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          <addrLine>Joyner Library, East Carolina University</addrLine>
          <addrLine>East Fifth Street, Greenville NC 27858-4353 USA</addrLine>
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        <date>2012</date>
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        <p>ATTIC<lb /><lb />COVER<lb /><lb />The piece on the cover is oDeco Blasrer,TT an acrylic by<lb />Billy E. Walker, Jr. We are featuring his work throughour rhe<lb />magazine.<lb /><lb />The REBEL is published annually by rhe Media Board of<lb />East Carolina Universiry. Offices are located in the Publications<lb />Building on the ECU campus. This issue and its conrents are<lb />copyrighted 1983 by the REBEL. All rights reverr back to the<lb />individual writers and artists upon Publication. Contents of this<lb />issue May nor be reproduced by any means, mechanical or<lb />electrical, nor May any part of if be stored in any<lb />information retrieval system withour the written permission of<lb />the aurhor or artist. Volume 25, Number 1<lb /><lb />Address all correspondence to the REBEL, Mendenhall<lb />Srudenr Cenrer, East Carolina University, Greenville, NC 27834.<lb /><lb />Editorial<lb /><lb />No one who comes into rhe REBEL office ever believes<lb />thar such a slick magazine really comes out of ir. Ir is<lb />impressive to learn thar Columbia Scholastic Press Association's<lb />1982 First Place-Medalist was conceived in a sixteen by<lb />sixteen Office whose ~~word processor?T is a first run IBM<lb />Selectric which is worth more as an antique than as a<lb />rypewrirer. }<lb /><lb />Winning the Medal fromm CSPA was a great reward, but it<lb />pur scads and wads of pressure on us this year. Design and<lb />production pur our collective talent and dedication to the<lb />rest. As nice as long-term planning and spacious schedules<lb />are, projects like the REBEL seem to turn our berrer as rhe<lb />products of hundred-and-twenty-hour creativiry-jam-sessions.<lb /><lb />The REBEL is, more than anything, a group effort. The<lb />staff members are only middlemen who organize the efforts<lb />of Easr Carolina's most talented students. If the process<lb />stopped there, rhe resulr would be no more than a stack of<lb />manila folders full of poems, stories, slides, photos, etc.<lb />People nor involved with publications don't realize what<lb />alchemists printers really are. Once again we thank JosrenTs<lb />American Yearbook Company for its patience,<lb />professionalism, and perfection. Fred Pulley, JosrenTs local<lb />rep., is simply in a class by himself.<lb /><lb />As talented as ECU's writers and artists are, they still need<lb />to be coaxed our of their academic-alchoholic ennui. Thus,<lb />we wish fo express our deepest grarirude to Tom Haines of<lb />the ATTIC and Wayne Hardison of Jeffrey's Beer and Wine<lb />and Budweiser for rhe prize money for the REBEL Contest<lb />Series.<lb /><lb />We also wish to thank Mary Ann Pennington and the<lb />Greenville Museum of Art for hosting and hanging the<lb />receprion and show.<lb /><lb />Special rhanks tro: Doreen Rountree for her help with rhe<lb />Art Conrest and Show; Laura Redford and John Barnerr for<lb />typing and production assistance; Ed Midgert for shooting rhe<lb />art; Gary Patrerson for shooting us; and the FCC for allowing<lb />24-hour radio.<lb /><lb /></p>
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          <lb />Rebel Contest Series Winners<lb />Prose<lb /><lb />First Place: Carlyn Ebert ~~Living in Sin in the Bible BelrTT<lb />Second Place: Brian Rangeley oA Dog's LifeTT<lb />Third Place: Keith Srallings oWinter SolsticeT<lb /><lb />Poetry<lb /><lb />First Place: Katharine Kimberly ~The Hor House VarieryTT<lb />Second Place: Edith Jeffries ~~PowerTT<lb />Third Place: Don Ball ~~Letrer to a BrorherTT<lb /><lb />Art<lb /><lb />Best in Snow: John Boone ~'Self PortrairTT mixed media<lb />Painting: Ellen Amendolara *~The Tenth GareT<lb />Printmaking: Ed Midgerr *~All Dressed Up Nowhere To GoT<lb />Ceramic: Steve Jones oVessel #2T<lb /><lb />Sculprure: Gregory Shelnurr oAmphibian |"T<lb /><lb />Design: Paula Moffitr Poppe o#3<lb /><lb />Mixed Media: Diane Maisel ~Line and Lireral: One UnderTT<lb />Graphic/Illustration: Keith Simmons ~Car VacTT<lb />Photography: Roche! Roland oNight Study AwarenessTT<lb />Drawing: Bob Ray ~#13T<lb /><lb />T<lb /><lb />Billy Wallser Figure 53: Favorite Turtle Fantasy<lb /><lb /></p>
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        <p>Beatty COLE<lb /><lb />Dresents<lb /><lb />Ellen Moore Associare Editor<lb /><lb />;<lb /><lb />~<lb />,<lb />at<lb /><lb />/ * s \ '<lb />/(an\pn'|<lb />i<lb />hi)<lb /><lb />=. a<lb />Jamie Biggers Prose Ediror Bobbie Housron Poerry Ediror<lb /><lb /></p>
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          <lb />Table of Contents<lb /><lb />Deco Blaster by Billy E. Walker, Jr.<lb /><lb />Figure 53: Favorite Turtle Fantasy by Billy Walker<lb />Living in Sin in the Bible Belr by Carlyn Ebert<lb />Fossil Rocks by Jamie Biggers<lb /><lb />Patch Work by Paul Rogers<lb /><lb />An Illustration by Mike Rigsbee<lb /><lb />The Hothouse Variety by Katharine Kimberly<lb />An Illustration by Dan Fuller<lb /><lb />Falling Tide by Katherine Kimberly<lb /><lb />En Passant by Malynn Linton<lb /><lb />Jo by Paul Rogers<lb /><lb />Concrete by Gary Patterson<lb /><lb />All the Oprions by Ellen Moore<lb /><lb />A Dog's Life by Brian Rangeley<lb /><lb />Letter to a Brother by Don Ball<lb /><lb />An Illustration by Jean Lee<lb /><lb />The Lasr Puzzle Piece by Karharine Kimberly<lb />Chariry and the Hand of the Beholder by Rick Gordon<lb />Second Spring by Elizabeth Iro<lb /><lb />Black Box by Don Ball<lb /><lb />Goldfish Pond by Malynn Linton<lb /><lb />Untitled by Fred Galloway<lb /><lb />Lace Matador by Paula Blumenfeld<lb />Amphibian | by Gregory Shelnurr<lb /><lb />ChuckieTs Pajama Party<lb /><lb />Design #3 by Paula Moffirr Poppe<lb /><lb />All Dressed Up and Nowhere to Go by Ed Midgerr<lb />Line and Literal: One Under by Diane Maisel<lb />The Last Encore by Donna Gregory<lb /><lb />Subway by Wilfred Spoon<lb /><lb />Bound, Unbound by Jo Pumphrey<lb /><lb />The Tenth Gare by Ellen Amendolara<lb /><lb />Ed and Fred and Bed by Ed Midgerr<lb /><lb />The Undersea World of Minnesota Fats by George McKim 44<lb /><lb />Self Portrair by John Boone<lb /><lb />Ruffian Rebound of Riverhead Rhinorhea by Milke Tarsis<lb /><lb />WharTs On Your Mind? by Chris Carlson<lb /><lb />Atlantic Symphony by Fred Galloway<lb /><lb />The Sea and All Within Ir by Micah Harris<lb />Dancing With the King by Robert Waldrop<lb /><lb />The Narure of Minority: In 3 Voices by Lisa Ryan<lb />Physical by Sam Silva<lb /><lb />Years Ago by Keith Carrer<lb /><lb />The Sayings of Them All by Lisa Ryan<lb /><lb />Antique Srore by Kay Lamb<lb /><lb />46<lb /><lb />Rebel 8;<lb /><lb />Hog Kill by Ray Elmore<lb /><lb />Winter Sosrice by Keith Srallings<lb /><lb />New England Cellar by Kay Lamb<lb /><lb />Johnny Quest Grows Up and Meets His Electric Monster<lb />by Billy Walker<lb /><lb />Passion Crime: Willie by Billy Walker<lb /><lb />Los Angeles 12 Noon by Marl Kemp<lb /><lb />The Ciry by Edith Jeffries<lb /><lb />Jai by Jamie Biggers<lb /><lb />African Summer by Edith Jeffries<lb /><lb />Fanrasies by Paul Rogers<lb /><lb />Interstare Forty 3:00 p.m. by Mark Kemp<lb /><lb />Power by Edirh Jeffries<lb /><lb />An Illustration by Ellen Moore<lb /><lb />Ocrober Rirual by Phillip Horne<lb /><lb />illustration by Donna Gregory<lb /><lb />One Day's Vagary by Lisa Rayn<lb /><lb />Burning Issues by Billy Walker and Rick Gordon<lb /><lb />Abstracts by Sam Silva<lb /><lb />ArtistsT and WritersT Biographies<lb /><lb />Equal Time by Ellen Moore<lb /><lb />60<lb />61<lb />65<lb /><lb />66<lb />6/7<lb />68<lb />69<lb />70<lb /><lb />71<lb /><lb />ra<lb />72<lb />73<lb />73<lb />74<lb />74<lb />75<lb />76<lb /><lb />78<lb />80<lb /><lb /></p>
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        <p>Y<lb /><lb />RS ~ al 3.<lb />sf ar<lb />. mm Se? me .<lb />; ae . &gt;<lb />ee<lb /><lb />nit<lb /><lb />Billy Walker<lb /><lb /></p>
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          <lb />Ee ==<lb /><lb />Living iNoin<lb /><lb />Carlyn Ebert<lb /><lb />| hate big family weddings. Not necessarily other<lb />familiesT big family weddings, at which | am a<lb />guest and free to whirl about spearing Swedish<lb />meatballs and making lewd toasts to the ushers.<lb />No, thereTs little chance the brideTs Aunt Tillie will<lb />really care if an anonymous female guest with a<lb />much-too-low-cut neckline for this-sort-of-affair is<lb />carrying a plastic cup of misty, Scotch-flavored<lb />ice cubes in her teeth or engaging the bartender<lb />in slurred conversation while her uncomfortable<lb />shoes are perched back at her table next to her<lb />fruit cup. And since Aunt Tillie hasn~t the faintest<lb />notion who the disgraceful girl might be, she will<lb />not be tempted to corner her in the ladiesT room<lb />to ask, so when are you getting married?<lb /><lb />That privilege remains reserved for my own long-<lb />distance relatives, a well meaning but inquisitive<lb />group of northern suburbanites who descend on<lb />me at those inevitable family functions with the<lb />grace and tact of seven-year locusts. The<lb />standard interrogation begins with a warm-up<lb />grilling about ~career goals,? my health, my social<lb />life. Remember, they~re just getting started. They<lb />click their new dentures and drip cigar ash onto<lb />the parquet dance floor while | sway on my<lb />unfamiliar high heels and offer suitably vague<lb />answers. | know, and they know, what the really<lb />meaty question is: so when are you getting<lb />married?<lb /><lb />For four years this one required especially tricky<lb />navigation, since the man | lived with liked these<lb />full battle dress occasions even less than | did and<lb /><lb />in the Bible Belt<lb /><lb />rarely escorted me to them. He had a pretty<lb />good excuse, too: we lived 800 miles away in a<lb />steamy, backswamp college town in central<lb />Florida on one Sunshine State clerical salary and<lb />one part-time graduate assistantship. The living-<lb />together arrangement hardly scandalized my<lb />generally liberal relatives; instead, it seemed to<lb />tantalize them, fanning a competitive spirit among<lb />the older folk for facts about ~my friend,TT and<lb />made me particularly worthwhile and easy prey.<lb />So, when ...?<lb /><lb />| am thankful the subject of marriage rarely<lb />cropped up between Bruce and me in the very<lb />early days. The not-so-novel idea of living<lb />together only came up, originally, as an attractive<lb />alternative to trying to keep our relationship<lb />breathing over 800 miles; | think we were finishing<lb />a six pack and swatting mosquitoes at one of the<lb />drive-in porno filmfests that grace the outskirts of<lb />Washington, DC, during the summer, discussing his<lb />intentions of returning to school in Florida in the fall.<lb />Florida sounded magically tropical and blissfully far<lb />away from the Washington suburbs where |Td lived<lb />far too long and was at the time enjoying a<lb />leisurely unemployment. Living in sin in the South,<lb />we giggled, would be an adventure. Especially if<lb />we called it living in sin. The phrase carried a<lb />delicious tinge of the wicked, and | enjoyed the<lb />raised eyebrows and small smirks it usually<lb />garnered. | guess people figured we intended to<lb />do a whole lot of sinning. In comparison, marriage<lb />sounded as dull as cup custard.<lb /><lb /></p>
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          <lb />oThis was small-town North<lb />Carolina " the buckle of<lb />the Bible belt and the back<lb />seat of the Moral Mqority. ?<lb /><lb />Although not thrilled about losing my third of the<lb />rent money, my loyal roommates offered Bruce a<lb />quick self-help session on dealing with what they<lb />considered quirks in my personality (like relaxing to<lb />loud AM radio static, or shredding bottle labels, or<lb />throwing ill-mannered cats over balcony rails) that<lb />made living with me such an unqualified pleasure.<lb /><lb />| am tough to live with; | have been informed of<lb />this harsh reality by a number of people. Loyal<lb />roommates Carolyn and Kathy, for example, were<lb />positive our new venture would fail solely because<lb />of my passion for Salvation Army furniture and my<lb />late-night stereo habits. My older brother, for<lb />instance, who awakened countless mornings to<lb />the hair-raising jangle of jacks and Superballs<lb />skittering across his ceiling as | whiled away the<lb />early morning hours in my bedroom above<lb />perfecting cherries-in-a-basket. My old college<lb />roommate, who stumbled over a new<lb />rearrangement of our ration of dormitory furniture<lb />on a weekly basis as she returned from her<lb />grueling microbiology lectures. Bruce wasn't the<lb />least bit phased. We loaded our common<lb />possessions into a U-Haul and headed for I-95. No<lb />scrap of parchment, no wedding hoopla, no<lb />strings. For sentimentalityTs sake, | glanced back at<lb />our apartment from the parking lot. On the<lb />balcony, KathyTs cat lay napping and drooling and<lb />shedding on my forgotten hibachi. No hibachi. No<lb />cats. Ahh.<lb /><lb />Now, even as far back in ancient history as<lb />1977, living together " at least in the northern<lb />city-burbs where Bruce and | grew up " was<lb />commonplace to the point of semi-respectability.<lb />Living together in the seventies didnTt reek of<lb />rebellion anymore; living together was *~~sensible.?T<lb />Even my mother thought so. To hell with first<lb />comes love, then comes marriage ... | may have<lb />missed out on the excitement of bra burning, but |<lb />wasn't missing this. There was still a system to<lb />resist, and we were dedicated nonconformists, or<lb />at least we tried to be. One hitch: cohabitation in<lb />the land of Anita Bryant, strictly and legally<lb />speaking, is taboo.<lb /><lb />We got the quick impression that unless we lived<lb />indefinitely out of the Days Inn or the Palmetto<lb />Court Motel, we'd be fighting an impossible<lb />housing battle if we did not represent ourselves<lb /><lb />from the start as man and wife. Fortunately, the<lb />lady with the beehive hairdo at the second rental<lb />agency we contacted was easily convinced. This<lb />was probably my first tactical error. Bruce, |<lb />thought, referred to me a little too zestily (and<lb />repeatedly) as his ~~wifeTT as we signed our first<lb />lease as married unmarrieds. The whole<lb />arrangement became an increasingly complex<lb />and occasionally embarrasing tangle as |<lb />constantly tried to keep straight Who Knew and<lb />Who Couldn~t Know.<lb /><lb />Our 80-year old landlord, the semi-lucid Mr. Fate<lb />Radford, couldnTt know, and neither could the<lb />lovely people next door with the yappy collie and<lb />the oP.T.A.! Hurray!TT bumper sticker on their front<lb />screen door. Bosses (mine) would know, major<lb />professors (his) would simply not be apprised of<lb />the situation. Most of our friends knew and took it<lb />quite casually. To further complicate matters, while<lb />most of the student population deserted the town<lb />during the summer, our ordinance-happy legislators<lb />kept busy passing inane rulings preserving ofamily?T<lb />neighborhoods. Actually, this was just basic<lb />antistudent jingoism aimed more at keeping the<lb />students housed in the student ghetto than at<lb />combatting cohabiting sinners on the cityTs fringe.<lb />Parents (mine) already knew, of course; they had<lb />asked only that | bring him over for a nice hot<lb />meal before leaving DC. Parents (his) could not<lb />know, until they decided to visit their son in<lb />December of that first year and bring him all the<lb />comforts of northern New Jersey he was somehow<lb />managing without in the heathen, backward<lb />South, like onion bagels, hard rolls, and good dill<lb />pickles. Normally levelheaded, Bruce at first tried<lb />to persuade me to move into the garage and<lb />pose as a rent-paying stranger. | refused.<lb />Eventually, we reached a compromise: he would<lb />tell them about me. He would not tell them about<lb />the motorcycle (this had something to do with his<lb />motherTs blood pressure). The motorcycle stayed<lb />over at a friendTs house, and | stayed home,<lb />served cheese and crackers and my new<lb />mushroom pate and felt distinctly uncomfortable.<lb /><lb />| could sense BruceTs growing dissatisfaction as<lb />we argued the pros and cons of living together for<lb />two years following his parentsT initial visit /lecture.<lb />We also argued the pros and cons of wet towels<lb />on the bathroom floor, of whose family to visit for<lb />Thanksgiving, of whose turn it was to balance the<lb />checkbook, and whose fault it was when the<lb />checkbook wouldnTt balance. Neighbors, those<lb />within earshot at least, believed we were really<lb />married.<lb /><lb />One day, after one of my particularly exhaustive<lb />(and, | thought, well-reasoned) tirades against<lb />marriage, he asked me over a forkful of lasagne if<lb />| would ever agree to marry him. This, obviously,<lb />was a difficult spot to negotiate: if | said no, it<lb />could have been interpreted as an intention to<lb />leave him for the first millionaire podiatrist who<lb /><lb /></p>
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          <lb />came along; if | said yes, | could only look forward<lb />to another couple of years of wrangling over such<lb />details as setting the date. He canTt be serious, |<lb />thought; remember all that good stuff we agreed<lb />on? Like marriage being a contract of ownership, |<lb />argued. Like missing the hassles of getting to know<lb />each otherTs ugliest habits, too late. Like avoiding<lb />divorce court. Like holding on to a shred of non-<lb />conformist decency. | was on a roll, and argued<lb />further that living together was the best truth-in-<lb />advertising measure since Sir Thomas MoreTs<lb />ludicrous Utopian procedure of presenting the<lb />prospective bride and groom to each other in the<lb />buff, in the presence of a chaperone, so each<lb />one would know what he or she was bargaining<lb />for and could back out if revolted by the otherTs<lb />physical appearance. Obviously not interested in<lb />Sir Thomas More, Bruce had already clammed up<lb />and stalked out of the kitchen.<lb /><lb />~Welcome to Utopia,?T | screamed at a dirty<lb />spatula as | threw his lasagne away.<lb /><lb />| guess | could have just answered, ~o~Well,<lb />maybe,T and winked my saltiest wink.<lb /><lb />Luckily, around this time Bruce graduated and<lb />finally snagged a job, and we were too busy<lb />attending farewell parties and slinging household<lb />goods into cardboard banana boxes to hash out<lb />the commitment and till-death-do-us-part debate<lb />one more time. By the time we arrived in rural<lb />North Carolina, | assumed the subject was well<lb />buried, and | filled out lease applications as<lb />oRelationship: WifeTT without thinking twice. When<lb />we accidentally met one of his new co-workers at<lb />the Winn Dixie express checkout, Bruce introduced<lb />me as his fiancee visiting from Florida, and | didnTt<lb />even wince. He might have assumed | had finally<lb />backed down on the marriage issue, but | was<lb />merely dazedly realizing that although | thought |Td<lb />moved 500 miles north, | had actually moved into<lb />a moral atmosphere several strata " and several<lb />decades " south of Florida. This definitely was not<lb />cracker Florida or cosmopolitan DC, this was small<lb />small-town North Carolina " the buckle of the<lb />Bible belt and the back seat of the Moral Majority.<lb />Maybe marriage would make sense, and maybe it<lb />would make life and tax returns and saying hey to<lb />the neighbors a whole lot easier. Maybe | could<lb />get a credit card ... | caught myself and<lb />banished the idea by picturing myself making<lb />biscuits while some gritty country star on the radio<lb />wailed about lovinT and livinT and goinT to the<lb />preacher man.<lb /><lb />Our lively arguments started up again,<lb />becoming violent semi-annual bloodlettings. One<lb />day | came home to find Bruce, calculator in hand<lb />and my auto repair bills spread out on the living<lb />room floor, calmly estimating the monetary haul<lb />we could figure on by submitting to a Big Family<lb />Wedding.<lb /><lb />oLook at this!TT He enthusiastically nudged a pile<lb />of papers toward me and lit a Winston Light. ~We<lb /><lb />could make more money by getting married than<lb />we both made last year.TT My eyes fell to his<lb />scrawl-covered legal pad and then back to the<lb />boy who once swore heTd happily eat brown rice<lb />and home-grown vegetables for the rest of his life.<lb />He actually wanted me to marry him as a financial<lb />coup. | decided to cancel his subscription to<lb />Forbes.<lb /><lb />His vocabulary started changing. oLiving<lb />togetherTT became ~a deception.TT Was he<lb />slipping out to revival meetings, | wondered? Did<lb />he really think getting married would change<lb />anything besides our legal status? | sat at our<lb />cramped kitchen table and watched him try to<lb />recreate TonyTs Sanitary Fish MarketTs Famous Tar<lb />Heel Hushpuppies. While the peanut oil heated, he<lb />ran upstairs to change out of his Permaprest<lb />respectable, young executive look before<lb />spattering grease on the cuffs. Appearances, |<lb />mused, mattered a hell of a lot more to him now.<lb />It must have been the transition from Florida<lb />student farmer to Carolina corporate image. |<lb />started chopping onions for the hushouppies when<lb />Bruce stepped back into the kitchen in his<lb />standard, almost buttonless, brown flannel shirt,<lb />Levis, and work boots. My eyes stung from the<lb />onions, and he took the knife and finished<lb />chopping.<lb /><lb />oWe oughta get a food processor one of these<lb />days,T he muttered. ~~My sister got three as<lb />wedding presents.TT<lb /><lb />While the onion burn subsided, | closed my eyes<lb />and pictured married life: just like living in sin, only<lb />with a food processor. What a great kick-off point<lb />for the final bout; it would culminate, | imagined,<lb />with my suitcases being violently stuffed with my<lb />clothes and a few Costello albums hurled down<lb />the hall after me. But weTd played this scene<lb />before, and it was letter-perfect and getting<lb />boring.<lb /><lb />What if we did it?<lb /><lb />My mother, delighted beyond words, would rush<lb />out for a flowing, pink chiffon ensemble. I'd wear<lb />ivory; something short, sensible, and reusable. (<lb />didn't.) Bruce would wear his good, gray suit. (He<lb />wore a tux.) We'd drink lots of champagne and<lb />go to Mexico with the wedding loot. (We paid off<lb />our VISA bill.)<lb /><lb />Living in sin was easy, but ... what the hell, |<lb />thought. LetTs do it. LetTs get married. Can~t be<lb />any different.<lb /><lb />To Bruce, still chopping at the kitchen table, |<lb />only said, oLetTs.TT R<lb /><lb /></p>
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        <p>Patch Worl<lb /><lb />Paul Rogers<lb /><lb />Fossil Rocks<lb /><lb />They woke us one Saturday "<lb />bulldozers.<lb /><lb />We watched. They gouged<lb />black dirt<lb /><lb />where our fort was,<lb /><lb />where I hid my fossil rock,<lb /><lb />really a blob of cement.<lb /><lb />All day, we watched.<lb />Finally, rushed out<lb />through street-light blue<lb />across naked,<lb /><lb />new-smelling ground.<lb /><lb />Twigs at crazy angles<lb /><lb />in black dirt like<lb />tombstones in an ancient,<lb />unkempt graveyard.<lb /><lb />Our beautiful trees<lb /><lb />a huge, smoldering pile.<lb /><lb />We searched, hours it seemed<lb />never finding a recognizable<lb />piece of our fort.<lb /><lb />Or my fossil rock.<lb /><lb />I wonder, looking<lb />at new houses,<lb />where children<lb />build forts and hide<lb /><lb />fossil rocks.<lb /><lb />Jamie Biggers<lb /><lb /></p>
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          <lb />Mike Rigsbee<lb /><lb /></p>
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        <p>The<lb /><lb />Hot-House<lb /><lb />Variety<lb /><lb />She has a tiny tatoo<lb /><lb />high on the stretched skin<lb /><lb />of her left breast<lb /><lb />that shows over the edge of the blue housecoat<lb />when she washes dishes.<lb /><lb />Dan Fuller<lb /><lb />Years ago, the tatoo flashed<lb /><lb />above the fringed satin of her costume<lb />when she danced in bars<lb /><lb />and work-weary men, just off second shift<lb />and young boys in fresh uniforms<lb /><lb />edged the stage<lb /><lb />waving clean dollar bills<lb /><lb />(or more on payday)<lb /><lb />just to touch the freckled pink rose<lb /><lb />with their hot lips.<lb /><lb /></p>
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          <lb />She called herself oBreezy,?<lb /><lb />like the wind,<lb /><lb />and a free smile would slide across her face<lb />as her flat brown body whirled<lb /><lb />drawing them into her vortex<lb /><lb />and the music caught her, transforming<lb /><lb />her drabness into everymanTs Cinderella<lb /><lb />a princess for the not-so-charming.<lb /><lb />Now she lives in suburbia<lb /><lb />behind the picket fence of marriage.<lb />He reigns rigidly, an ex-Marine<lb /><lb />who used to watch her dance<lb />wanted more than one nightTs music,<lb />gave her the middle-class dream,<lb />and buys her knit pantsuits<lb /><lb />and high-necked blouses<lb /><lb />to hide the rose<lb /><lb />he once kissed for free.<lb /><lb />Katharine Kimberly<lb /><lb /></p>
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          <lb />12<lb /><lb />The Falling Tide<lb /><lb />The darkening water is spread across the creek<lb />in shallow ripples, tucked unevenly<lb />into the corners of the marsh<lb /><lb />like the wrinkled, navy sheets<lb /><lb />on my unmade bed.<lb /><lb />An immense live oak hangs<lb /><lb />over the channel, slowly dying<lb /><lb />as the grey strands of moss<lb /><lb />drape its branches and drag it down<lb />as grey apathy drags at me<lb /><lb />pulling me down into the ebb.<lb /><lb />On the rotting platform of an abandoned beacon<lb />a female osprey mirrors me<lb /><lb />preening out of habit;<lb /><lb />her nest crumbles beneath her<lb /><lb />slipping, stick by stick,<lb /><lb />into the water<lb /><lb />to drift away.<lb /><lb />She watches as the tide begins to shift;<lb />on the ongoing current rides a disheveled mass.<lb />She dives, one more time<lb /><lb />anxious for the prize.<lb /><lb />her talons connect, and she rises<lb /><lb />easily as the breeze<lb /><lb />that lifts across the stagnant water,<lb />suffusing the air<lb /><lb />with the sweet stink of decay,<lb /><lb />before the carcass disintergrates<lb />dropping back into the darkness<lb /><lb />with muffled splashes.<lb /><lb />Katharine Kimberly<lb /></p>
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        <p>oo<lb /><lb />En Passant<lb /><lb />Beards and men<lb /><lb />file through my room.<lb /><lb />~~Shah mat, shah mat,TT we whisper.<lb /><lb />| ponder a ponderous<lb />weight down looking to<lb />partitions on a plastic mat<lb />" control this parody.<lb />We rehearse a feudal system;<lb />an arcane philosophy.<lb />They move their moves,<lb />they rearrange while<lb />castle-like | wait,<lb /><lb />defend, debate and watch<lb />the white parts shuffling<lb /><lb />across the checkered field.<lb /><lb />Malynn Linton<lb /><lb />13<lb /><lb /></p>
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          <lb />Paul Rogers Jo<lb /><lb />14<lb /><lb /></p>
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          <lb />.<lb />ee 7. -<lb />7) Mie?<lb /><lb />_"_"" vi ae rs 4 '<lb />iq UE trey ay B ,<lb />jo, 4 hi Po<lb />. : sé otA : .<lb />' . T<lb /><lb />t<lb />~74 %?<lb />a baie<lb />| -<lb /><lb />Gary Patterson Concrere<lb /><lb />15<lb /><lb /></p>
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          <lb />All the Options<lb /><lb />RUMP<lb />oe<lb /><lb />|<lb />|<lb />} =<lb /><lb />FEATHER fff<lb /><lb />HOCK £3<lb /><lb />LA icctccos<lb /><lb />A 4 vy<lb />UA<lb />/ / be)<lb />Pe WF; gif," anrte<lb /><lb />p -Y_KNEE<lb /><lb />BRISKET___|<lb /><lb />ELBOW.<lb /><lb />WITHERS<lb /><lb />= RS ae ey,<lb /><lb />CREST<lb /><lb />OCCIPUT<lb /><lb />a f<lb />LEATHER__f.<lb /><lb />|<lb /><lb />STOP<lb />= eee WLZLE<lb /><lb />y:<lb /><lb />Ellen Moore<lb /><lb />16<lb /><lb />ssnsipeateanememnanennen<lb /><lb />nee rts at Rey Pet<lb /><lb />ln eT<lb /></p>
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          <lb />= Ss a NN a RR a Lael 2<lb /><lb />A Dog's Life<lb /><lb />It was a moderately warm day in June, some<lb />two months before the hunting trip. Junior was still<lb />going strong, but | was dead tired. | watched his<lb />lean, well-developed body move almost without<lb />effort as he thrust the fifty-pound sacks of Gravy<lb />Train up to the top shelf. | had been going out<lb />into the woods and pushing old logs up the hills<lb />since Junior moved into that new house behind<lb />ours a year ago, but my body still had far to go to<lb />match his. | looked at my own thin form, then<lb />watched Junior toss up the last sack. | chalked the<lb />difference up to time; there would be three years<lb />before | was his age.<lb /><lb />Junior brushed his hands off and looked at me.<lb />oThere,TT he said, with a deep breath, owe're<lb />almost done. | gotta go see Dr. Nelson for a<lb />minute. You go get those dogs | showed you and<lb />take them out to the back pen.T He grabbed his<lb />T-shirt and slipped it on after using it to wipe the<lb />sweat Off his face.<lb /><lb />| followed him from the storage room into the<lb />kennels, and he continued to the offices up front.<lb />The late afternoon sun streamed lazily through the<lb />fenced windows and across the room. Junior had<lb />worked as the vet's assistant ever since his folks<lb />bought him a 4-wheel drive Bronco, shortly after<lb />they moved in. | came with him that day, partly<lb />because | was bored, and partly to see what he<lb />did. | found out that feeding one end of the dogs<lb />and cleaning up after the other end was a big<lb />part of JuniorTs day.<lb /><lb />| got the dogs Junior had pointed out and<lb />herded them into the grassless pen. One was a<lb />white miniature poodle, one was a German<lb />shepherd, one had some retriever in him, and the<lb />other three were of the Heinz 57 variety. | closed<lb />the gate to the chicken wire cage and looked at<lb /><lb />Brian Rangeley<lb /><lb />them. They each selected their own section of turf<lb />and stood there barking at me. All of them had<lb />flea collars, and a few wore collars with names on<lb />them, but no OwnersT names.<lb /><lb />Junior came out carrying a pistol. Approaching<lb />the pen, he released the safety.<lb /><lb />oYou're not gonna shoot ~em, are you?? |<lb />asked, trying not to sound squeamish.<lb /><lb />oHell, yeah,T he replied. oWhat, did you think we<lb />were gonna take ~em out for a stroll??<lb /><lb />o| thought they just gassed dogs.?<lb /><lb />~Nope. Not here. No gas chamber. We just<lb />shoot ~em here, kill oem quick. LetTs see, you first,<lb />big boy.?T He stepped inside the pen and aimed<lb />the gun at the shepherd's face. | looked at the<lb />shepherd's collar, remembering the name *'Prince?T<lb />stamped on the shiny aluminum tag. Junior fired.<lb /><lb />A hole appeared in the dog's forehead, and<lb />blood spurted from it. The dog blinked and<lb />opened his mouth like he was about to cry out,<lb />but nothing came out, not even a whimper. All<lb />four legs quickly folded under; the shepherd fell<lb />lifeless to the ground. He lay there on the hard,<lb />dark soil, blood and drool running from his mouth.<lb />The remaining dogs suddenly became quiet and<lb />stood still, quivering.<lb /><lb />| left the pen and ran inside, shutting the door<lb />firmly behind me. | fell back against it, holding my<lb />stomach. | heard another shot. | ran to the other<lb />end of the kennels and covered my ears. | could<lb />still hear the crack of the pistol. They only shoot<lb />dogs, | thought. Dogs with rabies. Not dogs with<lb />name tags and clean fur. | imagined the poodleTs<lb />white fur being stained red. | still heard the gun.<lb />The sight of the shepherd's spasmotic collapse<lb />stuck in my mind. | heard the gun again. He must<lb />be shooting them twice. Everything became quiet,<lb /><lb />17<lb /><lb />Sao rn RR EE a ee<lb /><lb />sn aN<lb /></p>
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          <lb />save for the scratching noises of the dogs in the<lb />cages.<lb /><lb />| walked slowly back to the door, debating<lb />whether | wanted to go back out there. | heard<lb />Junior call me.<lb /><lb />Jimmy? WhereTd you go??T<lb /><lb />| opened the door, being careful not to look<lb />out.<lb /><lb />oWhat do you want?? | asked him.<lb /><lb />oWhere you been??<lb /><lb />o| hadda go to the bathroom.? | couldnTt tell him<lb />the real reason.<lb /><lb />oGo get me some of those Glad trash bags<lb />from the storage room.?<lb /><lb />| got the trash bags. As | carried them outside, |<lb />watched the ground just in front of me. | fumbled<lb />with the gate, trying to get it open without seeing<lb />inside.<lb /><lb />oWell, damn, Jimmy, if | wait on you, it'll be six<lb />o'clock before | get done.TT He took the bags from<lb />my hand.<lb /><lb />oNow help me bag these dogs so we can get<lb />out of here.?T<lb /><lb />| gasped at the thought. | looked up and saw<lb />the dogs on the ground. One was still breathing.<lb />~No! | mean, | canTt.?<lb /><lb />~What do you mean, you canTt?T Junior<lb />demanded.<lb /><lb />| pointed to the dog that was still breathing.<lb />~ooArenTt you gonna finish hin?TT<lb /><lb />oHe'll die. What are you, a wimp? Come on,<lb />theyT~re just a buncha dogs that nobody wants.TT<lb /><lb />olm nota wimp,? | said, turning away from the<lb />massacre. The wet, bloody smell of death was<lb />starting to choke me. oThe doctor told me there<lb />were some cages that needed cleaning again.?<lb /><lb />~Oh, | guess you better go do that, then, if itTs<lb />what the doctor ordered. I'll get the dogs myself.?<lb /><lb />| was already moving inside. | stumbled through<lb />the door, closing it behind me. | sat on the floor<lb />and waited for the dizziness to pass.<lb /><lb />The animal shelter was just outside the Reidsville<lb />city limits, so it was only a fifteen minute ride<lb />home. The winding, old two-lane highway<lb />straightened out long enough to stretch past the<lb />row Of cigarette factories. Littering the rooftops<lb />and walls of each building were billboards showing<lb />young, attractive people in romantic or outdoor<lb />settings. One had a cowboy lighting up in the<lb />middle of a herd of cows. Junior saw the<lb />advertisement and reached for his Marlboros. He<lb />held a cigarette out to me.<lb /><lb />~No thanks,?T | said.<lb /><lb />oAw, go ahead, you're old enough. Try one.?<lb /><lb />| had tried smoking before. The smoke hurt my<lb />throat. ~All right,TT | conceded. | put the cigarette<lb />in my mouth. The tobacco smelled good. Junior<lb />struck a match and held it up. | put the cigarette<lb />to the flame and sucked hard. It burned my<lb />throat, and | bent double in a fit of coughing.<lb /><lb />Junior slapped my back and laughed. oHot<lb /><lb />damn, boy, what you tryinT to do, smoke it all at<lb />once? Just take it easy, draw slower, and relax<lb />your throat.?<lb /><lb />| tried it the way he said and managed to<lb />choke down the rest of it without coughing too<lb />much. It left a bad taste in my mouth. While Junior<lb />was fumbling for a tape, | put the butt in the<lb />ashtray.<lb /><lb />~How was it?? he asked. oNot too bad, huh?T<lb /><lb />oItTs okay.? | let it go at that.<lb /><lb />Junior plugged a Willie Nelson tape into the<lb />dash. Junior sang along with the tape. oWhiskey<lb />River On my mind!TT He was badly out of tune. We<lb />were on the access road that crossed the MartinsT<lb />tobacco fields. The fields were posted, but Junior<lb />liked to cross them anyway, because it was<lb />shorter. | looked over at the MartinsT house; Lester<lb />" everybody called him ~BookwormT " was<lb />sitting on the porch with an open book, watching<lb />us go by.<lb /><lb />| looked down at the gun rack that was<lb />mounted on the floor. It was empty. oHey, whereTs<lb />your shotgun?? | had never known Junior to be<lb />without if.<lb /><lb />o| lent it to my fool cousin,TT said Junior. ~~The<lb />inconsiderate bastard stuck the barrel in his mouth<lb />and blew the back of his head away. SheriffTs got<lb />it now. We won't be able to hunt dove for a<lb />while.T<lb /><lb />oA muscular hand restedT on<lb />his belly, a mat of hair curled<lb />over the topo of his favorite<lb />Airty undershirt. oT<lb /><lb />oThat's okay,? | said. ~We can go again when<lb />you get it back.? | enjoyed hunting with Junior.<lb />We were planning on some rabbit hunting later in<lb />the summer. | wanted a gun of my own for my<lb />14th birthday, but we didnTt have any money. Pa<lb />said he would find one for me somewhere.<lb /><lb />We stopped at the side door to my house,<lb />where | got out. Junior 4-wheeled the Bronco up<lb />our back hill into his own backyard. His yard had<lb />green grass, and his house was nicer than ours. His<lb />people owned land. | turned and walked into the<lb />house.<lb /><lb />The screen door slammed behind me. The smell<lb />of turnip greens rushed into my nostrils and filled<lb />my whole head. Ma sat at the table carving up<lb />potatoes. ~Where you been?? she asked.<lb /><lb />oJust out,?T | said. ~Your face is getting fat.?<lb /><lb />Ma sighed. ~Yep. ItTs what happens when<lb />infantTs on its way.?T<lb /><lb />oSuppose so. We havinT any meat tonight??<lb /><lb />~No, but thereTs plenty of fresh greens from the<lb />garden,T said Ma. oYour PaTs in the livinT room.<lb />said he wants to see you.?<lb /><lb />18<lb /></p>
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        <p>oOkay,?T | said, turning down the hall. | reached<lb />to cut on the light " the yellow wall had turned a<lb />dirty gray around the switch " but the hall<lb />remained dim. No new bulb yet.<lb /><lb />| came out of my room with a clean T-shirt<lb />halfway over my head when | was greeted by a<lb />blow to the groin. It was Marti, attempting to leap<lb />the distance up into my arms.<lb /><lb />oHey, girl, donTt knock me over,T | said, lifting<lb />her to eye level.<lb /><lb />oAfter school, we went to a stable,? said Marti.<lb />o| held three kittens and petted a dog and rode a<lb />horse and got followed by a bee.?<lb /><lb />~A bee! Did you get stung??<lb /><lb />~No. The dog ate him and got stung on his<lb />tongue. He cried.?<lb /><lb />| carried Marti into the living room. Pa was<lb />stretched out on the couch, his head resting on a<lb />wad of stuffing that had busted through the worn<lb />fabric. A muscular hand rested on his belly; a dark<lb />mat of hair curled over the top of his favorite dirty<lb />undershirt. His left hand supported a TV Guide in<lb />front of his face. Jason and John were sprawled<lb />among old toys and wood blocks in front of the<lb />old Magnavox. Marti wrestled free and ran over to<lb />the other kids.<lb /><lb />oGet off my stuff!TT she cried, ~oThatTs mine!?<lb /><lb />oBite my ass,T said Jason.<lb /><lb />Pa threw the TV Guide at Jason. ~Jason! Don't<lb />be talkinT that kinda shit in front of your sister. Say<lb />you're sorry.?<lb /><lb />Jason apologized and turned his attention back<lb />to oHappy Days Again.? | waited a second, then<lb />stepped up to Pa. ~You wanna see me??<lb /><lb />Pa looked at me and broke out in a broad<lb />smile. ~~Hell, yeah!TT he exclaimed. He pointed at<lb />me excitedly. oWait here, | got something fer ya!<lb />Gotta go to the truck. Sit!?<lb /><lb />| fell back into the easy chair. Richie was trying<lb />to talk his father into buying a fancy, red car from<lb />the Fonz. The kids were totally engrossed in the<lb />program. Two of the dogs were sleeping on the<lb />floor beside them. | pulled a string hanging from<lb />the piece of cloth Ma made to cover the worn<lb />spots on the arm of the chair. It just got longer; it<lb />didn~t break.<lb /><lb />| heard the creaking of the front screen door as<lb />it slammed. Pa walked toward me, holding<lb />something behind him, grinning like the dogs after<lb />a good rabbit run. The kidsT attention had turned<lb />to us. When Pa got square in front of me, he<lb />brought around a brand new .22 rifle. ~Take it,<lb />boy,?T he said. oItTs yours.?<lb /><lb />| looked up at PaTs face. He meant it. | looked<lb />back at the gun. The long barrel was dark and<lb />blue, securely mounted to a black walnut stock. It<lb />was like Melvin Tucker's, only nicer. If loaded in the<lb />side like a Winchester .30-.30.<lb /><lb />oIt'll hold up to twenty shots,TT Pa said, ~and see<lb />here? ThatTs the safety. On, off " thatTs how it<lb />works.T<lb /><lb />sane nSnnnenreneememrnnennrenaeenetereee<lb /><lb />| just sat there gaping. The gun was so beautiful.<lb />Jason opened the venetian blinds to let in more<lb />light. The red evening sun reflected a deep<lb />orange in the thick, clear finish on the stock.<lb />Finally, | got to my feet and tenderly took the gun<lb />in my hands. It began to sink in that the gun really<lb /><lb />was mine. o~ItTs beautiful, Pa,? | said. ~ItTs beautiful.T<lb /><lb />Pa put his arm around my shoulder and held me<lb />close. *~| stole it for you, son.TT he said face<lb />beaming.<lb /><lb />oYou had to steal it?T<lb /><lb />oThatTs okay, son. You're my boy, and you<lb />deserve the best | can find.?<lb /><lb />oWell, Pa " | mean, uh, thanks. ItTs beautiful.?<lb /><lb />oHell, | already know that. LetTs go eat. And<lb />bring your gun, let Ma see.?<lb /><lb />The days were getting hotter, and the moisture<lb />made the air heavy and hard to breathe.<lb />Bookworm had gone with me into the woods early<lb />one afternoon to do some target practice with<lb />my gun, and maybe shoot some squirrel if we saw<lb />any. | drew a target on a big piece of cardboard<lb />and nailed it to a dead tree. | was getting pretty<lb />good with my new gun. | got seven out of ten in<lb />the bull's eye, but Bookworm managed only to hit<lb />twice. While | reloaded the magazine, he pulled<lb />out a penknife and pried one of the bullets out of<lb />the tree. He walked back to me, examining the<lb />bullet carefully.<lb /><lb />oFascinating,TT he muttered, half out loud.<lb /><lb />oWhat's fascinating??<lb /><lb />oThe ballistics of a projectile such as this.?<lb /><lb />oWhat??<lb /><lb />oBallistics. | heard them mention it on ~Hill Street<lb />Blues,T so | looked it up. See, guns are finished on<lb />the inside with a wire brush, and no two are alike.<lb />When a bullet passes through the barrel, it gets<lb />marked, like a fingerprint. See these marks? Only<lb />your gun will mark a bullet like this.?T<lb /><lb />~No kidding?? | said, looking at the bullet. |<lb />wasn't as excited about it as he was. oListen,<lb />Junior Block said heTll take us to Reidsville to see<lb />the fireworks on the Fourth, if we want. What do<lb />you say??<lb /><lb />BookwormTs face grew solemn. *'!l canTt,?T he<lb />said. oMy father won't let me.?<lb /><lb />oWhy not? You beinT punished??<lb /><lb />oNo " | could go " but not with Junior. My<lb />father hates him because heTs always trespassing<lb />on our land. He says Junior is nothing but trouble.<lb />Why do you hang around with him, anyway??<lb /><lb />o| donTt know,? | said. *~l just like him.?<lb /><lb />oWhy? All he ever does is run around the county<lb />in that Bronco, tearing up peopleTs property. My<lb />father says heTs probably the one who tore up<lb />Mrs. DentonTs flower garden.?<lb /><lb />oThat shows what you know!? | said, in JuniorTs<lb />defense. ~o~He works at the Animal Shelter, taking<lb />care of the dogs. Would he have that kind of job<lb />if he was that way??<lb /><lb />~| heard he cut a pigletTs tail off just to watch<lb /><lb />rn<lb /><lb />19<lb /><lb />ee<lb /><lb />Swen<lb /><lb />(pe en Reon es<lb /><lb /></p>
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        <p>the hogs chase him down and eat him.?<lb /><lb />oYeah, but thatTs just something you heard.TT<lb /><lb />oYou know how hogs go crazy with the smell of<lb />blood.?T<lb /><lb />o| know, but that doesnTt mean he did it.T<lb /><lb />~Mrs. Denton said Junior also put one of her<lb />kittens in the fresh milk cooler and drowned it.T?T<lb /><lb />oListen, Bookworm,? | said, raising my voice,<lb />oYou can believe all the crazy stories you want.<lb />But | know Junior. Everybody picks on him ~cause<lb />heTs new around here. Well, heTs my friend, and |<lb />won't let you pick on him!TT<lb /><lb />oWell if heTs such a great friend, maybe you<lb />don~t need me!?<lb /><lb />~Maybe | donTt!? | turned to walk away.<lb />BookwormTs voice followed me. ~Good riddance!?<lb />| ignored the call and kept walking. | felt bad for<lb />the rest of the day.<lb /><lb />Bookworm avoided me the rest of the summer. |<lb />spent a lot of my weekends hunting with Junior for<lb />squirrel and dove. Then, late in August, we<lb />decided to hunt rabbit.<lb /><lb />The last Saturday of the month was<lb />unseasonably cool, so | waited for Junior inside.<lb />Hearing the familiar rumble of his Bronco, | ran<lb />outside, just in time to see the deep blue vehicle<lb />bounding down the back yard.<lb /><lb />The previous nightTs rain made the air feel cooler<lb />than it actually was. Junior slid smoothly to a stop<lb />in the red mud, the sides of the Bronco already<lb />spattered. Wearing a bright orange hunting cap<lb />with oNAPA? on the front, he stepped down out<lb />of the truck and propped an arm on the door. He<lb />was wearing new Levis and a brown flannel shirt<lb />with the tail tucked in and the sleeves rolled up.<lb /><lb />oCTmere, see what | got,?T he said, motioning<lb />toward the back of the Bronco. | peered inside,<lb />shading the glare of the porch light with my hand.<lb />Inside was Rufus, and another dog, a young one.<lb /><lb />oJunior!TT | yelled. oYou got another dog!?<lb /><lb />~Found him at a divorce sale,TT Junior said, in his<lb />deep, raspy voice. Reminds me of Kenny Rogers, |<lb />thought. ooGeorge and Emily Bramlet decided to<lb />go ahead and make it final, so they're sellinT<lb />everything they got to make the settlement<lb />easier. Got that beagle, papers and alll, for fifty<lb />bucks.?T<lb /><lb />We climbed into the Bronco, and | fastened my<lb />gun to the mount, next to JuniorTs. As we cruised<lb />down the road, Junior told me about the stuff he<lb />had bought at the divorce sale: a set of open-<lb />end wrenches, a coffee pot, a lamp, two<lb />portable radios, and some other junk. He said he<lb />was going fo sell it at the big flea market down in<lb />Greensboro and make a profit.<lb /><lb />Junior turned onto the access road crossing the<lb />MartinsT field. This time, however, Mr. Martin was<lb />there. He began chasing us on foot, waving a fist<lb />and yelling cuss words. Junior just laughed and<lb />drove on.<lb /><lb />We soon arrived at Junior's Grandma's farm. The<lb /><lb />back hundred acres were unused, and there was<lb />supposed to be a good rabbit population there. |<lb />held the guns while Junior got the dogs. We<lb />walked to the fields, where Junior let the dogs<lb />loose. ~First rabbit they jump is yours,? he said.<lb /><lb />With their noses busily searching, the dogs ran<lb />back and forth, whining all the while. Every few<lb />minutes one of them would dig eagerly at some<lb />hole, but when they found nothing, they returned<lb />to their regular routine. Rufus flushed the first<lb />rabbit.<lb /><lb />The rabbit scurried zig-zag across the field, and<lb />Rufus fell into place a couple of yards behind, not<lb />too close. We followed the animals slowly, waiting<lb />for the dogs to chase the rabbit back our way.<lb />Rufus was an experienced runner and soon had<lb />the rabbit runinng by us. | aimed. Crack! A miss.<lb />Crack! Another miss. | fired four more times before<lb />| heard JuniorTs gun. The rabbit collapsed and<lb />rolled to a stop, then Rufus fell on it. He got up<lb />carrying the rabbit in his mouth. The new beagle<lb />accompanied him, yapping happily.<lb /><lb />oAlmost got away,? explained Junior. He tied<lb />the rabbit to his belt.<lb /><lb />oSure,? | said, scratching my forehead, ~~No<lb />sweat, I'll get one.?T<lb /><lb />About an hour passed before another rabbit got<lb />jumped. This time it was the new dog. He was<lb />chasing the rabbit to our left, over a hill. We ran<lb />to the top of the hill to see which direction the<lb />rabbit would take. By the time we got there, the<lb />new dog had already chased him to the bottom<lb />of the hill and was circling back toward us. Junior<lb />raised his gun to shoot " paused " and lowered<lb />his gun. He stared at the chase, his mouth gaping.<lb /><lb />oThat damn dog's following too close!T?T he<lb />yelled, half to himself. The dog was relentlessly<lb />running the rabbit, right on its tail, barking and<lb />snapping. Junior's expression changed; his frown<lb />turned into a smile, and a gleam appeared in his<lb />eyes. Junior raised his gun again, aimed, and fired.<lb />The .12 gauge swirled from the end of his long<lb />barrel, rushing madly toward the animals. The<lb />swarm hit the beagle just behind the mid-section,<lb />ripping his hind leg off. The dog gave a sharp,<lb />quick yelp, then fell dead in his tracks. The rabbit<lb />scampered over the hill. | looked at Junior,<lb />perplexed. He looked at me and saw the question<lb />in my face.<lb /><lb />oThat'll teach him to follow too close.?<lb /><lb />Junior walked over to the dog. He picked him<lb />up by the remaining hind leg and slung him into<lb />the bottom of a ditch. He came back, and said,<lb />oLet's go. | think all the excitement has got Rufus<lb />upset.T He put Rufus into the back of the Bronco<lb />while | stood there watching. | got in and mounted<lb />my gun. | kept seeing the dog, in full run after the<lb />rabbit, and his body suddenly being ripped in half.<lb />Junior climbed into the Bronco, mounted his gun,<lb />and started the engine.<lb /><lb />oAren't we gonna bury him?? | asked.<lb /><lb /></p>
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        <p>oBury him? What for, heTs just a dog. A couple<lb />of weeks, and he'll be gone.?<lb /><lb />oWhy did you shoot him? You just got him.?<lb /><lb />oWhat the hellTs the big deal about the damn<lb />dog? HeTs just a frigginT dog, thatTs all. Jeeze,<lb />Jimmy, donTt be such a little shit about it.?<lb /><lb />| decided not to say anything else. We left the<lb />farmland and went down the road to the MartinsT<lb />access road, where we turned. A car followed us<lb />in; it was Mr. Martin and Bookworm. | slid down low<lb />in my seat.<lb /><lb />oOh shit,TT said Junior. o~HeTs caught me for sure<lb />this time. We better move on out of here.?<lb /><lb />Junior floored the Bronco. Thousands of half<lb />harvested tobacco plants flipped by the windows<lb />on either side of us as we sped down the smooth<lb />dirt surface that ran between two drainage<lb />ditches. Mr. MartinTs orange Pinto wagon grew<lb />smaller as it fell farther and farther behind. The<lb />MartinsT house came into view; we were getting<lb />near the end of the road. Steve and Jerry,<lb />BookwormTs older brothers, ran out of the house<lb />and got into the pickup truck. Leaving a trail of<lb />dusty air behind, they sped out into the access<lb />road, blocking the way.<lb /><lb />oProbably called ~em on the CB,? mumbled<lb />Junior. He kept speeding on, staring out the front.<lb /><lb />oJunior, you gotta slow down!? | cried. He had a<lb />slight grin on his face, and he didn~t seem to hear<lb />me at all. | grabbed the dashboard with both<lb />hands and stiffened, looking at the pickup as we<lb />rushed toward it. Steve and Jerry jumped out and<lb />ran. | screamed at Junior. oJunior, stop this thing!?<lb /><lb />Junior smiled broadly and shouted, oHold on!TT He<lb />turned the Bronco off the road to bypass the<lb />pickup, but the ditch was too deep. The left front<lb />corner dug its way into the bank, flipping the<lb />Bronco into the air. Rufus yelped. | was thrown<lb />against my door, and | saw the sky turn from blue<lb />to green to blue again. Suddenly, | flew across the<lb />cab, landing against Junior and the steering<lb />wheel. There was the snap of a bone breaking,<lb />my own arm. The Bronco finally fell to a stop on its<lb />wheels. Stray tobacco leaves were scattered<lb />around us. | tried to sit up but my arm wouldn't<lb />support my weight. | cringed with the pain. Junior<lb />jumped out of the Bronco and slammed the door.<lb /><lb />Se eet ee Ra ete weet " ne ene ee ence SEE<lb /><lb />oJunior!? | cried. *~l think | broke my arm.?<lb /><lb />Junior walked around the front end, surveying<lb />the damage. He picked up a chunk of dirt and<lb />threw it at Steve and Jerry.<lb /><lb />oYou sons-o-bitches! Look what you did to my<lb />Bronco!?T Steve and Jerry said nothing. Mr. Martin<lb />pulled up. He and Bookworm got out and started<lb />walking toward us. oStay back,TT snapped Mr.<lb />Martin, pointing at Bookworm.<lb /><lb />oJunior, my arm! | think itTs broken,? | said.<lb /><lb />oWell youTre not gonna die from it, so just shut<lb />the hell up!?<lb /><lb />| settled back against my seat and began to<lb />cry. | couldnTt stop the tears, and | didnTt care if<lb />anyone saw me. Mr. Martin stepped up to Junior,<lb />looking him in the eye. Junior shouted in his face,<lb />oYou bastard! You ruined my truck.?<lb /><lb />~ooNo,TT said Mr. Martin. oYou came on to my land<lb />and ruined my tobacco. The sheriff is on his way<lb />now. You've got about five minutes to think up an<lb />excuse.?<lb /><lb />| didnTt know why, but when | heard what Mr.<lb />Martin said, | felt relieved.<lb /><lb />It was about a month later when the doctor<lb />took the cast off of my arm and put a brace on<lb />it. Pa told me as soon as the doctor said it was<lb />okay, | would have to get a weekend job;<lb />between a job and school, | wouldnTt have time<lb />to hang out with no renegade rednecks. | was<lb />pretty much grounded anyway. Bookworm was<lb />pretty good about keeping me company. | settled<lb />back into the comfortable, old chair. o~Happy Days<lb />AgainTT was on again. My stomach began to churn<lb />at the smell of frying chicken. It was PaTs birthday.<lb />| thought about Junior.<lb /><lb />It would be a while before | saw him again. |<lb />wasn't sure if | wanted to. Trespassing, hunting<lb />without a license, destruction of private property,<lb />and unlawfully shooting a domestic animal were<lb />serious business with people in our county. The<lb />SPCA sent a nasty letter to the editor of the<lb />Tobacco Times. Dr. Nelson fired Junior.<lb /><lb />One of the dogs jumped up into my lap. He<lb />swiped a drippy, wet tongue across my mouth. |<lb />ran my shirt sleeve across my face and hugged<lb />him close. |<lb /><lb />21<lb /><lb /></p>
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        <p>POLL Yr nea<lb /><lb />The birthday cake is gone,<lb /><lb />sweet-sliced, silver upon silver<lb />until greed overcame geometry,<lb />and | grabbed the last piece;<lb /><lb />as | gobble now your oval face.<lb /><lb />Our hiding places too are gone.<lb />Knowing where to go to find ourselves,<lb /><lb />we could only lead each other on.<lb /><lb />Your candy-striped pajamas glowed<lb />like paint in the hall closet<lb />below thick folds of winter coats<lb /><lb />hanging in woolen darkness.<lb /><lb />22<lb /><lb />You pretended to be dead,<lb />so | dragged you out by your ankles<lb />down the stairs, butt and head bumping<lb /><lb />until you became violently alive.<lb /><lb />You could find me even easier,<lb />flattened out on the garage roof<lb /><lb />at night, in January; inch slipping<lb /><lb />on my belt buckle, concrete below "<lb /><lb />a Marlboro rolled by me to the gutter.<lb /><lb /></p>
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          <lb />~oSmoke??T you said " | cannot A January night can freeze<lb /><lb />let the moment go " the spore of a dream as hard as a hailstone<lb />our laughter made me slide faster, and release it " rattling off a roof<lb /><lb />until | slammed my feet against until it hits and cracks,<lb /><lb />the basketball backboard to stop. while belly-up with winter shingles at my back,<lb /><lb />| damn the mask of your face,<lb />Scrape-clinging to the shingles, My face behind the glass.<lb /><lb />my fingers numb, you said, ~ooJohnny-boy,<lb />take a free throw,TT bouncing Dew Bell.<lb /><lb />my own basketball off my forehead,<lb /><lb />locking the window.<lb /><lb />23<lb /><lb /></p>
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          <lb />The Last Puzzle Piece<lb /><lb />He stands behind the bedroom window,<lb /><lb />the wooden bands separate his body<lb /><lb />into nine puzzle pieces.<lb /><lb />In the top middle square is his drawn, unsmiling face<lb />tanned and wrinkled around the eyes.<lb /><lb />As the car in the driveway unloads<lb /><lb />and pulls away, she sees him standing there<lb />unwilling to come out to greet her.<lb /><lb />She detaches herself a little from the confusion<lb />of mother, brother, dogs and luggage<lb /><lb />and smiles past them<lb /><lb />at his image behind the glass.<lb /><lb />her smile sags<lb /><lb />as he withdraws into the shadow.<lb /><lb />She is taller,<lb /><lb />or perhaps his memory lies.<lb /><lb />She fills the sweater that he recognizes<lb /><lb />as his gift, unmailed<lb /><lb />too late for Christmas,<lb /><lb />too early for birthday.<lb /><lb />Her hair is too long, flying round her shoulders,<lb />sticking to her cheeks,<lb /><lb />which are thinner now, and less soft.<lb /><lb />Even with him standing in the shadow<lb />she can see that he is older<lb /><lb />heavier and more worn.<lb /><lb />She recognizes herself as a burden,<lb /><lb />in his eyes, and the dread<lb /><lb />that overshadowed the joy<lb /><lb />of her long trip home<lb /><lb />returns, making her pale.<lb /><lb />He tenses, and turns "<lb /><lb />the short, crinkled curls and freckles are gone,<lb /><lb />only to be seen in cracked photographs.<lb /><lb />The sticky kisses and sweet breath have been replaced<lb />along with that complete trust of a child<lb /><lb />for her father.<lb /><lb />Replaced<lb /><lb />by the cool brush of lipstick<lb /><lb />and darkened eyes distant with expectation<lb /><lb />and longings he can never fill.<lb /><lb />Katharine Kimberly<lb /><lb />25<lb /><lb /></p>
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          <lb />ee<lb /><lb />Charity<lb /><lb />and the Hand of the Beholder<lb /><lb />BertieTs Seafood House has been an institution in<lb />Craven since 1938. When people go out to eat<lb />seafood, they go to BertieTs first. Folks donTt mind<lb />waiting, because they can sit on the benches that<lb />line the walls of the foyer-hall running along the<lb />front of the building and read fifty years worth of<lb />clippings, autographed pictures, and plaques that<lb />hang on the walls. When space comes open,<lb />comely, college-age hostesses escort the waiting<lb />people to their Formica-topped tables. The<lb />waitress will probably be a college girl, too. There<lb />are only a handful of local waitresses who stay on<lb />to work the sparse months between Labor Day<lb />and Memorial Day.<lb /><lb />The opposite is true of the kitchen help. Most, if<lb />not all, of the men on the fry line are both<lb />permanent residents of Craven, winter population<lb />1,500 " summer population 5,000, and permanent<lb />employees of BertieTs. Many of the kitchen men<lb />are college age, but only Ben Ames was between<lb />semesters. Ben got the job of hushpuppy cutter<lb />only because the old, regular cutter had decided<lb />to shrimp-fish full time. Acceptance into the small<lb />world of the kitchen had been slow, but Ben was<lb />becoming trusted and liked.<lb /><lb />The kitchen was separated from the dining room<lb />by an open foyer and a wide counter, across<lb />which orders were exchanged for trays laden with<lb />food at one end, and dirty dishes returned at<lb />another. This commerce of paper, food, and<lb />dishes was almost the only exchange between the<lb />young, transient waitresses and the cynical, leering<lb />kitchen staff. Only the permanent waitresses spoke<lb />across the counter to the boys on the line. The<lb />fact that Ben rated attention from the young girls<lb /><lb />Rick Gordon<lb /><lb />had helped him with his co-workers. They would<lb />come up beside Ben when he talked to a girl and<lb />nudge him in the ribs until he introduced them to<lb />the girl.<lb /><lb />Tim Willis was BenTs partner at the hushouppy<lb />fryers. Tim was eighteen, two years younger than<lb />Ben, and a senior in high school. Tim was bored<lb />with Craven, and for him the college Ben talked<lb />about could be the perfect change. In the quiet<lb />moments of the afternoons, between two and<lb />four o'clock, when busy was six Customers, Tim<lb />would ask Ben about college.<lb /><lb />oIs it much like high school? | want to know what<lb />the classes are like.?<lb /><lb />oWell, you've got to read and study and alll, just<lb />like in high school, if you want to do well. ItTs<lb />better than high school, though, because you can<lb />study whatever you want to, so you can get a<lb />good job.?T As Ben spoke he leaned back against<lb />the counter and toyed with the strings of his<lb />apron. oYou'd probably like it.TT<lb /><lb />~Yeah, if it wasnTt too tough.?T Tim put forks and<lb />salt and pepper into the carry-out boxes he had<lb />been folding. oYou like that waitress Diana, donTt<lb />you??<lb /><lb />oYeah, sheTs really fine.T Ben smiled and ran his<lb />fingers through his hair.<lb /><lb />oShe seems nice enough to me,? Tim said,<lb />stacking the boxes.<lb /><lb />oIf her personality is as nice as her chest, sheTs<lb />really something.?<lb /><lb />oYa'll done anything yet??<lb /><lb />~No, but ITm gonna ask her out after Friday<lb />night.?<lb /><lb />oUh, huh,T Tim said. ~Here, helo me screen the<lb />» Be<lb /><lb />Ben pushed off the counter and bent over to<lb /><lb />26<lb /></p>
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        <p>pick up the stainless steel bucket he would hold to<lb />catch the filtered oil. He thought of Diana. He<lb />could see her hair, chocolate brown with streaks<lb />of faded butterscotch, resting on her white,<lb />uniformed shoulders. He could see her warm,<lb />caring smile, but he could not picture her in<lb />anything but her uniform. He frowned at that. He<lb />believed she had a nice body, but he couldnT~t be<lb />sure. Those uniforms, he thought, tend to bring the<lb />slim and the fat to a rather dull medium. But it<lb />didn~t really matter, he told himself, if she was nice<lb />enough, she could be a good friend and a fun<lb />date without a great body.<lb /><lb />After they had finished screening the oil, Ben<lb />walked back to the rest room to wash the slippery<lb />coating off his hands. On the way back through<lb />the kitchen, he passed Bayard Dulsen, the head<lb />dishwasher. Ben said hello in passing, but Bayard<lb />only grunted and wiped his chin in response.<lb />Bayard had not taken much of a liking to Ben, and<lb />Ben was disturbed by this. He hadnT~t crossed<lb />Bayard in any way and couldn't figure it out.<lb />When he returned to his post, he asked Tim about<lb />Bayard.<lb /><lb />oHey, Tim.?<lb /><lb />oYeah, what?T<lb /><lb />oI've been here two weeks, right?TT Ben leaned<lb />against the counter.<lb /><lb />oYeah, so?? Tim stood with a Nab in his right<lb />hand.<lb /><lb />oWell, everybody seems to like me OK except<lb />for Bayard.?<lb /><lb />oWhat do you care about him for? HeTs just a<lb />ree-tard anyway.? Tim finished his sentence as he<lb />stuffed the Nab into his mouth.<lb /><lb />oNot a retard, really?TT Ben stood up.<lb /><lb />oOh yeah. Well, heTs only like semi-retarded. He<lb />thinks on a six-or seven-year old level. HeTs been<lb />the dishwasher here for as long as | can<lb />remember, even longer.?<lb /><lb />oDamn.TT Ben spoke softly, shaking his head.<lb /><lb />Friday night at BertieTs meant a thousand people<lb />would pass through the foyer and read the<lb />clippings, autographs, and plaques. Friday night<lb />also meant the entire staff, kitchen men and<lb />waitresses, would be run ragged trying to make<lb />sure that each of those thousand meals would be<lb />satisfying and relaxing. The four hours of Friday<lb />evening, five until nine, were the four hours of the<lb />week Ben hated the most, for they were four<lb />hours of four-bushel-per-hour cutting. This Friday<lb />would be different; Ben was going out with Diana<lb />after work.<lb /><lb />Ben shook his head as he looked into the turmoil<lb />of the dining room. The room was filled with the<lb />sounds of hundred of voices, plates, and utensils.<lb />He lifted the fry basket from the cooker and shook<lb />another batch of hushpuppies onto the serving<lb /><lb />tray. As the waitresses waited for the bread, they<lb />leaned against the outside of the counter,<lb />enjoying their brief rests. If Tim and Ben were<lb />severely behind, the girls had time to swap a line<lb />or two of gossip, or even take a sip of ice water.<lb />As the bread hit the tray, they would break off<lb />their conversations, scoop the hushpuppies into<lb />small plastic baskets, and, once they had loaded<lb />their trays, dart back into the tumult of the dining<lb />room.<lb /><lb />Ben took the two-quart pot in his left hand and<lb />packed the dough into it with his long-handled<lb />spoon. He turned to the fryer full of 300° cotton oil<lb />and began cutting another batch. He thought of<lb />the waitresses running around the dining room. He<lb />compared jobs. He could stand still, but his feet still<lb />got sore. The waitresses didnTt get grease burns alll<lb />over their arms. They did have to smile all night, no<lb />matter how obnoxious or offensive the people<lb />were. They did make a lot more money than he<lb />did. Most of the girls out there, he thought, would<lb />make forty to fifty dollars tonight. He resented<lb />being on minimum wage. Ben tried to think of a<lb />way he might argue for higher pay, but Tim<lb />interrupted him.<lb /><lb />oYou're getting pretty good now,? said Ben's<lb />cutting partner. oYoure breadTs got good shape,<lb />and you're a lot faster.TT They stood shoulder to<lb />shoulder over the hissing oil, their long spoons<lb />clicking in rhythm. The long-handled spoons<lb />scraped down into the pots, dug under the<lb />dough, and cut perfect, cigar-shaped hushpuppies<lb />against the edge of the pots. The boys rocked to<lb />and fro and flicked the bread into the oil. They cut<lb />quickly, barely taking time to swear at the drops<lb />of oil that burned into the flesh of their arms.<lb /><lb />~oYeah,"T Ben agreed. ~The first week was pretty<lb />bad till my wrists got used to it. Now | can crank<lb />~em out.?? The 300° basket was filled, and its<lb />contents were dumped into an adjacent vat set<lb />at 350°, where they would finish cooking.<lb /><lb />oLife would be a lot easier if they wouldnT~t eat<lb />so many of these damn things,TT Ben asserted<lb />between pots.<lb /><lb />~The hushpuppy is the cornerstone of this<lb />business,T announced Murph, the line boss. Ben<lb />turned to regard the man who ran the kitchen<lb />with a steady smile and a ready wit. oSay, Ben.?<lb /><lb />oYeah, Murph.?<lb /><lb />oYou remember the story in the Bible ~bout Jesus<lb />healinT the lepers?T Murph had stopped filling<lb />plates with french fries and had turned to face<lb />Ben.<lb /><lb />o| know that story, sure.?<lb /><lb />oDid you know those lepers didnTt thank Jesus,<lb />why they were mad at Him?TT Murph looked at<lb />Ben very seriously.<lb /><lb />~No. What were they mad at?TT Ben stopped<lb />cutting in preparation for the punch line.<lb /><lb />~You'd be mad too if some crazy Jew left you<lb />with no way to make a living but standing on the<lb /><lb />27<lb /><lb /></p>
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          <lb />corner yellinT ~Alms for an ex4teper.T TT Everyone in<lb />the kitchen laughed, either at the joke or with the<lb />laughter. Ben laughed, but not out of humor.<lb />College social life had taught him to laugh at the<lb />bad jokes of important people.<lb /><lb />Ben looked down the line of ten fryers, whose<lb />steam rose to the fans like incense to the greasy-<lb />fish gods. The oHave an RC today!TT thermometer<lb />on the back wall read 105°. The bread tray was<lb />filed, and there were no waitresses in the foyer.<lb />Ben spoke to Tim, oITm gonna break. Holler if you<lb />get swamped.?T He turned and looked across the<lb />kitchen to the rest bench and drink machine. He<lb />looked down at the wood pallets on the floor<lb />around the dishwasher. He would have to cross<lb />them to get to the rest bench. The pallets were<lb />there to keep the dish handlersT feet out of the<lb />three inches of water that stood in that part of<lb />the kitchen. Ben had touched those pallets once.<lb />They were always wet and slick, as soft and slimy<lb />as thawing fish.<lb /><lb />Just as Ben stepped forward, Bayard darted<lb />onto the pallets with a rack of steamy-clean<lb />glasses. He stared at Ben. Ben was about to speak<lb />when a large scallop struck BayardTs face and fell<lb />into one of the glasses. An oyster zipped past his<lb />head. Bayard turned to face the source of the<lb />Objects. He grinned above a shiny chin as another<lb />scallop bounced off his forehead.<lb /><lb />oThem big scallops goes real good, huh,<lb />Tommy!? exclaimed Seth, one of the mollusk men,<lb />to his accomplice.<lb /><lb />~Yeah, but he likes the oysters better,TT said<lb />Tommy, who selected another oyster and threw it<lb />at Bayard.<lb /><lb />~Hold your fire,TT Ben called as he crossed the<lb />pallets. He sat down with a Coke and a handful of<lb />ice, which he rubbed into the blisters on his arms.<lb />He looked back at the line. His passage had<lb />spoiled the garne; Seth and Tommy were busy<lb />again. Bayard had set the tray of glasses on the<lb />counter so the waitresses could get to them.<lb />Diana picked up the scallop glass. She withdrew<lb />the mollusk with two fingers. Why is she doing that,<lb />thought Ben. Diana called, oOh, Bayard.TT Ben<lb />wished she would call his name in that tone of<lb />voice. Bayard whirled at her cail. He caught the<lb />scallop with his right hand as it bounced off his<lb />face. BenTs jaw hung slack. He couldTt believe his<lb />Diana had done that.<lb /><lb />oThank you, Diana,TT Bayard panted, stuffing the<lb />morsel into his mouth.<lb /><lb />Ben was at the end of his Coke and on his third<lb />handful of ice when Bayard shuffled across the<lb />glistening pallets to the break bench. His white<lb />uniform was stained by the food he had scraped<lb />off hundreds of plates. Ben could pick out slaw,<lb />fish, ketchup, butter, and a squashed french fry.<lb /><lb />oDid you see?? Bayard asked Ben.<lb /><lb />oSee what??<lb /><lb />oDiana gave me a scallop.T Bayard beamed.<lb /><lb />o| saw her throw it at you.?<lb /><lb />oNo ... no. She gave it to me. It was hers, and<lb />she gave it to me.? Bayard began to wave his<lb />arms.<lb /><lb />oYeah, yeah. She gave it to you. Just calm<lb />down. Don't cream over a damn scallop for<lb />chrissakes.TT Ben reached for more ice.<lb /><lb />BayardTs shoulders drooped. He wiped his shiny<lb />chin with the palm of his hand. ~You donTt like me,<lb />do you?? he asked, staring at Ben.<lb /><lb />~Why do you say that?? Ben asked, startled.<lb /><lb />oYou donTt. | know it. You never gave me any<lb />hushpuppies.?T<lb /><lb />~| don't have to give you any. You can come<lb />Over and get some any time you want.?<lb /><lb />oYou don't like me. You never gave me any.<lb />You saw what Diana gave me. Seth and Tommy<lb />give me lots.?<lb /><lb />Ben sat up and stared at Bayard. He couldnTt<lb />believe what he heard. He looked at the floor<lb />beneath the pallets. There wasnTt a single oyster<lb />or scallop in the water under the slimy boards. The<lb />thought of anyone eating something retrieved<lb />from that water revolted Ben.<lb /><lb />~How old are you, Bayard?T Ben asked.<lb /><lb />oThirty-one,TT Bayard replied. oITm a man.?<lb /><lb />oHow long have you been working here??<lb /><lb />~~Always.TT Bayard stared at Ben for a moment,<lb />then shuffled across the pallets to the pile of dirty<lb />dishes. Ben watched him go, then he rose to his<lb />feet and made his way back across the pallets to<lb />the solid floor of the fry line.<lb /><lb />~About time you got back. Bayard tell you his<lb />life story?? Tim asked as he handed pot and<lb />spoon to Ben.<lb /><lb />oThanks. No, but he is one hard-core looney<lb />toon.T Ben shook his head as he began cutting.<lb /><lb />oI'm serious. You oughta ask Murph some of the<lb />stuff heTs gotten Bayard to do.? Tim chuckled as<lb />he spoke. oLike one time,? Tim said, falling into<lb />rhythm with Ben, ohe told Bayard that one of the<lb />waitresses was in love with him, but she was too<lb />shy to tell him. We got Bayard to walk right up to<lb />her and whip it out.?T<lb /><lb />~No way, you gotta be shittinT me.T Ben<lb />stopped cutting and looked at Tim.<lb /><lb />~Swear to God,? Tim said, laughing. ~But thatTs<lb />not all there is to it. Then the girlTs boyfriend came<lb />one night and beat the tar out of old Bayard. He<lb />didn't know what was going on.?<lb /><lb />Ben couldn't laugh. He glanced across the<lb />kitchen at Bayard. He thought of someone<lb />beating him as he stood there stupid and<lb />defenseless. They cut silently and steadily. As Ben<lb />dumped a new batch into the tray, he saw a<lb />busboy bring a tray full of dirty glasses in and set<lb />them on BayardTs end of the counter. The foyer<lb />was full of girls.<lb /><lb />Diana screamed. Her tray hit the floor with a<lb />crash. Diana screamed again. Everything stopped.<lb />Ben turned around.<lb /><lb />28<lb /></p>
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        <p>oMother of God!TT Murph yelled as he vaulted<lb />the counter and ran to Bayard. Bayard stood<lb />holding his right hand in front of his face. The<lb />tendons in his hand had been severed, and the<lb />hand hung back at the wrist, limp and lifeless.<lb />Blood dripped from his elbows and swirled in the<lb />water under the pallets. Somebody threw a towel<lb />to Murph. He bound up the shredded hand. As he<lb />and Seth led him out of the kitchen, the towel<lb />began to glisten.<lb /><lb />The waitresses all gathered in the foyer around<lb />Diana. o~What happened?? they all asked. Diana<lb />collected herself and wiped her face with a<lb />napkin.<lb /><lb />oHe fell down,? she sniffed. oHe had glasses in his<lb />hands like this.TT She picked up four glasses with<lb />her fingers down inside them. oThen he fell down.<lb />He landed on the hand with the glasses. They all<lb />broke and cut his hand.?T Diana broke into tears<lb />again as the girls led her out of the foyer.<lb /><lb />Ben winced as he pictured the shards of glass<lb />driving up into BayardTs hand, cutting muscles,<lb />nerves, tendons, and veins. He turned to the fryer<lb />to block out the image. He cut intensely until he<lb />realized that the ambulance was leaving and that<lb />he had not heard it arrive. He looked out into the<lb />dining room. He saw an old man cleaning his ear<lb />with the corner of a napkin. He thought of Diana.<lb /><lb />Diana had recovered from the shock well<lb />enough to go home, change clothes, and buy<lb />beer before Ben got off work at nine-thirty. They<lb />had gone for a walk on the waterfront and were<lb />sitting on the end of a dock. The last beer hung<lb />from BenTs toe by the plastic as he swirled it in the<lb />cool water. The bubbles phosphoresced in the<lb />moonlight. DianaTs head rested on BenTs shoulder.<lb /><lb />oWonder if heTll be able to use his hand again.?<lb />Ben spoke more to the water than to Diana.<lb /><lb />oSure,?T Diana said, ~o\doctors can do anything<lb />these days.?T<lb /><lb />oYeah. | hope you're right. He wonT~t have to<lb />worry about money, at least not till the WorkmanTs<lb />Comp and benefits run out. ITm worried about him,<lb />though.?T<lb /><lb />oWhat?? Diana asked, sitting up. ~ooWhy are you<lb />worried about the town retard??<lb /><lb />oHeTs a person, too, right?T<lb /><lb />oMaybe so, but heTs not like you or me.?T She<lb />threw her hands into the air. o~Ben, listen. You donTt<lb />need to make it into some sort of great tragedy.<lb />People get hurt on the job all the time.?T<lb /><lb />oYeah, but.?T<lb /><lb />oYeah, but what?? Diana asked impatiently.<lb /><lb />oYeah, but BertieTs is the only life heTs got.<lb />What's he gonna do if he canTt work to support<lb />himself?o<lb /><lb />oHe'll get charity or get put in a home. People<lb />are always willing to help people like Bayard if it<lb />keeps them out of the way.?<lb /><lb />oThat's hardly charity,TT said Ben, angry now.<lb /><lb />~o~Nobody knows the difference. CTmon, let's<lb />change the subject, huh?TT Diana cooed in his ear,<lb />oOpen the other beer. ITm almost drunk enough<lb />now.? She licked his ear.<lb /><lb />~No thanks,TT he said, handing her the beer. *~!<lb />don~t want your charity.T Ben stood.<lb /><lb />oHey, whereTre you going??<lb /><lb />oI'm going to let you go home alone.?T Ben<lb />walked down the dock.<lb /><lb />~~Asshole,TT Diana called after him. ~| knew you<lb />were weird from the start. Why donTt you go<lb />home to your retard-buddy, Bayard??<lb /><lb />oMaybe | will,TT Ben said without looking back. As<lb />Ben padded quietly away he heard Diana crack<lb />open the last beer. He shoved his hands in his<lb />back pockets and breathed deeply in the night. IR<lb /><lb /></p>
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          <lb />Second Spring<lb /><lb />In winter the house was so cold that<lb /><lb />No number of socks would keep our feet<lb />Warm, Hot it was in summer,<lb /><lb />Window screens barring<lb /><lb />Both breezes and mosquitos.<lb /><lb />We're saving money you explained<lb /><lb />And | wanted to ask what for.<lb /><lb />The trip to New Orleans, | guessed<lb />Though reality knew better.<lb /><lb />Or the trip to London<lb /><lb />Which was a little too far removed<lb /><lb />From living in a cold house.<lb />Doubledeckers defying gravity over the Thames<lb />(ThatTs ~~Tems,?? Mama, not oThams.?)<lb />Were on the other side "<lb /><lb />Of Santa Claus, fairy tales, and<lb /><lb />Being able to finish all your Dr. Spocks<lb />Before | was too old for it to matter.<lb /><lb />It didnTt matter "<lb /><lb />You didnTt need him to tell you<lb /><lb />The milk was just right<lb /><lb />When no longer hot on your wrist<lb /><lb />Or to keep the nipple filled<lb /><lb />So | wouldnTt get too much air.<lb /><lb />(You'd sacrifice a dun, polyester shoulder<lb />For my relief.)<lb /><lb />London is beautiful, Dear Mom,<lb /><lb />We only stopped for the weekend<lb /><lb />On the way home from Madrid.<lb /><lb />April is the month to visit "<lb /><lb />Infant breezes blow off the famous fog<lb /><lb />And coax the tulips " red, orange, yellow " at Windsor.<lb />If spring hasnTt reached the states yet,<lb /><lb />DonTt sit too long in the cold.<lb /><lb />Flizabeth Ito<lb /><lb /></p>
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          <lb />Black Box<lb /><lb />Like bespectacled inspectors of airplane disasters,<lb /><lb />we pick through the strewn litter of bone for the whole reason;<lb />we sift through the blown letters from home for the right word.<lb /><lb />Shit-shovelers, knot-tiers and voyeurs,<lb />we argue with ourselves about lines of descent<lb />and internal collisions.<lb /><lb />We eat ourselves up in lonely diners,<lb /><lb />plug quarters into open wounds,<lb /><lb />are always wailing for justice and regret,<lb />are always about halfway between forgotten<lb />and ~help me to forget,T<lb /><lb />and our poems get flash-frozen<lb /><lb />taxiing over the ice, sucking air<lb /><lb />and trailing rubber in dubious flight,<lb /><lb />until their wings get sheared off by the innocent trees<lb /><lb />who wave like children at the end of a too short runway "<lb /><lb />(go deep for the black box;<lb />some voice must survive this end).<lb /><lb />Don Ball<lb /><lb />31<lb /><lb /></p>
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          <lb />32<lb /><lb />Goldfish Pond<lb /><lb />The building sees me<lb />up-side-down upon<lb /><lb />the waterTs surface.<lb /><lb />An exit sign,<lb /><lb />a goldfish shines<lb /><lb />in one reflected window.<lb />It rises slowly to the top<lb />of water grey with growth<lb />and nibbles on some<lb />cellophane that floats<lb /><lb />(a greenish windowpane)<lb />just beneath the surface.<lb />Like orange bricks or<lb />neon lights, they swim<lb />across the wall or light<lb />the sky as comet<lb /><lb />carp and then dissolve<lb />into the turbid heavens.<lb />Broken-toed, the lily pads<lb />list from side to side<lb />Bruises of reality<lb /><lb />upon a smooth illusion.<lb /><lb />Malynn Linton<lb /><lb />Se ee eee<lb /><lb /></p>
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          <lb />Amphibian |<lb /><lb />Gregory Shelnurr<lb /><lb /></p>
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          <lb />~5 Pajama Party<lb /><lb />Chuckie<lb /><lb />Paula Moffitt Poppe<lb /><lb />37<lb /><lb /></p>
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          <lb />COL CU UL<lb />(WL il Ulli I LLU LLU LUI<lb />AL UL<lb />Hi A Add AU Wl (lll ti ill tilt<lb /><lb />~ll i HUE A We<lb />Mi A A AH<lb />t/a] il a<lb />1 i ie ee<lb />Hoa OW H ! i |<lb />oe Y i<lb />i tA A ds<lb /><lb /></p>
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          <lb />Donna Gregory The Last Encore<lb /><lb /></p>
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          <lb />Lie «evento OOP ¢<lb /><lb />The Tenth Gate<lb /><lb />Ellen Amendolara<lb /><lb /></p>
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          <lb />44<lb /><lb />George McKim<lb /><lb />- Yee me eT<lb />o4 pct T ee<lb />o ee ae ee " c : ita maw. re a<lb />aii, a} ee ,<lb />~ ie ~~ ~<lb /><lb />Ed and Fred and Bed<lb /><lb />Ed Midgerr<lb /><lb /><lb /><lb />pall<lb />re<lb /><lb />, a mth ve &amp; | Wei ?<lb /><lb />The Undersea World of Minnesota Fars<lb /><lb />" 7 sa<lb /></p>
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          <lb />a fe Rg gil<lb /><lb />eee Tk Le<lb /><lb />a<lb />re? mh<lb />Ne vi<lb /><lb />-<lb /><lb />-&amp; ®<lb /><lb />oSARS<lb /><lb />Feat nent<lb /><lb />John Boone Self Portrait<lb /><lb /></p>
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        <p>eed<lb /><lb />WA Pe Ce a Tee,<lb /><lb />cm<lb /><lb />Michael! Tarsis Ruffian Rebound of Riverhead Rhinorhea<lb /><lb /></p>
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        <p>28s ERAN IED PUT STE NR REN A<lb />a TTA ene eR a A a a eae wna ante<lb /><lb />n.<lb />Dv<lb />&amp;<lb />=<lb />S<lb />NS<lb />Cc<lb />O<lb />mw<lb />=<lb /><lb /></p>
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        <p>The Sea and All Within It<lb /><lb />Micah Harris<lb /><lb />old fingers of white froth pulled at Grant<lb /><lb />StevensT feet. He thought of Sisyphus and<lb />watched the tide claw desperately at the sand as<lb />it was pulled back into the ocean. He wondered if<lb />his crew at the Franksonville Grill had missed him<lb />yet. Sticking his toes into the cold, wet sand, he<lb />thought of the irony of studying for over four years<lb />and then having to make hamburgers for a living.<lb /><lb />He scratched a mosquito bite on his arm and<lb />walked back toward the sand dunes. Behind them<lb />was the campsite and his nephew, Jack. Jack had<lb />been enthusiastic about fishing on the trip to the<lb />beach, but now it seemed his stiff, white cof was<lb />more appealing. Grant understood. He still<lb />remembered the pleasure of ~sleeping inT on the<lb />first official morning of summer break.<lb /><lb />The water gasped from the spigot and washed<lb />the clinging beach from his feet. As he turned the<lb />water off, a sharp zip turned his attention to the<lb />tent. Jack stepped out yawning.<lb /><lb />~Is breakfast ready yet??<lb /><lb />o! was waiting for you to get up,?T Grant said.<lb /><lb />oWhat time is it?T? Jack asked, running his hand<lb />through his oily hair.<lb /><lb />oAlmost 9:30," Grant answered. ~Why don't you<lb />go down to the bathhouse and clean up. I'll have<lb />breakfast ready when you get back.?<lb /><lb />Jack said ookay? under his breath, shook his<lb />head, and stepped back into the tent for a towel<lb />and washcloth.<lb /><lb />Fifteen minutes later Grant was watching tiny<lb />bubbles hiss and spit around strips of bacon.<lb />Turning away from the grill, Grant stared in the<lb />tent. A breeze blew through and flipped the<lb />pages of JackTs comic book like someone anxious<lb />to finish an interrupted story.<lb /><lb />The sound of breakfast cooking in the open and<lb />the smell of fading green canvas brought back<lb />memories to Grant. Although he had complained<lb />about family camping trips as a child, he now<lb />recognized them as highlights of his life. Those trips<lb />represented the unbroken family unit he no longer<lb />possessed. His father and mother died in an auto<lb />accident during his senior year in college. Although<lb />he was in his twenties at the time, he depended<lb />on their financial and moral support. He prodded<lb />the bacon. While waiting for the next semester to<lb />begin, he started working at Gabe Jackson's grill.<lb />To keep from thinking about his parents, he<lb />pushed himself into long work shifts.<lb /><lb />However, he didnTt intend for grilling hamburgers<lb />to become his lifeTs work. The teaching profession<lb />had been tied up in Franksonville when he<lb />graduated. During this time Gabe Jackson had<lb />offered him a job at the Franksonville Grill. Since<lb />he had no better prospects, Grant accepted his<lb />offer. Then Gabe suffered a stroke and Grant had<lb />to take over the management. When Gabe died<lb />later that year, his sons inherited the business. They<lb />wanted to sell the building, a move that would<lb />put Grant and three other employees out of work.<lb /><lb />The others had rallied behind Grant.<lb /><lb />oWe're all going to be out of work if you don't<lb />do something, Grant,TT Ellen Smith, a red-haired<lb />lady in her fifties said.<lb /><lb />oWhy me??<lb /><lb />oItTs your place. After all, Gabe made you<lb />manager,T?T said Maynard Smith. He had been with<lb />Gabe since he opened the grill in 1955.<lb /><lb />oYou know how the economy is, Grant. If we<lb />lose the grill, we'll all be in the unemployment line<lb />next week,T Ellen said.<lb /><lb />49<lb /><lb /></p>
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          <lb />COO MORE MARE ROOD CRL URED Le PF<lb /><lb />Grant nodded. He knew all too well how scarce<lb />jobs were in Franksonville.<lb /><lb />o| graduate at the end of this year,TT Bernie, a<lb />black student who worked part-time added. oITm<lb />counting on this money for college.?T<lb /><lb />oOkay,? Grant said. ~We'll put our heads<lb />together after we close up tonight.T<lb /><lb />After several hours of debate, they decided to<lb />pool their savings. However, the money was far<lb />below what GabeTs boys were asking. Fortunately,<lb />the bank gave them a loan. Unfortunately, they<lb />would be years paying it back.<lb /><lb />~Smells good.?T<lb /><lb />Grant turned back to see Jack coming from the<lb />bathhouse, his wet hair sticking to his head.<lb /><lb />oYou need to dry your hair or you'll get an<lb />earache,?T Grant said, turning his attention back to<lb />the bacon. ~With this breeze blowing, you<lb />know ...?T<lb /><lb />~~ThereTs always a breeze at the beach,? Jack<lb />said. He bent over his cot and straightened his<lb />comic book. As he stuck it under his pillow, he<lb />turned back to his uncle. o~ItTll be okay.?<lb /><lb />The ocean roared all during breakfast.<lb /><lb />bg he rod whined as the line pulled away and<lb />submerged in the ocean. Jack anchored his<lb />rod and reel in the sand and sat down beside his<lb />uncle in one of the shredding lounge chairs Grant<lb />had dragged from his attic.<lb /><lb />oYou think they'll be biting?TT he asked.<lb /><lb />o| don't know,TT Grant said. He sipped his watery<lb />cola and tried to locate his line. oBy the way,<lb />Jack, | was wondering if youTre going to work in<lb />tobacco this summer?TT<lb /><lb />oYeah, boy do | dread it.?<lb /><lb />Grant pushed his sunglasses up on his nose. He<lb />wished he could offer the boy a job, but he<lb /><lb />couldn't afford any part-time help. ~~Well,?? he said,<lb /><lb />oitTs not like you're going to be there forever. Like<lb />some jobs | know of,TT he added under his breath.<lb />Two girls in bathing suits walked behind them.<lb /><lb />oDonTt strain your neck,TT Grant said.<lb /><lb />Jack flashed an embarrassed grin. oI like a girl<lb />back home.?T<lb /><lb />~Have you told her about it?TT<lb /><lb />oNaw,? he said, ~| thought | saw my line jerk.TT<lb /><lb />oYou oughta go talk to those girls. DonTt put alll<lb />your eggs in one basket.?<lb /><lb />oShe, the girl back home, | mean ... sheTs<lb />already got a boyfriend.TT<lb /><lb />oListen to the voice of experience. DonTt get<lb />hung on just one girl ... you waste a lot of time<lb />that way.?<lb /><lb />oDid you ever have a hard time telling a girl you<lb />liked her?TT Jack asked, looking intently at his<lb />uncleTs face.<lb /><lb />oYeah ... too many times.?<lb /><lb />oHow did you handle it?TT<lb /><lb />~| usually didn~t ... or | made my move too<lb />late,? Grant said. He sipped the soft drink again<lb /><lb />and poured the rest onto the sand, careful to<lb />catch the half-melted ice with his finger.<lb /><lb />~Was there ever anyone special ... like<lb />Beatrice is to me??<lb /><lb />oOnce there was a girl | liked all through high<lb />school, but | never asked her out until the last<lb />week of school. She just smiled and said she was<lb />doing something that night.TT<lb /><lb />~Bummer. What did you say?T<lb /><lb />~Nothing. Hey, you got a bite!?T<lb /><lb />Jack turned his head back to his jerking rod. He<lb />grabbed it and jumped to his feet, causing his<lb />chair to fold and collapse.<lb /><lb />oReel it in!T Grant yelled.<lb /><lb />They ran into the ocean. Breakers exploded<lb />around them. From the surf they pulled a glistening<lb />fish, jerking and fighting his fate.<lb /><lb />oCan we eat him??<lb /><lb />oDon't see why not,T Grant said.<lb /><lb />Grant found a flat piece of wood bouncing<lb />between the waves and the sand. oYou bait up<lb />again,? he said. oI'll clean him here.?T<lb /><lb />He laid the fish on the wood and drew his knife.<lb />The stainless steel clicked through scales as Grant<lb />began cleaning the small catch. Tossing the head<lb />into the ocean, he glanced at Jack baiting his<lb />hook. His nephew reminded Grant of himself at<lb />age 14: irresponsible and girl shy. He smiled and<lb />thought how glad he was his brother and sister-in-<lb />law had agreed to this outing.<lb /><lb />o| got another one, Uncle Grant.?<lb /><lb />The ocean beat against shells and sand for the<lb />rest of the morning.<lb /><lb />7 hey only caught four more fish that morning.<lb />Grant cleaned the rest at the campsite and<lb />put the meat on ice. In the tent, Jack watched a<lb />game show on a small black and white television.<lb />From the picnic table, Grant couldnTt make out<lb />what the host was saying " something about a<lb />new car " but the woman he addressed was<lb />jumping like she needed to go to the bathroom.<lb /><lb />A stray dog appeared from behind the tent and<lb />walked slowly toward Grant. He had all the marks<lb />of an experienced moocher: head low, tail<lb />between his legs. Grant stroked the dogTs head.<lb />Then he opened his hand and let him lick his palm.<lb /><lb />Grant reached into the ice box, tore off a piece<lb />of fish, and dropped it at his feet. The dog<lb />touched it gingerly with his nose, yanking back as<lb />if he suspected the morsel to snap at him.<lb />Reassured, he snapped it up and trotted over to<lb />the water spigot to devour it. As he ate, he<lb />scanned the landscape nervously.<lb /><lb />Grant studied the shaggy black animal. His fur<lb />was stiff and tangled from constant exposure to<lb />the salt air. Grant wondered how the animal<lb />arrived here at Oceanview Camping. Perhaps a<lb />family had brought him because their little<lb />daughter had to have him on the camping trip.<lb />Maybe the dog had wandered down the beach<lb /><lb /></p>
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        <p>the morning they left. And when he came back,<lb />the family was gone, leaving behind only a dull<lb />gray trash can full of food scraps and two shallow<lb />trenches where their camper had rested.<lb /><lb />He didnTt know whom he felt more pity for: a<lb />little girl staring out of the back of a station<lb />wagon, hoping to see her dog running behind<lb />them or the dog who had been here for years,<lb />waiting for the camper that never returned.<lb /><lb />Grant watched the dog move over to the tent<lb />and sniff it, trying to match the scent with that of<lb />his family. If the same family drove up right now,<lb />he wouldn~t recognize them, Grant thought. The<lb />father and mother would be fat and gray and the<lb />little girl, long-legged and awkward. The little girl<lb />who now hangs posters of clean, cute puppies<lb />and tiny kittens on her bedroom walls would draw<lb />away from him in disgust.<lb /><lb />The dog crept back to Grant. Again he held out<lb />his palm. The dog understood that this meant ~no<lb />more.T He licked the palm again and looked up at<lb />Grant with dark brown eyes that stored eye<lb />matter in the corners. Grant thought of a story he<lb />had read about a dog that crossed 200 miles of<lb />wilderness to find his family. He shook his head.<lb /><lb />The dog turned and walked down the gravel<lb />road to the next campsite. He'll be here until the<lb />lot owner shoots him or a car hits him, Grant<lb />thought. On the television, the girl screamed. She<lb />had guessed Mick JaggerTs last name. The<lb />audience cheered.<lb /><lb />At least someoneTs a winner, Grant thought. The<lb />sound of the breakers became audible again.<lb /><lb />rant had gone to the bathhouse. When he<lb />GS came back, Jack was playing catch with<lb />another boy his age. |<lb /><lb />oUncle Grant, this is Jeff. His parents moved in<lb />the next lot while you were at the bathhouse.?<lb /><lb />oHi, Jeff,TT Grant smiled.<lb /><lb />oHi, we're from Virginia. We're moving down to<lb />Disney Land after we leave here,? the boy said,<lb />tossing the ball into the air. |<lb /><lb />Grant looked over at the newly-filled campsite.<lb />Their station wagonTs back window had so many<lb />state stickers on it Grant wondered how they<lb />could use their rearview mirror. The boyTs father<lb />came out of the camper and walked toward<lb />them. He was fifty-ish, overweight, and sunburned.<lb />Large, brown freckles littered his chest and back.<lb />From the tone of his voice, you would think he and<lb />Grant were long lost friends. mre ,<lb /><lb />oHow're you doing?? he asked, swinging his arm<lb />out like he was taking a back stroke before he<lb />slapped his hand into Grant's. oNameTs Joe<lb />Kolwaski ... yours?TT he commanded.<lb /><lb />oGrant Stevens,?? he said and watched the<lb />picnic bench bend under the man.<lb /><lb />Stevens, eh? | knew some Stevens from<lb />Georgia once ... You one of ~em?? He raised his<lb />left eyebrow at Grant.<lb /><lb />~No, donTt think so,TT Grant said. He rolled a<lb />huge piece of gravel with his big toe.<lb /><lb />Kolwaski sat in silence, staring at him for a few<lb />seconds. ~~Well,?? he said as he stood. The bench<lb />groaned in relief. oBe seeing you, Stevens. Maybe<lb />we can get a little deep-sea fishing in, eh?T He<lb />grinned.<lb /><lb />Grant smiled. oSee you around; have a good<lb />time.?<lb /><lb />oYeah,TT Kolwaski said and turned back to his<lb />camper.<lb /><lb />~Tf was obvious Kolwaski had!<lb />probably instiled the same<lb />obnoxious traifs in his son. Just<lb />the same, Grant hooped he<lb />hadn't offended him.<lb /><lb />KolwaskiTs loud-mouthed personality-type had<lb />always turned off Grant. He glanced to where Jeff<lb />played catch with Jack. If was obvious Kolwaski<lb />had probably instilled the same obnoxious traits in<lb />his son. Just the same, Grant hoped he hadn't<lb />offended him.<lb /><lb />His thoughts were interrupted by the sound of<lb />commotion at the Kolwaski campsite. The dog<lb />had made his round to the KolwaskisT lot. Kolwaski<lb />had his flip-flop rared back as though he was<lb />going to strike the dog. The dog was moving<lb />sideways from him with his head lowered. When his<lb />paws touched the gravel, he began a steady trot<lb />to the next campsite.<lb /><lb />The triumphant Kolwaski slid his flip-flop back on<lb />his foot and began yelling something to his wife<lb />who responded in kind. They were communicating,<lb />but to Grant every word sounded the same.<lb /><lb />Jack wanted to go with Jeff and his family to<lb />play miniature golf. Grant gave him five dollars<lb />and jokingly told him to keep the change. He<lb />decided to go to the grocery store and pick up<lb />some cold cuts for the ice chest during his<lb />nephew's absence. He stepped out of the car<lb />onto the parking lot. The black asphalt burned the<lb />soles of his feet, prompting him to take high steps<lb />to the cold, gray sidewalk. When he came to the<lb />electronically controlled door, he said oOpen<lb />Sesame?T just like he did when he was a child. The<lb />door hummed open and closed behind him.<lb /><lb />He turned the corner of aisle 9 and turned his<lb />thoughts back 14 years. He remembered racing<lb />shopping carts through IcardTs Dime Store with his<lb />pal, Johnny Smith. A tall, homely woman in a<lb />faded blue clerkTs jacket would chase them from<lb />the store. The trick was seeing how long they<lb />could race before she caught them.<lb /><lb />Grant wondered what had happened to<lb /><lb />51<lb /><lb /></p>
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          <lb />. eae SAREE ASIDSSD LASELEIASD NUE NAEOLOOSTOLE ICEDN COD sit OOS bE<lb /><lb />Ellen Moore<lb /><lb />Johnny. They had been best friends through high<lb />school, but their relationship seemed to melt away<lb />in a matter of months when Grant went away to<lb />college. When he came back on the first fall<lb />break, Johnny was dating some girl and working<lb />part-time in a hardware store. Between the two,<lb />he didnTt seem to have time for Grant.<lb /><lb />He stopped by the magazine rack to look<lb />through the magazines. Everything the stores back<lb />home had last month, this grocery store had this<lb />month. Only the TV Guide was current. The aroma<lb />of bananas and oranges perfumed its slick pages.<lb />He thumbed it, then set it back on the rack.<lb /><lb />With his purchases complete, Grant pushed the<lb />cart to the check-out counter. The clerk looked<lb />like he was about 29, GrantTs age. He was staring<lb />out the large, glass windows toward the ocean<lb />when Grant wheeled up. He jumped when Grant<lb />set the half-gallon carton of milk on the conveyor<lb />belt.<lb /><lb />The clerk smiled. oHi, howTs it going today?? he<lb />asked as he looked down at Grant's purchases.<lb />Grant noticed he could stick his fingers on the right<lb />cash register keys without taking his eyes off the<lb />conveyor belt.<lb /><lb />oPretty good,? he replied. ~How are you??<lb /><lb />oOh, the same,? the man said looking up and<lb />smiling.<lb /><lb />oThings look kinda slow.TT<lb /><lb />oThey usually are right about now, but you wait<lb />until the Fourth.TT The cash register chimed through<lb />the grocery store.<lb /><lb />oThings will pick up for a week and then calm<lb />back down again,TT he said as he began loading<lb />GrantTs groceries into a sturdy, brown paper bag.<lb /><lb />Grant reached to get his wallet from his hip<lb />pocket. ~What's it like, living here all year ~round?TT<lb /><lb />oThat'll be $7.98,?" the man said as he ripped<lb />the receipt from the register and stuck it in the<lb />bag. oWell, you can imagine itTs pretty slow most<lb />of the year, ~specially in the winter time. But | got<lb />my regular customers. They keep the store going.?T<lb /><lb />Grant handed him the money. The man touched<lb />the cash register, and it thrust its drawer at him.<lb />He slid the dollars in the proper slots and handed<lb />Grant two pennies. He slid back against the<lb />register, pushing the drawer in with his back.<lb /><lb />~Course, the only time | get a big boom in<lb />business is the week of the Fourth. But itTs usually<lb />better from the beginning of June to the end of<lb />September. Some of the older folks have<lb />permanent trailers down at the campground, and<lb />they stay most of the summer. So | get business<lb />from them. And then there are the campers ...<lb />you a camper??<lb /><lb />Grant nodded and began gazing out the huge<lb />glass windows.<lb /><lb />~Thought so. Didn~t think I'd seen you around.<lb />Yeah, campers give me pretty good business, but<lb />they usually clear out by Labor Day weekend. So<lb />you're on vacation. What's your business?TT<lb /><lb />52<lb /></p>
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        <p>~|, uh, manage a hamburger grill,TT Grant said.<lb /><lb />The man laughed. ~Sounds exciting from where<lb />I'm sitting.?<lb /><lb />oDo you own this place??<lb /><lb />oMe? No, uh-uh, this is part of a chain that goes<lb />throughout the South. Hadn~t you ever heard of<lb />~Food EmporiumT before??<lb /><lb />oNo, ~fraid not. Guess they haven~t made it to<lb />the metropolis of Franksonville yet.?<lb /><lb />He laughed again. ~Well, anyway, ITm just hired<lb />help. Been here for three years, but it feels like<lb />forever. | been doing small jobs for a living ever<lb />since | graduated from high school.?<lb /><lb />oWhy didnTt you go to college,TT Grant asked.<lb /><lb />~Married my high school sweetheart, and within<lb />a year, | had a small family to support. | had<lb />intended to take night courses, but, you know, it<lb />just never worked out.?<lb /><lb />oWell, youTre probably just as well off,? Grant<lb />said as he lifted the grocery bag. ~So far the best<lb />thing college has done for me was to keep me<lb />out of Viet Nam.?<lb /><lb />~Just the same, | wonder some time if things<lb />would have been different ... better. Well,<lb />anyway, ITm stuck here now.?<lb /><lb />oYeah, stuck here with a woman who loves you<lb />and a child. You could be a whole lot worse off,<lb />man.?<lb /><lb />The man smiled again. oYeah, guess you're right.<lb />Listen,T he said as Grant started to leave. oIt was<lb />nice talkinT to you.?<lb /><lb />oYou too,TT Grant said.<lb /><lb />The door hissed shut. In a few minutes Grant was<lb />driving back to the campsite. In the store, the<lb />clerk was staring out the large glass window.<lb /><lb />ack had returned with the Kolwaski family at<lb /><lb />sundown. Grant suggested roasting hot dogs<lb />and marshmallows. Jack enthusiastically agreed,<lb />and they ate and talked for 30 minutes.<lb /><lb />oUncle Grant, most hot dogs are more red than<lb />black after they're cooked,? Jack said.<lb /><lb />oWhat do | know about cooking hot dogs? | run<lb />a hamburger grill, remember? Since when did you<lb />become a connoisseur of frankfurters??T<lb /><lb />Jack glanced at his wristwatch. oHey, itTs about<lb />time for cartoons.?<lb /><lb />~Ah, come on, Jack,TT Grant said as his nephew<lb />unzipped the tent and flicked on the television.<lb />oWe're supposted to be getting away from it all<lb />Can~t you do without television for two days?<lb /><lb />~| hate missing this show.? |<lb /><lb />oYou've seen those cartoons at least five times<lb />each.? }<lb /><lb />o| still get a kick out of ~em,? Jack said as he<lb />popped a white-brown marshmallow in his mouth.<lb />~oWouldnTt you like to take a walk down the<lb /><lb />beach instead??<lb /><lb />oThe beach will be there when my show goes<lb />off.?T<lb /><lb />Grant sighed and went to the spigot to get<lb /><lb />water to put out the fire. The water had just<lb />begun to gurgle into his plastic bucket when the<lb />dog returned to the campsite.<lb /><lb />Grant turned off the water. oHi there, boy.TT<lb /><lb />The dog trotted after him with his tongue<lb />hanging from his mouth. Grant poured the water<lb />on the coals. The hiss made the dog jump behind<lb />him.<lb /><lb />~ooWhereTd the dog come from?? Jack asked.<lb /><lb />~He was here earlier. | thought heTd like some of<lb />those hot dogs you turned your nose down at.?<lb /><lb />oHope the Humane Society doesnTt catch on to<lb />you,T Jack said as he stuck another marshmallow<lb />in his mouth.<lb /><lb />Grant sat down on the edge of the lounge chair<lb />and fed the dog the meat. After he finished<lb />eating, the dog laid down at his feet. To Grant's<lb />surprise, Jack suddenly appeared at his side and<lb />began to rub the dog's tangled coat.<lb /><lb />o| thought you were watching television.TT<lb /><lb />oAww, I've seen that cartoon before. Does this<lb />dog belong to anybody?TT<lb /><lb />~| believe he used to. Probably was a pretty<lb />dog at one time,TT Grant answered.<lb /><lb />oSure is friendly,T Jack said.<lb /><lb />oAnd hungry,TT Grant added.<lb /><lb />oYou think somebody left him here?T<lb /><lb />oItTs possible.?<lb /><lb />Jack scratched the dog behind his ear. ~Kinda<lb />sad, isn't it. To just be leff on your own one day,<lb />after you've depended on other people for so<lb />long.?<lb /><lb />oYeah, real sad,? Grant said, staring toward the<lb />ocean.<lb /><lb />oHey, do you think we can take him home?T<lb />o|... donTt think so, Jack. Your Mom and Dad<lb />would have a fit. And | canTt afford to feed him.TT<lb /><lb />oYeah, | didnTt think of that.?T<lb /><lb />As if this were his cue, the dog rose fo his feet,<lb />grinned at Grant and Jack, and trotted toward<lb />the beach.<lb /><lb />t was dark now. Across the road, other campers<lb /><lb />sat in yellow light, under mosquito netting,<lb />playing cards. A car crept down the road, gravel<lb />cracking and popping under its wheels. In their<lb />tent, Grant and Jack had just finished watching a<lb />situation comedy.<lb /><lb />oLetTs walk down to the pier.?<lb /><lb />Grant zipped open the tent flap and stepped<lb />into the cool night air. Looking behind, he saw<lb />Jack click off the television and take off his tennis<lb />shoes. The light on the screen faded until only a<lb />small circle of light beamed sharply in the middle<lb />of the darkness<lb /><lb />oLetTs go,TT Jack said.<lb /><lb />There was no moon that night and a thick fog<lb />was forming on the ocean, making it impossible to<lb />distinguish the ocean from the horizon, The<lb />rhythmic crash and sigh of the waves and the cool<lb />sand beneath their feet were the only things that<lb /><lb /></p>
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          <lb />reminded them they were on the beach. It<lb />seemed to Grant they were walking through a<lb />huge vacuum. The camp was in another world.<lb /><lb />At first they chose to walk on the wet sand, but<lb />as the tide crept up the shore, they were forced<lb />to walk on higher and drier ground. The sand stuck<lb />and chafed between their toes. Ahead of them<lb />was the pier, glowing in the distance in a soft helix<lb />of white/blue.<lb /><lb />Suddenly, they were aware of a ball of light<lb />moving toward them. As they moved closer, two<lb />women and two dogs materialized from the<lb />darkness. The women were old. The dogs ran to<lb />Grant and Jack, sniffing them.<lb /><lb />oBuffy! Liza!lT? one woman called.<lb /><lb />oItTs okay,TT Grant said. Jack reached down and<lb />stroked one of the small dogs.<lb /><lb />The women smiled. ~~Come on,TT the woman<lb />called in the tone of voice people use on their<lb />children when they start walking. She slapped her<lb />thighs. ~~LetTs go.?<lb /><lb />The dogs followed the women down the beach<lb />and soon only the floating ball of light was visible.<lb /><lb />They climbed the steep flights of stairs that led<lb />to the small pier restaurant and onto the pier.<lb />Along the sides people were in small groups<lb />fishing. One man was cleaning his catch over a<lb />crude sink, while his wife held a small hose over<lb />the fish. A strange silence hung over the pier,<lb />broken only by drifting voices and the plop of a<lb />dropped line.<lb /><lb />The end of the pier was rounded into a large<lb />platform. A sign demanding ~~No Children Past This<lb />PointTT hung from a post in the middle of the<lb />platform.<lb /><lb />A child stepped from behind the post and<lb />announced, ~~We got a shark. You wanna see it??<lb /><lb />oSure,T? Jack said. Grant nodded.<lb /><lb />From a metal chest the boy pulled a pair of<lb />shark jaws. Strands of red meat still hung from<lb />them.<lb /><lb />oThis is all we got left after we skinned him,TT the<lb />boy explained.<lb /><lb />~We threw the skin over the side,TT another<lb />voice said. Grant looked up to see an older boy<lb />moving towards them. ~~Sure am proud of it,TT he<lb />said, tilting his head back and taking a swig of his<lb />soft drink. oLet me tell you, he didnTt want to go<lb />... Put up a fight all the way, but he was a goner<lb />from the start.?T<lb /><lb />Grant faked a smile and gazed over the side<lb />into the still, black water. He watched the pier<lb />sway lethargically like some beached sea monster,<lb />waiting for death. A light breeze brushed his face.<lb />Standing here with endless darkness before him, he<lb />felt as though he was at the edge of time and<lb />space. He shut his eyes to the darkness, and for a<lb />moment, the problems of the past and future no<lb />longer mattered.<lb /><lb />~You ready to go, Uncle Grant?? a voice<lb />behind him asked.<lb /><lb />He opened his eyes and found himself still on the<lb />creaking pier at JacksonTs Beach. He looked at his<lb />yawning nephew.<lb /><lb />oSure, letTs go.?T<lb /><lb />Now they walked away from the pier and the<lb />light toward the camp and the dark. Above them<lb />the fog had come in and hovered over their<lb />heads. Grant looked at his nephew beside him, still<lb />young and protected, but on the verge of<lb />crossing the line between boy and man. To him<lb />the darkness was no more than darkness and the<lb />ocean not more than sea.<lb /><lb />oDo you know what that is?TT he asked,<lb />gesturing toward the ocean he could not see but<lb />felt slipping under his feet.<lb /><lb />Jack grinned. oDonTt you know what it is?TT<lb />Grant was quiet. He thought of stray dogs and<lb />little girls, and grocery clerks and best friends, and<lb />most of all, of sharks and people who fought the<lb />inevitable, more out of desperation than courage.<lb /><lb />oI've known all along,?T he said. o| just didnTt<lb />want to admit it to myself.T<lb /><lb />They said nothing for the rest of the walk. Long<lb />after Jack had gone to sleep, Grant lay awake,<lb />listening to the roaring of the sea. K<lb /><lb />54<lb /></p>
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          <lb />Dancing with the King<lb /><lb />Robert Waldrop<lb /><lb />55<lb /><lb /></p>
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        <p>The Nature of Minority: In Three Voices<lb /><lb />Land of mill<lb /><lb />and Yahweh God,<lb /><lb />convenant upon convenantr.<lb />Abraham feared to go childless.<lb />This lead him to count the stars<lb />and almost kill Isaac. | remember.<lb />ir males sense.<lb /><lb />In the vision quesr,<lb /><lb />my fasting rook shape as bear,<lb />and | climbed the hills like shadow<lb />to bring home rhe cure<lb /><lb />of stone, fearher, bone.<lb /><lb />and soft buckskin.<lb /><lb />The Dakota and Arapaho<lb /><lb />had been called to Fort Laramie.<lb /><lb />My city friend writes Mother Goddess<lb />stuff " how disranr Greeks<lb />dreamed the woman dream<lb />collective. | add a o~pTT to Sapho<lb /><lb />on the bathroom wall, trying<lb /><lb />to dig it into wood<lb /><lb />with pencil.<lb /><lb />He balks ar forming lines.<lb /><lb />Screams exodus,<lb /><lb />screams memory.<lb /><lb />Says o~Moses led my people.?T<lb /><lb />Says it again. ~My people.?<lb /><lb />, He is neatly numbered abour midway<lb />} berween wrist and elbow.<lb /><lb />First | want your name.<lb /><lb />| Now tell me which tribe,<lb /><lb />whar council, whar treary.<lb /><lb />Then you may sit and share my drink.<lb />| rell rhe kids,<lb /><lb />oTonroTs name was Jay Silverheels,<lb /><lb />a local boy.?T<lb /><lb />She is too old ar eighteen, too much<lb /><lb />ar ease with dangers, foo used to betting.<lb />We have ren bers. She keeps score<lb /><lb />in a blue notebook. She says<lb /><lb />thar | will die at thirry a lonely woman.<lb /><lb />| say she will die at twenty-five.<lb /><lb />She warns me with her eyes<lb />nor to rouch her.<lb /><lb />56 Lisa Ryan<lb /><lb /></p>
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        <p>M = 16&amp; 8x*<lb /><lb />=<lb /><lb />The curtains slowly draw shur.<lb />Midday sun gropes for a hold on the room<lb />groping the bedTs down mattress.<lb />Housecoat opens ro unheard Music.<lb />Yielded breast and stomach glow in the filrered light;<lb />soft flesh smelling of lavender<lb />is feverish to be touched, caressed.<lb />A hand slowly,<lb /><lb />carefully<lb /><lb />traces taur skin of the buttocks.<lb />Feeling pleasures unknown,<lb />breathing increases with the hear of July.<lb />| wish | were sixteen again ...<lb />~. and Aunt Mildred srill thirty-two.<lb /><lb />Marty Hardin<lb /><lb />Physical<lb /><lb />Love is a disease of the throat<lb />You cough and hear my whispers<lb />Moan thar | have power<lb /><lb />Bur this is like a colder day<lb /><lb />When | salivate and spit<lb /><lb />Over lost and invisible words<lb /><lb />Sam Silva<lb /><lb />57<lb /><lb /></p>
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          <lb />Years Ago<lb /><lb />Here | go again<lb /><lb />Up and down alone<lb /><lb />All my friends have gone.<lb />Years ago.<lb /><lb />All my toys are broken<lb />And so | am inside mom<lb />The carnival has closed<lb />Years ago.<lb /><lb />I'm a little boy<lb /><lb />Now, ITm a great big man<lb /><lb />No, letTs be a little boy<lb /><lb />Just a while longer<lb /><lb />Maybe an hour.<lb /><lb />No, | think itTs time to go home<lb />Isn't that our mom calling.<lb /><lb />Keith Carter<lb /><lb />The Sayings of Them All<lb /><lb />Ludicrous, these wise men.<lb />Wishing me ephemeral, vapor;<lb />Casting me solid, one.<lb /><lb />steam rolls out my eyes,<lb />Condenses on the cold bronze<lb />Of my rounded belly,<lb /><lb />Rolls down to where<lb /><lb />| have no feet,<lb /><lb />To where this pool<lb /><lb />Gathers, formed by drops<lb /><lb />Of soft litany.<lb /><lb />Lisa Ryan<lb /><lb /></p>
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          <lb />The Antique Srore<lb /><lb />Kay Lamb<lb /><lb />59<lb /><lb /></p>
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          <lb />Hog Kill<lb /><lb />Ray Elmore<lb /></p>
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        <p>Winter Solstice<lb /><lb />Keith Stallings<lb /><lb />Mark stepped from the school bus and turned to<lb />look back at Toby. Above the rapidly reddening<lb />handkerchief that Toby held to his nose, Mark<lb />Could see the pain and hatred he was feeling<lb />reflected in TobyTs eyes. They were the best of<lb />friends and had just finished the worst fight of their<lb />lives. It was the first time they had really tried to<lb />hurt each other; before their fights had always<lb />been victorless wrestling matches. As the bus<lb />pulled away, Mark tried to wave to Toby and say<lb />he was sorry. His attempt was futile, for Toby<lb />turned away and held the handerchief more<lb />tightly to his nose.<lb /><lb />oBoy, DaddyTs gonna tan your hide for fighting<lb />on the bus,?? said Lisa, MarkTs younger sister.<lb /><lb />Mark kicked a rock and started walking down<lb />the long path to their house. He watched two<lb />doves fly over and pointed his arm at them as<lb />though it were an imaginary shotgun. The doves<lb />paid no heed but raced against the gray winter<lb />sky, seeking shelter for the night and its attendant<lb />freeze.<lb /><lb />oEspecially since you tore your shirt. He's gonna<lb />kill yalTT said Lisa and giggled. |<lb /><lb />Mark fingered the torn collar of his shirt and tried<lb />to dust off his clothes. He hadnT~t realized how<lb />nasty the fight had made him. He looked up the<lb />long, potholed lane to the house. His father stood<lb />On the side porch.<lb /><lb />oSure wouldnTt want to be in your pants. No<lb />way. You~re doomed.?T Lisa tinged her youthful<lb />voice with all the solemnity possible.<lb /><lb />oShut up,T said Mark. o| wouldna even been in<lb />no fight if it wasnTt for you. You just had to stick<lb />your tongue out at Toby, didnTt you??<lb /><lb />oHe pulled my hair first!T said Lisa, with all the<lb />indignation she could muster.<lb /><lb />o| saw it all. | donTt want to hear any more,?<lb />said Mark.<lb /><lb />oHe hit me first!TT she said.<lb /><lb />o| donTt want to hear it,T he said.<lb /><lb />oWell he did!T she stomped her foot for<lb />emphasis.<lb /><lb />o| said | saw it. You stuck out your tongue, he<lb />pulled your hair, you hit him, he hit you. Now donTt<lb />say another word.? Mark zipped his coat against<lb />the cold as he spoke. He looked at the gray sky<lb />and shuddered inwardly at thoughts of possible<lb />snow for tomorrow.<lb /><lb />oHope he fries the skin off you,? said Lisa.<lb /><lb />They continued walking to the house. Every time<lb />Lisa tried to speak, Mark just looked at her with his<lb />eyes narrowed. He felt it was his meanest look.<lb />Their father was still on the porch as they walked<lb />up the steps. His coat was unbuttoned as though<lb />he was impervious to the chilly breeze. Mark pulled<lb />his coat collar up around his neck to hide his torn<lb />shirt.<lb /><lb />~Change your clothes and come help me get<lb />things ready for tomorrow,? said their father to<lb />Mark. ooGotta get out the washpots, put down the<lb />scalder, and chop more wood than you've ever<lb />seen.T A light smile crossed his face, and his hazel<lb />eyes twinkled.<lb /><lb />61<lb /><lb /></p>
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          <lb />oDaddy, you sure enjoy making me work,<lb />dontcha?? said Mark as cheerfully as possible.<lb /><lb />oItTs good for ya,?T his father said and patted<lb />MarkTs shoulder as he walked by.<lb /><lb />~Mark got into a fight on the bus!? blurted Lisa.<lb />oTore his shirt!TT<lb /><lb />oYou did what, boy?? said their father, spinning<lb />Mark around. His hazel eyes had turned steel gray<lb />and no trace of the smile remained. oLet me see<lb />where you tore your shirt. Who were you<lb />fighting?TT<lb /><lb />Mark showed his father the torn collar. ~| was<lb />fighting Toby,TT he said.<lb /><lb />oThought y~all was friends,TT said his father,<lb />fingering the collar. ~You know what | always told<lb />you. Come on, you're about to get more than a<lb />torn collar. What were you two fighting about,<lb />anyway?TT<lb /><lb />~He pulled LisaTs hair and hit her,TT said Mark.<lb /><lb />oThat's right!TT said Lisa. oHe hit me.?<lb /><lb />oYou always said for me to protect her,<lb />Daddy,? said Mark. ~| donTt ever fight, do |??<lb />Knowing what lay in store for him made Mark<lb />plead almost frantically.<lb /><lb />oLittle girl, what did you do to make Toby pull<lb />your hair and hit you?TT asked their father. ~| know<lb />Toby. He wouldnTt do something like that unless<lb />you started it.?<lb /><lb />o| didn't do nothing,TT protested Lisa.<lb /><lb />~What'd she do, boy?TT he asked Mark.<lb /><lb />oDaddy ",TT began Mark.<lb /><lb />~| donTt want to hear it. What'd she do?? his<lb />fatherTs voice became as stern as Mark had ever<lb />heard it.<lb /><lb />Better tell him, Runt,TT said Mark,<lb /><lb />oNothing! | didnTt do nothing!TT Lisa was<lb />practically screaming now. ~Daddy, | didnTt do<lb />nothing! | swear, Daddy ".?T<lb /><lb />oYou what! You swear??T their father glowered<lb />at Lisa.<lb /><lb />~Daddy! No, please! ITm sorry. | didnTt mean it.?T<lb />she was almost hysterical.<lb /><lb />~Go tell your mama what you did to Toby. Tell<lb />her you were just swearing at me.? He turned and<lb />walked down the steps, at the bottom he turned<lb />back to Mark. ~~Change your clothes, boy. Lots of<lb />work to do.?T<lb /><lb />oYes sir,? said Mark. He felt the weight of doom<lb />lift from his shoulders. He walked over to the door.<lb />oYou better come on, Runt,?T he said softy. oGet it<lb />over with.?<lb /><lb />oDonTt call me that,?T her voice cracked, and<lb />she began crying as she walked to the door.<lb /><lb />Mark went to his room and began changing<lb />clothes. Only the kitchen and living room were<lb />heated in the large farm house, and MarkTs room<lb />was frigid with the winter chill. He changed quickly.<lb />He would have put on his boots in the warm<lb />kitchen, but LisaTs screams from there gave notice<lb />of a scene Mark didnTt care to witness. As he sat<lb />on the steps lacing his boots, Lisa walked out<lb /><lb />through the kitchen door that opened onto the<lb />porch. she was still sniveling.<lb /><lb />oIt couldna been that bad,?T said Mark.<lb /><lb />Lisa looked at him with more hatred than should<lb />have been possible for a ten-year old. oSomeday<lb />you'll die,? she said and walked to the end of the<lb />porch.<lb /><lb />Mark shook his head and began walking to the<lb />barn where his father was getting out the large<lb />cast-iron pots. As he walked across the yard, Mark<lb />wished for a pair of gloves to protect his hands<lb />from the cold. He pulled his toboggan lower on his<lb />ears and stuffed his hands deeper within his<lb />pockets. Tomorrow everyone would be here for<lb />the hog killing, and this evening Mark and his<lb />father had to make all the preparations for the<lb />next dayTs work.<lb /><lb />They set up the pots in the yard to heat water<lb />and render the lard, then they dug the trench<lb />over which to set the large trough-like scalder.<lb />Tomorrow they would build a fire under the<lb />scalder and soak the freshly killed hogs in the hot<lb />water. This would loosen the hair on the carcasses<lb />enabling the men to remove it and clean the<lb />dead hogs.<lb /><lb />While MarkTs father erected the gallows from<lb />which the hogs would hang while they were being<lb />gutted, Mark got out the shelled corn to feed to<lb />the hogs. Hearing the buckets rattling, the hogs<lb />pressed against the fence, grunting and squealing<lb />IN anticipation. Mark called to the hogs and shook<lb />the buckets. The hogs stampeded back and forth<lb />along the fence in response to MarkTs teasing.<lb /><lb />Mark emptied the buckets into the long trough<lb />and the hogs drove their snouts into the corn. He<lb />scratched their ears and mud-caked backs,<lb />talking to them in a low voice. The hogs seemed<lb />to answer him with their deep, guttural, satisfied<lb />grunting. Mark had fed these hogs in the same<lb />manner for almost a year. The care and safety<lb />was his responsibility; he worked hard to make sure<lb />he met their needs.<lb /><lb />After doing these chores, MarkTs father handed<lb />him an axe, a sledgehammer, and an iron wedge.<lb />Mark faced the woodpile. It seemed to tower<lb />above him, but actually he could see across it<lb />easily. NowTs when | get warm for a change, Mark<lb />thought. He walked up to the woodpile and lay<lb />down his tools.<lb /><lb />oT'll call you when your supperTs ready,TT his<lb />father said.<lb /><lb />oYes sir,T said Mark.<lb /><lb />oWood's the only thing that can heat yOu up<lb />twice,?T said his father. oOnce when you cut it and<lb />once when you burn it.T His voice had once again<lb />taken on a jovial sound.<lb /><lb />Maybe making me work is the only thing that<lb />makes him happy, thought Mark. He remembered<lb />how his father had hardly spoken to him as they<lb />had worked during the evening. Mark wondered if<lb />his father was angry with him about the fight or<lb /><lb />62<lb /><lb /></p>
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          <lb />oThe clouds hung from the sky lke dark<lb />velvet " ominous in portent, brooaling in<lb /><lb />qopearance.<lb /><lb />Nice weather for a hog killing ...~<lb /><lb />about not whipping him for the fight. Mark<lb />continued chopping wood; the exertion so<lb />warmed him he removed his jacket despite the<lb />near-freezing temperatures. He wondered why his<lb />father was not helping him with the chopping.<lb />Usually, his father would be doing most of the<lb />work, and Mark would be helping him. But this time<lb />his father had gone to the house, leaving Mark to<lb />do all the work. Mark couldn't figure it out; he<lb />knew his father wasnTt lazy. He drove the wedge<lb />into a piece of oak and wiped sweat from his<lb />eyes. Slowly the pile of unchopped wood<lb />dwindled. But no matter how fast Mark worked, he<lb />couldnTt make the pile of wood shrink fast enough<lb />to suit himself.<lb /><lb />Mark heard his father step out onto the porch. In<lb />one hand he carried a whetstone, in the other<lb />hand he held an array of Old Hickory butcher<lb />knives. His father sat on the steps and began<lb />sharpening the knives, paying no attention to<lb />Mark. Between chopping the wood and wiping<lb />sweat, Mark would occasionally glance at his<lb />father. He noticed how his father almost lovingly<lb />caressed the whetstone with the knives. Gently<lb />and painstakingly bringing each blade to its<lb />ultimate sharpness. Mark felt proud of his fatherTs<lb />devotion to perfection. HeTs like that in everything<lb />he does, thought Mark.<lb /><lb />The last knife MarkTs father sharpened was the<lb />double-edged, sticking knife. Its only use was to<lb />stick the hogs in the neck after they were shot in<lb />the head. MarkTs father showed even more<lb />attention to its sharpening than he had to the<lb />other knives. That oneTs got to be perfect,<lb />thought Mark. He remembered the many times he<lb />had seen his father use the knife. How the blood<lb />would spurt from the hogsT throats, sometimes<lb />drenching his fatherTs arm before he could remove<lb />the knife. When ITm a man, they'll let me shoot<lb />and stick the hogs, thought Mark.<lb /><lb />His father finished sharpening the knife and<lb />stood. oYou about ready for supper, boy?TT he<lb />asked Mark.<lb /><lb />Mark dropped the axe and gave a weary, but<lb />hearty, ~Yes, sir.TT He picked up his coat and<lb />stretched his aching back muscles. Looking up,<lb />Mark noticed the gray clouds had become even<lb />heavier. Now they hung from the sky like dark<lb />velvet " ominous in portent, brooding in<lb />appearance. Nice weather for the hog killing<lb />tomorrow, thought Mark sarcastically. We'll freeze<lb />for sure. He slung his coat over his shoulder and<lb />walked to the house.<lb /><lb />Lisa and their mother had already eaten, so<lb />Mark and their father sat down at the kitchen<lb />table alone. They had hardly begun eating when<lb />MarkTs Uncle Luke drove up in his truck. MarkTs<lb />father rose from the table and went to greet his<lb />brother. Entering the kitchen, MarkTs mother sat<lb />across from Mark at the table.<lb /><lb />oHow was school today?T she asked.<lb /><lb />oIt was okay, | guess,TT said Mark. *~Mama, ITm<lb />sorry about the shirt.?<lb /><lb />oNo need to worry. I'll fix it,oT she said.<lb /><lb />oBut you already got too much to do, especially<lb />with the hog killing tomorrow,? he protested.<lb /><lb />~Never too much to keep from doing something<lb />for my boy,T she said and patted his hand.<lb /><lb />MarkTs father and uncle were talking on the<lb />porch just outside the kitchen window. *Yeah,?T<lb />said MarkTs father, ~ooeverythingTs ready for<lb />tomorrow. The boy got plenty of wood chopped.?<lb /><lb />~| noticed,?T said MarkTs uncle. oLooks like heTs<lb />been chopping for a week.TT He spat tobacco<lb />juice off the porch.<lb /><lb />~| wish he wouldnT~t do that,TT said Mark's mother.<lb />oIt makes the nastiest mess to clean up.?<lb /><lb />~| let him chop it this evening instead of<lb />whipping him for a fight he got in on the bus,? said<lb />MarkT~s father.<lb /><lb /></p>
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          <lb />Mark looked out the window. oEat your supper,<lb />son,TT said his mother.<lb /><lb />oYou ain~t getting slack with the boy now are<lb />you, Matthew?? asked MarkTs uncle.<lb /><lb />Mark dipped his fork into his mashed potatoes.<lb />He glanced from the corner of his eye out the<lb />window.<lb /><lb />oNo, | ain~t getting easy with him. | always raised<lb />my kids right,?T said his father from the porch. ~You<lb />oughta remember that boyTs fifteen now. Almost a<lb />man. Can~t go beating on him all the time.<lb />Anyway, chopping all that wood taught him a<lb />lesson, if heTs got sense enough to realize it.?<lb /><lb />oDid you have any tests in school today?TT<lb />MarkTs mother asked him. He took another bite of<lb />ham.<lb /><lb />~No, ma~am,?T he said and strained to hear<lb />every word from the porch.<lb /><lb />oYeah, but you canTt let him get in fights all the<lb />time. You got to teach him that yourself, and<lb />thereTs only one way to drive that lesson home,?T<lb />said MarkTs uncle.<lb /><lb />oDid you talk to Barbara today?? asked his<lb />mother. oShe seemed real sweet on you at<lb />church, Sunday.TT<lb /><lb />~| saw her,?T said Mark.<lb /><lb />oLuke,? said Mark's father, othe boy was going<lb />to take that whipping today when it was Lisa who<lb />deserved it all along. The boy got into that fight<lb />trying to protect her after she had been her usual,<lb />cantankerous self. | donTt know what ITm going to<lb />do with her, but with Mark, | ainTt too worried. HeTs<lb />gonna be alll right.?<lb /><lb />~What did you say to Barbara?? asked his<lb />mother.<lb /><lb />oNothing much,? said Mark. he wished she would<lb />stop aggravating him. He wanted to hear what<lb />was being said on the porch.<lb /><lb />oWhat did Ruth think about it?TT asked Mark's<lb />uncle.<lb /><lb />oShe thought | did the right thing. That boyTs a<lb />dang good one. Not many woulda been willing to<lb />take a tanning their little sister deserved,? said<lb /><lb />MarkTs father. oHe didnTt whine or nothing, just<lb />seemed like he was gonna take it ... ?<lb /><lb />~Why donTt you ask your father if heTll give you<lb />and Barbara a ride to the movies, saturday,TT said<lb />MarkTs mother. oITm sure he would.? Mark went<lb />back to eating.<lb /><lb />oMaybe,? he said.<lb /><lb />oYeah, | guess Mark is getting to be a man,?<lb />said his Uncle Luke. o~Reckon heTs ready to do the<lb />shooting tomorrow??<lb /><lb />o| wonder what's playing at the movies,? said his<lb />mother. She poured Mark some more coffee.<lb /><lb />oHeTs a mighty good shot with that .22,? said<lb />MarkTs father. ~Guess itTs about time he learned<lb />what itTs like to really have to provide for a<lb />family .?T<lb /><lb />o| used to love Garbo,? said MarkTs mother.<lb /><lb />~First time | ever looked a hog in the eye<lb />through a rifle site, | was shaking like a leaf,? said<lb />MarkTs uncle.<lb /><lb />oAnd Cary Grant,TT said his mother.<lb /><lb />~Me too,? said his father. oUncle Abraham gave<lb />me the rifle and the knife. | was seventeen. Never<lb />seen a hog bleed so much ".?<lb /><lb />~Who do you like?? asked his mother.<lb /><lb />~Huh? Oh, uh, Dustin Hoffman,T said Mark and<lb />drank some coffee.<lb /><lb />o| think he can handle it,TT his father was saying.<lb /><lb />oAnyone else?? his mother asked.<lb /><lb />oJill Clayburgh,TT he answered.<lb /><lb />oSee ya tomorrow,? said MarkTs uncle. He<lb />stepped from the porch. oReal early.TT<lb /><lb />oYeah, real early. If it donTt snow,? answered<lb />Mark's father, following him. Mark strained to hear<lb />the rest of their conversation.<lb /><lb />oItTs not polite to eavesdrop,T said Mark's<lb />mother.<lb /><lb />Mark leaned over his plate and continued<lb />eating. He heard his father coming back up the<lb />steps. His mother stood and walked to the sink.<lb />Mark stabbed a piece of ham with his fork and<lb />held it before his eyes. R<lb /><lb /></p>
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          <lb />Kay Lamb New England Cellar<lb /><lb />65<lb /><lb /></p>
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          <lb />ha<lb />GY<lb />ose<lb />YA<lb />?"?<lb />1e)<lb />=<lb />\<lb />5<lb />&amp;<lb />Lj<lb />QO<lb />=<lb />Peal<lb />CF<lb />a<lb />=<lb />Le)<lb />.<lb />ie)<lb />S$<lb />"~W<lb />BS<lb />©<lb />O<lb />V,)<lb />&amp;<lb />a<lb />G<lb />ss<lb />..<lb />~<lb />6<lb />a<lb /><lb />Billy Walker<lb /><lb /></p>
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        <p>y<lb />=<lb />é<lb />é<lb />U<lb />a<lb />S<lb />2<lb />&amp;<lb /><lb />cla<lb /><lb />Billy Walker<lb /><lb /></p>
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          <lb />Los Angeles 12 Noon<lb /><lb />Am I supposed to stare sorrowfully<lb />Or should I sing sardonically?<lb />Maybe I'll just plunge headfirst<lb />Passively<lb /><lb />Into the gray ocean<lb /><lb />Above this star-studded city.<lb /><lb />Chlorine always hurt my eyes<lb /><lb />Guess itTs no surprise.<lb /><lb />That I should squint tearfully<lb />At the sulking, saturated city.<lb />Perhaps I should call the cops,<lb />Who knows<lb /><lb />Maybe theyTll shoot the trash<lb /><lb />And clear this hovering gray cloud<lb /><lb />Over L.A.<lb /><lb />Mark Kemp<lb /></p>
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          <lb />§<lb />4<lb />6<lb /><lb />Rp<lb /><lb />THE CITY Hi<lb /><lb />i<lb /><lb />NYC<lb /><lb />no sleep<lb /><lb />rattling to your very bones<lb /><lb />all day, all night<lb /><lb />riddled with holes like Swiss cheese<lb />NYC<lb /><lb />big rock<lb /><lb />covered with cement<lb /><lb />and braced with steel<lb /><lb />crawling with human race<lb />NYC<lb /><lb />dirty<lb /><lb />trash in streets, alleys and<lb />lights in sky<lb /><lb />so colorful you are<lb /><lb />NYC<lb /><lb />glowing<lb /><lb />with music, art, attitude<lb />teeming with activity<lb /><lb />bursting with life<lb /><lb />NYC<lb /><lb />crowded<lb /><lb />cars and people line the streets<lb />so much flesh and metal<lb /><lb />rot in your bowels<lb /><lb />NYC Gary Patterson<lb />sO ironic<lb /><lb />how could you be<lb /><lb />so beautiful and<lb /><lb />so ugly.<lb /><lb />fetetc(afetatal (ijalag<lb /><lb />fatal<lb /><lb />Edith Jeffreys<lb /><lb />69<lb /><lb /></p>
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          <lb />70<lb /><lb />Jal<lb /><lb />You dance around,<lb /><lb />new Buster Browns clicking on hardwood floors.<lb /><lb />We struggle you into red, Smurf-peaked parka.<lb />Blue mittens come alive,<lb /><lb />wrap around your neck and arms.<lb /><lb />You stamp and squeal, frustrated.<lb /><lb />Finally, mittens conquered,<lb /><lb />| take your yarny hand,<lb /><lb />Run!<lb /><lb />Reds, yellows, oranges, browns<lb />explode around us.<lb /><lb />Crisp, crinkling,<lb /><lb />their sounds mix<lb /><lb />with soprano squeak and alto laugh.<lb /><lb />| call, ~~Look Jai. Come see.?<lb /><lb />as a black V gooses and honks south.<lb />No answer.<lb /><lb />| look down at the pile.<lb /><lb />One mitten, small, lonely, blue<lb />floats on top.<lb /><lb />Grab the mitten,<lb /><lb />Pull!<lb /><lb />It comes up<lb /><lb />idiot string dangling<lb /><lb />as chill wind pushes around me<lb />scattering our pile.<lb /><lb />Clutching your mitten,<lb /><lb />| call again. Again.<lb /><lb />Colors fly up,<lb /><lb />startled birds.<lb /><lb />You rise, triumphantly snickering.<lb /><lb />Reds, yellows, oranges, browns<lb /><lb />stick to long, gilded pig tails,<lb /><lb />red parka, solitary mitten.<lb /><lb />You put your warm, moist hand in mine,<lb />and smile.<lb /><lb />Someone calls us in to dinner.<lb />We grin, conspirators.<lb /><lb />Jamie Biggers<lb /><lb />. ina<lb /><lb /></p>
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        <p>hn Se a ual<lb /><lb />Paul Rogers<lb /><lb />4<lb /><lb />4<lb /><lb />African Summer<lb /><lb />Africa shimmers in waves of heat<lb />Burning like your kiss.<lb /><lb />In your lips | feel the jungle<lb /><lb />Alive, exotic and crawling in<lb />Sensuous motion.<lb /><lb />We perspire and trade beads of love<lb />That roll across heated flesh.<lb /><lb />To faraway african drums<lb /><lb />Our bodies ripple and strain, until ...<lb /><lb />Your eyes suck me in...<lb />Quicksand ...<lb />Dragging me down ..<lb />| lay gasping for air<lb />On your leopard skin sheets where<lb />We share our african summer.<lb /><lb />_ and under<lb /><lb />Edith Jeffries<lb /><lb />Fantasies<lb /><lb />71<lb /><lb /></p>
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          <lb />72<lb /><lb />Interstate 40 3:00 p.m.<lb /><lb />I like the feel<lb /><lb />of hot pavement<lb /><lb />clinging to the heel<lb /><lb />of my foot.<lb /><lb />Never mind<lb /><lb />the broken beer and whiskey<lb /><lb />bottles, and dead animals.<lb /><lb />I like the taste<lb /><lb />of dry sunshine<lb /><lb />nibbling at my body,<lb /><lb />and at my mind.<lb /><lb />You stare<lb /><lb />from the comfort of your coolness,<lb />and you all look alike<lb /><lb />cause you read the morning news.<lb /><lb />I donTt know why<lb />you excite me<lb /><lb />with aspirations,<lb />slowing down,<lb /><lb />then<lb /><lb />fading like a mirage<lb /><lb />before a thirsty traveler.<lb /><lb />Mark Kemp<lb /></p>
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        <p>Power<lb /><lb />I clench my fist<lb /><lb />Ever tighter I squeeze<lb />Until I hear the snap<lb />And your head pops<lb /><lb />Out of my hand<lb /><lb />Like a slow moving bullet<lb />Now Ill call the shots<lb /><lb />And you'll walk the line.<lb /><lb />Edith Jeffries<lb /><lb />Filen Moore<lb /><lb />BR Kod?<lb /><lb />73<lb /><lb /></p>
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          <lb />74<lb /><lb />October Ritual<lb /><lb />Grandpa taught me<lb /><lb />to pop corn in the<lb /><lb />cast iron pan that hung<lb />near the hearth<lb /><lb />on nights when the chill<lb />of October reached beyond<lb />the knotted pine<lb />doorway and rustled the<lb />bleached white shocks<lb />hanging on the mantel<lb />awaiting my next visit.<lb /><lb />Now twenty-five years hence<lb /><lb />as | survey my harvest<lb /><lb />Two ears of bright, small kernels<lb />from two short rows near the fence<lb />The shocks crushed and dry,<lb />some fall back<lb /><lb />to the damp earth. Others float<lb />upon the lift of that familiar chill.<lb />Twelve years since Grandpa's<lb /><lb />fire blazed against the hearth<lb />and danced within his eyes.<lb /><lb />Turning my back on stubbled fields<lb />to escape the wind,<lb /><lb />A path leads back<lb /><lb />toward my doorway and<lb /><lb />a Cast iron pan that<lb /><lb />sits upon the shelf<lb /><lb />awaiting my<lb /><lb />October ritual.<lb /><lb />Phillip Horne<lb /><lb /></p>
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        <p>One DayTs Vagary<lb /><lb />Just outside of that old GreekTs cave<lb />Leaves grow dowdy,<lb /><lb />Precipitate themselves<lb /><lb />Off branch ends,<lb /><lb />Crack and steam<lb /><lb />An oily essence<lb /><lb />Into my hands.<lb /><lb />| turn to share (to pour<lb /><lb />in turn on someone<lb /><lb />else) headlong into<lb />Doppelganger, hard into<lb /><lb />A staring vacancy of attacked<lb />And drained from behind<lb />Eyes.<lb /><lb />In October,<lb /><lb />| smear earth behind my ears,<lb />Streak my temple<lb /><lb />And rub my wrists together,<lb />Damp and ripe,<lb /><lb />Write words upside down<lb /><lb />So that only God can read them,<lb />And doodle in the corners<lb /><lb />A kind of all saints picture<lb />With prophets<lb /><lb />And contorted sibyls.<lb /><lb />Lisa Ryan<lb /><lb />Donna Gregory<lb /><lb />75<lb /><lb /></p>
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          <lb />Buming Issues<lb /><lb />Billy Walker<lb /><lb />76<lb /><lb /></p>
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        <p>Abstracts<lb /><lb />| took a few straight lines<lb /><lb />For borders<lb /><lb />Copied a newspaper clipping<lb /><lb />oEulogy for the farmerTs daughter?<lb /><lb />Drew a sick fish<lb /><lb />To embue the whole thing with art as effort<lb />Sooner or later the cat has to shit someplace<lb /><lb />And | rarely rest from my labors, perfume pure anyway<lb /><lb />Sam Silva<lb /><lb />77<lb /><lb /></p>
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          <lb />BIOGRAPHIES<lb /><lb />Artists<lb /><lb />Ellen Amendolara won first place in the Painting caregory of<lb />this year's Rebel Arr Conresr for ~The Tenth Gare.?T<lb /><lb />John Boone's self portrait does nor do him justice<lb />Chris Carlson is a Junior Painting major<lb /><lb />Ray Elmore is an instructor in the ECU School of Arr. He is a fine<lb />draftsman in his own right<lb /><lb />Dan Fuller is a Senior Painting major pursuing a BFA degree<lb /><lb />Fred Galloway is a Senior Painting major from Greenville, Sourh<lb />Carolina<lb /><lb />Donna Gregory is a graduate student from Florida concentrat<lb />ing in Painting<lb /><lb />Lori Hicks is a Senior majoring in Fabric Design<lb />Steve Jones is a Senior majoring in Ceramics<lb />Jean Lee is a Senior majoring in Painting<lb /><lb />Diane Maisel is a Senior majoring in Metal Design<lb /><lb />George McKim is a graduate student in Painting. He's from<lb />Wilmingron, NC., and this is his first~ appearance in the Rebel.<lb /><lb />Betty Melton is a graduare student concentrating her study in<lb />Meral Design. This is her first appearance in the Rebel, roo<lb /><lb />Ed Midgett seems to have been around forever. HeTs a gra<lb />duare student in Printmaking<lb /><lb />Ellen Moore, our Associare Ediror, is nor as naive and unrurored<lb />as she first appears or prerends to be. She's a Freshman in the<lb />School of Arr.<lb /><lb />Herb Parker is a graduate student in the Sculpture department<lb />He's from Elizaberh Ciry, NC<lb /><lb />Gary Patterson, a Junior, is the head of the phoro lab. He's gor<lb />a hearr of gold<lb /><lb />Paula Moffitt Poppe is a Senior Weaving Design major, with a<lb />minor in Drawing. She recenrly made Greenville her home after<lb />getting married this summer. She's been in the Rebel before.<lb /><lb />Jo Pumphrey is a Graduate Painting student<lb /><lb />Bob Ray wanders around Greenville collecting things for col<lb />lages.<lb /><lb />Mike Rigsbee is a Senior majoring in Painting. HeTs from Dur<lb />ham, NC., and this is his first appearance in rhe Rebel.<lb /><lb />Paul Rogers is a friend of Bobbie Houston's<lb /><lb />Rochel Roland holds an AA in Phorography from Chowan<lb />College. She was published in lasr yearTs Rebel.<lb /><lb />Gregory Shelnutt is a Junior. His major is Sculpture, and this is his<lb />first appearance in the Rebel.<lb /><lb />Wilfred Spoon graduared last semester as a Painting major<lb /><lb />Mike Tatsis was born and raised in Greece. He is a Junior major<lb />in CA<lb /><lb />Billy E. Walker, Jr., a CA major with a concentrarion in illustra<lb />rion, is from Gastonia. He wears a bandanna around his right<lb />wrist bur is elusive abour its symbolism<lb /><lb />78<lb /></p>
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        <p>Writers<lb /><lb />Don Ball is a graduate student in English who claims heTs a rennis<lb />pro ar the Greenville Country Club<lb /><lb />Jamie Biggers, a selectee for Officers Candidare School, enjoys<lb />publicly correcting grammarical redundancies and errors A born<lb />Prose Editor<lb /><lb />Keith Carter probably doesnTt know he's been published<lb /><lb />Carlyn Ebert is o senior business minor developing a marketing<lb />campaign for BirdseyeTs Frozen Kudzu. Her major? Writing, of<lb />course<lb /><lb />Rick Gordon " alas, our beleagured Editor. HeTs a part-time<lb />heavy meral guitar freak and a full-time sex fiend<lb /><lb />Marty Hardin is a Sophomore Art major from Forest Ciry, NC. He<lb />also spins rifle for the Marching Band.<lb /><lb />Micah Harris, a Senior Writing major from Goldsboro, NC, hopes<lb />to graduate sometime in lare 1997<lb /><lb />Phillip Horne, a graduate student, soon will pursue his PhD in<lb />English. He says he enjoys arheleric injuries. Wherher his own or<lb />others, we did not inquire.<lb /><lb />Bobbie Houston is our jet-setting Poetry Editor. Her worldly<lb />travels include Wintergreen, Key West, and Europe. We are all<lb />jealous beyond words.<lb /><lb />Elizabeth Ito is a Junior English major concentrating in Writing. A<lb />favorite hobby is collecting lipsticks with absured names. Ber<lb />muda MelonTT and ~Mahogany BeanTT are two Classics.<lb /><lb />Edith Jeffreys, a Compurer Science major, NOW sings in the<lb />group Xrtra-Xtra.<lb /><lb />Mark Kemp, a senior student of english from Asheboro, likes<lb />modeling nude, playing guitar, dancing, and hiking. Simulta<lb />neously?<lb /><lb />Kit Kimberly, winner of this yearTs first place poetry award, is<lb />from Wilmington, NC. She migrated north to study Writing<lb /><lb />Malynn Linton, a Writing major, Nas been published in the<lb />American Collegiate Poets Anthology and last year's Rebel.<lb /><lb />Brian Rangeley, a Junior Writing major, hails from Danville,<lb />Virginia. ooA Dog's LifeTT marks his publication debur. He lets<lb />strange women trim his moustache.<lb /><lb />Lisa Ryan, a Senior French major, has been published before in<lb />the Rebel.<lb /><lb />Sam Silva resides in Greenville; he has been published previous<lb />ly in the Rebel.<lb /><lb />Keith Stallings, a Junior Writing major, is from Hookerton, NC.,<lb />although he claims Snow Hill as his residence. A true cosmopolite.<lb /><lb />79<lb /><lb /></p>
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          <lb />Ellen Moore<lb /><lb />gpd eet Er,<lb /><lb />fer;<lb /><lb />cows<lb /><lb />. we.<lb />ered<lb /><lb />ae not OC<lb /><lb />OMe yy<lb />, ee<lb /><lb />ae IOI ht Se ps<lb />pate<lb /><lb />toe, tes<lb />ls<lb /><lb />Equal Time<lb /></p>
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        <p>Associated Ck<lb /><lb />» Collegiate O<lb />* MBIA<lb />c Press a SCHOLASTIC<lb />PRESS ASSOCIATION<lb /><lb /></p>
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