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        <distributor>East Carolina University. J. Y. Joyner Library</distributor>
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          <addrLine>Joyner Library, East Carolina University</addrLine>
          <addrLine>East Fifth Street, Greenville NC 27858-4353 USA</addrLine>
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        <date>2012</date>
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        <p rend="align(centerbold)">[This text is machine generated and may contain errors.]</p>
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          <lb />THE LITERARY-ART MAGAZINE OF EAST CAROLINA UNIVERSITY<lb /><lb />*<lb />~7<lb />bs<lb />*<lb />ee<lb />dl<lb />¥<lb />*<lb />*<lb />ie<lb /><lb />e<lb />*<lb /><lb />J<lb /><lb />a<lb /><lb /></p>
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        <p>WriterTs Awards<lb /><lb />To paint a picture or to write a story or to compose a Poetry<lb />song is an incarnational activity. The artist is a servant First Place: Laurilyn McDonald, Peppermint Rust<lb />who is willing to be a birth giver. In a very real sense the Second Place: Deanya Lattimore-Cobb, Fireflies<lb />artist should be like Mary, who, when the angel told her Third Place: J.T. Pietrzak, The Conception Company<lb />that she was to bear the Messiah, was obedient to the<lb />command. | believe that each work of art, whether it is a Prose<lb />work of great genius, or something very small, comes to First Place: Horace McCormick, Jr., Winters on the<lb />the artist and says, ~o~Here | am. Enflesh me. Give birth to Reservoir<lb />me.?T Second Place: Gary Bryant, Tremors<lb /><lb />Third Place: Chrystal Fray, Mothers on the Bus Go Hush<lb />Madeline LTEngle, Walking on Water Hush Hush<lb /><lb />Judges: Jean Morgan, Judith Suther<lb /><lb />ArtistTs Awards<lb /><lb />Best-in-Show: George McKim, Tone Poem for Arnold<lb />Palmer<lb /><lb />Ceramics: V. Jane Tucker, Tea Pot<lb /><lb />Design: Phillip Dismuke, Neckpiece<lb /><lb />Drawing: William Leidenthal, Geologic Time #26<lb /><lb />Illustration: Todd Coats, Self Portrait ...<lb /><lb />Mixed Media: Kara Hammond, For Barb<lb /><lb />Painting: William Leidenthal, Summer Rain at Twilight<lb /><lb />Photography: Joe Champagne, Untitled<lb /><lb />Printmaking: Joe Champagne, Untitled<lb /><lb />Sculpture: Carolyn Capps, Death of a Bird I, Il<lb /><lb />Judges: Randy Osman, Chuck Chamberlain, Margaret<lb />Georgiann, Joan Moment<lb /><lb />Cover<lb /><lb />oUncle OttoTs Truck,? this yearTs cover art by Mike<lb />Tatsis, is an airbrush illustration.<lb /><lb /></p>
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          <lb />A Jamie Biggers K Bill Keck Q Ellen Moore ) Tim Thornburg 10 Katharine Kimberly<lb />Poetry Editor Art Director Editor Associate Editor Prose Editor<lb /><lb />The REBEL is published annually by the Media Board of East Carolina University. This issue and its contents are copyrighted 1985 by the REBEL. All<lb />rights revert back to the individual writers and artists upon publication. Address all correspondence to the REBEL, Mendenhall Student Center, East<lb /><lb />Carolina University, Greenville, NC 27834. Volume 27.<lb /><lb /></p>
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          <lb />Untitled<lb /><lb />ItTs Only Supposed to ...<lb /><lb />Illustration<lb />Illustration<lb />Untitled<lb />Photograph<lb />Illustration<lb />Illustration<lb />Illustration<lb />Remembering Days Past<lb />Levitate<lb /><lb />Untitled<lb />Voluptuous Journey<lb />Teapot<lb /><lb />Neck Piece<lb />Cultureel Paspoort<lb />Lazerus<lb />Costeau-Scape<lb />Electric Clavinet<lb />Untitled<lb /><lb />Koud<lb /><lb />Yellow Square<lb />Death of a Bird, |<lb />Victor, Vanquished<lb />Self Portrait ...<lb />Disjointed<lb /><lb />Silence and |<lb />Garage Door #12<lb />Untitled<lb /><lb />Tone Poem for Arnold Palmer<lb /><lb />Tree of Knowledge, Tree<lb />of Life<lb /><lb />The Wedding<lb /><lb />Untitled<lb /><lb />Geologic Time #26<lb /><lb />For Barb<lb /><lb />Untitled<lb /><lb />Untitled<lb /><lb />Untitled<lb /><lb />Summer Rain at Twilight<lb /><lb />Illustration<lb /><lb />Illustration<lb /><lb />Illustration<lb /><lb />Photograph<lb /><lb />Cintitled<lb /><lb />Illustration<lb /><lb />Illustration<lb /><lb />Untitled<lb /><lb />Untitled<lb /><lb />James Lux<lb /><lb />Bill Keck<lb /><lb />Walter Stanford<lb />Scott Eagle<lb /><lb />Julie K. Simon<lb />Lisa Sowers<lb /><lb />Todd Coats<lb /><lb />Jeff Hoppa<lb />Gregory S. Tucker<lb />Hayes Henderson<lb />Hunter Hadley<lb />Joe Champagne<lb />Hugh Heaton<lb /><lb />V. Jane Tucker<lb />Phillip Dismuke<lb />Blanche K. Monroe<lb />David Lewis<lb />Maya Oliver<lb />George Arata<lb />Carolyn Capps<lb />Wanda Johnsrude<lb />Susan Fecho<lb />Carolyn Capps<lb />David Lewis<lb />Todd Coats<lb />Hunter Hadley<lb />Hayes Henderson<lb />Leslie Karpinski<lb />Joe Champagne<lb />George McKim<lb /><lb />Margaret Shearin<lb />S. Renee Thomas<lb />Jody Lynne Praskal<lb />William Leidenthal<lb />Kara Hammond<lb />Bill Keck<lb /><lb />Tom Baker<lb /><lb />Tom Baker<lb />William Leidenthal<lb />S. Renee Thomas<lb />Beth Heinig<lb />Gregory S. Tucker<lb />Julie K. Simon<lb />Frank Stovall<lb />Ellen Moore<lb /><lb />Todd Coats<lb /><lb />Gary Patterson<lb />Gary Patterson<lb /><lb />10<lb />16<lb />19<lb />22<lb />25<lb />27<lb />29<lb />32<lb />34<lb />Bt<lb />36<lb />37<lb />38<lb />39<lb />40<lb />40<lb />41<lb />42<lb />43<lb />43<lb />44<lb />46<lb />46<lb />47<lb />48<lb />49<lb />50<lb /><lb />52<lb />53<lb />53<lb />54<lb />56<lb />57<lb />58<lb />59<lb />60<lb />61<lb />62<lb />65<lb />71<lb />72<lb />75<lb />81<lb />85<lb />86<lb /><lb />Literature<lb /><lb />Tunnel Travel<lb />Fireflies<lb /><lb />Mixed Media: Oil and Blood<lb /><lb />Small Folks<lb /><lb />Winters on the Reservoir<lb />Whispers<lb /><lb />Flight<lb /><lb />Cotton Candy<lb /><lb />Mothers on the Bus Go<lb />Hush Hush Hush<lb />Peppermint Rust<lb /><lb />The Conception Company<lb />The Teen Man<lb /><lb />Old Hat<lb /><lb />The Eighty-Eighth Year<lb />Lunar Poppies<lb /><lb />Light<lb /><lb />Vacation<lb /><lb />Leftovers<lb /><lb />Tremors<lb /><lb />Making Ends Meet<lb /><lb />| Saw the Things Dwindle<lb />Dog Days<lb /><lb />Pas de Deux Jerome<lb />Lost on the Horizon<lb />Matricide<lb /><lb />Haiku<lb /><lb />A TurtleTs Trip<lb />Whispers<lb /><lb />On a Battlefield<lb /><lb />October 1984<lb /><lb />J.T. Pietrzak<lb /><lb />Deanya Lattimore-Cobb<lb /><lb />Donald Rutledge<lb />Jenny Meador<lb /><lb />Horace McCormick, Jr.<lb /><lb />Sherrill Owens<lb />Pam Robinson<lb />Pam Robinson<lb /><lb />Chrystal Fray<lb />Laurilyn McDonald<lb />J.T. Pietrzak<lb />Jeffry Jones<lb /><lb />Jeffry Jones<lb /><lb />Laura Redford<lb /><lb />Joe Argent<lb /><lb />Joseph Swayze<lb />Laurilyn McDonald<lb />Michael Butzgy<lb />Gary Bryant<lb /><lb />Linda Anderson<lb />Linda Anderson<lb />Katharine Kimberly<lb />J. Renee Pratt<lb />Katharine Kimberly<lb />Katharine Kimberly<lb />Joe Argent<lb />Carolyn Stroud<lb />Theresa Rodger<lb />Robin Ayers<lb />Jennifer Hulsey<lb /><lb />ONO U<lb /><lb />11<lb /><lb />17<lb />17<lb /><lb />18<lb />23<lb />24<lb />26<lb />27<lb />28<lb />30<lb />31<lb />63<lb />64<lb />66<lb />73<lb />73<lb />74<lb />78<lb />79<lb />80<lb />82<lb />82<lb />83<lb />84<lb />87<lb /></p>
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          <lb />Tunnel Travel<lb /><lb />| stir toward a pinhole of light.<lb /><lb />Drooped dark dogs my tail, | donTt look.<lb />Ahead distance is distorted, splits<lb />confidence and concentration like<lb />star-travelers confused by clouds.<lb /><lb />| go on.<lb /><lb />The tunnel seems slanted slightly skyward,<lb />and the circle of light grows,<lb /><lb />and the circumference of dark grows,<lb />and | grow more sure of disorder.<lb /><lb />| go on " nearing the end, the light "<lb /><lb />walls, which once were chilled and hard, hold<lb />warm colors. Artwork frisks my eyes. Stop<lb />study silent the scenes preserved<lb /><lb />on tunnel walls to show some lost soul.<lb /><lb />| turn back, try to take in the whole<lb /><lb />scene. Dark, too thick a sheath for these eyes,<lb />turns me back. The artistTs pegmatite<lb />disperses dark as prisms refract light.<lb /><lb />Outside | reflect and find my face<lb /><lb />in a shaded stream. Closing my eyes<lb /><lb />| see fresh colors, caress contours<lb /><lb />framing my pants. And in these pants ITve<lb />worn all my life | finally find<lb /><lb />my pegmatite deep in my pocket.<lb /><lb />J.T. Pietrzak<lb /><lb /></p>
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        <p>Mixed Media: Oil and Blood<lb /><lb />It was hit and run<lb /><lb />sandaled feet and sabered teeth | sprang<lb />after that murderous machine<lb /><lb />cursing the foulness | took in<lb /><lb />They sped off license unregistered<lb /><lb />senseless " stupid to my turgid veins<lb /><lb />Foul " defiling the transparent with stench-filled fumes<lb /><lb />Obscene " raw meat message of violent frenzy with a tongue<lb />greedy for gore but not for game<lb /><lb />shit " bloody gut-wrenching period!<lb /><lb />seeing him lay there<lb /><lb />still breathing oThank God?<lb /><lb />Never suffered the impact, they'll feign<lb /><lb />Chrome bumperstreaked deep red with blackish down<lb /><lb />Christ! You steely sternumed seed of a fiery iron steed!<lb /><lb />In the wild this wouldn~t have happened.<lb /><lb />Bleeding bad<lb />we needed fo lift him<lb />(from the fervid pool of oil and blood<lb />engaging horrified stares<lb />as if this serum oozed from out the ground below)<lb />but<lb />(mongrel dosgap sinfully shed, abandoned<lb />to Sirius enlightened aid<lb />road tar crudely sealing a gaping side)<lb />we waited emergency flatbed coming<lb />bowing our heads together<lb />transfixed by nightmarish visions<lb />transformed by tremoring scissions<lb /><lb />Donald Rutledge<lb /><lb /></p>
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          <lb />Fireflies<lb /><lb />They twinkle around us unafraid<lb /><lb />turning sparse summer boxwoods<lb /><lb />to Christmas trees. We laugh and run<lb /><lb />to find a jar any jar my mother<lb /><lb />is not using we open breathing holes<lb /><lb />with sharp pointed scissors then scatter<lb />picking our flowers from the air<lb /><lb />with cupped careful hands spooning our stars<lb />into the glass. When the lid is off<lb /><lb />they fly to the top rest on the rim<lb /><lb />til we push them back. We hoot<lb /><lb />through the field building our fire<lb /><lb />filling the jar until almost time<lb /><lb />to go inside. My grandmother<lb /><lb />comes over to us says<lb /><lb />oLet me show you what we used to do?<lb />and delighted we huddle around<lb /><lb />the warming glow she takes<lb /><lb />from our hands. She gently unscrews<lb /><lb />the lid and takes one out handing the jar<lb />back to me. | drop it softly to the ground<lb />not caring how many escape<lb /><lb />as | watch this new thing<lb /><lb />she will do. She places the bug on her finger<lb />and flattens it<lb /><lb />leaving a shining diamond on her right hand<lb />ring finger. She looks at me<lb /><lb />and smiles and | leave<lb /><lb />the fallen jar<lb /><lb />and the dying ember<lb /><lb />and the favorite grandmother<lb /><lb />and run out into the sparkling dark<lb />surrounding myself with the living lights.<lb /><lb />Deanya Lattimore-Cobb<lb /><lb /></p>
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          <lb />Small Folks<lb /><lb />Little boys, red galoshes, car pools, Mrs. Keggley.<lb />Laughing at bouncing balls.<lb />Sliding down the firepole.<lb />Crunching square crackers on green napkins<lb />after Tuesday's French lesson.<lb />Together in a circle we repeated<lb />ma mere, mon pere, bon jour.<lb /><lb />The chapel modern, mysterious, monsterous<lb />to us wee elves and dwarves.<lb /><lb />Black stole and white collar,<lb /><lb />A heavy Bible in his hands.<lb /><lb />His deep, mellow grumble pronounced<lb /><lb />~Our Father, who art in heaven ...<lb /><lb />Everyone knew this prayer. Everyone said it<lb />in light, reverent whispers God could hear.<lb /><lb />God was big, His home a gold castle in the sky<lb />and His chapel almost as big.<lb /><lb />Its sunshine ceiling just short of a skyscraper.<lb /><lb />Melted crayons " yellow, blue, purple, orange "<lb />seeped through glued Humpty Dumpty glass<lb />searing our hearts and wandering eyes.<lb /><lb />A rainbow delight.<lb /><lb />A cross hung.<lb /><lb />Colors like popscicles reflected the wooden image.<lb /><lb />God picked the colors as He frosted the spectrum.<lb /><lb />oAmen,? he said.<lb /><lb />oShh. Tiptoe single file with a buddy.?T<lb /><lb />We were NoahTs stuffed animals pairing off the ark.<lb /><lb />We'd jump into Jack-in-the-Beanstalk trees and try<lb />to snatch a dinosaur cloud.<lb /><lb />On swings we could almost squeeze clouds<lb />between our fingertips like Playdough.<lb /><lb />Honeysuckle vines bordered the glittering forest creek<lb /><lb />Leaves edged tree roots and rock crevices.<lb />springTs perfume saturated vines " Nature #5.<lb />There, tiny sweet honeysuckles fit softly<lb /><lb />in our hand.<lb />Upside-down hats with orange brims<lb /><lb />and Martian antennae sticking out.<lb /><lb />Finally, something small.<lb /><lb />Now we were the giants in Mother NatureTs<lb />plant and ant world "<lb /><lb />Little people holding on to marshmallow dreams,<lb />and wanting to be grown-up enough<lb />to make them all come true.<lb /><lb />Jenny Meador<lb /><lb /></p>
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          <lb />Walter Stanford<lb /><lb /></p>
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        <p>Scott Eagle<lb /><lb />10<lb /><lb /></p>
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          <lb />Winters<lb />on the<lb /><lb />Reservolr<lb /><lb />Horace McCormick, Jr.<lb /><lb />o Sis shine the light in my face,?T he said. ~~YouTre<lb />blinding me. Keep it on her.?T<lb /><lb />~~| didnTt mean it, Daddy.T<lb /><lb />~~How long has she been this way??T he asked.<lb /><lb />~| found her here after church,?T | said.<lb /><lb />He threw a half smoked cigarette into the snow, pushed<lb />his hat slightly onto the back of his head and put his<lb />hands on his narrow hips. The flashlight followed my eyes<lb />into his face again, but he didnTt say anything. He looked<lb />down at Sal lying there in a dingy patch of snow and ice.<lb /><lb />oI think you better take your coat off her, Bud,? he<lb />said.<lb /><lb />~~Why??T I asked. She ainTt dead yet.?T<lb /><lb />oIt ain't gonna do her much good, boy. SheTs been sick<lb />for weeks. SheTs old, Bud! CanTt you see that?TT he said.<lb /><lb />While taking a slow, deep breath, he pushed his hat<lb />further back and put his hands in his pockets. | came to<lb />my feet and put my hands in my pockets, and we both<lb />stood silently, watching the snowfall get thinner in the<lb />beam of the flashlight while Daddy thought. Sometimes a<lb />swift chill of wind would lift the small flakes and scatter<lb />them in different directions before they could touch the<lb />ground. It didnTt snow often in these parts of Missouri, and<lb />when it did, the snow hardly ever stuck, except for the<lb />year the ice broke when Daddy and | were fishing for bass<lb />on the bottom of the reservoir near the Echo Hole. In the<lb />winter, the Echo Hole was always the last part of the<lb />reservoir to freeze. Daddy knew it wasnTt safe to fish there<lb />on the ice in the winter, but when he wanted to do<lb />something bad enough, nothinT mattered. Not Ma, me or<lb />anybody. Not even Sal.<lb /><lb />He slid out onto the ice on his belly like a spider<lb />crawling on a thin glass table. Once he got to his spot on<lb />the ice, Daddy pulled out his knife and chisled at the ice<lb />until he had a hole big enough to put a fist through.<lb /><lb />Afterwards, Daddy rolled over on his back, took his<lb />small bottle of rum out of his breast pocket and threw it<lb />back to shore for me to put in the tackle box. He rolled<lb />back over onto his stomach and started to light a<lb /><lb />cigarette, but the glass table beneath him began to crack<lb />like a web spurting from his body in all directions. Daddy<lb />tried to roll away from the webs, but everytime he turned<lb />onto a smooth sheet of ice, he made another web. He<lb />jumped up and took a short step toward the bank, but the<lb />ice gave and he went under, all of him. I screamed his<lb />name as loud as | could and the words bounced back at<lb />me off the small cliffs on the other side of the Echo Hole<lb />and rang and rang until | couldn't tell if it was me or the<lb />walls of the cliffs echoing his name. | thought he had<lb />drowned, but he had swum toward the shore under the ice<lb />and burst through the thin layer on the waterTs edge in<lb />front of me. He stood still for a few seconds facing me,<lb />and then staggered onto the bank toward the tackle box.<lb />He kicked the box open and grabbed the bottle of rum.<lb />His shaking hands wasted the liquor down the sides of his<lb /><lb />face and chin.<lb /><lb />~Ss tay here with Sal,TT he said. ~ITm going to Ms.<lb />CatherineTs place to get a shovel before it gets too<lb /><lb />dark.?<lb /><lb />He went in the house and put on his heaviest coat and<lb />his old leather boots " the same black boots he told Ms.<lb />Catherine that he broke his foot in during a war. | could<lb />hear Ma yelling at him, ~o~Why donTt you take your best<lb />clothes off? YouTre goinT to mess ~em up out there. | know<lb />where you're likely to be goinT anyway, besides Hell.<lb />You're goinT back out to CatherineTs place, ainTt you??T<lb /><lb />Ma knew he always went to Ms. CatherineTs, the<lb />bootlegger, instead of GrandmaTs place on Sundays after<lb />church. No matter how much she fussed, Daddy never<lb />argued back, even when she hid his rum " he never said<lb />anything. | never told Ma he kept a small bottle hid in the<lb />closet in the old blue coat he never wore.<lb /><lb />He came out through the back door with his boots<lb />untied and coat unbuttoned. After lighting another<lb />cigarette on the back porch, he tied his boots and brushed<lb />each one off on the back of his Sunday pants.<lb /><lb />~Get in the house, Bud. And get your best coat off that<lb />dog!?T he said. ~I'll be back directly with the shovel.?<lb /><lb />11<lb /><lb /></p>
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          <lb />| watched him buttoning his coat and walking down the<lb />snow-covered dirt road until he disappeared behind the<lb />thinning flakes. | looked down at Sal; her mouth was<lb />beginning to fill with snow, her eyes were glassy, and her<lb />tongue was starting to freeze in place.<lb /><lb />Sometimes Daddy took me and Sal to Ms. CatherineTs<lb />place and made Sal sit on the back porch and me stay in<lb />the yard or den where the painting was. The painting was<lb />an imitation Van Gogh, hanging between two dying ferns<lb />in bright red flower pots attached to the ceiling by fishing<lb />string. The room was so dimly lit that the plants seemed<lb />to be suspended by nothing. | told Daddy once when we<lb />were there that he smelled like Ms. CatTs, and he took me<lb />to the den.<lb /><lb />The door was open and the painting was still there,<lb />watching me as we walked down the hallway toward it.<lb />The plants had died but the large red pots still loomed<lb />around the unusually hideous painting. | often had<lb />nightmares about the strange characters in the painting,<lb />particularly the bartender staring at me like a gatekeeper,<lb />welcoming me to Hell. There was a man crouched in a<lb />chair in the deepest corner of the painting who reminded<lb />me of Daddy. The colors in the painting were bright and<lb />alluring, but I could never figure out how the beautiful<lb />bright colors could emit so much darkness and fright. The<lb />painting was called ~~Night Cafe.?<lb /><lb />On the way down her hallway, I could hear men and<lb />women making noises in the other rooms. Before we went<lb />in, Daddy put his ear to the door for a few seconds. When<lb />we entered, he unfastened his belt and told me to close<lb />the door. He folded the belt in half and held me firmly<lb />around the waist. | never ran from a whippinT, but he<lb />knew | wouldn't stand still for this one. | shut my eyes<lb />tight as he held on to me, held me almost as tight as he<lb />held my wrist when the brakes went out on the jeep on<lb />Dead ManTs Road.<lb /><lb />[He held my arm with his right hand while pumping the<lb />brakes on the old jeep and cursing every tree that weaved<lb />in and out of our path while we raced and shook over the<lb />narrow-curving dirt road.<lb /><lb />Daddy never let my arm go nor loosened his grip, not<lb />even at Dead ManTs steepest curve, Sawdust hill. His left<lb />hand jerked the steering wheel and | could hear big Sal<lb />crashing into the tin floor. It seemed as if we were on a<lb />ship and every hill or curve was a dangerous wave and<lb />the trees were dead boats that never got away, but Daddy<lb />was our captain.<lb /><lb />Finally Daddy slammed the jeep into the side of a dead<lb />tree. The steering wheel knocked the wind out of him,<lb />glass came pouring into our laps, and a bottle of liquor<lb />came flying out of the glove compartment and into the pit<lb />of my stomach. We both had cuts on our faces and<lb />Daddy broke his hand. He sat up slowly, rubbed my<lb />shoulder, and cursed the tree that stopped us from going<lb />into the reservoir. ~~Jesus Christ!TT he shouted. ~~Damn,<lb />Bud! You alright?? | wasnTt hurt much at all. He looked at<lb />me and laughed a little, but I could tell he was still scared<lb />~cause he hadn't let my arm go. Sal didnTt care much for<lb />riding in the old jeep much after that.<lb /><lb />| opened my eyes and looked up at him, waiting for him<lb />to start on me with the belt in Ms. CatTs den. He took a<lb />deep breath, brought his arm down to his side and<lb />unfolded the belt.<lb /><lb />oYou better watch yourself, Bud, or you'll be lookinT for<lb />a soft place to sit before we get back home.?<lb /><lb />oYes, Sir,TT 1 said. ~I wonTt do it again,TT even though I<lb />wasn't sure what | had done. He let my arm go and told<lb />me to get out on the back porch with Sal. Then he sat at<lb />the bar between the ladies, and they giggled at me<lb />walking out the door. ]<lb /><lb />ll the ladies in Ms. CatherineTs place had on wigs and<lb /><lb />lots of make-up. They didnTt seem to be much for<lb />conversation, but they giggled a lot and listened to<lb />everything Daddy said. He always told them a war or<lb />fishing story after he had been there awhile, and he would<lb />sometimes tell them the same story twice. His favorites<lb />were about the tiger that ate his new lieutenant in Korea<lb />and the bass that pulled his boat upstream.<lb /><lb />| donTt think it made much of a difference at all to them<lb />if he told the same story twice. He tried to tell Ma the<lb />same story twice on night and she fell asleep behind the<lb />newspaper. She wasnTt listening when he told it the first<lb />time, but he went on anyway. | donTt think she knew the<lb />real reasons he went to Ms. CatherineTs place, nor what<lb />the ladies there meant to him. Sometimes | listened to his<lb />stories ~cause I knew it made him feel good. Other times |<lb />listened ~cause | knew what might happen if | called him a<lb />liar.<lb /><lb />The wind was still blowing snow from the pine trees<lb />and it was getting colder, but Sal was still a little warm,<lb />so | got closer to her. On camping trips she always got<lb />between me and Daddy to keep us warm when the fire<lb />went low. When she got too close, Daddy would tell her to<lb />get away from us. | donTt think she ever really understood<lb />him like I did, but little things like that didnTt bother her<lb />much.<lb /><lb />| looked toward the path, but | still couldnTt see Daddy<lb />coming back from Ms. CatherineTs place with the shovel. |<lb />stroked Sal under the neck and she closed her eyes. | got<lb />closer to her, sat down, and waited for him to get back.<lb /><lb />| wasnTt sure how long I'd been lying there with Sal, but<lb />the wind had stopped blowing the snow from the trees<lb />and Sal was getting colder. | straddled her waist and<lb />pulled her up by the shoulders, but her head fell limp like<lb />the deer Daddy and | shot and skinned four or five years<lb />ago during my first hunting trip on the reservoir.<lb /><lb />! remember Daddy skillfully making the incisions and<lb />pulling the soft coat from the deerTs warm flesh. He cut a<lb />straight deep line from its throat to the end of its stomach<lb />and threw the warm insides on the ground, never looking<lb />the deer in the face. When Daddy had finished, Sal<lb />dragged the rest of it into the woods and ate it, every bit<lb />of it.<lb /><lb />After putting SalTs head back down, | slapped her<lb />stomach. It sounded hollow and stiff, but she was still<lb />alive. | rubbed her along the front of her neck and she<lb />made a few deep swallowing noises. | saw Daddy coming,<lb /><lb />12<lb /></p>
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          <lb />
          <lb />wobbling through the path he made in Mrs. LetTs yard<lb />from walking to BurtonTs Barber Shop on Saturday and<lb />Ms. CatherineTs place on Sundays.<lb /><lb />Even though the path was covered with snow, he<lb />followed the trail instinctively around each meandering<lb />curve. He bobbed along the path with his head tilted to<lb />the left, his arms swinging a little awkward, but his long<lb />legs took even strides like a long jumper taking a pace<lb />count before his final jump. He had the shovel resting<lb />over his left shoulder, his shirt had started to come out of<lb />one side of his pants and his sleeve was cuffed at the<lb />elbow. He had been drinking, but not enough to tell the<lb />same story twice.<lb /><lb />His hat was still perfectly aligned on his head to cover<lb />bald corners, his brown tie was still centered tightly about<lb />his neck and tucked into his pants the way he liked it, but<lb />he had still drunk enough to forget his coat, despite the<lb />cold.<lb /><lb />~Is she dead yet?? he asked.<lb /><lb />~No, sir. Not yet.?<lb /><lb />~She will be directly,TT he said.<lb /><lb />~~WhereTs your coat?T?T Ma yelled out the window. ~~Get<lb />in here and get another coat!?<lb /><lb />~oIndirectly!?? he shouted.<lb /><lb />He looked down at Sal and rolled his sleeve down and<lb />put his hands in his pockets. Looking down at my<lb />snowman, he threw a pack of unopened cigarettes in the<lb />snow and said ~o~Damn!?T only loud enough for me and Sal<lb />to hear. | looked down at Sal and said it loud enough for<lb />me to hear. Daddy ran at my snowman, kicked him in his<lb />middle, and pushed his head off. SalTs body had started to<lb />sink to the bottom of the snow. He picked his cigarettes<lb />up, sat on the porch and smoked for a while.<lb /><lb />~~What do you want to do with her?TT he asked.<lb /><lb />~~LetTs bury her on the other side of the reservoir, near<lb />the Echo Hole,?T | said.<lb /><lb />~oNo!?? he shouted.<lb /><lb />oAnd donTt let your<lb />Daddy get too close to<lb />the water. HeTs been to<lb />Catherine's.<lb /><lb />~Well; letTs just bury her on this side, then, where we<lb />caught the brim with the night-crawlers last year,? | said.<lb /><lb />~~ThatTs a long walk in this snow and itTs getting dark,?<lb />he said.<lb /><lb />o| know, but she wonTt mind. She liked to lie there in<lb />the cool dirt while we fished,TT | said.<lb /><lb />~| hear a lot of quail go there in the winter,? he said.<lb />~Get some rope, your fishing knife, and the sled. Get my<lb />old blue overcoat and put your boots and gloves on.?<lb /><lb />| ran back into the house and saw Ma standing over ar<lb />empty sink, staring out the kitchen window at Daddy.<lb /><lb />~Is she dead yet?T she asked.<lb /><lb />~~No, not yet. But weTre going to take her down to the<lb />reservoir to bury her. SheTll be dead before we get there,<lb /><lb />Daddy says.?<lb /><lb />~You better hurry before it gets too dark,? she said.<lb />~And donTt let your Daddy get too close to the water. HeTs<lb />been to CatherineTs.?T<lb /><lb />oOkay,? I said.<lb /><lb />| got my gloves, boots, and DaddyTs old blue coat out of<lb />the closet. From the storage room | grabbed the sled,<lb />rope, and my fishing knife out of the tackle box, and | ran<lb />back out in the yard.<lb /><lb />Daddy grabbed Sal by the collar and | put my hands<lb />around her hips. We picked her up, laid her down on the<lb />sled, and rolled her over on her side. Her head was turned<lb />the wrong way as if her neck was broken. | tried to turn it<lb />the right way but she couldnTt hold it there.<lb /><lb />oQuit foolinT with her,TT Daddy said. ~~ItTs gettinT darker<lb />and we gotta be gettinT outta here.?<lb /><lb />It had been dark for over an hour, but the moonlight<lb />was enough for us to find our way to the reservoir. It had<lb />gotten cloudy again while Daddy was at Ms. CatherineTs<lb />place. | knew Ma was worried, but Daddy and | had made<lb />this trip many times before on darker nights, walking<lb />home from hunting trips.<lb /><lb />He took the rope and cut it into two long pieces and we<lb />tied her to the sled by the waist and shoulders. He took<lb />the other piece and tied it to the front of the sled and<lb />wrapped the free end of the rope around his hand.<lb /><lb />Ma came out of the house and walked over towards us.<lb /><lb />~~DonTt bury her too close to the water,? she said. ~~But<lb />bury her deep. SalTs a big dog.?<lb /><lb />Daddy had already started to pull Sal off into the<lb />woods. | put the shovel over my shoulder and ran towards<lb />him until | was behind the sled.<lb /><lb />oWe'll be back indirectly!? he yelled back at Ma.<lb /><lb />~You stay away from that water!TT she shouted.<lb /><lb />~Be back indirectly!? he shouted again.<lb /><lb />The snow always seemed quieter and deeper in the<lb />woods. Thin sheets of cracked ice usually covered the<lb />edges of the reservoir, keeping the water still. The woods<lb />down by the water never seemed dark when there was<lb />snow on the trees and ground. The moon wasnTt full, but<lb />the clouds had drifted away and the moon reflected<lb />enough light off the icy water and snow for us not to<lb />wander off the path. | followed close behind the sled with<lb />the flashlight aimed down the snow-covered trails. When<lb />Daddy's boots made the soft crunching noises in the<lb />snow, the quail or a rabbit would move in the bushes now<lb />and then. The sled erased each one of his perfect prints in<lb />the snow.<lb /><lb />The farther we walked, the harder Daddy began to<lb />breathe, and his pace became much slower.<lb /><lb />oWe'll rest here,?T he said. ~o~WeTre about halfway there.?T<lb /><lb />He leaned against a tree, took his tie off, and put it in<lb />his coat pocket. He reached into the inside pocket and<lb />pulled out the small bottle of rum he kept hidden there.<lb />SalTs tongue moved a little after he poured some in her<lb />mouth before taking a long swallow himself. He put the<lb />bottle back into his coat pocket and wrapped the rope<lb />around his hand again. He was ready to go, but | knew he<lb />was still tired. A few winters ago, | could hardly keep up<lb />with him. Sometimes we would chase a wounded deer for<lb />hours and Daddy never got tired before | did.<lb /><lb />13<lb /><lb /></p>
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        <p>
          <lb />
          <lb />~Come on, letTs go,?T he said. o~ItTs gettinT colder out<lb />here.?T<lb /><lb />| picked up the shovel; he grabbed the rope and we<lb />started back down the path through the woods. Now and<lb />then he would stop along the way and take quick sips<lb />from the bottle of rum " to keep warm, he said. Every<lb />winter on our hunting trips it seemed to be harder for him<lb />to keep warm. | continued to follow behind him closely as<lb />he stumbled on down the path. The walk to the other side<lb />of the reservoir seemed much longer when we werenTt<lb />looking for quail, deer, or a good spot to camp or fish.<lb /><lb />When we got there my lips were hard and numb and<lb />my finger-tips seemed frozen. Daddy sat down clumsily on<lb />aT log. He leaned against the tree behind him and took<lb />another swallow from the bottle of rum. Sal couldnTt move<lb />at all now.<lb /><lb />~~Why donTt you give her some more rum?? | asked.<lb /><lb />~If | give her any more that girlTll live to be older than<lb />your grandma,?T he mumbled. ~o~We can make a small fire<lb />and wait for a while. She'll be gone directly.?T<lb /><lb />After sitting there and watching Sal for a while, | flared<lb />the light into his eyes again and he looked tired and<lb />crowsy.<lb /><lb />~Get that damn light out of my eyes, boy,? he said,<lb />~o~you're blindinT me again. Put it out for awhile.?T<lb /><lb />~You better stay away from that water. Wake up! You<lb />know what might happen if you were to fall asleep out<lb />here,TT | said.<lb /><lb />~You watch how you talk to me, Bud! Shut your smart<lb />mouth and get some dry branches so | can get the fire<lb />going,T he said.<lb /><lb />| walked around for a while, but there were not any dry<lb />branches. When | got back he was almost asleep.<lb /><lb />oWhat the hell are you doinT?TT he mumbled.<lb /><lb />oItTs for the fire. YouTve been drinkinT too much<lb />anyway, | said.<lb /><lb />| took the bottle from his coat pocket and put it in<lb />mine. ~o~You better watch how you talk to me!? he said as<lb />he started to nod again.<lb /><lb />| untied Sal from the sled, rolled her off and poured rum<lb />over the sled. | took his lighter from his shirt pocket, lit<lb />the sled, pulled Sal away from the fire and dragged Daddy<lb />closer to the warm flames. Daddy mumbled, now and<lb />then, while we sat there waiting for Sal to die.<lb /><lb />| sat there in front of the burning sled, day-dreaming<lb />and watching the flamesT shadows get smaller on SalTs<lb />rusty-red fur. The shadows played on the icy edges of the<lb />reservoir and on Daddy's tired face. The sky had cleared<lb />and the moon's light was so illuminating that | could see<lb /><lb />the trees on the other side of the reservoir and the lights<lb />from the power plant far ahead of us. | could see the logs<lb />Daddy and | laid on the water, tree to tree, to reach the<lb />blue-gill bed under the large patch of green and yellowish<lb />lillies.<lb /><lb />In the winter the water rose over the spot where the lily<lb />pads grew and during the July droughts, when the<lb />reservoir was almost completely dry, a fast deep stream<lb />runs behind them.<lb /><lb />| looked over at Daddy " he had fallen asleep. He<lb />wasn't moving, mumbling or saying anything, not even<lb />after | flashed the light into his eyes. ~~Wake up!? |<lb />shouted. oWe can't fall asleep out here!TT He didnTt say<lb />anything. His face was cold and stiff and | wasnTt sure if<lb />he was freezing or passed out from the liquor he drank at<lb />Ms. CatherineTs place and on the way here to bury Sal.<lb /><lb />~Get up Daddy! Get up!? | shook him by the collar and<lb />he fell over onto the ground in front of the sled. The fire<lb />was out " he was going to freeze to death.<lb /><lb />| put my hand under SalTs neck " she was frozen stiff,<lb />but her heart was still beating. Closing her eyes, | took my<lb />knife out of its rusty casing and cupped SalTs chin in my<lb />right hand, pulling her head upward until her neck was<lb />tight. She made some more deep swallowing noises. | took<lb />a heavy deep breath, looked away from her, and forced<lb />the knife into the bottom side of her neck. | stopped for a<lb />few seconds and looked at Daddy, and then, | felt a<lb />shuddering jerk move through SalTs body.<lb /><lb />Her head fell back farther as | lengthened the cut. After<lb />cutting a complete circle around her neck, | cut her<lb />around the ankles and tail and pulled the warm lining<lb />from her flesh.<lb /><lb />The thin layer of skin holding her flesh together was<lb />wet and warm. | took my gloves off and rubbed it over<lb />my face and hands before wrapping it around Daddy.<lb /><lb />~~Come on Daddy! Get up!?T I said, but he didnTt move at<lb />all. | grabbed the knife and ran back over to Sal where the<lb />snow had turned muddy red and icy. | cut her warm<lb />pieces of flesh out of her and stuffed them in DaddyTs<lb />shirt.<lb /><lb />| backed up against a tree and flashed the light onto the<lb />ground and watched SalTs body melt the snow around it.<lb />A slow narrow stream of blood mixed with the ice on the<lb />water's edge.<lb /><lb />| sat down on the half-burned sled and watched a warm<lb />mist rise from DaddyTs collar like steam from the water on<lb />the first warm spring morning when the last sheets of<lb />winter ice melted from the surface of the reservoir. |<lb />picked the shovel up and started to dig. RJ<lb /><lb />14<lb /></p>
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        <p>
          <lb />
          <lb />Whispers<lb /><lb />Swimming inside silk skin,<lb /><lb />the first sounds whisper,<lb /><lb />hushed nurseries with swishing arms,<lb />light slivers pierce through gauze,<lb />a stranger in rubber gloves,<lb /><lb />sterile white, mumbles<lb /><lb />behind a muffled mouth.<lb /><lb />Grass licks toes, whispers of warmth,<lb />warm rains speckle ground,<lb /><lb />roses from the garden weave<lb /><lb />like candlelight, heady moisture;<lb />chilled wine enchants<lb /><lb />on cricket nights, music<lb /><lb />whispers on creeking springs.<lb /><lb />Winds in early autumn<lb />become faces that haunt, follow<lb /><lb />on melancholy walks, whisper memories.<lb /><lb />Leaves skate across the grass,<lb />nestle against shrubs, curbs,<lb /><lb />~crumble under the weight of man,<lb /><lb />as a calico chases a breeze.<lb /><lb />White as a full moon,<lb /><lb />snow whispers as it touches,<lb /><lb />hold tight, cling to now.<lb /><lb />spider legs reach, black spindles<lb />trimmed with lace doilies,<lb /><lb />steamy breath against iced windows;<lb />gentle last sounds of quiet rooms,<lb />starchy sheets, silk stockings,<lb /><lb />a family gathers, whispers, whispers.<lb /><lb />Sherrill Owens<lb /><lb />15<lb /><lb /></p>
        <pb facs="00062596_0018" />
        <p>Julie K. Simon<lb /><lb />16<lb /><lb /></p>
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        <p>
          <lb />
          <lb />Flight<lb /><lb />In Autumn days<lb />when brown leaves fell,<lb />| laughed,<lb />crushing late-blooming petals<lb />as | ran to the weeping willow.<lb />The black tire beckoned<lb />through green fingers.<lb />Eyes tightly squeezed,<lb />| gained speed<lb />(surely | could touch wind-roughened<lb />bark melting into blue).<lb />| swung higher and higher<lb />never hearing the snap<lb />of rotten twine.<lb /><lb />Set free,<lb />| soared into the heavens.<lb /><lb />Pam Robinson<lb /><lb />Cotton Candy<lb /><lb />Warm air swirls<lb />through vented sides.<lb />Wispy pink threads<lb /><lb />intertwine,<lb /><lb />grow thick,<lb /><lb />merge.<lb />An ivory staff pierces the soft mesh.<lb />Stiffly, the old man rises from his task<lb />offering his masterpiece.<lb />A child snatches the fluffed candy,<lb />darts among faceless strangers.<lb />The man turns and begins again.<lb /><lb />Pam Robinson<lb /><lb />47<lb /><lb /></p>
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        <p>
          <lb />
          <lb />Mothers<lb />on the bus<lb /><lb />Go<lb />Hush Hush Hush<lb /><lb />Chrystal Fray<lb /><lb />he woman rose from the bench with a practiced grace<lb />i i as she saw the bus round the curve. She had been<lb />waiting for what seemed years but was actually only<lb />fifteen minutes. She was a small, light-skinned woman; her<lb />hair was pulled back, not severely, but elegantly,<lb />conservatively, into a small bun at the back of her head,<lb />and tied expertly with a scarf. Her petite hands rose<lb />occasionally to smooth away non-existent stray hairs. Her<lb />wool suit, almost ten years old now, had been brushed<lb />just that morning to remove any signs of lint or wear. She<lb />was a woman of middle years " not young, not old "<lb />but her carriage, her care for her appearance, her<lb />confidence in knowing that she was attractive, gave her<lb />an air of a beautiful young co-ed waiting for the campus<lb />bus to take her to class. No passerby would have<lb />assumed that her life had been long, in truth was half<lb />over. That in life, she had done all her living and that now<lb />she waited for more than the bus slowly approaching on<lb />the street, but for a release; a final fulfillment.<lb /><lb />The bus stopped directly in front of her " whether out<lb />of policy or knowledge of her preference, she did not<lb />know. The woman boarded the bus and carefully put sixty<lb />cents into the money slot. She counted it out slowly,<lb />turning each coin over in her hand. One quarter, three<lb />dimes, and one nickel " sixty cents exactly. She made<lb />sure the driver knew it was sixty cents exactly, because<lb />these city bus drivers were known for miscounting change<lb />and demanding more money. DonTt let that happen to me,<lb />the woman thought, and locked her eyes with the bus<lb />driverTs in hopes of relaying this request.<lb /><lb />The bus was crowded, as it almost invariably was. The<lb />seats were filled with mostly women, mostly young, and<lb /><lb />all black. The majority of them seemed to have babies or<lb />small children; and, the woman assumed with distaste,<lb />were not married. She craned her head towards the back<lb />in hopes of finding an unoccupied seat. She skimmed the<lb />faces of the other riders, registering their dislike of her,<lb />and decided to take an empty seat beside a large black<lb />woman with two small children.<lb /><lb />They are colder this month, she decided. Each month, it<lb />was worse, the coldness. The other riders recognized what<lb />to them were her fine clothes, her pretty hair (like white<lb />folks), her high-sidity look, and they hated her. She hardly<lb />ever paid her fare in pennies, but she did ride the bus.<lb />She must not be all she tries to make us believe, they<lb />thought. Come down off your high-horse, Miss High and<lb />Mighty. You are one of us now, she had even heard one<lb />say. | am not one of you, she thought. | am and always<lb />will be something more; | am better, she thought, and<lb />nothing would ever convince her otherwise.<lb /><lb />She spent a few moments gazing out of the window on<lb />the other side of the bus before noticing the occupants of<lb />the seat beside her. She looked at the large, very black<lb />woman and immediately decided that she was quite ugly.<lb />Much too dark, she decided, but the children captured her<lb />attention. They were identically dressed little boys " not<lb />twins, but no more than a year apart. One little boy was<lb />suffering from a cold, evidenced by his runny nose and<lb />the mucus creeping down into his mouth. Occassionally,<lb />out of irritation, he would reach up and wipe his nose with<lb />the sleeve of his shirt. Jeffrey, her knee-baby, used to do<lb />the exact same thing, the woman thought. The other boy,<lb />the smallest, whined and cried, continuously pulling on his<lb />motherTs arm.<lb /><lb />18<lb /><lb /></p>
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          <lb />
          <lb />Momma ... wen we gone git dere? How long it take?<lb />I'm hongry. ITm tired ...TT the child droned in a flat voice.<lb />~~Hush! Hush boy. We gone git dere in a lilT wile. JusT<lb />hush now!?T the mother replied, then added under her<lb />breath, ~~Jerome, stop wipinT that on your shirt, boy!T<lb /><lb />You should spank them, the woman thought to herself.<lb />| always spanked mine when they made a scene like that<lb />in public. If you spank them while they are young, they<lb />will be better behaved when they get older. She followed<lb />this train of thought back to a time almost ten years ago<lb />when Gregory was five and Jeffrey, six. She had taken the<lb />boys shopping, as she did every Saturday during the time<lb />when they still had money and Daddy was home and they<lb />had a car. Jeffrey and Gregory had begun to fight over<lb />some popcorn, even though there was plenty to go<lb />around. She had spanked them long and hard, so that<lb />everyone in the mall could see the bad boys duly<lb />punished, and told them to never, ever embarass her in<lb />public again. They had never been ill-behaved in public for<lb />fear of one of those spankings, and she was glad. Her<lb />mother had told her this little trade secret when the boys<lb />were born.<lb /><lb />~Spank them boys, girl. They won't give you no<lb />problems later on,?T her mother had said.<lb /><lb />~~But Momma, | canTt spank them. They'll grow up and<lb />hate me,T she had cried.<lb /><lb />~~Now I spanked you and all of your brothers before you<lb />and you never did hate me for it, did you??T was her<lb />motherTs reply.<lb /><lb />She had not hated her mother, not for the spankings;<lb />but she had always been skeptical of her advice. Her<lb />mother was simple, uneducated, and black; this she had<lb /><lb />hated. She had hated being the daughter of a black maid<lb />and a mysterious white man, referred to only as the<lb />oinsurance man.? She had been the best-dressed, best-<lb />looking girl in high school, but had hated wearing the<lb />white familyTs throw-aways, artfully fixed up by her<lb />mother. She had hated all of this but she had loved her<lb />mother, and therefore had taken her advice.<lb /><lb />~Mark my word. | know everything about being a good<lb />mother,TT her mother had said.<lb /><lb />Mark my word, her mother had said, those many years<lb />ago. Over and over, constantly, she had said, ~~Mark my<lb />word.? oHe ainTt no good, mark my word,? she had said<lb />when informed of her daughter's plans to leave school and<lb />marry that fine Northerner with the cool accent and the<lb />fine car (as she had described him then.) ~~YaTll ainTt gone<lb />keep them payments up,? she had said when they had<lb />bought the brand-new split-level house in the subdivision<lb />for blacks on the south side of town. ~You gone regret<lb />havinT all them kids, mark my word,? she had said when<lb />presented with Gregory, her fifth and last grandchild.<lb />oMark my word, you ainTt gone have no life at this rate,?<lb />she finally said.<lb /><lb />Those many years ago the woman had chuckled softly<lb />to herself. Momma donTt know what sheTs talking about,<lb />the woman had said. My husband will always love me, my<lb />house will be mine forever, my children will go to college<lb />and be doctors and lawyers, and we'll live happily ever<lb />after. She had believed this; but that had been all those<lb />many years ago.<lb /><lb />She had lived in a dream existence until one day her<lb />fine husband drove his shining new car (which wasnTt all<lb />that new by then) into the sunset, escaping five<lb /><lb />19<lb /><lb /></p>
        <pb facs="00062596_0022" />
        <p>responsibilities and his house payments. He left the<lb />woman, his wife, unemployed, untrained, lost in a deluge<lb />of responsibility she had never planned on handling. She<lb />had five boys, mortgage payments, and no car (nor<lb />driver's license). She had sought work in several places.<lb />She was too old to work as a waitress, too proud to work<lb />as a maid, too dumb to work in the all black bank (that<lb />hired just about anyone with good looks and math skills),<lb />but just pretty enough to get offers for her body. I'll be a<lb />maid before I'll be a prostitute, she had thought.<lb />S he sought help at the county social services offices,<lb />and was horrified to discover that she either had to<lb />work or give up her house and move into the local<lb />housing projects. | would rather die than suffer the<lb />humiliation, the woman had decided. SheTd considered<lb />suicide once, but she could not get any prescriptions for<lb />lethal drugs, she hated the smell of gas, and she couldn't<lb />possibly cut or hang herself. Besides, she thought of the<lb />scandal she might create, and changed her mind. She sold<lb />her furniture and lived on, finally moving in with her<lb />mother when the bank foreclosed on her mortgage (which<lb />was several months in arrears).<lb /><lb />She collected a welfare check to provide her children<lb />with the barest of essentials, but never lived on the same<lb />level again.<lb /><lb />~~oMomma! ITm hongry now ... wen we gone git dere?<lb />I'm hongry!?T said the child beside her in a tone loud<lb />enough, the woman supposed, to wake the dead. This<lb />time, to the woman's surprise, the mother gave the child<lb />a ringing slap across the forehead that sent him stumbling<lb />into the aisle. The child gave his mother a long, puzzled<lb />stare, as if to say, is it wrong to say ITm hongry?<lb />Somehow, he never shed a tear.<lb /><lb />The mother picked him up gently and cradled him in<lb />her arms. oITm sorry, baby. | do de best | can. Now hush.<lb />Bus'll get dere soon, O.K.??<lb /><lb />The woman, bothered by the scene, focused her<lb />attention on some of the other riders. The young mothers<lb />with babies cradled in their arms were sitting quietly, their<lb />faces registering emotions from boredom to ...<lb />annoyance, maybe? Some seemed deeply engrossed in<lb />some thought or the other, maybe what to get from the<lb />grocery store, how many food stamps to spend.<lb />Occasionally, they would rub a babyTs forehead or gently<lb />tap a childTs wandering hand, but generally they appeared<lb />to the woman as a flock of sheep, all holding round-trip<lb />tickets to nowhere. Where are their husbands, or more<lb />appropriately, their lovers, the woman thought. Are they<lb />alone, these women, these children, like | am alone.<lb /><lb />Some of the children, especially the little girls, were<lb />dressed in their Sunday best: hair brushed and greased to<lb />a T, socks that had been soaked in Clorox until the<lb />slightest bit of dinginess was gone, patent leather shoes<lb />shined in a better than military fashion. The mothers, on<lb />the other hand, seemed to be dressed in a close to<lb />careless manner, some of them with knotty, uncombed<lb />hair and barely pressed blouses. Almost all had on<lb />bluejeans " not the real denim kind, but the polyester<lb />blend kind sold in stores like Jet Fashions. They should<lb />take more care with how they look, the woman thought to<lb />herself.<lb /><lb />hen her boys were young, she always pressed their<lb />W pants with great care, the creases pencil sharp,<lb />starched until they almost stood on their own. At the<lb />slightest show of a knot, she would wet-brush their hair,<lb />smooth on some grease with the palms of her hands, and<lb />comb in a part on the side. Her children were clean, those<lb />many years ago, and it was a reflection on her. Now that<lb />the boys were teenagers, they dressed themselves, but<lb />they were still clean " she saw to it. No one would ever<lb />say that she wasnTt a good mother.<lb /><lb />And these women, she thought, are they good mothers?<lb />Have they sacrificed their lives, as | have, to give their<lb />children life? Do they wear ten year old suits in order to<lb />buy a fifteen year-old son sneakers on a regular basis? Do<lb />they also bear the embarrassment of buying food with<lb />government issued food stamps instead of real money?<lb />Did they love the men who undoubtedly left, as much as |<lb />loved mine? Did it hurt as much? Suddenly, she felt sad,<lb />not for herself, but for these mothers in their tattered<lb />clothes with their hungry children. Their lives are like<lb />mine, she thought, only theirs have never been better.<lb /><lb />Suddenly she remembered that she had not made out a<lb />grocery list for the month. | have to plan carefully, she<lb />thought, because last time the month ended up longer<lb />than my food supply. For the last two weeks of<lb />November, she had fed her children meals of rice and<lb />beans flavored with side meat (which she abhorred), and<lb />sprinkled with a rationed portion of sugar to add a little<lb />flavor. Somehow, the sugar had hung around until this<lb />morning, just enough for her coffee ... But Gregory, who<lb />is always hungry, (he is a growing boy) found it and added<lb />it to his grits.<lb /><lb />She had screamed, she had pouted, she had acted like a<lb />child. She had thought of that hot cup of coffee all night<lb />long, she told him. It reminded her of years before, when<lb />she would fix the children oatmeal before school and her<lb />husband would join her for a quick cup of coffee before<lb />running off to work. She would then sit and think of how<lb />perfect her life was; her hard-working husband, her lovely,<lb />well-behaved boys, and her beautiful, much envied split-<lb />level in the best black neighborhood in town. But this<lb />morning Gregory had taken that sugar and put it in his<lb />grits.<lb /><lb />She had screamed, ~~Every time | want just a little<lb />something for myself, one of you boys takes it. ITm tired<lb />of it. | wish I could just die sometimes to get away from<lb />you, all of you ... | canTt have anything!?T<lb /><lb />~ITm sorry, Ma,TT Gregory had said, close to tears. It was<lb />only a tiny bit of sugar and it hardly sweetened his grits<lb />at all.<lb /><lb />She had screamed, she had pouted, she<lb /><lb />had acted like a child. She had thought of<lb /><lb />that hot cup of coffee all night long, she<lb /><lb />told him. )<lb /><lb />oYou couldn't have been that hungry. You could have<lb />left it alone,TT she screamed back, before storming off to<lb />the bathroom.<lb /><lb />| shouldn't have screamed, she thought as the bus<lb /><lb />20<lb /><lb /></p>
        <pb facs="00062596_0023" />
        <p>pulled to a stop in front of the store. I'll apologize when |<lb />get home. The woman fell in line with the other women as<lb />the bus driver prodded them towards the door. Like sheep,<lb />the woman thought. As she neared the door, she noticed<lb />the bus driver staring at her. Why not? she thought with<lb />amusement. | look pretty good for forty-three. She reached<lb />a hand up to her head, trying to recapture and replace<lb />any stray hairs. She gave the bus driver a smile before<lb />saying, oHave a nice day.?T<lb /><lb />She noticed the driverTs eyes as they dropped to her left<lb />hand. She had a wedding band on her finger still, along<lb />with her engagement ring and its genuine diamond setting.<lb />She quickly left the bus.<lb /><lb />The driver followed her progress toward the store,<lb />taking in the high tilt of her head, the steady, self-assured<lb />glide in her walk, her slightly outdated, but finely-tailored,<lb />wool pantsuit, and then she disappeared into the grocery<lb />store. Inside the store, she turned and gave him another<lb />smile, confident that he was impressed with her. She did<lb />not know that he never saw her wave and that he wasnTt<lb />much impressed with her at all. He'd guessed her age to<lb />be about fifty, and heTd never cared much for welfare<lb />mothers. He quickly drove away.<lb /><lb />The woman turned, and, surprised to find the large<lb />black woman from the bus standing beside her, quickly<lb /><lb />grabbed a cart.<lb /><lb />oMiss?? the other woman said. o~Miss, whatTs yoT<lb />name??T<lb /><lb />~~My name is Mrs. Thompson,? the woman said.<lb />~Beatrice, my name is Beatrice.?T<lb /><lb />oWell, Miss Beatrice, | sorry if my chirren bothered you<lb />on de bus. You know how chirrens is,TT the large black<lb />woman said. oItTs jusT dat dem bus rides is so long and de<lb />chirren gets tired so quick. But if dey bothered you, | shoT<lb />am sorry.?<lb /><lb />~They didnTt bother me at all. | have five children of<lb />my own. You should spank them, though. If you spank<lb />them while they are young, they will never misbehave in<lb />public again. My mother told me this when my boys were<lb />small.TT The woman, Beatrice, said, surprised at this flow<lb />of words. The large black woman grinned with a wide,<lb />relived grin.<lb /><lb />~You are a pretty woman, Beatrice. Bless you,TT she<lb />said, and walked away.<lb /><lb />Beatrice watched the woman waddle slowly down the<lb />aisle, a small child on each side. She thought of her<lb />husband, so far away, so long gone. Why didnTt he take<lb />us with him? She made a mental note to pick up plenty<lb />of sugar.<lb /><lb /></p>
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          <lb />ee ee ee<lb />eh PRM Ee<lb />i, aes &amp;<lb /><lb />Todd Coats<lb /><lb />22<lb /><lb /></p>
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        <p>Peppermint Rust<lb /><lb />Junkyard cars sit and rust<lb /><lb />on sun-splashed afternoons, girls<lb /><lb />on porches sit tasting<lb /><lb />field dust, bare dirt, grass<lb /><lb />sparse yards, combs through thin<lb />damp hair. The tractorTs slowing sound<lb /><lb />coming home. A kitchen filling with sounds<lb />_ Of clatter, scattering forks, a rusty<lb /><lb />jar lid " a kniveTs thin<lb /><lb />blade, (the edge of a girlTs<lb /><lb />eyes mocking through tall grass "<lb /><lb />their brown shape leaving a sad taste.)<lb /><lb />The first time a boy tastes<lb /><lb />the salt sting of blood, he remembers sounds,<lb />scents, the bug buzzing grass<lb /><lb />of the hillside spilling into the rust<lb /><lb />colored river. (He remembers the girl,)<lb /><lb />moist fingers tracing the thin<lb /><lb />scratches. Sucking a thin<lb /><lb />paper straw soggy with the sticky taste<lb /><lb />of cherry coke (swirled like the girlTs<lb /><lb />striped dress) at Lindsey's store. The sound<lb /><lb />of men folk trading tales, a rusty<lb /><lb />hound lazes on the cool concrete, not the grass<lb /><lb />that lies beyond the storeTs shade. (A blade of grass<lb />makes a shrill whistle, lips tight on the thin<lb /><lb />side.) The thrill of a petticoatTs rustle<lb /><lb />between the pews, the holy taste<lb /><lb />of communion replaces the evil sound.<lb /><lb />Leaving the church, passing giggling girls<lb /><lb />he hesitates. A honey flavored girl<lb />awaits, laughing in high grass<lb /><lb />making a metallic sound.<lb /><lb />Butterscotch hair tossed with thinned<lb /><lb />blue jeans. SheTs sensible enough to taste<lb />of peppermint, candid enough for rust.<lb /><lb />She is not a holy girl, her thin<lb />blouse grass stained. He will remember the tastes,<lb />the sounds, the qualities of rust.<lb /><lb />Laurilyn McDonald<lb /><lb />23<lb /><lb /></p>
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          <lb />The Conception Company<lb /><lb />Wife, our landlord called today. Rent<lb /><lb />went up. A Bourn Hall doctor called. Your application<lb />is acceptable for two couples, a concept<lb /><lb />| am still unsure how to live<lb /><lb />with. Confusion seems the consistency everyday.<lb /><lb />The Cambridges call for you to donate<lb /><lb />only your womb. The Duncans desire your donating<lb /><lb />an ovum also. You must choose who will rent<lb /><lb />your body (not a true donation). Everyday<lb /><lb />you will be, to the Cambridges or Duncans, an appliance<lb />paid for to make their lives<lb /><lb />complete. My wife, fertile, able to conceive,<lb /><lb />will carry for a Cambridge or a Duncan, keep their concept<lb />of Family alive. Like an ordinary organ donor<lb /><lb />you will bring them new life<lb /><lb />and we will pay rent.<lb /><lb />The procedure poses logical applications.<lb /><lb />Ethics consider other questions. Science offers today<lb /><lb />an array of artificial ways to create life. The day<lb />may come when computers capable of conception<lb />(don't be close-minded) will scan applications<lb /><lb />of surrogates best suited to donate<lb /><lb />living software. Computer-time with rent<lb /><lb />payable to The Conception Company " a life<lb /><lb />industry firm " will provide a way for people to make a living.<lb />Will this industry ever find roots in The Third world, where today<lb />the ultimate confusion is not paying rent<lb /><lb />(who needs a house?) but a new concept<lb /><lb />of cultivating unfertile fields without donations<lb /><lb />from those working for The Conception Company. Maybe apply<lb /><lb />science to the underprivileged underfed who apply<lb />for handouts in magazine advertisements to stay alive.<lb />Thousands of dollars needed to hire a donor.<lb /><lb />Less than a quarter to feed a needy for a day.<lb /><lb />We will condone a contemporary concept<lb /><lb />to be secure about next monthT~s rent.<lb /><lb />J.T. Pietrzak<lb /><lb /></p>
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          <lb />Wa<lb /><lb />Jeff Hoppa<lb /><lb /></p>
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          <lb />The Teen-Man<lb /><lb />His womb was the arcade.<lb /><lb />The first milk he tasted<lb /><lb />dripped from the tv screen,<lb />was poured as a metal scream<lb />from 24 hour radio "<lb /><lb />A Walkman for a straw.<lb /><lb />He suckled deeply,<lb /><lb />the Teen-Man.<lb /><lb />He saw Star Wars five times,<lb />because once was not enough<lb />to dream of speed and stars,<lb />laser light and thunder<lb /><lb />and glittering wreckage.<lb /><lb />At least the monsters<lb /><lb />he watched and watched there<lb />had faces he could see "<lb /><lb />not like the drivers<lb /><lb />of suicide trucks,<lb /><lb />or the butchers of children<lb /><lb />who strutted and fretted<lb /><lb />their hours and hours<lb /><lb />upon the six oTclock stage<lb /><lb />of the nightly news.<lb /><lb />He knew little about the past,<lb />because the world was all present,<lb />and Our Town was not his town.<lb />When he showed himself<lb /><lb />into the dark of the thighs<lb /><lb />of a girl who wore<lb /><lb />candy-striped jeans,<lb />pointed-shoes, and red sunglasses,<lb />he cried.<lb /><lb />They cried together<lb /><lb />as their waters mixed,<lb /><lb />and the formless took form.<lb /><lb />When the Teen-ManTs son<lb /><lb />fell from the womb<lb /><lb />with blood in his mouth<lb /><lb />to an afterbirth chorus<lb /><lb />of electric guitars<lb /><lb />Chilling his spine,<lb /><lb />the Teen-Man knew,<lb />suddenly, finally knew,<lb /><lb />that the mass of men<lb /><lb />lead lives of noisy desperation.<lb /><lb />Jeffry Jones<lb /><lb /></p>
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        <p>|<lb /><lb />Old Hat<lb /><lb />The brown hat rests tilted<lb />on the old manTs head.<lb /><lb />It belongs nested there,<lb /><lb />for hats are old good things.<lb /><lb />In World War Il the soldier<lb />could live out of his<lb />helmet-hat; this man<lb /><lb />used such things once.<lb /><lb />No soup could be made<lb /><lb />in this hat, though,<lb /><lb />for it would leak through<lb /><lb />the moth holes, change felt-<lb />brown to an even darker stain.<lb />So, this hat merely stands<lb /><lb />and waits, serves to keep<lb /><lb />the sun off hair<lb /><lb />already bleached white<lb /><lb />by too many park bench suns.<lb /><lb />HereTs the crimp in the brim<lb /><lb />where beaten fingers<lb /><lb />the color of tobacco juice<lb /><lb />clasped too hard when<lb /><lb />an underdog yearling<lb /><lb />won the race, or the only son,<lb />helmetiess, slid<lb /><lb />feet-first and flag-wrapped<lb /><lb />into the waters off some Asian place<lb />that wasnTt on postcards.<lb /><lb />The hat was off then<lb /><lb />when that deep, deep crimp was made.<lb /><lb />The hat stays on now,<lb />except when dismounted<lb />by trembling, careful hands<lb />and gently impaled<lb /><lb />ona hatrack spike<lb /><lb />in the barber shop.<lb /><lb />There the hat picks up<lb />odor of lavender water,<lb />ginseed tonic, and talcum,<lb />old, good smells that belong<lb />to the old, good hat.<lb /><lb />Jeffry Jones<lb /><lb />Gregory S. Tucker<lb /><lb />27<lb /><lb /></p>
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          <lb />the eighty-eighth year<lb /><lb />she was as tired<lb /><lb />and volatile<lb /><lb />as steam rising<lb /><lb />from the white, oak bowl<lb />of brown bouillon spreading<lb />like nervous<lb /><lb />smoke across her hungry<lb />face<lb /><lb />oil beads swam<lb />desperate for linkage<lb />around the open bowl<lb />forming chains<lb /><lb />of swirling,<lb /><lb />dotted smiles<lb /><lb />as the wooden spoon<lb />circled and dipped<lb /><lb />she breaks brittle<lb /><lb />crackers into her bowl,<lb />watching them soak liquid<lb />expand<lb /><lb />separate slowly,<lb /><lb />piecing into small<lb /><lb />brown bits of heavy flesh<lb />some floating, some sinking,<lb />both mixing, always<lb /><lb />mixing<lb /><lb />staring at the window,<lb />she breathes deeply,<lb />glances at me<lb /><lb />as if | were spring<lb /><lb />her blue eyes, flower buds<lb />gone gray<lb /><lb />for this, her eighty-eighth year,<lb />these few moments, her surrendering<lb /><lb />sacrament of self<lb /><lb />dipping for the last warmth,<lb />she tilts the bowl "<lb /><lb />aware of winter,<lb /><lb />steam abrading,<lb /><lb />her heart beating harder<lb />from the swallowed heat.<lb /><lb />Laura Redford<lb /><lb />28<lb /><lb /></p>
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        <p>Hayes Henderson Remembering Days Past<lb /><lb /></p>
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          <lb />Lunar Poppies<lb /><lb />Yesterday<lb /><lb />| had tea<lb /><lb />on the moon<lb />with Karl Marx<lb />while waiting<lb />for his shuttle<lb />to Mars<lb /><lb />Under the light<lb />of the three<lb />quarters earth<lb /><lb />we dined<lb /><lb />naming all<lb /><lb />the familiar stars<lb />oFatherT " said |<lb /><lb />sipping Russian cha<lb />from a china cup<lb /><lb />oWhy leave us now??<lb />oWhy give us up??<lb /><lb />oMy sonTT " said he<lb />brushing off some<lb />lunar dust<lb /><lb />oYour brothers<lb /><lb />have sold their<lb />birthrights<lb /><lb />for the possessions<lb />that they lust<lb />Besides "<lb /><lb />ItTs high time<lb /><lb />for a Martian<lb />WorkersT MovementT<lb /><lb />Joe Argent<lb /><lb />30<lb /><lb /></p>
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          <lb />Light<lb /><lb />Once upon a time under a velocity,<lb />an acceleration met a displacement and they had a baby<lb />and called him Light speed. Three times ten to the eighth<lb />was his full name. Old 186 was what some called him.<lb /><lb />He gave me a ride one day, and when | got back home,<lb /><lb />everything was gone, even time. | looked a look<lb />of lonesome thunder as three left me; he said<lb />he would be back in a second. He came back<lb />and my bones, bleached in the sun,<lb />saluted him,<lb />this kid from the sun.<lb /><lb />Joseph Swayze<lb /><lb />31<lb /><lb /></p>
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          <lb />as aa<lb /><lb />Bia,<lb /><lb />*<lb /><lb />+<lb /><lb />a<lb /><lb />ne<lb />*<lb /><lb />APO he Ng tim,<lb />am<lb /><lb />oom<lb /><lb />i T A A<lb /><lb />AE a es<lb /><lb />ae<lb /><lb />ro<lb /><lb />ea?<lb /><lb />Prape, Fo,<lb />ee a, 128 Ge<lb />oSbq. &amp; &amp;<lb /><lb />T<lb /><lb />ied,<lb /><lb />*%,<lb /><lb />ee<lb /><lb />ey<lb />i} yeh &amp;<lb /><lb />aot ry 4 wt,<lb /><lb />©<lb />tit<lb /><lb />iA! £4 a<lb />a $4 *.<lb />bei iy f<lb /><lb />Ha<lb /><lb />Hunter<lb /><lb />a<lb /><lb /></p>
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          <lb />oF is ey 9<lb />tf ot sive a<lb />*@ene °? , &gt;<lb />¢ :<lb />' reat eels :<lb />. : fe : T . *) T<lb />opte thas ~ "y ge * 4 ~ . oe? F % :<lb />« . . . ~ 1? " eae ; ..<lb />| oY; Haka bo : ~ va "e4 o &amp; Hse ~ hate of<lb />| * b . 7 o. e e ~ a | T . i) ty ~/ ~* :<lb />| * «** - ; 4% e% + ; P ;<lb />} a ¢ a iit Matuuke Gata. hameteat wtat mt eet ett tee et ee ee eran: tienen tee mere A gm ee tens toe geen: Pee eee ~ a<lb />P ' " ee a 7 perme un """ - .<lb />re Ng : ' vane yee ssi ames ee Sr ae sms heii nthe bias aetna keris dene ot ate eo vias at af "asta oi teat a<lb />/ ree % : : i : : ® o i e Ra ie<lb />/ i mat ae ; 7 i : : . es<lb />fa ~4 ¥ ~ a r<lb />) : sf * * «<lb />/ ; ¥ my :<lb />nate ae F : x :<lb />: oa<lb />*<lb />ee * Bs * * 7<lb />w ace : ~ :<lb />A A F ; #<lb />/ : : :<lb />. 4 : ~es<lb />*<lb />) a , sae te a3 - - ~<lb />; ; : : ; ~ 3 : om I '<lb />CM aes es eae * a Z . = ; ~ F<lb />I i o_ ad &gt; : ~ &gt; . » °<lb />i : . . t . ~<lb />5 * ~<lb />-<lb /><lb />a<lb />-<lb /><lb />Quarts<lb /><lb />atte ttle<lb /><lb />*<lb />-<lb /><lb />a<lb /><lb /></p>
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        <p>Joe Champagne Untitled<lb /><lb /></p>
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          <lb />Voluptuous Journey<lb /><lb />Hugh Heaton<lb /><lb />35<lb /></p>
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          <lb />36<lb /><lb />Phillio Dismuke<lb /><lb />Neck Piece<lb /></p>
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          <lb />V. Jane Tucker<lb />Teapot<lb /><lb />37<lb /><lb /></p>
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        <p>Cultureel Paspoort<lb /><lb />8<lb /><lb />.e)<lb />=<lb />«<lb />2<lb />©<lb />S<lb />oy<lb /><lb /></p>
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        <p>2)<lb />&gt;<lb /><lb />David Le<lb /><lb /></p>
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          <lb />40<lb /><lb />,<lb /><lb />a<lb />ee hed te ee ek ee eee. eee TT TY a I SSR Se GH eS Ae GRY ate eS te. ne ca a a a<lb />e m4 ae bal . _" o - ofet 3<lb /><lb />Maya Oliver<lb /><lb />George Arata<lb /><lb />See I ee SRO Se Sone aim ae ime in le oe saan atinmmnt<lb />&gt;<lb /><lb />Cousteau-Scape<lb /><lb />Electric Clavinet<lb /></p>
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        <p>Carolyn Capps Untitled<lb />AA<lb /><lb /></p>
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          <lb />Wanda Johnsrude kKoud<lb /><lb />42<lb /><lb /></p>
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          <lb />i ie aaa<lb />Je<lb /><lb />ne<lb /><lb />Susan Fecho Yellow Square<lb /><lb />Carolyn Capps Death of a Bird |<lb /><lb />43<lb /><lb /></p>
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        <p>David Lewis<lb /><lb />tae<lb />ee<lb /><lb />ae<lb /><lb />viel ol -<lb /></p>
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        <p>ie<lb />i)<lb /><lb />a<lb />2<lb />5<lb />&gt;<lb />=<lb />2<lb />&amp;<lb />S<lb /><lb /></p>
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          <lb />f)<lb /><lb />The Imagination of<lb />Qa Brainless Illustrator<lb /><lb />Hunter Hadley<lb /><lb />Disjointed<lb /></p>
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        <p>Silence and |<lb /><lb />Hayes Henderson<lb /><lb />47<lb /><lb /></p>
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          <lb />x<lb />+<lb />:<lb />QC<lb />©<lb />je)<lb />v<lb />1)<lb />®<lb /><lb />Leslie Karpinski<lb /><lb /></p>
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        <p>ee momen = mene renee ee<lb /><lb />Joe Champagne<lb /><lb />Untitled<lb /><lb />49<lb /><lb /></p>
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        <p>~Whig etn, Mle -<lb /><lb />S<lb />SG<lb />=<lb />©<lb />©<lb />5<lb />®<lb />10)<lb /><lb /></p>
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        <p>o<lb />ke)<lb />Q<lb />=<lb />C<lb />Xe<lb />"<lb />9<lb />~<lb />"<lb />@<lb />"<lb />"<lb />9<lb />®<lb />2<lb /><lb />Margaret Shearin<lb /><lb /></p>
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          <lb />S. Renee Thomas<lb /><lb />I ays<lb />ee ee &amp;<lb />aN -<lb />eg ty Ae a<lb /><lb />Toe<lb /><lb />AS<lb />Be ,<lb /><lb />A<lb />Pebyte ye<lb /><lb />ate<lb />#35<lb /><lb />~%<lb />&gt;.<lb />_+<lb />~~<lb />o+<lb />+ &amp;<lb />&gt;<lb /><lb />me<lb /><lb />.<lb /><lb />Jody Lynne Praskal<lb /><lb />The Wedding<lb /><lb />Untitled<lb /><lb />53<lb /><lb /></p>
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        <p>we<lb />nw<lb /><lb />\S<lb /><lb />#26<lb /><lb />Time<lb /><lb />gic<lb /><lb />Geolo<lb /><lb />SSS<lb /><lb />SS<lb /><lb />Sx<lb /><lb /></p>
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        <p>|<lb />LOSES TID AN eee Q<lb />StI xy . ete Sou 5<lb />o oe 7 ee 088 5 het io * ~<lb />=<lb />Oo<lb />ue<lb /><lb />*.°<lb /><lb />eer?<lb /><lb />7<lb /><lb />&gt;<lb />o*<lb /><lb />ry<lb /><lb />a a)<lb /><lb />ee TAM<lb />eesigtinery tates<lb />o*Te ¥ 7 erete ee<lb /><lb />v<lb /><lb />eelen te<lb />Tet tae<lb /><lb />- &gt;<lb />Sopsisacsatis<lb />. *-* *<lb />Se agence OS Tel tetas 225 eee eet<lb /><lb />Kara Hammond<lb /><lb /></p>
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          <lb />tled |<lb /><lb />Unti<lb /><lb />Bill Keck<lb /><lb />97<lb /></p>
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          <lb />58<lb /><lb />a<lb />awit<lb /><lb /></p>
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        <p>"" s<lb /><lb />Summer Rain at Twilight<lb /><lb />ie)<lb />£<lb />~<lb />®<lb />ie<lb />Le)<lb />"<lb />&gt;<lb />S<lb />=<lb /><lb /></p>
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        <p>Villanelle for a Bag Lady<lb /><lb />Before | knew you never wore a bra on rainy days<lb />| wanted to travel can to can, trick or treat year round with you<lb />Before | knew you were a has been whore and had street ways.<lb /><lb />Saw you bathe in a fountain, tear through a large green maze<lb />Change into a new old dress, covering half your body. | knew!<lb />You never wore a bra on rainy days!<lb /><lb />You spread your legs like little girls in sand, knees raised,<lb />and when muddy and wet, | wanted to play with you<lb />Before | knew, you were a has been whore and had street ways.<lb /><lb />| wanted to pull your hair, maybe hold your wrinkled hand, play<lb />A cold city night in a garbage can, just us two.<lb />| knew you never wore a bra on rainy days.<lb /><lb />Once | saw you steal from a blind boyTs vase.<lb /><lb />At the Port Authority | saw others, like you.<lb />My sister said they were all has been whores and had street ways.<lb /><lb />Even you, to sell your body to Moslems, to persuade<lb /><lb />a Brownstone Jew and a gypsy cabbie. They knew<lb />You were a has been whore and had street ways<lb /><lb />Before | knew you never wore a bra on rainy days.<lb /><lb />Horace McCormick Jr.<lb /><lb />61<lb /><lb /></p>
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          <lb />inig<lb /><lb />Beth He<lb /><lb />62<lb /><lb /></p>
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        <p>Vacation<lb /><lb />| find myself circling<lb /><lb />in that copper light<lb /><lb />of tropic days, my dress<lb /><lb />a fan of pleated paper, rubber bands<lb />paper clips, desk toys, move "<lb />erased by a summer color.<lb /><lb />My steamy eyes take color<lb /><lb />and replace it with dark circles.<lb /><lb />| make.a heated move<lb /><lb />| need breath and light.<lb /><lb />Beneath the palm fronds a reggae band<lb />plays. Selecting a backless dress<lb /><lb />| take care and dress<lb /><lb />slowly, placing one strategic color<lb />next to the other, slipping that band<lb />of gold away, leaving a pale circle,<lb />sandals strapped tight, fingers light<lb /><lb />| stand. Smoothing my dress, | move<lb /><lb />toward the sound, swaying moving<lb />rhythms draw me, undressing<lb /><lb />me. You are the silver wavelight,<lb />washing color after color<lb /><lb />under the moonTs circle<lb /><lb />near full. Your arms make bands<lb /><lb />that | dance within. The bands<lb />dissolve as you MOve<lb /><lb />closer. Your hand circles<lb /><lb />my breast, dressing<lb /><lb />me in charming color,<lb />charging me with fuschia light.<lb /><lb />In the minky half light<lb /><lb />my scorched body is banded<lb />with stripes of torchy color,<lb />making it hard to move,<lb /><lb />making you restless, me dressless.<lb />Our faces two infrared circles.<lb /><lb />Shuffling papers in the flourescent light, | move<lb />my wedding band into focus. My dress<lb /><lb />a somber color, but coffee in my cup, careful not to circle.<lb /><lb />Laurilyn McDonald<lb /><lb />63<lb /><lb /></p>
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          <lb />Leftovers<lb /><lb />As you go to sleep, my child,<lb />save a kiss for me;<lb />but should | die before | wake<lb />let my soul be free.<lb /><lb />The things you touch, the sounds you hear<lb />intensify, then disappear.<lb /><lb />The starlight is in my ears,<lb />the breeze is in my eyes;<lb />softly, in a far-off vale,<lb /><lb />frightened comrade cries.<lb /><lb />Individuality has become an evil<lb />greater than the serpent.<lb /><lb />Green and yellow, blue and red<lb />glitter and fade, then lie dead.<lb /><lb />boom<lb /><lb />The sun swelters<lb />above<lb />green rice paddies<lb />on the<lb />edge<lb />of a primordial jungle ...<lb /><lb />somewhere<lb /><lb />far up a river<lb /><lb />what once was a helicopter<lb />slowly smoulders<lb /><lb />in the dense<lb /><lb />undergrowth ...<lb /><lb />64<lb /></p>
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        <p>hazy<lb />silent<lb />unclear<lb />a study in olive<lb />and red "<lb />shades that permeate the consciousness<lb />and the conscience,<lb />like anti-aircraft fire<lb /><lb />or a childTs burst balloon.<lb /><lb />Rock will crumble into earth and dust,<lb />the birth of lies, the death of trust.<lb /><lb />Here we stand on the edge of time,<lb /><lb />the winds of eternity burn blue and gold;<lb />tell our children so they will know<lb /><lb />the aurora borealis blows shrill and cold.<lb /><lb />Our world will never end<lb />as long as<lb /><lb />one person<lb /><lb />dares to defy.<lb /><lb />Then the judgment:<lb />ice will cover alll,<lb />silent, grim, miles tall.<lb /><lb />The moonlight plays with shadows<lb />on the grass-covered plain,<lb />desperately | beg<lb /><lb />release me from my pain ...<lb /><lb />| seek my death in the twilight of the jungle.<lb /><lb />Michael Butzgy<lb /><lb />fj al Atl iN ?"?»<lb />Vy WY n/t<lb />YA Wy<lb /><lb />| i<lb /><lb />1 /<lb /><lb />| f f<lb />My)<lb /><lb />I/<lb /><lb />!<lb />f<lb />if<lb /><lb />J<lb />i) Wh<lb /><lb />fs by ft /<lb />osf /<lb /><lb />}<lb /><lb />\\;<lb />» RY<lb /><lb /></p>
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          <lb />Stanley Leary<lb /><lb />66<lb /><lb /></p>
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        <p>Tremors<lb /><lb />Gary Bryant<lb /><lb />t was just thunder, he mumbled, and reached to pat<lb /><lb />SandraTs round bottom before settling back into the<lb />blankets. But he found only the dogTs cold nose against<lb />his hand. He remembered. His eyes focused the darkness<lb />into familiar shapes and shadows. He had slept on the<lb />sofa. Sandra was away somewhere in Vermont on a lake<lb />with her parents " sitting on a fragile dock with her dog<lb />and her father the way he'd seen her in her pictures, with<lb />dark tree-lined water around her and her parentsT house,<lb />her sanctuary, in the background, waiting. She didnTt look<lb />like a fisherman.<lb /><lb />The dog followed him as he rose from the sofa and<lb />stretched. He was up an hour early. Just thunder, he told<lb />the dog, but she was already over it " it had been a<lb />sterile sound, happening once and gone. No rain, no<lb />lightning, no repercussions. He climbed the stairs in the<lb />dark and looked out the window as he dressed. The tree<lb />branches moved like shadowy veins across the panes. The<lb />dog licked at the vaseline he put between his legs to keep<lb />them from chafing. He would do ten miles. He was up<lb />early, and he didnTt have to take Sandra to work " she<lb />was taking Spring Break with her parents. Maybe even<lb />fifteen miles. She would be up early, too, to go fishing<lb />with her father. She would tell him, the first time he<lb />asked, Ben couldnTt come with me because he had to<lb />work.<lb /><lb />The night was dying quietly, and a red stain seeped<lb />toward the chip of moon that still lingered when he<lb />finished stretching and began to run. It was new to him.<lb />He was ahead of the light. The gas station on the corner<lb />was deserted, and the pumps flickered and hummed with<lb /><lb />electric life as he passed. There was a lone figure moving<lb />inside, but the big red clock over the counter told him not<lb />to hurry " he was early.<lb /><lb />His breath went before him, tiny fog-clouds of himself<lb />he would move through. Pale thin shells of ice broke<lb />under his feet and echoed. there were no cars yet. The air<lb />was sweet. He was out of sight now " where Sandra had<lb />said she wouldnTt see him anymore the mornings when<lb />she used to watch. It felt different. She was gone " he<lb />couldn't pretend she was watching.<lb /><lb />The streetlights were still on " twin columns escorting<lb />him in silence. The air was suffused with their color "<lb />like the ochre dusk the day before at the airport. He<lb />would have accepted and gone with her back to the car<lb />and driven home, if sheTd asked. We all have lovers of one<lb />kind or another, heTd told her; | could have that girl in the<lb />parking booth for my lover, couldn't I? But | wouldn't tell<lb />you about it and then run off somewhere and brood about<lb />the mess I'd made. But she didnTt speak, she wouldnTt<lb />even turn around; and when she was gone, there were<lb />only the white lights, stiff chairs, and long angular aisles<lb />of carpet that deadened all sound.<lb /><lb />She had a lover. He didnTt care. He didnTt. It had been<lb />long enough " the newness of knowing her wasnTt<lb />threatened. | have a seven year start on him, heTd told<lb />her. You'll be bored with him long before he begins to<lb />know what I know about you. It wonTt take you seven<lb />years twice. It had been easy enough to say; it had<lb />seemed the civilized way to react " the way he thought<lb />he should react. She had only continued to pack.<lb /><lb />6/7<lb /><lb /></p>
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          <lb />He approached an intersection where he usually turned,<lb />but he was doing ten miles. He could go across town. He<lb />could go through the university campus. Did he go home<lb />for Spring break? " he was still being civilized, only a<lb />little curious. He is one of your students, isnTt he? But she<lb />wouldnTt tell him that. She wouldnTt even tell him what he<lb />looked like. Certainly he canTt be a colleague, you couldn't<lb />handle that. She still packed " the bag sheTd bought for<lb />her mother, and a tin of her fatherTs favorite tobacco.<lb />Maybe the plumber. She had laughed and said it was<lb />always the plumber. Maybe it was the man in the gas<lb />station on the corner and he had looked so busy because<lb />that was how he'd decided to keep his mind off her while<lb />she was gone, since he couldnTt run ten miles.<lb /><lb />He turned a corner and saw a black mass of smoke<lb />ahead of him. There were blinking lights and people and<lb />cars. As he came closer, there was a strange, sweet smell.<lb />He thought of his grandmotherTs big white stove with the<lb />brown grease between the letters of the label and of<lb />playing Dominoes at the kitchen table " he was back<lb />from church " while dinner cooked; and that smell under<lb />all the other smells. Bottled gas. It hung in the air with<lb />the acrid tang of something burned. Her father would use<lb />the small gas grill sheTd given him for Christmas to cook<lb />the fish theyTd caught if it rained and they couldn't get<lb />back to the house by dark. And, of course, they would<lb />have taken tents.<lb /><lb />He moved around the edge of the crowd. Some of them<lb />had parked their cars and trucks close and stood on the<lb />roofs and hoods. He slowed, to keep from running into<lb />anyone, and tried to see beyond the huddled, gesturing<lb />figures. Patrol cars and cruisers had formed a phalanx of<lb />flashing lights and bright metal between the crowd and the<lb />red lights and anxious, white-clad attendants behind. There<lb />had been an explosion " the thunder heTd heard. An<lb />apartment building, someone said. Excited voices mingled<lb />with the rasping of police radios and megaphones.<lb /><lb />He moved faster. There would be another view from the<lb />other side of the building when he came back through the<lb />park. The burnt air became heavy with exhaust fumes as<lb />he passed through the thickening swath of cars behind the<lb />curious crowd. A crowd had seen him pick up the broken<lb />pieces of the juice jar Sandra had let drop on its way from<lb />the shopping basket to the check-out counter when words<lb />had been inadequate " when waiting until they were back<lb />in the car would have given him too much time to<lb />prepare. They had stared suddenly at the sound. He had<lb />stared back. A nervous bag boy had appeared with a mop<lb />and broom and the crowd had died back into people with<lb />coupons and car keys and cares of their own. The small<lb />red spalsh of juice had blotted the floor like a fat spider<lb />web, and there was only the sharp rap and crisp echo of<lb />her shoes as she went through the door.<lb /><lb />He crossed a street and entered the parking lot of a<lb />small shopping center. The noise behind him faded. He<lb />could hear his steps again. Some of the store windows<lb />had been cracked by the explosion, and he watched his<lb />reflection move to the cracks, become distorted, and<lb />reappear whole on the other side.<lb /><lb />o you have a lover, was all heTd said in reply. He was<lb />S a crowd of one, watching her, waiting, wondering<lb />again why after their years together they still lacked the<lb /><lb />temerity to have their real disagreements anywhere but in<lb />a public place. He knew sheTd wanted more of a response<lb />from him, but sheTd waited too long. He had tried to<lb />laugh. She should have started at the cosmetic counter or<lb />the fresh vegetables, heTd told her, but sheTd waited too<lb />long. They were too near being back in the car alone. It<lb />was a half gallon of milk please, Ben, and on to the<lb />checkout counter and, by the way, dear, | have a lover.<lb />She had unloaded the cart mechanically, efficiently, and<lb />he could only watch the green figures of the cash register<lb />dance under the cashierTs deft fingers. He thought he had<lb />taken it well and wanted her to know. He wasn't<lb />shattered. The magazines at the checkout counter had it<lb />all wrong. Such things didnTt shatter the world. He had<lb />leaned forward, just to let her see his smile, his<lb />magnanimity; but she wouldnTt look. You shouldn't have<lb />waited until the milk, heTd whispered, your approach was<lb />too bland. You should have told me with a pineapple in<lb />your hand, or an artichoke. And then the small flat<lb />explosion of red on the floor and on the front of her legs<lb />" her still good legs " and she was going out the door,<lb />leaving him to the crowd.<lb /><lb />He thought of her sitting, neatly-dressed, in the boat<lb />with her father. The crepuscular light would make them<lb />shadows with voices. There would be a last blink of light<lb />from her parentsT house " she would watch it " before<lb />they went around some bank or peninsula on the way to<lb />one of her fatherTs favorite spots. Her father would ask<lb />and she would lie the first time. Expecting the lie, her<lb />father would wait until there were neatly-dressed fish lying<lb />beside them. Mullet are good only fresh-caught and<lb />cooked, he would begin, and ask her again. It would be<lb />about dawn, about now. And she would tell him. They<lb />would sit quietly, her father smoking some of the tobacco<lb />sheTd brought him, left with just fishing, and the lead<lb />weights on their lines would make tiny splashes that<lb />reverberated to the bottom and corners of the still, dark<lb />lake.<lb /><lb />e ran easily. The climb to the crest of a wooded hill<lb /><lb />had removed the last strains of morning stiffness from<lb />his legs. The downward slope was smooth and he felt<lb />himself flowing toward the busy blats of gathering traffic<lb />at the bottom of the hill. The leaves crackling under his<lb />feet felt good, sounded good. The frying mullet would<lb />make a good breakfast for Sandra. No oil to spatter and<lb />waste, her father would say; a mullet has enough oil of its<lb />own. Her mother would know they had talked, but her<lb />father would say nothing in front of Sandra. They would<lb />eat the mullet in the cold rich air and talk about the fish<lb />getting fewer and the New England winters getting harder,<lb />and after she had eaten, Sandra would sit in the gazebo<lb />with her dog. She would think about him and her lover<lb />until her parents came to take pictures or offer her some<lb />cake.<lb /><lb />His feet slapped the brittle planks of a bridge leading in<lb />to a park. He waved to a black woman fishing beneath<lb />him and heard sharp, swishing sounds as she played the<lb />cane pole over the water. A sleepy cat yawned in a basket<lb />by her side. Sandra would have her dog " some mindless<lb />black retriever or shepherd, he could never quite tell from<lb />the pictures " and he was jealous. She would confide<lb />more to the dog in a morning than she had to him in a<lb /><lb />68<lb /></p>
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        <p>month.<lb /><lb />The park was a great empty hall. The thick trees<lb />blocked out the sky and hushed his quick crushed steps.<lb />The acrid smell came back to him slowly, becoming<lb />Stronger as he moved deeper into the park, and he slowed<lb />to a trot.<lb /><lb />Through a gap in the trees, he saw what had attracted<lb />the crowd. The exploded building was a crater of clothes,<lb />glass, bricks, and broken furniture. Water gushed from<lb />firemanTs hoses, becoming a rainbowed spray that hissed<lb />as it sank into the hot debris. A soot-smeared woman was<lb />crying and pointing to the one wall still standing. The<lb />crowd watched. Helmeted workers hurried to other figures<lb />emerging from the ashes and smoke. The firetrucks,<lb />police cars, and ambulances surrounded the scene like<lb />Squat lighthouses.<lb /><lb />He climbed the path leading from the park and was<lb />alone again. The cloying smell faded. The sun was in his<lb />face, waiting for him at the end of the long straight street<lb />that would take him back home. The aluminum light poles<lb />glowed a burnt orange as he sprinted past them the<lb />remaining quarter mile.<lb /><lb />ouTre sure you donTt mind?? The girl ducked to throw<lb />her dark hair back over her shoulder. She was holding<lb />a small suitcase.<lb /><lb />~~No,?T he repeated, and she came inside.<lb /><lb />She was young; she was attractive; she was very<lb />nervous. She was one of SandraTs students. He led her to<lb />a chair and lowered the volume of the television. She put<lb />the suitcase on the floor beside her.<lb /><lb />~~l wouldnTt have come,?T she opened her pocketbook<lb />and fumbled for a cigarette, ~~but | didnTt have anywhere<lb />else to go. And Dr. Stone " I mean, your wife " has<lb />been so nice, | didnTt think sheTd mind for just tonight. My<lb />Parents are sending me some money. Is she here??T She lit<lb />the cigarette.<lb /><lb />~~No,?? he said, ~o~sheTs out of town.? She was stiff in the<lb />chair. Her fingernails were carefully kept.<lb /><lb />oeh.?<lb /><lb />~o~Here,?T he offered her an ashtray. She smoked like.<lb />Sandra, in a hurry, with long rolling streams of smoke.<lb />Her hair wouldnTt stay out of her face. She couldn't be<lb />more than nineteen.<lb /><lb />~Was it bad??T<lb /><lb />She smiled and looked at him. Her teeth were perfect.<lb /><lb />~At first,? another stream of smoke. o~But | was lucky, |<lb />guess. Four people died.?T<lb /><lb />~So I heard. Did you know any of them??T<lb /><lb />~| had a class withT one, a guy.? A line of smoke. oHe<lb />was kind of cute. He drove one of the buses. | knew his<lb />Wife.?T<lb /><lb />The telephone rang and he got up to answer it.<lb /><lb />Vickie, right?TT He held the receiver out to her.<lb /><lb />She put her cigarette out quickly and crossed the room.<lb />The top of her head came to his nose. Her hand was<lb />warm.<lb /><lb />~ITm sorry,TT she whispered, o~itTs probably my<lb />roommate. | told her | was coming over here.?T<lb /><lb />He nodded and went back to his chair.<lb /><lb />The local evening news program had started when she<lb />Came back, and the lead story was about the explosion.<lb /><lb />He looked at her. Her jeans tightened when she sat beside<lb />him on the sofa.<lb /><lb />~| told her I had a place,?T she crossed her legs. Her<lb />eyes were large and darker than her hair. ~~YouTre sure<lb />you donTt mind? | mean, I could probably call her back<lb />and stay with her if itTs too much trouble.?<lb /><lb />oNot at all. We have a spare room.?T<lb /><lb />She reached for another cigarette. The streams of<lb />smoke were slower. She watched the television report.<lb /><lb />oAre you hungry??T<lb /><lb />Her round shoulders looked smooth and tight, and her<lb />neck wrinkled only when she shrugged. She could have<lb />been a model selling him shampoo. She could have been<lb />his daughter.<lb /><lb />~~| guess I should have something,?T she said.<lb /><lb />~~Good,TT he stood and wiped his hands on his hips. o<lb />better cooking for two anyway.?<lb /><lb />~You know, my roommate said the police are letting us<lb />go back and get our things tomorrow,TT she pointed to the<lb />television screen, ~~but | donTt think thereTs much left.?T<lb />She looked at her small feet and wiggled her toes. oSome<lb />of it meant a lot, but itTs probably gone now.?T<lb /><lb />He controlled an urge to touch her, to rub her hair. She<lb />was handling herself well. She didnTt need him. Her hair<lb />brushed his leg as she reached to put her cigarette out.<lb /><lb />~I! can help you,? she said, and started toward the<lb />kitchen.<lb /><lb />T<lb /><lb />ITm<lb /><lb />he evening had passed quietly. The dishes were done.<lb /><lb />He had washed, she had dried. She had moved behind<lb />him, now and then brushing against him, as she placed<lb />the dishes into the cabinets. The television had stayed on,<lb />with no sound, the entire evening. She had become<lb />relaxed. He had not. He had played some of his and<lb />SandraTs old records for her and finally a symphony. She<lb />had fallen asleep on the sofa. He watched. Sandra might<lb />be asleep now. She would be tired. She would have<lb />accomplished nothing, or she would have decided<lb />everything. She would lie in her bed " thick with her<lb />motherTs handsewn quilts " and breathe the dark, womb-<lb />pure air of her parentsT shelter; and she would decide. The<lb />house around her would be dark, every room; and her<lb />mother and father would lie still, saying nothing " one<lb />knowing, one guessing " waiting.<lb /><lb />The late news program silently paraded the scene of the<lb />explosion across the screen again. The crowd watched.<lb />The crowd was high. The reporters and policemen were<lb />high. The victims moved like puppets. Sandra would be in<lb />her bed, unable to relax even though he was not beside<lb />her. Her parents would lie motionless with her. The girl on<lb />the sofa turned to lie on her back. Her tight shirt had<lb />crawled far past her navel. He watched.<lb /><lb />he had said to him the night before she left, Don't,<lb /><lb />Ben, I canTt now " It wouldnTt solve anything. And<lb />then a small burst of laughter " at least there are no<lb />children involved if it comes to that; we do have that<lb />much, donTt we? She was lying beside him, her thin silk<lb />becoming concrete. It was her way of not quite punishing<lb />just herself, but letting him know he shared if there were<lb />blame.<lb /><lb />But her lover was only her lover. She could have kept it<lb /><lb />69<lb /><lb /></p>
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          <lb />from him. He had never suspected. It was like an old<lb />newsreel " the small steady drone of the plane over the<lb />tiny village until far below the sudden, soundless eruption.<lb />| have a lover. The young girl slept. The furnace<lb />continued its quiet hum. But he doesnTt touch me<lb />anymore. | woke up this morning to tell you it was only<lb />thunder, but it was lives exploding, and | ran ten miles<lb />around it while you fished and told your father about it.<lb />ThereTs a young girl, old enough, maybe, sleeping on my<lb />sofa.<lb /><lb />| only see him now and then " | canTt, now that you<lb />know about it. She smoked two cigarettes in bed now.<lb />And | donTt touch you either, he wouldnTt say, and found<lb />himself becoming the first one to sleep until the night<lb />before the drive to the airport. ItTs getting way from me,<lb />Ben. ITm only thirty and itTs already getting away from<lb />me. So | canTt tonight. | canTt. You wouldn't like it, and it<lb />would be disgusting.<lb />es here was a wedding picture of them on the table by<lb /><lb />the sofa. The girl had toppled it with her coffee cup<lb />and there had been the slap of glass on glass. She had<lb />offered to buy a new one, but only the glass was broken.<lb />He looked at the cracked picture. Her hair was still as<lb />dark as it had been when he met her. They were working<lb />summer jobs at a resort park. She was a dancer in one of<lb />the theatre groups, he was a set painter. Mrs. Benjamin R.<lb />Stone, | like that " dancing, her good legs there to see,<lb />on the tables at the reception " but | think I liked being<lb />just your lover better.<lb /><lb />SheTd had a loverTs fingers through her hair " it wasn't<lb />long anymore, like that of the girl on the sofa, but it was<lb />still as dark. She would be sleeping now with a hand in<lb />her hair, a hand between her knees. SheTs had a lover who<lb />took her back to nights when her life was lights and<lb />laughter and colors spun into a wheel keeping her up,<lb />keeping her in touch " next show " drinks " | made it,<lb />Ben, ITm a Phud " drinks " a toast, Mr. Stone, sure I'll<lb />call you John, but your boy my little girl, eh? LetTs leave<lb />the women and go outside, you fish? like mullet?<lb /><lb />It was the last show of the season. They were late<lb />leaving. She would not be back to perform, she had<lb />chosen school. She stopped to let her hair down. Mullet<lb />bones make good combs, she said, laughing. | used to tell<lb />my father that when he threw them away " they were on<lb />the stage, it was dark and late. Ben, itTs hard to keep up,<lb />but | want that degree so bad " and then a laugh " so<lb />goodbye Natalie and Isadora and Anna. She was up,<lb />dancing across the floor in socks " a pirouette away<lb />from him and a jump. Her hair followed her like a dark,<lb />confused spirit, and he was up following too " Marry me,<lb />Sandra " sprite, and one day I'll paint you rich. But she<lb />was gone, running to the Ferris wheel and a squeaky seat,<lb />pointing up laughing and saying, And | presume you'll<lb />take me up there, right? beforé she would say yes.<lb /><lb />He got up to get a glass of water. The girl still slept.<lb />The sprouts in the jars by the sink were ready to be<lb />eaten. They were a leftover habit from their years together<lb />in school " years of self-reliance, of asking their parents<lb />for nothing and accepting their voluntary poverty as a<lb /><lb />necessary pre-conditioning for the mutual dependence they<lb />were beginning to feel. We grow a lot of things we eat,<lb />Mother " she would speak into the receiver, lying on her<lb />back doing stretches and letting her look tell him that her<lb />mother simply wasnTt with it. HeTd imagined her father at<lb />the other end, imploring her mother to offer mullet or beef<lb />or cake. Sprouts, Mother, little sprouts grown in jars. And<lb />Ben's growing some tomatoes outside. WeTre doing fine.<lb />We like it.<lb /><lb />He watched the tiny, white-sshooted seeds tumble as he<lb />turned the jar and wondered how small he would need to<lb />be to hear the seed shells finally crack open and yield to<lb />the inertia of life.<lb /><lb />The girl stirred on the sofa and mumbled something he<lb />didnTt hear. He put the jar down and went back into the<lb />den. The girl lay on her back with her head on her arm<lb />and one knee raised. The furnace hummed and he heard<lb />the intermittent ring of high-frequency bleedoff from the<lb />voiceless television. She had a lover and she shouldn't.<lb /><lb />He began to pick up the strewn record jackets that had<lb />been left on the floor after the girl had taken them from<lb />him to read. He and Sandra had bought them together "<lb />given up food, at times, to have them " had tried to find<lb />magic in the empty lyrics of the songs, and had finally<lb />grown away from them. They had lain naked, scared,<lb />listening in bed dark nights while strange young men<lb />wearing their hair and beards like medals tried to convince<lb />them they were all right, and the world, too, would be all<lb />right soon when the great change came. They had<lb />believed. They could feed the hungry and stop the Bomb<lb />and cleanse the world. The records slid into the dusty<lb />jackets with soft plops. How pitiful they were now, he<lb />thought, only seven years later and they couldnTt keep a<lb />lover out of their marriage.<lb /><lb />e sat by the telephone to wait. It would ring. It must.<lb /><lb />He would catch it early, leave the incipient ring a<lb />solitary note that would die on the carpet before<lb />disturbing the sleeping girl. Sandra would not sleep. She<lb />would lie in her bed like a stylus poised above the<lb />recorded harmonies of a concerto. She would be thinking<lb />of him. She would see him waiting. The telephone would<lb />ring and he would get it early and pat the young girl's<lb />bottom when she moved away and say, It was just the<lb />telephone, just my wife. And he and Sandra would hear<lb />their voices breaking through the silence, suddenly, tighter<lb />than the tensioned line strung along the miles of poles,<lb />unaffected by the fields, factories, dim lights, and dark,<lb />whispered needs thick in the distance between them. Their<lb />fragmented words would become fragmented sentences<lb />that would tumble over each other like clumsy acrobats,<lb />and the somnolent air " around her, dark, around him, lit<lb />by the quiet blue television screen " would absorb them.<lb />And when they were gone, when the ordered monotony of<lb />the telephone line returned, he would replace the receiver<lb />and go to bed. They would have spoken only words. She<lb />would come back. She would watch him again in the<lb />mornings.<lb /><lb />The dog crawled from under the sofa and lay at his<lb />feet. He watched the young girl sleep. [J<lb /><lb />70<lb /></p>
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          <lb />Julie K. Simon<lb /><lb />7~<lb /></p>
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          <lb />Frank Stovall<lb /><lb />72<lb /><lb /></p>
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        <p>| Saw the Things Dwindle<lb /><lb />| saw the things dwindle<lb /><lb />that you could do<lb /><lb />no more dances<lb /><lb />no more driving your car<lb /><lb />no more trips to the mall<lb /><lb />no more sitting in your pew<lb />no more Agatha Christie clues<lb />no more bridge games<lb /><lb />or pecan pie or chocolate cake<lb />until finally<lb /><lb />there was quietly<lb /><lb />no more you<lb /><lb />Linda Anderson<lb /><lb />Making Ends Meet<lb /><lb />Armed with coupons, hodgepodged but still<lb />suggesting order (beverages, cereals, dairy,<lb />detergents, snacks, miscellaneous),<lb /><lb />she strides through the supermarket door<lb /><lb />to battle her monster.<lb /><lb />Up and down the aisles she pushes the cart<lb />past produce, spices, cleaners,<lb /><lb />the meat department (horrors!),<lb /><lb />her mind a geiger counter clicking,<lb />ultimately finding bargains.<lb /><lb />SO much to consider (this is no run<lb /><lb />for pizza and beer): bruised fruit, dented cans,<lb />dates expired " she strains to remember<lb />all the ways fo save.<lb /><lb />A jumbleful of saran-wrapped, packaged things,<lb /><lb />coupons to spend stuffed in her pocket,<lb />it's on to the check-out line.<lb /><lb />Tally of items, double-off Coupons.<lb />Computer digits print out the total and<lb />HAVEANICEDAY.<lb /><lb />she walks out<lb /><lb />loads the vittles in her car.<lb /><lb />and drives away.<lb /><lb />Linda Anderson<lb /><lb />73<lb /><lb /></p>
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          <lb />Dog Days<lb /><lb />Katharine Kimberly<lb /><lb />t was the dead of summer at Virginia Beach. Somehow<lb /><lb />the air is hotter and heavier at the beach "<lb />particularly when you are working and itTs 100 degrees<lb />outside and everyone you know is on the beach.<lb /><lb />| was working; | think | was the only person in all of<lb />King George County working, because all of the people |<lb />could see through the window of the Cafe were cruising<lb />down the sidewalk in OP bikinis and Rip Curl trunks. Wow<lb />" bathing trunks. Now thatTs a term for you. Come to<lb />think of it, though, when people first started wearing<lb />them, they did kind of Jook like trunks. Those old<lb />fashioned suits that covered everything from the knees to<lb />the neck " when you got out of the water in those<lb />things, you must have felt like a soggy load of laundry.<lb />All those wet clothes stuck to your body!<lb /><lb />| could sympathize. The air conditioning in the Cafe<lb />wasnTt working too well. It always went out when we had<lb />a week or so of really hot weather " and Mica, as usual,<lb />hadnTt called the guy to come fix it, so the Cafe was<lb />about 85 degrees. My short, cotton-blue mini-dress<lb />(uniform for the Cafe) was stuck like microwaved<lb />cellophane to my body; and underwear, which was<lb />essential to the costume because of the materialTs<lb />sheerness, made the dress even more unbearable. | rested<lb />my elbows on the counter, chin in hands, and gazed out<lb />of the Cafe window. The people outside had no shelter<lb />from either the humidity or the sun itself; somehow,<lb />though, they looked so much cooler than | was. | couldn't<lb />keep the ice chest full, because the ice kept melting. The<lb />water ran down the drain with a steady drip ... drip ...<lb />drip which was very annoying. And which meant that |<lb />had to trudge back to the kitchen every twenty minutes<lb />or so and get a fresh bucket of ice " in case someone<lb />come in and wanted a drink. Or a cold beer. That was the<lb />joke! All of our wonderful imported BeckTs and FosterTs<lb />and St. PauliTs lay in their little inefficient coolers,<lb />drowning in their own sweat. Even the tap beer was kind<lb /><lb />of lukewarm " and the only thing worse that warm draft<lb />is cold coffee. That, at least, was no problem.<lb /><lb />~~ oBout time for an ice run,T?T | announced to the empty<lb />counter. | picked up the yellow-handled bucket and swung<lb />back to the kitchen.<lb /><lb />With the stoves on and the ice-machine fans blowing,<lb />the kitchen had to be 110 degrees. Matt, the dishwasher-<lb />cum-cook, was standing by the open back door in his cut<lb />out T-shirt and ~~New WaveT?T bermudas, watching a surfer<lb />bop down to the beach.<lb /><lb />~Hey,T I said, oIl thought you went home.?<lb /><lb />~oNaa,?T he answered over his shoulder. ~~Mica told me to<lb />hang around Ttil four. We might get busy.?T<lb /><lb />~Oh, sure!TT| said. oLike what does he think " people<lb />are going to cruise in for a piping hot bow! of our home-<lb />made mushroom soup??T<lb /><lb />~Hey, itTs good!TT Matt protested. ~~] made it!?T<lb /><lb />~~Matt, itTs one hundred and some odd degrees outside!<lb />No one wants to eat soup! Here, help me with this ice,<lb />since you're here.? | opened the ice-machine and dug my<lb />bucket in. ~Maybe if we fill up the chest, the stuff won't<lb />melt as fast.?T<lb /><lb />~~Sure.T? He reached down beside me to scoop a load<lb />into the bucket. ~o~Wow, this is great,TT he said, as the cold<lb />air hit his sweaty cheeks. ~Coolest ITve been all day!?T<lb /><lb />~Yeah, it has its rewards,TT | answered. ~o~Here, carry this<lb />out and I'll fill up that other bucket and bring it out.?T<lb />Matt nodded and swung his sunburned shoulders through<lb />the doors. | watched him with interest before filling the<lb />second bucket and dragging it out into the dining room.<lb /><lb />~Yuck, this is hot!TT Matt complained, pushing a half-<lb />filled glass away from him across the counter.<lb /><lb />~~What are you doing??T | shrieked. ~You canTt drink<lb />that!?<lb /><lb />~Oh cTmon, Ellen. Why not??T<lb /><lb />oA " you're fifteen. B " youTre working. MicaTd fire<lb />us both " not to mention the ABC man would close us<lb /><lb />74<lb /></p>
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          <lb />down in a minute.?T | snatched up the glass and emptied it<lb />into the sink. ~~YouTre starting awfully young,T | warned<lb />him.<lb /><lb />oYeah, I know. | really donTt drink that much " my<lb />DadTs an alcoholic.?<lb /><lb />~Oh, yeah? You never told me that.?T<lb /><lb />~~DonTt sound so shocked. It happens to the best of us.<lb />Fix me a Pepsi,TT he ordered.<lb /><lb />~I'm not ... shocked, exactly. It just seems like you<lb />should've had a perfect life " youTre such a perfect kid,?T<lb />| told him, putting ice into a glass and filling it with the<lb />drink hose marked o'P.?<lb /><lb />oYeah, well, | guess I've got everyone fooled. HowTs<lb />David??T<lb /><lb />~ooWouldnTt know.? | poured the ice from both buckets<lb />into the cooler and spread it out with my hands. ~~Now<lb />maybe it wonTt melt so fast.?T<lb /><lb />~~Ch-uh. It'll melt just as fast, but youTve got more ice in<lb />there so itTll look like it takes longer. So what happened??<lb />~~What happened what? Oh, with David? I donTt know<lb /><lb />" just a summer romance, | guess,?T | said.<lb /><lb />~Oh. | thought you two were really hooked. Come sit<lb />down " quit playing in the ice,TT he said, patting the stool<lb />beside him.<lb /><lb />~Yeah, | thought so too ... that we were hooked, |<lb />mean.? | came out from behind the counter and sat down<lb />on the bar stool next to him. The mirror behind the<lb />counter was slightly warped, and reflected our faces with<lb />a rolling, fun-house effect. | picked up an empty match<lb />book and tossed it into the trash can. ~o~Oh well, his loss.<lb />WhyTre you so interested??T<lb /><lb />~| donTt know " a month ago you acted like he was so<lb />great. You know, when you told me about the concert he<lb />took you to and everything. Then all of a sudden, you<lb />quit talking about him. | just wondered.?<lb /><lb />~Yeah, the concert was great. David Bowie.? I picked<lb />up my Cigarettes from the other side of the counter,<lb />shook one out, and lit it. | took a deep drag and blew the<lb />smoke, which Matt hated, towards the mirror. ~~Well, we<lb />went out drinking one night, about a week after the<lb />concert, and got into a fight. He made a couple of really<lb />nasty cracks, so | hit him. | canTt believe | did that,T |<lb />mused, taking another drag off my cigarette.<lb /><lb />~~WhatTd he do " when you hit him? In the face&gt;TT Matt<lb />asked incredulously.<lb /><lb />~Yeah. | punched him. He deserved it.T | stared at the<lb />now cloudy reflections.<lb /><lb />~~He hit you back,?T Matt said. ~~l saw the bruise.TT<lb />~Yeah. ItTs gone now.?T | touched my cheekbone. The<lb />swelling was gone too, | noticed. ~~He moved out the next<lb />day. | think he was more upset that he hit me than he<lb /><lb />was that | hit him.?T<lb /><lb />~Well, he should be. ITd never hit a girl,T? Matt said<lb />firmly.<lb /><lb />| blew smoke in his face. ~o~Oh, yeah? Not even if she hit<lb />you? DidnTt you ever hit your sister&gt;??T<lb /><lb />~~Hey, cut it out. No, | didnTt hit my sister. We never<lb />fought. Besides, she was bigger than me " sheTd deck<lb />me!?T<lb /><lb />~Yeah? Well so will I. | pack a pretty good punch "<lb />ask David.?<lb /><lb />7S<lb /><lb /></p>
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          <lb />~| bet. You oughta quit smoking " itTs bad for you,?T he<lb />told me.<lb /><lb />oI'll get over it.TT But | put out my cigarette and went<lb />back behind the counter. | emptied the ashtray and began<lb />washing the stacked glasses and dirty ashtrays left over<lb />from the night before. ~~Jean never washes dishes,?T |<lb />grumbled.<lb /><lb />Matt mumbled something. He crossed his arms on the<lb />cool surface of the counter and rested his chin on them.<lb />His sandy red hair fell slightly down into his long<lb />eyelashes.<lb /><lb />~~What? The water was running ... | didnTt hear you,? |<lb />said, turning the faucet off.<lb /><lb />~| said, ~Were you in love with him?T ?<lb /><lb />| looked down at the ashtray in my hands. The soap<lb />suds had gotten into some little cracks in the plastic, and<lb />fanned out into a kind of snowflake. o~This is broken,? |<lb />said, holding it up for him to see. He lifted his head.<lb /><lb />oItTs O.K. | fixed it last week " Superglue works<lb />wonders.T<lb /><lb />~~Oh.? | continued to wash in silence. Matt picked up<lb />his glass and sucked it dry with exaggerated slurping<lb />noises. His grey eyes followed my face over the rim of the<lb />glass.<lb /><lb />~~Yeah, I guess | was,? | finally said. ~~| never said so. It<lb />never seemed ... you know, relevant.?T<lb /><lb />~You lived with him, though,TT he said. He began<lb />spinning the glass in the little ring of water it had made<lb />on the counter. ~o~Did he love you??T he asked.<lb /><lb />~I donTt know. HeTs a surfer " you know how that is.<lb />Girls, girls, everywhere. ~ChicksT was his word. | was his<lb />~chick.T<lb /><lb />~What do you mean, ~You knowT? | surf, but | don't<lb />have ~chicksT. | donTt hit girls, either,TT he reminded me.<lb /><lb />oYou're fifteen,? | countered. | picked up the clean<lb />ashtrays, walked back around the counter, and began to<lb />place them at varied intervals on the black formica.<lb />oBesides, what about all those dizzy little blonds | see you<lb />bopping around with? What are they??<lb /><lb />~What? Oh, theyTre just friends,? he told me loftily.<lb /><lb />oOh, sure. And you donTt cruise ~chicksT, either, | bet,? |<lb />teased, coming to stand beside him.<lb /><lb />~Shoot, | could,?T he said defensively. ~o~But | donTt ...?T<lb />He picked up the cracked ashtray and inspected it. ~Don't<lb />you cruise?T he demanded.<lb /><lb />~Look, you little brat,~~ | said menacingly, odon't you<lb />have anything to do??<lb /><lb />~~Naa " ITm done. ITm not slack like you chicks,? he<lb />grinned.<lb /><lb />~Oh, yeah? Look, go wash some dishes. ThatTs what<lb />you're supposed to be, isnTt it? The dishwasher?? |<lb />reached out and dug my fingers into his ribs.<lb /><lb />oCook ... ITm the cook!? he yelled indignantly, before<lb />he started giggling. ooOh, shit ... no, don't,? he pleaded.<lb />~Please no ...TT He squirmed and fell off the stool,<lb />laughing. Before | could pull away, he tangled his feet in<lb />mine and grabbed my hands, dragging me down with him.<lb /><lb />oOh, damn ... stop, Matt,TT | shrieked, as he tickled me<lb />in return. ~Stop, stop!TT I fell on top of him, laughing.<lb />oO.K., O.K., I give ... let go.TT He did, and we collapsed.<lb /><lb />e lay on the floor for a minute, a tangle of bare arms<lb />W and thighs. MattTs shirt had pulled up to his chest,<lb /><lb />and my right hand lay across his exposed brown skin.<lb />Before | thought about it, | slid my fingers across his<lb />damp, smooth stomach, dipping one into his navel. | felt<lb />his muscles tighten instinctively, and glanced up at his<lb />face. His eyes were wide, and his mouth fell open a little.<lb /><lb />| grabbed the bottom of his T-shirt and pulled it back<lb />down. My uniform skirt was hiked up to my hips; | jerked<lb />it down and quickly stood up. Matt still lay on the floor,<lb />breathing hard, so | offered him a hand.<lb /><lb />oYou O.K.2?T | asked him. He took my hand and rose<lb />slowly.<lb /><lb />oMatt?? | called.<lb /><lb />oYeah??<lb /><lb />~Will you teach me<lb />how to surf??<lb /><lb />~Yeah.T He straightened his clothes and tucked his shirt<lb />back in. Both of us were sweatier than before, if that was<lb />possible. | pushed my damp hair off of my forehead and<lb />went behind the counter. Matt watched me for a minute,<lb />then turned and headed for the kitchen.<lb /><lb />~~Matt??T | called, when he reached the halfway point.<lb /><lb />oYeah??<lb /><lb />oWill you teach me how to surf??<lb /><lb />~ooSure,?T he said. oWhen??<lb /><lb />~| donTt know,? | said, wondering why I'd asked.<lb /><lb />~~How ~bout after work? TideTs high at four " should be<lb />some decent waves.?<lb /><lb />~~O.K.?T | picked up his glass and began washing it.<lb />~~WhereTre you going??<lb /><lb />~I got some dishes to wash,? he grinned.<lb /><lb />oYou brat!TT| yelled. | picked up the cracked ashtray<lb />and threw it across the room at him.<lb /><lb />oHey!? he yelled back, catching it with dexterity. ~~I just<lb />fixed that!?T<lb /><lb />ince | lived off the beach, | always brought my<lb />bathing suit with me on sunny days. When Jean came<lb /><lb />in at four, | handed her the unused order pad, grabbed my<lb />bag from under the counter, and headed for the door<lb />marked ~~Chicks.?T<lb /><lb />~~WhereTs Mica?T Jean called after me.<lb /><lb />~DonTt know. Try the Crest. Why?? I asked, stopping.<lb /><lb />oWell, whoTs cooking tonight??<lb /><lb />~~Not Matt " heTs teaching me how to surf,? |<lb />answered, kind of smugly.<lb /><lb />oAt night??<lb /><lb />oWell, now, actually.?<lb /><lb />~Oh. Watch out for that young stuff,T she grinned.<lb /><lb />oO.K., I'll be careful with him,T | grinned back at her. |<lb />turned around and almost ran into Matt. ~~Put on your<lb />suit,TT | told him. ~~LetTs go.?T<lb /><lb />~Hey, this is it,TT he said, indicating his shorts. ~~Meet<lb />you out back.?T<lb /><lb />| changed and ran out to the back door. The smell of<lb />rancid oil and rotten garbage permeated the air behind the<lb />Cafe. Matt picked up a pastel colored surf board leaning<lb />against the wall, and we began walking towards the beach.<lb />As soon as we got away from the row of bars and the<lb />Cafe, a smooth sheath of fresh air hit us full in the face.<lb /><lb />76<lb /></p>
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        <p>The afternoon sun beat down on my head. | began to grin,<lb />and matched MattTs long stride step for step. In his right<lb />hand he carried a radio " his ~~boxTT " and | reached<lb />down and snapped it on. A mellow saxophone solo poured<lb />out of the speakers. oI didnTt know you liked jazz.?<lb /><lb />~Yeah, well, ITm a jazzy kind of guy,T?T he grinned down<lb />at me.<lb /><lb />e spent the afternoon down on the water. One thing |<lb /><lb />do love about summer is that the days last so long,<lb />and since itTs so hot, the beach doesnTt really cool off<lb />until longer after the sun goes down.<lb /><lb />The surf, we decided, just wasnTt worth anything.<lb />Mostly Matt decided, since | was having massive<lb />coordination problems on the board. We left it beside the<lb />radio and played in and out of the shallow breakers. Then<lb />we sat on the beach, discussing summer kinds of things<lb />" drinking, meeting girls (or guys), and, eventually, sex.<lb /><lb />~~| did it my first time right over there,?T he told me,<lb />pointing to an innocuous-looking sand ~dune.<lb /><lb />~~How can you remember that?TT| asked, gesturing.<lb /><lb />~Because it was only a couple of weeks ago. |<lb />remember because of that pole over there. The one with<lb />the beer can nailed to the side.?T<lb /><lb />~Did you do that? The beer can, | mean??T | asked,<lb />trying not to laugh.<lb /><lb />~~No! I just remember it.TT He drew little abstract<lb />patterns in the sand with his bare toes.<lb /><lb />~Are you in love??T | asked him.<lb /><lb />~~Now? Naa. But I was then ... she turned out to be a<lb />real sleaze, though.?? He leaned back, digging his elbows<lb />into the sand, and threw his head back to catch a face<lb />full of the dying sunlight.<lb /><lb />~Wow, that was quick. A couple of weeks?*<lb /><lb />~Well, actually, it was more like a month ago.?T<lb /><lb />oOh: O.K.TT | crossed my arms across my knees and sat<lb />silently, watching the breakers tear away at the sand. The<lb />beach was slowly disappearing, year by year. It seemed<lb /><lb />Walter Stanford<lb /><lb />that all those people who came to enjoy it never thought<lb />about trying to build the beach back up. They just flopped<lb />their fat, white bellies down into the sand for three<lb />months, took massive quantities of sand home with them<lb />in their bathing suits and towels and beach bags when<lb />they left, and never thought about the fact that the beach<lb />was disappearing. It was August, and the end of summer<lb />was coming on with a velocity that depressed me. |<lb />watched a sunburned family of four collect their sand<lb />laden possessions and head for their car, whereabouts<lb />unknown, with a reluctant, trudging step.<lb /><lb />~~Damned Yankees,?T | muttered.<lb /><lb />Matt sat up. oI know. They donTt give a damn about<lb />this beach. Look at that.TT He pointed to a mass of<lb />chicken boxes, drink cans, and other picnic debris the<lb />family had left behind. A dirty seagull came from nowhere<lb />to light on the mess, picking for scraps.<lb /><lb />| leaned my head on my knees and my vision grew<lb />blurry as | watched the waves roll in over one another. |<lb />sniffed, wiping my face with a sandy hand. Matt reached<lb />up and put a reassuring arm around my shoulder. | lifted<lb />my head, and a slight breeze dried my tears. | wiped my<lb />face again and got sand into my eyes. oOuch,? |<lb />whimpered.<lb /><lb />~~Here,TT Matt said, taking off his shirt. ooWipe your<lb />face.TT | did, and handed it back to him.<lb /><lb />oWow,? he said. oIt was dry.?<lb /><lb />~Get over it,TT | told him. | felt a crooked smile slip<lb />across my face.<lb /><lb />oMatt?? | said.<lb /><lb />oYeah??<lb /><lb />~~Sometimes, | really wish you were older.T<lb /><lb />He said nothing, but put his arm back around me. His<lb />hand rested on my shoulder, cool and comforting, as we<lb />watched the seagulls make a feast on the shadowed<lb />beach. &amp;)<lb /><lb />77<lb /><lb /></p>
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          <lb />Lost on the Horizon<lb /><lb />Last night<lb /><lb />meteors showered;<lb /><lb />thousands " maybe millions "<lb />of tiny yellow pinpricks<lb /><lb />hurled themselves across<lb /><lb />a violent sky;<lb /><lb />flying, fleeing, desperate<lb /><lb />only to drown<lb /><lb />in a slow rising dawn.<lb /><lb />| watched,<lb /><lb />wondered if one "<lb /><lb />perhaps a solitary flicker "<lb />Found a reason for his flight.<lb />Like lemmings,<lb /><lb />did they all merely soar<lb /><lb />for a time, then fall<lb /><lb />recklessly<lb /><lb />to a cold, charred death?<lb /><lb />Or did one curve his path<lb /><lb />in a different arch,<lb /><lb />preserve his singular spectacle<lb />for a more expectant audience?<lb /><lb />It may have happened "<lb />my eyes filled too quickly<lb />with the brilliant flashflood<lb />and could not detect<lb /><lb />the individual efforts<lb /><lb />of a rebellious star.<lb /><lb />Katharine Kimberly<lb /><lb />78<lb /></p>
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        <p>Pas de Deux Jerome<lb /><lb />Welcome to JeromeTs twilight zone, where bodies learn<lb />the real meaning of work "<lb />oMove those hips honey, open those legs " ainTt nothing<lb />gonna fall out. This is dance, au naturel. | want<lb />you all to be divas!?<lb />Classical, jazz, modern, ditty-bop<lb />Body moving, sweat popping, dancinT to that rhythmic beat<lb />Music soothes the savage beast and makes him wanna tap his feet.<lb />the beginning<lb />my mama, woman of love, pride, and high expectation<lb />singinT sweetly, soulfully, and powerfully to the African<lb />son of her fertile womb, dancinT ~round the room of our<lb />lively home " mamas, thatTs where black folk get their<lb />boggie and jive " dancinT, lovinT, and crooninT the traditions<lb />of a heritage removed to their marked offspring<lb />the middle<lb />my laughter, laughter that cries the melodies of my innovation<lb />willowy body with beautiful feet, quick wit and mind,<lb />and natural turnout. Apple city jivinT in Manhattan<lb />waitinT, no screaminT to be discovered " find me out<lb />before the city eats me whole, | gotta be a toetappinT<lb />pas de bourreinT, hip movinT fool<lb />the end?<lb />40 hours a week of movement that sings harmony to the melodies<lb />of my past, an eclectic perspective of dance " Misha stand back<lb />cuz JeromeTs around, and so where am | " Greenville, NC<lb />Mama you'd be disgusted ALL THAT HARD WORK FOR SOME BY THE WAY<lb />OUTTA THE WAY! oh | wanna dance and dance and dance!<lb />Three of them know how to dance if we're lucky, but ITm an<lb />artist so itTs Welcome to JeromeTs twilight zone, where bodies<lb />learn the real meaning of hard work.<lb /><lb />J. ReneeT Pratt<lb /><lb />79<lb /><lb /></p>
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          <lb />Matricide<lb />All death is murder.<lb /><lb />Murder<lb />by microbes<lb />by sightless chrome and steel<lb />by childbirth<lb />ThereTs no question.<lb /><lb />Is it infanticide<lb />to slowly strangle<lb />a writer's hesitant offspring<lb />by enforcing the choice<lb />of no choice?<lb /><lb />What of all the wispy unborn<lb />poems executed<lb />in the intellectual poverty<lb />that is motherhood?<lb />Inspiration dies<lb />in the face<lb />of a full time, seven day,<lb />twenty four hour<lb />life.<lb /><lb />And so | commit murder<lb />by choice"<lb />| choose to bear the guilt<lb />rather than see the burden<lb />as tears<lb />on the face<lb />of a child.<lb /><lb />Katharine Kimberly<lb /><lb />SSE<lb /><lb />80<lb /></p>
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          <lb />bd<lb /><lb />ioe sige FOO eu<lb /><lb />tak ae *<lb /><lb />26 AE<lb /><lb />CAE SEER<lb /><lb />ppt<lb /><lb />81<lb /></p>
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          <lb />Haiku<lb /><lb />apples fall to earth<lb /><lb />and patiently dream of when<lb />they'll next touch the sky<lb /><lb />Joe Argent<lb /><lb />A TurtleTs Trip<lb /><lb />Glitter on the farside<lb /><lb />takes the shape of broken glass.<lb /><lb />A fleeting fragrance of fermented leaves<lb />reminds him of old friends.<lb /><lb />He would feel it first:<lb /><lb />A tremor beneath his belly.<lb /><lb />A roar.<lb /><lb />A shadow passing over and away.<lb /><lb />The ground trembles again.<lb /><lb />Webbed claws quicken to end this journey.<lb /><lb />The pain is momentary.<lb />It comes as the crest of a shelled back breaks<lb />reducing life inside to two dimensions.<lb /><lb />Midmorning<lb /><lb />a crow picks<lb /><lb />at the red splattered remains<lb />of one who almost made it.<lb /><lb />Carolyn Worsley Stroud<lb /><lb />82<lb /></p>
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        <p>Whispers<lb /><lb />Your voice was not made to whisper.<lb />It was made<lb /><lb />to press your silent<lb /><lb />sweet breath<lb /><lb />against my brow.<lb /><lb />lt was made to enter me softly<lb />when, awake at night,<lb />| know you're not really there.<lb /><lb />It was made to caress me to sleep,<lb /><lb />then wake me in the middle of the night.<lb />To get up and search the house,<lb />wondering if ITm really alone,<lb /><lb />afraid to look out my window.<lb /><lb />My cats stare at the window,<lb />their round eyes luminous,<lb />unblinking,<lb /><lb />and | know<lb /><lb />you are not there,<lb /><lb />but part of you is waiting ...<lb /><lb />for me.<lb />Your voice ...<lb /><lb />Theresa Rodger<lb /><lb />83<lb /><lb /></p>
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          <lb />On a Battlefield<lb /><lb />Many layers of flannel<lb /><lb />and wool bother the young<lb />soldierTs skin after weeks<lb /><lb />in Belgian snow.<lb /><lb />He'll be going to the lines<lb />soon. Must sleep.<lb /><lb />Or will he, today, sleep twice?<lb /><lb />Trains close in on Eastern<lb />seaboard; army of love<lb />from young wifeTs hands.<lb />He screams.<lb /><lb />No one hears, Even this<lb />god who<lb /><lb />is (it is said) somewhere,<lb />watching;<lb /><lb />This same god Jehovah<lb />that boasts a son<lb /><lb />Jesus Christ whose brother<lb />is Mohammed, what<lb /><lb />is the punchline?<lb /><lb />Explosions<lb /><lb />mortar shell and bullet<lb />sing close by a boy<lb />at the front. But<lb /><lb />they aren't his<lb /><lb />so far. Breakfast<lb /><lb />is forgotten;<lb /><lb />there is dead forest<lb />smoldering, blood<lb /><lb />on the Christ childTs hands. What of<lb />the others?<lb /><lb />U-88's fade stars<lb /><lb />and the Virgin dresses<lb /><lb />her sonTs wounds<lb /><lb />beside sons of mothers<lb />left to cradle<lb /><lb />memories olive drab. Who<lb />dresses their wounds<lb /><lb />God's infinite mercy? All<lb /><lb />around him faces of children.<lb />One takes a hand<lb /><lb />across downy beard, secret fear<lb />wetting a grimy cheek.<lb /><lb />A young man dreams<lb />when moon doesnTt catch him<lb />on naked hills:<lb /><lb />OceanTs lullaby;<lb />sunshine a loverTs touch.<lb />seagulls hover<lb /><lb />on peaceful winds.<lb />Then sea is red<lb />becomes cold desert.<lb />He is<lb /><lb />alone<lb /><lb />until buzzards swoop<lb /><lb />at his sweaty back,<lb /><lb />until<lb /><lb />Almighty universe laughs<lb />in his face. And<lb /><lb />Moses, high<lb /><lb />on his mountain,<lb /><lb />cries.<lb /><lb />Somewhere trains slither<lb />eastward, their cargo<lb />a nation. GodTs infinite mercy.<lb /><lb />Young warrior is weary;<lb />swears the morning<lb /><lb />as halftracks rumble<lb />and 90-millimeter guns<lb />rage in his head.<lb /><lb />The soldier sees<lb /><lb />a buddy, smiling,<lb />nightmares behind;<lb /><lb />heTs on the evening train<lb />going home.<lb /><lb />Robin Ayers<lb /><lb /></p>
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          <lb />Gary Patterson Untitled<lb /><lb />85<lb /><lb /></p>
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        <p>=<lb />g<lb />5<lb />co)<lb /><lb /></p>
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        <p>«<lb /><lb />* October 1984<lb /><lb />}<lb /><lb />Autumn leaves<lb /><lb />Brown and Crackling<lb /><lb />Like. old love letters<lb /><lb />Torn to confetti " 3<lb /><lb />A blanket for the weeping grass.<lb />It is so cold.<lb /><lb />The.smoke<lb /><lb />From the street fires .<lb /><lb />Billows like<lb /><lb />A phantoms shroud.<lb /><lb />Upwards if trails<lb /><lb />To blend in with a<lb /><lb />Sky like lead.<lb /><lb />The trees mourn<lb /><lb />The lost green,<lb /><lb />And the bark<lb /><lb />Chips " brittle as bones.<lb /><lb />They stand there like<lb /><lb />Ancient towers<lb /><lb />Dark and wise,<lb /><lb />Hating the icy air \<lb />That envelopes all. . *<lb /><lb />The man, wrapped in warm clothes,<lb />Leans on his rake, silent and still,<lb />And his eyes, like deep black mirrors, réflect<lb />The dancing flames<lb /><lb />Of the fire.<lb /><lb />so@n he drags his weary eyes away.<lb />He Turns and slowly disappears<lb />Behind a heavy front door<lb /><lb />Into warm reassurance.<lb /><lb />Outside "<lb /><lb />The dancing fire remains.<lb /><lb />Jennifer Hulsey<lb /><lb /></p>
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        <p>|<lb />|<lb />|<lb /><lb />Biographies<lb /><lb />Writers<lb /><lb />Linda Anderson is an English major.<lb />This is her publication debut.<lb /><lb />Joe Argent is a second year graduate<lb />in English. He is presently waiting for<lb />assignment from the Peace Corps.<lb /><lb />Robin Ayers is a senior English<lb />major.<lb /><lb />Gary Bryant is a graduate student in<lb />English.<lb /><lb />Michael Butzgy enjoys writing and<lb />collecting records. He is a senior<lb />History major with a minor in<lb />Broadcasting and he is a producer for<lb />WNCT-TV.<lb /><lb />Crystal Fray, a junior in English,<lb />hopes to be a news reporter or a<lb />feature writer. She enjoys reading,<lb />writing, and getting involved in<lb />various activities.<lb /><lb />Jennifer Hulsey is an English major<lb />from Raleigh, N.C.<lb /><lb />Jeffry Jones is a writing major who<lb />collects comics, likes sci-fi, and<lb />British Imperalism. He is working to<lb />become a character actor.<lb /><lb />Katharine Kimberly spells her name<lb />with an ~o~aTT " o~like Katharine<lb />Hepburn.?T She plans to be as famous<lb />a writer one day as Hepburn is an<lb />actress.<lb /><lb />Deanya Lattimore-Cobb is an English<lb />major who occasionally attends wild<lb />English Department parties.<lb /><lb />Horace McCormick Jr., an Honor Roll<lb />student, is an English major with a<lb />concentration in writing.<lb /><lb />Laurilyn McDonald is a senior who<lb />enjoys writing and collecting hearts.<lb />She plans to attend FIT in New York<lb />to study fashion design.<lb /><lb />Jenny Meador is a senior English<lb />major who enjoys playing the guitar.<lb /><lb />Sherrill Owens enjoys creativity in<lb />art, writing, and photography.<lb /><lb />J.T. Pietrzak was this yearTs third<lb />place winner in poetry. When not<lb />working in the advertising department<lb />of the East Carolinian, he enjoys<lb />karate and snowskiing.<lb /><lb />Johnnie Renee Pratt is from<lb />Fayetteville, N.C. She is a senior<lb />English major with a concentration in<lb />writing.<lb /><lb />Laura Redford is an English major<lb />and a former member of East<lb />CarolinaTs tennis team.<lb /><lb />Pam Robinson is an English major<lb />from Greenville, N.C.<lb /><lb />Theresa Rodger is an English major<lb />with a concentration in writing.<lb /><lb />Donald Rutledge is an English major.<lb /><lb />Carolyn Stroud is a part-time student<lb />from Washington, N.C. She received<lb />her B.A. from UNC and presently<lb />works at East CarolinaTs print shop.<lb /><lb />Joseph Swayze is a third year<lb />student who plays blues guitar and<lb />builds churches in Haiti. His other<lb />interests include karate and world<lb /><lb />peace.<lb /><lb />Artists<lb /><lb />George Arata made his publication<lb />debt with his sculpture entitled<lb />Electric Clavinet.<lb /><lb />Tom Baker is a senior Printmaking<lb />major.<lb /><lb />Carolyn Capps is a senior Painting<lb />student.<lb /><lb />Joe Champagne is a second year<lb />graduate student from Miami, Florida.<lb /><lb />Todd Coats won first place in<lb />Illustration. He is a senior in<lb />Communication Arts and is Vice-<lb />President of Design Associates.<lb /><lb />Phillip Dismuke, a junior from New<lb />York, enjoys soccer and art. He is a<lb />Metal Design and Jewelry major.<lb /><lb />Scott Eagle is a senior in<lb />Communication Arts. He won second<lb />place in Illustration and is a member<lb />of Design Associates.<lb /><lb />Susan Fecho is a graduate student in<lb />printmaking. Her speciality is paper<lb />making, and she is working toward an<lb />interdisciplinary degree.<lb /><lb />Hunter Hadley is a sophomore from<lb />Raleigh, N.C. His only interest is<lb />getting out of school.<lb /><lb />Kara Hammond enjoys going through<lb />junk piles and collecting fossils. She<lb />is a senior who is working toward her<lb />B.S. in Art with a concentration in<lb />painting.<lb /><lb />Hugh Heaton is a graduate student in<lb />painting.<lb /><lb />Beth Heinig is a senior in<lb />Communication Arts and a member<lb />of Design Associates.<lb /><lb />Hayes Henderson is a painting major.<lb /><lb />Jeff Hoppa is Visual Arts Forum<lb />President. He is a senior in<lb />Communication Arts.<lb /><lb />Wanda Johnsrude is a painting major.<lb /><lb />Leslie Karpinski is originally from<lb />Winston-Salem. She is a second year<lb />graduate student in painting and<lb />drawing.<lb /><lb /></p>
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          <lb />Bill Keck, a junior, is Art Director of the 1985 Rebel and<lb />a member of Design Associates. He is in Communication<lb />Arts with a concentration in Graphic Design and<lb />Marketing.<lb /><lb />William Leidenthal is a graduate student in painting. He<lb />received his undergraduate degree from the University of<lb />Hawaii.<lb /><lb />David Lewis is a graduate painting student originally<lb />from Maine. He enjoys dealing with the human condition<lb />in his work.<lb /><lb />James Lux is a ceramics major.<lb /><lb />George McKim is a graduate student in painting from<lb />Wilmington, N.C. :<lb /><lb />Fa Ry . a . a at<lb />A Me, ? oe . KY - : : . » ; ile oe<lb /><lb />Blanche K. Monroe is a graduate art student from N.C. oa aN WE fp<lb /><lb />Ellen Moore is a junior in the School of Art. SheTs from<lb />Richmond, Virginia, and believes creativity is the key to<lb />the soul.<lb /><lb />Maya Oliver is a textile major who is presently designing<lb />a Fall line of clothes in Chapel Hill.<lb /><lb />Gary Patterson, a senior in Industrial Technology, plans<lb />to seek a commercial photography job and is Editor of<lb />the Buccaneer Yearbook.<lb /><lb />Margaret Shearin is a second year graduate art student Special thanks to the Art and Camera Gallery for hosting<lb />from Cary, N.C. Her interests include art and music. the Rebel Art Show.<lb /><lb />Julie K. Simon, a junior in Communication Arts, is<lb />from Charlotte, N.C. Her main ambition is to win the<lb />Publisher Clearing House Sweepstakes.<lb /><lb />Lisa Sowers, a senior in Communication Arts, is from<lb />Goldsboro, N.C.<lb /><lb />Walter Stanford is-a junior in Communication Arts and a<lb />Member of Design Associates.<lb /><lb />Frank Stovall is a senior in Communication Arts with a<lb />Concentration in Graphic Design. He is from Winston-<lb />Salem, N.C.<lb /><lb />Michael Tatsis, is a senior in Communication Arts.<lb /><lb />S. Renee Thomas is a senior in Communication Arts and<lb />Design Associates President.<lb /><lb />Gregory S. Tucker is a senior in Communication Arts<lb /><lb />COLUMBIA<lb /><lb />and a member of Design Associates. pt gree oa<lb />V. Jane Tucker, from Greenville, N.C., is a senior Associated<lb />Ceramics major. Collegiate<lb /><lb />Press<lb /><lb />COURDINA Tn COUNLH UF UITERARY MAAS as<lb /><lb /></p>
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