS HARDY
ERFORMERS:
P
resis _
EPR PAIN ASP INTE TIE TATE TOON TD
H PVT TT| yt HITT | HTT TTT I YH IY TTT | PTV TTT TTT HE
~ ILLUSTRATION
¥ "Tooke. as
| We
IE ty
ASHLEY THOMPSON te woues ano tHe cao © SCRATCHBOARD 1ST PLACE
es ge.
" REBEL:33
}
K-A-LOPE
THE VILLAN AND JAC
LOGAN WAGONER seur-promoriovat sens
WATERCOLOR SERIES " 2ND PLACE
REBEL:35
OIL PAINTING 3RD PLACE
"
=.
ce
Ca)
an
jo
"_
c=
=r
fs
"_
"
Seales
oI
eae
(SD
=>
Lad
cx
"_
=
TT
som Ya
a
ll
La
CC?)
=.
oO
[a am |
i
Cr
"_
Cc
REBEL:37
INK & DIGITAL HONORABLE MENTION
SCRATCHBOARD HONORABLE MENTION
Cc
r
TP
headed
"_
=
Hedland
"
"
ce
"_
it
"_
Cc
""
cS
asnuasall
cS)
oo
"
"
TIMOTHY WEAVER
EDUCATION VS THE STATE
cm
ee ea:
et Eales ace
PEP PE RAS PRE AAA
FT TTT ETT ETE TET TTT
SHRP bts NEL mtr WRF en OE ORR AR Ad
CERAMICS "
IST PLACE
CATHERINE STASEVICH covoen pueasanr prrcuer
43
REBEL
LIZ BROWN "bunoconsuerion "-2ND PLACE
FACE WITH GLASSES AND HAT VS NAME
SAD PLACE
ites angrerseseite
By,
ral
Tg
18
Ia
I
ls
14
Ls:
lee
iil
10
cm
CATHERINE STASEVICH " ancuereisn porn HONORABLE MENTION
ALISON FLEGAL
ABUNDANCE
HONORABLE MENTION
ral
Tg
18
Ia
I
ls
14
Ls:
lee
deal
10
cm
-"
"
+"
I
}+"
jaan
==
i
= EE SSS
te mg? ?
IST PLACE
OMAR ABBAS veces stave overtaxes
SAD PLACE
=
"_.
a3
>"
Ldlaall
iiiiaial
Lila
Lllaall
=
Blind
sa
a
cn
"
=.
"_
ral
Tg
18
Ia
I
ls
14
Ls:
lee
iil
10
cm
HONORABLE MENTION
TARA MOLDOVAN sox
HONORABLE MENTION
| SAY HOLD IT TIGHTER
Fd
a
wa
A
a)
a
==
sted
"_"
tl
"_
"
""
eae
>"
(. om
CO
HONORABLE MENTION
MALLORIE KEELEY tre mrror posoneo THE HUMAN HEART
18
Ia
I
ls
14
Ls:
lee
deal
10
cm
+ Sommaire. ; ~ Me : :
z if
i 4
} fi i
|
i
{
i
} i
\ 3
He
~
i 4
{
} ;
|
:
tt
j
i
}
|
{
i ~
t
t
{
| t
pd
ry \
q
'
i
;
is
PROS Le
ae _ :
.
& cae oe
ee _
ce
oe
ee
ee
SS : _ _ .
: Sauer esa uncer aasu ma
a
oo .
: ee
= . oe
ee Sues ale OnG Se: Sse
Paar aan a aR a ar oa GeoRSS ES
="="ese
se aye ea
= oo
ae oe ee ae 2
a es oe
. " Soe on
Rane Se nance =a se
. a.
:
: ©
aS ae
ee : By
ri Sata ee
Nae eee tere ie © ACEO ~4 x
se eesti re 2 3s aR LOSY Rar
PASE GERRI IONE: ence snee Buea & 2 Emeriss UASceen sea eyisiea cones
soem coe ean cine See peter i Runner eae gaa ecraaue eee ee
ee : ee oo
gees ee
si
: - =
© Bas é ~ sigue ene see oaates Bee
ee ee oe : | coe
oe eee ae : SoS oe S
oe a "
= ee ee oo
swee Rea g Beane ru a a BROS Eeaae ea rae SNe a se eee
_ _ i...
- oF oe : ce : ae ee oo
oe " " ae oe - " : ae . -
as e a ee oo a
Se
: BURRERON
ehaweueeenrai
ee "
"
ee
oe ae cS 8 ee paaene
oo
Se
SoG
eee
5 x : 3 .
pe : S ee ae
Re omaeuiee $ oun : Aubuauaec ata sece Nau er 5 é Senet
ee ee ees ee oe
__ = oe . oo
" e
= oo :
i.
a
: Se
: 4 2="h"mt"iCst'"rrhrrt"e
. oe
2 4 * a eS Se ee ¥ aes SOLS cea res
oS es a es oo oo
oe Weare a Soe Pee See oo
coe es oo eS
oo
Se peue nea nue #
oe
Soe ee
Bae:
oes a ies
_ -
oo
:
aoe
Se
o8 si} aoe
- i.
g Bee a
oo " oe
ee
.
sep Se : oe
eS
_
:
Se
:
a
:
:
Boag ce SESE OS ee Be
She Reine ommnaeenn ea e
a _ -
Soo
:
Peto ee ote PAPO Ge ie eek a o 7S 3
SSeS ; SORE oe : oe RS ana ie
: _ oe es a
ee ae oe :
ee ee "
.
oF ee ee ae
Se Sete OR PO eet ee
oe " =
a
-
pee Ds
aes
pee
Bees Secs
Rian Beas Bi
oo
" :
eee
oe :
=.
ee
oe _
oe oo
Se ees
_
so
ees
is
oe
B
BY
a
2
es
Pee aD
IER a,
Pee x
eee
oo
3
a
Be
oe
es
oe
Howling to the moon
The rain monsoon
This afternoon
Swoon and swell
Their voices tell
Of tales beyond the deep
Of voices from the great deep sleep.
For when sunshine is hidden
Behind clouds of blackish gray,
Our shadows do not follow us
They have left the ground today.
Distracted by the thunder
The shadow slips away,
Deep into the storm drains
In the tunnels where they play.
Falling from the sky
The groaning gasps of rain
Tumble down umbrella skins
Into puddles on the ground.
And the rain continues to fall
As the deep night grows old
Drenching the walls of buildings tall
And oozing out into the cold.
REBEL~63
REBECCA BLANCHETTE ave trroucy © 2ND PLACE
My foot retreats from the pedal
as I float through a small Connecticut town,
quaint and friendly like the breath of a neighbor.
ThereTs a clock tower on a cobblestone sidewalk,
screaming at me to keep going
as it creeps its way towards 2 o'clock.
A big white gazebo is standing in a patch of grass,
taking its authoritarian stance in the center of town
as it watches over everybody.
ItTs competing with the wise walls of the coffee shop,
that listen to the townsfolkTs small talk.
What is it about fresh java,
that makes everybody spill the beans?
The park is littered with the snowfall of burnt leaves,
and a festival brings together all the people
who know each otherTs names.
Pumpkin pie is being sold,
alongside hot roasted peanuts and cider,
in wooden vendor stands.
And the trees are fashioning apples
that people are picking
and placing in burlap sacks.
They'll bring them home to their mothers or wives,
who will slice them up for apple pie,
and serve it warm after supper
with vanilla bean ice cream.
Children are stuffing leaves in old flannel shirts
building scarecrows to put on their front porches,
next to plump pumpkins
with googly eyes and marker-made smiles.
Crunchy cornstalks crinkle in the wind,
where the outskirts of town begin.
ITve only got three hours to go,
just enough time before the dark blanket
swallows the shy sun.
So I push a little harder on the gas
and keep pointing my jalopy north,
towards the city.
cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14 ls I
KATIE THARRINGTON icxtcreune © 3RD PLACE
Mountains and continents
Toy with my confidence
Critical thinking and a critical mass
A mountain of monuments
With no lasting memories
I hear the starlit vespers
With each nightTs suggestive gestures
To the sky.
The birds and bats and nocturne owls
Nesting in the treetops, roosting hoots and growls.
Near the misty mountains we hear the lionTs
Mighty roar and half past the belt of Orion,
In the skies above she climbs.
Leo lights the lovely sky tonight.
REBEL:67
TTTTT]
i HV TT TI | HTTP TT | HTT TTT I | HTTP TT | TT] TTT TTP T TT | HOM TT | eT PEEP RAM ITT
A
a
nit
ait
entesioarser apse,
igarette
Cj
a
®
SURGEON GENERAL'S WARNING
smoke Contains Carbon Monoxide.
Tg 2 (
18
cm
IL}
iy
Its
ilies)
"
_
oo
4
2
14
eS
ilies
JLAL
10
es
. ey "
ees SS
ia a :
efter:
rape
sees
Pape
_
ies
me
eee
_
: a
SS eee ae
He :
ears
.
PSR ELL i
fe Se
a
ee
2 a Seaieet a
cm
Al.
alee)
oIs something wrong??
I see his bare legs swing over the edge of my bed as he sits up. I wonTt let my eyes venture any higher than that.
I should respond.
Instead I fasten my bra, pick up my school sweatshirt from the laundry-strewn floor and pull it over my
head, not bothering to put on a top.
oIs something wrong?? he asks again. I feel him staring at me.
I can't look at him, sitting there in his underwear, watching me tug my jeans higher to cover mine.
oItTs fine. I just need to get a little fresh air. I'll be right back,? I say to the pink hibiscus printed on the bedspread.
He takes a long, steadying breath, then exhales huffy.
oOkay.? He hesitates. oDo you want me to go with you??
oNo, Tl be right back.?
Three minutes later, ITm peeling back the hole in the chain link fence next to my apartment and shimmy-
ing my body through to the other side. I maneuver my way through the dark strip of woods buffering the
playground from my building, crunching over the fallen leaves. ItTs disconcerting at first, the sudden crackle
in the unlit grove, but after three or four steps itTs familiar, reminding me of selecting the best leaves to pulverize
beneath my light-up sneakers. I march the last few steps into the clearing, relishing the deliberate crack.
My pants vibrate.
oIs everything ok? "Kyle?
I put the phone back in my pocket. I should go back.
ItTs brighter on the playground than in the woods. Even though itTs late October, the trees still boast
enough leaves to block out most of the moonlight. There arenTt any trees here, though. I can make out
the silhouettes of all the equipment: the jungle gym, the slide, the monkey bars. All of them are blan-
keted in a blue wash, but not the swings. The sand beneath the swings is subtly luminescent, like snow,
and casts an ethereal light on the eight chains. The glow encourages me forward. I nestle into the seat
and wrap my hands around the thick chains. They feel cold against my skin. Perhaps I should have taken
the time to put on a real shirt. The swing is low to the ground; itTs going to be difficult to get started.
Rather than kick off just yet, I twist the chains around one another, rocking side to side.
I donTt know why I came here. I really had intended to get some air. I guess this still counts. ItTs appropriate,
in a way, that I would come here tonight. My first romantic experience was on a playground, after all.
Well, oromantic? probably isnTt the most accurate word for it. 1 made my friend tell the boy I had a crush
on that I liked him. Then I took off running.
Still, thatTs a lot more romantic than this. ITm certainly not going to scrawl oI love Kyle? on my
notebook or oMrs. Kyle"?
Do I laugh or cry? I do neither and allow the chains to run parallel again. Do I really not know his last name?
I pull out my phone and scroll to his name on the contacts list. Simply Kyle.
I have to know it.
Did Jessie say it when she introduced us Friday night? I didnTt know anybody at that party.
It was all people from her high school and her boyfriendTs friends, so there were a lot of names to remember
and everybody was so loud. No, she didnTt. ThatTs right, Kyle introduced himself. Did he say it?
No, he just said that he thought we had a biology lecture together last semester. I told him I thought I
recognized him. ITve never taken a biology lecture. It was nice to have someone to talk to, though.
We talked for three hours on the porch! How could he not have said it? It was much quieter out there,
REBEL:73
so I would have heard it if he had. A lot of the people at the party were underage, so the porch was generally
avoided to prevent the debauchery from being too obvious.
He didnTt say it on the way to the diner either. All P'd said was that ITd heard they had great sundaes, but
felt silly going without a date. Then we were in his car. He used his credit card to pay for the dessert.
I should have checked it then instead of worrying whether or not my hair was messed up.
He did compliment it, though.
My pants vibrate.
oAre you coming back? "Kyle?
Ltext back. oJust a minute.?
I meet a boy. We have one date. We get naked together.
I push off from the ground, tucking my legs tightly under me to keep my feet from dragging.
Each pump repeats the statements. Legs out.
I meet a boy.
Legs back.
We have one date.
Legs out.
We get naked.
Legs back.
I meet a boy.
Legs out.
One date.
Legs back.
Naked.
Legs out.
Naked. Naked. Naked.
I thrust harder, forcing myself higher into the air. I try to kick the thought away with my feet, leave it
on the ground, but I canTt escape it. Each squeak of the chains screams it at me. Naked. Naked. Naked.
I'd never been naked with a boy before tonight. ITve been without clothes, but never naked.
Until now, I never understood the difference between naked and nude. ITve been nude with boyfriends. I
felt vulnerable, sure, but thereTs a trust involved in being nude, a comfort level. I was in love with the boys
ITd been with before. It was never rushed or purely physical. It actually meant something.
I meant something.
I donTt mean something to Kyle-With-No-Last-Name. Not something important, anyway. I was naked.
I was exposed. We weren't going to make love; we were going to have sex. Some people think thatTs corny,
but it makes a difference to me. But thatTs not why I left. I left because I wanted to do it.
I want to do it.
I used to swear that I would stay a virgin until I was married. When I was seventeen, I fell in love and
made an exception, and it goes on from there until ITm in college sitting on an elementary school swing
without a shirt while a man I donTt know waits for me in my bed.
My pants vibrate.
I drag my feet, bringing the swing to a stop. I pull out my phone.
oChecked outside. You're not there. I can take a hint. ITm leaving. "Kyle?
I read the text again, digging a trench with my toes in the sand ahead of me.
I drag my foot back and forth as I weigh my options.
I get off the swing and type as I walk back to the woods.
oSorry. DonTt leave yet. On my way.?
cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14 ls I Ia 18 Tg
ral
SARAH JAKUBOWSKI oiscrunren 2ND PLACE
oCan I have a Bt, double-meat, on whole wheat?? Maria looked at the customer. oWhy? Do you really
think the wheat will make it healthy??
Shit. SheTd been saying things like that more frequently, lately. Just yesterday, her idiot boss had a
otalk? with her. Told her to stop being a smart-ass to the nice customers, only he didnTt phrase it that way.
Then he had smiled at her and patted her on the back, just like they were pals.
She didnTt care. She didnTt like this job. She was better than this job. But she needed this job to pay
rent, so she had to be a good girl and keep her mouth shut. Greet the customers and smile, smile, smile.
As she made the BLT, she idly contemplated murdering her boss. Hide the body in the big walk-in freezer.
Would whoever found it be able to know it was she who did it? Maria knew that to date bodies, they
checked potassium levels in their eyes. Potassium, K, atomic number 19. After death, potassium in eye
mucus decreases at a steady rate.
She didnTt know if freezing would slow that process or make it harder for the investigators to figure
out the time of death. Maybe if sheTd passed Chem1000, sheTd know by now. Of course, if sheTd passed
Chem1000, she wouldn't be back in her home town, making sandwiches for $7.25 an hour.
Maria didn't drop out of school because she was an idiot. Far from it. She just hated stupid, required classes.
And she was able to do well on exams without attending class, so she was often absent. The only problem
with prerequisite classes was that, unless attendance was required, nobody would show up, which is why
they made it so if you missed a certain number of days, your grade would drop, eventually to an F.
She did that her first semester, failing general chemistry. Fuck general chemistry. She wanted biochem.,
she wanted physical chem., she wanted organic chem. She didnTt need tests on the periodic table.
SheTd memorized the periodic table in middle school, had a poster of it on her wall, recited it silently
at work if she needed an internal distraction from external hell. Screw waking up at eight to go to class
and study it. General chemistry was the first class she failed. Next semester she failed it again, after she
overslept on exam day. The semester after that, she dropped out of school and slunk back home, like a
dog who'd tried to run away but couldn't hack it in the real world. Sorry, Mom. Sorry, Dad.
Her mother enrolled her in community college. oMaybe you just werenTt ready for real college,?
she said in an attempt to reassure. But of course community college Chem1000 was even worse than
oreal? college Chem1000. So she dropped out of community college, too.
Her parents didnTt kick her out like some parents do with their unemployed, dropout kids.
In fact, her mother had the habit of reminding her, oNo matter what you do, we'll always love you and
you Il always have a place to call home.? Sometimes, sheTd say this more than once a day.
There was only so much of that that Maria could take. So she moved out, to a tiny hotelroom of an apartment.
The carpet was worn. The faucets constantly dripped. Other than the bed sheTd brought over from her
parentTs house, she had no furniture. With no job yet, and no money left over after the security deposit, her
refrigerator was barren. After a week, the novelty of having her own place wore off and she started to hate it.
Thus began the frantic job search, the countless applications. It was the wrong time of year to apply for a
job. Everywhere she went, it was the same: oWe're not hiring now, but you can fill out an application.?
Well, fuck that. It wasnTt like she could say to her landlady, oWell, I donTt have rent now, but hereTs
a voided check.?
REBEL:79
Tg
ral
cm
EEL DRSE ELSES ELIF LPT TGS LPI TAT AE PREETI: zr 7 A
4
Finally, finally, finally she got hired at a place named Sandwich USA, a privately owned, incompetently
run Subway knockoff. Then came the training, her boss condescendingly walking her through the simplest
tasks: oAnd hereTs how to chop an onion...?
That was the first day. Chopping onions until her eyes watered. Then it was overripe tomatoes until her
hands and the work area were soaked in tomato juice. Every now and then, her new boss would peer over
her shoulder. oGood work!? heTd say, encouragingly. Maria gritted her teeth and thought, oHydrogen,
H, atomic number one. Helium, He, atomic number two. Lithium, Li, atomic number three....? Until it
was time to go home. She wanted to be a famous scientist who helped solve crimes, but instead she was
chopping vegetables and learning the aBcTs of customer service. But at least the job gave her financial
stability, which meant a lot to her. She still couldnTt afford furniture and her fridge always seemed woefully,
depressingly empty, but she could pay rent. She could pay rent.
A year passed, and then another. Not much changed. She'd acquired a couple of chairs, learned to save
her tip money to buy groceries. She didnTt have much, but did the best she could with what she did have,
and she managed. Physically, anyway. Emotionally, she was a wreck.
oItTs not supposed to be like this,? she would think before going to sleep. oITm a scientist. I shouldnTt be
stuck here, making overpriced sandwiches, prostituting myself out to rude customers for tip money.?
She would bite her lip and turn her face into the pillow, trying not to cry. She would think, oBeryllium,
Be, atomic number four. Boron, B, atomic number five.?
All things considered, it was no wonder she slipped up now and then and was honest with the customers.
She wrapped the Bit in wax paper and gave it to the health-conscious customer. Maria smiled and said,
oHave a nice day.? The customer didnTt tip.
When she went home that day, Maria was tired and in a bad mood. She unlocked her apartment and
looked around. oJesus,? she thought. oHow is it possible for a place with so little things to get so messy??
It was mostly the kitchen. The few dishes she did own were dirty. They filled the small sink and crowded
the counter. Accidental science experiments of mold grew near her real science experiment of ammonium
nitrate and lye.
Whenever she was going through a rough time, she liked to make potassium nitrate. Potassium nitrate, KNO3.
A fun, cheap, homemade thing to set on fire. She didnTt have a TV, so she had to keep herself entertained
somehow, and setting things on fire was as good a way as any.
She decided that science had priority over dirty dishes, so she got started on the potassium nitrate.
A couple of days ago, she'd stolen a cold pack from the first aid kit at work because of its ammonium
nitrate contents. SheTd dissolved it in hot water. Mixed it with lye that had also been dissolved in water.
For the past two days, she'd been waiting for the water to evaporate. Her apartment wasn't well-ventilated,
so sheTd been constantly light-headed. Even with the oven fan turned on high, she'd had to wave away
ammonia fumes every time she wanted something from the kitchen. But now the mixture was dry and
all she had to do was add a little sugar and drop a match. Burn, baby, burn.
18
Tg
ral
Some part of her considered scattering the mixture across her apartment. Really rub it into the grain of
the carpet, then set the whole fucking place on fire. A purplish pink flame of bad memories and lost hopes.
But no, she lit it on an oven sheet, with a bowl of water next to her just in case something weird happened
and she needed to put out the flame.
Today, not even pyrotechnics could brighten her mood. Quite the contrary. She watched the brief
outburst of flame, and then started crying. Everything was wrong with her world. She wanted to be solving
crimes, she wanted to be saving the world. Instead, she was in a kitchen full of dirty dishes, setting
things on fire. She didnTt even know what potassium nitrate was really for. Surely it had a use, but all
she'd ever do with it was set it on fire. Pretty. But useless. Not saving anyone.
oFuck that,? she scolded herself out loud. oFuck that self-pity shit.? She balanced the oven tray on top
of the rest of the dishes, and went to take a shower. She was still in her red, white, and blue Sandwich
USA work shirt. The stench from work clung to her. No lie, thereTs no place dirtier than a restaurant.
She stood under the hot water, washing off her tears, washing off the work day, trying to wash off the past
three years of her life. She stayed in the shower until the hot water ran out (which, granted, wasnTt very long).
Dried herself off, then stood naked in front of the mirror, examining her reflection.
First the typical girl worries. She sucked in her stomach. Observed the thin sliver of fat that was starting
to form under her chin. She really needed to stop stealing cookies from work, it was starting to show.
After the usual ceremony of criticizing her body, she looked closer. Gave her reflection a wary smile.
Who are you? She leaned closer towards the mirror, just looking at her face now, just looking at her eyes.
They were wide and wondering and scared. Who are you:
She blinked and swallowed. Carbon, C, atomic number six. Nitrogen, N, atomic number seven.
Oxygen, O, atomic number eight.
REBEL:77
as
L.
iid os
=
jaa
=
ae
"
aes
jcc
=
>
=
==
=
oer
seg logg Oe:
fd 5 AaB
Ta i
So hi ATOR PIO
NB AREA TRE
= Re
Ypnedincen pee ape,
ieee cttetinsceaptenin st
eee RET TREE RETO NET TORT RET OTE
I have spooned with a skeleton. We both stayed very, very still. Lying like that " curled in the same position,
facing the same direction, sharing the same pillow " we were not so different. I was taller, but the
proportions were the same. Same number of ribs. It was held together with wire and masking tape and I
was held together with muscle and flesh, but we were there for the same reason " to be drawn.
Nudity isnTt something thatTs thought of on an everyday basis, even in this enlightened age.
ItTs possible that I was the first entirely naked person some of the students have ever seen " or at least
the first they've thought of in an artistic or anatomical sense. Same with the skeleton " bones just arenTt
thought about very often. All of us are somewhat aware of our inner structure. Maybe we've stood in a
graveyard and wondered about what lies underneath. Certainly we've all heard scary stories about
skeletons coming to life. But when was the last time you thought about your own skeleton, as much a
part of you as your name is?
To me, bones aren't horrifying or morbid any more than nudity is perverse or indecent. All the same,
sharing a dressing room with a to-scale model skeleton is unnerving. Undressing in a front of a skeleton
is different from undressing alone or disrobing in front of a group of people. ItTs sort of like when you
change clothes at home and your cat walks in " itTs awkward, but you're not entirely sure why.
Sometimes, I'd dress the skeleton. ITd pull my shirt over its skull or slip its long feet into my shoes.
Once, I put my bra on it. Unfortunately that day, the day I put my bra on it, was the first day the teacher
actually used the skeleton for a demonstration. He went to the closet to get it and I followed. After a long
moment, while he no doubt was trying to figure out the protocol of unclasping a studentTs bra, even if the
bra is not currently on the student, he said, oWell. It is a girl.? Which is how I learned the skeletonTs gender.
Later I learned that a previous class had named it Gertrude.
The reason Gertrude and I posed together was usually anatomical. We'd be set up in the same position so
the artists could compare what someone looks like on the outside versus what they look like on the inside.
In these poses, I was very aware of the engineering of my body. I knew that my knee operated by hinge
joint, my shoulders rotated by ball-and-socket joint. I knew that I had 12 ribs, the bottom two
ofloating? " as in not connected to my sternum. I knew that if I were to move my arm " which I
wouldnTt, of course " the parallel ulna and radius bones would move separately from one another.
I knew myself as a structure, as a machine.
Other times, the skeleton was used as a prop. Not as a replica of me, but something distinct.
I was the live subject, it was the still life.
On one of these poses, I was perched on a set of stairs, and the skeleton lay in a crumpled heap below me.
I was looking vaguely downward. It was a three-hour pose. I stared at a speck of charcoal on the floor
in front of Gertrude. ITd estimated that I was about an hour into the pose and was counting down the
remaining time. I would count to ten six times, then think, othatTs a minute.? ITd do this 60 times, then
would think, othatTs an hour.? Then Id do it all again. ITd wonder if it was possible to actually die of
boredom, for a brain to simply shut down out of lack of use. My vision blurred, my head started to droop.
My eyes met GertrudeTs eye sockets and we shared a silent, still moment of understanding before I
lifted my head again.
REBEL:83
Tg
va
ciate Min sl aiannansuetens
: oe
rc roc}
ae eure : ee _
i 2
oe ae a c
oe ee eS : : se
rs Renamer i ge:
re
eh
S
Soe
=
SS
: " =
RRS
BS
.
eRe: 9 y Se ae eS ~ Z ee is
ee - ee : ee : a : .
| " : = a S oe aS oo oS
" : ee oe : e Le oo 2 Po
ee - : e : oe = ee Oe
_ : i. =_"_"s6
Bo oe ee : Se
~8 eee eae oe a RSS RIS ee % A =
oo oe " oe
PSO SC. i 5 puso wenn
: a
:
Pa
re
oie
ra oi, ee
oi
_
a
ee
°
Ree :
. .
" Pe a ee ee oe
Se uy yan ee ae OES aS : :
. . oo | oo
" Se oo : es eee oe = a ie
a . : Sens : . ee a ee ". oo e ee ea : a oe oe Ces : a oes eee
" ce eS See Ce : : : Se : Se : : : eee
ee " oe oe ee " . oo ee
SOS : ee ee Eee ee : " ee e ee Se : :
ee : SS Bo es : x Peo ae = pees Pe arto BOG eee eRe ae ta A ES ease : :
soe: Se % gs case : g a : oe SEWER SS nano OT Tie RR RA : es eRe Rea
oo ee : eS : ee Se ee : Cee =
oo ae : a oh " 8 S
te he Gey. Y SS aes: oe oy oie BG 3 SAGA OSGI ENO POC REG: 50 iSte o =:
: | " " i. "
3 Bean Ree estos ee oe
ees a Sot
sie
ey
-
a
ii
_
i
is
Ree
Se
oa: >
7,
Hest
a
=
e:
8 z %
Genre es
é os 3
Aeaebe ie
pee
oh
S
oe
7
is
inns
Cees
sue
a
_
eee
#
asics
es
ie
7
oe
pee
e
a
nee
ee
se es x
ee
Bee
Gar
oe
a
saat
Bes
eet,
Bs
i
:
rae oe :
oS
a)
Su eee
RR Ra ihe
| Se
cee
: ns oe
oe
eae oS
es
Bees:
nee
e
Se
re a
ees
S
a a
ASS
3 aS
she
Seek
a
ee
ia
is
elas:
i
et
no
He
oe
ae
oe
-
nee
os
es
a
ie
esa
os
oe
se
5
ae
ae
& Se : SE ee Bas " ee eee
c i. B= CC
Se " Se ee oe ae
| - . -
5 ae ee 3 3 Beak oe ~ : a
ie us
ee
PSR PERE RRS I
Pees Seay See ae =
Se nesses: ee apaeenee :
Bes eRe R eT aa S
Bae
anes
35
Deans
Bh i
Boe ipae
s i
res
. BRAS aS
. i. :
. =.
sae eet : nee eve arannaot ae 2) a
Se RS Ross ee 5 oes a
=
i
ee
-
Bs
ee
Bis
8
; -
:
esas
ee
Bs
Bes
ee
i
oe
Ries
e
h
eens
ey
ae
ite
ae
fis
Ls
FES Re Se
- ee Soe oe ae
- _ eS oe oo oo oe oo =
aoe Ree 3 ao : Senay ee roe oae Ree
oo : " . -
RO Sa & S: SOOT ARI LOS, SS Sa x
: e : one : S ae oo _ Sean
ioe 5 oe
s e ~ :
Ba Se iS
oe ee
S oe oS
:
aoe
Seeiche
:
a
:
-
:
:
io
:
Be
yey
-
:
" ee Se . Se : : a
x SS & 3 : Ba : RG ok ;
Se : : oe : Se oe :
x Ss : : : : See SS Sees Se x Re ¢ Se ee
"" " se oe _. . |
eS ESS : Se a oo : " coe oe ORAS oo : |
oo : : : : ee " - . So ooo _ " :
: : ES ARES cS " SSC Ee eeRRSERE # oe ee oe Pease an SS
eas RES oe S ee PO Re ee ee
. || .
" " "
oe oe _ :
-
.
ee ee
EUROS UO ED
Pees
Re
ai
& ee
i
ae
re
ee
z
ue
e
ie
ee
Bee
es
.
oes
Bee =
ee
ee
Zi
ee
BETIS
a
oe
Las
BeBe
ee
rs
oe
fees
eB
_
aati
os
ee
Baie
Ri
ie arse:
e
ae 5
Ge
heels
a
oe
Pee
oe
e
Sass
Far ee
Rees
Soh ia tn
Hee
fed
oe
a
oe
3
_
ey
Z
oe
ey
oe
fie
SRY Re
z Z
oe
ibe
ee
gy
ee
:
5
i
:
oy
_
ea je oi
takes
-
eo
es
e
ae
oo
"
.
ASS RAN
= ss
a.
: "
SUR
ae
BRS
1
Bigeye
;
:
.
:
-
2
:
-
oe
-
i
Q
i
ee
3
Bi
(ee
ie
re
a
oe Se
oe " . oe
: Pe oe
i. =
eres ER SOE et ees
|.
oo Re a ne eee ome Oe
Ss Pe oe
: "
ee ees
Pea e uae ER
oo " SS, pe Saree
PO ee
Ee es ae SS Re
Seat cree Ce Sy
sa i See oe oes
o
e
Le
ee
ee
ise
nee
ais
figs
Be
is
we
ras
ies
fi
oe
as
He
ee
-
es
es
ie
ch
race
ees
ieee
ee
ae
ie
Hees
oo
BS. ic si oy
SOR: UR Peer es
. =.
se =.
Se : Se ee eae
" oo | .
. a .
" ee. =§
oo oe " oe
- . - - ae oe . = _ Se
So:
ae
oe
oe
:
te
o
zs
SeRg
ioe
ies
Ee
rare
ee
ss
Bees
-
Ss
a
eg
re
_
es
i
zh
2S
Bs
ie
es
.
boss
a
ae
pas
&
fi
S,
-
ese
g fs
_
a
iB
ey
&
x
i
3
jk
pst
eS
ees
@
ie
8
ze
C
oes
ies
folie
or
she
Be
Senos
Lee
Des
se
ee
B45
Be
2
ee
ae
Le
:
Pe
erie
ee
e
ey
Bes
a
x
_
rae
ee
ee
oa
Lae,
Le
i
ae
ne
2
vi
ee
se
oe
eo
_
-
5
aeons
ee
:
a
bs ie i s
ee ieee
LoS a
ie
Ps
a
x
x
oe
Re
Ene
&
ae
ee
ee
ae
oe
=e
ty
oe
aes 28
ae
2
ee 5
:
:
|
.
hed
ee o
2
oe
ee
es
He
rae
%
2
ee
es
ae
ae
es
ee
gre
fe
1
a
&
Q
She
556
a
2
BEA
os
ee
2
i
ee
a
i
i
nO
SERS Seeks: Se
ee: " RNC a NUN ERT SOE
SE SE OCS oo
|
i. §=
. } |
SURE RIO
SRS ae
.
S
ee
Ses ei
RAR 5
. "
o Appt
:
Sites
-
:
i
Be
Be
is
ee
Se
-
fils
Ras
es
ge
%
S
2
Z
roa
S
ae
Ren
.
Se
Beta
:
73
esis
ies
ee
ae
i
eee
ee
3
-
Ry
ce
ea
a
Mage
ea
ree
rat
*
sae
eeu,
sey
oe
ee
a
Bey
iu
oe
ee
Bee
=
vs
i
ee
ea
ee
2
ue
Soe. z Fe
. SNES a ay uy SUES
See E RS Soseees Sa RRA eM Raa GeO vases anen Sioa
ae oo Se "
EARS $ & Rea Reese es eae Ee OS SRE RSENS eases
Se ee rrr
"
: : at Re oe Ree ouRR ea . oo Rs oe ae
_ " .
SS PRN eS Sa ene eGo
oe "
" ""es""see
Se " Re eC
===.
oe oo : . :
RUA RS x
_
ae ee ae
Suan OSes 3 BER
ae ae RA : i Ba Bees § : oe =
Soe Co
os,
eee
a
&
So
Hays
es
Bh
-
Era
es
ie
:
ee
/
ere
Bie
ae
ica
ee
ie
bie
i
Boe
ie
a
ie
ss
o
e
_
a
ehh
eo
ee
i
Ee
REE ne res
BES
Bi
ee
.
ie
Be
os:
yy
is
#3
ye
Be
@
i
hes
ms
ey
oe
ne
te
es
ae
eh
a
ie
oy
Ba
%y
i
e
oe
ie
whe
is
a
w
By
Be
os
ae
ae
-
Coes
es
ea
ae
ae:
3
3
BoE
es
ee
es
:
7
e
oes
2
se
eas
s
ees
Bas
ee
ae
ae awae
i
:
3
z
Hes i
ee
i
-
ee
tees
ee:
SED: 9
elpe rs
eee
oe
eee
oe
Bes
ie
os
Bis
a
fs
a
ie
ORES
es ee ee s
ec ERO
~ Bae USA RRC Spas MRT aS eae ORRE ee
_ "
a
Bi
Zs
é
Sg
iy
i
ee
pie
rei
a
wees
ecleson
Be
a4
So
RSS,
oo
RAS
ee
a
ae
oo
abe e
es
Le
Bee
cee
Boe
Tees
fe
: Seat acaete sence ed:
ee
ce
ee:
ioe,
ia,
be
a
ae ath
ee
i z
fe
Ss
"
- .
.
Se . :
So
_. . -
Bees Se
a So
"
igs
oe
oe
oie
ae
Ce)
a
Sees
OR
SSSR SS es
oo
oS _ _ e
ees
ee
faa
Bebe
i
es
: &
: ES SERS eS :
ee " _ . - :
aes Ce a Sees " Ce %
oo ee oe es
So _ Soa
_
Ghers
2
ie
:
pope
SoG hee
a
_
_
ee
ig ins
ee
SS
eet
.
es
ee
Bi
We
Gi
ie,
os
a
ii
fy
a
fies
eae ee Z
Bey Eber
sae
te
Beer
bigs
ee
i
3
ete
oe
ae
eo
p
oe
ae
e
2
ae
if
za PRS eS
oe Sepia soc eosaunnes meres
Be :
oe =
ee as COs
eee NSH cette CMa eae CRS Ne SRS sea =
Le = ee
PO ie
ri oo
oo " oe : es
ee ee
Ee
ere a eee eaneeee Be SRa oop RO Se EAN EN ASS Sosa SS Se SOE: Sena ores ena Bey eS
Se Se See ee See
SO RUE eae Soe ee cee Be eer ee ee ae
Coe ee
" # . .}.§} }§}§3§§.
- " " . " ee
scene RRs zy =: SRA SUREPOS ORR RO ene ener epee
Ce : ee - :
. "
-. =O
Seanad eon eS aets Sees Pan Gente un ceaan aac rue
ee ee See
= .
: ee ae oe ote et
oe ee oe ee
.. . .} § }8488§§?,?©"6"_"_"ol oo oe
:
Seco ey PRS B SEERA RE 2 SS & is S. S aS
a one Sees ee SaeteRs ee SOR CR ROO ES oss anaes ee : Bae
ee ee cee ee e : ee Re
oo . " ee a
SERCO ne 5 ESO PSS ne oeees x peee sarees ea, een
| a =
3 &% sas Dhewoimmonoerr Gah o DROS tS A ioe 35 oes 5 g oe See
Be
ae : oe = oe eS ee ee : Seo = ee
= SR reason ons, ey Reena RITE RR Reena
_
Bins aenae MCR Se Asana: es SES ae Set
: ee oe Es
ee?
:
Be
i
a
Pa:
APS
A
uh a
Le
Be bag
y
ee 2
_
ee
es
g
Lig.
Bees
ee
Base,
es
PRCT
sibs
i
ee
rae
by
oe
peas
aS
Re
oe
ae
Q
i
a
ae
ee
Be
ee
-
E
ies:
nee
a
Per ags
i
i
re
a
oh
is
ae
ee,
Bey
e
8
aes
as
Be
es
2
:
ve
be
oh
ee
a
Ee
/
Ses ey - oe " ee eS oe
See ae BGR RI Lease anaes ne ~ BS ROO REA ea Bees tea bac wena e
. _ is oo . oe oe :
CO " oo :
es Ss es es SS oe : Es Ree eas
- ee " eS oe Co
es : ee ee | oe
:
BRS ee
Rea ee tee ae SSeS: :
os Ree eee Seen ae és g :
oe ee a es - oo :
2 : ae : : & : anges iihnatici aaa tss ase: %
: Reece BeREb Rane eR RCC eR Behe .
_ : : " So oo.
Soe é
&
ress
a
ce
Be
ee
Se
-
seahas
oe
eed
Leics
oe
Zoe
ie
zs
eh
.
oeh
o
M5
oh
ee
Bes
Ee
is
ie
fe
hes
oe
eae nie aeas
.
ee
.
laa nares
oe
oe
Bee
Bee
oo
Lan
Ber
e
fate
a
a
:
es
SORES
e
Sh
2
oo
hoe i
te
ae
eas
ic:
Peeters
-
re
=
a
eh
ms
ie
S:
ETS
_
2
ie
ie
Ge
es
i
-
_
oh
fa
Lee
ihe
ae
Ee
ee
oo
ee
~af
ee
08s
ia
ee
f
ee
i
i
as
aS
oe
Be
a
ee
a8
ae
&
oy
a
és
if
a
if
is
oe
a
He
ae
:
ae ee
oes
eb
if
7
eget
i ee
fe
H
Biss
Se
ig
By
ee
eat
SUES
ae
:
:
om
ae
ie
se
Be
e
Be
Biers
ees
ie
i
es
is
bite
ee
rips
siete
wee
ee
es
ae
ais
as
oe
eis
Bea
S: Sa
a
Be
|
:
me
ioe
2
Pe,
oe
es
:
ioe
ee
see
e
Bes
oe
i
nee
2
:
:
enone:
|
"
B
seisies
2
bo
z ies
Lee
oye
. -
ee
bie
ee
cee
Se
ee eee
. :
a
oo
"
eg
:
=
ok
SUR
$e:
os
Gah
bi
es
ere:
St
ae
ta
a
o
Bane
Baty
ee
ce
ce
ee
oe
Sees age
joka santo
Ging
ee
Tig
e
@
eee
ie
a
oe
ee
&
/
ae v.
ee
Ess
ce
a
ee
ae
:
Be
ee
ae
ee
Ba oo Seay
So a
Pasare Sane ONS
ee
oe
Ae eae
se
ie
a
-
es
Be
as
Le
Hes
ae
ae
ee
i
Ba
a
e
fa
j
i
ee
|
es,
ie
Pe
Q
2
2
ne
Be
Be
a
es
ee
os
ae
op
_
ee
ree
ane
oh
is
Hy
ia
es
g
ae
ee
ee
ee
~
eS
BED ch as
ee
ve
a
es a8
neat,
we
Pe
ae
ie
se
ey
ae
oe
Bier
aes
i 6
rege
ae
Bae
Se
i
oe
G ee
Le
ee
a
ie
a
ce
Q
-
ie
e Ses
oe oe
|. " oo _ "
a RRR & oe REGAL ERE RR RI,
_- :
oe aes SORE ARISES
a _
6
See
eee,
Be
7
Li
: :
:
SOS : eo ae OS
33 ES Ree 5 nee ee oe 3 . e : = ae .
: ce ce oe = =o :
See a : SEG = SRR ; oe Ree eae me
Se ~ ae oe SUS Se: ea : Be ee ea S Co ae ee x :
ss ieee... 44. ="rt"o"O?"?"OC"S"SCC"C" Thr . =.
_ " oo . : . . : _ oo | " oe a oo. . .
oo i i sts"o~o~o~~~~o(~((~oi~(~i~oCS i= " " "
SR ce : Se OS oe ee a ee ROR ee eae Coe eG aR Rk eee ene
" o cS " =| " oe _ So oF . a oF
" " - " " . . . oe
SPSS Rata eenece uses eu % S: ROSES Cuno Sao = Thies s RESO S SU OORT TO LO oy as SEER: PRR IRC r ey Dy DOSE TS SLO aes ao. AIS SOLS BROS RED ae
SRS SS : : 3 x rs 23 REUSE: son SER Be ene 3 es eS EEGs Bs Re ee " Sara Shes Re Pe BS eae
a : [oe " . ~ a PRO Coe Re eRe
y Se = % See See NES 3 ae eS * x : oes eRe SERS : Rue RE 5 RY Re SPIGA a mee
Se ae ee ee ee oe Oe
eS SE 2 a SPEER ae RUE ene ORY ROR ee Re Secu : 2 8 BEERS Dee ace %
S " a . . oe : oe Co oo ees ee S ee ee
: . " "" ss ee 8 . " ee Pee _
. o i RESEND N MER es Sue z 8: eS R SOSA SARS OR aR ORR Bae z ean SSenaoa eS ASS i E
S aS Se ECR RS " Re : e 3 Peay iS COR RO Oe oe Re
Bay SPATS USOT SER xe ary 3 aS es = Ss sane, RS =: S % y
oo " " . . " oo = " " . . _
sf eee : a Sas ee : a ae Se : EO oo Pee EN eR aS
"rt"oi~_O._CLrCOOCOCCiCiCiizsrsC;szisiziisCUisC~iC(SCN. " a =
:
: =
Se
2 oe es ace =
ane " " ae oe oe :
a . .
es g g oe: oe
ORE Ta GORY is 3
Soe aes ~ ae Sete
. a ee oe
ae 5:
ce
. " oo : :
oe ee . Roe ae : ce
sss . " - oo " "
co " 2 oo ee oe cS a
/ . _ 8 -| "
: : :
~S See ee = 8 Sa
au ae oe oe ee ee ee as 9
oe es Ss : ee : . - 8 we so = See PR eee oe z : :
a ae a
eee
ee
oe
a
ee
ROR
: :
ce oe : :
oes ne Nese ene as GekeS a een: ace
a oo "
" " = oF
es Se ee : :
saat i: ee
eS a 8
Se
eS
SSNS
Sens: ee
SoS Socata
eee : Sees
. .
ors
oe
es
eB
ee
ties
S Roa oe 2
a3 SONS SE aes aes 2 ok
Re mi Sian sie Sen Seca SMe AGS eee 5 : Seana
oo " So oS
REE ee ee : Ease) oe Skee
oe a . } } ©§ . "
Sate ees Nas: SEUSS DIESE ORES READE ORS RS CARERS UE SE S x Ms Coe
SRR Seren ue ea Cae e
"="ri""sSsSsSsSsS?"?T
: SES
ea
i
iy
ee
Oe;
pe
Meter
_
a
a
a
" See Sk
Se RON SER eT ORS eee Bhat Sona Es ROAR eteRsaS SARE SUS ees 3
eee @é?,?@é@i@i@@@.@@.@.@.. eee i... £4.
: Raa eae me 5 % Sere RE Bare DARN ANAT RTO SSR RES REUSE SOSA CRS CTS PRR RO RONSON S: SOR SOO S) 58 AERIS SN
a Css eee ...606..?,?6§?,?©6fs 8. .?,?£=.
RRS ee : : : Sees SS Cae Se ac Re " oe SR SSR SECA RSC es
SR SOR : ae ae Se _ a SONS OEE SERS AU RUSS SEEN
ee oe a . . = . oo " . - oe :
: oo a
ies
fi
Ss
Ry . S
ae
See
eS
a
2
ie
a
-
a i
is
a
ts
ioe
Be
s :
oS CEES eee
Se: : Behe i
= auoontS Tees ee ee
oe
Gane
i:
Bere
ae
fs
=
Sat
Raat
ie
ae
ke ea aaek es ee, : ; : oe
a . oe
Bae é eee ; SO : S x Cee
Rae
-
seit
ea
rae
:
ae
a
ee
_
a
oo
Bp
eee
Bie
a
gee
Resets)
.
Be
:
£95
:
is
ie
ee
i
ae
Be
Ae
Pos
ei
zs
7p
Bas
a
ee
Re
oe
eS
Fes
ee
Be
a
i
ye
5
ee
Rr
S
: . ERS
BSS Seay
.
a _ RE
Uae RRO RRA Sates Seas
-
.
oo
SERA
_
:
eee
ee
i
rates
ae
Z
face
rie
S86
3,
ey
ois
:
ie
is
7
(eee
Bos
ae
a
i
ee
Be
ee
Be
wees
S
ne
ers
os
mee
Es
ie
ee
s
Biohcepaar
So
ae
_
TE
Sib
ee
:
bes
Kea:
es
ee
te
YE
-
o - _ . oe
s Ree s 6 Se Rs on. esac RNR NR Ia: Bes ~ SES ee
& oS - eS : _ a oo " oo oe eae Se :
SORA. Bee Se ORS OS RS e Rom
ee Fe oo . es
. e oe Se
OSCAR ION SON ana arua Satan O NAO RIOR eS BRS SR RS pasa na ane wa tanner s 6 x ee
: ES So Rae eee PaCS ae Sone ~ Eas ee BS ce eas
See " oo x : Se : Se . 2 = cS es
Se : RRS Oe en a Se a Poy ee ae oo = ee
f RES SRR ROU eae SR UREN: : eee: Suna Sseaeeseascen Se e aS Seay oe
" UU©6C-_"hmemMm =. :
oe aes a ee SEAR BONS
os . oe
: :
ns S : :
a
. " _ So ee - . . _"
SERS ORE 3 SAGs See ae Sas Satan eonea ER SRS ea : Bee. 2 Sey REO eae
x oo 5 " Ree : oo ae . " - oo - e oe " ee
© BB . oS "
= Pee ose: eas ee a ~ a ee % x BEES y
oo a . ae Se oo
-" : . : "
oo : oe oo oe " : ee a oe
" a ees & Ree RO Se " " . : . oe
" ae Se Os Bae oe Co 5 Se Oe : oe ee
I oo oe fos eRe BOR ee OR REIN aC RR coe aD : : es oe
" SS Se : " ee eG é " " ae oe - = : ; ae : Bae
: : .
se i %
Baee
.
ROSS : =
: oo oe
.
: :
oe me -
: 2 BEN I. IRS,
-" oo a . oe
ee oe . : Oe . So
YOR OS S28. ee e as 3 = RES ay BERS RS
oo Se : : ca ae
See " Ske Ena aes ¢ putas nee N eS ae
SCREEN So BS Bee REE
. .
See ROR es ESN Ces x oe
_ | = : - |
= RS ne Res : RAR Sorat ue ERR
x . : Se ee
oo oo |
REGRESS Oo
BS 2 Ske a. oo 8 Bee SSS RAN ee
. - " .
: a8 Soe . es : 2
ORS Ce LR ee Soe
oo - " ce oe : " x oe =
" ee =
So eee : ee ee
. : . "
eUis ca enemine nanan et Ragen R as z eaRscesbe ea % Seen
= ES oe See Ss
oe : 3
Bs % 2 ee Bee
% : sees: BES Bate SE SSCURNAS eae eS SSSR RRS
" ee = oe "
Se : oe oo ee oo 2 " " a
" " oo oe " rr
Sees ENS ae Sees oe Soe : See SRN aR RS = g x
oe oo : oo ~ 2 ee 2
BRE OC RE Soars 3 e SeoS ae 8 é ees Rakes e
BES % " oe coe . " Ee oe a Sei ae oo eS
oe ~ : " & : : oe oe eS
z Re eA gS & SORE
ROG eee oo
ISOS SORE O LOSS, rs en Sips
. ae RE eee Ree a
= . : oe
fey eS eae
. . 8 . oe oS
SOS ae oe 3 3 :
" = Se Se ee = = -
. = TNE & be PSM.
: co = ey
- Ss Se
So ee oe SS
-. . -
is. - _ -
a ERE ROS Seana as 2h aes Se
ee : : ee
se a ee es Se
Re So
Boy SReean & ESS aa
oes Re . SE Se
BOER ae : SOS SR eee oe Ss
. é8-BGBG6&--C=S"r="tses_EN "
oo oe " = oe " : :
oe oo . . " . a . . oe
w98 SeGneoeeNn ll Seeman ere: Roe Nee 3 oe. ays ?,? Say ms egy 3 = LR
a |. =. .s " "
ce rs oe ee 3 " "
6 ROSES ISSO ARE SORE SOOO 5 Be Ste Ss a8 LOSER He eR eee 3 3 =
oe "" " oS oe a oe . = 8
" a. - a | " -
oe " : . So oo
SRS See ef BRO Rese RNG
x oS = ce = Sa "
= " ae " o.
ek sages
" Uae! Rea ae
ae oe So -
BSNL RRL: " heey ee S55: aR eaateawans
ae 5 % RG Be Sea aOR "
: a > S = o . seuss Ses 3 aeeigeas
SS eeERS : ee :
Soe aS aoe OS SS : ee RE
EE ERC : : . Pee Se es : ee S : Sees = RRR : : :
. ROSS : . " . . | % : . _ oo _ . SR oe " " - = : oe :
" " " | " a oS oo oe
5 S ae SORES: a Rea ERC ERNS ARERR S aR Sales : ET Re eR RR PRON as Seas a Rees 2 : : 2S)
. . " . - " | " oo
" oo oe " Be
Se SERRE ee SESE Se Se ee Ue Se Se as
i rt st"~oCsisisOsOsOsOsOOCOCiCOsisCSsS:sSsi~(~iO : a moo Se
SS ce Roe: SESE SR cu en ae er Ce Ses SE RS Ue Sees ae SS SURE Se
ae oo Se oe " " . " . . SERS ss . . oo a ee
ee z Sue Soe oe a een a Aes a . are " : See - " xe
Sonne ae pene SEES s SA eae a S OREN
Seka em SERS ae 2 2 2588 ete =
. a | "
. oe . SO oe oe ee ee
Fe EN ae ae ee Se
: oe "
a
eae oe Seas
.
=. .
. : oe oe
RSS _ es Sake BERS SE
oS 6 :
: x ee 8 ROE ee
ee naneanene eS : SOR RSS aA SEU SRG ORSON ee
: : ts
" oe = .
RU REELS SESS a ~
" RN : . aoe .
SC Se
RES 8 S
oO
5
a
es So : ~
= - oS Se cos
Bs eS Pe oo
oS : = : oe
zs Ree es
s RCH ERS x o 3 y es oe
PERS Se Se eee SRS SS as Ree
. #@.#§§="Eeme .
See x Sos So g aS Eee ee ~ aR Pe en
: ae PERO : SERS : RENEE oe se ARISES . Ses o oe Coe
Se - " " ee . : oo ae
" See :
i
z SERS a : eS a
RoR : eS : oe Sees : : SaaS : : :
S ERR % 5 : ROR ANS a SORE RS Ra x Re : s 2
_ i. " " "
oo Soe a oo " = a. ii
x ones eRe 3 eee RRR ONE Beiresesonn anes x aes SRE eA Baan % : a pomowteesesess S SRR PERI aS RS eRe oan NORe NaS: :
PAGS Seen R SRS Se SOS eRe een nae Pe eae Se ee See 2 z
RRR SORE SERRE ROE aeRO a Re ERR y SSUES RNR SS See rR a Sie
" . _ eo ce - ==. " a
& x a a S RAS BOS aS im x RRs S ~ 2 % " O05
. | . . _ oo
oo ee oe " rr "s"S"iCS oe
oe i... |
Soe oe : LL
oF " .rs"o"it " i
: Se Se : BE eS ee
eee. =.
SS % oe ee : Be een sess: Cee Gane aS oe ee ce Boies
SSS SER a ee = oo = SO Ce oo See = ae : ee oe Back es ae
i...
x 5 : EROS eae
eras ez
=
sees
ce
e es
s
x
=
Bi
oe
oe
a
gee
is
is
Be
ee
ay Ee
os
ee
a aa eaSs
Ses
PeeN ate wae
a
ESS Rone
ak Paes
RS
& POP ER
ete
ies
Re
PoP scare
fe
ee
Be
re
:
ee
|
we
|
a
a
Ber
Lis
a
as
fet
io
ih
ee!
ORR
.
oo eS
oS
|
:
:
ek
Ba
ens
i
a
so
Stes
ae
pone:
: & :
Se ake
oe 8 ate ee Sas
ee
ee
_
be
S
ae
Be
se
ae
re
ie
ne
8
Ry.
KE
:
Be
.
eae
:
oe
ye
ree
:
es
:
ee
ee
ee fi
Se
oe
ey
ie
fies
by
es
15,
os
Be
nae
-
os
be
bs
e
ce
Bes
eh
oH
eee
feiss
.
ai
aslea,
eh
oe
i
is
cee
oe
Wage
ae
Se
os
oe
es
Esse
hae
_
Spee
sss
ee
Hh
ioe
|
2
ae
: Rene
SEER
|
SoteERRE RMS eR SERS
"
Se
See
aes
Fike
Fe
ay
ey
ty
rss
RSE
eae
ai
e
if
ee
oe
PEs
oe
se
Ls
oe
i
ee
i
is
e
ee
:
OR SGuR
-
-
a
se
ee
_
oe
is
:
:
:
ee
g
se
oe
i
ies
ig
ee
Ee
fe
a
ii
8
i
4
2
Ss
ee
ioe
os
ies
Pisano
ee
ee
LOK
i,
ites
bees
ie
Sree
es
oe
ee
eee
ee
eo
oe
Rea g Rees % i 5
RY SR ss RE Rane ees
- = a rs
ee s oo :
ee oe RO
""
: " ae
Co ES . = ae
| | ;
2 %
Ss : oo ua
Ss 3 US: eet ee mere
Ree : :
RS : .
. & ae
oe " :
PR oe Bt tia ave dunn nah ans 2 2
sss : .
B ees . si Ss % ISON SRR RCE SITES 3 = ee z Soar
: " " " " So oa : oe
: Bee 3 Se : coe : : : ee
SU ES ~ ee on Ge SU ee : x
ee a Cee eee es ae me ee
So - ee oo " " = a : aa : a a oe
ESS = SSRN ee oe Saeres : 4 . Sees 5 Say
: " " . oo
: Bes ee RE a : See REO
a oo ~ : ee
: ee See ees
Se eee:
BS eR a =
Sem Ge ccreaoteae ee SES &
es
|
ie
ee
ee
Pe
Tetley.
ass
Ley
fet
ah
ie
om
Bisse
G5
fe
1a)
-
Be
So
Se Tae Ee
ee
aS abe ease Seat
.
PERE RR
=
-
zs
_
ie
z
ys
ee
iesee i
z
Cake
ao
i
i
ee
i
es
i
ee
ee
=
ty
a
Sis
Bie
ries
Sa
.
is
Li
oy:
Le
Sas
eS
Se
ERS
S
ee
g
a
i
oe
e
=:
eh
Wee
of
:
He
:
ee
es
so
3
ee
es
a
es
ee
Be
ee
ee
RoR aes
ee
a
eA ae
Ses
" "
oo
3 es
is
S
i
es
gs ie
eae
fags
Re inesescte,
RE pers
ery: s
He
polarity.
ee
s
oh
e
3
oh
ee
3
ie
Bis
ae
:
Gees
i
ae
By
ie!
ies
ae
Pe
ee
ie
ele
es
Lid
is
ae
if
a
a
es
ae
Be
Bs
He
a
raw
Oph
ee
Be
:
:
3
eBhe
:
L
seh
aS
ia
Tey
i:
ae 3 5
oe oe = oS ss Se
. "_ =
=.
. . . a
eS eae Se H
: oo : ee
SESE rae a
RS Pete 2
. .
oo Ce : : : :
ERR ee OS 5 Ses ef :
. . . " "
aaa sinaatet eas % ORRIN Pee: Neuen Ue nena OSes BS cosa lose Sense aa ate 2 Se I OCR
RR Cate ze SESS: one = seu S ah sate: 5 eee BS 3 Rubee oR on NERS SOTA AAR ae Scene an ean a NS
oo i - ee " . "
se Seah eae
ee
Li
Ge
oie
Bis
ee
Liters
re
ie
ae
ee
Sys
ie
ee
i
Re
Si oe
OS ES PURER ae a as ~
RAS aaa ReneS aeRO RMN NCR ER ie
@#§};«©#]9©8rrti~i=~=i~_C:SSssSsésC
a So Se oo
aS SES
a
a
SG
fs
5
#
Oo. Bae eS
RRP
ee
RRS
a
me
Bs
se
Ree 2 3
Soe Sea et
eS ay
ONS Se RS OURS PERUSE
SOR ees "
: ORO
Ree
Ss
ce
is
oe
Le
ce
ae
S
a
:
i
5
ee
iu
be
is
i:
ae
oe
oe
es
is
is
eS,
as
se
2
a
eh
A
5
a
os
a
Be
ie
Es
ee
jo
/
|
£9
es
wy
a
i
;
oe
-
aes
ie
ee
Bee
a
aes
eh
Be
Bees
ee
ce
ae ~s ce
g
oe
Heese
re
is
Bee
aie
a
Bae i : i Se is ee Bees z ER a %
: eee e : Ce a SS ene Res 2 RN OOS ue me = a :
: ee g EOS. RNa Ta NNN a ASIN GUC erg LE i SSeS SS ROR RSERREN SRR RUNS BEI ROTTS saree RRse NS See: :
. i.28Oeegeg s§| = =""r"r"CC".CSCOVCL
~ oe : se Se Shoe i i SIS NN SERS Roe CONRAN SRS REMI ASRSO UR: % SERRA Se BRAS USER OCONEE DOSER NCA NONE PRON
= | ee.-...|s
Sey vs % Bera geeree a
~ AS re
pasa
Sas: ROE Raa s Sy
" " a ce es ae oo me oo K
Se ee
ay REISS e
ee
rie
oe
ee
Me,
8
Bei
aes
sons
ee
ra
_
ei
ae
Te
oF
G25 io
ate
ee
yates
i
oe
Hees
Ts
es
oS
Re
ee
e
i
es
ii
ee
ee
ee
es
se
a
a
se
o
Se,
s
/
Bee
2
fe
S
a
_
i
Bs
a
iS
i
ee
_
es
oe
Be
Bay
a
a
2:
a8
wis
Sa
S
oah
i
BRS
ene
ie
me
oe
Suet ©
. oe : =
oo a
.
SS a
PS
oo
Bik
ge
ek
Bs
ae
if
io
oe
a
5
oh
a
x
foe
e
ee
:
es
-
i
fy
Be
ee
a
a
as
Bis
.
=
3
ee
ie
x
= Re
oe
see
ee
ss
SORE
fg
=
ie
ee
Be
ie
ye
ane
ees
5
He
4
RAEN
_
ee
REN
RS ao ae
oe set
Bie
Sis
See
es
SS
oe Se "
REGS 3 RS
Re en ae
2
ie
Soke es ee RE
" See : oe SOG . ~ Bae |. "
ie
Ie.
sy
Perea:
oe
-
5a
eu
=
on
Wy.
Har:
Hee
bai
ei
ie
_ ss _
: PERS s x ER
-. : .
x ee : a "
es OREO aY. Se os = : RS ee i eRe a
Renae : oe eee ail : : oo
oe
oe
aS
BARES
ee
See eS
" .
Ree AEC S IO RRR OS ER
_ :
: : ES cee ee PES ees
aera SERRA ROSA TERR EOE SORE Shee SSeS Une eS
| ee... ee.
: See ee eee oe : SO ~
ener eneeo een tS SONOS SS aca aceRNS Baaeeeon Saharan Beets PRR CORR
= : : . oo " So oe oo oo Se : eS =
: es RNa 5 Reet ee: : SERS SeaeSR RCN 5 Recah Rae SE Se ERS RR : eee : Re ae Se
EO eee ee ee a = oe ERS es SO RS Ee ee
Bes ees oe % 5 : Se Bs oo Se EUS OS SSS aa SESE : ees ee Saas ae
" ; oo - . : i. Se See Se
: oS See ee oe oe SO Se ce
oo : : " ,,rrrtrtr~"~"oi~osON ae "
Soe : PERRET RR RACCOON EES BEE SERRE ENRON ECR ROE ORR ES ee See
oe : | =m : . . . - . . "
Bey oS See - eget aaa : Soa PRS as Seana SEES : oR ¥ LAREN BERS s ERROR ONS
: § By = = = pioee ss Ses OES z eeeRARS 5 SEO REN Re wee ERR
_ " " . -
s ey zi eRe ea e ob SOC S RENE PERRO IS ORION OTT OR Song ee BORER ORO PASE HRAS RN em See S RC OR RERUNS
: a " . " oo oo .
.
is
Be
i
Hy
ge
ee
ae
es
Hes
a
2
ee
eee
_
alee ase Gen
ee
.
peas
eee
ee
Es
ee
2
c
=
i
es
oe)
a
ri
ae
Seas oe SER
Bs
ed
Gi
ree
RON
ee,
ee
oe
is
oe
i
bs
i
ie
2
as
°e
rs
Pes
i
a
Tasee ne
aS eR SE RS Bases .
Cs : a
_ oo " oo
Bie
i
oes
es
se
ers
a
he
SAS a
_ oo
Se ERROR CE RAR ASAE ULES
. =
Bees Lomo OTE ORONO Ia
: Se
i,
i
xe
oe a
SCN US
e
See
ee ee ~ 5 : ee BE
ae a : See SEs
=
ae
: oe
ey
"
oe
ie
oie
ve
pees
ee
es
one
ea ny eee
se
-
ee
a
ee
Res
Bihar
Lees
oe
g
En
55
eee
te
e
ues
2
Re
ee
E
a
ie
oe
eee
Bee:
a
Seas
Loko oer:
one ee
x CS a
a ae Bos te S
es ees
ay RAR Ree es ee
3 :
oe
oe
ae ee : ; 5 ~ Seaese ee
oe |
.
ks
ae
Z
oe
ee
Be
Per
i
ie
Bae
ae
is:
oe
e
L
oo
ree
Se
Q
ce
&
y
ests
Be
-
oo
ie
:
o Bee %
.
o
:
ae
ce
agen:
ges
Pee
shee
:
Se
RS
te
eee
S eee
ae Ba
Ze
25
Ce oe
Seu RIOR: : 8 RES SESS ASsgk ee
. . | "
So So oe
. ee oe " oS So
ue SO Re RS ee os
- "s"o" "
is
~a es
oS
ee
5
.
peo
ies
eee Pa RS
Bek Sa RAC Soe ROSE SSNs a
. "
. . " "
eo : Oe ee "
"rts"o_eOO"O"O"O"" " .
.
Reet
i
Bes
Bi
We
ee
Bs
Us
Be
Be
Si
S Se
3 Be 3
Se Ree
oe oe
. SSeS a
Se @
So
eS
oe
Rake
ee
bere
ae
ee
ie
-
ee
i
je
fase
DS
@
~See
oe
eS
Sie
SE
a Roe SRO
oe oe oo
=
SS SR gS
SRO RRR OR tan
Re On eee : ee ;
Sp Aeaeuneie NER GR PRR ss ee ei SORTS RORNTS Se ae
eeeB§6@- | : =.
oe Se eG ee ea OES Ee) SCREENS au eG Sate
Se POOR ee ; Rae : So See Pea
SEO se oe Re re : OR ey eee ES aS oe
é : : : os . Se AS ae x ae RASA BRIS RR nS ROSTER
a " a r"si"o~i~o~(~(~(i~i~oi~oi~i~i~i~i~i~i~i~i~i~i~ is "
Se So oo
RSS ae ce Se ~ ee oe ee ee a
a : ek ee
: : : SHISE ESAS SSNS eo :
: ee
Be
be
S
ees
ase ee
ie
Rene,
oe
is
y
i
ee
Be
eins
ee
a
ee
ie
eet
ae
Seen
oe
5
we
: - SA Se
ee
ib
See
oe
is
es
ee
cabs
ae,
ieee
BETS
Bt Aetas
4
ee
a
SpE
Sr
eo
Bee
SS
Tian
:
:
ee
oe
" : : oo oe :
Bee ene Roan eee 2 Oe ; Se PRE oe eS eR :
ee a . ee : oe . a aS . " ee " . ee oo
ee 2 sins Bae SORE ES NNN URS Ses CURR RO ~ SOROS : Rae see : Soe
cen eens : oe eee ee ee ee ee Eee nue Sos ea
Sue
ee
3
a : .
bee s : : Se Ra eeu =e ; ees :
= ee 3 uns SS Sos Ree eee Rune RR Pe RR 5
Sas : oe : SR RESO Eee Ss Re : =
: Pee s SRE SoS FROG ERROR PORaR NO Seen So Se RNR ae SSRN RRRUUN Suu RU AACR ARENT ERACRE RRS & . Be
#. eee..-..©..
ee
Bee
BS
E:
Martha Graham, legend of modern dance, said oDance is the hidden language of the soul of the body.?
Well, if thatTs true, I suppose that means the soul of my body is mute.
You see, I cannot dance.
You, like so many others before you, may be thinking, oEveryone can dance.
What you mean is that you canTt dance well. Here, I will show you that you can dance.
Just move with the music, like this.? But I promise you it has been tried. At birthday parties, drama club
rehearsals, middle school dances, high school proms, downtown clubs, determined friends have placed
their hands on my hips and fought to make them match the music. I try to learn from my well-intentioned
instructors (Lord, do I try!), but the second my hips are free of their grips, my body reverts to its uncertain
spasms, stiff and inelegant as always.
I remember a wedding I attended as a kid; I couldnTt have been older than six. I strutted out to the dance
floor and whirled myself around, spinning in circles as my dress flew out around my knees, like the petals
of a baby pink flower in full bloom. The music pulsed from the DJTs station. My pirouettes quickened.
I lost my balance, was lifted off the floor and tumbling back to Earth all in one motion. It was then that
my mother noticed me, a pink-petaled heap on the floor. She grabbed my hand and plucked me from the
ground. oWhat are you doing?? she demanded, dragging me to the childrenTs table.
oDancing.?
oSpinning isnTt dancing,? she scolded. oSit here and behave yourself.?
As ITve grown older, ITve learned that most of what my mother tells me is correct.
In this instance, though, I have to disagree with her. I may not remember how to do it now"now that
ITm old enough to know what judgment is, now that I know how to feel foolish"but ITm certain that my
spinning, that swirling movement of unabashed elation, was dancing.
REBEL:89
cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14 ls I Ia 18 Tg ral
TTTTT]
age
4
VES eas ESS ESHER
Se reste
NICK HEYL stuoy or rapereé tcc #1& #2 © EGG, COPPER, SILVER IST PLACE
|
REBEL
Here
one
a
TINA LAZZARINE tort COPPER SILVER, ENAMEL 2ND PLACE
SILVER SRD PLACE
, COPPER,
ENAMEL
ee
"a
=
allen
Sa)
| a |
Cc.
x
|
mm
ass
"a
"
"_
"_" |
=r
"
cm
10
deal
lez
Ls:
14
NICK HEYL
FORTIFIED BEARINGS
HONORABLE MENTION
ls 16 iki Iki
19
ral
HONORABLE MENTION
ELIZABETH SMITH creatures oF tHe oer
ls
14
Ls:
lee
iil
10
cm
ean aN
=
1
jue
"
as
y
Mornm
ee,
spans
psarpneriotns
IST PLACE
IDENTITY SYSTEM
cpsnereonarae
101
REBEL
gid OUNCES - 750 py
steegeemeee ee ee = Sane ~ ae owt pS Aine mamma arn a niin
: a = a
REBEL:103
PACKAGING DESIGN " 2ND PLACE
JOSH VAUGHAN HAYMAKER
i ; t
| oe "
a a
ARTICLE SPREAD 3RD PLACE
Seow
Sed
=
axe
=
pm]
Sad
oo
aoe
eed
bond
A
~eel
tne
|
wt
=
e
oon
ined
A
-
i
DEVIN BUTLER PEARLY WHITES
q
4
4
es
ee:
@es °
- ...
8 s «
@ee:
oe °
m?"? « -:
i\| @ e *
Sa '
ia.
118s .
|| @ ae ,
+@e:
@ a ,
~Se -:
S s -:
i; @ ese >
~es -
~See :
@es:
-> 6
cay
@ese :
_a., .
Ss -:
@ -« .
-_-m
|
|
|
|
|
cm 1 z
Me. Beach, South Carolina
4 ¥ iis home to many must-see
attractions for animal lovers, from
RipleyTs Aquarium to T.1.G.E.R.S.
Preservation Station, but one desti-
nation stands out among the rest. If
you're looking for a unique experi-
ence and the chance to see rare and
unusual creatures, pay a visit to Al-
ligator Adventure. Not only is it the
home of Utan, the largest crocodile
in captivity, but it is also the only
place on the East Coast where you
can see the amazing albino alligator.
With their cream-colored scales
and milky white eyes, the albino
alligators are like nothing youTve
ever seen before. Alligator Ad-
venture rescued these two reptiles
from the swamps of New Orleans,
where they would never have been
able to survive on their own. The
reason albino alligators are such
rare finds is because of their cold-
blooded nature; alligators have
to sunbathe in order to keep their
body temperatures high enough to
survive. Because albinos have no
natural protection against the sunTs
radiation they canTt be exposed to
extreme light for long periods of
time. To make matters worse, albi-
nos donTt blend in with their envi-
ronments as well as normal alliga-
tors, and thus have a harder time
surprising their prey. The muta-
tion makes it difficult for albinos
to survive even long enough to
be discovered by humans, which
is why Alligator Adventure is
proud to be home to not one, but
two of these fascinating animals.
The albino alligators are housed
in a special building in the park
where they can be shielded from the
sun while maintaining a consistent
SC Travel Companion - Summer 2011
67
10
iil
lee
Ls:
14
ls
I
Ia
REBEL:105
18
Tg
ral
ee
nme nan ese ne ata
TTT SEE
cmeines unin
Cis os
IST PLACE
NICK HEYL verurons on rors ANO MATERIAL
REBEL*IIl
2ND PLACE
COBB CUTTLEFISH AND CORAL
BRITNEY N
REBEL~II3
__ pa
KENDALL BOOTH
OH THE WAYS TO MAKE A WISH
SRD PLACE
ae
iy
a
REBEL*113
Sa oy
5
L.
a TTT a IVT UY TTT
INKJET PRINT 1ST PLACE
RUSSELL CLARK a setr-wonuwent
TAKER
LORRAINE TURT te can
2ND PLACE
INKJET PRINT
REBEL:I21
INKJET PRINT SRD PLACE
es
3
y
BRYAN BANKSTON soot
INKJET PRINT HONORABLE MENTION
REBEL*123
} az
ST a cee
=
a
a
oa
=
=
pte
iin
z=
y
a=
ae
|
=
I
=
ae
1
=
"
1
=
_
=
an
ian
ae
=
=
OF
PRR te ee ie:
Pie Care ter eae
me ern eee ACTA NT TAREE EET a renee SS eee
" =" ne 4
"
RADITIONAL PHOTOGRAPHY
IST PLACE
aoialspseene
BRYAN BANKSTON patuerina on tracks
BROWN VAN DYKE
bine
BRYAN BANKSTON percue BROWN VAN DYKE 2D PLACE cy |
MY BRIDGEMAN wxnmo
GELATIN SILVER PRINT
aS
SRD PLACE
ral
Tg
18
Ia
I
ls
14
Ls:
lez
iil
10
cm
REBEL*131
TUTTE TTT TTT TTT TTT
wer,
Pid
se eae See i
C9
5
ae
[om
"""
Co)
pa oan
sea
pea:
cz,
=. |
[om am | |
i
Cc |
BETHANY PIPKIN txistics
2ND PLACE
GRAPHITE
a a ee a
eer
SS es
=
"
=
=
"
"
=
jaa
asus
ae
a
=e
Gees
=
""
=
==
}
TEXTILE DESIGN
ARR RE RARH RR TARR AHS SO
WR Bad EEN em gi FH aE JH RHEE *
dda dae ide eas tas ded sad eda ana
Aa adG AAA AGES SAHARA pean baad.
RV RR TR EIE ARERR ARAAR RE
aaa 9aas
AMAIA AE
RSM MASS AAS eas
scis dees ae sanaeaa eaters On
vee yewual A dehaas Feary Agate deed
Avil .* ~a eeevtaty Pat Va aaa OT)
ied eudiae ab he a RAR RM 4 VHPAERRES
ft teal cat Wada a bt
Vareereren!
asin
iia nads saga aaas SOE OU OUCe DOC aiddaigse
ee 1 ARS #48 Palghat tala letctstetl aly HAART TA 48 AKA
OOo
re © |
Road
14448 8
eee ys J
pita aa # heey
NE reals ele : rity
i Cee Bed
+ cee AG Voie aed
ae j
gates
heeding sis:
4 ad
giuae #4
i PI? Fo ON RIDA
PP eree bt east Med eine
Huy tRat
@RRSEC EE PE FEES Re
SESS nn
lili NEN NENN sate
appease,
IST PLACE
SYDNEY SOGAL ursan wax-terovci
REBEL:149
rt
"P95 eh BRS AS NTN ATE TEEN AIRED AAS
7
REBEL
BETHANY SHAKER sncnous corser
2ND PLACE
|
RETO spate aFGF EE
coal
>see
i;
cm
KATHERINE HOBBS
EXCHANGE
SRD PLACE
10 iil lee Ls: 14
ls
I
Ia
REBEL~149
18
Tg
2 (
AUN ULRIN UALIN LARS LAIN ERD LLL
-
1
dt
ae
ian
"
oa
ta
=
Ea
iin
z=
}
Ea
ae
|
=
Eee
=
ae
1
=
ee
=
i
"
=
=
an
ian
=
ere
ge ee
Gg Oe ag?
ag fe 3 i -
eees Bon
\\ \
14 :
ay ar
' veh
y 4 |
4 L
v4 \
rVEa
| eae fi i
oes 2
PAA |
eA
ae eg a ee
~ee aga) Ga, Sat ied
(pe Pe Se Se hee
oR Baer
wt
at
3
egy
apace
Vo 2 ae
t a
x , ae
Tee ae
ca
LV aA
ae eee e
eV aya
ioe Tp ae
aie WA) ae ts ee ace
Thee
Moe ery ~
ere aaa
ae er
nemaeae?"?
sane
pier tee
ent
poet
re sel
acs
~
4
f
i
¢
;
es
KS £
~s
£ $
Bg
ee
§
:
seeds 2 & ig
he Fao ~a,
nda
. is IB i a Rae sc a ee eee acca ee
Fass Sa Si a a ier At I a SE ee er aT RRO UTR TET Hn eT soit = as de uaa ia ao aoa el 3
ce
sare APART FOS
i re a sal al ka
:
CATHY PERRY iow PINK ALABASTER
NRE
REBEL:155
2ND PLACE
IKE MCATEER te sourt swatt ratse wy stoop sugar FLOCKING
FOAM
MOLDING PASTE
POLYMER CLAY
CHOCOLATE-FILLED JUVENILE DIABETES
FLOCKING 2ND PLACE
LATEX RUBBER
POLYMER CLAY
REBEL*137
SRD PLACE
IRON
SAMANTHA WOITOVICH rerpous raucers
c=
al
I
ls
14
Ls:
lee
iil
10
cm
REBEL:199
"
"
a
=>
"
ca
Soto
Lo
~
=
ao
co
co
a
ated
3
=
Fad
"
Ct.
oa
Lenn
SS
"
ees
a
=.
C3
=
a
poms
"
anadhsel
"
lnedhened
er |
co
=
o-
eal
=
ea
= a
20
19
Iki
iki
16
ls
14
Ls:
lez
deal
10
cm
CHRIS MORGAN
GENUFLECTION TO THE CUBE STEEL
HONORABLE MENTION
JENNY READLING victorian oowwes STEEL
HONORABLE MENTION
I61
REBEL
20
Tg
18
Ia
I
ls
14
Ls:
lee
iil
10
cm
pages neoprene
a i a a = Se a
CES PE aR ae RN ORSON I a NEE me Fe sah
7
TTTTT]
fi
St;
pert
pucten
a
""__
Sass
2.
Freee aint
prinare atts
sete
paar
sree :
ries : eer cat
Siete et
Phrreets
PRINTMAKING
Nc a a
agin gia ata Fer a A
167
REBEL
INTAGLIO IST PLACE
HEATHER FILTZ tunet cscs
HEATHER FILTZ srusu tomy wean
LITHOGRAPHY A, ab
REBEL:169
LITHOGRAPHY © 3RD PLACE
ANNA BOGGS CARNIVAL
20
Tg
18
Ia
I
ls
14
Ls:
lee
iil
10
cm
INTAGLIO ~=HONORABLE MENTION
TIMOTHY WEAVER: none
cm 1 z 3 4 © 6 at 8 S|
|
LITHOGRAPHY HONORABLE MENTION
TIM MOORE unm
20
Tg
18
Ia
I
ls
14
Ls:
lez
iil
10
cm
Passing the cherry.
THER FILTZ passing tHe cueray LITHOGRAPHY HONORABLE MENTION
REBEL:173
cm 1 z 3 4 © 6 at 8 2 10 deal lez Ls: 14 ls 16 iki Iki 19 20
c=
al
I
ls
14
Ls:
lee
iil
10
cm
cm
Sica thanks to the judges of the 54th edition of the Rebe/ who
dedicated their time and expertise to jury the many entries submitted by
East Carolina University students during Fall, 2011.
Each judge brought her own distinct expertise, which yielded the selection
of the highest quality of creative talent featured throughout this magazine.
I
Ia
Judges
Visual art
Literature
Dance
Stacy Jarrell
Instructor, Advertising and Graphic Design
Pitr Community College
Jodi Hollnagel-Jubran
Professional Sculptor, President of J&H Studio Inc.
Adjunct Instructor 1998-2007, School of Art and Design
East Carolina University
Charity Valentine
Coordinator, Associate of Fine Arts,
Pitt Community College
Liza Wieland
Fiction Editor
North Carolina Literary Review
Associate Professor of English
East Carolina University
Patricia Pertalion
Retired Professor, School of Theatre and Dance
East Carolina University
Rebel 54 Staff
Ea
FG, Gan
Rebel 54 design
eee Jacklyn Lopez
Andrea Smith
Phillip Winn
Faculty advisor
z Craig Malmrose
Professor, Graphic Design
Photog aphy
ae Henry Stindt Photographic
Student media
Genevia Hill
Interim Director of Student Media
Paul Isom
Former Director of Student Media
Yvonne Moye
Administrative Support Associate
Student Media, Student Media Board
Copy editors
P. Lisa Beth Robinson
Tori Rodriguez
Speciat thanks Holly Garriott
Henry Stindt
Paul Isom
Craig Malmrose
John Dixon
Patricia Weeks
Yvonne Moye
Pitt County Arts Council at Emerge
Hanna Jubran
Carl Billingsley
PIP printing
Lisa Beth Robinson
Gunnar Swanson
Kate Lamere
Rich Griffis
Nikki Rausch
Kyle Walker
Campus 31 Student Television
Chris Stansbury
Cara Friez
Matt Egan
Genevia Hill
Teresa Ramaglino
Maria Modlin
Materials Management
Frank Pulley
Theo Davis Printing
Our professors, families, friends and anyone whom we might have left out.
Collage source
Playboy
Penthouse
Hustler
OMNI
Co-Ed
Esquire
Life
Farm Journal
DC Comics
Field & Stream
Car Review
lime
TV Star Parade
ena om
Production
Printer
Edition
Press
Stock
Typography
Theo Davis Printing
1,540 books and DVD's
Komori Lithrone S40
Cover: FRENCH POP-TONE in Lemon Drop, 100 lb. cover
Text: Mohawk Via Smooth Warm White, 801b. text
Mohawk Via Linen Pure White, 7Olb. text
Libel Suit
Adobe Garamond Pro
Copyright
Rebel 54 is produced by and for the students of East Carolina University.
Offices are located within Student Media in the Self-Help building.
The contents are copyrighted 2011 and 2012 by Rebel 54.
All rights revert to the individual artists and writers upon publication.
Contents may not be reproduced by any means, nor stored in any information
retrieval system without written permission of the artist or writer.
Printed with non-state funds.
3
ae.
oO
4
QO
vv
« ©
imo) SS
ns
ee |
Se ay te)
BN Gah oar
yo 22
= © a
Seta | ag
SAE
Qa
as
co ©
S22
te Ou ise
"a ~GF O
= 2
S 2 e
ow 6
es!
7a)
2 8
Cl mM Cr
ena
GD) (0)
64 2
ae.
vu
iF a)
o
ao
aw
20
Tg
18
Ia
16
ils
14
iS
lee
Iba
10
cm
Stl
soe
" - " : = : . " i a rE See oo
ARISES ALBA AOD RIES LEE YOO P DEL COLLIE IDEN AVE MERELY POOLE LEED
natn CEE LEE LEE LL LL TELA LLL LEAL LED LELLLOD AE
TR TLS SN