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        <distributor>East Carolina University. J. Y. Joyner Library</distributor>
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          <addrLine>Digital Collections</addrLine>
          <addrLine>Joyner Library, East Carolina University</addrLine>
          <addrLine>East Fifth Street, Greenville NC 27858-4353 USA</addrLine>
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        <date>2012</date>
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          <lb />er his ninth birthday when he finally realized she was a real<lb /><lb />rson, too. Up until then, she'd just been there. In the way. The obnoxious<lb /><lb />little sister, always drawing on his addition homework with her magic markers.<lb />He'd gotten the rollerblades he'd been begging for the last few months and<lb />while he scraped up his knees and face on the driveway, he watched as she did<lb />the same with her brand new bicycle. She was five. The training wheels were<lb />never put on; she refused. Every day she fell, and she fell, never crying when<lb /><lb />she hit the cement. Flinching and ignoring the sting of scraped skin, she'd<lb /><lb /><lb /><lb />climb back on the bike, the pink streamers of the handlebars matching her<lb />pink Osh Kosh BTGosh overalls. Sandy blonde hair a mess under her helmet,<lb />she was more determined than maybe he'd ever been"up until then, at least<lb />Five years of her around, and she was just a background fixture. But one ? _<lb />afternoon she raced past him where he stumbled to keep his balance, pedaling .<lb />down the driveway and onto the sidewalk, never wavering, never losing her<lb /><lb />balance again. She'd gotten it right. She did it on her own. She was real.<lb /><lb />Now he calls her from the road, every afternoon or dusk or<lb />evening"heTs never been sure of the distinction, perhaps itTs when<lb />the sun sets, but itTs summer and heTs speeding through time zones,<lb /><lb />faster and faster, and he isnTt sure what to believe anymore.<lb /><lb />oAre you there yet?� Her voice comes strong over the phone line, despite<lb />the crackle of the bad connection. Somewhere in Oklahoma, his phone<lb />died or lost reception or both, and in a fury or a panic or something akin to<lb />desperation, he threw it out the window. Now he searches for payphones and<lb />quarters, or he calls her collect. oDo you even know where there is yet?�<lb /><lb />oNo,� he answers, and sheTs thousands of miles away, but he can almost<lb /><lb />see her roll her eyes. Even though theyTre not kids anymore, even given<lb /><lb />the circumstances, old habits die hard: big brothers will always annoy<lb />their little sisters. oITm in Flagstaff, Becca,� he concedes, fingers tracing<lb /><lb />the payphone cord, a nervous tic he developed miles and miles ago.<lb /><lb /></p>
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          <lb />62<lb /><lb />oWhat's it like?� she asks. He doesnTt know it, but an entire wall at home<lb />has been dedicated to tracking him on his sardonically-dubbed spirit quest<lb />ever since she came home two-and-a-half months ago to find his manic<lb />message on the machine, the one he left as an explanation, as an apology.<lb />Neon Post-it notes litter the living room wall, composing a makeshift<lb /><lb />map of his cross-country desperation. She thinks itTs not fair. She should<lb /><lb />have been the one to run first.<lb /><lb />oKind of beautiful. Not as hot as I thought itTd be. Got in last night,<lb />and it was fucking cold. Rolled up my windows and everything. Not as<lb />hot as Albuquerque, thank God. | just canTt get used to the desert.�<lb /><lb />oThatTs what I heard, gets really cold in the desert,� she answers,<lb />slapping a pink note with oFlagstaff, Day 71� on the wall, right where<lb />sheTd imagine it to be. oChester, Day 0� is ages away on the other side<lb />of the room, and it stings. oWhatTs taking you so long, Sam?�<lb /><lb />The line crackles again, and sheTs about to ask if heTs still there when she<lb /><lb />hears his voice, distant for the first time despite the distance. oITm not sure.�<lb /><lb />Three semesters shy of completion, he quit college at twenty-one and<lb />moved back home to take care of both of them. At seventeen, Becca was more<lb />determined than ever and she was smart. She was so smart it was ridiculous.<lb />She loved all the things heTd hated in school like chemistry and biology and<lb />would one day have chances heTd never have with his incomplete liberal arts<lb />degree. One day sheTd save the world and fix people that were broken. He<lb />moved home for her to give her those chances. He moved home for her so she<lb />could go to school and spend hours studying in the library in the afternoon.<lb /><lb />He moved home for her so that he could be the one to take care of their<lb />mother, so she wouldnTt have to. So Becca wouldnTt have to be there for all<lb />the heartbreaking moments, so she wouldn't have to be the one to try to talk<lb />their mother into a mastectomy, to talk her into trying one more medicine,<lb />one more treatment, one more, damnit, this could be the one! He moved<lb /><lb />home so Becca didnTt have to be the one to listen to their mother say no.<lb /><lb />So close he can almost scream, he gets stuck in Bakersfield (Day<lb />83) over a weekend when his tire blows on a Saturday afternoon not<lb />even ten miles from the end of Highway 58. He spends an hour in a<lb />laundromat for the first time since Texas, wearing nothing but his<lb />boxers while he washes the three changes of clothes he has with him.<lb /><lb />He calls home from the motel that night, feeling much too clean<lb /><lb />on the surely dirty sheets. Their conversations are longer now, but<lb /><lb />much more awkward. HeTs been gone too long; sheTs been far too<lb /><lb /></p>
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          <lb />cm<lb /><lb />careful. She asks him if heTll be back by September and he promises, yes.<lb />Promises, he'll be back in time. Promises, he wonTt let her down.<lb /><lb />But itTs August already, and even when his car is fixed he lingers a few<lb />more days, practically an apparition in a town full of ghosts and history.<lb />He strikes up conversations with anyone that meets his gaze and he<lb />melts into the city only to realize that between lunch and dinner trips to<lb />In-N-Out Burger, heTs losing much more than just time. He checks out<lb />of his room and gets the hell out of town as soon as possible, and hours<lb /><lb />down the road, he realizes he can still smell the city in his clothes.<lb /><lb />They spent his twenty-third birthday at home; sheTd been too tired<lb />to go out. oMommy�, he called her at four, when Becca was born, and<lb />oMamaT, at twelve, when he hugged her the night she told him Daddy<lb />wouldn't be coming home. oMom�, he whispered, all he could think to<lb />say on the cold January afternoon, tucking the blanket up under her<lb />chin as she stared out the window at the snow falling from the sky.<lb /><lb />She looked up at him, green eyes bright as ever, and brushed his sandy<lb />blonde hair out of his face, her hand shaky but her touch soft. And she<lb />smiled and asked him if sheTd ever told him what a miracle the snow was,<lb />what a miracle he was, and his sister was, and how they were the one thing<lb />she'd miss when she was gone, even more than the snow or the sunshine of<lb />spring or the gorgeousness of a cloudless summer day. And she asked him if<lb />he'd like to hear the story of how her world changed this exact day, twenty-<lb /><lb />three years ago, and how the sky opened up with snow just as it did now.<lb /><lb />strong hands with her frail ones, and Becca brought them hot chocolate from<lb /><lb />the kitchen, he knew it would be the last birthday they'd spend together.<lb /><lb />o| just wanted to see what drove Jack crazy,� he admits, his voice tired<lb />and small as he claws at the phone cord. ItTs after midnight on the west<lb />coast; itTs closer to four where she lays in bed at the other end, confused<lb />and ill. ItTs the second week of August, day 94. For the first time in her<lb />life, sheTs beginning to doubt him. oI didnTt even plan to end up here.�<lb />He spent the day at Big Sur, chasing a dream that was never his to begin<lb />with. But Jack had been right: The ocean was everywhere you wouldnTt<lb />expect it to be, a truly overwhelming sound he hadn't been able to block<lb />out. It was beautiful in a way he couldnTt completely process just yet.<lb /><lb />oYou're an idiot,� she chastises, her voice sharp and tired and<lb />unforgiving. oI canTt believe you. You know, I get it. I do.� But she<lb /><lb />doesn't because logic and science are the only things that make sense<lb /><lb /><lb /><lb />iil<lb /><lb />And as she covered his<lb /><lb />lez<lb /><lb /></p>
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          <lb />64<lb /><lb />to her and there is nothing logical about anything heTs done since<lb />May. oItTs bad enough you're running from the entire world. I canTt<lb />believe you're trying to recreate something out of On the Road.�<lb />oIt's not. I'm not,� he argues, but there's little fight<lb />in him. He doesnTt even correct her to tell her that sheTs<lb />thinking of the wrong book. ItTs not like it matters.<lb />oHe was crazy before he did any of that, Sam, donTt you get it? And<lb />you re not, no matter how hard you try. You're just being irresponsible.�<lb />She knows heTs hurting, but so is she and she just wishes he would have<lb />taken her with him. She canTt stand the apologetic neighbors and has<lb />trouble falling asleep in a house that was once so familiar, that now<lb />plagues her with a thousand happy memories. Summer hasnTt been<lb />kind to her either. She isnTt sure sheTs going to be able to head upstate<lb />for college at the end of the month, isnTt sure about anything.<lb />It's the first real fight they've had, ever. ItTs bad, so bad because heTs traveled<lb />across the country and still hasnTt found what he was running from or running<lb />to and he gives in and breaks down for the first time since it happened.<lb /><lb />For the first time since he took cinnamon toast to their motherTs room and<lb /><lb />couldnTt wake her up no matter how hard he tried. H<lb /><lb />Never thought Mom wouldn't be there, how could she do this? He gave up<lb /><lb />everything to take care of her, she stopped trying and sheTs gone. Doesn't that<lb /><lb />hurt Becca too? Doesn't it kill her? Isn't she so mad, because thatTs what heTs<lb /><lb />been running from, how mad he is. ItTs the last thing he should be feeling.<lb />He wonders why she hasn't said anything for a few minutes, but<lb /><lb />then he hears the operator say, oplease deposit fifty cents for the next<lb /><lb />three minutes,� and he knows itTs pointless and doesnTt call back. On<lb /><lb />the other side of the country, she waits all night for him to call again,<lb /><lb />even tries to call him back, but there's nothing. SheTs not okay either.<lb />The day of the funeral was a gorgeous May day and he knew she would<lb /><lb />have been happy, if only for that. The eulogies left him impassive aside<lb /><lb />from the sickness in his stomach and it was during the procession from<lb /><lb />the funeral home to the cemetery that he got the urge to flee, the urge to<lb /><lb />get out of there. He couldn't watch them bury her. It would make it real.<lb />Instead of turning into the cemetery, he kept driving, kept driving<lb /><lb />and didnTt stop, didnTt even register what he was doing until he was<lb /><lb />two counties away. The first gas station out of Virginia, he changed out<lb /><lb />of his suit from the funeral in the bathroom and put on a t-shirt and<lb /><lb />pair of jeans that had been in his backseat for God knows how long.<lb /><lb /></p>
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          <lb />cm<lb /><lb />It had been late in the day when he'd finally gotten on I-40. He'd<lb />rolled his windows down and turned his music up, going at least 90, too<lb /><lb />afraid of what would happen if he slowed down for even a moment.<lb /><lb />oWhere the hell are you?� She asks, frantic, not because itTs the end<lb />of the third week of August and sheTs sure at this point that he won't be<lb />home when he promised, but because sheTs afraid he won't be home at all,<lb />because he hasnTt called since California, and sheTs terrified. oI'll be home<lb />soon,� he evades, wanting to keep the conversation short because heTs<lb />running low on quarters and didnTt call collect this time. oAre things good?�<lb />HeTs calm, no longer rushed and desperate. Something has changed.<lb /><lb />ItTs the first time heTs asked all summer, because before, she<lb />did all the asking and she isnTt sure how to respond. oI think So,�<lb /><lb />she says, surprised of her answer, surprised of the truth.<lb /><lb />Left with a dial tone at the other end of the phone, she doesnTt get a chance<lb />to apologize for before, and oDay 104�, she writes on the post-it, with a big<lb />question mark. She isnTt sure where to put it on her makeshift map, so she<lb /><lb />leaves it on the post-it pad and hopes that he'll keep his promises, all of them.<lb /><lb />Almost three full months ago he fled town like something out of one of<lb />his favorite novels only to find that nothing heTd ever read or seen could have<lb />prepared him for what he would or wouldnTt find. He spent three months<lb />crossing the country, losing himself for weeks in the Midwest, unable to get<lb />out of the desert until the rains came, finding bits and pieces of someone he<lb />used to be in cities scattered across the country. No destination in mind until<lb />he was already on the other side of the country, he'd just known he had to get<lb />away, had to chase himself down. And when he was nine and his sister was<lb />five, he realized she was just as real as he was. When she was seventeen, he<lb />gave up everything he had to make sure she didnTt lose sight of everything she<lb />wanted. When she was nineteen, he left town on the one day she needed him<lb /><lb />the most because after years of protecting her, he had to save himself this time.<lb /><lb />Day 110, and heTs dressed in the suit he left town in, three monthsT worth<lb />of facial hair on his chin and the darkest tan heTs ever had on his arms. He<lb />made good on his promise. ItTs barely six a.m. when he walks into the house<lb />they grew up in, and sheTs asleep on the couch in front of the TV. For the<lb />first time in a few years, she looks like a kid. Her guard is down and that<lb />determination isnTt there. She looks small and unsure, clutching the pillow to<lb /><lb />her chest. ItTs enough to break his heart but when he sees the map of Post-its<lb /><lb /><lb /><lb />1¢<lb /></p>
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          <lb />on the wall he realizes the only personTs heart heTs been breaking is hers.<lb /><lb />HeTs reliving his own trip"St. Louis, Day 11, and Day 44, Abilene, the<lb />smells of the cities, the way it felt when he took the exits into towns, windows<lb /><lb />still down, music still up, alive and rushing into everything at sixty miles an<lb /><lb />hour"when he hears her voice from behind him, tired with sleep. oItTs early,�<lb />she says. When he turns to look at her, sheTs rubbing the sleep out of her eyes.<lb />oI know,� he answers, oAnd ITm very, very late.�<lb />ItTs the last day of August. oNo,� she counters, rising<lb />from the couch and wrapping her arms around him in the<lb />| tightest hug she can manage. oYou're right on time.�<lb />They pull away, and he turns his attention back to the map<lb />sheTs made for him, a tangible creation of a blur of sweat and<lb />sun that was his summer. He wants to tell her everything he<lb /><lb />saw and did, everything he didnTt tell her on the phone.<lb /><lb />Leaning against him, his younger sister no matter what age she is,<lb /><lb />her voice is hushed, hesitant. oI didnTt think you were coming home.�<lb />The faintest trace of a smile on his lips, he ruffles her<lb />hair and takes in the country he traveled and the days he<lb /><lb />didnTt lose after all. oFor a while there, neither did I.�<lb /><lb />66<lb /><lb /></p>
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          <lb />nd<lb /><lb />N<lb /><lb />LITERARY MAGAZINE<lb /><lb />ARTS<lb /><lb />NICHOLAS THIGPEN<lb /><lb /></p>
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          <lb />cm<lb /><lb />The Sixth Day<lb /><lb />What came to mind was the maple Bonnie and I planted when<lb />we first moved into our west Texas home. oDonTt dig the hole too<lb />deep or too narrow,� they said, oand donTt shake the dirt from<lb />the root ball or you'll be using the trunk for firewood.�<lb /><lb />We planted it for the kids we never had. We planted it for them to<lb />climb on and explore, for them to play pirates or hot lava or tea party<lb />or whatever they could dream up. We planted it for our grandkids, our<lb /><lb />great grandkids, and their great grandkids. It is a magnificent tree.<lb /><lb />I switched out the second propane tank for the third. Two to go.<lb /><lb />I checked the lines and couplings for leaks and found none. The<lb />remaining two tanks sat snug in their ropes, bound to the side of the<lb />dark wicker basket where I had tied, untied, and retied them almost a<lb />week ago. Their flaking red paint exposed the cold metal underneath;<lb />it had begun to rust. They looked like a pair of dirty fire hydrants.<lb /><lb />I checked the sandbags slung over the side, hanging like<lb />dead men at noon. They had not shifted during the night, still<lb />positioned like bombs to be dropped on Dresden. The GPs said<lb />I had not gone too far so I left the bags where they were.<lb /><lb />I took a swig of water from the large plastic jug. My supply<lb />was down to the final third. I knew because Bonnie had marked<lb />it with a red pen that read, oTime to turn around.�<lb /><lb />The thought of returning home was both warm and tragic. My trip<lb />has been wonderful no doubt, but everything comes to an end. Besides, I<lb />missed the fresh morning biscuits and endless rows of corn. I missed the<lb />sweet smell of hay and the baked potatoes dug out of the garden just a few<lb />hours before we lather them up with warm butter and wolf them down.<lb /><lb />The sun peaked over the horizon. With nothing between it and me,<lb /><lb />the rays shone with an unmatched intensity. I fished my shades out<lb /><lb />Ls:<lb /><lb />69<lb /><lb /></p>
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          <lb />of my breast pocket and settled them on my nose. Much better<lb /><lb />After my eyes adjusted I looked down at the warm quilt<lb />wadded up by my feet. Ma made it for me before I could tell<lb /><lb />my hands from my ass. It still smelled like mothballs.<lb /><lb />Below, I saw a river snaking through the subdivisions like a trapped<lb />copperhead. I thought about what Texas was like a few hundred<lb />years ago, barren yet full of life. Now it is full of concrete. As I looked<lb />down, I envisioned families dragging teepees behind them in the dirt,<lb />others building cabins, now they make the land into golf courses. Golf<lb />courses in the middle of the Texas desert. Stretches of land that take<lb />hundreds of thousands of gallons of water a day to maintain just so<lb /><lb />they can cut a four-inch hole in the ground and put a ball in it.<lb /><lb />| Hormel chili for breakfast today. Cold and right out of the can,<lb /><lb />just the way God intended. I ate slowly. There was no need to rush<lb /><lb />with food or anything else when you were floating a few thousand<lb /><lb />feet above the earth in a basket the size of an elevator. When I was<lb /><lb />done, I licked my spoon clean and put it back where it belonged.<lb />My elevation was rock steady at forty-five hundred feet as<lb /><lb />it had been all night. | lit the glow plug and purged the new<lb /><lb />70<lb />| propane tank to make sure everything was in order. The fire<lb /><lb />raced up the inside of the giant balloon, as it should.<lb /><lb />ia<lb /><lb />I was never much for knitting so I brought four blocks of poplar up here<lb />to carve and help pass the time. The first block became a carrot and at ughty<lb />fine carrot at that. I spent the first two days shaping and detailing the long<lb />root and was very pleased with the outcome. It was smooth, yet wrinkled,<lb />with a great mass of foliage on top that resembled a wooden tou ipee<lb /><lb />After the carrot came the bear. Sitting on his haunches, the bear<lb /><lb />was wise and strong, content to just observe and be present. His<lb /><lb />a eT a TT<lb /><lb />wooden arms hung by his sides ready for a big hug and his head was<lb /><lb />slightly cocked with one ear hanging lower then the other, giving the<lb /><lb />&gt;<lb /><lb />animal a rather comical expression of boyish wonder and curiosity.<lb /><lb />Beside the bear sat the goose, oGrandmother GooseT I liked to call<lb /><lb />her. She was gentle as a lamb as she sat v varming her invisible eggs.<lb />Her curved beak and long neck stretched high above her round body.<lb />The night before I carved her, I dreamt of crawling under masses<lb /><lb />of soft, warm feathers escaping all sensations, save comfort.<lb /><lb />[ picked up the fourth and final block, studying the swirl of the<lb /><lb />grain, looking for what was hidden underneath the surface. I once read<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 iil lez Ls: 14 ls<lb /></p>
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          <lb />that the Renaissance artist Michelangelo, instead of simply carving<lb />marble, used to release the figures trapped inside. I whittled the corners<lb />and edges off so I could feel the knife in the wood. It still cut well<lb /><lb />but could stand to be sharper. Again, no need to rush. I set the block<lb />down for further evaluation and picked up the sharpening stone.<lb /><lb />Back and forth, back and forth, the blade slid on the stone keeping the<lb />angle constant, evenly maintaining the edge. I peered over my left shoulder<lb />and was greeted by a formation of flying ducks heading south for winter.<lb />They honked ohello� and I honked back, glad to have some company, even if<lb />only for a brief moment. After they had sailed by, I returned my attention<lb /><lb />¥<lb /><lb />to the task at hand. Back and forth, to and fro, constant angle, even edge.<lb /><lb />I thought of the rocking horse sitting in my woodshop at home. It rocked<lb /><lb />as evenly as a grandfather clock ticking away the seconds. I was damned<lb /><lb />go<lb /><lb />roud of that rocking horse. I made it a few years ago from the most<lb />beautiful cherry I had ever come across: wood so pretty it would be a sin to<lb /><lb />paint. I looked at my creation and saw happiness and art. When I showed<lb /><lb /><lb /><lb />TS<lb /><lb />it to Bonnie she grew sad and said she did not want it in the house...<lb /><lb />I looked at the poplar block with no corners and edges and thought of<lb /><lb />carving a horse. I whittled away the rounded corners until I had a nice cylinder.<lb /><lb />I thought of the well at home, the well I had tried to build myself with some<lb />rented equipment. After a day in the library I thought I could build a well ina<lb />Sahara sand dune. I imagined the short stone wall, the cute little roof and the<lb />bucket going down light and coming up heavy and full. My attempt at digging<lb />lasted about an hour; by that time I had gotten dirtier then a pigTs armpit and<lb />successfully severed our underground power lines. Bonnie gave me hell since<lb /><lb />he had just been to the market and stocked the fridge. We laugh about it now.<lb /><lb />w 4<lb /><lb />I checked the elevation, no change. I checked the eps, I had hardly budged. I<lb />felt the block of wood in my hand, the smooth surface broken up by the ripple<lb />of knife marks. It felt solid as I tossed it back and forth, one hand then the<lb />next. I brought it up to my nose and took a sniff. I stuck out my tongue and<lb />gave it a taste. Bringing it back to my lap, I took out the knife and notched it<lb /><lb />three times down the side. The stability of a triangle, the strength of three, the<lb /><lb />ls<lb /><lb /></p>
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        <p>I had a job as a waiter when I was in college, when I met<lb /><lb />Bonnie. She was pregnant three months later and lost it three<lb /><lb />months after that. We never knew if it was a boy or a girl.<lb /><lb />I looked at the wood with the fresh notches. I slowly cut three horizontal<lb />rings deep into the surface. It reminded me of a totem pole. I rolled the<lb /><lb />work between my palms and stretched fingers. It felt nice and even.<lb /><lb />Bonnie never got pregnant again. We tried all the natural and scientific<lb />| i methods to no avail. The doctors studied her inside and out. Her diet, her<lb />family history, they even made her collect stool samples; they really did a<lb /><lb />number on her and could not find anything wrong. I jerked off in a cup and<lb /><lb />they said I was cherry. That was that. No babies for us and no explanation<lb /><lb />known to man. In the middle of all the madness we planted a maple tree.<lb /><lb />I touched the knife to the block. It felt good. It was right. It was<lb />sharp. I carved the word oNate� under one of the rings. I cradled<lb />the wood and studied the letters. My gaze moved lazily around the<lb />basket. The carrot, the bear, grandmother goose, and Nate. I set<lb />the statue beside the other three and drew them in as one.<lb />I checked the eps and the altimeter. I checked the sandbags and the<lb />- propane tanks. I checked the blanket, the spoon, the wood carvings,<lb /><lb />and the clouds. I scratched my head and sighed. Untying the release<lb /><lb />cable, | opened the top of the envelope and began descending.<lb /><lb /></p>
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          <lb />d rock<lb /><lb />[remember a longt<lb /><lb />me to sleep. She used t<lb /><lb />ing changed.<lb /><lb />dumpling and lambie pie. ~The<lb />Some hot shit he turned out to be. Fi ree months ago with empty<lb />pockets, a face full of bruises, and two ratty kids. What a son of a bitch. He<lb /><lb />said it would be better this way. A month later Mom took off after him.<lb /><lb />I sat fidgeting on my wooden chair, watching BobbyTs crusty scalp move<lb /><lb />side to side as he aimed the squirting ketchup onto the last of the stale bread.<lb /><lb />Two minutes ago I was scraping off mold before Bobby could come into the<lb />kitchen and complain. Even without the green fuzz, he probably won't eat it.<lb /><lb />While my mind was busy with thoughts of mold, mildew, and my brother,<lb />my idle hands found their way into my nose, scrounging for a worthy<lb />prize. Now that we had no electricity for the fans, the arid smell of fresh<lb />dust was everywhere, and there was a never-ending supply of dry prickly<lb />boogers always ripe for harvest. My finger dug deep to get behind a big<lb />one. I frowned when I saw the bloody thing that came out. As I wiped it<lb />under the table I thought of the school librarian lecturing us about the<lb />hairs that come out when we pick our noses and all the germs we'll breathe<lb />in without them. At least I donTt eat my boogers like Bobby does.<lb /><lb />As my brother played with his food, I thought about what to do<lb />with myself today. The first few weeks, we were on our own I would<lb />wake up with this motherly instinct to clean things, then I would plop<lb />down in front of the TV and never start cleaning. Now the house was<lb />beyond salvaging. With the well water acting up, no electricity, and no<lb />one to pick up after us, we lived in a stink of shit and dirty dishes.<lb /><lb />With the open windows and piles of filthy plates, cups and silverware,<lb />came the South Carolina bugs. The kitchen was infested with buzzing, black<lb />houseflies. Flies upon flies upon flies in our food, tickling our eyes, trying to<lb />crawl down our ears, plus we slept in a bed of roaches and mice. At least the<lb /><lb />crickets could break the silence; itTs funny what I have to be thankful for.<lb /><lb />gs like sugar<lb /><lb /><lb /><lb /><lb /><lb />Ls: 14 ls I<lb /></p>
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          <lb />76<lb /><lb />We had stopped going to school since Mom wasnTt there to drive us,<lb />and had yet to find anything to occupy the vast amounts of time we<lb />suddenly had on our hands. For a while we giggled and screamed and ran<lb />through the house naked, we ate all the fudge in MomTs hidden stash,<lb />we used to think it was fun" that part of the vacation was over.<lb /><lb />I got up from the table searching for something with any entertainment<lb />value. My eyes rested on the broom in the corner that hadnTt been touched<lb /><lb />in eons. I shuffled across the wooden floor and wrapped my grungy fingers<lb /><lb />around my new weapon<lb />: Sensing my<lb />shenanigans, Bobby jumped from his perch, knocking bread and ketchup off<lb />the table, and bolted out the back door. Without a dragon to slay, I twirled<lb />the lance above my head and targeted the nearest stack of dirty plates.<lb /><lb />WAAOOOOMP!<lb /><lb />Plates, dirt, food, and a colony of flies smashed on the floor with<lb />a tremendous crash. Before I could assess the damage, I abandoned<lb />my weapon and darted toward the back door, my only refuge from<lb />the pissed-off flies and the putrid stench of rotting food.<lb /><lb />Bobby greeted me outside with an |-didnTt-do-it look on his face which<lb />made me giggle a bit considering it didnTt matter if we burned the place<lb />down. I couldnTt remember the last time | had let out a good laugh.<lb /><lb />oWhat'd you do that for?� Bobby whined.<lb /><lb />I shrugged and kicked a dandelion with my bare foot. The sun blazed<lb />as I waited for my eyes to adjust. oI guess we can't go in the kitchen<lb />for a bit,� I said thinking of the plague of flies and moldy stench.<lb /><lb />oWell, what are we going to eat?� Bobby was always whining, owhyTs it so<lb />hot? WhereTs Mom?� As if I had the answer to any of his stupid questions.<lb /><lb />oTll go catch us a big olT coon and we'll fry it up with some<lb />corn and maple syrup.� I'd never cooked a day in my life.<lb /><lb />Bobby harrumphed, put on his pouty face, and started walking around<lb /><lb />the house looking for a safe way in. The seriousness of my brotherTs<lb /><lb />_ question slowly entered my brain. We had been able to live off Ramen,<lb /><lb />canned goods, and well water for a while but our resources were running<lb />pretty slim, plus we were sick of eating the same shit, day in and day out.<lb />My dreams were haunted by food, real food, stacks of sweet strawberry<lb />pancakes oozing with melted butter and sticky syrupy bliss, a dozen<lb /><lb />fried eggs, plates full of greasy bacon and a gallon of cold orange juice.<lb /><lb />Later in the day, after longing for fried flounder and peppered catfish, |<lb />decided I should test my luck in the fishing hole. Though it sounds nice, I<lb /><lb />actually hated that place because itTs where Ralph would go to get drunk.<lb /><lb /></p>
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          <lb />cm<lb /><lb />from the house that even a shrill yell couldnTt travel the distance.<lb /><lb />He would come stumbling out of the woods with a quarter bottle of whiskey,<lb />a few crappie and fiery bloodshot eyes searching for either someone to love<lb />on or something to yell at. In either case, Bobby and I made it a point to be<lb />invisible, leaving Mom to the mercy of whatever wrath he felt like dealing out.<lb />After digging around the tool shed for a bit, ITd managed to find the old<lb />bamboo pole Ralphy liked to use. He said it had good whipping action, I<lb />never knew if it was a threat or just a comment. Lucky for me, there was a<lb />few feet of line and a rusty hook rigged up and ready to go. Thanks, Ralph.<lb />Since I'd never done much fishing, my stepdad liked to be alone when he<lb />went. I couldn't think of anything else I needed to bring, so with the old pole,<lb />two bare feet, and MamaTs straw hat, I headed off to the watering hole.<lb />The thick, summer air hung still while mosquitoes feasted on my body,<lb />like kids at a Viking smorgasbord. I could tell by the look of the sun, that it<lb />was past midday and should be cooling off soon. As the birds chirped and<lb />the leaves crackled under my feet, I thought of nothing; it was nice to have<lb />an empty head. When I arrived at the little pond it was clear why Ralph liked<lb />to come here. It was surrounded by birch and whispering pines so thick I<lb /><lb />couldn't see twenty yards past the edge of the water, plus I was far enough<lb /><lb />inding a I discovered the wood was soft and full of little<lb />red centipedes and grey roly-polies, neither of which would fit well on the .<lb />hook. After digging for a bit and thinking about going back to the house for<lb />some roaches, I found what I was looking for. An earthworm that could have<lb />easily been mistaken for a small snake appeared near the bottom of the log.<lb />Just waiting for me to come along and pluck it up. I broke it in four pieces,<lb />speared one on the hook, and wrapped the rest in a big green leaf for later.<lb />I was feeling pretty confident as I dropped the line in the water. A<lb /><lb />fish was sure to bite, this worm was so big and juicy, I'd bring home a<lb /><lb />bass we could eat on for a week. | imagined wrestling a catfish so big<lb /><lb />we wouldn't even cook it. I'd call the newspaper, and they'd write a long<lb />story about a pretty little girl catching such a big fish and give us tons<lb />of money, and Bobby and I would buy a beautiful house in a big city and<lb />live happily ever after eating fudge and laughing about the fish Ralphy<lb />could never catch. I grinned as I watched the line for the first tug.<lb /><lb />Sure as the sun is bright, as soon as that hook hit the bottom, the line went<lb />taut, the pole jerked forward and I yanked with all my might. Unfortunately, my<lb />excitement got the better of me and my big tug left me with an empty hook and<lb />no fish. With my heart pounding, I dug in the leaf and pulled out another piece<lb />of worm. After spearing the wiggling creature and wiping the guts and blood on<lb /><lb />my shirt, I tossed the loaded trap into the water and waited for the next hit.<lb /><lb />i<lb /></p>
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          <lb />78<lb /><lb />Minutes felt like hours. The sun had hardly moved since I got here<lb />so I figured my lack of patience was getting the better of me, but I'll<lb />be damned if it doesnTt seem like every fish in the pond suddenly<lb />lost its appetite for worm. With my frustration building, I lifted the<lb />hook out of the water only to find it gleaming in the sunlight and bare<lb />as my own two feet. I haphazardly snatched another worm chunk,<lb />loaded it up, and sent it out into the depths of the warm water.<lb /><lb />There it sat, just long enough for me to think about checking my bait<lb />again, and before I could draw up the line, the hook was sucked up by an<lb />unfortunate creature. I pulled it out of the water, slung it onto a pile of<lb />dirt, and I found myself one crappie richer then I was before. This fish<lb /><lb />really lived up to its name. It was no bigger then the palm of my hand and<lb /><lb /><lb /><lb />was ugly as a beaten baby, but hell, I'd caught one. |<lb /><lb />: 4 I watched as the creatureTs life disappeared,<lb />the eyes glazed over, and the limp body stiffened. I walked over, picked<lb /><lb />up the slimy fish, and said a short prayer to a God I didnTt know.<lb /><lb />oWhat are we gonna do with that?� Bobby and his damned questions again.<lb /><lb />oItTs supper,� I said as I dropped the fish on the filthy table. The stench<lb />in the kitchen was worse then ever, but at least the flies had died back<lb />down and resumed their normal routine of buzzing near the sink. The<lb />plates remained untouched, strewn about on the dusty wooden floor.<lb />I searched around the rubble and found the cleaver I had been playing<lb />with the other day. I didnTt really know where to begin or what I was<lb />doing, but I didnTt want to hear any more complaints from my brother.<lb /><lb />Without turning from the fish, I told Bobby to find some oil and flour.<lb />He just stood there squirming like he was going to pee his pants with<lb />anticipation. I didnTt even notice. I was too busy gathering my strength<lb />and taking aim at my target. Before I was satisfied, I breathed in a lung full<lb />of air and took a mighty chop at the tail. My aim was a little off, and I was<lb />left with two even halves of a crappie and a big mark in the kitchen table. |<lb />exhaled and quickly shot Bobby a look before he could say anything, then<lb />returned my attention to the mess I was making. Guts, blood and more<lb />guts trickled out of the decaying corpse onto the tabletop. I never would<lb />have imagined so much liquid could fit in such a small body. Mom would<lb />have shit herself; Ralph would have turned the cleaver on me. Bobby and<lb />I watched in silence, no doubt sharing the same miserable thoughts.<lb /><lb />The more I looked at it, the more depressed I felt. The blow had angled<lb /><lb />the fish so I could see the grisly look of death and sin deep in its eyes.<lb /><lb />Those lifeless eyes, black as smoke at midnight. They never blinked or<lb /><lb /></p>
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          <lb />faltered their gaze. They churned my stomach and filled my lungs with<lb />all the hatred and disgust this life had taught me. Acid pumped through<lb />my veins. I saw my knotted fingers wrapped around the cold metal<lb /><lb />and thought about how the blade would feel buried in solid flesh. How<lb />easily the edge could end life. I turned and eyed Bobby with his pencil<lb />neck and his soft ribs. His stupid mouth flapped open and closed like a<lb />broken toy. I swung the knife again. With a sickening thunk of cracking<lb /><lb />bones and spewing entrails, the blade smashed into the fish head.<lb /><lb />Later that night, I sent my brother outside with a bag of |<lb />clothes. When I was sure he was out, I dragged our mattress<lb /><lb />into the middle of the house and set in on fire.<lb /><lb />cm 1 Pa 3 4 © 6 at 8 g 10 deal eZ Ls: 14 ls i<lb /></p>
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          <lb />hm<lb /><lb />IAN GILLESPIE<lb /><lb />80<lb /><lb />a LAL TIO<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />}<lb />|<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14 ls I<lb /></p>
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          <lb />Why so smug, Mr. King?� came the hesitant voice of Father Time who stood<lb />tall and frail in front of the blackboard. The heads that were previously focusing<lb />on the chalky proof now turned to look at Joe King, the acclaimed opurveyor<lb />of science� of Westin University. He whisked his hair from the front of his<lb />face and sat up quickly, in complete knowledge of his widespread attention.<lb />There used to be laughter whenever heTd inject his beliefs into the lectures,<lb />but over time they began to realize that perhaps he was right about what he<lb />was saying. There wasnTt any laughter the day he proved his teacherTs proof<lb />wrong about GodTs existence. Joe had a knack for peeling away the layers<lb />of the various proofs that Father Time hypothesized on the chalkboard.<lb /><lb />oWell, if we truly did live after death, how could we possibly be able to<lb />sense anything?� he said as he folded his arms on top of each other across<lb />the desk. The heads turned to Father Time, who shuffled his feet towards<lb />the door, collecting his thoughts. The dayTs discussion, about whether<lb />reincarnation is possible, had been boring for most of the students to<lb />this point. But there was always that lingering hope that Joe King would<lb />raise his hand and administer life into the dull lectures. He continued with<lb />his speech, mouthing every word with precision and care. Each person<lb />turned back to Joe King and burned holes into the back of his head.<lb /><lb />oI mean, our bodies do not transcend any type of path that our soul<lb />would. How can they? We bury those bodies underneath the very soil<lb />that we walk over. Unless youTre telling me that we gain another body<lb />after death, then thereTs no way that we'd be able sense our surroundings.<lb />Without eyes, we cannot see where we are going or who is with us. Without<lb />our ears we cannot hear anything, whether it be the voice of God or the<lb />voice of our deceased grandparents. And to say that we communicate using<lb />some sort of electric impulses"well, how do those impulses travel? We<lb />do not have a body, no brain to sense any rhythm with. And if we could<lb />send electric impulses, then what prohibits that ability right now?�<lb /><lb />Father TimeTs eyebrows dropped with fatigue. oWon't this kid ever shut<lb /><lb />up?� His mind built up an argument, taking information from the different<lb /><lb />ls<lb /><lb /></p>
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          <lb />82<lb /><lb />filing cabinets of his brain. Joe King quickly sat back in his chair, satisfied<lb />with his dispute. His hands shot behind his head, where he held his short<lb />curled hair in his palms. His eyes flickered quickly to the corner of the<lb /><lb />room, and his attention was stolen temporarily from Father Time.<lb /><lb />ig Each panel was almost a foot in size,<lb />so the spill was quite large. The thought of water flashed through his head<lb />quickly, the visual image of a loose pipe. After class heTd tell Father Time,<lb />who~ notify a janitor or someone. It wasnTt any of JoeTs business. Father<lb />Time drew in a long breath and expelled his attack on Joe KingTs philosophy.<lb />oThe religious view of death is resurrection, of both the mind and the body.<lb />But to say that the same matter that makes up your body now would live on<lb />after death is false. The matter of your body is constantly changing, throwing<lb />away the filth and birthing new matter. Perhaps the soul can resurrect<lb />itself in a new place, such as your souls starting here, on Earth. Maybe<lb />your soul continued its journey on Earth. Maybe your soul will conclude in<lb /><lb />Heaven, or perhaps your soul cycles itself and lives again in this world.�<lb /><lb />Joe shot up from his arched frame, erecting his body in the seat. His eyes<lb />lit with fire as he began to anticipate the victory. With his knife and fork in<lb />each hand, he began his tirade. Father Time could only sit down in his chair,<lb />content with his own dispel of information. HeTd had enough of this little<lb />shit, this kid who always felt that it was his duty to question every single<lb />remark that he'd sound off. Even the slightest unbelievable statement would<lb />spark an onslaught of intellectual performance. Father Time had once loved<lb />his craft, his art of lecturing these bits and pieces of intellectual education.<lb />But this kid took all that heTd ever once loved and kicked it into the sun.<lb /><lb />oLet's put this into perspective: the humanTs mind cannot grasp certain<lb />amounts of information. When our bodyTs computer is processing too much<lb />data, we tend to feel faint and heated. This is a headache. Some people<lb />find that their ability to sponge information wears them down, leading to<lb />death. So tell me, how can we possibly live forever when we are not able<lb />to even grasp one lifetime's worth of memories? How are we able to go for<lb />infinity without a migraine if we cannot go one month without one?�<lb /><lb />As if in an art gallery, the heads shifted from one piece of art to another.<lb />Like a courtroom, the silence was overbearing on the two debaters. It was<lb />worse for Father Time, who felt like he was in a cage being whipped. Father<lb />Time, the nickname for the aging professor of philosophy. Ever since five<lb />years ago, when he suffered his second stroke, heTd joke around calling himself<lb />oFather Time�. To his dismay, the name picked up and now every student in<lb /><lb />his classes would call him the name. Father Time drew in his breath once more<lb /><lb />and looked to young Joe King, who sat in his desk with the presence of a god.<lb /><lb /></p>
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          <lb />cm<lb /><lb />oYou are appealing to the idea that the brain transcends the<lb />connection between this world and the next, but I never said that<lb />the brain lives. WeTre not sure about how the soul exists. Or where it<lb />is. Still, your mind is able to intelligently construct ideas and beliefs<lb /><lb />about flowers, mothers, and colors. When you see a pink flower,<lb /><lb />the statement of oa pink flower� comes to your mind, right?�<lb /><lb />Joe bit his lip in bliss, acknowledging the fact that Father Time was<lb />spewing out bullshit now. He had no idea how to back up these ideas, he<lb />only knew how to profess them to the uneducated mass that sat in the<lb />classroom. Well Joe King, the opurveyor of science� at Westin University,<lb />would shine a light into this darkness. He began his banter in accord<lb />with Father Time, and then quickly shot into a different direction.<lb /><lb />oWe do not know where the soul is. Or what it is. Or how it works! To say<lb />that it can live on after death is completely immature and stubborn. You<lb />know nothing about this concept of the soul yet you are so completely able<lb />to define what it will do in the future. Thousands of years ago, the concept of<lb />stars worked in the same way. But they werenTt stars back then. They were the<lb />eyes of gods. They were watching us. Protecting us. But oh, suddenly we look<lb />at one and wow! ItTs a planet! ItTs a body of rock just like our own! The point is,<lb />itTs daft to make conclusions on things we know nothing about. My evidence<lb /><lb />is our own history, our own decisions on ideas that we know nothing about.�<lb /><lb />2<lb /><lb />The sound of footsteps passing outside the classroom was<lb /><lb />the only sound wave to break the silent barrier. One kid at the back<lb />of the room let out a loud owhoa�, which sat thickly on the air above<lb />the pupils. Joe King felt the silence and loved every moment of it. His<lb />eyes shifted from Father Time to the corner of the room once more.<lb />He sat up straight, his eyes fiercely held not in awe, but in concern.<lb /><lb />The blemish had grown! JoeTs eyes followed the stain, which had spread<lb />from the corner to the center of the room! It was only six feet from<lb />where he was sitting, on the right side of the classroom. It was strange<lb />though as the substance didnTt look wet. Nothing was dripping and<lb />nothing was too bizarre, other than the fact of how fast it'd spread.<lb /><lb />Something strange... the rate it had spread meant that it should<lb />be spreading a foot every minute! It wasnTt moving right now, it had<lb />stopped its pace. Joe had strained all his thoughts on this spot that he<lb />JidnTt notice Father Time go into his refute. The growing monstrous<lb />blot on the ceiling was all that Joe King could concentrate on.<lb /><lb />_ Man was built far superior to any living thing that has ever preceded<lb /><lb />it. We are able to make logical decisions. We have built a language that is<lb /><lb />brilliantly designed to accustom every single concept of the universe.�<lb /><lb /></p>
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          <lb />84<lb /><lb />Father Time looked over to Joe, who was away in his own thoughts. He took<lb />this chance to continue his lecture and free himself from this horrible dispute.<lb />Maybe a few drinks tonight would help heal his wounds. Only ten more classes<lb />until Winter Break, which meant a new class of manipulative little minions.<lb /><lb />oBut, we must move on.� Joe King frowned deeply upon hearing<lb />this, acknowledging his inability to control how they structured the<lb />lecture. If it was the teacherTs command to continue the lecture, it was<lb />the studentsT response to listen. Perhaps Joe someday would teach a<lb />few classes, just to spite the manipulative spirit of Father Time.<lb /><lb />The lecturer rambled on for a few more minutes until King remembered<lb />the lively stain on the ceiling. His eyes swept the classroom, realizing the<lb />whole ceiling was sick with this disease. He shot out of his desk, knocking<lb />over his books and pencil. Father Time abruptly stopped the lecture and<lb />turned around to scream at whoever had interrupted him. The other students<lb />looked with equal wonder at who and why someone had screamed. They saw<lb /><lb />young Joe King, standing against the wall, pointing above them to the roof.<lb /><lb /><lb /><lb />only taken up a different color, but it had taken up a life form. The roof<lb />sagged with weight, bouncing up and down. Everyone immediately<lb />rose from the seats, screaming with anxiety and fear. Father Time<lb /><lb />only sat with thoughtful eyes, his mind running across fields.<lb /><lb />oWhat is it?�<lb /><lb />oGet out! Everyone get out!�<lb /><lb />oIs it going to fall?�<lb /><lb />oOh my God! Oh my God!�<lb /><lb />The sound of screeching desks and shoving bodies was all they heard.<lb />Then came a large cracking noise, followed by a strange blip blip blip.<lb />Without warning, the brown monster came shattering to the floor,<lb />crushing bodies against the floor. Grunts administered as heads cracked.<lb />Dust flew in all directions as the ceiling imploded under the weight.<lb /><lb />Doors in other classes began opening instantly, teachers erupting<lb />from their rooms with concern. The noise had shaken the whole<lb />building! They ran to each other, counting heads and asking questions.<lb />Within a few seconds, it was apparent that Father Time wasnTt in<lb />attendance. They bolted down the hallway, three doors down, where<lb />dust was filtering out from underneath the door. A red liquid also slowly<lb />poured from underneath, telling the story of what had happened.<lb /><lb />The first teacher grabbed for the door handle and turned the<lb /><lb />handle. He tried to open it, but too many bodies were massed at<lb /><lb />the door. They began to slam their shoulders into the door, but to<lb /><lb /></p>
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        <p>cm<lb /><lb />no avail. Students and teachers huddled around the door, looking<lb />through the tiny rectangular window. The dust was still flying about,<lb />attempting to rest on the mass of bodies and plaster on the floor.<lb /><lb />oThereTs someone!� shouted one of the teachers, who instinctively<lb />began to bang on the door. They shouted, calling out for one<lb />student who stood alone on the other side of the classroom.<lb /><lb />oThatTs Joe King!� shouted out one of the kids behind the teachers. They<lb />began calling his name, but he only stood like a gargoyle, looking upon<lb />the death and destruction that had just happened inside the classroom.<lb /><lb />No one saw any brown monster or liquid on the plaster. The only color, other<lb />than the white dust and ceiling plaster, was red liquid seeping between the<lb />ceiling tiles. That catalyst of the destruction had left as quickly as it had come.<lb /><lb />But they did see young Joe King, the opurveyor<lb /><lb />of science� of Westin University.<lb /><lb />They saw Joe King crying,<lb /><lb />Ls:<lb /><lb />14<lb /><lb />ls<lb /><lb />iL<lb /></p>
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          <lb />cm<lb /><lb />3rd<lb /><lb />WHITNEY HOLLAND<lb /><lb />letterpress<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />10<lb /><lb />iil<lb /><lb />lee<lb /><lb />Ls:<lb /><lb />14<lb /><lb />cd<lb /><lb />ils<lb /><lb />Its<lb /></p>
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          <lb />I sat, cramped in a small trailer next to my three older male cousins<lb /><lb />a pop-up table in the corner. There was not enough space for my<lb /><lb />~ire family in the trailer so the extended relatives sat outside. |<lb /><lb />ked around at the small home and thought to myself, oI must make<lb />re of myself than this.� My three cousins were your stereotypical<lb /><lb />ood olT southern boys, who just made it out of high school.<lb /><lb />One of my cousins turned to me and asked, oSo what grade are you in again?�<lb />oFourth.�<lb /><lb />oHow're your grades?�<lb /><lb />oThey are good.�<lb /><lb />oI bet theyTre all ATs.� My three cousins laughed and commented on 133<lb />how they had never seen an A in their lives. They did what they could to<lb />get by, like watching a movie instead of reading a book. They were not<lb />jealous but proud of their only girl cousin, who happened to be smart.<lb />oYeah, but itTs more than that. I am considered academically gifted<lb /><lb />, and get to take special classes.� My enthusiasm for school bubbled<lb />r, and I launched into a detailed explanation of projects that I was<lb />loing and books that I was reading. Around my country relatives,<lb /><lb />my accent was not noticed or commented upon. Only around non-<lb />Southerners did I find myself questioning my pronunciation of words.<lb />My three cousins allowed me to go on for a few minutes. A shared<lb /><lb />nk expression that denoted their lack of understanding was<lb /><lb />d on all three faces. One of my cousins, Kel, finally spoke.<lb /><lb />~We're proud of you, but ITm afraid we just aren't following your<lb />choolinT. I mean we had one type of class for everybody at our school.<lb />Charlotte must have some fancy classes or somethinT. Out here in the<lb />cun-tree, we just donTt have stuff like that.� My cousins grew up in Holly<lb />idge, about an hour away from Wilmington. They are part of my dad's<lb />e of the family, which originates from Rocky Mount, North Carolina.<lb />ey quickly changed the topic while I sat there in silence. How<lb /><lb />could they not be interested in school? I prided myself on achieving<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 iil lez Ls: 14 ls<lb /><lb /></p>
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          <lb />|<lb />|<lb /><lb />134<lb /><lb />good grades in school and already planned to attend college one<lb /><lb />day. Why did they want to remain ignorant country yokels?<lb /><lb />Every time my family makes the four-and-a-half hour drive down to the<lb />eastern part of North Carolina I experience similar ignorance from both<lb />my mom and dadTs side of the family. My parents always make sure to<lb />point out my relatives as examples of what can happen to someone who<lb />does not have a college education. They explain to me that they were first-<lb /><lb />generation college graduates, and that I must continue the tradition.<lb /><lb />I was an innocent middle school, sixth grade girl. I stood in my<lb />classroom on a warm summer day conversing with a boy from my class.<lb />For whatever reason, | decided to talk to this boy named Stephen. I was<lb />not overly fond of him as a person because he was often loud, causing<lb />classroom disruption over something unimportant. Plus his name wasnTt<lb />pronounced phonetically; the eTs in his name were short and said with<lb />an oif.� However, I was known to be quiet, friendly, and nice. I obviously<lb />could not break this established expectation, so I talked to him.<lb /><lb />We were discussing something unimportant, when he stopped in the<lb />middle of the conversation. Stephen exclaimed in a voice loud enough for<lb />the entire class to hear, oYou have the biggest Southern accent that I have<lb />ever heard.� Everyone turned around in the class to stare at me, and I was<lb />suddenly embarrassed by something that I had never noticed before. I had<lb />always thought that my Southern accent was normal or mild compared to<lb />a lot of people I knew. I guess I forgot that I was in Charlotte where many<lb />people were not from the South. I was comparing my accent to my Southern<lb />relatives from the country, many of whom spoke with more of this trait.<lb /><lb />I assumed the issue of my obig� Southern accent was over. The next day<lb />as I was standing in the lunch line, I noticed Stephen talking to two or three<lb />girls. I overheard the conversation and realized that he was telling them about<lb />my accent! I could not believe it. No one had ever had a problem with my<lb />Southern accent in the past. Stephen proceeded to say, oIn all the years that |<lb />have lived in Charlotte, I have never met anyone with an accent like AshleyTs.�<lb />Well, in all the years I had lived in Charlotte, no one had ever commented on<lb />my accent. | assumed that he was from the North and clearly had never heard<lb />someone with a strong Southern accent. He was an outsider to the community<lb />of the Southern dialect. I felt that since he was not familiar with the dialect,<lb />he really should not have commented on my accent. Everyone else agreed with<lb />him in the lunch line. They all turned to me and encouraged me to pronounce<lb />certain words that they knew would probably demonstrate my accent. |<lb /><lb />wanted to clam up. Why was | the only Southerner around when I was ina<lb /><lb /></p>
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        <p>cm<lb /><lb />region of the South? I caved in to the peer pressure and pronounced the words.<lb /><lb />te<lb /><lb />Say several.�<lb />oServe-al.�<lb /><lb />oSay tobacco.�<lb /><lb />oTobacca.�<lb /><lb />oSay library.�<lb /><lb />oLie-berry.�<lb /><lb />Everyone said, oAgain. Again.� After about the third time saying<lb />the same word, I was done with this game. I felt humiliated.<lb /><lb />Everyone giggled, as though I was a circus anomaly.<lb /><lb />This event propelled me towards correcting my Southern dialect. I was<lb />suddenly aware of how many words in my vocabulary had an accent attached<lb />to their pronunciation. I mentally documented anytime I discovered that<lb />a word | thought was pronounced a certain way, was in fact pronounced<lb />another. I kept a mental inventory of those words and practiced saying them<lb /><lb />correctly on my own. | wanted to sound intelligent and be able to converse<lb /><lb />in ostandardized� English.<lb /><lb />Debate was an organization that helped me hone my speaking skills<lb />to a more ostandardized� form. Debate was the one setting where my<lb />Southern dialect did not affect the way that others interacted with me.<lb />As one of the few females in a predominantly male division of the Debate<lb />tournaments, I found myself respected after I gave one speech in my<lb />Chamber. I had chosen the Congressional event at the Debate tournament<lb />because it was a more professional and realistic mode of public speaking.<lb />In the rooms where we competed, called Chambers, everyone was expected<lb />to dress in formal business attire and refer to one another as Senator or<lb />Representative. Before we arrived at the tournament, we all received packets<lb />that detailed the resolutions or bills that we would debate in the Chamber.<lb />Other male teammates from my school respected my ability to speak on<lb />an award-winning level that equaled or bettered their performances. Every<lb />tournament | put on my professional identity, assuming the role of the<lb />well-prepared and well-spoken Congresswoman. I prided myself on my<lb />ability to present speeches in a clear, and to my knowledge, accent-free<lb />voice. In the past year and a half, I had trained myself to adopt a voice<lb />that could pronounce words with little to no accent. My voice was deeper<lb /><lb />and carried with it an air of authority. I was not to be trifled with.<lb /><lb />And it was with this confident attitude that I presented my speeches in<lb />my Chamber at Harvard. Yes, the best high school debaters were allowed to<lb /><lb />enter the halls of the famed institution that represented the societal standard<lb /><lb />igo<lb /><lb />ls<lb /><lb /></p>
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          <lb />136<lb /><lb />of high-quality education. After a time where each person struggled to gain<lb />the right to present his/her speeches, the session of Congress was over and<lb />we all took a break. I usually took control of a chamber quickly, and was<lb />disheartened to discover that no one really appeared to be a leader in our<lb />chamber. We were the best debaters in the country, all holed up in one room,<lb />vying for the right to proceed to the next level of debate. A girl from my<lb />chamber came over to me after the session and peered at me with a look that<lb />definitely did not convey the normal competitorTs air of perusal. She looked<lb />at me as though I were just the cutest stuffed teddy bear she had ever seen.<lb /><lb />She remarked in a clearly Northern accent, oYou just have<lb /><lb /><lb /><lb />the cutest Southern accent. Where are you from?�<lb /><lb />I thought that while I maybe had not articulated my<lb />point as well as possible, my voice had at least been unaccented.<lb />She stood there waiting for my response while I struggled to recover from<lb />my dumbfounded shock. I mumbled, oNorth Carolina. Where are you from?�<lb />oNew York City.� She looked satisfied that her assumption that I was<lb />from the South had been confirmed. She walked off with her friend<lb />while I was left to figure out how my speech had been Southern.<lb />She had meant the comment as a compliment, actually liking my accent.<lb />If the comment had occurred on the streets of Boston, then I probably<lb />would not have minded, but the fact that my Southern accent had managed<lb />to creep into my speeches disrupted her good intentions. My Southern<lb />identity and my professional identity were supposed to remain separate.<lb />I asked other people from my school about this comment and soon found<lb />myself angry over the supposed compliment. She must have thought<lb />my speeches were Southern just because she was from New York. She<lb />clearly had an accent too. Her accent influenced her speech as well. She<lb />had probably never been to the South and heard a real Southern accent. I<lb />chalked the comment up to ignorance and grew angry over the idea that<lb />Northern speech was superior to Southern. Who were Northerners to<lb />dictate the correct pronunciation of words, when many of them had accents<lb />as well? Shouldn't they strive to rid their accents from their voices? No,<lb />only the Southerners had to worry about being viewed as incompetent.<lb />I did not proceed to the second round of debate. I thought that I had<lb />presented strong arguments in my speeches, but it was so very hard to<lb />tell. Could the judges understand what I was trying to say? I hoped so.<lb />The next day, I received my feedback sheets from the judges. I had excellent<lb />scores on my speeches. Most of them were near perfect. The deciding factor for<lb /><lb />winners most likely dealt with the judgesT memories and personal preferences<lb /><lb />on participation in the chamber. I guess my accent had not hindered my<lb /><lb /></p>
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          <lb />speeches at all. No written comments were made about my accent. I just lived<lb />with that inevitable fear. I must have failed to make myself noticeable enough<lb /><lb />in a chamber where every word counted and everyone fought to be heard.<lb /><lb />It was a bright, sunny day. I walked hand-in-hand with my boyfriend<lb />of two years, Brandon. BrandonTs family was from Ohio. Brandon<lb />always said, oI was born in the South, but am Ohio raised.� He did not<lb />have much of an accent, but if there ever was one, it was Northern.<lb /><lb />We walked into the mall past a family. The people in the family were<lb />carrying on in loud Southern accents, laughing and yelling.<lb /><lb />oJimmy-Anne, wereTs your mama?� yelled one man.<lb /><lb />oTalkinT to that lady from her work.� Jimmy-Anne<lb />pointed in the direction of her mother.<lb /><lb />oWell, you had better go and tell her to come along. We ain't<lb />waitinT much longer. Everybody's gettinT impatient.� Jimmy-<lb /><lb />Anne ran over to her mother to deliver the message.<lb /><lb />Brandon shook his head, cringing as he did so.<lb /><lb />oWhatTs wrong?� I asked him.<lb /><lb />oI canTt stand their accents. ItTs grating to the ears.� Brandon replied.<lb /><lb />oWell, what about my accent. ItTs Southern. Does it bother you?� I<lb />was concerned. I had always tried my best to eliminate this problem,<lb />and here it was again. Just when I thought that it could not get<lb /><lb />worse. My boyfriend, of all people, must only tolerate my accent.<lb /><lb />Brandon stopped walking and turned my face up to look into his eyes.<lb /><lb />There is a difference between someone with an educated Southern<lb />accent, and someone with a redneck accent. And yours is clearly not redneck.�<lb />I smiled brilliantly. Finally, there was someone who understood<lb />the difference in Southern accents! I felt that all my hard work had<lb />paid off. I realized that I never really had a problem with being from<lb />the South; I just did not want to be viewed as unintelligent.<lb />I turned to Brandon. oWant to go to the the-ate-her later on?�<lb />Brandon smiled and shook his head over my obvious<lb /><lb />mispronunciation of the word theater. oWhatever you want.T<lb /><lb />I still speak with a Southern accent in my day-to-day life. I no longer<lb />feel as though the world is against my speech. However, I am able to<lb />recognize the appropriate situations where my formal speaking voice is<lb />needed so that others can better understand me. Everyone is not from<lb />the South and may struggle to understand certain words. I do not think<lb /><lb />that all Northerners view Southerners as illiterate. Instead, the Northern<lb /><lb />Ls:<lb /><lb />14<lb /><lb />ls<lb /><lb /></p>
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          <lb />dialect is faster moving with more emphasis on vowels. Southern speech is<lb /><lb />slower and more drawn out. To a Northerner, anyone who does not speak<lb />quickly must have some sort of learning deficiency. Yet, Southern society<lb />does not feel the need for the imminent rush in speaking because we are<lb />more concerned about people's feelings and emotions. This difference in<lb />dialect extends into a difference in regional ways of life. | have learned<lb /><lb />to understand these differences in society and incorporate these ideas<lb />into how I view my accent. Speech-giving always requires a degree of<lb />professionalism which includes speaking in a ostandardized� way that<lb />everyone can understand. It does not mean that anyone who does not<lb /><lb />speak this way all the time is any less educated. I have realized the distinct<lb /><lb />difference between my professional identity and my Southern identity.<lb /><lb /></p>
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          <lb />140<lb /><lb />nd<lb /><lb />AMANDA SCOTT<lb /><lb />ARTS<lb /><lb />LITERARY MAGAZINE<lb /><lb /></p>
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          <lb />As I stare at the light brown maple piano that rests against the blank<lb />wall in my house, my eye jumps back and forth in reaction to the sunTs<lb />random reflections off its wooden surface. Everything is silent while I<lb />sit on the pianoTs matching bench. The smooth feeling of the black and<lb />white keys on the tips of my fingers causes my mind to wander to a time<lb />almost eight years earlier when I did not sit on this bench alone.<lb /><lb />My grandma used to sit next to me and play the harder portion of oHeart |<lb />and Soul� while I played the easy part. This tradition was repeated multiple<lb /><lb />times during my visits to Virginia, which helped seize my persistent begging.<lb /><lb />complex and ear-appetizing melodies filled the room every time her fingers<lb /><lb />[loved watching my grandma play music. It had always amazed me how such<lb />141 |<lb /><lb />touched those keys. I thought of her talent being somewhat related to speaking<lb />a different language and beyond my skill level. She lived in an apartment by<lb />herself because my grandpa, Bill, had passed away a decade before my birth.<lb />The apartment air was filled with the smell of cigarette smoke and perfume<lb />permanently lodged in my memory. Jane, my grandma, was a short woman, a<lb />trait most of the Scotts owned. She was in her sixties with a body composition<lb />that had become less thin over the years. Her head was covered with short<lb />gray hair, the kind of gray hair that is soft, shiny, and reflective of more than<lb />one value. Most days, she wore dressy shirts with knee length skirts, hose, and<lb />short heels that matched her outfit. She never left the apartment without her<lb />| complementary earrings and necklace, most frequently pearls. | had concluded<lb />that her favoritism towards formal attire was a product of the life she had<lb />presenting herself as a teacher. Being her granddaughter, I knew the other side<lb />of her closet. When she did dress casually, it was in stretch cotton pants, flat<lb />slip-on shoes, and a t-shirt. She must have had every color because her apparel<lb />always coordinated. The accessories stayed with her regardless of her outfit<lb />genre. The final touch that completed her look was red lipstick. Unlike a lot<lb />of people, she looked classy and elegant when her lips were colored. She had<lb /><lb />other appealing traits that were placed beneath the surface but easy to find.<lb /><lb />cm 1 z 3 4 © 6 at 8 2 10 deal lez Ls: 14 ls<lb /></p>
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          <lb />142<lb /><lb /><lb /><lb />She was blessed with characteristics that were apparent in her mannerisms.<lb />Her strength and wisdom were admirable in themselves. She handled<lb />problems alone without concerning others. The love she displayed for<lb />her family was inspiring and made me proud to be a part of it. She could<lb />be intimidating or timid depending on situations. Her ability to portray<lb />opposite attitudes so appropriately was an aspect I grew to admire.<lb /><lb />The last day our family sat with my grandma in her apartment was<lb />not an ordinary visit. We had come to return the unfailing support all<lb />of us had repeatedly received from her. Sometime in the previous years,<lb /><lb />a stomach aneurysm had unfortunately afflicted my grandma, leaving<lb />removal as the only option. After one more oHeart and Soul� duet, it<lb />was time for her to make her appearance at the hospital for surgery.<lb /><lb />When it was my turn to say goodbye, I stood beside the white hospital<lb />bed trying to imitate the strength I saw in her. My eyes seemed as though |<lb />was looking through a camera lens where all the surroundings, except Maw<lb />Maw, were out of focus. I told her everything would be fine, knowing the<lb />outcome was out of my hands. The unspoken possibility of complications<lb />made it undesirable to leave her side. No matter how many times I was driven<lb />to repeatedly say, oI love you Maw Maw,� she appeared calm. ITm sure her<lb />unworried exterior expressions were more like a charade intended to ease<lb />my doubts. What turned into my last conversation with my grandma also<lb /><lb />became the beginning of a month blurred with tears.<lb /><lb />a<lb />ae<lb /><lb />Unlike many of the days prior, I remember everything about May 7, 1997<lb />vividly. The portion of the hospital that had practically become our home<lb />for a month was in the shape of a hollow square. The opening in the middle<lb />was filled with a beautiful garden area which purposely contradicted the<lb />dreary mood that never seemed to leave the inside of the brick building.<lb /><lb />I sat in the garden that day as I had many times before, on a handcrafted<lb />wooden chair waiting and soaking my thoughts with sadness. Before my<lb />retreat, the family had been told that all hope for my grandmother's survival<lb />was diminished. Shortly after the heartbreaking news, I was instructed,<lb />oYou, your brother, and your cousins wait outside.� Their words had been a<lb />guide, which led me back to the garden that day. I gazed inside the window<lb />as my parents, aunt, and uncles set off through the electric double doors<lb />that I hated. I knew what they were doing once the doors closed, making<lb />the left at the corner and going to room three to be with her during her<lb />last moments. I was only twelve at the time and had firmly decided that I<lb />detested this part of life 1 was being introduced to. Although I sat in the<lb /><lb />garden with my brother and cousins, we were each alone, speechless from<lb /><lb />grief and confusion. | wanted so badly to cry, but it seemed the previous<lb /><lb /></p>
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          <lb />month had already drained all the tears my eyes could produce. | stared at<lb /><lb />the diverse colored flowers and clean-cut bushes for what seemed to be an<lb />eternity. Patches of fresh green grass were divided by a brick path with an<lb />outer layer constructed to match the building. I was upset and the scenery<lb />around me seemed to mock my situation. Regardless, I allowed my eyes to<lb />follow the pathway until I realized it led nowhere. The warm air was filled with<lb />nothing, except the occasional chirp of a bird to break up the heavy silence that<lb />overwhelmed the compacted area with no intention of vacating any time soon.<lb />I tried not to focus on reality by letting my mind take me to a happier time.<lb /><lb />ly let my thoughts wander to the day my grandma received her<lb /><lb />I willing<lb />seventieth birthday present. I was ten at the time, and somewhat unaware<lb />of how much my dad's surprise would mean to her. For about a year, my<lb />mom had been driving a white Mercedes with a tan leather interior. My dadTs<lb />determination to make that birthday one to remember brought him to his<lb />decision. We were scheduled to meet my grandma at the halfway point between<lb />Mooresville and Newport News. My parents were meeting her in order to drop<lb />off my brother, Clay, and me. Every summer we repeated the ritual of spending<lb />one week in Newport News with my grandma. Unlike usual, this time we drove<lb />two cars because one wasn't making the return trip home. My dad had decided<lb />to give the Mercedes to his mother. My uncle rode along with her, but she<lb />thought it was simply for the company. After three and-a-half hours, we arrived<lb />at the McDonaldsT meeting point. Since she had beaten us there, my dad didn't<lb />have to wait any longer. When she stepped out of her old red Toyota, a look of<lb />confusion claimed her facial expression. oWhy did you drive two cars?� It took<lb /><lb />her a minute, but after observing the smiles on her family membersT faces; she<lb /><lb />: . She must have hugged my dad twenty times. She directed jokes towards<lb />her other son for being an accomplice. As I smiled and looked at the mascara<lb />that had come loose from her lashes, I knew how grateful she was. I had<lb />instantly become proud of what my dad had done. His purpose was becoming<lb />clearer with each hug she gave him. She had given him so much when he was<lb />younger, even though she didnTt have much money. The thought of repayment,<lb />which was the carTs concept, meant more than the actual car did. Until that<lb />moment | never understood, the concept of happy tears. I didn't want to stop<lb />thinking about that time, but reality insisted on interrupting my memory.<lb />Suddenly, the shroud of quietness that had covered us was lifted by a grief-<lb />stricken scream. The deep and distressed voice was unmistakably familiar;<lb />it was my dad. His reaction meant only one thing; life support was cut off.<lb />Ten hours later we were forced to say goodbye. While I sit at the<lb />piano, it is hard for me to believe it has been eight years since she left<lb /><lb />us. The details that have been stored in my memory sometimes give<lb /><lb />143<lb /><lb />ls<lb /><lb /></p>
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          <lb />the illusion of the event being more recent. Even though the month<lb /><lb />leading to her death was consumed with bad memories, it cannot<lb /><lb />overcome the good birthday times and oHeart and Soul� moments.<lb /><lb />144<lb /><lb /></p>
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          <lb />i<lb />1<lb />]<lb /><lb />146<lb /><lb />ARIELLE BRYANT<lb /><lb /></p>
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        <p>I was self-absorbed, staring at the little strings of fuzz that rebelled against<lb /><lb />my hair in the reflection of the black window. I always supposed they made<lb />them tinted just so you could look at yourself when pumping gas. The strands<lb />sprang out as if to say they would refuse to lay like the rest of their peers that<lb />were well-mannered, or at least as much as they could be, and shaped into my<lb />curls. They flew out at the grey humidity as depressing leftovers from that dayTs<lb />relentless rain slid off the sides of the gas station roof, and onto the cheap<lb />gravel parking lot. It was the kind that never felt nice under my feet and made<lb />me shudder when the arches of them went unevenly into the damp rocks.<lb /><lb />I had come to terms with the stubbornness of my hair, in fact, sometimes<lb />I whole-heartedly agreed with its flashy red disagreement; in a way it suited<lb />me, I suppose. Disgusted, I glared into that black, tinted window when my<lb />subconscious hit me (and now is when | make that dive, until my brain shifts<lb />and catches with a click into that one hundred percent, morbid beneath-the-<lb />earth feeling).<lb /><lb />I pray at gas pumps. I run my hands deep into the cold current that chugs its<lb />way through the hose into the metal handle, tapping into my veins. I poison<lb />myself with thoughts of unaccomplished things; and those truths I always knew<lb />about myself, but never really wanted to think about. Just to be honest, just in<lb /><lb />case I was stupid with the gasoline and got myself killed in some horrific and<lb /><lb />newspaper-making way. oTeenager dies in beautiful gas station explosion!� oAll<lb />that remained were her shoes, glued to the same spot she always stood, looking<lb />at herself in the window.� I screwed the lid to the valve until the raspy click<lb />rned with an ugly growl. I placed the hose back in its rightful destination and<lb />ntemplating my own, marched to the front of the car while sliding my fingers<lb />the damp, freckled windows making a belltoll trail in the dew. My hand<lb />hed the door handle.<lb /><lb />at down in the driverTs seat, glancing over at him for a second, apologizing<lb />of time if my carelessness killed him in a blast of stupidity. The funny<lb /><lb />s, he didnTt seem to mind, or maybe it was that he didn't take me<lb /><lb />sly, or maybe he was happy with himself in a way I wasn't.<lb /><lb /><lb /><lb />cm<lb /><lb />147<lb /><lb /><lb /><lb /></p>
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          <lb />148<lb /><lb />He smiled, I smiled, and with a sarcastic laugh, I thought maybe it would be<lb />better to explode with a grin, a flash of pearls, than to implode with a frown.<lb />I flipped up the sun visor and fixed the unfixable fate of my hair. I couldnTt<lb />quite get it the way I wanted, those frays of static red dancing around my<lb />skull in a mournful sway. Then for a moment, I closed my eyes and prayed. If<lb />that is what youd like to call it. If praying means the same thing to everyone<lb />I suppose the world joined me in this exact instant. Shutting our senses for a<lb />second, still dug deep into our subconscious voice. Letting go of everything, to<lb />free ourselves of guilt while we turned the keys and readied for that confetti of<lb /><lb />body parts that I had convinced myself would inevitably come some day.<lb /><lb />The ignition clipped my eardrums, and I gasped at the silence"as if<lb /><lb />surprised that God would sound this way.<lb /><lb />With a full tank of appreciation and relief, I turned the gears, the wheels,<lb /><lb />and my brain back to reality, back to the highway.<lb /><lb /></p>
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          <lb />ARIELLE BRYANT<lb /><lb />hm<lb /><lb />LITERARY MAGAZINE<lb /><lb /></p>
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          <lb />
          <lb />The early afternoon light comes through diffused; itTs bouncing off the brick<lb />and barely fitting into the room as it inches past the fire escape. His fifth-floor<lb />perch receives all of the aromas that the building can squeeze out. Someone<lb />elseTs breakfast burrows in our lungs, the coffees clink and rattle with the black<lb />chatter in the street, we are barely stirring; quietly spooning and sneaking<lb />skittish kisses between the sheets.<lb /><lb />As Iam closer to the wall, heTs the first to lift himself from the cot. I follow<lb />the living religion with a curvy obedience and finger the tattoo of a burning<lb />cross, nailed to his back as he sits there rubbing his face and flipping open a<lb />phone. He tells me the time and groans, taking a moment to reach back and<lb />stroke the fire sprawling out from my head in a mess of morning curls. I kiss<lb />the ink and it sizzles on my lips. The flames are perfect and permanent on his<lb />spine. I imagine him a romantic arsonist, the same who struck the match on my<lb />tongue, the one I set my life aflame for and the reason I go to ashes at his feet.<lb />ITve got this curse you see, loving so pure and whole-heartedly that I barely have<lb />the blood to keep the rest of my body functioning.<lb /><lb />He asks me, o What do you wannaT do?� Then, with my mind still fascinated<lb />on re-tracing the black heat on his back, I speak without thought (an ability<lb />I most have smoked away). oBe with you�, I say. He pauses and turns for a<lb />moment to reveal that grin, the smile ITve never seen him give. ItTs sick and<lb />sweet, twisted at the edges and in the corners of his lips I sense a long-awaited<lb />happiness even he was surprise to know still existed. Oh my ellipses, my<lb />Cheshire, my lonely jester; it is in your thinness that you evade my grip. As<lb />we kiss, I feel Harlem wheeze its last karmic moan from the ashtray on his<lb />windowsill. It crawls out from itself, budding clover green until I leave the city<lb /><lb />ill, and with a fire burning away at me on the inside.<lb /><lb />151<lb /><lb />ls<lb /><lb /></p>
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          <lb />154<lb /><lb /></p>
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          <lb />
          <lb />cm<lb /><lb />IsAAC TALLEY<lb /><lb />oil on linen<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />10<lb /><lb />iil<lb /><lb />lee<lb /><lb />Ls:<lb /><lb />14<lb /><lb />i535<lb /><lb />ils<lb /><lb /></p>
        <pb facs="00062620_0158" />
        <p>Stn ta A BO ALA ADEN NNN DAE A SS NI ASEH DI EIN TSCM AOE SE DESDE LISS RSDN SEEN ESOEL  WOE BE HODGSON NOD LOSES IA AES AE EL ROLES BOS<lb /><lb /></p>
        <pb facs="00062620_0159" />
        <p>pnd<lb /><lb />MICHAEL WEBSTER 157<lb /><lb />acrylic on canvas<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14 ls<lb /></p>
        <pb facs="00062620_0160" />
        <p>"""""" a """<lb /><lb /></p>
        <pb facs="00062620_0161" />
        <p>3 rd<lb /><lb />AMANDA OUTCALT ik<lb /><lb />acrylic on canvas<lb /><lb />ARTS ~ LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14 ls<lb /></p>
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          <lb />
        </p>
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        <p>cm<lb /><lb />AMANDA OUTCALT<lb /><lb />acrylic on canvas<lb /><lb />ARTS<lb /><lb />LITERARY MAGAZINE<lb /><lb /></p>
        <pb facs="00062620_0164" />
        <p>I<lb /><lb />ls<lb /><lb />14<lb /><lb />Ls:<lb /><lb /></p>
        <pb facs="00062620_0165" />
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          <lb />
          <lb />N<lb />4<lb /><lb />iil<lb /><lb />10<lb /><lb />cm<lb /><lb /></p>
        <pb facs="00062620_0166" />
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          <lb />
          <lb />1*<lb /><lb />ARIELLE BRYANT<lb /><lb />164<lb /><lb /></p>
        <pb facs="00062620_0167" />
        <p>Remember that day we were under water?<lb /><lb />You wore your sunglasses in the car<lb />so that the light made streaks on them;<lb /><lb />gold and citric.<lb />(They made me think you wanted to be home)<lb />Now I know where you belong,<lb /><lb />or sometimes I catch you ripping the peels from<lb /><lb />oranges, wishing it would bring you closer<lb /><lb />to the sun.<lb /><lb /></p>
        <pb facs="00062620_0168" />
        <p>
          <lb />
          <lb />ae<lb />=<lb />N<lb /><lb />MELANIE GNAU<lb /><lb />I<lb /><lb />ls<lb /><lb />14<lb /><lb />Ls:<lb /><lb />lee<lb /><lb /><lb /><lb />_<lb />w}<lb /><lb />iil<lb /><lb />LITERARY MAGAZINE<lb />10<lb /><lb />ARTS<lb /><lb />SEs<lb /><lb />166<lb /><lb />cm<lb /></p>
        <pb facs="00062620_0169" />
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          <lb />
          <lb />
          <lb />You declared, oIam no longer in love�<lb /><lb />* the way you declared, oyou have too much white clothing,�<lb />matter-of-factly throwing Easter dresses<lb />and worn-winter-white sweaters into the bathtub<lb /><lb />with steaming hot water and three packets<lb /><lb />of Kelly Green Rit dye.<lb /><lb />Sunday I scrubbed the queasy, green ring around the bathtub<lb /><lb />drain with your toothbrush (and Ajax).<lb /><lb />But nothing stilled the sound of<lb /><lb />I hate green! and 167<lb />I still love you!<lb /><lb />resonating from thg tile.<lb /><lb />ik 0 Aare er A em<lb /><lb /><lb /><lb />cm<lb /></p>
        <pb facs="00062620_0170" />
        <p>cm<lb /><lb />168<lb /><lb />LATASHA JONES<lb /><lb />ARTS<lb /><lb />LITERARY MAGAZINE<lb /><lb />iil<lb /><lb />lee<lb /><lb />Ls:<lb /><lb />14<lb /><lb />ls<lb /><lb />I<lb /><lb /></p>
        <pb facs="00062620_0171" />
        <p>
          <lb />
          <lb />I am not sure what it mearig<lb /><lb />But itTs hard you see<lb /><lb />To wear the lye and live a lie<lb /><lb />My hair, you see<lb /><lb />It is not straight<lb /><lb />Rather, itTs coiled tightly<lb /><lb />Stubborn at times<lb /><lb />More often than not<lb /><lb />Standing fluffy<lb /><lb />Astute<lb /><lb />I run away from it<lb /><lb />Afraid, I guess<lb /><lb />It is mine, yes<lb /><lb />But, I do not know it<lb /><lb />And it does not know me<lb /><lb />I turned it down<lb /><lb />Way back in my single digit days<lb /><lb />Back when, I told myself I wanted to be white<lb />Back then, I needed it to be<lb /><lb />Straight, long hair was beautiful to me<lb />The epitome of it all<lb /><lb />And I wouldTve settled for wavy and short<lb />Just to get away from my tight stubborns<lb />Living with the lye<lb /><lb />I lived with my lie<lb /><lb />That one day<lb /><lb />My mane would be long<lb /><lb />Luscious<lb /><lb />Like hers<lb /><lb />She was white<lb /><lb />I was not<lb /><lb /><lb /><lb />iil lee Ls: 14 ls<lb /></p>
        <pb facs="00062620_0172" />
        <p>eh mace aOR ONT<lb /><lb />170<lb /><lb />But back then<lb /><lb />I could not discern the difference<lb /><lb />I could have her long locks, I thought<lb />If I tried hard enough<lb /><lb />They would be mine<lb /><lb />And then, my head could shine<lb /><lb />Be proud to be long and fine<lb /><lb />Not tight and stubborn<lb /><lb />HowTs it I hated my coils so much?<lb />Still, afraid<lb /><lb />Not ready<lb /><lb />To take on the extra baggage that comes<lb />With wearing natural tresses<lb /><lb />Men today<lb /><lb />Then tend to stray<lb /><lb />Away from the beauty of<lb /><lb />Stubborn coils<lb /><lb />Maybe they think<lb /><lb />She will be as stubborn as her name<lb />But anyway, is it true?<lb /><lb />That oIam not my hair�<lb /><lb />Yes, maybe.<lb /><lb />No, even more so.<lb /><lb />Lam it<lb /><lb />It is me<lb /><lb />Living with the lye<lb /><lb />Iam, still, in a lie<lb /><lb />I guess that I still hope<lb /><lb />Deep down inside<lb /><lb />That I too, will have those long tresses<lb />Luscious &amp; thick<lb /><lb />But even if my mane does reach that point<lb />What does it mean?<lb /><lb />Does it really matter?<lb /><lb />It would not be mine<lb /><lb />The lye did it<lb /><lb />And it would still be a lie<lb /><lb />Today, I still live within the boundaries of the lye<lb />And the lie that itTs created<lb /><lb />Ashamed that I wear it<lb /><lb />Afraid to let it go<lb /><lb /></p>
        <pb facs="00062620_0173" />
        <p>Iam a brown-hued goddess<lb /><lb />And I am running<lb /><lb />From the most distinguishing attribute that I own<lb />Stubborn coils<lb /><lb />They are mine<lb /><lb />They are hiding behind the lye<lb /><lb />Reaching out for attention<lb /><lb />Being burned away &amp; damaged<lb /><lb />A means to assimilate me into the masses<lb />Not as a neo-soul love or a wannabe naturalists ethnocentric<lb />But, an appeased Negro<lb /><lb />Trying to fit in<lb /><lb />One day, I guess<lb /><lb />I will let it go<lb /><lb />Tomorrow<lb /><lb />Maybe today<lb /><lb />I do not know<lb /><lb />Afraid<lb /><lb />I suppose<lb /><lb />That some asinine man won't look at me twice<lb />Assuming I am stubborn like my coils<lb />Iam, maybe<lb /><lb />But my hair, sorry Arie, it is me<lb /><lb />[am it<lb /><lb />An extension of my personality<lb /><lb />Sorry Arie<lb /><lb />We are one<lb /><lb />And right now<lb /><lb />It is struggling to be free<lb /><lb />To breathe the truth and not the lye<lb /><lb />But.<lb /><lb />i<lb /><lb />Am.<lb /><lb />Not.<lb /><lb />Ready.<lb /><lb />Afraid, I guess, of what they will think<lb />Will I still be beautiful underneath?<lb /><lb />All I know is nt ITm kind of incomplete<lb />Running from my stubborn roots<lb /><lb />Afraid of what you'll think<lb /><lb />Yes, Iam pro-black<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14<lb /><lb />ls<lb /><lb /></p>
        <pb facs="00062620_0174" />
        <p>
          <lb />
          <lb />Lig<lb /><lb />But fam pro-be-myself as well<lb />Tam ot sure who that is anymore<lb />I guess that is why<lb /><lb />I still liv with the lye<lb /><lb />In this lieo<lb /><lb />Afraid to be T<lb /><lb />They say it doesnTt matt Pe,<lb />What your hair is like<lb /><lb />That itTs who you are<lb /><lb />That determines who you are<lb />That is a lie<lb /><lb />And that is why<lb /><lb />Black women today<lb /><lb />Are afraid<lb /><lb />To be judged by their hair<lb /><lb />So we rush<lb /><lb />And schedule<lb /><lb />Time to hide our roots<lb /><lb />They say that nappy<lb /><lb />Is not negative<lb /><lb />That itTs about how you use it<lb />But its inception was not positive<lb />So its use will not be either<lb />And itTs just like saying onigga�<lb />You canTt say it unless you are it<lb />You canTt say it unless you have it<lb />Dictionary.com even thinks so<lb />oUsed in derogatory reference�<lb />oTo the hair of black people�<lb />oOften�<lb /><lb />oOffensive�<lb /><lb />Damn right.<lb /><lb />So Iask oWhy?�<lb /><lb />Why are these coils<lb /><lb />Offensive to you?<lb /><lb />It is, after all, just hair<lb /><lb />And it is hated so much<lb /><lb />Anda Madam Walker<lb />Capitalized on that odium<lb /><lb />And became who she was<lb /><lb />Because stubborn coils<lb /><lb /></p>
        <pb facs="00062620_0175" />
        <p>
          <lb />
          <lb />Were not white<lb /><lb />They were black<lb /><lb />The tighter<lb /><lb />The blacker<lb /><lb />She was born free<lb /><lb />And freed black women<lb />From their stubborn coils<lb />(Or so she thought)<lb /><lb />But it is not her fault<lb /><lb />But then again, it is<lb /><lb />Tight coils burned straight<lb />Original state altered<lb /><lb />Black women were not freed<lb />They became captives of their hair<lb />Simple, it seems<lb /><lb />But we are our hair<lb /><lb />Itis we<lb /><lb />&gt; Tight coils are offensive<lb /><lb />Se<lb />They suggest due than you know<lb />And mean less than tou'd think<lb />Your hair is an extensi , of you<lb />And the lye is just an extension of<lb /><lb />Cultural erasure<lb /><lb /></p>
        <pb facs="00062620_0176" />
        <p>
          <lb />
          <lb />| NATHAN T SNEAD<lb /><lb />174<lb /><lb />|<lb />| ARTS ~ LITERARY MAGAZINE<lb /><lb /></p>
        <pb facs="00062620_0177" />
        <p>
          <lb />
          <lb />the sun begins, to descend<lb /><lb />I find it is the right time<lb />to stretch my yawn and say siesta.<lb />The couch calling, my pen falling<lb />from my fingers. They sleep in Spain<lb />every day from 2 to 4. Oh God<lb /><lb />thank you for the pillow. Proof God<lb />exists and loves us to descend<lb /><lb />to fuzzy dreams, of coastal Spain.<lb />Where we sit on terraces and time<lb />sags as we drink to the sun falling.<lb /><lb />Cool wine takes us to Siesta.<lb /><lb />The dark-haired serving girl says si-esta<lb />bien. We say, oh yes God<lb /><lb />wants to watch our glasses falling.<lb /><lb />We leave the terrace to descend<lb /><lb />the long stair to the sea in time<lb /><lb />so my friend can ease his pain,<lb /><lb />in the azure sea that laps at Spain<lb /><lb />on sandy shores where we siesta.<lb /><lb />Afternoon becomes a land of forgotten time,<lb />and conversations with God.<lb /><lb />Another skin of wine has descended<lb /><lb />in the arms of the falling<lb /><lb />175<lb /><lb />ls<lb /><lb /></p>
        <pb facs="00062620_0178" />
        <p>
          <lb />
          <lb />wind. What a way to spend fall<lb /><lb />warm water relaxing at a spa in<lb /><lb />heaven. Who is Isabella to make mercury<lb />descend?<lb /><lb />Did I invent her in my siesta<lb /><lb />dream. Isabella, is she the God-<lb /><lb />dess of propelling time,<lb /><lb />or just pouring wine in a dream of time?<lb />I smell reality and the sun has fallen.<lb />Awake again face licked by my Dog<lb /><lb />I stare at my wall poster of coastal Spain<lb />Remembering the world of my siesta<lb /><lb />Home again sad descent<lb /><lb />Maybe next time [ll stay in Spain<lb />Never falling out of my siesta<lb /><lb />Thank you God for my sleepy de<lb /><lb /></p>
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          <lb />|<lb />i<lb />4<lb />i<lb />i<lb />i<lb />a<lb />i<lb />|<lb /><lb />180<lb /><lb /></p>
        <pb facs="00062620_0183" />
        <p>
          <lb />
          <lb />ANDREW F DALY 181<lb /><lb />etchline aquatint<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14 ils<lb /><lb /></p>
        <pb facs="00062620_0184" />
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        <pb facs="00062620_0185" />
        <p>nd<lb /><lb />ANDREW F DALY 183<lb /><lb />etchline aquatint<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14 ils<lb /></p>
        <pb facs="00062620_0186" />
        <p>
          <lb />
          <lb />184<lb /><lb /></p>
        <pb facs="00062620_0187" />
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          <lb />
          <lb />ANDREW F DALY 185<lb /><lb />etchline aquatint<lb /><lb />, ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 iil lee iS 14 ils<lb /></p>
        <pb facs="00062620_0188" />
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        <pb facs="00062620_0189" />
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          <lb />hm<lb /><lb />BENJAMIN BRIGGS 187<lb /><lb />mezzotint<lb /><lb />| ARTS + LITERARY MAGAZINE<lb /><lb /></p>
        <pb facs="00062620_0190" />
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        <pb facs="00062620_0193" />
        <p>CHRIS WOOTEN &amp; 7 nly cre: 191<lb /><lb />iven<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb /><lb /><lb />cm<lb /></p>
        <pb facs="00062620_0194" />
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          <lb />
        </p>
        <pb facs="00062620_0195" />
        <p>i Marea 2<lb /><lb />AUSTIN SHEPPARD 193<lb /><lb />steel, fiberglass, aluminum<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 Iba lee iS 14 ils<lb /><lb /></p>
        <pb facs="00062620_0196" />
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        <pb facs="00062620_0197" />
        <p>See eee<lb /><lb />JAMES RICHARD DUDLEY | 195<lb /><lb />bronze, soapstone<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 Iba lee iS 14 ils<lb /></p>
        <pb facs="00062620_0198" />
        <p>
          <lb />
          <lb />""" a<lb /><lb /></p>
        <pb facs="00062620_0199" />
        <p>AUSTIN SHEPPARD<lb /><lb />plaster, steel, found object<lb /><lb />hm<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />aot<lb /><lb /></p>
        <pb facs="00062620_0200" />
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          <lb />200<lb /><lb /></p>
        <pb facs="00062620_0203" />
        <p>LAI 1<lb /><lb />SYDNEY NETTLES-COATES 201<lb /><lb />cotton, polyfil (coffee-dyed and rusted cotton,<lb /><lb />manipulated tucks, reverse appliqué)<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 Iba lee iS 14<lb /></p>
        <pb facs="00062620_0204" />
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        <pb facs="00062620_0205" />
        <p>i DR o<lb /><lb />SYDNEY NETTLES-COATES Alu 203<lb /><lb />cotton, lace (MX dyed, rusted cotton, gathered, photo<lb /><lb />emulsion screenprint w/thiox)<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 iil lee iS 14 ils<lb /></p>
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          <lb />2 a<lb /><lb />SYDNEY NETTLES-COATES to of ; | beached shin oricinally 205<lb /><lb />wire, cotton, thread, acrylic(reverse appliqué,<lb /><lb />free-motion embroidery, crocheted thread)<lb /><lb />| ARTS + LITERARY MAGAZINE<lb /><lb /></p>
        <pb facs="00062620_0208" />
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        <pb facs="00062620_0209" />
        <p>a<lb /><lb />SARAH BALDWIN<lb /><lb />screenprinting with reverse appliqué<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S|<lb /><lb />10<lb /><lb />iil<lb /><lb />lee<lb /><lb />iS<lb /><lb />14<lb /><lb />207<lb /><lb />ils<lb /><lb /></p>
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          <lb />
          <lb />JANA K. TYLER oa ee<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 Iba lee iS 14 ils<lb /></p>
        <pb facs="00062620_0214" />
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          <lb />
          <lb />SS "S"<lb /><lb />212<lb /><lb />enna<lb /><lb />SS<lb /><lb /></p>
        <pb facs="00062620_0215" />
        <p>ee ee<lb /><lb />GREGORY TUOMI ais<lb /><lb />gum print<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 Iba lee iS 14 ils<lb /></p>
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        <pb facs="00062620_0217" />
        <p>
          <lb />
          <lb />JAYMEE MASON 215<lb /><lb />silver gelatin<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 Iba lee iS 14<lb /></p>
        <pb facs="00062620_0218" />
        <p>
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          <lb />216<lb /><lb /></p>
        <pb facs="00062620_0219" />
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          <lb />
          <lb />BS eee eee hm<lb /><lb />JAYMEE MASON<lb /><lb />Bad<lb />hs<lb />md<lb /><lb />E<lb /><lb />cyanotype, watercolor<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 Iba lee iS 14 ils<lb /></p>
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          <lb />ls<lb /><lb />14<lb /><lb />Ls:<lb /><lb />lez<lb /><lb />iil<lb /><lb />10<lb /><lb />cm<lb /></p>
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          <lb />ae<lb /><lb />THOMAS JAMES WALKER fees<lb /><lb />ambrosia maple<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 Iba lee iS 14 ils<lb /></p>
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          <lb />pnd<lb /><lb />STEFAN KELISCHEK 223<lb /><lb />tiger maple and walnut<lb /><lb />| ARTS ~ LITERARY MAGAZINE<lb /><lb /></p>
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        <p>2 oe 3<lb /><lb />THOMAS JAMES WALKER 225<lb /><lb />red oak<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 Iba lee iS 14 ils<lb /></p>
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          <lb />hm<lb /><lb />JAMEE VASIL a2<lb /><lb />walnut and pine<lb /><lb />ARTS + LITERARY MAGAZINE<lb /><lb /><lb /><lb />cm<lb /></p>
        <pb facs="00062620_0230" />
        <p>~venkat?<lb /><lb />os<lb />they<lb /><lb />emerge gallery ~qyt<lb /><lb /></p>
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          <lb />cart center<lb /><lb /><lb /><lb /><lb /></p>
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          <lb />index<lb /><lb />Aiken, Corinna<lb />Baldwin, Sarah<lb />Bartlett, Travis<lb />Bibb, Mary<lb />Braxton, Jessica<lb />Briggs, Benjamin<lb />Brooks, Aaron<lb /><lb />Bryant, Arielle<lb /><lb />Clark, Megan<lb /><lb />Countertop Hero<lb /><lb />Daly, Andrew F<lb /><lb />Detwiler, Kareena<lb /><lb />Dudley, James<lb /><lb />Enojado, Shawn<lb /><lb />Fineman, Jeremy<lb />Gillespie, Ian<lb />Gilreath, Ashley<lb />Gnau, Melanie<lb />Hegler, Sarah<lb />Holland, Whitney<lb />Jones, Latasha R<lb />Kelischek, Stefan<lb /><lb />Mason, Jaymee<lb /><lb />McNeely, Jessica<lb /><lb />Miller, Kristina<lb /><lb />Sits ee ee drawing, 54-55<lb /><lb />PONG PIE oa ccn eerie cere textile design, 208-209<lb /><lb />POI oo ss ee book arts, 24"25<lb /><lb />TR oe oe fiction, 60-67<lb /><lb />BOLI digital photography, 44-45<lb /><lb />Thanatopsis ....... ee ee eee printmaking, 188-189<lb /><lb />ST music*, 129<lb /><lb />IG Lee .... music*, 129<lb /><lb />I Ws Never Gadd at PIsTiing ...0.c..ccceecenenosrosee poetry, 164-165<lb /><lb />Way Pidrlet: RONGISS ANCE |i. sccc sacs ciececnienees non-fiction, 150-151<lb /><lb />PES Eee I oo nieces ee non-fiction, 146-148<lb />Pelee Weenie ee metal design, 122-123<lb /><lb />Fe ras eee music�, 129<lb /><lb />Wirhem re music*, 129<lb /><lb />Py A OE I ois eset printmaking, 186-187<lb /><lb />PE SCP CIE) once crore te eee printmaking, 182-183<lb /><lb />Py OPUS IEE) oc ccc vecccecnetcnncoecsvacvenss printmaking, 184-185<lb /><lb />ST ee eee eee ore graphic design, 96-97<lb /><lb />PCI PCIE Bae ooh vcg cen ecsveseecncocsonies graphic design, 94-95<lb /><lb />fs eee ae " a eae illustration, 108-109<lb /><lb />Sree ......--. Llustration, 104-105<lb /><lb />Pepe bane... sculpture, 196-197<lb /><lb />PGE FICCI ccc cen reece cert senceenions digital photography, 42-43<lb /><lb />OG) ge 9) Se er ere illustration,110-111<lb /><lb />pee 8. graphic design, 100-101<lb /><lb />ig ci Sas a Gener | ove neue Gn iier meena mre digital photography, 46-47<lb /><lb />eee, tsrt"o~(o~istsSC@wSC*o(;R ceramics, 34-35<lb /><lb />PO is ee, C-<lb /><lb />a ee metal design, 124-125<lb /><lb />Bre Ca poetry, 166-167<lb /><lb />rs film art*, 88<lb /><lb />Pati City Linits Pegi o.. enc cenescecenenervss graphic design, 98-99<lb /><lb />TE IG igri ec POee, 100-175<lb /><lb />I ei wood design, 224-225<lb /><lb />ge 2 traditional photography, 216-217<lb /><lb />EN i traditional photography, 218-219<lb /><lb />BOGE A book arts, 22-23<lb /><lb />BaGh Wit DOP SINE BOK occ cscencscrersevnsseces book arts, 20-21<lb /><lb />Weegee Clie... book arts, 26-27<lb /><lb /></p>
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          <lb />cm<lb /><lb />Nettles-Coates, Sydney<lb /><lb />Ofalt, Jessica<lb /><lb />Outcalt, Amanda<lb /><lb />Parker, Matthew<lb /><lb />Pitts, Christopher<lb /><lb />Sailors, Holly Ann<lb />Salisbury, Bethany<lb />Scott, Amanda<lb /><lb />Sheppard, Austin<lb /><lb />Simmons, Toby<lb />Simmons, Toby<lb />Snead, Nathan T<lb />Sujjavanich, Peerapon<lb />Sullivan, Owen<lb /><lb />Talley, Isaac<lb /><lb />Thigpen, Nicholas<lb />Tuomi, Gregory<lb /><lb />Tyler, Jana<lb />Vasil, Jamee<lb />Walker, Elizabeth<lb /><lb />Walker, Thomas James<lb /><lb />Watson, Michaelé Rose<lb />Webster, Michael<lb /><lb />| Wooten, Chris<lb />| Wrenn, Ashley<lb />Zouhary, Caleb<lb /><lb />SOOT TI So snd anes sevens textile design, 202-203<lb />FG ices te een textile design, 206-207<lb />PG in rc textile design, 204-205<lb />GODT oars i sine drawing, 52-53<lb /><lb />ABTAE ES TO FI eset reiseiasyces painting, 160-161<lb /><lb />SRT IE as tics tosses metal design, 118-119<lb />Morgan Remained Dry After the Rain.......... painting, 158-159<lb /><lb />Untitled a os drawing, 56-57<lb /><lb />IN DBs crcneniicistame eee animationT, 15<lb /><lb />Wonderful Word ic animation�, 17<lb /><lb />Alphabet GAR oiiicccteco sie film art*, 90<lb /><lb />RoutineT nn ca film art*, 91<lb /><lb />URE TTD nc animation�, 16<lb /><lb />Gis Gd FONG oo drawing, 50-51<lb /><lb />Vous oF Ce RAE etic illustration, 106-107<lb />WAC FIO vei es ss non-fiction, 140-145<lb /><lb />MOG Acer sculpture, 198-199<lb /><lb />SOMO OUI vos rssc ice sculpture, 194-195<lb /><lb />BOARD cocci film art*, 89<lb /><lb />Wh oe animationT, 14<lb /><lb />WING poetry, 176-179<lb /><lb />MICTD: An Exploration of Spoken Word ....... interactive design*, 114-115<lb />POT CP BOOT OF opie metal design, 120-121<lb />AV oe painting, 154-155<lb /><lb />Apave te Css fiction, 68-73<lb /><lb />CO oa fiction, 74-79<lb /><lb />CONSENT ICEING FANIAEY sss eee digital photography, 40-41<lb />Fe Sa en ROR ce ee traditional photography, 214-215<lb />BVOC TAIIOIOY oo traditional photography, 212-213<lb />WEA oe wood design, 228-229<lb />Mine non-fiction, 132-139<lb />Arbbrowiog Marple Bart) oacccsossngovscossvsvesenertivcees wood design, 222-223<lb />Pa OT no a wood design, 226-227<lb />eT eg eee SSIS Fal EPP EOE e Oe ceramics, 30-31<lb /><lb />ON a ee painting, 156-157<lb /><lb />ier aes a sculpture, 192-193<lb /><lb />Meact Ma at Bia BOs sicce-arccessrsnsocssoncivs&gt;s textile design, 10-11<lb />OM a ceramics, 32-33<lb /><lb />NS I cs ee ceramics, 36-37<lb /><lb /><lb /><lb />lez<lb /><lb /></p>
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          <lb />Julian Blackburn<lb />Catherine Coulter<lb />: | Stephanie Dicken<lb /><lb />A<lb /><lb />i | Ira Varney<lb /><lb />| ed<lb /><lb />|<lb /><lb />232<lb /><lb />John Hoppenthaler<lb /><lb />Yice Irizarry<lb /><lb />Erica Plouffe-Lazure<lb /><lb />Edward Jacobs<lb /><lb />cm 1 z 3 4 © 6 at 8 S| 10<lb /><lb />iil<lb /><lb />lez<lb /><lb />Ls:<lb /><lb />14<lb /><lb />ls<lb /><lb />I<lb /><lb /></p>
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          <lb />
          <lb />233<lb /><lb />cm 1 z 3 4 © 6 at 8 S| 10 iil lez Ls: 14 ls<lb /></p>
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          <lb />staff<lb /><lb />Chris Schwing<lb /><lb />Amber Josey<lb />Courtney McAuley<lb /><lb />James Porter<lb /><lb />Craig Malmrose<lb /><lb />Henry Stindt Photographic<lb />Paul Isom<lb /><lb />Yvonne Moye<lb /><lb />Janet Stancil<lb /><lb />Kate LaMere<lb /><lb />Craig Malmrose<lb /><lb />Lisa Beth Robinson<lb /><lb />Ylce Irizarry<lb /><lb /></p>
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        <p>production notes<lb /><lb />Theo Davis Printing<lb />2,000 books and DVDs<lb />Komori Lithrone S40<lb /><lb />Cover: Reich Paper Clear CT 105#<lb /><lb />Text: Neenah Environment PC100 White 804<lb /><lb />Chaparral Pro, Avant Garde Gothic<lb /><lb />copyright<lb /><lb />Rebel 51 is produced by and for the students<lb /><lb />of East Carolina University. Offices are located<lb />within Student Publications in the Self-Help<lb />Building. The contents are copyrighted 2008<lb />and 2009 by Rebel 51. All rights revert to the<lb />individual artists and writers upon publication.<lb />Contents may not be reproduced by any means,<lb />nor stored in any information retrieval system<lb />without the written permission of the artist or<lb /><lb />writer. Printed with non-state funds.<lb /><lb />cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14<lb /><lb />i<lb /><lb />ils<lb /></p>
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          <lb />236<lb /><lb />paper consumption<lb /><lb />total<lb /><lb />1,400 Postcards<lb /><lb />400 Posters<lb /><lb />250 Liability Forms<lb /><lb />250 Important Date Sheets<lb />1,500 Flyers<lb /><lb />500 Entry Forms<lb /><lb />726 Copy Editing Pages<lb />2,000 Books<lb /><lb />£S,70.,012<lb /><lb />95,354.25<lb />97%<lb /><lb /></p>
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          <lb />238<lb /><lb />special thanks<lb /><lb />Joe Baricella<lb /><lb />Julian Blackburn<lb />Catherine Coulter<lb />Stephanie Dicken<lb />Vicky Fanberg Emerge Gallery<lb />Holly Garriott<lb /><lb />Joseph Grubbs-Hardy<lb />Genevia Hill<lb /><lb />John Hoppenthaler<lb />Paul Isom<lb /><lb />Ylce Irizarry<lb /><lb />Edward Jacobs<lb /><lb />Stephanie Koch<lb />Kate LaMere<lb /><lb />Craig Malmrose<lb />Harrison Metcalf<lb />Yvonne Moye<lb /><lb />Erica Plouffe-Lazure<lb />Frank Pulley<lb /><lb />Lisa Beth Robinson<lb />Lacey Siva<lb /><lb />Janet Stancil<lb />Gunnar Swanson<lb /><lb />Ira Varney<lb /><lb />Henry Stindt Photographic<lb />Theo Davis Printing<lb /><lb />University Printing and Graphics<lb /><lb /></p>
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          <lb />cm dl z 3 4 © 6 at 8 S| 10 Iba lee iS 14 ils<lb /></p>
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          <lb />cm<lb /><lb />rebel<lb /><lb />ARTS + LITERARY MAGAZINE<lb />ol<lb /><lb /></p>
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          <lb />Ww<lb />"<lb /><lb />14<lb /><lb />tS<lb /><lb />ilies<lb /><lb />JLAL<lb /><lb />10<lb /><lb /></p>
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