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        <distributor>East Carolina University. J. Y. Joyner Library</distributor>
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          <addrLine>Digital Collections</addrLine>
          <addrLine>Joyner Library, East Carolina University</addrLine>
          <addrLine>East Fifth Street, Greenville NC 27858-4353 USA</addrLine>
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        <date>2012</date>
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          <lb />~<lb />T<lb />'y<lb />Ps<lb />; aN<lb />fre<lb />.<lb />A<lb />:<lb />~<lb />a<lb /><lb />e.'s :<lb />¢ ?<lb />\ P<lb />A<lb />J<lb />40<lb /><lb />~<lb />7<lb /><lb />yt<lb /><lb />AY sh<lb /><lb />se<lb />:<lb /><lb />East Carolina<lb />University<lb /><lb />The Literary and<lb /><lb />Arts Magazine<lb /><lb />FallmSprin<lb />Vo nis ae KP)<lb /><lb /></p>
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          <lb />managing editor<lb />Margie 0T Shea<lb /><lb />art director<lb />Kristin Moore<lb /><lb />assistant editor<lb />Valerie Anthony<lb /><lb />poetry editor<lb />Kris B. Hoffler<lb /><lb />prose editor<lb />Matthew Readling<lb /><lb />media adviser<lb />Greg Brown<lb /><lb />faculty adviser<lb />Craig Malmrose<lb /><lb />art judges<lb />George Baka<lb /><lb />Mark Brown<lb />Meade B. Horne<lb /><lb />poetry judges<lb />Joseph Bruchec<lb />Marvin Hunt<lb /><lb />prose judges<lb />Ashley B. Futrell, Sr.<lb />Susan Sturgill<lb /><lb />photographers<lb />Catherine Walker<lb />Keith Hobgood<lb /><lb />illustrators<lb /><lb />Stanton Blakeslee<lb />Keith Hobgood<lb />Tom Kim<lb /><lb />Lee Misenheimer<lb /><lb />printer<lb />Theo Davis Sons<lb /><lb />fonts<lb />Garamond Book<lb />Futura Condensed<lb /><lb />stock<lb />Simpson Evergreen<lb />Matte Natural<lb /><lb /></p>
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        <p>on the cover<lb /><lb />Prize Finalist<lb /><lb />Artist Stanton Blakeslee<lb />Title Mother and Children<lb />Category Illustration<lb /><lb />oIf you bring forth what is within you, what<lb />you bring forth will save you. If you do not<lb />bring forth what is within you, what you do<lb />not bring forth will destroy you.? (Jesus,<lb />trom The Gnostic Gospels)<lb /><lb />For me, creative expression is the way you<lb />discover what you believe" who you are. It<lb />takes effort and perseverance. Being an art<lb />ist or a writer is not for the shallow, or weak<lb />in spirit.<lb /><lb />The REBEL 93Ts sole intention is to show-<lb />case the creative expression of students at<lb />East Carolina University through Poetry, Prose<lb />and Art Competitions. | only wish the budget<lb />would have allowed us to show more, as<lb />there was much, much more work worthy of<lb />publication. | applaud those who made the<lb />effort to share themselves with us. | encour-<lb />age anyone to begin by believing in yourself,<lb />and not to give up.<lb /><lb />Those people who were involved with the de-<lb />velopment and production of the REBEL 93<lb />Magazine have inspired me to continue in<lb />my personal search through artistic expres-<lb />sion. | thank you for the opportunity to work<lb />with you. Before | present this yearTs REBEL<lb />for your enjoyment, | would like to borrow<lb />the following words from Nancy Thayer, an<lb />American writer, oItTs never too late" in<lb />fiction or in life" to revise.?<lb /><lb />Margie 0TShea<lb /><lb /></p>
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        <p>&gt;<lb /><lb />43<lb />43<lb />32<lb />60<lb />35<lb />59<lb />56<lb />52<lb />20<lb />59<lb />23<lb />35<lb />52<lb />44<lb />08<lb />07<lb />04<lb /><lb />24<lb />10<lb />46<lb />36<lb />54<lb /><lb />29<lb />45<lb />33<lb />14<lb />06<lb />22<lb />34<lb />49<lb />38<lb />29<lb />06<lb />14<lb />4)<lb />6]<lb />18<lb />53<lb />58<lb />09<lb />26<lb />05<lb />50<lb />30<lb />57<lb />50<lb />53<lb />21<lb />te<lb />57<lb />17<lb />33<lb />21<lb /><lb />contents<lb /><lb />Poetry<lb /><lb />Angry Hand<lb /><lb />Autumn Aging<lb /><lb />The Black Woman<lb /><lb />A Bus Station In Charlotte<lb />Click<lb /><lb />I Saw Falling A Leaf Claimed By Autumn<lb />Keep Her Well<lb /><lb />Lost Images<lb /><lb />Margaret<lb /><lb />Oblivion<lb /><lb />Of Arsenic And Old Memories<lb />Rapids<lb /><lb />Recreation<lb /><lb />Stephen<lb /><lb />The Swing<lb /><lb />Tenure<lb /><lb />Visitation<lb /><lb />Prose<lb /><lb />A Cleaner Place<lb />Keeping House<lb /><lb />The Porch Sitters<lb />Rain<lb /><lb />The Way With Water<lb /><lb />Art<lb /><lb />Ash Starburst<lb /><lb />Bushwacker Catalog<lb /><lb />Circle Pins<lb /><lb />Color Of The Dream I Had<lb />Depleting Environment:First In Series<lb />Design 9: History Calendar<lb />El Pulpo<lb /><lb />Fallen King<lb /><lb />Full Fathom Five, My Father<lb />Interior With Bottles<lb /><lb />Just Not So Story #4: Who Will Have Remorse<lb /><lb />Just Not So Story #6: All That Remains<lb />Leaf Catcher<lb /><lb />Lucille, Maggie, &amp; Suzanne<lb /><lb />Mr. Armstrong<lb /><lb />NRBQ<lb /><lb />Perfume Bottle Set<lb /><lb />Pueblo Ceremonial Bird Vanity<lb /><lb />Saved By Two Bang Caps: Toursie &amp; Glennie<lb /><lb />Self-Portrait<lb />Summer Workout<lb />Inder The Sea<lb />Intitled<lb />Intitled<lb />Intitled<lb />Intitled<lb />Intitled<lb />Intitled #2<lb />Intitled #2<lb />Waffle House<lb />Watervessel #1<lb /><lb />ee ee ee ee<lb /><lb />Malana Harris<lb /><lb />J.E. Boyette<lb /><lb />Latonya L. Hargrove<lb />Matthew D. Jones<lb />Rod Hawkins<lb /><lb />T. Scott Batchelor<lb />Nicole Ossman<lb /><lb />Jennifer Tiedebohl<lb /><lb />Ashley Gruber<lb /><lb />Melissa Link<lb /><lb />Rod Hawkins<lb /><lb />Ronald Jason Osborne<lb />Eva Rogers<lb /><lb />Terry Wiggins<lb /><lb />Don Marr<lb /><lb />Tracey Gay<lb /><lb />J.E. Boyette<lb /><lb />Jim Shamlin<lb /><lb />Angela Bacon Reid<lb />Timothy C. Hampton<lb /><lb />J. E. Boyette<lb />James Casey<lb /><lb />Jamie Kirkpatrick<lb /><lb />Colleen Parks<lb /><lb />Jennifer Green<lb /><lb />Mitzy Jonkheer<lb /><lb />Stanton Blakeslee<lb />10:00 Graphics II Class<lb />Steven Benson<lb /><lb />Doug Knotts<lb /><lb />Terry Wiggins<lb /><lb />Amanda Taylor Durant<lb /><lb />Jeanne Brady<lb />Jeanne Brady<lb />Jerry Jackson<lb /><lb />Rachel Banks<lb />Irene Bailey<lb />Mark Elmore<lb />Liz Parker<lb />Nikki Holbrook<lb /><lb />Jerry Jackson<lb /><lb />Shannon Morrow<lb />Catherine Blackburn<lb />Laura Sharar<lb />Christine Cranford<lb />Steven Benson<lb /><lb />John Loftin<lb /><lb />Todd Houser<lb />Todd Houser<lb /><lb />Bill Dermody<lb /><lb />Ray Kaylor<lb /><lb />W. Keith Hobgood<lb />Traci Mercer<lb /><lb /></p>
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          <lb />Prize First Two hours late He leaves<lb />Author J.E. Boyette ex-husband three hours early<lb />Title Visitation makes a grand entrance promises more turtles<lb />Category Poetry not a date for his return<lb />bearing gifts<lb />he pulls from a bag That night,<lb />five turtles in the bathtub<lb />all stolen the golden necklace turns green<lb />from the roadside pictures dissolve<lb />he has named them like dandelions in the wind<lb /><lb />oThis is better then Christmas! oITm sorry that happened.? I say.<lb />IsnTt it Mommy?? she says.<lb />She kicks the water<lb />I had asked storming the air<lb />had needed her eyes blacken<lb />him to bring like her DaddyTs<lb />new school shoes, white and she growls<lb />leather, size 2<lb />oNo youTre not. You are a liar.?<lb />Later,<lb />as a loving servant<lb />bearing tithes<lb />to his queen<lb />he presents a dime-store locket<lb />picture of him on one side<lb />her on the other<lb /><lb />oWhere does MommieTs picture go??<lb /><lb />oSilly,? he says, oPromise me you will<lb />never never ever take this off.?<lb /><lb />oNecklaces get tangled in my ponytail.?<lb /><lb />oThis one won't.?<lb /><lb /></p>
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          <lb />non suns 5 Pann te elt n © ae tnt LOE ABBE ht i Nene are io OP een<lb /><lb />eet te Oe eh at el at Aaheamm<lb />_ = «7a?<lb /><lb />" Se. . ~ - &gt; ws = Cie We<lb />codieaeae e e eetntietees wa te ht", o ioe th a HA lhe imal Ba al a Aa ~etain OL Dae = ie EO ey Se Pe ie i ot at Maes ede<lb />an tirtl = nat le he out mo engeueenees<lb /><lb />Prize Best In/Show<lb />Artist Shannan Morrow<lb />lite Selt-Porteaut<lb />Cotegory, Painting<lb /><lb /></p>
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          <lb />Echoing<lb /><lb />Rocking<lb />alone<lb />COnversation more than oe ae inctured<lb />f i] Ly wrapped in a clinging, pt<lb />4 quarter of a mile away<lb />womb<lb />the closest home yt<lb />Thinking<lb />of their<lb />Humming eae<lb />enure<lb />electrical wires, ll<lb />i yenez<lb />though few, a<lb />j i my fe<lb />Crossing the field bis hls Rina<lb />: ' in osmahn<lb />to the stark white cabin | soft whispering<lb />through wild orange blossoms through the branches and bark<lb />rows of tobacco<lb />Whistling sandy earth<lb />wind<lb /><lb />Caught in<lb />gutters, uninsulated<lb />walls<lb /><lb />struggling to be<lb />free again<lb /><lb />Creaking<lb />under gusts<lb />Roaring e here<lb />; id had earned tenure here<lb />with leaves Oaks my father said had earned t<lb />Remembering<lb />my father<lb /><lb />Prize Second<lb />ie ' Tracey Gay<lb />chasing me through the tobacco field, sgt<lb />Wel, gritty leaves slapping my arms, : Scar fears<lb />4)<lb />Shoulders, cheeks<lb />Porous sandy earth,<lb /><lb />clumping<lb />around my ankles,<lb /><lb />my feet, between my toes<lb /><lb />Tipping<lb />his chair, beneath the moaning eaves,<lb />Oak,<lb />as he reached<lb />for bourbon<lb />ice<lb /><lb />Swirling<lb /><lb />clinking<lb />Threading<lb /><lb />me to him<lb /><lb />and them<lb /><lb />-Artelia, Gladys, Theodious<lb /><lb />N<lb /><lb /></p>
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          <lb />Prize Third<lb /><lb />Author Don Marr<lb />Title The Swing<lb />Category Poetry<lb /><lb />This girl knew him from years gone past,<lb />but these inner questions will never be asked.<lb />Something in him familiar and quite similar,<lb /><lb />that could have been a dream or a distant fear.<lb /><lb />The contours of his face seemed the same,<lb />as cracks in the earth forever unchanged.<lb />And yet, she sometimes thought she knew him,<lb /><lb />reminisced and returned to days back then.<lb /><lb />She moved higher toward the stars,<lb />her pleasure and laughter heard afar.<lb />With childlike laughter she filled her desire,<lb /><lb />pushed by his thrust she flew higher, higher.<lb /><lb />This vehicle once in her struck fear,<lb />with his hard-worked hands he pulled her near.<lb />A pull and a push and upward she flew,<lb /><lb />falling back to earth to one she knew.<lb /><lb />Pushed, she swung upwards and returning,<lb /><lb />to his safe touch and rich love burning.<lb /><lb />oPush me higher, Daddy, higher,?<lb /><lb />gentle force could not quench her desires.<lb /><lb />Years have passed and she still returns,<lb />to a time in her mind forever burns.<lb />This man beside her in blissful sleep,<lb /><lb />memories in her soul forever will keep.<lb /><lb /></p>
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        <p>eden er eenrno oles eben ee eer hn be Ty 29-59 vars " sented 7 . .<lb />mactnatnntinte nba am tn nant " hTERT EH AL LOSER CRASS ERE KS et ne Nd ea Dan BtoB nde Lon nd Wicine $72 TR TAI IAA A NI<lb />ore ' - eS a gr 1 ehh, teint ee ut in nt eine ne -- . ee Ae, be WN a<lb /><lb />: : . ti nace pte<lb /><lb />"- | ee. erce? Se ee<lb /><lb />Prize Third<lb /><lb />Artist Nikki Holbrook<lb />litle Pueblo Ceremonial<lb />Bird Vanity<lb /><lb />Category Wood<lb /></p>
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          <lb />Author Angela Bacon Reid<lb />litle Keeping House<lb />Category Prose<lb /><lb />Illustrations by<lb />Keith Hobgood<lb /><lb />athleen couldnTt keep the invita-<lb /><lb />tion from her mind; she might as<lb />well have tacked it to her cart, so<lb />frequently it rose before her eyes:<lb /><lb />Mr. and Mrs. Franklin David Bishop<lb />request the honor of your presence<lb />at the marriage of their daughter<lb />Victoria Christine<lb />to<lb />Mr. Michael Andrew Connor<lb />on Saturday, the twenty-ninth of August<lb />at three oTclock<lb />First United Methodist Church<lb /><lb />Burlington, Vermont<lb /><lb />The ticket there enclosed hadnot start-<lb />led her half so much as had the message<lb />scrawled across the invitationTs bottom:<lb />oSee you at the airport "Mike.? So non-<lb />chalant it was, youTd think she knew<lb />that he was getting married, that he had<lb />found a bride. SheTd called him when<lb />she had gotten the invitation yesterday,<lb /><lb />and he had laughed. HeTd meant it to<lb />surprise.<lb /><lb />It had. SheTd listened with bemused<lb />amazement as Michael rambled on. his<lb />grown-manTs voice grown husky in the<lb />year since heTd left school, oWait until<lb />you meet her, Mom. VickiTs just a doll.<lb />Her father runs the company I work for.<lb />HeTs been so good to me; they all have.<lb />[ know you'll learn to love them. too.?<lb /><lb />Small chance sheTd have for that. Accor-<lb />ding to the ticket sheTd get two nights<lb />in Vermont. She had no doubt her son<lb />would put her up in style, but it was<lb />obvious he didnTt mean for her to stay.<lb /><lb />When had he dropped the oOT? Off his<lb />name?<lb /><lb />Two nights before the plane returned<lb />her to resume her life. At least sheTd get<lb />to see a hotel from the other side.<lb /><lb />The cartTs wheels snagged against the<lb />carpet as she put it to the side before<lb />the next door, glanced down automa-<lb />tically to see the little sign, the oPlease<lb /><lb /></p>
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          <lb />Beara - aes Not Disturb? or<lb />Pea 8 to warn her of the residentTs<lb />oR as Nothing, as it often was the<lb />ee she rapped softly, heard a lazy<lb />?,?r without inquiry. oCome in.?<lb /><lb />Her key<lb /><lb />oo , 7 ~4<lb />the d y chain jingled as she unlocked<lb />= Cor, smiling blandly before sheTd<lb />seen the face. said, oMaid.?<lb /><lb />Y y ; 1 ~ eo<lb /><lb />hair ¢ .<lb />c Oncealed by &gt; of &gt;<lb />hote y one of the<lb /><lb />lTs W ite<lb /><lb />ently fr vhite towels, glanced indiffer-<lb />Alth« rom the Vanity against the wall.<lb /><lb />A ) P &gt;<lb /><lb />cared ugh she had enough that she was<lb /> e eSs % . Bee ~ "<lb /><lb />waite zg the wrinkled clothing strewn<lb /><lb />. SS &gt; &gt; . e .<lb /><lb />su ? 1e beds and chairs, the white<lb /><lb />Sun dress setting off<lb />Pressed.<lb /><lb />though<lb /><lb />her tan was neatly<lb />1 ler eyes slid off at onceas _<lb />"". lacked detail, was not<lb />gag ugh to keep the girlTs<lb />ntion from the mirror and herself.<lb /><lb />oWould you like<lb /><lb />: me to come back<lb />maTam?? 1e back<lb /><lb />~Hmm? Oh. no.T<lb />towel away<lb /><lb />oGo ahe: VeT<lb />ahead. We'll be leaving ina<lb />moment.?<lb /><lb />The lady pulled the<lb />and ruffled her short hair,<lb /><lb />Kathle<lb /><lb />euueen pushed her c:;<lb />mati art up<lb />48ainst the w ra<lb />the b<lb />Othe<lb /><lb />all, glanced within to see<lb />oo door was closed" the<lb />: Pa piste perhaps. She grabbed<lb />) Land a tr<lb />briskly in the<lb />filled ashtray «<lb />blinds. Outsid<lb />the Water<lb />lights on<lb />Childre<lb />Spoke t<lb /><lb />ash bag, stepped<lb />room towards the half-<lb />m the table by the open<lb />le the sun was shining on<lb />» Painting free and easy high-<lb />the waves. The sunburned<lb /><lb />n playing by the boardwalk<lb /><lb />O her of happy days.<lb /><lb />he blonde<lb />flawlessly. e<lb />While she<lb /><lb />put on her coral lipstick<lb />nraptured by her ritual<lb />critically applied her face.<lb />The sg;<lb />aac anes shade stained the filters of<lb />olgarettes, Ch<lb />Profusion jn<lb />4s if the<lb />de ne or<lb />table.<lb />tawny<lb /><lb />esterfields, a great<lb />all stages of «x ympletion,<lb />not. Ashes spj<lb />; t. Ashes spilled out on the<lb /> SI aT} ¥<lb /><lb />} Nattering had fallen on the<lb />rug. F<lb />VICe, NO matt<lb />Stole<lb /><lb />amiliar money, used to ser-<lb />te er she was young. Kathleen<lb />Slance at her " pretty, jewelry<lb /><lb />wom: eae a<lb />Oman didnTt care if they were<lb /><lb />shimmering at throat and ears and hands,<lb />the wedding band perhaps the newest<lb />of the lot. She seemed more picturesque<lb />than the view from the balcony win-<lb />dow, acutely conscious of heraffluence<lb />and the aristocracy it conferred.<lb /><lb />Would Vicki look so to the maid that<lb />served her in her honeymoon hotel?<lb /><lb />Blue eyes met hers in the mirror. Just<lb />the flicker of a frown upon those paint-<lb />ed lips sent Kathleen to her w« rk, al-<lb />most brought a blush to Kathleen's face<lb />that mercifully subsided when the man<lb />came through the bathroom door.<lb /><lb />She felt him glance towards her and<lb />away, a quick dismissal. He, too, was<lb />dressed in summer white, was tanned.<lb />He strapped a watch onto his wrist.<lb /><lb />oITm getting hungry,Ellen. Shall we g ??<lb /><lb />There was no spoken answer, nor did<lb />Kathleen see the woman's response,<lb />for she had bent to move the sheets off<lb />the bed, pushed gingerly aside the<lb />silky clothing, knowing that the hotel<lb />rules forbade her move these peopleTs<lb />things, knowing the housekeeper,<lb />Yoni. would have a fit if she did not-<lb />she had to make the beds, remove the<lb />hair and debris their guests left behind.<lb />She heard them walking, looked to see<lb />him usher her out through the open<lb />door, one connubial hand at the base<lb />of her back. There, that was Michael<lb /><lb />and his bride. Comfortable in the world<lb />his motherTs paychecks and his educa-<lb />tion bought him. Not hiding the girl<lb />from his mother, but hiding her from<lb />the girl.<lb /><lb />The air conditioner shut down with a<lb />cough, left the muted rush of the sea<lb />her only companion while she pulled<lb />the sheets from the bed, shookthem<lb />and smoothed them back down again,<lb />emplacing the heavy orange bedspread<lb />and reinstating the clothes. She couldn't<lb />help spreading those out-her meticu-<lb />lous care of her own things madehe<lb />thought of leaving this finery crumpled<lb />abhorrent. Kathleen could make an<lb />outfit last a lifetime.<lb /><lb />She tried to summon her usual pride in<lb />restoring the illusion the hotel meant to<lb />make"casual, effortless elegance, but<lb />she had curiously litthe emotion to<lb />spare. She moved into the bathroom,<lb />felt a flicker of annoyance when she<lb />surveyed the damp towels and the<lb />sand-begrimed tub, the trunks and red<lb />one-piece dripping from the towel-rack<lb />onto the floor.<lb /><lb />Tubs were the hardest, but she had tech-<lb />niques for dealing with those"twelve<lb />summer seasons of getting out sand<lb />gets routine. She took one of the used<lb />towels and bent to the task, feeling the<lb />strain on her back. Twenty pounds less<lb />might make this much easier.<lb /><lb />Might make her look better for Michael.<lb /><lb />When had he started to call himself<lb /><lb />oMike??<lb /><lb />Under the metallic water flow the sand<lb />went into the drain, pressed on bythe<lb />work of the towel. Here were the pubic<lb />hairs she hadnTt found in the bed"<lb />dark ones. She guessed they were his.<lb />His hair hadnTt been wet when heTd<lb />come from the bathroom"she ima-<lb />gined him standing under the stream,<lb />head pulled away so as not to wet his<lb />coiffure, and half-smiled. It seemed a<lb />ludicrous image. Unmanly. Not so<lb />much like Michael, then. Or not as he<lb /><lb />was when young.<lb /><lb />ww<lb />bod<lb />o<lb />m<lb /><lb />on<lb /><lb /></p>
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          <lb />i WAP APUSALS TAL t Ven ar ee 50 Nes teenie Senn Rte ahs nee Behe<lb /><lb />When young. A sobering thought. It<lb />accompanied her while she hefted the<lb />wet towel from the tub, carried it out to<lb />her cart and pulled forth the fresh ones:<lb />two bath towels, a mat, two face cloths.<lb />two washcloths. Four plastic-covered<lb />cups for the ice tray, and then to the<lb />toilet. She took the brush in her hand<lb />and knelt on the checkered floor, swab-<lb />bing the bowl with a lilac perfume.<lb />MichaelTd been young not so long ago,<lb />a tow-headed boy with his fatherTs<lb />eyes. Not a freckle for all his fair skin.<lb />HeTd not been ashamed of her then, not<lb />until high school did he start to notice<lb />the lack in their home, in the quality of<lb />clothes that they wore.<lb /><lb />She never resented it then. Thought<lb />heTd grow from it. Thought he had.<lb />Never imagined to feel the same scorn<lb />from him that she felt from her guests.<lb /><lb />The thought made her sad, made her<lb />tired. She let the perfume sit for a min-<lb />ute and bent to thefloor, her cloth pick-<lb />ing up hair from the tiles that seemed<lb />to match neither guest"oversight from<lb />the maid here before. Some of them<lb />weren't as careful as Kathleen was.<lb />Being careful took time, took too much<lb />time, that and her musings had cost her<lb />ten minutes to the schedule this mor-<lb />ning and that meant a scolding from<lb />Yoni. SheTd just two more rooms on<lb />her listing"no way to cut enough<lb />comers to make up the time without<lb />failing her standard of work.<lb /><lb />Despondent, she turned towards her<lb />cart and the doorway, finished with her<lb />final review, and was ready to step out<lb />into the hall when she saw the light<lb />glint from the ring.<lb /><lb />On the threshold of thedoor, just ina<lb />boundary to leave her no doubt who<lb />had dropped it. She bent to it slowly,<lb />feeling the creak in her knees. adjust-<lb />ing in case one gave out. It felt smooth<lb />in her fingers and warm, recently worn.<lb />It wasnTt the wedding band as she had<lb />first thought"the onyx had fallen face<lb />down, the band of diamonds spanning<lb />the center initially hidden in the nap of<lb />the ring.<lb /><lb />PAGE<lb /><lb />j2<lb /><lb />It would be worth a small fortune. a<lb />monthTs wages or more if those dia-<lb /><lb />monds were real, and sheTd no reason<lb />to think they would not be.<lb /><lb />She straightened and looked at the<lb /><lb />ring, thinking wryly how different she<lb />was from them. Ellen had much, cared<lb />for it little. SheTd bet her sonTs Vicki had<lb />known her share of jewelry, like Ellen<lb />lost finer than sheTd ever known. SheTd<lb />spent her money helping Michael<lb />through graduate school"not that she<lb />ever begrudged him, nor that he didnTt<lb />work for it as hard as she had herself.<lb />but it was a shame it had taken so long,<lb />she had grown old, would go to Ver-<lb /><lb />mont ugly, with nothing to wear.<lb /><lb />Nothing to wear. Like her carburetor on<lb />a cold morning, her heart gave a jump<lb />and the color flooded her now. She<lb />went scarlet down to her fingertips as<lb />she felt herself seized by the thought.<lb /><lb />Nothing to wear?<lb /><lb />Not in her life had she jewelry as gor-<lb />geous as this, this ring dropped and<lb />forgotten by that pretty young woman<lb />who begrudged her a look through the<lb />glass. How was that woman to know<lb />where she'd lost it? Surely sheTd re-<lb />member having put it on, think she had<lb />worn it to dinner or wherever she and<lb /></p>
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          <lb />her y<lb /><lb />ace hipaa went. Surely sheTd<lb />Or a moment Kathleen...<lb /><lb />Twelve<lb /><lb />Yoni was<lb /><lb />Se ~se<lb /><lb />ra ns and never a problem.<lb />Work ard, but she'd stand by her<lb />'kers. No one<lb /><lb />would ever imagine<lb />Kathlee d ever imagine.<lb /><lb />ee hehe ae eae<lb />she sli hardly believed it herself when<lb />oIpped the ring into her pocket.<lb /><lb />a aii<lb /><lb />Chey<lb /><lb />Y 9 ae<lb /><lb />st " in housekeeping at the<lb />; a) » Compare 2c<lb />who'd h: ipare notes on<lb /><lb />Five<lb /><lb />id the worst room. bargain for<lb /><lb />ting a " floor tomorrow.<lb /><lb />IN chairs ies aed ? in their hard fold-<lb />an arc facing Yoni, hands<lb /><lb />digging into the box full of cups and<lb />slipping them into the plastic while the<lb />housekeeper laughed, carried on.<lb /><lb />This end of the day was important to<lb />them and to her. Work done, they<lb />could be easy and comfortable, relaxed,<lb />as they talked and shared the small<lb />details of life. Their meetings were late<lb />enough afternoon that the game room<lb />next door was usually empty, guests<lb />usually all dining out. The housekeep-<lb />ing room could stay open, letting them<lb />enjoy what wafted in of the late sum-<lb />mer breezes, for in spite of the air con-<lb />ditioning this tiny room would never<lb />be cool.<lb /><lb />Today it seemed worse than ever, but<lb />Kathleen knew the sweat on her brow<lb />wasnTt entirely heat.She felt it branded<lb />her, made it apparent to any that look-<lb />ed that she had a secret. She knew that<lb />was plain paranoia. If anyone thought<lb />anything of it, they might put it down<lb />to the lashing sheTd gotten from Yoni,<lb />the quickly served verbal punishment<lb />that had been put aside for one of<lb />YoniTs favorite preoccupations.<lb /><lb />Yoni was mocking the new girl, her<lb />fierce black eyes snapping over her<lb />gap-toothed smile. It was the same<lb />smile sheTd had when she had been<lb />hired, ten years ago, seeming young<lb />enough then to be Kathleen's daughter.<lb />But no mind what they said on TV<lb />about Japanese, they aged just like<lb />everyone else. If YoniTs hair was still<lb />black and her figure still trim enough to<lb />get away with tight jeans, her face<lb />didnTt get her the same kind of men<lb />that it did.<lb /><lb />« trying to be slower than Kathleen??<lb /><lb />The others laughed easily and Kathleen<lb />joined in, knowing that was expected<lb />"no hurt feelings here, she had slow-<lb />ed down this summer. Her seniority,<lb />affability, would forgive her a lot.<lb /><lb />The new girl looked ready to cry. Yoni<lb />could do that to the young ones, the<lb />teens who came on tO Wt wk over the<lb />summer, earned good tips for indiffer-<lb />ent service, went under the wing of<lb /><lb />""""""" ssrcorry-EeEcEe<lb /><lb />herself or Daisy and under the suspicion<lb />of the rest. She looked at Kathleen, ex-<lb />pecting defense, but Kathleen couldn't<lb />think of what to say. She couldnTt re-<lb />member the name"Amy or Annie, or<lb />was that last summerTs? The ring was a<lb />weight in her pocket, exciting and<lb />frightening. It made her forget all her<lb /><lb />lines.<lb /><lb />oKathleen,? Daisy said slowly, oDon't<lb /><lb />you feel good??<lb /><lb />Daisy always spoke to her slowly, as<lb />though she couldn't quite fathom that<lb />otherwise Kathleen would know what<lb />she meant. The rest of them looked at<lb />her now, expectant, while Kathleen<lb />reached in the box. She ad-libbed into<lb />their silence, eyes fixed on the plastic<lb />bag in her hand. oMy sonTs getting mar-<lb />ried this month.?<lb /><lb />Her voice was too loud. She heard the<lb />quiver and hoped they did not. She<lb />wanted to look at them, see, but her<lb />eyes remained riveted to the bag, the<lb /><lb />oSanitized for Your Protection? as her<lb /><lb />dirty hands swathed over the unending<lb />stream of cheap cups.<lb /><lb />oLittle Michael?? Yoni sounded amazed.<lb /><lb />She had met KathleenTs son once when<lb />he was fifteen, too sick one June day to<lb />stay home. HeTd been set up in an<lb />empty room like a king, and all the<lb />maids took turns checking up on him.<lb />When heTd vomited all over the bed-<lb />spread, Yoni had cleaned up efficiently<lb />without ever saying a word. oHe just<lb />otoko-no ko, a pimply-faced little boy.<lb />Who he find to marry??<lb /><lb />Kathleen said, oTheyTre having me up<lb />for the wedding. I need the 29th and<lb />30th off.?<lb /><lb />Yoni pursed her lips and whistled, oSo<lb />quick? Is she pregnant? No mind. You<lb />can have those two days,but no more.<lb />You know how busy we are.? One of<lb />the last weekends in summer before<lb />the kids went to school, the hotel<lb />would be near-capacity.<lb /><lb />Kathleen didnTt need anymore. She<lb />nodded her head in acceptance, and<lb /><lb />PAGE<lb /><lb />3<lb /><lb /></p>
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          <lb />Prize First In Metals<lb /><lb />Artist Mitzy Jonkheer<lb /><lb />lite Color Of The Dream | Had<lb />Category Metals<lb /><lb />Prize First In Textiles<lb />Artist Jeanne Brady<lb /><lb />litle Just Not So Story #6<lb />All That Remains<lb /><lb />Category Textiles<lb /><lb /></p>
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        <p>" """" "_"~+ ""<lb /><lb />Y Oni, reassure<lb />Smile.<lb />when<lb /><lb />te d, gave her a benevolent<lb />You go see him Thanksgiving,<lb />iii ge shut down. See if they started<lb />8randchild. Mr. Gray savs maybe<lb />800d bonus this year.?<lb />oo : "a uncertain faces, ob-<lb />vs Std es her announcement,<lb />a i  eaipsen yn she must her-<lb />oo tiagdl ?,? could almost hear<lb />pd und working, the<lb />Y mothe<lb />this must<lb />Whe<lb /><lb />supercilious-<lb />tly woman pondering what<lb />St mean, the loss of her son<lb />he re mad no one else.? It<lb />i era casserole or potted<lb />tie Plaga ones Daisy had given the<lb />years wr 10 d lost her mother three<lb />Shes e. She knew they<lb />! discomfort. if<lb />didnTt know that<lb />Its w<lb /><lb />all sensed<lb />not its source. They<lb /><lb />a the ring was burning<lb />ay through the cloth.<lb /><lb />te he alway beyond he<lb />Bes ~is Kathleen jumped in her<lb /><lb />ed towards the<lb />alarmed. The eye<lb />ed hers. watche<lb /><lb />doorway,<lb /><lb />s of five others follow-<lb /><lb />romping their : itt vaca ce<lb /><lb />RS Sie al by ay towards the game<lb /><lb />bias 1-cut kids, miniatures of the<lb />ssme<lb /><lb />n who had spaw<lb />c ~ AV _ °<lb />whose pawned them,<lb /><lb />kingdomTs they'd one day inherit.<lb /><lb />Boating near to the point of<lb />~rain what sheTd expected.<lb />inca cheatatygs demanding the<lb />Mr. Gray the ink sale ae dapper<lb />terisliees "" promiser of unma-<lb />this meant aati asking her just what<lb />git a. ~ le knew what the other<lb />Abies tie dagps sweet, simple,<lb />Watching : sie She didnTt want them<lb />Shuddered " tumbled tor this. She<lb />horror seh ; th from the relief and the<lb />though s] : cS = hide the reaction<lb />could S rs " Yoni, whose eyes<lb />Spy dust in<lb />Would see it.<lb /><lb />rhe coup!<lb />re<lb /><lb />a white pile carpet,<lb /><lb />Yoni cx cke<lb />Side.<lb />~ Kath]<lb />athieen. van afeaid vp<lb />Talee N, you afraid ITd not let you go?<lb />Bie another day off if you want. |<lb />oYDE Can cover for you.?<lb /><lb />d her head curiously to one<lb /><lb />Che housekee<lb /><lb />per was injured. seeing<lb />Kathlee , seeing<lb /><lb />nTse ee<lb />emotion, seemingly thinking<lb /><lb />her<lb />?,?r tongue to the gap in her teeth.<lb /><lb />that she was the cause. Kathleen bit<lb /><lb />down on her lip and tried to regain her<lb /><lb />composure. oI donTt feel good,? she<lb />said. oCan I go home??<lb /><lb />Daisy, self-satisfied, looked to the others<lb /><lb />as if to say, oSee??<lb /><lb />Back on tangible ground, away from<lb />the morass of emotion, Yoni seemed<lb />relieved. oAh, go on,? she said, oYou<lb />cleaned your rooms for today, and as<lb />slow as you are on those cups we<lb />finish faster without you.? She smiled<lb />teasingly, her underlying concern only<lb />for those who knew how to read it.<lb /><lb />oYou feel really bad? You need a ride??<lb /><lb />oNo, no. I just need to go home to bed.?<lb /><lb />They watched her rise from the chair<lb />and weave her way out to the hallway,<lb /><lb />turn towards the lobby beyond. The<lb />hall seemed ten times as long as it ever<lb />did, the voices growing evermore dis-<lb /><lb />tant. seemed far too surreal. She thrust<lb />her hand in the smock, to the ring, felt<lb />the smooth, soothing curve of the<lb />onyx, the rough sprinkle of diamonds.<lb />Aside from the odd bar of soap, the<lb />Kleenex they all took, sheTd never<lb />stolen from work or from anywhere<lb />else she remembered, had had no idea<lb />how it would feel. She wondered the<lb />worth of the ring, wondered the penal-<lb />ty if she were caught. Would she lose<lb />her job at the hotel?<lb /><lb />cael<lb /><lb />She had to walk past the front desk to<lb />get out, returned the wave of the<lb />smiling clerk. HeTd gone to school with<lb />Michael, been amazed to learn when<lb />heTd first come here who she was. He<lb />was himself maintence man at the<lb />start"eight years ago? HeTd risen fast in<lb />Mr. GrayTs opinion since that time and<lb />would be manager if he kept it up.<lb /><lb />She knew he expected her to stop and<lb />to talk to him as she always did, go into<lb />the small attached office or at least to<lb />the counter, but she had too much<lb />momentum to stop. She was moving<lb />too fast, the clatter of her hard heels<lb />(nurseTs shoes, required) on the tile<lb />floor was too staccato, she couldnTt<lb />even slow down. Out into the parking<lb />lot, half-deserted with the tourists de-<lb />parted for dinner, and found her salt-<lb />seared blue sedan, unlocked it with<lb />trembling fingers. The smell of hot<lb />vinyl made her dizzy as she slipped in<lb />the car, but she didnTt take time to<lb />open the window, set the fan on full<lb />blast and started it, eased it out onto<lb />the road.<lb /><lb />Traffic was mercifully light. She watch-<lb />ed her speed with stringent eye, maneu-<lb />vering turns so long familiar she could<lb />have made them at night without lights,<lb />from boardwalk to causeway, from<lb />causeway to bridge and then into the<lb />city, to the back street that led to her<lb />house, finally into the drive, all the while<lb />hunched over the steering wheel as if<lb />pulled down by the weight of the ring.<lb /><lb />She couldnTt let go at first, sat clutching<lb />the wheel long after sheTd eased up the<lb />gas and the engine had stalled out and<lb />died. She registered automatically that<lb />her house needed painting, the bright<lb />yellow coat sheTd put on last summer<lb />already fading and peeling under the<lb />sun. It made the house look abandoned<lb />even though the lawn was well tended,<lb />porch swept, meter clicking methodi-<lb />cally on.<lb /><lb />There was even less sign of life in the<lb />houses around hers, the neighborhood<lb />quiet as always. Her nearest neighbor,<lb />Mrs. Brinson, signaled her presence<lb /><lb />PAGE<lb /><lb />S<lb /><lb />= = nsession<lb />"""""""""" ee eo<lb />""""" oe<lb /><lb /></p>
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          <lb />through only a quiet litthke code"vene-<lb />tian blinds open, blinds closed, the<lb />occasional church van with food for<lb />the shut-in, the glimmer of the blue TV<lb />from tight-shuttered windows at night.<lb />The Thurbers were little better, the<lb />Olsons, Mrs. Haversham two houses<lb />down kept a Siamese cat that sylphlike<lb />would on occasion appear at the kit-<lb />chen window, pass judgement on the<lb />passing world with its soulless blue<lb />eyes. Sometimes Kathleen wished<lb />thereTd be havoc, even the sounds of<lb />stereos too loud would be preferable to<lb />the mortuary stillness of this dying road.<lb />Old people only around her, she grown<lb />old herself, too old to pull pranks like<lb />this, to draw police to her home.<lb /><lb />Would they send the police? She pray-<lb />ed not, let Mr. Gray come for her, she<lb />would gladly give back the ring, leave<lb />her job. Or if they sent the policeman<lb />at least let it not be Larry, the one who<lb />stayed free at the hotel in exchange for<lb />keeping an eye on the place, not much<lb />of a cop but a good man, and one sheTd<lb />rather not have to know. Their com-<lb />mon heritage was a bond for them; so<lb />many times heTd come in while she<lb />cleaned out his room and sheTd heard<lb />him discordantly bellowing forth, JT7/<lb />bring you home again Kathleen.<lb /><lb />Home. She locked her car door me-<lb />chanically, walked up the rickety porch<lb />to the mailbox, not surprised to find<lb />nothing was in it. She pushed the door<lb />hard to the wooden frame, jiggled the<lb />key in the lock and went into the<lb />serene sour silence. She put her purse<lb />on the TV and turned on the lamp in<lb />the living room. She switched on the<lb />tube out of habit, her eyes not on the<lb />humming blue screen but on the pic-<lb />ture, MichaelTs picture, over the TV that<lb />smiled at her, teeth postbraces straight<lb />and dimpled chin. He looked so like<lb />his father to her. To the sounds of a<lb />show host consoling a losing contes-<lb />tant, she pulled the smock from her,<lb />with uncharacteristic abandon draping<lb />it over the patched leather easy-chair as<lb />she took the ring from the pocket it<lb />seared, looked at it in the light of the<lb /><lb />PAGE<lb /><lb />GS<lb /><lb />lamp, half-expecting it transformed into<lb />the onerous thing it had become.<lb /><lb />It still shone radiantly. It promised a<lb />beauty and an elegance sheTd never<lb />known.<lb /><lb />There were no excuses for this. She<lb />had none to offer man nor God, but as<lb />she looked at it, she knew sheTd not<lb /><lb />"27am<lb /><lb />return it. She wanted so much what it<lb />promised. It was no more than she<lb />deserved"surely sheTd not worked<lb />more than half her life to slink into her<lb />sonTs wedding unadorned? Unadored.<lb />She felt a sharp pang of envy for that<lb />woman, that Ellen, that Vicki whoTd<lb />captured her son. She, whoTd not even<lb />a wedding ring to remember MichaelTs<lb />father, still deserved.<lb /><lb />She took the ring into the bedroom,<lb />placed it carefully on her bed, in the<lb />center of her bedspread just as if it<lb />were a stone amid that flowered field.<lb />She slid open the door to her closet,<lb />reached high for her sewing kit, pulled<lb />it down and opened it quickly enough<lb />to upset it, rummaged through its<lb />haphazard entrails.<lb /><lb />There past the spools of white thread<lb />was a razor blade. She took the pillow<lb />off her bed and pulled it from its faux<lb />satin cover, slit the seam alongone<lb />dark-stained end. The ring, wrapped in<lb />her old yellow scarf, would go in there.<lb /><lb />With a few neat stitches sheTd sealed it<lb />inside.<lb /><lb />Before she put up the basket, and<lb />undid all the evidence of her treasure<lb />trove, she held the pillow to her breast<lb />and she wept, wept over the beautiful<lb />ring.<lb /><lb />That night she dreamed of a young girl<lb />with long hay-colored hair and laugh-<lb />ing black eyes that, if they were not<lb />pretty, appealed. She dreamed of a<lb />sturdy young woman, supple round<lb />arms and a full breast and a tending<lb />fleshiness that had a charm of its own<lb />to the type of young man who liked a<lb />young woman to snuggle. She dream-<lb />ed of Kathleen in her youth, MichaelTs<lb />father spinning her round in a waltz,<lb />making her laugh and singhey nonny<lb />under her breath. The church hall was<lb />transformed to a magic land, lights<lb />sparkling on windows, an old-fashion-<lb />ed lantern on the table where the green<lb />grocerTs wife served the punch. She<lb />saw the light catch on the folds of the<lb />dancing girlTs white party dress, on the<lb />silk ribbon that weaved through her<lb />hair. She saw her mother at the sideline<lb />with her sister, her nephew"all laugh-<lb />ing and loving and amazed that their<lb />changeling girl had such a handsome<lb />young beau.<lb /><lb />How he had loved her. His words were<lb />as sweet as persimmons, his hands so<lb />gentle around her she hadfelt precious,<lb />like pearls. HeTd kissed like a young<lb />boy, clumsy and wet and impassioned,<lb />his hands trembling as he held her<lb />against him and pulled at the waist of<lb />her skirt. It wasnTt his words that had<lb />won her, nor even his comeliness, but<lb />that tremble. Oh, so earnestly he had<lb />wanted and that want built desire in<lb />her. HeTd married her with a moment,<lb />with the thrust that had taken her<lb />innocence, with the short weeks of<lb />courting before he had drifted away.<lb /><lb />What a gift he had given her"beauty.<lb />The dancing girl sang nonny hey.<lb /></p>
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          <lb />She woke tO a gray-sunwashed mor-<lb /><lb />ning, sat up in the used bed that had<lb />been her second purchase in her first<lb />home, after the hand-finished crib.<lb />MichaelTs picture on the dresser smiled<lb />at the ceramic Madonna. She recalled<lb />Suddenly as if it were again a day long<lb />480 spent at the beach just the two of<lb />them. SheTd held his plump hands and<lb />pun in a circle knee-deep in the surf,<lb />seen his sunny face bright with delight<lb />and desire, the freedom to fly through<lb />the salt-scented air. At four he had just<lb />begun questioning the lack of a father,<lb />the grandparents he knew through<lb />Only mailed gifts.<lb /><lb />She hoped that he loved her, this Vicki,<lb />more than her fatherTs last name.<lb /><lb />The ring was a lump in her pillow,<lb />scarcely discernible as she ran her hand<lb />Over the case.<lb /><lb />With her teeth she tore at the stitches<lb />and squeezed the scarf-wrapped bun-<lb />dle out through the hole.<lb /><lb />Cold diamonds, black onyx. Bitter-<lb />sweet shame settled over her, and in a<lb />Spirit of Self-mockery she forced the<lb />ring onto her finger for the first and last<lb />time. In the cold light of morning she<lb />Was no longer so certain the diamonds<lb />were real, but the ring was still pretty"<lb /><lb />and costly. She suspected the cost to<lb /><lb />her could be dear.<lb /><lb />It Weighted her hand as she dressed for<lb />Work, the blue polyester pants as old as<lb />her job, the flowered shirt from the<lb />tack of the five and dime. It caught her<lb />©ye when she fluffed out her hair in<lb />front of the mirror"rather than enhan-<lb />cing her features it made her seem<lb />homelier. Older, with a face that at best<lb />Would be motherly and a figure to<lb />beguile no eye.<lb /><lb />The view through the kitchen window<lb />oUsgested it was likely to rain, no<lb />Clouds but a heavy sky, a summer wind<lb />Whipped the leaves framed in the deep<lb />August blue. She didnTt bother the toas-<lb />ler, spread scuppernong jam on the<lb />oTust ends of the loaf and took her food<lb />into the living room, murmured grace<lb /><lb />"_"" eS<lb /><lb /></p>
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        <p>SRE a<lb />~ py iN ewe<lb />-o<lb /><lb />a<lb />Se<lb /><lb />ante a rt ¢ . n c la betyt Pages<lb />wow at N00 ee atte wo tne: seen eee oe us SE EOTOE Ouan a ag nO - 1 . ses "<lb /><lb /></p>
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          <lb />into 2 cjla . ¢<lb /><lb />the iy Silence before she turned on<lb /><lb />a ' Sat down into the familiar sag<lb />1e sofa as sl meee, - .<lb /><lb />sofa as she waited for spark<lb /><lb />into life it to spark<lb /><lb />The square of light j<lb /><lb />: oquare of light in the center ex-<lb />ag to static: she trie<lb />"a Crash in the nj<lb />the<lb /><lb />d to remember<lb />Susteren = had warned her<lb />rap 2 oa a en again but all she<lb />rea ? the music that swirled<lb /><lb />: gh her dream, the sound of her<lb />Own happy song.<lb /><lb />et te bread without tasting<lb />ee xe started to don her smock<lb />de abit before she de<lb />It instead, ¢<lb />Waiting car.<lb /><lb />cided to fold<lb />atry it under her arm to the<lb /><lb />rhe mornin<lb />when the<lb />Was too<lb /><lb />8 would hold heavier traffic<lb />sun had gone higher,but 6:30<lb />needa ig for me st of the tourists.<lb />the ride<lb />Pulling into the<lb />she saw Larry tl<lb /><lb />in with no trouble.<lb />parking lot of the hotel.<lb />Paused and Gace Fie, aii wauieege<lb />her through ig = valf a doughnut at<lb />mouthed ts _" fos a closed-<lb />the rest. smue to indicate the fate of<lb />oo in her usual place and<lb />the tray a through the lobby, saw<lb />~oy hy oai doughnuts that Larry<lb />untouched tage areapaleens largely<lb />sali sear clerk making wake up<lb />eet a re as Kathleen walked<lb />ica. o4 « lounge with its rows<lb />tor, Se aac 'Vs. The night audi-<lb />hurry to go ~ ivorced and seldom in a<lb />heficre a beige after his shift, stood<lb />hand, the bl ee a - Conee: in<lb />Night apy, igs grimness of the<lb />approach, oM4 oee ing as he saw her<lb />catch - oe Kathleen. Did you<lb />litrcet, aig 3 He she 0k his head<lb />oLarryTs - : . apecting a response.<lb />won five h 2 id this morning. He<lb />ucks.<lb /><lb />The }<lb /><lb />lallway th.-<lb /><lb />seemed ay that led to the game room<lb />Ong. A mother and child walk-<lb /><lb />ed towar<lb />ards the beach - i<lb />from the ¢ 1?,? beach at the end of it,<lb /><lb />: Conomy r .<lb />Kathlee y rooms, the ones<lb /><lb />N usually cleaned.<lb /><lb />The ,<lb />. e door to houseke<lb />Oni was ft<lb /><lb />a eping opened.<lb />alking to someone, someone<lb /><lb />stepped out with a clipboard in hand to<lb />go to her floor and the cart in the closet,<lb />double-check her cleaning supplies.<lb /><lb />It was Amanda (not Annie or Amy).<lb />Yoni was speaking to the girl with an<lb />edge not usually there, chiding her for<lb />failing to restock her equipment the<lb />previous afternoon.<lb /><lb />The housekeeper cut off mid-word<lb />when she saw Kathleen. oGo on,? she<lb />said to the other and Amanda looked at<lb />her. looked at Kathleen with an unin-<lb />formed conspiratorial sympathy as if to<lb />say, oIt won't be that bad.?<lb /><lb />Yoni beckoned Kathleen in, closed the<lb />door behind them, and they faced each<lb />other over the closed box of cups, the<lb />new cups, to be bagged for a new<lb />batch of guests.<lb /><lb />Yoni looked curiously vulnerable.<lb />There was no doubt that she knew.<lb /><lb />oKathleen??<lb /><lb />Kathleen held out the hand with ring.<lb /><lb />Yoni sat heavily in her chair. oShit.<lb />Kathleen, why did you do it? Why?"<lb /><lb />Kathleen thought of telling the truth,<lb />the wedding, her shame, but she real-<lb />ized it wouldn't be all of the truth, for<lb />that she didnTt know where to begin.<lb />The ring was a weight on the house-<lb />keeper now, an unintended result, and<lb /><lb />Kathleen would add to that weight if<lb />she tried, if she made a bid for sympa-<lb />thy. Instead she stood silently by.<lb /><lb />Yoni sighed. oMichael getting married.<lb />What would Michael think of this?In<lb />your vacuum bag,? she said suddenly.<lb />She held out her hand for the ring.<lb /><lb />oYou did not see it there on the floor.?<lb /><lb />oTdonTt want you to get in trouble for me.?<lb /><lb />There was a flash in Yoni's eyes, not<lb />anger, although the housekeeper ball-<lb />ed up her fist; something else, some-<lb />thing more. oStupid woman. You want<lb />me to fire you? I won't let you make me<lb />do that. This is my wedding present to<lb />you, for Michael. But I donTt want to<lb />see you again. You go to the wedding<lb />and stay.?<lb /><lb />Yoni stood by her workers, her friends.<lb /><lb />There would always be work for a<lb />cleaning woman"even if Yoni gave<lb />her no reference there was the nursing<lb />home by the waterfront where she<lb />could apply. More grueling labor, less<lb />pay, but she would survive. She had<lb /><lb />overcome shame once before.<lb /><lb />She reached down to twist off the ring.<lb />Tight, mercilessly tight, on her hand,<lb />work-roughened, spotted with age.<lb /><lb />it wouldnTt come off of her finger. It<lb />seemed it had settled to stay. =!<lb /></p>
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          <lb />Prize Fifth<lb /><lb />Author Ashley Gruber<lb />litle Margaret<lb />Category Poetry<lb /><lb />After it ainTt dark no more<lb />And ITve made my way to<lb /><lb />The big old building<lb /><lb />Just me and the big quiet sky<lb /><lb />And the bus driver<lb />And a few other people who<lb /><lb />Mind their own business...<lb /><lb />Like the girls in the building.<lb />I take out the garbage<lb /><lb />and a girl walks by<lb /><lb />And puts an apple core in<lb /><lb />My trash can.<lb /><lb />They all wear<lb />Bags on their backs<lb />And always look nice<lb /><lb />But never stop going...<lb /><lb />And they mind their own business.<lb /><lb />Out the window I see<lb /><lb />More of them walking fast...<lb /><lb />The patterns of the<lb /><lb />Children with bags move and move.<lb />They look straight ahead but<lb /><lb />I wonder what theyTre really seeing.<lb /><lb />I see them wind around<lb />The Arboretum fast, so fast...<lb />And it all looks so funny...<lb />These youngsters running<lb />Around with backpacks<lb /><lb />Looking straight ahead.<lb /><lb />ITm cleaning up after<lb />Them so my daughter can<lb />Wander around a pretty<lb /><lb />Garden with a backpack...<lb /><lb />And mind her own business.<lb /><lb /></p>
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        <p>Hemmer eT<lb /><lb />mean "eaPrig:ymitasna LEE GME Sea LEL EN Sek pmol BE Tee Beat aes<lb /><lb />EEE """" = ow ee CE<lb /><lb /><lb /><lb /></p>
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        <p>we nese rs<lb />WE ee lem en Go St<lb /><lb />vk oo<lb />ee BN x ents<lb />Sparse i Ben! ps tmgme 0) 4 poten wer<lb />5 te peer 0 we oSlrete<lb />plenty wo fosters<lb />eek Dede mi fini<lb />nA ace oe<lb />SOMO nt<lb /><lb />y Ty ide ft ees an ee<lb />St) al Cae flees ta,<lb />oad f Beg # 3<lb /><lb />ea me<lb /><lb />&gt;-<lb /><lb />FEBRUARY<lb /><lb />(BR Gy SScea<lb /><lb />788 iit<lb />1418 1817 181820<lb /><lb />2122232625 2027<lb /><lb />8 30 88h<lb /><lb />lace Beait ~~<lb /><lb />~~ aXe nw =<lb /><lb />Sazan-=0Os-<lb /><lb />=<lb /><lb /></p>
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        <p>"" a ere<lb /><lb />Prize Finalist<lb />PES ' Rod Hawkins<lb />rue we alth Autho ; .<lb />Time was 3 not vanity Title Of Arsenic And Old Memories<lb />x is anity.<lb /><lb />When I could remember Category Poetry<lb />The Mystery in your eyes. ie wiki<lb /><lb />: : ar hoe: This ring,<lb />[ smelled the rain in your hair- in 5<lb /><lb />when not properly filled,<lb /><lb />is but the definition<lb />Your plum lips<lb /><lb />5 . of a hole...<lb />Were taken in so readily Filed full<lb />illec<lb />{A harvest of Godflesh). Ce teaee 1emories.<lb />of arsenic and old n<lb />But now | must forget.<lb />Arsenic<lb /><lb />On your words<lb />Henbane<lb /><lb />yOur scent<lb />Permeated.<lb /><lb />Poisoned my thoughts.<lb /><lb />I recollect a time<lb />When | Willed e<lb />My passion burned<lb /><lb />as the sword of God<lb />©ver your Eden of Heart.<lb />That time js wan,<lb />fading...<lb /><lb />very second<lb />ast an infinity<lb /><lb />Hazing Over...<lb />indiscernable.<lb /><lb />seeping into this hard Earth<lb />©n my tears of blood-<lb /><lb />Fruitless<lb /><lb />| have brought you<lb />Full circle.<lb />YOU see,<lb /><lb />This js the end of the beginning,<lb />the beginning of the end.<lb /><lb />~A Golden ring)<lb />Destined for no b<lb />And no e<lb /><lb />nd<lb />Yet all are at the<lb />S<lb /><lb />?,?me junction.<lb /><lb />eginning<lb /><lb />You Came wit<lb /><lb />h nothing,<lb />And wil] lez<lb /><lb />ive likewise.<lb />Vanity is not<lb /><lb />a treasure.<lb />and treasure.<lb /><lb />AE)<lb /><lb /></p>
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          <lb />Illustrations by<lb />Stanton Blakeslee<lb /><lb />Prize Second<lb />Author Jim Shamlin<lb />Title A Cleaner Place<lb />Category Prose<lb /><lb />=<lb />A<lb /><lb />i<lb /><lb />y back is not touching the<lb /><lb />steel girder behind me, but I<lb /><lb />can feel that itTs there. It is<lb />pressing against an invisible skin that<lb />covers me, a few inches over my coat. I<lb />cast my stare into the tunnel, hoping to<lb />catch the glare of headlights through<lb />the thick mist of my own breath. There<lb />is something else: a person standing<lb />beside me, several feet away"beyond<lb />the scope of my vision, but I smell a<lb />distinctly human musk. I stand rigidly,<lb />my feet at shoulder width, prepared to<lb />resist the push.<lb />I tighten the muscles in my legs when I<lb />hear the stranger moving closer, keep-<lb />ing them stiff when the shuffling stops.<lb /><lb />leaner place<lb /><lb />It is quiet for five heartbeats.<lb /><lb />oYou got any change?? The voice is<lb /><lb />hoarse, yet mezzo-soprano. I do not<lb />know if it is a woman or a man.<lb /><lb />[ tense the muscles around my eyes,<lb />trying to stare deeper into the darkness.<lb />My calves are beginning to ache. Three<lb />more heartbeats pass before the stranger<lb />moves away. When the sound grows<lb />soft enough, I relax my legs. It is almost<lb />inaudible when I turn around and haz-<lb />ard a curious stare down the platform.<lb />The stranger is no longer there.<lb /><lb />[ stamp my feet. The chamber echoes<lb />with a dull clatter and the scattered<lb />shadows on the other side of the sta-<lb />tion turn their heads in my direction. |<lb />feel warmer and the stiffness in my legs<lb />fades. It seems almost foolish, tap-<lb />dancing in the underground, but I donTt<lb />know of anything else to do. My<lb /></p>
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        <p>9S<lb /><lb />it<lb /><lb />neous agape acPe 4 a 2 . r<lb />Pica t Aeraih - eS mn eS ETERS FI<lb /><lb />ame _ &gt; Mann EL ine ee ~ . - .<lb /><lb />-- ~~ " me a Sek ee aT ea aera Fe ehinobinte Son hatetetaee =<lb /><lb />Ove . P om<lb />= o is buttoned to the neck. It is<lb />2 O ) : ¢ ear ; 3 ¢ :<lb />me, eg layer of insulation over my<lb />oCKO, Shirt, and undershirt. Sti |<lb />| a ershirt. Still Ee<lb />the chill ee<lb /><lb />ca in place when I feel<lb />Pip sy = beneath my feet.<lb />sek ES apa appears in the tun-<lb />Sound com Pa ; niger larger. The<lb />Mei es ne Xt. It begins soft and<lb />crescend "" in the distance, then<lb />every arid 9 a howl that smothers<lb />st Cochin Ngai [ turn once more to<lb />aici hae : 1e?,? stranger has gone"<lb />body sa wanted to push some-<lb />when the nae x the train would move<lb />Oise was the loudest.<lb /><lb />A aad<lb />Witcher ve: = people. Through the<lb /><lb />S that 1<lb />no more inti;<lb />the train be<lb /><lb />ush past me, they seem<lb />nate than statues. When<lb />gins to slow, I see fragments<lb /><lb />"H-«enw sre<lb /><lb />of motion. It seems that the most min-<lb />ute movements draw my attention: a<lb />young man in the fifth car turns the page<lb />of his newspaper, a middle-aged wo-<lb />man in the sixth looks at her watch, an<lb />old man in the seventh closes his eyes.<lb /><lb />The tenth car stops in front of me.<lb />There is nothing to see through its<lb />windows, which strikes me as strange:<lb />while the other compartments are as<lb />full as usual, this one is practically va-<lb />cant. When the door shifts open, the<lb />reason confronts me"a powerful<lb />stench, so pungent and sour that it has<lb />an almost physical presence, envelopes<lb />me when I step into the car. It seeps<lb />from the vagrant who is sprawled, face-<lb />down, across my usual seat. Disgust<lb />pulls at the corners of my mouth as |<lb />step across the car and take a place on<lb />the opposite bench.<lb /><lb />Se ee<lb /><lb />MR LR oR A ALBEE I aaa aed '<lb /><lb />The doors close and the train begins to<lb />roll. | watch through the window as the<lb />columns pass, slowly at first, then fas-<lb />ter, until they rush by in a blur, and<lb />then the glass goes black. My eyes drift<lb />from the window to the advertisements<lb />posted above it: a recruiting poster for<lb />the police, something about STDs<lb />written in Spanish, and a 970-prefix<lb />dating hotline. The smell seems less<lb />powerful now. My eyes begin to drift,<lb />falling toward the person who sleeps<lb />across from me.<lb /><lb />I get only a glimpse of ragged blue<lb />cloth before I turn away, casting my<lb />stare at the far end of the compartment.<lb />There are three people there, position-<lb />ed in an almost perfect triangle. Closest<lb />to me is a woman my own age, perhaps<lb />a few years younger. I can only see the<lb />profile of her nose and lips through the<lb />veil of dark hair that falls across her<lb />cheek. Her head is tilted downward,<lb />unseen eyes focused on the magazine<lb />that rests on her skirt.<lb /><lb />Across from her, leaning against the<lb />doors, is a young man dressed in black<lb />leather. A crown of thorns is tattooed<lb />on his naked scalp. The harsh light<lb />gives his pallid skin a greenish hue that<lb />makes his cheeks seem hollow. His<lb />eyes seem to be locked on the maga-<lb />zine in the lap of the woman across<lb />from him. I stare at him for several<lb />seconds, counting the links in the chain<lb />that runs from his earring to the corner<lb />of his mouth, before I realize that his<lb />gaze is resting somewhere else"in the<lb />direction of the magazine, but several<lb />inches higher.<lb /><lb />The third person in the group is an<lb />elderly woman, who sits diagonally in<lb />her seat, placing her back against two<lb />walls. Her eyes flit between the young<lb />punk and the woman, and then she<lb />notices my stare. Her eyes stare back at<lb />me from the shadows of their sockets<lb />and a skeletal hand clutches the air<lb />before her. She is beckoning me to her<lb />end of the compartment. I donTt move.<lb /><lb />| face forward again and turn my eyes<lb />to the figure I've been avoiding"the<lb /><lb />PAGE<lb /><lb />a<lb /><lb /></p>
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          <lb />eee<lb /><lb />PRI<lb /><lb />vagrant. His body is a pile of dirty cloth.<lb />From where I sit, I can see at least three<lb />shirts, possibly a fourth underneath.<lb />and two jackets. His trousers are torn<lb />along the inseam. revealing the yellow-<lb />ed leg of a pair of sweat pants. The<lb />cuffs of long flannel breeches peek out<lb />at his ankles. Only his feet are bare.<lb />though blackened with soot. I cannot"<lb />[ will not"look at his face.<lb /><lb />[ can feel the train slowing, inertia pull-<lb />ing me forward, and I notice that the<lb />tunnel outside the window is growing<lb />lighter. Soon, the window is filled with<lb />light and the images of columns rush-<lb />ing by, quickly at first, then slower. un-<lb />til they are no longer passing at all. The<lb />doors shift open, and a man steps into<lb />the car. HeTs wearing the same overcoat<lb />as he wore yesterday. It isnTt quite black,<lb />but a dark shade of gray. He pauses for<lb />a moment to look at the vagrant, then<lb />sits on the bench beside me. The train<lb />begins to roll before he speaks.<lb /><lb />oMorning, Phil.?<lb /><lb />oMorning, Chris.?<lb /><lb />Often, this is all we say to one another,<lb />but today, he leaves his newspaper fol-<lb />ded in his lap. He is staring at the bench<lb />across from us, his nose wrinkled with<lb />disgust. oCan you smell that.? he says.<lb />I's more a statement than a question.<lb /><lb />| turn to face him, but he doesnTt meet<lb />my eyes. At the other end of the car.<lb />the young punk reveals a row of per-<lb />fect teeth.<lb /><lb />oThey should put them off the train,? he<lb /><lb />Says, a bit more loudly. oThey should<lb />put them out of the city.?<lb /><lb />oNo,? I say softly. oThey should get rid<lb /><lb />of them altogether.?<lb /><lb />oYou know, there was this plan in Octo-<lb /><lb />ber to give them all a free ticket to<lb />Florida for the winter. The idea even<lb />pleased the bleeding hearts. Trouble is,<lb />the Floridians heard about it. They<lb />didnTt like it much. They'll take in all<lb />the scum from the Cuban jails, but they<lb />donTt want the American variety.?<lb /></p>
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          <lb />ee :<lb />think it Was for the best.?<lb /><lb />I le | S &gt;)<lb />OO r . 4 "9 ~<lb />fac oee ks at nee for the first time, his<lb /><lb />Do yv<lb />yOu want t<lb />Be ? O see them whe fe ar<lb />a &gt; '<lb />retired, tog?? ee<lb /><lb />oYou g<lb />Ot ;<lb />hea gota Pom there.? He shakes his<lb />ad. oCat food.?<lb /><lb />I do % ne :<lb />Nt ask him to elaborate.<lb /><lb />He opens<lb />a _ et Teport, and begins to<lb />imns. |<lb />Watch his face as he<lb />" the Paper. His<lb />a are steady,<lb />otS mouth twitches<lb />Bis ically "some-<lb />na assumes a smile,<lb />is oe Often, it forms<lb />pee C urse. He maybe<lb />" ng silently. If he<lb />= =: : wouldn't know.<lb />, Ice Would be<lb />smothered by the ste:<lb /><lb />7 3 ady<lb />rumble of the train<lb /><lb />Whe<lb />en W 1, © :<lb />?,? stop in the nextstation, the<lb /><lb />Ment. auth | nee leaves our compart-<lb />at the place en punkthrows himself<lb />4pparently o| egy she was sitting,<lb />enters the co dtivious to thefact that she<lb />Own. He SO aigenriae in front of our<lb />at the old i splayed, and glowers<lb />nervously. eve - who watcheshim<lb />tight arm oF ashy ti his stare, her<lb />shopping bag. ig eedarecsd<lb /><lb />busine<lb /><lb />Anc the<lb /><lb />rf Man steps j<lb />ment steps into our compart-<lb /><lb />it oo with hair so blonde<lb />punk. then =a " me He looks at the<lb />Of iecas ah ~nn vagrant. He steps out<lb />" - 4Ne train is still for a long time.<lb />*hris es<lb />Der. oe the top of his newspa-<lb />and goes oe The punk rises<lb />Pie Ges a: 45 door. He leans out to<lb />back inside ; Aemanis then ducks<lb />for an Ta car. His eyes meet mine<lb />between th . Derore he opens the door<lb />?,? compartments and steps<lb /><lb />Onto .<lb />the small ledge outside.<lb /><lb />S a<lb />©conds later<lb /><lb />a polic &gt; officer p: '<lb />ee e officer passe:<lb />~Ur Window. passes by<lb /><lb />He stops to scan our com-<lb /><lb />oHis eyes are<lb />open, looking<lb />at me, staring<lb />through me,<lb />and his mouth<lb />is agape.<lb /><lb />partment with his eyes, then doubles<lb />back toward the door. He is a lean man<lb />with dark skin and a closely shaven<lb />head. Once he is inside our car, his<lb />hand drifts to his belt, fingers brushing<lb />over the butt of his pistol to remove the<lb />small handset. He holds it close to his<lb />mouth when he speaks. oITve got him.<lb />Third car from the end.?<lb /><lb />I look at the window at the end of our<lb />car. The punk is pressing himself against<lb />the railing between the cars, but I can<lb />still see the profile of his<lb />mouth, the chain that<lb />parts his lips shimmers<lb />in the fluorescent light. |<lb />want to ask the officer<lb />what is happening, but |<lb />know it is best to remain<lb />silent.<lb /><lb />Shortly, another officer<lb />enters the car"a short.<lb />fat man with thick black<lb />sideburns. They stand<lb />directly in front of me as they speak.<lb /><lb />oYou get the head,? the tall one says.<lb /><lb />oI ainTt touching his head. You get his<lb /><lb />head.?<lb /><lb />oYou want to touch his feet??<lb /><lb />oNo, I donTt want to touch his feet, but I<lb /><lb />donTt want to touch his head, either.?<lb /><lb />oHow about we both get an arm??<lb /><lb />He pauses for a moment and runs his<lb />fingers through his sideburns. oI hate<lb />this damned job.?<lb /><lb />The tall officer bends over and takes<lb />the vagrantTs arm, pulls until the va-<lb />grant falls to the floor. The other officer<lb />steps over the vagrant, whispering a<lb />curse. and takes the other arm. Toge-<lb />ther, they drag him across the linoleum<lb />and through the door. I cannot avoid<lb />seeing the vagrant's face. His eyes are<lb />open, looking at me, staringthrough<lb />me. andhis mouth is agape.<lb /><lb />Seconds later, they are gone. The doors<lb />shift closed and the train begins to<lb />move. I feel cold again, terribly cold,<lb />but sit still, unable to move. When I lift<lb /><lb />oHe had a gun<lb /><lb />my head at last, my eyes fall upon a<lb />long, dark stain on the bench across<lb />from me.<lb /><lb />oHe was dead,? I say softly.<lb />o No wonder he stunk so bad.?<lb /><lb />oHe was dead,? I repeat.<lb /><lb />1 can hear Chris folding his paper; I can<lb />almost feel his eyes upon me. He says<lb />nothing for what seems like a long time<lb />while I sit still, without speaking, with-<lb />out thinking. I feel colder now. My<lb />hands are starting to shake and I can<lb />feel my body tremble.<lb /><lb />Chris speaks. His voice 1s s¢ ft and even,<lb />though still twisted in the urban way.<lb /><lb />oSometimes I look at you and see the<lb /><lb />same guy | saw"what was it"five<lb />years ago? The guy who asked me how<lb />to get to Sixth from the Avenue of the<lb />Americas. Know what I mean??<lb /><lb />It is silent for a time. When I speak, the<lb />voice I hear comes from somewhere<lb />outside me. I can feel my mouth move,<lb />the warm, damp breath flowing over<lb />my tongue, but itTs as if ITm not making<lb />any noise, only mouthing someone<lb />elseTs words in perfect synchronicity.<lb />The voice I hear is deeper and hoarser<lb />than my own. oWhen I was younget,<lb />we used to play in the fields beyond<lb />the wood. There were so many fields<lb />there, full of thick grass.?<lb /><lb />oMaybe itTs because you come from a<lb /><lb />cleaner place,? Chris says. oYou come<lb />from a place so clean that the dirt can<lb />only get down to a certain point.?<lb /><lb />oIt wasnTt grass, though,? I say, as if<lb /><lb />Chris had never spoken at all. oIt was<lb />rye, or perhaps corn"some kind of<lb />crop. The farmer would walk out from<lb />this small house. We could barely see it<lb /><lb />in the distance.?<lb /><lb />oLook, things are different here. Your<lb /><lb />nearest neighbor is through the wall. If<lb />he breaks wind, you know what he ate.<lb />ItTs just"?<lb /><lb />a long shotgun. It was<lb /><lb />old and worn. There were places on<lb />the barrel where the naked metal show-<lb /><lb /></p>
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          <lb />ed through. It would catch the light as<lb />he walked. It seemed to sparkle. I canTt<lb />remember what the farmer looked like,<lb />but I can remember his gun.?<lb /><lb />oPeople who've have robbed say the<lb />same thing,? Chris says. oI canTt remem-<lb />ber what he looked like, Officer, but he<lb />was Carrying a .22 that had a scratch on<lb />one side.T ItTs strange.?<lb /><lb />oHe would carry that gun with him<lb />when he came to tell us to get out of<lb />his fields. An hour later, heTd be back.<lb />It was like that every spring. He didnTt<lb />bother us in the winter. He never<lb />bothered us in winter.?<lb /><lb />oI guess things were different in winter.<lb />Here, it always the same. The only<lb />way you tell the difference is itTs either<lb />too damned hot or too damned cold.<lb />For three days a year, maybe four, it<lb />feels good.?<lb /><lb />o| stare at the<lb />floor before<lb />me, trying to<lb />find shapes<lb />inthe grime.?<lb /><lb />oHe didnTt come after us<lb />One spring. His fields were<lb />a mess. The grass was<lb />sparse, with clumps of soil<lb />and furrows where he had<lb />driven the tractor during<lb />the last harvest. The field<lb />was peppered with strands<lb />of long, dead grass and brambles. We<lb />stopped playing there when Jerry bark-<lb />ed his arm, stripped the skin from the<lb />wrist to elbow against something. I<lb />donTt know what.?<lb /><lb />oPhil??<lb /><lb />oWe played in the woods, on the edge<lb />of the field. All the winter, shouting<lb />among the trees. Building forts out of<lb />deadfall, chasing rabbits and,"?<lb /><lb />oIs this going anywhere? You keep bar-<lb />king and barking about this place ITve<lb />never seen like itTs"?<lb /><lb />I turned to face Chris. His eyes meet<lb />mine, but I could not feel them there.<lb />oWe didnTt know anything until April.<lb />That's when the smell reached the<lb />woods.?<lb /><lb />Chris is silent. His features seem frozen<lb />his mouth forming a perfectly straight<lb /><lb />&gt;<lb /><lb />S<lb /><lb />line, his eyes staring somewhere be-<lb />hind my own. He turns away and looks<lb />over his shoulder to find that we are<lb />alone in the compartment. Neither of<lb />us, it seems, saw the old woman leave.<lb /><lb />oThat's a pretty bad memory,? Chris<lb />says. oThat smell must have"?<lb /><lb />oThat's not the point,? I say. oHe lived<lb />alone, Chris. Nobody knew he was<lb />dead until he started to smell.?<lb /><lb />oThat kind of thing happens in the city,<lb />too. All the time. There was this old<lb />lady in the attic of my sisterTs building,<lb />a mean old hag who was so tight she<lb />never ran the heat in the winter. Nobody<lb />knew about her for months. So what??<lb /><lb />oSo how are we any different from them?<lb />oWhy do we have to be??<lb /><lb />The compartment leans<lb />forward, an indication that<lb />the train is approaching<lb />the long stretch of track<lb />that runs beneath the rive.<lb />The lights flicker twice,<lb />then fade until the com-<lb />partment is almost dark. |<lb />realize that we are alone,<lb />Chris and I, riding in the<lb />darkened compartment,<lb />travelling beneath the river. It is only<lb />he and I, and the shadow of that smellT<lb /><lb />oWhat's the difference between him and<lb />us, Chris? Really.?<lb /><lb />oPhil. Look at me, guy.?<lb /><lb />[ look at him. His forehead is smooth,<lb />his jaw set, but there is something un-<lb />certain in his eyes.<lb /><lb />oChange the subject or shut up,? he Says.<lb />oGet me??<lb /><lb />oGot you.?<lb /><lb />oThereTs some things in this world [T'd<lb />just rather not think about,? he says.<lb />His voice is softer now.<lb /><lb />The train rolls silently through the dark-<lb />ness. It slopes upward and the lights<lb />glow brighter again. I stare at the floor<lb />before me, trying to find shapesn the<lb /><lb />grime. Today, I see only faces. Their<lb />eyes are cleaner places in the filth, and<lb />those cleaner places stare back at me. I<lb />can almost feel their anger.<lb /><lb />oI donTt know why youTre upset,? Chris<lb />Says at last. oPeople die all the time. I<lb />got this brother-in-law who's a cop.<lb />He's a rookie, just joined last spring.<lb />His partnerTs this old guy. I never met<lb />him, but Greg tells me about him. ThatTs<lb />my brother-in-lawTs name"Greg. Nice<lb />name, right??<lb /><lb />I say nothing.<lb /><lb />oSO anyways, his partner's this crusty old<lb />fart whoTs been walking the same beat<lb />downtown for twenty years or some-<lb />thing. GregTs first day on the job, the<lb />guyTs walking along pointing to the<lb />squares of pavement on the sidewalk.<lb />Now get this: for every square, the guy<lb />tells Greg about a person who died.<lb />right on that spot.? He laughs. oCould<lb />you imagine that, just walking along<lb />and some guy talking to you, saying,<lb />~well, thatTs where some suit landed on<lb />Black Friday, and the one beside it, an<lb />old lady had a heart attack,T like itTs<lb />some kind of sight-seeing tour. Some<lb />tour, hey??<lb /><lb />oI thought you wanted to change the<lb />subject.?<lb /><lb />oIl am changing the subject.?<lb />oYou're talking about death.?<lb /><lb />oIts a story, Phil, just a story. He was<lb />probably making it up anyway.?<lb /><lb />I shake my head. oIt could be true, all<lb />of it.?<lb /><lb />oImpossible! ThereTs no way that<lb />somebody could kick on every last"?<lb /><lb />oThere are ten million people in this<lb />city,? I say. My voice is smooth and<lb />calm. oThousands of them die every<lb />day, thousands more are born to re-<lb />place them, only to die later. ItTs quite<lb />possible that someoneTs last blood has<lb />fallen on any given stone in this city.?<lb /><lb />That reminds me of this playground I<lb />pass every day when ITm on my way to<lb /><lb /></p>
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        <p>A St nk hE TON pas<lb /><lb />as Roi eile SA Aim tom, A eRe v me acing FCT: pw aay sees eek oe " pd a "" . -<lb />a SS -* mt cutth Ahand 2 o rik Sa a ew &amp; tet il Rat MEET aR agree ebnGubohalnt tant Ot Re CASE RTPA RN VINE Ra PA ed ca SSL AIGA A F<lb />e' FR wiske be ix. s , ns " ° &gt; pat 4 ~ " - eV fon . =<lb />: ¢ OO Aa mt A on homie eel<lb /><lb />= " rss<lb /><lb />Prize Second In Ceramics<lb />Artist Jamie Kirkpatrick<lb />litle Ash Starburst<lb />Category Ceramics<lb /><lb />Prize First In Printmaking<lb />Artist Amanda Taylor Durant<lb />litle Interior With Bottles<lb />Category Printmaking<lb /><lb /></p>
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        <p>tapas LPRSALE TAL SEUSS tae<lb /><lb />Prize Second In Textiles<lb />Artist Laura Sharar<lb /><lb />litle Under The Sea<lb />Category Textiles<lb /><lb /></p>
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          <lb />the<lb /><lb />Station. Y<lb />. O : sons 3 .<lb />ii u should see it some<lb /><lb />e ) : F ?<lb />» Phil. YouTd laugh.?<lb />Every place<lb /><lb />you step. vouTre nassi<lb />through es P, you re passing<lb /><lb />eae Outline of a corpse, a huge<lb />c ( ) CC Irpses | a s <lb />. Sf5s LYING<lb />Corpses.? ying on top of<lb />oTh; . - e :<lb /><lb />US just what Pon talked<lb /><lb />says, 1g about,? he<lb /><lb />oThey P<lb /><lb />Y got this area of<lb /><lb />i  o   yf th &gt; AT.<lb />boards. (<lb /><lb />What the<lb /><lb />) hopscotch<lb />10d only knows<lb />Y use it for"<lb /><lb />Paveme<lb /><lb />nt is brown, reddi<lb />t KX n &gt; :<lb />brown , reddish<lb /><lb />i | always wondered<lb />tis " it that color. ItTs<lb />y ? . .<lb />d. ItTs so much blood.?<lb /><lb />oThey °<lb />LOT it Paint &gt; .<lb /><lb /> Cc 4 J<lb />outlines d with the<lb /><lb />S of bodies. Little<lb /><lb />guess the kidsT bodies. I<lb /><lb />ie<lb /><lb />a. ids lay in the outlines. It<lb /><lb />teach; Part of some game they're<lb />¢ lng them. Sc yme same ie )<lb /><lb />ItTs the City, Phil.?<lb /><lb />oIt looks 1;<lb />Oks = . .<lb />Scene ag some kind of murder<lb />T | Le . &gt; " -<lb />and Sea = crackpot finally broke<lb />ry: "ei deo 1e sc Ar ra<lb />chine gun,? hool yard with a ma-<lb /><lb />ItTs tainted s¢ mehow<lb />©verywhere. 1<lb />YOu touch. It<lb />and ge<lb /><lb />ThereTs filth<lb /><lb />» thick. ItTs on everything<lb /><lb />: " through your skin<lb />you.<lb /><lb />oItTs a ¢<lb /><lb />you.?<lb /><lb />. T<lb />10d damned ric t, Phil<lb /><lb />ITm telling<lb /><lb />[ look at him.<lb />Ners of his eve<lb />He ¢<lb /><lb />Chere is water in the cor-<lb />S and his face is flushed.<lb /><lb />atches<lb />© My stare : i<lb />{Urn to face th e, then turns away. I<lb /><lb />Che Stain or<lb /><lb />h the hen-h i.<lb />now. 1e bench is only a smear<lb /><lb />In nN<lb />) =<lb />4Nymore muaDS, itwon't be noticeable<lb />TI Just another part of the grime.<lb />?,? train slows<lb /><lb />and Chris rises. oITll see<lb />YOu tom, row. } a fieps. oFE see<lb /><lb />Ih j ry 9<lb />i hil, maybe Wednesday.<lb />laybe.? :<lb />Wh<lb />CN we « ;<lb />through i Stop moving, he steps briskly<lb />Movin the doors, | watch his back<lb />3 aWay fr om<lb />Steps Sat ay from me until a woman<lb />doorway Way. She pauses in the<lb />the settle ul IS swept into the car by<lb />Ple behind her. She takes the<lb /><lb />oWithout<lb />4... thinking,<lb />| turn to<lb />face the<lb />voice.?<lb /><lb />the 4 : ~<lb />he Opposite side of the car.<lb /><lb />bench across from me and looks at her-<lb />self ina mirror she takes from her purse.<lb />People brush by in shades of khaki and<lb />gray, slowly filling the compartment.<lb />When the bell rings, a hand clasps the<lb /><lb />side of the door, holding it open as one<lb /><lb />more person enters the car. I rise and<lb />cross the compartment to stand by the<lb />door. I look over the woman's<lb />shoulder, watching her reflec-<lb />tion in the mirror. In time, she<lb />sees the reflection of my eyes.<lb />She turns to face me and she<lb />smiles.<lb /><lb />The smile does not last long.<lb />Her eyes stray away from mine,<lb />then back. oDid somebody die<lb /><lb />in here or what??<lb /><lb />Someone laughs.<lb /><lb />oYes,? I say. oRight where you're sitting.<lb /><lb />oWhat a coincidence,? she says, then<lb /><lb />returns to her mirror.<lb /><lb />I brace myself against the post when<lb />the next station enters my window.<lb />The train slows, the doors open, and I<lb />step out of the car. The tide of people<lb />bears me down the platform and<lb />around the corner, where it deposits<lb />me in a small alcove. I wait silently,<lb />looking at the pale sunlight that drifts<lb />down the stairway.<lb /><lb />oExcuse me, sir, but do you have any<lb /><lb />change??<lb /><lb />Without thinking, I turn to face the<lb />voice. I find myself looking into the<lb />blue eyes of an old man. His face is<lb />covered with matted white hair that<lb />hides his lips and his forehead. Only<lb />the tops of his cheeks are visible, and<lb />they are crimson. While I'm reaching<lb />into my coat, I notice that he doesnTt<lb />have the smell that the other beggars do.<lb /><lb />I offer him the fistful of change | find in<lb />my pocket, glancing ruefully at the two<lb />subway tokens that fall into his cup<lb /><lb />along with the coins.<lb /><lb />oHey, thanks, buddy.?<lb /><lb />~Wait. ThereTs more.? I reach beneath<lb /><lb />my coat to the px xcket of my trousers,<lb />where I find another handful of chang,<lb />somewhat smaller than the first. I drop<lb />it into his cup and he smiles at me.<lb /><lb />The traffic is growing thinner on its<lb />way to the exit. I take a step forward,<lb />but I feel a hand on my shoulder. It is<lb />the old man again. oAre you a bachelor.<lb />he asks.<lb /><lb />{| look at him for a moment, my face set<lb />~na stare that tells him itTs none of his<lb />business. He keeps looking at me, the<lb />same wan smile displacing his beard,<lb />until my features soften. oYes, I am.?<lb /><lb />oTake these,? he says. I raise my hand to<lb /><lb />recieve the two coins he offers me.<lb /><lb />oThereTs a fountain in front of the Ran-<lb /><lb />dolph Building, a block west of the<lb /><lb />station.?<lb /><lb />[ look at the pennies in my hand. They<lb />are old and brown, not shiny and new<lb />as wish-coins should be. I lift my head<lb />to look at the old man again. He gives<lb />me a smile that I cannot return.<lb /><lb />oIn my case,? he says, oyou might need<lb /><lb />them s« neay. =<lb /><lb /></p>
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          <lb />Prize Finalist<lb /><lb />Author Latonya L. Hargrove<lb />litle The Black Woman<lb />Category Poetry<lb /><lb />Even through the countless times the earth performs its ritual around the sun:<lb />situations change and are yet unchanging.<lb /><lb />Quite often it is said that she has progressed considerably, but what good is<lb /><lb />this if she is still so far behind?<lb /><lb />Forced to run a race in which her competitors repeatedly place her over again<lb />at the start.<lb /><lb />So beautiful is she from head to toe, she is hunted for her skin, but is no mink.<lb />So strongly domineering is she that when actually placed side-by-side with<lb />others her great shadow is cast over them and instills fear deep into their<lb /><lb />souls; but is no grizzly.<lb /><lb />SO rejected and prejudiced is she. even by her own, she must adapt to the<lb />battered life of an outcast; but is no criminal.<lb /><lb />sensitive yet unbreakable, Aggressive yet passive.<lb /><lb />Vast as the set of fractionals that bridge zero and one. with each approaching<lb />step, she finds an infinite more to be taken for it.<lb /><lb />It may seem unlikely for one to possess all this in entirety, but she is complete,<lb />she is a woman.<lb /><lb />She is a Black Woman.<lb /><lb /></p>
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        <p>a . "" we "<lb />ares ACLS IS ner a a ye 7<lb />_ Pty te , aan a ~ fen he Rereet on Ye eA oO Ct tn LOM, WOT TO Renn sa PM Hn, wi ela: Hae Be -<lb />ttn Min Avtes ae ? . ve Ae ee aed = 8 aR NG ow Saae Qy Fat iioee Pee<lb /><lb />~ scone parece Me crepe nenw Seg EE EE en ane gn ee eee te eT RY Sy " we<lb />a Putnt ae o" eee erin a * = dy Tie atte ~ ange ~o&gt; ~e oie a Ries Pe et ER ame Als<lb />= o "" on PS tam . ve CVT I Rat aed RSL BS 2 = F<lb /><lb />4 : ASLO IGN ALS?<lb />. P bay?<lb /><lb />AO Anat et A al ote ite ell<lb /><lb />her<lb /><lb /><lb /><lb />"<lb /><lb />"" = Sn --<lb /><lb />aa : : = "oa- =-s~25<lb /><lb />Prize Second In Metals<lb />Arist Jennifer Green<lb />litle Circle Pins<lb />Category Metals<lb /><lb />Prize Finalist<lb /><lb />Artist W. Keith Hobgood<lb />litle Waffle House<lb />Category Mlustration<lb /></p>
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        <p>= a ~ =e ad T4E5 =e .<lb />- ; ooo . oom Lowney DAEs ms ie<lb /><lb />The ~e10r a . .<lb />Gears of time are Grinding to a halt Prize Finalist<lb /><lb />tonig &gt;<lb />1 pnt. Author Rod Hawkins<lb />1ere is  a oJ :<lb />~ ~© an ominous presence abiding in the thunderstorm litle Click<lb />Outside li<lb />¥ Category Poetry<lb />[ can feel it.<lb />lt won't be denied.<lb />Somethi<lb />mething must change drastically<lb />tonight. j<lb />We will have<lb />one such<lb />Since<lb /><lb />my Dream<lb /><lb />a meteor shower tonight,<lb /><lb />as has not been seen by my eyes<lb /><lb />( Yy &gt; ,<lb /># the bookTs Opening.<lb />I feel the<lb /><lb />I feel tI<lb />1e Onset of neo- bei<lb />Ee nset of ne gated motion in the universal axis of being.<lb />ee<lb /><lb />coming of stoppage.<lb /><lb />| . . , . .<lb /><lb />: Quietus beginning.<lb />»Preading like<lb />Ove<lb /><lb />a wave of heat<lb />et the blind planet.<lb />I feel the<lb /><lb />3 beginninninninninn"<lb />No.<lb /><lb />It is listen; '<lb />listening for me.<lb /><lb />o ~es ! .<lb />I can't hear it.T<lb />Cr T=" T<lb />3 Ceping like a Stalking cat<lb />CanT ar = di<lb />a t hear the last fading oclick?<lb />) &gt; IA en % :<lb />\ = Sars of our existence<lb />/ nc th R o. a : é<lb />bch e first great Rumble of my Reversal.<lb />oay | marvel - :<lb />a4tvel at our rav antasies<lb />ot ea hhy raving fantasies,<lb />»?,?ers, and prophetic drivel?<lb /><lb />Your w<lb />hea<lb />vords spill Slowly from your lips...<lb /><lb />And the stor<lb />le storm begins.<lb /><lb />Rush rhythm Prize Finalist<lb />of the river Author Ronald Jason Osborne<lb />litle Rapids<lb /><lb />as it pounds ring wir<lb />on rocks<lb />(first drums)<lb />peeling over<lb />granite under<lb />skin so supple<lb />and the bubbles<lb />marking motion<lb />gather, froth, and pop<lb /><lb />in dizzy, swirling pools.<lb /><lb />UlEW)<lb /><lb /></p>
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          <lb />MWe LPTSELS TS at<lb /><lb />Prize Third<lb /><lb />Author J.E. Boyette<lb />litle Rain<lb /><lb />Category Prose<lb /><lb />Illustrations by<lb />Lee Misenheimer<lb /><lb />4)<lb /><lb />~<lb />pad<lb />oF<lb />faa]<lb /><lb />0)<lb /><lb />arah leans against the white<lb /><lb />column under the grey stone ar-<lb /><lb />ches at the top of the sanctuary<lb />stairs. She wears her birthday jeans and<lb />a daisy patterned shirt.<lb /><lb />Tom, the local bum, climbs up four of<lb />the twenty steps and stops.<lb /><lb />oHi Tom.? Sarah says.<lb /><lb />He glances toward her, his eyes catch-<lb />ing hers for an eighth of a second.<lb /><lb />oSarah. Fourteen. Sarah.? he says.<lb /><lb />oThatTs right Tom. Fourteen today. How<lb /><lb />did you know??<lb /><lb />Tom looks toward the sky. ItTs dutch<lb />boy blue like the sky in the crucifixion<lb />stained glass window. oGoing to rain,?<lb />he says.<lb /><lb />oWhen is your birthday, Tom??<lb /><lb />Tom licks his finger and holds it in the<lb />air. Testing the wind. It seems to get<lb />stuck there like a giant mother who has<lb />reached down to take hold. Sarah won-<lb /><lb />ders if it hurts him to hold it up so long,<lb /><lb />like it hurts her when she tries to roll<lb />her long hair.<lb /><lb />She shifts her small frame. oPut your<lb />arm down Tom,? she says.<lb /><lb />He does, and unbuttons his outer over-<lb /><lb />coat. When he takes it off. the dust<lb />swirls around the hemline and Sarah<lb /><lb />smiles thinking of oPig Pen? in the<lb />cartoons. Tom lovingly stretches the<lb />coat along the brass rail. He loops the<lb />sleeves under and over the bar and ties<lb />them securely. He pats the coat on the<lb />shoulder.<lb /><lb />Sarah looks at her watch. Its new.<lb />Mickey Mouse. She likes it, she had<lb />written her favorite and richest aunt a<lb />letter of request for it, but she knows<lb />Daniel will tease her about it. oI donTt<lb />care,? she proclaims to the wind.<lb /><lb />She looks at her golden watch now.<lb />Daniel is late. He is always late, she<lb />knows he canTt be anything but late.<lb />but it makes her mad anyway. She<lb />pulls her blonde ponytail across her<lb />shoulder and twists it around and<lb />around her finger. The twist stays, in a<lb />ringlet, like Pollyanna. She wants it<lb />there. Daniel will know she is mad<lb />when he sees it.<lb /><lb />Tom takes off his second overcoat and<lb />ties its sleeves to the hemline of the first<lb />coat lying prone across the rail. oYou<lb />two stick together now,? he says. oItTs<lb /><lb />going to rain.?<lb /><lb />Daniel yanks the red Volkswagen bug<lb />to the curb. The right front tire boun-<lb />ces on the sidewalk. Tom screams.<lb />throws his arms around his coats and<lb />buries his face in their flaps.<lb /><lb />Sarah stands straight and brushes the<lb />grit off the seat of her pants. She adjusts<lb />the shoulders of her blouse and sucks<lb />her stomach in tight.<lb /><lb />Daniel runs up the steps skipping two<lb />then three, two then three. He grabs<lb />Sarah by the shoulders and lifts her off<lb />the ground. oITm on time, on time Sarah<lb />can you believe it?? He jerks his hands<lb />away and she lands hard on the walk-<lb />way. oGod, look at your hair. ItTs twis-<lb />ted. What's the matter, what have I<lb />done, was it a cardinal sin??<lb /><lb />I got a new watch Danny boy.<lb />You're late.?<lb /></p>
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          <lb />oHi Tx m,? D<lb /><lb />Is your mo<lb /><lb />Nc ), SheT<lb /><lb />oOh.?<lb /><lb />Tom et-<lb />may stands, looks at Daniel and<lb />T -oaMS, oRajni? : ,<lb /><lb />» Rain!? He drops his voice to a<lb />ert and says, oRain, Daniel 16,<lb />ocember 12, rain,?<lb /><lb />Whisper<lb /><lb />aniel says. oNo rain today.?<lb /><lb />Mm coming to help us when<lb /><lb />She ia "<lb />8ets off work?? Sarah asks.<lb /><lb />S beat. I told her we could do itT<lb /><lb />gf *<lb /><lb />o<lb /><lb />ay<lb />o<lb />a<lb />a<lb />4<lb />}<lb />|<lb /><lb />at<lb /><lb />*.<lb /><lb />adi<lb /><lb />oWe, did you say we? You will direct<lb /><lb />and I will clean, there will be no we.?<lb />Daniel reaches up and gives Sarah's<lb />ponytail another twirl.<lb /><lb />oDid you pick up the stuff yet??<lb /><lb />oNo, I was waiting for you.?<lb /><lb />Daniel turns toward the cherry wood<lb />doors of the Sunday school section.<lb /><lb />oCome on Minnie,? he says. oM-I-C-K-E-Y<lb /><lb />TUAVI&gt; exerK 4s wo sed a ee a "_<lb /><lb />oDonTt beat me, donTt beat me,? Daniel<lb /><lb />PIE he oe<lb /><lb />M-O-U-S-E,? he sings and he runs<lb />across the walkway.<lb /><lb />Sarah runs after him. She catches up at<lb />the doors and pounds him on the arm.<lb /><lb />says and _ he falls down on the stone<lb />and curls around her feet. oNice jeans,?<lb />he says, oare they new??<lb /><lb />In his office, Reverend James pulls<lb />white tissue paper around a small<lb />Bible. It is cream-colored and her name,<lb />Sarah Johnston, is engraved in gold let-<lb />ters on the bottom. He runs his fingers<lb />over the name. It feels raised and he is<lb />sure he could read it even without<lb />knowing what it says. He likes that. He<lb />tapes the ends of the paper together<lb /><lb />and cuts a piece of purple ribbon to go<lb />on top.<lb /><lb />He holds the ribbon between his fin-<lb />gers, rubbing the slickness, thinking of<lb />the feel of Sarah when she was born.<lb />He had been there, with her mother<lb />and Sarah, in the bedroom of their<lb />home. He had taken her from the doc-<lb />tor, her littke body still bloody, her first<lb />screams loud and low-pitched and<lb />wrapped her in the towels he had<lb />warmed in the dryer. They were be-<lb />side the sink in the bathroom, clean<lb />and ready to protect. She had looked<lb />hard at him then, straight into his eyes,<lb />hers blue like a storm, his brown. She<lb /><lb />stopped crying as if she knew he had<lb />something important to tell her.<lb /><lb />He knew already that her Dad was<lb />dead. The policeman, knowing the<lb />family, had called him first after the<lb />accident. SarahTs Mom had called her<lb />Dad at work, told him it was time for<lb />the baby to come and refused to leave<lb />the house until he got there. She was<lb />still waiting all twisted up with pain,<lb />when Reverend James and the doctor<lb />knocked on the door less than fifteen<lb />minutes before God had given Sarah<lb />safe passage into the world.<lb /><lb />PAGE<lb /><lb /></p>
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          <lb />Reverend James said the words to<lb />Sarah first, in the safety of the bathroom,<lb />in the safety of tiny ears that couldn't<lb />understand, oYour Daddy is dead.?<lb />They didnTt ring true, didnTt say what<lb />he felt. He tried again, oYour Daddy<lb />can't come home,? and he watched<lb />himself say the words in the bathroom<lb />mirror. They werenTt enough. He need-<lb />ed the words to be more, different<lb />words to use only at times like these<lb />and at times when you heard God call<lb />your name.<lb /><lb />oHelp me,? James said to the sky, to<lb /><lb />God, to the being who was going to<lb />force him into telling SarahTs Mom.<lb />telling her how. He couldnTt find the<lb />words. They were lost in the smell of<lb />Old Spice in the bathroom, lost in the<lb />pocket of SarahTs DadTs pajama bottoms<lb />hanging over the shower bar.<lb /><lb />oReverend James, let me see her please?<lb /><lb />SarahTs mother had called from the<lb />bedroom. He had walked to her, Sarah<lb />in his arms and placed her carefully<lb />beside her Mom.<lb /><lb />Later that night, when his wife was<lb />saying grace, he opened his eyes and<lb />saw a pink tinge of blood under the<lb />hair at his wrist. oI washed my hands,?<lb />he said aloud.<lb /><lb />oIt's all going to work out dear.? his<lb /><lb />wife said.<lb /><lb />sarah and Daniel knock on the door at<lb />the same time. oAnybody home?? Sarah<lb />says through the door.<lb /><lb />oOr awake?? Daniel adds.<lb /><lb />Reverend James jerks straight up in his<lb />chair and drops the purple ribbon to<lb />the floor. oCome in you two,? he Says.<lb /><lb />Sarah pushes the heavy oak door open<lb /><lb />with two hands and walks inside.<lb />Daniel follows.<lb /><lb />oHi,? Sarah says. She walks around<lb /><lb />Reverend JamesT desk, sits on his lap<lb />and hugs him tight around the neck.<lb /></p>
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          <lb />Se<lb />kisses his cheek, stands up and<lb />~ O stand beside Daniel.<lb />Hi yourself.T<lb /><lb />oy Reverend James says,<lb /><lb />fo idy to clean? Daniel, thanks<lb />~com;<lb />©oming to help out.<lb />Sure.?<lb />: on o &gt; ¢ nn COEF<lb />i Daniel Says. oYou know Reverend<lb />J*¢ 1es \, &gt; ya" . . »<lb />fii l've been coming to help out for<lb />Cf tw vers ; ~<lb />(WO years now, every Sunday.<lb />oYes ). :<lb />time Daniel, | know, but this is the first<lb />?,? your }<lb />es thn Mother hasnTt come. So I<lb />ee ir .<lb />i : may be the first time you will<lb />lard ?,?nough to be much help.<lb /><lb />Btn see says, but he smiles and<lb /><lb />One sir et is the Reverend. oGood<lb />» Ne says.<lb /><lb />ace Reverend James and<lb /><lb />Make bi c nows he teased Daniel to<lb /><lb />know that " _" erestayia =<lb /><lb />acsieas a it w as a joke. It is important<lb />lat they like each other.<lb /><lb />~ie.<lb />a i<lb />: WTs the birthday girl?? Reverend<lb />JaMes says<lb /><lb />oGood ? ¢<lb /><lb />gx...<lb /><lb />1 » Sarah answers, oDid you tell<lb />Om tha ;<lb /><lb />Cit was my birthday??<lb />oNo<lb />» &amp;<lb />mem tling, he knows all the church<lb />~MDerTs hj<lb />you cTS birthdays although I think<lb />'S was .<lb />ene Was the first he learned. He helps<lb />© keep up.?<lb />oTha Ss Wy} :<lb />CS Wierd, isnTt it?? Sarah says.<lb />oDa :<lb />MN sure is,? Daniel says.<lb />* Here ;<lb />ws S x . . : F m<lb />dea =e little something for you my<lb /> c: Warns: ¢ ; .<lb />Reverend James says to Sarah.<lb /><lb />Pe Paper rattles when she takes<lb />© present.<lb /><lb />Sar;<lb />es ah WwW: ee ses<lb />lean valks back around the desk and<lb />o0S against T-<lb />~Sainst James as she opens the<lb /><lb />Bible ¢<lb />e, pra<lb />She smiles, holds it close to her<lb /><lb />he tissue<lb /><lb />Chest onr :<lb /><lb />Nam - hank you,? she says. oIt has my<lb /><lb />Rey - She bends down, and kisses<lb />frend JamesT huge hand.<lb /><lb />~Cx dd :<lb />&gt;SO much mush,? Daniel says.<lb />oYou<lb />| c rE c=) &gt; . on<lb />a ~Te welcome Sarah,? James says.<lb />N donTt forget to read it.?<lb />Sar;<lb />arah cial ;<lb />clean; ind Daniel pick up the yellow<lb />al .e 4<lb />ung buckets. One has two<lb /><lb />SPOngec<lb />Ses, both gray with the use in it,<lb /><lb />the other has three bottles of wood<lb />soap and a drying cloth.<lb /><lb />oGood luck, that balcony gets dustier<lb /><lb />every week, with plaster flaking the<lb />way it does.?<lb /><lb />oThanks,? they both say and they leave<lb /><lb />the office, letting the heavy door slam<lb />shut behind them.<lb /><lb />Tom has taken off two of his shirts and<lb />tied them to the hemline of his second<lb />coat. oHold on boys, hold on boys,<lb />hold on boys,? he is saying to them.<lb />When he sees Daniel he runs up the<lb />stairs, and face to face blocks DanielTs<lb />path. Tom sniffs Daniel's shoulder, and<lb />leaning closer, his nose actually touch-<lb />ing DanielTs T-shirt, sniffs his chest.<lb /><lb />oWhat the hell?? Daniel says and he<lb /><lb />pushes Tom away, grabs Sarah by the<lb />hand and walks towards the leaded<lb />glass doors of the sanctuary.<lb /><lb />Sarah drops her Bible into the cleaning<lb />bucket. oHeTs harmless,? she says.<lb /><lb />oThe hell he is,? Daniel says and he<lb />charges up the balcony steps skipping<lb /><lb />Sarah follows Daniel up the narrow<lb />balcony stairs. It's dark and the carpet<lb />is worn in the center so that footsteps<lb />are disguised as creaks or wood settling<lb />sounds. Daniel has hidden behind the<lb />third pew. Sarah can see him in the<lb />reflection of the oLet the little children<lb />come unto me? window, but she pre-<lb />tends to look for him. When she walks<lb />past the fourth pew he jumps out and<lb />grabs her around the waist.<lb /><lb />She spins away from him. oLetTs get<lb />started,? she says.<lb /><lb />oRemember when we stared at Mrs.<lb /><lb />Fenell so hard this morning. She kept<lb />rubbing the back of her head like a<lb />spider was in her hat or something. Its<lb />our power eyes,? Daniel says and he<lb />opens his eyes wide and stares at Sarah.<lb /><lb />oITm glad no one else likes to sit up here,<lb /><lb />Sarah says. I like the dust too. It makes<lb />great patterns inthe light. Jesus must<lb />watch the patterns too. Sometimes |<lb />think I see his eyes move, especially in<lb />that window.? She points to the scene<lb />of Jesus taking bread from a basket and<lb />all the little children in many colored-<lb /><lb />two then three, two then three.<lb /><lb />Outside, Tom takes a gray Ked off his<lb />right foot and a tan cowboy boot with a<lb />silver toe off his left foot. He places<lb />them in the worn dips in the stone<lb />steps. oTime for a swim, boys,? he says.<lb />He stops, turns towards the balcony<lb />and sniffs the air. He growls, a low dog<lb />throat noise. A dangerous sound.<lb /><lb />coats gathered around him. oHis eyes<lb />make me want to touch him, if I could<lb />walk across this air I would.?<lb /><lb />oYou've got nice eyes too, Sarah,?<lb /><lb />Daniel says.<lb /><lb />Sarah pulls a sponge from the bucket<lb />and pours a round circle of wood soap<lb />in the middle. oLetTs put a lot on the<lb />back pew, we can slide across it to<lb />polish it.?<lb /><lb />t)<lb /><lb />ie ~<lb />te<lb />(on)<lb />lal<lb /><lb />O<lb /><lb /></p>
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          <lb />oOkay,? Daniel says and he grabs a bot-<lb />tle of soap and pours a thin line down<lb />the middle of the pew. Sarah rubs it in.<lb /><lb />oMe first,? she claims. She gets a running<lb />start, sits and slides to the far end of the<lb />pew. At the end she bangs her hip on<lb />the hand rest. oThat hurt, but it was<lb />fun,? she said. oYou try.?<lb /><lb />Daniel slides so hard, when he hits the<lb />end, the hand rest cracks. oShit,? he<lb />says, othis was your idea.?<lb /><lb />oIt doesnTt matter, we can fix it,? Sarah<lb />says.<lb /><lb />oNow whoTs using we?? Daniel says.<lb />They clean the mix-matched pews of<lb />pine, oak and cherry and meet toge-<lb />ther at the windowsill.<lb /><lb />oI bought you something for your birth-<lb />day,? Daniel says. He sits on the edge<lb />of the windowsill, motions for Sarah to<lb />sit beside him.<lb /><lb />oI didnTt know you knew it was my<lb />birthday,? Sarah says.<lb /><lb />oWith all the hints dropped??<lb /><lb />oOkay, so what did you get me??<lb /><lb />Daniel pulls a necklace from his jeans<lb />pocket. It is silver and there is a tur-<lb />quoise stone in the center. He holds it<lb />by both ends, walks behind her and<lb />hooks the clasp together.<lb /><lb />Sarah turns, oIts beautiful.?<lb />Daniel takes her hand and kisses it.<lb /><lb />oSuch mush,? she says.<lb /><lb />PAGE<lb /><lb />O<lb /><lb />oCome here,? Daniel says and he guides<lb /><lb />her to the second pew. oI want to show<lb />you something. I learned it in karate<lb />class.?<lb /><lb />oWhat??<lb /><lb />oJust come.?<lb /><lb />Sarah walks with him. sits down. oDoes<lb />it hurt?? she asks.<lb /><lb />oOnly a little. Lay down.?<lb />oNo way.?<lb /><lb />oOkay, chicken shit,? Daniel says and he<lb /><lb />stands up.<lb /><lb />oWait, wait, okay, okay, but if it hurts I'll<lb /><lb />never speak to you again ever.?<lb /><lb />Sarah lays down on the pew. Daniel<lb />kneels beside her. He moves quickly,<lb />yanks up her shirt and blows air to her<lb />stomach. The sound echoes in the<lb />empty room. Sarah screams, brings her<lb />knees up to her chest and bumps<lb />DanielTs head hard. He falls backwards,<lb />her shirt still in his hands.<lb /><lb />Sarah sits up, pulls her shirt down,<lb /><lb />f Ee passat<lb />LO * "<lb />yee pee<lb /><lb />Shine tilde allan.<lb /><lb />looks at Daniel. He kneels, walks on<lb />his knees two steps to her, opens her<lb />legs and pulls her by the thighs toward<lb />him. He lifts her shirt, pushing his fin-<lb />gers under her bra and pulls it up and<lb />over her breasts. They are round, small,<lb />white next to the bathing suit tan line.<lb />He leans forward, kisses her nipples<lb />softly, carefully. She sits still, feeling the<lb />blood travel in waves through her<lb />body, not wanting tolose the sensation.<lb /><lb />oSee what you do to me,? he says, and<lb /><lb />he pushes her hand under the waist<lb />band of his LeviTs. Sarah doesnTt resist.<lb />She leaves her hand where he places it.<lb />She feels warmth, then wetness.<lb /><lb />Daniel lifts her hand, stands. oI guess we<lb />should be ashamed of ourselves,? he<lb />says, as he walks slowly down the stairs,<lb />his footprints hanging on every step.<lb /><lb />Sarah lays down on the pew. She pulls<lb />her shirt over her head, unclasps her<lb />bra, drops it on the wooden floor. She<lb />waits. Her nipples harden in the cool<lb />air. She brings her fingers to her nose,<lb />smells the wetness, tastes it, touches<lb />her nipples with it.<lb /><lb />She hears the creak of the steps, knows<lb />from the sound that it is Reverend James<lb />and still she waits. He reaches the top<lb />of the stairs.She sees him in a reflection<lb />in MaryTs robe. He sees her and stops,<lb />silent, to watch.<lb /><lb />Five minutes pass, ten maybe. She sits,<lb />picks up her Bible and closes her fin-<lb /><lb />gers inside hoping to save what might<lb />be left of the new smell, and she turns<lb />towards Reverend James.<lb /><lb />He walks to her. When he wraps his<lb />arms around her she feels his hardness.<lb />It occurs to her that she had never felt if<lb />there before. oWhat happened Sarah??<lb />he asks. The hardness dissolves.<lb /><lb />oNothing, I donTt think.?<lb /><lb />oLetTs put your shirt back on, itTs cold up<lb /><lb />here.? He walks with her to the pew,<lb />helps her put her shirt on, picks up her<lb />bra and hands it to her. oThanks,? she<lb />says and stuffs it into her pocket.<lb /><lb />oDid he rape you??<lb />oNo.?<lb /><lb />oAre you Okay??<lb />oYes.?<lb /><lb />oGood.?<lb /><lb />Reverend James wraps his arm around<lb />Sarah and they sit together, her head<lb />against his shoulder, her Bible in her<lb />hand. It begins to rain and the drops<lb /></p>
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          <lb />roll down the face of Jesus like tears.<lb />For the first time, Sarah is afraid to look<lb />into his eyes.<lb /><lb />We better get you home,? Reverend<lb />James says after a while. oYou sure you<lb />are okay??<lb /><lb />o Yes.<lb /><lb />They stand and walk down the stairs<lb />hand in hand.<lb /><lb />oWe'll talk tomorrow. okay?? Reverend<lb />James Says and he kisses her on the top<lb />Of her head.<lb /><lb />On the Stairs, Tom is dancing in the<lb /><lb />rain. He js wearing his red swimming<lb />trunks as he always does when he is<lb />bathing and all his other belongings are<lb />scattered around in specific spots<lb />taking their baths.<lb /><lb />Reverend<lb />Sarah is y<lb />from the<lb /><lb />James and Sarah walk past.<lb />sing her Bible to shield her<lb />rain. Tom stops and sniffs the<lb />air. He turns in a circle, oReverend<lb />James, January 12, rain,? he says and he<lb />StOwls low and mean until he sees the<lb />oar pull out of the parking lot. He takes<lb />Off his Swimming trunks, walks tothe<lb />Walkway under the stone arches and<lb />hunches the column where Sarah had<lb />Stood. His wetness is sheltered from<lb />the rain and does not wash away "_<lb /><lb /></p>
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          <lb />Prize Finalist<lb />Author J. E. Boyette<lb />litle Autumn Aging<lb />Category Poetry<lb /><lb />Driving my fatherTs 59 Chevy<lb />down a color-quilted street<lb /><lb />toward home<lb /><lb />I watch<lb />the cadillac ahead<lb />choreograph<lb /><lb />the leaves<lb /><lb />They spin<lb /><lb />into pirouettes<lb /><lb />flash orange, red,<lb />yellow tumble seconds<lb /><lb />of leaping glee<lb /><lb />and I laugh<lb /><lb />even the brown ones<lb /><lb />dance |<lb />ENDLESS RECOLLECTIONS OF MY LIFE GONE PAST Prize Finalist<lb />WITHOUT WARNING, INTRUDE MY BRAIN; Author Malana Harris<lb /><lb />litle ANGRY HAND<lb /><lb />'HAT BIG PARENTAL HAND HAD ME TRAINED ( P<lb />ategory Poetry<lb /><lb />ME HOPING TODAY WILL BE THE LAST.<lb />'O GOD, ENDLESS QUESTIONS I WOULD ASK,<lb /><lb />LEFT UNANSWERED. MARK ANOTHER FOR THE INSANE.<lb />THE DAY THE BIG HAND WOULD LOWER NEVER CAME,<lb />LEAVING ME ONLY TO HIDE BEHIND A MASK<lb /><lb />OF FEAR; THE SCARS WILL NEVER LEAVE.<lb />WILL I LIFT MY HANDS IN LATER DAYS? |<lb />THE ANGER IS SO EASY TO RETRIEVE.<lb /><lb />THIs FEROCITY WILL ALSO AMAZE<lb /><lb />UHE VERY EYES OF MY FIRST CHILD,<lb /><lb />WHEN IN HIS PRESENCE MY ANGER TURNS WILD.<lb /><lb /></p>
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          <lb />Prize Finalist<lb /><lb />Author Terry Wiggins<lb />litle Stephen<lb />Category Poetry<lb /><lb />When I was little-eight or nine,<lb /><lb />I cried because suddenly I thought<lb /><lb />I was the twin that lived, survived.<lb /><lb />Had she- the first one, died at our birth,<lb />Or by some tragic accident left me alone?<lb /><lb />Silly child, my mother scolded,<lb /><lb />Half laughing at my imagined suffering.<lb />You are the first, not the only"<lb /><lb />Two brothers and the new baby now<lb />Hush now hush that noise.<lb /><lb />When I knew everything-fifteen or sixteen.<lb /><lb />[ thought Astrology was my answer.<lb /><lb />Born in May (of course)<lb /><lb />I had a cosmic twin;<lb /><lb />The Power of the Universe, Castor to my Pollox.<lb /><lb />Foolishness! my mother chided<lb />And a waste of precious time.<lb />You are only you. Unique. And<lb />Too smart to be led by<lb /><lb />The ringing of Celestial Spheres.<lb /><lb />When I was grown-thirty-three or so,<lb /><lb />With a girl of my own nine years old<lb /><lb />[ yet considered myself bereaved<lb /><lb />But instead of cherishing my cankered cavity<lb />[ searched for another self in someone else.<lb /><lb />Phah! exclaimed the potential reflections.<lb />Malcontents and miscreants all,<lb /><lb />We are uniquely we, not yours to touch.<lb /><lb />It did change, one cold hour, one cold day when<lb />You heard my stories and I your poems.<lb /><lb />The sepulcher has been razed.<lb /><lb />My ribs now buttress a concave<lb /><lb />Warm with magic, mystery, time, and telling.<lb />Cushioned there I keep you,<lb /><lb />A talisman against loss, past and future.<lb /><lb /></p>
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        <p>aed he RS<lb /><lb />EOS STEAMER Dae ks<lb /><lb />foe a EERE 6d BS<lb /><lb />Prize Second In Graphic Design<lb />Artist Colleen Parks<lb /><lb />Title Bushwacker Catalog<lb />Category Graphic Design<lb /><lb />here in the United States.<lb /><lb />© pushes thelist of tech<lb /><lb />he most innovative bikes<lb /><lb />assionate ematinert<lb /><lb />Demwintl Baprethy oe<lb /><lb /></p>
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          <lb />vt IR AF<lb /><lb />Ly<lb /><lb />vw<lb />i<lb />i)<lb />fa]<lb /><lb />0)<lb /><lb />Prize Finalist<lb /><lb />Author Timothy C. Hampton<lb />litle The Porch Sitters<lb />Category Prose<lb /><lb />a<lb /><lb />wa at es. ;<lb /><lb />Illustrations by<lb />Tom Kim<lb /><lb />the<lb />porc<lb /><lb />sitters<lb /><lb />n<lb /><lb />he Cravens sat on their porch watch-<lb /><lb />ing cars, dogs and clouds pass by,<lb /><lb />trading discriminate comments<lb />when necessary, while leaving most un-<lb />scathed. They called their dog, Gracie,<lb />but she didnTt listen. The black dach-<lb />shund sniffed a lilac bush at the end of<lb />the lot before finding interest with the<lb />tires of a parked car on the street.<lb /><lb />oThere comes ole Junior in his deuce<lb /><lb />and a quarter, thinking heTs king of the<lb />worle with his mag wheels and such.?<lb />Billy Craven said between his yellow<lb />teeth.<lb /><lb />A Buick Electra barreled down the long<lb />street, its hood ornament, a flying wo-<lb />man dipped in chrome. leading the<lb />way. Cowered by the noise of the ramb-<lb />ling car, Gracie scampered to cross the<lb />street. Junior swerved with a squeal of<lb />rubber. Gracie just barked. oJunior, you<lb />son na bich, someday you'll learn,?<lb />Billy screamed as the Electra escaped.<lb /></p>
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          <lb />che, Saughter left her green metal<lb />and his " the frantic animal. He<lb />Juniog fy : - imached | insults abc ut<lb />Sufficient] . "_ aii mer felt he was<lb />Stored a condemned. With peace re-<lb />ice ies | wenvens found that all the<lb />she a melted in their plastic<lb />tea.<lb /><lb />ee notling on four bent wheek,<lb />oOwn the ih mower moved defiantly<lb />they pues pushed by a boy who<lb />Ped to a be about 5. He Stop-<lb />and wag uis brow with a shirt tail<lb />Sar gy or Grass to mow. Eyeing the<lb />front gpa of brown grass in the |<lb />Neads nc, . 1e porch sitters shook eta<lb />20t "epee app second thought We<lb />oY explai ag a<lb />lands Apia had a rash on his<lb />hing fierc ae k weeds burned some-<lb />snakes eg ans briars usually meant<lb />Coppe h a - uncle was once bit by a<lb />thead, so heTd rather not.<lb /><lb />&amp;<lb /><lb />on ns back in his chair, Billy pulled<lb />finds, iba - his pant legs as to an-<lb />the boy to been going to speak. He told<lb />ask the tip k across the Street and<lb />nadie * eed : rere, oMess PenderTs her<lb />ue of Robs = hand on a gallon milk<lb />handle oate , he pushed the chrome<lb />ets soiled = the mower with sneak-<lb />with hic pious ahies Near the curb<lb />hawt = =" eyes wide, he saw a<lb />ai it 8am animals frozen sup-<lb />and cra hi me ded in concrete<lb />People page ey 1 afresh coat of enamel.<lb />UO hetile ue Sipe dY ; ten slowed down<lb />Children, cag sansa careg beasts.<lb />Of the rooste . es would skid in front<lb />buale The et and gawk at his mauve<lb />graph of ord once had a photo-<lb /><lb />?,? scene on the front page.<lb /><lb />The |<lb />IOV « sa ie<lb />y and the animals stood at atten-<lb /><lb />tion as<lb />as . Je<lb />Mrs. I ender Came through the<lb /><lb />screen .<lb />ie door in a bleached-white apron<lb />C glasses th<lb /><lb />neck of neti hung around a craning<lb />im, she re ~ After peering into<lb />under ee le to an eight dollar job<lb />trim suffici _" that the boy would<lb />Senecio a y around the animals,<lb />nose in 4 on spotted fawn with its<lb />C grass.<lb /><lb />sata cmccncn<lb /><lb />Witnessing the agreement, the Cravens<lb />smiled in their tea as the grass cutter,<lb />now partially hidden by a constant<lb />plume of the mowerTs blue smoke, lost<lb />his scent in a bombardment of bleed-<lb />ing blade tops. He negotiated the rab-<lb />bits and the ducks without allowing the<lb />wheels to scrap their hardened fur.<lb />Mrs. Pender peered over her half lens<lb />to watch him, keeping her pensive<lb />hands on her wide hips. He'd better<lb />treat ~em right.<lb /><lb />Creaking in his chair, Billy sucked his<lb />cigarette and exhaled, oThat grass of<lb />PenderTs is high enough to choke a<lb />cow. HeTd be better off watching that<lb />milk weed burn his hands than work<lb />for that slave driver. Man, oh man, he<lb />donTt know what he got hisself into.?<lb /><lb />His wife shook with silent laughter.<lb /><lb />oAnd hope the Lore come to the rescue<lb /><lb />if he disturbs ole Mrs. PenderTs barn-<lb />yard,? she said shaking her Saturday<lb />head full of curlers.<lb /><lb />Mrs. Pender situated herself on the<lb />front porch swing, reading a tabloid<lb /><lb />Py)<lb /><lb />| f ; ¥ ; i! ie<lb />1 ® AGS } th iA i<lb />Bas YA HMMA yy)<lb />at py sig Hs iin)<lb />iia? Te |<lb /><lb />oP y<lb /><lb />i ihe?<lb /><lb />\ \<lb />AAR A Which<lb />CN ANON<lb /><lb />AAO<lb /><lb />yeh<lb />i}<lb /><lb />)<lb />'<lb />AM)<lb /><lb />she had picked up in the grocery store<lb />line that morning. Tomorrow, her<lb />daughter would come to visit after<lb />church and eat Sunday dinner. The<lb />cleaning was complete, including the<lb />parlor reserved only for sacred events<lb />such as visits from Uncle Eddie or<lb />bridge parties. Now recleansed from its<lb />previous untainted state, the parlor<lb />doors were resealed, its sanctimonious<lb />air forever locked with the Jesus over<lb />the mantle, its overstuffed furniture<lb />never to fade from a venetian blind left<lb />open. The living room was also spot-<lb />less with furniture wrapped in plastic<lb />slip covers, of which she refused to<lb />shed because she didnTt trust the uri-<lb />nary tracts of her older relatives nor her<lb />grandchildren. And the younginTs muss<lb />things up with their grubby little paws.<lb />But she loved Ida, her only child, she<lb />told the checkout person at the store.<lb />In between a story about miracle<lb />weight loss, the mower belched and<lb />cut off.<lb /><lb />oThose mowers is all the time breaking<lb /><lb />down. I have to side with my daddy<lb />when he said them gas mowers can't<lb />beat the old-fashioned reel variety. And<lb />he never did buy a gas one either, told.<lb />my brothers that they would just have<lb />to cut the grass by the sweat of their<lb />brow,? she said, resting her eyes on the<lb />before-and-after photos of a 300 pound<lb />woman now wearing asize seven dress.<lb /><lb />oLady, if 1 mowed with one of them old-<lb /><lb />timey things, ITd be dead,? the young<lb />man said, turning the handle bars on its<lb />side and patiently digging out the grass<lb />still wet from the morning as it clung<lb />to the mowerTs belly. He tugged the<lb />truculent starter cord and the engine<lb />sputtered back to life. Halfway through,<lb />while approaching the bird bath pro-<lb />tected by a perched eagle, the mower<lb />blade again became cloggedon the<lb />killing field. The boy wanted to vent a<lb />blasphemous scream, but insteadasked<lb />politely for a glass of water.<lb /><lb />On her way through the screen door<lb />into the foyer, she decided to use an<lb />old cup because the glasses with daisies<lb /><lb />LS<lb /><lb />AG<lb /><lb /></p>
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          <lb />already sat on the dining room table<lb />beside the polished silver and the iron-<lb />ed linen napkins. Passing through the<lb />dining room, she could smell the plas-<lb />tic flowers sitting on the center leaf.<lb /><lb />While filling the cup under the tap, she<lb />heard the mower rumble again and<lb />looked through the kitchenwindow at<lb />the backyard. Compared to the front, it<lb />was Cluttered with nothing, inanimated,<lb />spotted with a few weak wild flowers,<lb />its roof and walls of towering pine trees<lb />produced dark. On the limestone, her<lb />name awaited. It was all arranged, even<lb />the preacherTs verses. Ida will get the<lb />house and all its contents. The other<lb />daughter, Delores, isnTt in the will.<lb />Delores moved away before the end of<lb />high school, left a note on the bed say-<lb />ing she was going to Waltersboro in<lb />search of oculture.? SheTs lived there for<lb />30 years now, with the same woman,<lb />writing poetry and doing all kinds of<lb />ungodly sins. Read about her getting<lb />arrested at some freak demonstration,<lb />said she was ~the spokesperson for the<lb />movement.T Couldn't be like Ida and<lb />have children that she could growed up<lb />just right. Just had to hurt her momma<lb />and run away in a red dress.<lb /><lb />Turning off the faucet, her thin, steriliz-<lb />ed hands found the window curtain to<lb />be off center"slightly more to the left<lb />"an imperfection amended by her fast<lb />blinking eyes. She exited the white kit-<lb />chen framed-in-pink trim with a steady<lb />but cautious pace, stopping only to re-<lb />examine the curtain from afar and<lb />bending her lips slightly upward.<lb /><lb />oMama, why ainTt that lady very nice to<lb />us? We sent her hot chicken noodle<lb />soup when we found out her husband<lb />was sick last winter. And called the cops<lb />that time that bum wouldnTt leave her<lb />porch. Maybe, it was that time Gracie<lb />chased that cat under her house and it<lb />took Daddy two hours a crawling to<lb />get ole Gracie out,? the daughter said.<lb /><lb />oHoney, the woman just donTt like<lb />CampbellTs and little black dogs,? the<lb />mother said while clapping her hands.<lb /><lb />Across the street, water ran down the<lb />boyTs AdamTs apple as he tilted the cup<lb />toward the sun. He was disappointed<lb />by the absence of ice, but Mrs. Pender<lb />said that she was having company to-<lb />morrow and her husband did not want<lb />her to buy a freezer with an automatic<lb />icemaker back in '79,so sometimes you<lb />have to take what is given to you in this<lb />world.The Cravens laughed to hear her<lb />sing-song voice.<lb /><lb />Don't pay no heed to them people<lb /><lb />across the street, theyTs all the time<lb />laughing about something, just like<lb />those laughing hyeners,? Mrs. Pender<lb />said in a low tone, just above the rum-<lb />ble of the stationary mower.<lb /><lb />Back to work, he pushed the mower<lb />slowly, wishing he hadnTt agreed to the<lb />job, wanting to be far away from the<lb />staring, concrete eyesof the green goat.<lb />Tempted by the eight dollars, he grip-<lb />ped the chrome handle for what seem-<lb />ed liked an eternity of work ahead. His<lb />sweat had dripped on six lawns yester-<lb />day and three today. He crammed the<lb />money in his jeans, not stopping to<lb />count. At night, the crumbled bills were<lb /><lb />stashed under the mattress; he lay atop<lb />them with images of motion and flight,<lb />wheeling across Pitt River Bridge,<lb />leaving, not waving goodbye. JesseTs<lb />dad gotta two-door for sale in the front<lb />yard. Burns oil, needs a head gasket.<lb />Marvin says I can stay with him at<lb />school at Brownville. Has a couch and<lb />says I can find something. All-night,<lb />every night, Saturday night, something.<lb /><lb />oThat boy is looking a tad tired. Looks<lb /><lb />like an old man out there on prison<lb />detail. ITm surprise she ainTt come out<lb />and tole him heTs got to tuck his shirt<lb />tail in. Mr. Pender tole me one time<lb />sheTs the most nit-pickinTness person<lb />about being proper,? Billy said.<lb /><lb />oI remember ole Mr. Pender use to sit<lb /><lb />out on the swing and not even move. A<lb />fire truck, all wailing and flashing could<lb />drive by and he wouldn't even flinch,?<lb />Roberta said, sucking in the sweet<lb />smell of cut grass.<lb /><lb />smoothing her apron with both hands<lb />and allowing a sigh to escape, Mrs.<lb />Pender returned to the swing. She<lb />looked through the window at the set<lb />table and heard her husbandTs voice.<lb />Honey, canTt you sit down and stop tak-<lb />ing up the dishes before et erybody has<lb /><lb />Jinished. I know, Reva, but you donTt<lb /><lb />have to ~get things out Of the way.T For<lb />you know d it, Ree, itTll be out of the way.<lb /><lb />Springing up, she moved quickly to ad-<lb />vise the lawn cutter. She hollered at him:<lb /><lb />Now be careful when you get around<lb /><lb />that rooster. My little grand daughter<lb />and her brother are coming tomorrow<lb />and they think he actually crows. I<lb />tellTem he only does it in the morning,<lb />real early when theyTd asleep. But it<lb />would break their hearts to see him<lb />dead. Besides, my daddy willed these<lb />things to me. Said they use to remind<lb />him of when we lived on the farm out<lb />near Idyen. But look here, ITm paying<lb />you good money, so you be careful<lb />and trim it up good.?<lb /><lb />After she turned her back, the boy con-<lb />torted his face and spit into the grass a<lb />long stream of saliva. As much as he<lb /><lb /></p>
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        <p>a<lb /><lb />Prize First In Ceramics<lb />Artist Doug Knotts<lb />Title Fallen King<lb />Category Ceramics<lb /><lb /></p>
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          <lb />Prize Second In Wood<lb />Artist Steven Benson<lb />Title Untitled<lb /><lb />Category Wood<lb /><lb />Prize Finalist<lb /><lb />Artist Catherine Blackburn<lb />litle Summer Workout<lb />Category Painting<lb /><lb /></p>
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          <lb />isteimetiominnes en ee<lb /><lb />didnTt want to pull the weeds with his<lb />hands, he knew he had to. Bending in<lb />front of the cx wral-pink pig, he tried to<lb />Pull the shoots, but the roots held firm-<lb />ly to the red earth, unwilling to part.<lb />When Mrs. Pender went inside, he inch-<lb />?,?d the mower as close to the lumps of<lb />Painted concrete as he could. The futil-<lb />ity of it all made him grimace and chuc-<lb />kle. He pushed the crooked wheels<lb />Closer and closer to the roosterTs feet.<lb />The cutting bladeswung low on the<lb />heon yellow claws, creating an abun-<lb />dance of sparks as if a jar full of furious<lb />fireflies had been freed. Frightened, he<lb />tried to push the cutter, but it rammed<lb />Into the stilt legs and toppled the roos-<lb />ter onto the mowerTs engine, it's mauve<lb />beak crushed on the starter rotor.<lb /><lb />Mrs. Pender flew out of the house,<lb />Squawking and pacing around the mid-<lb />dle of the yard.<lb /><lb />oMy God, you are as stupid as an ape. |<lb />Can't believe what youTve done. You<lb />Can't buy anything like this anymore.<lb />You canTt replace it. If my daddy were<lb />here, heTd whup you good. Now the<lb />yard is all a mess. People drive from all<lb />around to see my pretty yard, but not<lb />anymore,? Mrs. Pender screamed at<lb />the boy.<lb /><lb />He had a tolerance for people yelling at<lb />him; he stood evaporating the ire, look-<lb />ing calmly ahead expecting anything.<lb /><lb />There was an urge to run, but not now.<lb /><lb />Across the street, amidst all the chaotic<lb />Commotion, the Cravens rumbled with<lb />a hysteria of their own. They stopped<lb />Once to catch their collective breaths,<lb />but the uncontrollable urge returned,<lb />tickling the bottoms of their lungs into<lb />4 series of unstoppable contractions.<lb />They grasped for air after several min-<lb />utes of continuous shaking and attemp-<lb />ted to escape the blissful euphoria.<lb /><lb />oNow, that ainTt nice, letTs...? Mrs. Craven<lb />Said before the contagion reappeared,<lb />Causing her to hinge at the waist and<lb />her eyes to water. She couldn't see her<lb />husband or daughter, both caught by<lb />the compulsion, howling and clutching<lb /><lb />their pants at the knee.<lb /><lb />Alerted by the outpouring, Grace, her<lb />tail hinging back and forth furiously,<lb />began to bark near the curb as if she<lb />didnTt want to be excluded from the<lb />excitement.<lb /><lb />Mrs. PenderTs anger grew as she heard<lb />the CravensT cackle. She crossed her<lb />arms and issued a sleet-cold look<lb />across the street, awaiting the cessation<lb />of laughter.<lb /><lb />oYou people ainTt worth nothing,? she<lb /><lb />said as she began to march between<lb />the deer and goat, extending the length<lb />of her stride as she approached the<lb />curb, intent on going across the street<lb />to scream some sense into the Cravens<lb />as if they were her children.<lb /><lb />Junior sped along in a hurry to pick up<lb /><lb />a bag of cornmeal. His fingers were<lb />feeling for loose change deep in the<lb />crease of the seat cushions when he<lb />looked up. He swore and stamped his<lb />foot down hard. The smell of burnt<lb />rubber and metal against metal. After<lb />charging like a bull into a fearful mata-<lb /><lb />dor, the Electra lurched to a stop.<lb /><lb />The dog barked more fiercely now.<lb />Mrs. Pender lay frozen on the hot as-<lb />phalt, her vision twisted. She tasted the<lb />blood streaming from her nostrils and<lb />breathed with pain. Smelling the<lb />chance, the dog lapped the salty blood<lb />from her chin.<lb /><lb />oRyil...Dog...Evil...Dog,? Mrs. Pender<lb /><lb />wheezed.<lb /><lb />Junior knelt before the grill of the Elec-<lb /><lb />tra and muttered softly.<lb /><lb />oDo you need anything?? I was just on<lb /><lb />my way to the store...shouldnTt of been<lb />speeding...momma always said. You<lb />are the woman with the statues, listen,<lb />it'll all be fine. But lady, you ain't gonna<lb />die. You gotta...Live...God.?<lb /><lb />From the street, Mrs. Pender saw three<lb />"her husband, Delores, and herself"<lb />looking at a bleeding animal with wont<lb />to help, yet with steps frozen.<lb /><lb />The Cravens stood by the curb. They<lb />did not pass judgement. =<lb /><lb />a<lb /><lb />~<lb />=<lb />og]<lb />nm<lb /><lb /></p>
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          <lb />Prize Finalist<lb /><lb />Author Jennifer Tiedebohli<lb />litle Lost Images<lb />Categoty Poetry<lb /><lb />pictures melting on the wall<lb />the fan sucking up memories<lb />filling my head with smiles<lb /><lb />she reads to me<lb />with a voice about ready for death<lb />soft pillows<lb /><lb />underneath a sheet of sorrow cushion<lb /><lb />swim through it<lb /><lb />really you can<lb /><lb />sugar SO sweet you can taste it<lb />suck it in<lb /><lb />swallow it<lb /><lb />a dirty rag floating in it<lb />entangles me<lb /><lb />the weight so heavy<lb /><lb />pressure creeping up slowly<lb />from beyond the pillowy white<lb />snow falling<lb /><lb />sliding down my face into the<lb /><lb />pool of blood<lb /><lb />Prize Fourth<lb />Author Eva Rogers<lb />litle Recreation<lb />Category Poetry<lb /><lb />| should like to glimpse the palette of the morning maker,<lb /><lb />The dabs of blue and violet he blends behind black trees.<lb /><lb />| should like to dip my brush into that ether.<lb /><lb />What must it be<lb /><lb />To paint with water, air and fire.<lb /><lb />To work and never tire.<lb /><lb />The bold master who with one sweep<lb /><lb />Begins another he needn't keep?<lb /><lb />Would I dare to have one canvas for my life?<lb />To slash a new stroke across my finest moment?<lb />| should prefer a trembling wonder<lb /><lb />To a comforting content.<lb /><lb /></p>
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          <lb />Prize Second In Illustration<lb />Artist John Loftin<lb /><lb />Title Untitled<lb /><lb />Category Mlustration<lb /><lb />Prize Finalist<lb />Artist Mark Elmore<lb />Title NRBQ<lb />Category Painting<lb /><lb /></p>
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          <lb />with water<lb /><lb />| oa<lb /><lb />| Foe<lb /><lb />@<lb />= "<lb /><lb /></p>
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          <lb />ou should have been there.?<lb /><lb />The boy raised the white porce-<lb /><lb />lain lid and seated himself on the<lb />cold tile, curling into the corner. The<lb />naked bulb on the ceiling revealed little<lb />in the four-walled room. On the side,<lb />by the corner where the boy was, the<lb />stale grey paint was cracked and peeling.<lb /><lb />oI think you could have easily laughed<lb />out loud. You see, the entire situation<lb />was absurd. The old priest was a<lb />wretched sight. Scraggy hair, stained<lb />teeth, and eyes that you could see<lb />straight through. A picture of Catholi-<lb />cism. And he smelled of rotting fruit.?<lb /><lb />The boy, now on his knees, began to<lb />move his hand around the edge of the<lb />bowl in front of him, staring into its<lb />recess.<lb /><lb />oWhen he talked, the smell on his breath<lb />was fetid and unclean. And he spouted<lb />out prayers or something. I couldnTt<lb />hear him. Noise was everywhere. The<lb />presence of so many eyes uponme, so<lb />many people seeing themselves in my<lb />place, so many people wanting what's<lb />best for me. They said my parents<lb /><lb />ee aL gh FOR APRS: ea i ai A I a TSAI i a TET<lb /><lb />would have wanted it that way. And<lb />most of them donTt even know my full<lb />name. I almost cried, right there, with<lb /><lb />Jesus looking down on me from the wall.?<lb /><lb />The water in the toilet rippled slightly<lb /><lb />as the carp in its bowl shifted sides.<lb />Looking away from the fish, the boy<lb />tilted back his head and examined the<lb />ceiling, finally stopping his eyes upon<lb />the burning glass bulb which protrud-<lb />ed from its socket.<lb /><lb />oI almost didnTt see. The scheming old<lb /><lb />man. I looked up just in time to find<lb />him lifting his twisted and bony fingers<lb />from the pedestaled bowl of water.<lb />Holy, they called it. This was what they<lb />had come for, this was the spectacle to<lb />gawk at. And their noise as unbearable.<lb />I hated them for it, and I hated the per-<lb />verse smell of the priest as he moved<lb />his hand toward my forehead. I saw<lb />three drops of water fall from his hand<lb />onto the dirty floor of the cathedral and<lb />| knew I could not bear the completion<lb />of the ceremony. So I ran. Past the spec-<lb />tators, who couldnTt even exist without<lb />me. And I ran and I ran and I ran and I<lb />feel as though ITm running still.?<lb /><lb />cnenpggypetinettt nn dihm<lb /><lb />e we PA RE<lb /><lb />The boy lowered his head and shut his<lb />eyes against the light. A stream of<lb />salted water appeared on his pale<lb />cheek. His bare chest rose and fell<lb />rapidly with his short breaths.<lb /><lb />oThat wasnTt supposed to be the way.?<lb /><lb />The boy sat, eyesstill closed and again<lb />moved his fingertips round and around<lb />the polished rim of the bowl. He then,<lb />gently, descended his hand along the<lb />inner curve of the toilet into the cold<lb />water that waited in the rounded white<lb />bowl. Letting his fingers prove the<lb />seeming depths, the large fish moved<lb />across the boyTs palm. The boy recoiled<lb />and the water made a subtle splashing<lb />sound as he pulled his hand from it.<lb />The water on his hand was dripping as<lb />he held it in front of his fae, examining<lb />it. Several drops moved across his wrist<lb />and ran down his arm nearing his elbow.<lb /><lb />oBut I guess thatTs the way with water,?<lb /><lb />the boy said, exhaling deeply. He<lb />placed his hand to his face to wash<lb />away his tears and opened his eyes to<lb />see. The walls and the dusty pattern of<lb />the tile belowhim were unaffected =<lb /><lb />PAGE<lb /><lb /></p>
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          <lb />Prize Finalist Keep her well, my dear.<lb /><lb />Author Nicole Ossman Idolatry is a fever<lb /><lb />Title Keep Her Well absorbed, like a candy apple<lb /><lb />Category Poetry in the hands of a child,<lb />into conception.<lb /><lb />On the cold, steel surgical table<lb />sterile and white:<lb />elbows bolted into place,<lb />smudgy fingerprints<lb />are consumed into memory.<lb />Rigid- to match the atmosphere,<lb />the sun melts down the mountain<lb /><lb />the last tear from the tigerTs eye.<lb /><lb />The hum is vague,<lb />the vibration close to the skull:<lb />before a golden glow<lb />now clean with chemicals<lb />stunted and,<lb />chopped off at the knees.<lb /><lb />There, there " it was all very painless.<lb />Drowning in Valium,<lb /><lb />heavy chain,<lb /><lb />keeping the tiger at bay<lb />lost for tears, no channels to flow.<lb /><lb />Become a hole,<lb /><lb />a vacuum sucked within yourself:<lb />swallowed by emptiness,<lb /><lb />regurgitated a machine.<lb /><lb />Hollow,<lb />hallowed torso<lb />It used to be a nursery rhyme.<lb /><lb /></p>
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        <p>Prize Editor's Choice<lb />Artist Bill Dermody<lb />litle Untitled #2<lb />Category Painting<lb /><lb />Prize Second In Photography<lb />Artist Christine Cranford<lb /><lb />Title Untitled<lb /><lb />Category Photography<lb /><lb /></p>
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          <lb />Prize Finalist<lb /><lb />Artist Liz Parker<lb /><lb />Title Perfume Bottle Set<lb />Category Metals<lb /><lb /></p>
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          <lb />Prize Finalist<lb />Author Melissa Link<lb />Title Oblivion<lb />Category Poetry<lb /><lb />I awoke again today<lb /><lb />My clothes a crumpled heap on the floor<lb /><lb />And my hair still stinking of stale beer, smoke, and sweat<lb />And the insufferably loud thump-thump-thumping<lb /><lb />Of a bass line still pounding inside a skull<lb /><lb />Void of memories<lb />Of last nightTs Bacchic revelries.<lb /><lb />Did I really dance?<lb /><lb />Or was it simply the painfully mad, thrashing death throes<lb />Of a youth fast fading<lb /><lb />Into Oblivion.<lb /><lb />Prize Finalist<lb /><lb />Author T. Scott Batchelor<lb />Title | Saw Falling A Leaf<lb />Claimed By Autumn<lb />Category Poetry<lb /><lb />I saw falling a leaf claimed by autumn,<lb /><lb />And thought of you.<lb /><lb />Those pre-winter days when our natural paths<lb />Cross less and less, and their lengths cut<lb /><lb />Short by a quickened pace,<lb /><lb />I saw the lonely brown and gold thing<lb />Fluttering helplessly downward,<lb /><lb />And thought of you.<lb /><lb />When souls who mean the most"<lb />Who really count-give respite from the<lb />Closing cold with their warm<lb /><lb />(More than just heat, though) presence,<lb />Over soothing, crackling fires and wistful<lb />Talk of summer plans,<lb /><lb />Walking hurriedly past I marked the leafTs<lb />Aimless descent through steely air<lb /><lb />To the dead and dying ground below,<lb /><lb />And thought of you.<lb /><lb />While in the evening, shades draw shut and<lb />Amber glows fill window-eyes, I hurry<lb /><lb />Past their watching gaze, (their pitying gaze!),<lb />As used-up leaves in the sterile, biting twilight<lb />Fall, I sense them there,<lb /><lb />And think of you.<lb /><lb /></p>
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        <p>""" ee ee a, I g]'"'"''_"' =<lb /><lb />)<lb /><lb />vw<lb />&gt;<lb />a<lb />[aa]<lb /><lb />O<lb /><lb />Prize Finalist<lb /><lb />Author Matthew D. Jones<lb /><lb />Title A Bus Station In Charlotte<lb />Category Poetry<lb /><lb />~I grow old, I grow old.<lb />I shall wear the bottoms of my trousers rolled.?<lb /><lb />oThe cigarette machine stole my money.?<lb /><lb />"older woman to daughter.<lb />The air is cold and dead.<lb />"remains of all<lb />"exhaled from people who had<lb />used it<lb />Moments ago,<lb />lively<lb />action<lb />here.<lb />Room full of people who never look one another in the eyes,<lb />talk only to their own,<lb />carefully suspicious of any passerby<lb />who intrudes too close.<lb /><lb />Most are gone now, off to other places, other bus stations.<lb /><lb />north<lb />west east<lb />South<lb />The room is almost empty.<lb />"people left find it hard to breathe the stale air of<lb /><lb />They are waiting.<lb />At a bus station in Charlotte.<lb /><lb />Slowly,<lb /><lb />Slowly.<lb />The people return,<lb />not the same people to be sure.<lb />Same, however, in spirit " tired,<lb />weary.<lb />Quick to make small talk to the stranger<lb />anything to pass the time<lb />some read<lb />some talk<lb />others sit.<lb /><lb />They sit and stare.<lb />What do they think of? Or do they think at all?<lb />To think would proclaim existence.<lb /><lb />(The buses pump the life of their existence through the roads. The<lb />bus terminal is vast and encompassing. They will only find existence<lb />on the roads, that is their lifeline. Here they are nothing.)<lb /><lb />tie -<lb /><lb /></p>
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        <p>4 * -- . . ~ . - . ~ 0 KO oe &gt; teai Poa RG DAE Mn gt ase oe ESTE alt xaerac a oR sro8 t Thee he ea STIS SPE Wheel<lb />Sic - ~ . z -<lb /><lb />oITm going to the bathroom.?<lb />"man to wife.<lb />"doesnTt glance from her book.<lb />"nods at the information.<lb /><lb />People wander aimlessly.<lb /><lb />) oWouldnTt be so bad if the bus werenTt an hour late.?<lb />"Old man to himself,<lb />hoping to stir conversation.<lb />Awestruck, the players in the station remain silent.<lb />Old man reaches for a sandwich from brown paper bag<lb />wrinkled from use<lb /><lb />(it has seen many of these bus<lb />stationTs and so has the old man.)<lb /><lb />oWhat time do you have??<lb />"young man to older woman.<lb />He is anxious to go.<lb /><lb />How long is an hour when you donTt exist?<lb />The station fills. Motion stops.<lb /><lb />There is no reason to move.<lb />) Everyone silently waits for the bus<lb />) (itTs late!)<lb /><lb />and count the minutes they imagine go by.<lb /><lb />Prize Finalist<lb /><lb />Artist Rachel Banks<lb /><lb />Title Lucille, Maggie, &amp; Suzanne<lb />Category Painting<lb /><lb /></p>
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          <lb />",,<lb /><lb />_"_""""" "" = = =<lb /><lb />Prose Judges<lb /><lb />Susan Sturgill is an author, illustrator, and<lb />since 1988, a publisher under the name, The<lb />Laughing Academy Press (Ego adsum quod<lb />insana non stulta). Her booksinclude The His<lb />tory of the Universe Vols. I and II. She lives<lb />and works in Columbus, Ohio.<lb /><lb />Ashley B. Futrell, Sr. is the Editor Emeritus<lb />of the Washington Daily News in Washington,<lb />North Carolina. He has been a member of the<lb />East Carolina University Board of Trustees. He<lb />shared the prose entries with members of his<lb />newspaper staff and his decisions represent a<lb />cooperative effort.<lb /><lb />Poetry Judges<lb /><lb />Dr. Joseph Bruchac is a poet, editor, and<lb />storyteller whose work has been widely pub-<lb />lished. He is the founder of the Greenfield<lb />Review Press. His newest book, Turtle Meat<lb />and Other Stories was published in 1992 by<lb />Holy Cow! Press.<lb /><lb />Marvin Hunt, professor of English at Camp-<lb />bell University, took his B.A.and M.A. degrees<lb />from East Carolina University (where he taught<lb />during 1987-88) and his Ph.D. from the Uni-<lb />versity of North Carolina at Chapel Hill. A<lb />specialist in Renaissance English literature,<lb />Professor Hunt writes nonfiction essays and<lb />book reviews in addition to scholarship and<lb />criticism. As a student at ECU, in a distanage,<lb />he edited the REBEL magazine.<lb /><lb />Art Judges<lb /><lb />Mark Brown is the Visual Art Director ofthe<lb />Community Council of Arts in Kinsta, North<lb />Carolina. He received his MFA from East Caro-<lb />lina University in 1987, and works as a sculp-<lb />tor and draftsman.<lb /><lb />George Baka has been a partof the Washing-<lb />ton, DC and Buffalo, NY design community<lb />for 25 years. Mr. Baka received his degree<lb />from Pratt in Brooklyn, NY, after serving as a<lb />combat photographer during the Korean Con-<lb />flict. He has been involvedin the design of<lb />World Fairs and has won numerous awards<lb />from Buffalo and Washington, DC Ad Clubs,<lb />Society of Federal Artisits and Designers, and<lb />the Federal DesignCouncil. As Director of<lb />Design Division for theUS Dept of Agriculture,<lb /><lb />he gained national acclaim for his designs for<lb /><lb />the World Poultry Congress, where he receiv-<lb />ed a Gold Medal. Upon retiring from the fed-<lb />eral government in 1990, he has been teach-<lb />ing Graphic Design at Pitt Community College,<lb />Greenville, NC. He has been recognized in<lb />both Communication Artsand Print Magazines.<lb /><lb />Meade B. Horne is the Director of the Blount<lb />Bridgers House and Hobson Pittman Gallery<lb />in Tarboro, North Carolina.She received her<lb />B.A. in Greek from VassarCollege, and M.A<lb /><lb />in Classics from Johns Hopkins University.<lb />She is a current member and past Board mem-<lb />ber of the North Carolina Museums Council,<lb />as well as aFounder of the Eastern North<lb />Carolina Gallery Directors Association.<lb /></p>
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        <p>| want to thank the REBEL T93 statf for their<lb />dedication. There has not been a harder working,<lb />more worrisome staff. | believe we thought too<lb />much and tried too hard. Valerie loves Carters for<lb />making those huge red markers, and Ovid Pierce<lb />for starting the REBEL Magazine in 1958. Spe-<lb />cial thanks to John Bullard for his help this year.<lb />Kris thanks all the secretaries in the English De-<lb />partment for redirecting last minute entries. |<lb />thank KrisT officemates for giving him messages.<lb />Allison Heintz, thanks for typing. Matthew, your<lb />messages were inspirational.<lb /><lb />Yvonne, we enjoyed the smoke outside Jenkins,<lb />and thanks for finding a storage area. Craig<lb />Malmrose, you have been a calming, yet direc-<lb />ting force for us all. 'm not sure why you came fo<lb />us, but the REBEL Magazine and ECU is better<lb />for it. Brandon, your tape was a lifesaver, as was<lb />the fellow in the sculpture area who loaned me<lb />the wood glue. Advice from Ray Elmore, Charles<lb />Lovell, Donald Sexauer and Your Eminence, Art<lb />Haney, was much appreciated.<lb /><lb />Catherine Walker, how did we convince you to<lb />shoot the photos again? Have you been paid<lb />yet? Well, the wheels turn very slowly at ECU.<lb />Kristin thanks Susan in the Gray Gallery, for<lb />knowing about tables. Kristin would also like to<lb />thank Johnny Gee and Inga for putting up with<lb />her bitching, like usual, right? What would | have<lb />done without the support of Yvonne, Janet and<lb />Deborah, who work in the Pubs Bldg, who<lb />patiently listened to me complain about the<lb />system? Greg Brown, | will never forget you!<lb />}net, you sure have got the resources, and we<lb />could not have gotten along with out you on<lb />entry day. My utmost respect goes to your un-<lb />canny ability to get things done without being<lb />otoo confrontational...? Myra and Kelly, the<lb />donuts were brilliant, and Myra, Happy New Year<lb />to you too! (You know Hugh, donTt ya?) o..your<lb />kisses, sweeter than honey...? Thanks Mike (aka<lb />Too Short) for doing the dishes and keeping the<lb />home fires burning. And Terri, Ms. Media Board,<lb />you will become a famous diplomat one day!<lb />Enough said, you get the point. Chuck, thanks for<lb />the inspiration, and | promise you and myself I'll<lb />do better next semester.<lb /><lb />Margie 0TShea<lb /><lb /></p>
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          <lb />wt Wer<lb /><lb />The REBEL is published for and by the stu-<lb />dents of East Carolina University. Offices<lb />are located in the Publications Building<lb />which is in the center of campus. This<lb />issue, Volume 35, and its contents are<lb />copyrighted 1993 by the Rebel. All rights<lb />revert to the individual writers and artists<lb />upon publication. Contents may not be<lb />reproduced by any means, nor may any<lb />part be stored in any information retrieval<lb />system without the written permission of<lb />the author or artist.<lb /><lb /></p>
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          <lb />Thanks to all entrants who made this REBEL possible.<lb /><lb />Malana Harris Jennifer Tiedebohl Michael Penland<lb />Mark Fetner Jane Sabatini Ronald Jason Osborne<lb />Nelson Tibbett Don Marr Fab Bianchi Eva Rogers<lb />Angie Johnson Christopher Daniels Rebecca Pence<lb />Clarissa Beckner Tracey Gay Ronald Jason Osborne<lb />Lisa Roach John Marte Kevin Brooks Michael Cox<lb />J.E. Boyette Kevin Kornegay Judith Anne Fountain<lb />Terry Wiggins Latonya Hargrove 1. Scott Batchelor<lb />Phyllis Weatherly-Rosner Shawn Adam Rod Hawkins<lb />Nicole Ossman Matthew Jones Heather Lynn Seanor<lb />Daniel Zima Wesley David Leonhardt Jim Shamlin<lb />David Woodworth Laura McKay Angela Bacon Reid<lb />Edward Agsten Sarotsakorn Campbell James Casey<lb />Nikki Holbrook John C. Lohman Stephen Randolph<lb />Yeaton Clifton Brandon Scharr Shannon Morrow<lb />Rachel Banks Heather Cushman Denise Machala<lb />Ingrid M. Lutman George Sarfiano Christina Lemon<lb />Lisa C. Hayden Matt Forrest Gibson Jennifer Green<lb />Tim Hampton Melissa Taylor Bryan Avery Shaffer<lb />Eric Osborne Catherine Blackburn Darlene Pelliccio<lb />Allison Brantley oW. A. Chadwick Lee Meisenheimer<lb />Eric Bailey Melisso.Link Erin Becker Ben OwenIll<lb />M. Andrea Harvin Kennington Gwendolyn E. Redfern<lb />Mitzy Jonkheer Stanton Blakeslee Doug Knotts<lb />Phil Surrett Liz Parker Bryan Metzer Carl James<lb />Mark Elmore Sheri Lynn Harrington Terry Wiggins<lb />Steve Ollice Kristi Stainback Ivan R. Whitehead Jr.<lb />Joshua Dowd Joshua P. Lesniak Jamie Kirkpatrick<lb />Michael Alban Angele Pritchett George A. Tompkins<lb />Fred Phillips Greg Gulick Myra Smith Lisa Eagle<lb />Jerry Jackson Robert Guion Dixon Carol Overman<lb />Laura Sharar Andrew P. Linton Julia Aurora Burger<lb />Alan Dawn Solomon Charles Dupree Cindy Trivette<lb />Ray Kaylor Audrey Kilgrove William Craig Sparrow<lb />John Harrell Jeannette Stevenson Lori Twardowski<lb />Julie Lambeth Marianne Federal Patrick Daugherty<lb />Brenda White Dena Angel Blount Hanna K. Gilham<lb />John Loftin Mickey Ross Colleen Parks Jan Mollet<lb />Sarah Tector Dietrich Maune Charles L. Massey III<lb />James D. Swenson Billie Jean Snuggs Brian Jacobs<lb />Chris Gabriel Hugh OTBryant Kimberly Kirchstein<lb />Christine Cranford Tracey Mercer Keith Hobgood<lb />Charles N. Barnes Jr. Bill Dermody Susan Johnson<lb />Kiyomi Talaulicar Michael Johnson Jeanne Brady<lb />Alan L. Shuping Amanda T. Durant Steven Benson<lb />David Roberts Connie Hartmann Nancy Whitlow<lb />lrene Bailey Bert V. Lane Kurt Gabriel Eric Olsen<lb />Tom Kim Todd Houser Roger Goins Ashley Gruber<lb />Paul Rustand John K. Stiles Todd Houser<lb /></p>
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        <p>Moe<lb /><lb />BS<lb /><lb />&gt;<lb /><lb />a<lb /><lb /></p>
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