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          <addrLine>Joyner Library, East Carolina University</addrLine>
          <addrLine>East Fifth Street, Greenville NC 27858-4353 USA</addrLine>
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        <date>2012</date>
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          <lb />i}<lb /><lb />__<lb /><lb />é:<lb /><lb />|<lb /><lb />RN<lb /><lb />|<lb /><lb />i T<lb /><lb />ll<lb />T<lb />\<lb /><lb />|<lb /><lb />HH<lb />|<lb />|<lb /><lb />!<lb />1<lb /><lb />i<lb />i<lb /><lb />Ha<lb />MiiIH)<lb /><lb />|<lb /><lb />|<lb />i<lb /><lb />=<lb /><lb />"<lb />or<lb />""""""""<lb /><lb />= =<lb /><lb />|<lb /><lb />|<lb />|<lb />i<lb />!<lb /><lb />NA<lb /><lb />!<lb /><lb />i<lb /><lb />wl<lb /><lb />HII)<lb /><lb />Hii<lb />| i]<lb /><lb />il<lb /><lb />STAFF<lb /><lb />Editor<lb />Kathy Crisp<lb /><lb />Associate Editor<lb />Angelia Brinn<lb /><lb />Art Director<lb />Ed Midgett<lb /><lb />Staff Assistant<lb />Christie Lawrence<lb /><lb />AWARDS<lb /><lb />Anheuser-Busch Poetry Award<lb />Lisa Ryan<lb />oAnomy: The Loss of Me?<lb /><lb />Jeffreys Distributors Prose Award<lb />Gary R. Bryant<lb />oKindling?<lb /><lb />Sixth Annual Attic Art Award<lb />Kris Gunderson<lb />Untitled Sculpture<lb /><lb />EditorTs Award<lb />L.K. Johnson<lb />oTo My Dad " The Colonel?<lb /><lb />All prize money provided by The Attic and<lb />Budweiser<lb /><lb />The Rebel is published annually by the Media Board of East Carolina<lb />University. Offices are located in the Publications Center on the ECU cam-<lb />pus. The Rebel welcomes manuscripts and inquiries; however, unsolicted<lb />manuscripts unaccompanied by a stamped, self-addressed envelope will not<lb />be returned. Address all correspondence to The Rebel, Mendenhall Student<lb />Center, East Carolina University, Greenville, NC 27834. This issue is copy-<lb />righted © 1981 by The Rebel. All rights revert on publication to the individ-<lb />ual artists and authors, from whom permission must be obtained to reproduce<lb />any of the materials contained in this issue. Volume 23 Number 1.<lb /><lb />HI!<lb />ih<lb />Hi<lb />MN<lb />Mil mn Ni<lb />Nt Ml<lb /><lb /><lb /><lb />| ;<lb />Hil<lb />) tay<lb />HHH<lb />WH<lb />A<lb />il<lb /><lb />il<lb />a<lb /><lb />| mm l<lb /><lb />|<lb />\<lb /><lb />i<lb /><lb />il!<lb /><lb />Ips<lb />rq<lb />hy<lb /><lb />Ny<lb /><lb />i<lb /><lb />i<lb />(Ih<lb /><lb />|<lb /><lb />]<lb /><lb />Hi<lb /><lb />~ll<lb /><lb />Midgett<lb /><lb />Wi |<lb />iii |<lb />til | !<lb />Hi Wihh<lb />i] |<lb />| "hy<lb />Wy | Hilly<lb />1} i |<lb /><lb />7<lb /><lb />Lawrence<lb /><lb />INTRODUCTION<lb /><lb />It has been quite a year. I have thoroughly<lb />enjoyed the opportunity to serve the university<lb />as the Rebel editor. I have always been a believ-<lb />er in practical experience as one of the best teach-<lb />ing methods. This job certainly qualifies as an<lb />outstanding learning experience.<lb /><lb />I will leave this office sadly, because I will<lb />sorely miss the chance to edit the magazine again.<lb />I have taken great pride in my job here and I<lb />regret that I will not be able to work on the next<lb />issue.<lb /><lb />The staff has worked diligently to produce a<lb />magazine that continues to meet the high stan-<lb />dards that have been established for The Rebel.<lb />And, this year, special recognition must be given<lb />to our art editor, Ed Midgett. Ed worked long and<lb />hard to organize the Rebel Art Show and has<lb />spent countless hours planning and refining this<lb />issue of the magazine.<lb /><lb />The staff must extend appreciation to the<lb />Greenville Museum of Art for hosting the art<lb />show, and to Mary Anne Pennington, Clarence<lb />Morgan, and Michael Ehlbeck for judging the<lb />show.<lb /><lb />Thanks also go to Cheryl Rubino for judging<lb />the poetry contest.<lb /><lb />And, we must not neglect acknowledging the<lb />continuing support of the Media Board and the<lb />advice of financial advisor Paul Breitman.<lb /><lb />We owe special gratitude to Tom Haines of The<lb />Attic and to Jeffreys Distributors for their spon-<lb />sorship of the art show and the literary contest.<lb />Their interest in the promotion of the arts by<lb />offering awards is an invaluable asset to our pub-<lb />lication.<lb /><lb />In the final analysis, what is most important is<lb />your enjoyment of the magazine. We have tried<lb />very hard to make this Rebel the best ever. we<lb />hope you will agree.<lb /><lb />Kathy Crisp<lb />Editor<lb /></p>
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          <lb />LITERATURE<lb /><lb />Haiku For the Clams<lb /><lb />Captive<lb />Dismissed<lb /><lb />Menu<lb /><lb />Suddenly Simply<lb />Spring<lb /><lb />By the Ruins of<lb /><lb />the Nuremburg Wall<lb /><lb />Kindling<lb /><lb />Comatose Kamikaze<lb />Anomy: The Loss<lb />of Me<lb /><lb />The Left Over Lilly<lb />Brains, Erector Sets<lb />and Skeltons<lb />Paring<lb /><lb />After OctoberTs Gift<lb />The Secret<lb /><lb />Gayla<lb /><lb />Chicken PickinT<lb />Purple head<lb /><lb />Letter to Jilla<lb />Ghardai<lb /><lb />Joy Ride<lb /><lb />Banjo<lb /><lb />Nugatory Poems<lb />To My Dad "<lb /><lb />The Colonel<lb /><lb />First Recital<lb /><lb />How the Weft<lb /><lb />Was One<lb /><lb />Haikus Left<lb /><lb />By Spring<lb /><lb />Tracks<lb /><lb />Plants, Animals,<lb /><lb />And What Have You<lb />Dolphins at Ocracoke<lb /><lb />Michael Loderstedt<lb />Kathy Crisp<lb />Christie Lawrence<lb />Robert Jones<lb /><lb />Gary R. Bryant<lb /><lb />Roger Lell<lb />Gary R. Bryant<lb />Roger Lell<lb /><lb />Lisa Ryan<lb />Sam Silva<lb /><lb />Hal J. Daniel<lb />Kathy Crisp<lb />Ernest Marshall<lb />Don Ball<lb /><lb />Gary Patterson<lb /><lb />Sam Silva<lb />Hal J. Daniel<lb /><lb />Roger Lell<lb />Christie Lawrence<lb /><lb />Richard Hudson<lb />Raymond Schimdt<lb /><lb />L.K. Johnson<lb />Christie Lawrence<lb /><lb />Dale Maness<lb /><lb />Ernest Marshall<lb />June Sylvester<lb /><lb />Raymond Schmidt<lb />Linda Underwood<lb /><lb />o10 &amp; o<lb /><lb />~J<lb /><lb />11<lb />16<lb /><lb />18<lb />19<lb /><lb />21<lb />22<lb />22<lb />23<lb />23<lb />25<lb />26<lb /><lb />46<lb />49<lb />o3<lb />aya)<lb /><lb />56<lb />06<lb /><lb />o7<lb /><lb />O7<lb />o9<lb /><lb />59<lb />60<lb /><lb />ART<lb />Figure with Green Paula Patterson 1<lb />Illustration Michael Loderstedt 4<lb />Venentian Interior Michael Voors 8<lb />Illustration Ed Midgett 10<lb />Illustration David Lewis 13<lb />Highway View Donald Sexauer 15<lb />Illustration Ed Reep 17<lb />Photograph Susan Hall 19<lb />Illustration Susan Hall, 20<lb />Gary Hinnant<lb />Spring Kevin Phillips 24<lb />Sculpture Kris Gunderson 27<lb />Winter Skylight Larry Shreve 28<lb />Time Tom Grubb 29<lb />Field of Deception Robert Dick 29<lb />Southern L.A. Roxanne Reep 30<lb />11B5 Jim Jacobs 31<lb />A Garden: Protected,<lb />Privileged, and Private Maria McLaughlin 32<lb />Island of the<lb />Blue Hearts Kathy Sholar 33<lb />Figure in Transition Susan Ward 33<lb />Blue Chair Gary Hinnant 34<lb />Nuclear Baby Ed Midgett 35<lb />Untitled Rochele Roland 36<lb />Mixed Media Henry Stindt 37<lb />Gum Print Bob Rasch 37<lb />Birds of a Feather Laura Jackson 38<lb />Raisins Bette Bates 38<lb />Figure Drawing Betsy Ross 39<lb />Marshscape Michael Loderstedt 40<lb />Drawing Ray Elmore 40<lb />Mixed Media Stacy Heller 4]<lb />Untitled M.A. Hutto 41<lb />Figure Drawings Ed Reep 42-45<lb />Illustration Joan Mansfield 46<lb />Scouts Playing<lb />in the Graveyard Sid Davis 48<lb />Illustration Stacy Heller 52<lb />Gun Michael Ehlbeck o4<lb />Rain Elaine Miller 08<lb />Illustration Bruce Hall 61<lb />Isabella and the<lb />100 Arcs Paul Hartley 64<lb /><lb /></p>
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          <lb />HAIKU FOR THE CLAMS<lb /><lb />New sun in stiff reeds<lb />great heron jumps leaving rings<lb />the clams will wait.<lb /><lb />Gray skies overhead<lb /><lb />rake teeth scraping mud, shells and<lb />the sharp scratch I know.<lb /><lb />I feel you here, clam<lb />move down deep in winter "<lb />onion bag half full.<lb /><lb />Lunch is hard salami<lb />and bread balled up for pinfish "<lb />salt-stung blisters.<lb /><lb />Small ones are sweeter<lb />sliding the knife alone the muscle<lb />the clam pulls back.<lb /><lb />Under leeward pines<lb />the sound of wet stone on stone<lb />eight-and-half cents each.<lb /><lb />The bar down the road<lb />my back knows each step to there<lb />clams just get scarcer.<lb /><lb />Michael Loderstedt<lb /><lb /></p>
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          <lb />CAPTIVE<lb /><lb />Face by face on the mirror<lb /><lb />The reflection was maimed by florescence.<lb /><lb />I paled in the light<lb /><lb />And like the Cheshire Cat<lb />Stretched into my biggest grin<lb />And quickly disappeared "<lb />Not fast enough<lb /><lb />To avoid the eyes, fading and<lb />Discerning and slipping back<lb />Into mine ...<lb /><lb />Kathy Crisp<lb /><lb />DISMISSED<lb /><lb />My hand is on the tabletop,<lb />apart from my body. I watch<lb />the fingers grip this pen,<lb />like a crab on the beach<lb />fumbling for water.<lb /><lb />I stare at the crack in the<lb /><lb />plaster, once hidden behind<lb /><lb />the picture of clowns you painted.<lb />I cannot stand your steady smiles.<lb /><lb />You did not wait.<lb /><lb />The change that comes<lb />from time and booze<lb />came too fast. You wear<lb />this change<lb /><lb />like a mask.<lb /><lb />Christie Lawrence<lb /><lb /></p>
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          <lb />MENU<lb /><lb />In White Sands<lb />there is a messy trailer<lb /><lb />and me. I start right<lb />each day: a bowl of wheat<lb /><lb />germ for breakfast<lb />with raisins, milk,<lb /><lb />and honey. If you visit<lb />me for lunch<lb /><lb />I will feed you fresh bread<lb />with a yeasty spirit<lb /><lb />to leaven your daily lumps.<lb />By dinner I drink. I drink<lb /><lb />Italian reds sometimes,<lb />usually German whites<lb /><lb />until my right temple throbs.<lb />Truly, it is no miracle to turn<lb /><lb />blood into wine.<lb /><lb />Robert Jones<lb /><lb />SUDDENLY SIMPLY SPRING<lb /><lb />Spring<lb /><lb />Sings<lb /><lb />In color keys.<lb /><lb />Freshets free<lb /><lb />From WinterTs claw<lb /><lb />Pee. ...<lb /><lb />While clean trees grow<lb /><lb />Green.<lb /><lb />And the keepers come commanding;<lb />Humming, buzzing, gnawing,<lb />Branding<lb /><lb />Every stem and stick and leaf<lb /><lb />A pollinated feif.<lb /><lb />Slain seeds suddenly shoot,<lb /><lb />And the birdsongs arenTt monotonous;<lb />Yet.<lb /><lb />Gary R. Bryant<lb /><lb /></p>
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          <lb />by Gary R. Bryant<lb /><lb />Day dawned gray, with a creeping chilly damp-<lb />ness that promised rain. A stray dog, cold nose<lb />against cold steel, snuffled along the railroad<lb />track outside an abandoned train depot and, com-<lb />ing to the urine scent of another dog, emitted a<lb />single, long howl.<lb /><lb />The sound woke Lucas. He yawned and rolled<lb />over on the hardwood floor of the depot. Kicking<lb />away the ragged blanket that covered him, he<lb />slowly sat upright. The fog in his mind was<lb />thicker than usual and his glazed vision was<lb />slower to clear. He blinked before remembering.<lb /><lb />The big bottle. He was accustomed to a small<lb />one. But the night before, Axton had given him a<lb />big bottle as a reward for catching the shoplifter.<lb />She was trying to slide a carton of cigarettes into<lb />her coat pocket, and right in front of him, prob-<lb />ably thinking, itTs just old Lucas: grubby, groping<lb />Lucas; he wonTt tell.<lb /><lb />Lucas grunted. He hadnTt wanted to tell; didnTt<lb />like to tell, but there was none left in his bottle<lb />and there was no money. There was nothing; no<lb />fish or pecans or bottles to sell. There was only<lb />ten minutes to closing time, only ten minutes to<lb />find a way to get it, so heTd had to tell; had to<lb />because yesterday had been the dog biting and<lb />the dog killing and the waiting to get his hand<lb />and arm fixed and the explaining to the police-<lb />man that he didnTt kill the dog for meanness.<lb />Then, there was only ten minutes left to closing<lb />time and he hadnTt had any all day.<lb /><lb />He had walked into AxtonTs store sweating,<lb />worried; thinking that he might not get any at all<lb />when he saw the cigarettes sliding smoothly, si-<lb />lently into her coat pocket<lb /><lb />Axton had smiled and said, oI sure do appreci-<lb />ate what you did, Lucas. Tell you what, why<lb />donTt you get yourself a big bottle on me and go<lb />on home and have a good time.?<lb /><lb />He had taken the bottle without a grunt, with-<lb />out a sound, only briefly thinking, oI didnTt want<lb />to do it, but I didnTt have any, hadnTt had any,<lb />and closing time was coming.?<lb /><lb />Now, there was still no money and only a little<lb />left in the big bottle, but there were pecans to<lb />pick up and sell and maybe fishing if it didnTt<lb />rain, and he could pick up the trash on the park-<lb />ing lot at AxtonTs for a few dollars.<lb /><lb /></p>
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        <p>""" = ° »<lb /><lb />12<lb /><lb />He fished a crumpled cigarette butt from his<lb />shirt pocket and, after carefully straightening it,<lb />lit it and coughed. The end of the room where he<lb />stood was bare and the daylight struggling<lb />through the smoke and dirty window panes col-<lb />lapsed at his feet, leaving him stained with shad-<lb />ow. Particles of dust from his stirrings languished<lb />in the feeble rays of light. He shuffled closer to<lb />the window and peered outside.<lb /><lb />She hadnTt liked it. Even when Axton told her<lb />that he wouldnTt press charges, wouldnTt have her<lb />arrested; she hadnTt liked it. She only looked at<lb />him and Axton, seeming to say without speaking,<lb />oYou'll be sorry for this, donTt you know who my<lb />Daddy is, he could buy and sell this place ten<lb />times over.? Looking like she had been slapped<lb />for no good reason, she had stalked through the<lb />door as though she didnTt feel the stares of the<lb />others in the store, as though she didnTt know or<lb />care that her name would still be on their lips the<lb />next morning.<lb /><lb />And he hadnTt wanted to tell, might not have<lb />told if he had looked closer; might have risked a<lb />night without any if he had seen before telling<lb />that it was SutlerTs daughter. But he had needed<lb />it and Axton had given it to him in the big bottle<lb />instead of the little one that he usually bought; as<lb />though Axton figured that it was the least he<lb />could do; figured that a big bottle might be some<lb />refuge from what Lucas faced now because he had<lb />needed it and taken it, even though it was<lb />SutlerTs daughter who had paid for it.<lb /><lb />Lucas flicked the cigarette to the floor and<lb />stamped it out. He knew that Sutler knew about<lb />the pecans, knew who it was who slid down the<lb />creek in a canoe and crawled up the bank to the<lb />fence bordering the long rows of pecan trees,<lb />knew who it was who carried off sometimes thirty<lb />or forty pounds and sold them to the supermar-<lb />ket, knew, too, who would sometimes take a<lb />chicken that had strayed too far from the coop;<lb />knew that the only man to see the smoke that day<lb />six years ago, smelling it before seeing it because<lb />he was half drunk fishing on the creek bank, the<lb />man who had reported the fire to the volunteers<lb />and so saved most of SutlerTs house and his sleep-<lb />ing daughter, was taking his reward in his own<lb />way after refusing the money Sutler had offered<lb />him.<lb /><lb />So Sutler had said nothing to Lucas for four<lb />years, had done nothing, had pretended not to see<lb />him the times he stumbled upon him lying drunk<lb /><lb />on the creek bank with a cane pole, a burlap bag<lb />filled with pecans, and a pile of chicken bones<lb />scattered around a smoldering fire. But the fifth<lb />year, Sutler began to watch the pecan grove more<lb />carefully. He had a new steel wire fence erected<lb />around the chicken coop and let it be known in<lb />town that he thought someone had been stealing<lb />his chickens; as though by that he was warning<lb />Lucas properly that he felt the debt had been<lb />paid, as though he was giving Lucas the chance to<lb />acknowledge the payment without having to be<lb />told.<lb /><lb />Now, there was no gratitude left. There was<lb />only the shotgun carried over the shoulder and<lb />the scowl and the promise to oget that god-<lb />damned wino whoTs been stealing me blind the<lb />last six years.?T<lb /><lb />And for Lucas, there was only a little left in the<lb />big bottle that SutlerTs daughter had paid for<lb />with her name the night before. Lucas grunted as<lb />the image of SutlerTs menacing glare dissolved<lb />and was replaced by the gleaming bottle on the<lb />window sill. The bottle cap rattled when it hit the<lb />floor, and the wine sloshed gently against the<lb />sides of the bottle as he drank in long, slow swal-<lb />lows. When he finished, he ambled to the wall<lb />opposite the window and placed the empty bottle<lb />at the head of a row of smaller duplicates. He<lb />shuffled back to the window and scratched the<lb />week-old stubble on his chin.<lb /><lb />Sutler would know by now how his daughter<lb />had bought a bottle of wine for the man who had<lb />refused his money, the man who wouldnTt be<lb />bought into silence. Would know and would<lb />swear to use his gun the next time instead of<lb />merely shooting over the head of the half-drunk,<lb />half-crazy man coaxing a stubborn fire with a<lb />dead chicken lying on the ground beside him; the<lb />man who had saved SutlerTs house and little girl<lb />six years earlier when Sutler was two miles away<lb />in a dirty bedroom with that same half-drunk,<lb />half-crazy manTs wife. Would think, oI wasnTt the<lb />only one, and what did the bastard expect any-<lb />way, drinking and staying away all the time. A<lb />woman like her was going to have a man and I<lb />wasnTt the only one, but ITm the only one paying.<lb />Six years of hearing the talks and whispers be-<lb />hind my back; six years of wondering if it was<lb />God or the devil tipping his hat and laughing at<lb />me with a bag of pecans and a dead chicken in his<lb />hands; and now, shaming my daughter and get-<lb />ting a bottle for it.?<lb /><lb /></p>
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        <p>Lucas smiled as he thought of Sutler sliding<lb />the shells into his gun, but the smile wavered and<lb />disappeared as the thought of SutlerTs gun was<lb />replaced by the image of two prone figures sweat-<lb />ing and groaning in the hot dry shadows of a<lb />summer evening; Sutler, grunting with surprise<lb />when the fire alarm went off so that he almost<lb />stopped. But Lucas imagined she was urgent,<lb />quickly saying, ooNo, no, donTt stop now, itTs prob-<lb />ably just a tobacco barn, donTt stop now,? and<lb />Sutler continued while she murmurred oyes,<lb />yes.?<lb /><lb />The ones in the store who had seen Lucas turn<lb />in SutlerTs daughter would think that he had<lb />done it out of spite, at least the ones who knew<lb />about LucasT wife and Sutler; the ones who had<lb />never been told where Sutler had been that day<lb />six years before but had guessed correctly just the<lb />same; would think that even though he was a<lb />drunk, Lucas was still pretty damned quick and<lb />had seen the chance to get at Sutler and had<lb />taken it; when all that he had really seen was a<lb />warm bottle of wine in the carton of cigarettes<lb />sliding into a coat pocket because he had nothing<lb />and closing time was soon.<lb /><lb />LucasT smile returned and broadened as he<lb />stepped outside and closed the door of the rail-<lb />road shack. It was the kind of day that he liked;<lb />the kind of day that made it harder for Sutler to<lb />see him under the trees.<lb /><lb />The cool mist had turned into a cold drizzle<lb />when Lucas steered the canoe into the creek bank<lb />and tied the anchor rope around a rotting tree<lb />trunk. He wiped the moisture from his eyelids<lb />and blew away the beads of water on the end of<lb />his nose. Shivering, he hurried to a clump of trees<lb />that concealed the path up the creek bank to the<lb />higher ground of the pecan grove. There would be<lb />no fishing today. Too cold. And no picking up<lb />trash for a tight two or three dollars either, not<lb />when he could get ten dollars for a good bag of<lb />pecans and maybe grab a chicken for supper as<lb />well. But he would have to be quick, because<lb />Sutler would know by now that he had caught his<lb />daughter stealing and had gotten a bottle for it.<lb /><lb />Sutler would lay for him harder than ever now,<lb />thinking, oThis time heTs gone too far; I wonTt pay<lb />any more; ITve already paid too much and now<lb />my daughter. He must have known she was my<lb />daughter and him, lower than the dirt on her<lb />shoes, turning her in. ItTs too much to pay, too<lb />much of what ITve worked twenty-five years to<lb /><lb />... he ambled to the<lb />wall opposite the<lb />window and placed<lb />the empty bottle at<lb />the head of a row of<lb />smaller duplicates<lb /><lb />get. | wasnTt the only one to lie with that whore<lb />of a wife of his. He must have known that I wasnTt<lb />the only one; she was giving it away. All a man<lb />had to do was ask and I wasnTt the only one<lb />asking.?<lb /><lb />The mud was cold and the fence rail knocked<lb />his hat off when Lucas slid under it and into the<lb />grove. He didnTt bother to brush the mud off his<lb />clothes and after he put his hat back on, he<lb />reached under the fence for the sack he had<lb />brought with him and retreated to the sanctuary<lb />of a nearby tree.<lb /><lb />Sutler watched the crouching, ghost-like figure<lb />from his perch in a tree a hundred feet away.<lb />Watched and smirked when the figure began to<lb />move slowly from tree to tree, scooping the fallen<lb />pecans from the ground with practiced dexterity<lb />and dropping them into the bag. Watched and<lb />waited patiently, studying the wraith of a man,<lb />the living proof of SutlerTs shame, coming closer.<lb />Watched and studied like a complacent spider<lb />waiting for an approaching, unknowing fly. Stud-<lb />ied and allowed the smirk to creep into a leer of<lb />triumph in knowing that he had finally been<lb />there before Lucas and had guessed correctly<lb />from which hole he would emerge; leered longer<lb />in knowing that by killing Lucas this way, as a<lb />thief, he would kill, too, the stories and looks and<lb />whispers that had followed him for so long.<lb /><lb />Sutler shifted his weight and balanced himself<lb />in a new position without sound or wasted mo-<lb />tion, as though his early years as a treetopper for<lb />the lumber yard were not early years at all, as<lb /><lb />13<lb /><lb /></p>
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          <lb />14<lb /><lb />though it was only yesterday he had walked into<lb />the foremanTs office at the pulp mill and said,<lb />~oYouTre going to need somebody to cut that tim-<lb />ber you bought from me and my Pay, and ITm<lb />your man. I know every inch of that piece of land<lb />like the back of my hand and it would save you a<lb />lot of trouble.?<lb /><lb />Five years later he had made enough money to<lb />buy his own farm, and after five more years his<lb />farm had bought him a wife, a house and a daugh-<lb />ter. Now, he was in the treetops again, as though<lb />the trees, which had provided him with the<lb />means to gain all that he had might now provide<lb />him with the means to rid himself of the man<lb />who was threatening to take it all away " the<lb />man who was asking too much, expecting too<lb />much, taking advantage of one who had done<lb />nothing that half a dozen men hadnTt already<lb />done after Lucas had taken to drinking harder<lb />than ever. She wasnTt too choosy about the com-<lb />pany she was keeping when he was gone. Sutler<lb />wasnTt the only one to hear that LucasT job had<lb />quit him; it had only been holding him loose and<lb />half drunk for years, and it finally quit him com-<lb />pletely when the new equipment was put in at<lb />the pulp mill.<lb /><lb />But Sutler was the only one who had paid, the<lb />only one obligated to the shadow scooping<lb />around the trees below, obligated because that<lb />shadow was the one who had called out the vol-<lb />unteers to save that which Sutler was thinking<lb />last of when the alarm had sounded.<lb /><lb />It wasnTt a matter of begrudging Lucas the pe-<lb />cans or chickens he had taken over the years.<lb />They were little enough payment for saving the<lb />house and his girl. It was LucasT eyes and his<lb />swagger; it was the looks and whispers that had<lb />become unbearable. And now he would have to<lb />see his daugnterTs shame reflected along with his<lb />own in those eyes. Lucas, who meant nothing,<lb />had nothing, and now moved more like a spirit<lb />than a man, scooping from the ground, grunting<lb />and groaning like the dead come back to life.<lb />Lucas: the only flaw in the image that Sutler<lb />proudly presented to the community, the only<lb />errant brushstroke in the twenty-five year paint-<lb />ing of Sutler. Now that stroke would be erased<lb />with the flick of a trigger finger.<lb /><lb />Lucas sensed the click of the shotgun hammber<lb />before he heard it. Sensed it ripple up his spine<lb />and grip him with what it was and what it meant.<lb /><lb />He didnTt look up immediately, but continued to<lb />study the ground in front of him. He allowed his<lb />gaze to creep to the roots of the tree before strug-<lb />gling past the gnarled bark to the branches above.<lb /><lb />Sutler waited until LucasT eyes met his before<lb />pulling back the hammer of the second barrel.<lb />Lucas jerked fully erect at the second sound. As<lb />Sutler raised the gun and sighted, he glimpsed<lb />the shadowy faces of the townspeople leering at<lb />him in the mist behind Lucas, daring him to pull<lb />the trigger. He blinked and the faces vanished.<lb /><lb />Lucas had not moved. A gust of wind brought a<lb />shower of leaves and prompted the flight of a<lb />flock of roosting birds. Sutler blinked again. He<lb />wanted to pull the trigger, wanted to empty both<lb />barrels of the shotgun into the man-wisp floating<lb />before him, wanted to tell his daughter that he<lb />had taken care of things, to soothe her who had<lb />said, oIt was awful, Daddy. That dirty man put-<lb />ting his hand in my pocket and saying, ~Axton,<lb />maybe you ought to take a look in here,T and me<lb />standing there with all of them watching me. I<lb />was going to pay for them, Daddy, I just forgot I<lb />had them in there, thatTs all, Daddy, I just for-<lb />got.? Sutler wanted to shoot, wishing that the<lb />man-figure below him would not bleed, would<lb />not crumple, would not collapse and stain the wet<lb />brown leaves with blood that was mostly red<lb />wine, but would instead disappear like a dream<lb />upon waking, and he would be six years younger.<lb /><lb />Still Lucas did not move, even when he spoke.<lb />His words didnTt seem to come from his lips, as<lb />though they needed no source, but pervaded the<lb />air.<lb /><lb />oWell? You going to or not??<lb /><lb />Sutler knew that he wouldnTt, couldnTt answer.<lb />He knew that if he could suspend time around<lb />them he would never be able to either shoot or<lb />take the gun from his shoulder; knew that he had<lb />come as far as he could and now could not go<lb />back. The finger on the trigger was no longer his<lb />and Lucas knew it, but without gloating or guile.<lb />Sutler watched, the gun still trained on the spot<lb />where Lucas had stood, as Lucas shouldered the<lb />burlap bag, slid under the fence, and disappeared.<lb /><lb />Lucas was entering AxtonTs store, still holding<lb />the money he had gotten from selling the pecans,<lb />when the fire alarm went off. He only paused a<lb />moment when he heard SutlerTs name mentioned<lb />with the smoke and flames and oHow much do<lb />you reckon that house is worth?? @<lb /><lb /></p>
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          <lb />ree »<lb /><lb />fw<lb />a<lb /><lb />M A} % ,<lb />Pe T<lb />ei<lb /><lb />'<lb /><lb />,<lb /><lb />\\ 4<lb /><lb />(Ae:<lb /><lb />Donald Sexauer<lb /><lb />15<lb /><lb /></p>
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          <lb />COMATOSE KAMIKAZE<lb /><lb />He dreams of plunging his weary<lb />flak-ridden dive bomber full speed<lb />into the steel gray bridge<lb /><lb />of the approaching aircraft carrier.<lb /><lb />Alone in an American hospital room,<lb />needle in arm,<lb /><lb />clear plastic tube<lb /><lb />&amp; bottle of plasma " O Positive.<lb />The tilted bottle<lb /><lb />drips slow drops of saki<lb /><lb />into his kamikaze veins.<lb /><lb />Angry voices straff the hospital<lb />window from the parking lot below.<lb />Sunlight bursts into the room<lb /><lb />like. exploding antiaircraft flak.<lb /><lb />Body rigid, eyes glazed,<lb />fixed straight ahead.<lb />Kamikaze in flight.<lb /><lb />The nurse on duty<lb /><lb />draws a thermometer from<lb /><lb />his lips.<lb /><lb />Terrifying screams<lb /><lb />flood the hospital.<lb /><lb />A broken thermometer lies crushed<lb />on the floor.<lb /><lb />He smiles.<lb /><lb />KAMIKAZE. DIVINE WIND.<lb /><lb />A silent breeze flows<lb />out the window.<lb /><lb />Roger Lell<lb /><lb />nt AA<lb /><lb /></p>
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          <lb />tak<lb /><lb />a<lb /><lb />ATTN<lb />T é r<lb /><lb />-<lb />"" + "--"" «ees<lb /><lb />|<lb />%<lb /><lb />)<lb /><lb />Se<lb /><lb /></p>
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          <lb />then Renoir, rolled and rubberbanded,<lb />ended thumbtacked on my plasterboard,<lb />dripped on my baseboard.<lb /><lb />DegasT dancers<lb /><lb />never pointe<lb /><lb />just bend and bend.<lb /><lb />(Churning<lb />toting watching madonnas<lb />with red earthenware.<lb /><lb />Welp and feign and dream.<lb /><lb />I know Magdalenes<lb /><lb />live upstairs.<lb /><lb />The women. The women<lb /><lb />run by. I try<lb /><lb />to get older,<lb /><lb />even knowing nunneries, I try.)<lb /><lb />I am dictated after frenzy:<lb />No more hands in abstraction.<lb />Today define your pupil nicely<lb />in the eye. Forget du Lac.<lb /><lb />You never knew the moors.<lb /><lb /><lb /><lb />Root clippings in wine.<lb />Punch rising bread.<lb />Arrange magazines<lb />and The Book of Job<lb />ANOMY: THE LOSS OF ME illustrated by Blake.<lb />Vacuum. Translate little<lb />princes.<lb /><lb />I try to get old.<lb /><lb />Wear all leather shoes, (Get afraid to let up;<lb />promise a heel, putting the shades and the plants<lb />toes in the war zone turn yellow, skin sallow. Now<lb />but newsprint on elbow as then.)<lb />cancels me out. I smear<lb />and blend. I am dictated:<lb /><lb />Promise poetry. Fight off<lb />Like angina down the arm all uterine urges, the desire<lb />from the finger out to aura to be single celled. Try.<lb /><lb />the centuries live in me.<lb /><lb />Try to get old.<lb /><lb />Poster paper made my living room<lb />tan impressions growing brown " Lisa Ryan<lb /><lb /><lb /></p>
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        <p>THE LEFT OVER LILLY<lb />(To Margaret Crutchfield)<lb /><lb />When ITve gone through a thousand synthetics<lb />Packed my bags like a vagabond<lb /><lb />A gambler Vegas bound, pale tweeds<lb /><lb />And the spare jeans<lb /><lb />That quip my poverty<lb /><lb />(And how I love leaving anyplace)<lb /><lb />When I pluck a daisy<lb /><lb />Up from a corner crack<lb /><lb />Like a fiver<lb /><lb />And think othey know I womanize<lb />They know ITm a writer?<lb /><lb />Or better yet<lb /><lb />That I could be bound for Siberia<lb />Outlays of early winter<lb /><lb />And without any chapstick<lb /><lb />Illegal immigrant dissident<lb />Cornerstone of the new Faith<lb /><lb />New movement<lb /><lb />New new new clean sweep of the world<lb /><lb />When the speed of rapid transit<lb /><lb />An eastbound bus<lb /><lb />Makes brush like flowers<lb /><lb />Or else just as much<lb /><lb />An edible leaf<lb /><lb />And I kick up my feet<lb /><lb />And prowl the aisle with my eyes<lb />Looking for suckers<lb /><lb />As much as the misguided wayfarer<lb /><lb />When I rip off the windbreaker<lb />Button and thread<lb /><lb />Playing the part of a carnivore<lb />And looking like a frog licking flies<lb /><lb />You seed the frostbitten earth<lb />In the back of my mind<lb /><lb />I know thereTs a lilly<lb />Somewhere<lb /><lb />Sam Silva<lb /><lb /></p>
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          <lb />by Hal J. Daniel<lb /><lb />oCome in, sit down and wait a second. Okay,<lb />you're Ms. Lilley, right?? Professor Carroll re-<lb />membered his old friend Russell as he gestured<lb />Ms. Lilley to the seat next to his filing cabinets.<lb /><lb />oThey burn out,? Russell had asserted. oYou<lb />donTt see many still at it past 45. Having to cre-<lb />atively persuade a jury all the time burns Tem<lb />right out! You just canTt do trails forever. Have to<lb />go to corporate law or some such before your<lb />wires cross.?<lb /><lb />Russell never made it to corporate law.<lb /><lb />Ms. Lilley put her new gray flanneled ass pert-<lb />ly in the chair, right on top of DavidTs philosophy<lb />class exams. It really didnTt seem to make any<lb />difference, and her delicate perching enabled him<lb />to conjure up some nice imagery of gray flanneled<lb />asses on top of Descartes.<lb /><lb />oDr. Carroll,? she purred, oI just donTt under-<lb />stand CapraTs new ~bootstrap physics.T Do you<lb />have the time to explain it to me??<lb /><lb />David sighed at her frettings and clipped,<lb />oLook at this skeleton and my sonTs erector set<lb /><lb />for a moment, Ms. Lilley.? DavidTs seven-year-<lb />old son had recently used his fatherTs office table<lb />as a launch pad for his latest intergalactic cre-<lb />ation " a spaceship rabbit.<lb /><lb />David knew he could finish pinballing his<lb />thoughts while she gazed at the hanging bones<lb />and his sonTs futuristic lagomorph. The fifth and<lb />final ball slipped through his mindTs flipper,<lb />waiting for another quarter and button press.<lb /><lb />oOkay, Ms. Lilley,? David brayed, oCan you<lb />see how the wind would blow through the erector<lb />set and skeleton differently??<lb /><lb />oThe wind,? she hebephrenically pondered,<lb />oOh, yes ... oh, yes, the wind. I understand.?<lb /><lb />oOkay, then imagine the bones and steel are<lb />matter; the wind anti-matter. Are you with me<lb />Ms. Lilley??<lb /><lb />oYes sir, I think so.?<lb /><lb />oNow, Ms. Lilley, imagine the wind is a soul;<lb />the erector set is one brain and, ~Boney BennyT<lb />there a different brain. Can you see that both of<lb />these ~brainsT have spaces between their struc-<lb />tures and structures between their spaces? You<lb />can also see that both the spaces and the struc-<lb />tures in each are different. CanTt you, Ms. Lilley?<lb />Please see that??<lb /><lb />David watched Ms. LilleyTs eyes. oAll right<lb />then, if you like, Ms. Lilley, the soul, the spirit,<lb />ESP, clairvoyance, and whatever else old physics<lb />and psychology canTt quantify; these are the up-<lb />wellings of the ~new physics.?<lb /><lb />David noticed the claw-like supination of his<lb />right hand when he said ~upwellings.T He remem-<lb />bered Peter SellersT portrayal of Dr. Strangelove.<lb /><lb />oThose non-quantifiables, Ms. Lilley, move<lb />through brains like the wind moves through skel-<lb />etons or erector sets. Eastern philosophy has<lb />been correct all the time.?<lb /><lb />oOh, hello Frances.? Ms. Lilley smiled to the<lb />high-heeled nursing student that calvin-kleined<lb />around the hall. oITll be right there. Thanks, Dr.<lb />Carroll, you helped me a lot.?<lb /><lb />oGood day, Ms. Lilley.? David dropped an-<lb />other quarter into the slot as he listened to Ms.<lb />LilleyTs clogs doppler down the hall.<lb /><lb />oFrances, ITm changing my major.?<lb /><lb />Ms. LilleyTs fading words were the final five<lb />David heard as a professor.<lb /><lb />Tilt. @<lb /><lb />21<lb /><lb /></p>
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          <lb />22<lb /><lb />PARING<lb /><lb />A thin red line swells<lb />Across my hand where the knife<lb />Split my skin, exposing<lb /><lb />You "<lb />Hands cracked and bloody<lb />As you stood in the cold<lb /><lb />By the old wringer washer<lb /><lb />Silently, as the wind tugged your hair.<lb /><lb />I watched from inside,<lb />Until just now as<lb /><lb />The air rushed in and<lb />I wonder<lb /><lb />If there will be a scar.<lb /><lb />Kathy Crisp<lb /><lb />AFTER OCTOBERTS GIFT<lb /><lb />What but brief days ago<lb /><lb />Filled to every branchTs brim<lb />Like bright birds<lb /><lb />Chorusing in colors<lb /><lb />Today lies on walks and lawns<lb />In dark stains and pools<lb /><lb />As if the aftermath of massacre<lb /><lb />Rather than this customary catastrophe<lb />Of the Fall.<lb /><lb />My children used to ask me:<lb /><lb />oDaddy, why does Christmas morning<lb />Ever have to end??<lb /><lb />If only I knew to tell them.<lb /><lb />For the answer must be somewhere<lb /><lb />In what the rain murmurs only to itself<lb />As it rips the last leafy wrapping<lb /><lb />From OctoberTs gift.<lb /><lb />Ernest Marshall<lb /><lb /></p>
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        <p>THE SECRET<lb /><lb />Aunt Jane kept a secret<lb />all her life<lb /><lb />laced around her neck<lb />like a silver cross,<lb /><lb />but it wasnTt God.<lb /><lb />Her poems came<lb /><lb />bound together like rare pale birds<lb />half-crazed from their trip<lb /><lb />in the rambling boxcar<lb /><lb />that was Aunt JaneTs mind.<lb /><lb />And although they didnTt attend<lb />her funeral,<lb /><lb />they must have overheard<lb /><lb />Uncle John in the bedroom crying<lb />imploring her to come down<lb /><lb />and whisper him<lb /><lb />the secret.<lb /><lb />He cut her down instead<lb /><lb />with a carving knife,<lb /><lb />and she slipped through his grasp<lb />to the floor (much as she had<lb />evaded him for twenty years.)<lb /><lb />The secret was safe,<lb />and the pale birds flew clear.<lb /><lb />Sometimes in that abandoned part<lb />of night when lunatics and<lb /><lb />lovers peer out at the moon,<lb /><lb />I lie still and listen<lb /><lb />to Aunt JaneTs words<lb /><lb />fluttering together<lb /><lb />like songbirds,<lb /><lb />endlessly rehearsing the calm<lb />seductive melody of death.<lb /><lb />Don Ball<lb /><lb />GAYLA<lb /><lb />From gate five, emerging rapidly,<lb />Black rabbit and boots,<lb />Brown curls.<lb />Closer now<lb />Gayla<lb />Airport reunion,<lb />Electric embrace.<lb />How was the flight?<lb />Got drunk with the co-pilot in Atlanta.<lb />Come with me<lb />To the burgundy Mercedes<lb />At Fleet StreetTs end.<lb />Steak and mushrooms,<lb />One candle, maybe two<lb />I think I love you.<lb />But itTs much too soon.<lb /><lb />Gary Patterson<lb /><lb />23<lb /><lb />|<lb />1<lb />|<lb />t<lb /><lb />eee<lb /></p>
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        <p>we<lb /><lb />P. ;<lb />roe a My<lb />iS ae bp<lb />cine haley ea<lb />&gt; ¥ iy th | t 7 ss |<lb /><lb />4<lb /><lb />si i<lb />eT YN He!<lb /><lb />a]<lb /><lb />SVM ee<lb /><lb />? hed ead i<lb />1H .<lb /><lb />o<lb /><lb />: t * cai<lb /><lb />~ig<lb />mth hy 4 Mas 2 ty te<lb />oT.?<lb /><lb />wih<lb /><lb />1h. Sp TANER<lb />~hai!<lb />~iM,<lb />4 ML:<lb />ALM 7<lb /><lb />:<lb /><lb />Ne one gaia Sy 9's ae Oe<lb /><lb />P Ar, + ai{ ot<lb /><lb />se tl a<lb /><lb />sibel gales ff pe. tH | 1<lb />Ae ne<lb /><lb />sO ape ILS iv het<lb /><lb />a b<lb />14, rit? WV)<lb /><lb /><lb /><lb /></p>
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        <p>CHICKEN PICKINT<lb /><lb />Plans seem to run themselves out<lb />These days<lb /><lb />Like dying hens<lb /><lb />Lose their heads<lb /><lb />Lie down<lb /><lb />Squirt blood not<lb /><lb />Stopped by the esophagus<lb /><lb />Wait breathlessly<lb /><lb />And someone else<lb />Will pick them up<lb />and pluck them<lb />And eat them<lb /><lb />Leaving behind<lb />Thin bones<lb /><lb />Sam Silva<lb /><lb />25<lb /><lb /></p>
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          <lb />by Hal J. Daniel<lb /><lb />He cost me $6.25. At 25¢ a shot it took me 26<lb />times to put that ballooned excuse for a basket-<lb />ball through the Mid-South FairTs rip off hoop.<lb />But, I was determined to win that little purple<lb />chicken.<lb /><lb />I think it was the purple that did it. Yes. That<lb />was it. He was the only lavender puff in a box full<lb />of reds, greens, and yellows.<lb /><lb />I was eight and worried that the little purple<lb />chick would get trampled like some of his biddy<lb />buddies. I counted seventeen in the wire cage that<lb />were dead from the zebra August Memphis heat.<lb />His home was a Biafra of baby chicks.<lb /><lb />But, I got him. Swish, on the 26th shot, that<lb />biddy of pupura was mine!<lb /><lb />I cupped him home; all the way from the fair-<lb />grounds to 2946 Garden Lane. It was a long three<lb />mile journey as big-boy baseball games, the<lb />Memphis Belle, and the Chickasaw Garden Lake<lb />all had their distractable magic. But I kept<lb />crossed eyes on my chicken.<lb /><lb />I put him in my backyard. Immediately, he<lb />caught and ate fast bugs. His feet grew feathers,<lb />his wings turned white, but his head stayed pur-<lb />ple with a red comb: an iris in the snow named<lb />oPurple Head.?<lb /><lb />He followed me everywhere. It made perfect<lb />sense to me that he did so. The older people in<lb />the neighborhood laughed at us. I didnTt under-<lb />sand why. But they laughed and laughed and<lb />said, oHere comes Jeff and Purple Head.?<lb /><lb />They gave me crackers. Purple Head was indig-<lb />nant. East Memphians in 1950 didnTt serve fast<lb />bugs, especially to uppity purple headed chick-<lb />ens.<lb /><lb />I always left full, Purple Head still indignant.<lb />On the way home I could hear Purple Head cluck<lb />fast bug success stories as we satiatedly sauntered<lb />along.<lb /><lb />Two loyal years later, Purple Head died. I<lb />buried him next to my English bulldogTs grave. I<lb />remember my last look at Purple Head. His eyes<lb />matched his head; his feet were yellow razors. His<lb />comb was a Gulf Coast boiled shrimp and his<lb />beak a perfect candy corn.<lb /><lb />~I put him down. But not forever. H<lb /><lb /></p>
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          <lb />aimee. eee ee<lb /><lb />awe ee | NR A I eR i<lb /><lb />' . "" . Speer weeny a reece " vena<lb /><lb />T - - a an<lb />-<lb /><lb />at<lb /><lb />inetieneitneremenenneteieeern tei icee<lb /><lb />es<lb /><lb />~\<lb /><lb />Larry Shreve<lb /><lb />28<lb /><lb /></p>
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        <p>A LT ET Ta So ee Ae Ml EE : ~ - " -<lb /><lb />Tom Grubb<lb /><lb />Robert Dick<lb /><lb /></p>
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        <p>"""_""""""""<lb /><lb />tS Ss se | i 4 \<lb />¥ . BAY » a. a og<lb />. - + ~<lb /><lb />~~ I |<lb />are sks ¢&gt;-<lb /><lb />oF ©<lb /><lb />Roxanne Reep<lb /><lb />30<lb /><lb /></p>
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          <lb />31<lb /><lb />Jim Jacobs<lb /><lb />Oe ee atti """ s<lb /><lb />Ce ee<lb /><lb /></p>
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        <p>: At oA », if<lb /><lb />Rd a | a<lb />yy ae é<lb />Pa ~ Hy? - /<lb /><lb />*<lb /><lb />ner Gis<lb /><lb />~ _<lb />ow =e ~a<lb />. dt wre ER...<lb />- on<lb />5 *<lb /><lb />~<lb />YOR Se eee<lb />te 2 T<lb />" a<lb /><lb />- ~ 49<lb />ay ese il<lb />tt sn<lb /><lb />(wr-- gunn * ee owee go&gt; = 7<lb /><lb />a &gt; ad &gt; eh e al o? ri v we wpe Seka Me ake<lb />- : :<lb /><lb />a és,<lb /><lb />&gt;<lb />he ~3<lb /><lb />Maria McLaughlin<lb /><lb />32<lb /><lb /></p>
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          <lb />Kathy Sholar<lb /><lb />Susan Ward<lb /><lb />33<lb /><lb /></p>
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        <p>~<lb />S<lb />Ss<lb />S<lb />=<lb />ee<lb />*<lb />oy<lb />S<lb /><lb /></p>
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          <lb />35<lb /><lb />Ed Midgett<lb /><lb />- J *<lb /><lb />a ane<lb /><lb /></p>
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          <lb />Rochele Roland<lb /><lb /></p>
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          <lb />Henry Stindt<lb /><lb />"|<lb />Se a<lb />is<lb />)<lb />.<lb />a) A |<lb />&amp;,8<lb />7<lb />,<lb /><lb />fae Mr.<lb /><lb />aa, 2<lb /><lb />ees ervabe wees 7<lb />bac ?,? ye4 wei mew<lb /><lb />F ) = &gt; giet Spee<lb />ek ag<lb /><lb />= r)<lb /><lb />ae ee Sep id, a<lb />ian o<lb /><lb />L%<lb />7<lb /><lb />~<lb />ee bose &amp; .<lb />- """"" -<lb />mes<lb />© Re gm git mee em .<lb /><lb />ee ee<lb /><lb />Bob Rasch<lb /><lb />37<lb /></p>
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          <lb />Laura Jackson<lb /><lb />Bette Bates<lb /><lb /></p>
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        <p>eae<lb /><lb />Betsy Ross<lb /><lb />39<lb /><lb /></p>
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        <p>&gt;<lb /><lb />es ee L "_<lb />i, in " a<lb /><lb />. "<lb /><lb />Ray Elmore<lb /><lb /><lb /><lb /><lb />| Michael Loderstedt<lb /><lb />+ as ee<lb /><lb />ode ~~<lb /><lb />ri r a<lb />Saat el<lb />ee §~ ~Ly eyes<lb /></p>
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          <lb />wah<lb />Mig pO R<lb /><lb />pee meee<lb />-<lb /><lb />Alinta Nias Fiestas ho Nip Ne TN ae | \ nl<lb />. i a aanamenie ty wyr moma ey *" » sous % ? ~ . : , oe SAL<lb /><lb />- 4 A of j ; , . " : :<lb /><lb />~ \ d ue<lb /><lb />~ 1? ~ 4 RO eee i Pe at a RT TP? VE ae aa anh ed ule at arent 4 rip<lb />i Mb ear vemi tit iPE a yy y Al ~ ohee eT \ Pye) wide Cay) vi oaa SY Ny ohh Ee a Ar<lb />aS. NOS Mi a Re AO Ps 7 a ) SS aig Sek sae PH LB i CPA mM YN) \ een eeae ee SR Aa MAE<lb /><lb />aD | See tS a hanT<lb />~ia pe<lb /><lb /><lb /><lb /><lb /><lb />Stacy Heller<lb /><lb />M.A. Hutto<lb /></p>
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          <lb />44<lb /><lb />My intention is to establish a condi-<lb />tion " this in a relatively short period of<lb />time, avoiding the inconsequential while<lb />denying embellishment. With no set goal<lb />in mind, a ocondition? of a sort usually<lb />surfaces. Is it an elegance, a sensuous-<lb />ness, a spirituality, a gesture or simply an<lb />attitude " I cannot say.<lb /><lb />Ed Reep<lb /><lb />&amp;<lb /><lb /></p>
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          <lb />SL GMo_ Gt On AOU _<lb /><lb />Jilla,<lb /><lb />The Revolution has come &amp; gone<lb />and the last Americans<lb /><lb />are being held hostage<lb /><lb />in Teheran.<lb /><lb />It was Athens wasnTt it?<lb /><lb />Or was it a dream?<lb /><lb />My feet were<lb /><lb />blistered &amp; sore<lb /><lb />&amp; I knew the seat on the bus<lb />would do me some good.<lb /><lb />Mycenae was absorbed by our film;<lb />Corinth continued to trade with us<lb />from her ruins.<lb /><lb />We conquered a Peloponnesian lunch,<lb /><lb />&amp; then there was the Amphitheatre<lb />at Epidaurus.<lb /><lb />I photographed you sitting there,<lb />alone<lb /><lb />on the stone seat<lb /><lb />from a distance.<lb /><lb />I remember in those days<lb /><lb />I still believed in<lb /><lb />miracles and romance.<lb /><lb />We talked endlessly<lb />on the bus,<lb /><lb />you about Iran,<lb /><lb />&amp; I about the army.<lb /><lb />Later the Athenian night<lb />appeared<lb /><lb />&amp; you turned out<lb /><lb />the lights.<lb /><lb />Your body was warm,<lb />but the night was wrong.<lb />Too much Greek wine,<lb />my headache,<lb /><lb />ITm not sure which,<lb /><lb />but<lb /><lb />when I found you<lb />sitting at breakfast<lb /><lb />the next morning<lb /><lb />you were smiling at me<lb />from your table.<lb /><lb />I still remember your smile<lb />as you boarded the bus<lb /><lb />for the airport,<lb /><lb />&amp; while you were in the air,<lb />millions of barrels of<lb />Iranian oil gushed<lb /><lb />from deep inside me<lb /><lb />out of the wells<lb /><lb />of my eyes<lb /><lb />onto my bed of sand.<lb /><lb /></p>
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          <lb />Your letters never came.<lb /><lb />Only the Revolution.<lb />American influence<lb /><lb />expelled.<lb /><lb />&amp; you<lb /><lb />daughter of an Iranian colonel,<lb />secretary to an army general?<lb />Sometimes at night<lb /><lb />I dream<lb /><lb />that the clicking<lb /><lb />of typewriter keys<lb /><lb />is transformed into<lb /><lb />the bolting of execution rifles.<lb /><lb />I think of you<lb />sometimes<lb />when I see a photograph<lb />of Mycenae,<lb /><lb />read the news of Iran,<lb />or drink a glass of<lb />white wine.<lb /><lb />My camera created<lb /><lb />your image<lb /><lb />there<lb /><lb />in the Athenian garden,<lb />&amp; when I look<lb /><lb />at you<lb /><lb />now &amp; again,<lb /><lb />you never stop smiling.<lb /><lb />Roger Lell<lb /><lb />"<lb /><lb /></p>
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          <lb />JOYRIDE<lb /><lb />by Christie A. Lawrence<lb /><lb />Jack Wilson had been the strangest man who<lb />ever lived in Diamond City. The Banksers had<lb />always been known for making people feel wel-<lb />come among them, but Wilson never acquired<lb />this unusual talent. He had moved to the tiny<lb />whaling community on Shackleford Banks more<lb />than twenty years before the summer of JustanTs<lb />joy ride, but in all that time, he had never made a<lb />single friend. And the Banksers, for once, never<lb />tried to make friends with him.<lb /><lb />Justan had always wondered why the old man<lb />had been so foreboding, and remembered trying<lb />to think up excuses for him whenever she had<lb />walked past his house. ~ooMaybe he was injured,?<lb />her imagination running wild, oin the War Be-<lb />tween the States. He might have lost his mind in<lb />a fierce battle and thinks weTre all Yanks out to<lb />get him.? Or else she pictured Wilson as some<lb />desperate criminal who was hiding out from the<lb />law. Whatever his reason for being inhospitable,<lb />none of the Banksers ever knew, but one thing<lb />the children, including Justan, had always heard<lb />was that Jack Wilson practiced witchcraft.<lb /><lb />No one knew where Wilson had lived before he<lb />had moved to Diamond City. He was the first to<lb />admit that he didnTt have any kin on the Banks.<lb />He just drifted into the small Banks village one<lb />day and decided to stay. If having no family<lb /><lb />49<lb /><lb /></p>
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          <lb />50<lb /><lb />wasnTt evidence enough that the old man was<lb />magic, the apple trees in front of his house was<lb />definite proof.<lb /><lb />Diamond City had grown up in the shadow of<lb />the old diamond-patterned lighthouse for a back<lb />yard and the Atlantic Ocean for a front yard. The<lb />soil was either completely sand or too salty to<lb />grow a wide variety of plants. Justan could re-<lb />member her mother and the other Bankser wom-<lb />en getting together and trying to grow fruit trees,<lb />but only a few fig and pecan trees ever survived.<lb /><lb />Still, out in front of WilsonTs house, right be-<lb />side the porch, were two tremendous apple trees.<lb />They were the most magnificent trees Justan<lb />ever saw. Even after she was grown and Diamond<lb />City was only a childhood memory, she never saw<lb />any trees more beautiful than Jack WilsonTs ap-<lb />ple trees. When she thought of those trees, she<lb />always remembered the tale of Wilson her father<lb />would tell on stormy, winter nights, sitting before<lb />the fire. She remembered every word and gesture<lb />her father had used:<lb /><lb />oNot too long after Jack Wilson came around,<lb />he began asking where he could get fresh apples.<lb />Well, we all told him to go down to Josh Guth-<lb />rieTs store. ~No,T he says, ~I mean just picked ap-<lb />ples, large green apples.T Well, we all told him<lb />there werenTt any apple trees in Diamond City.<lb />So, Jack gets this funny look in his eye and says,<lb />~Oh, there will be, there will be.T<lb /><lb />oNow old Luther Davis said he was passing by<lb />JackTs one night when he heard some funny<lb />noises. He hid behind a sand dune near the house.<lb />Jack was out in the front yard with a lantern. He<lb />was conjurinT apple trees! I wouldnTt even be sur-<lb />prised if he sold his soul to Satan for those two<lb />trees.?<lb /><lb />A shiver would still run down JustanTs back<lb />whenever she thought about that story about<lb />Wilson. Even as a child, Justan had been almost<lb />certain that her father had simply wanted to<lb />scare the gang of children who always listened,<lb />but she had never been totally convinced the<lb />story wasnTt true until that one, eventful sum-<lb />mer. Besides, all the other Bankser children had<lb />said it was true and that their parents all told the<lb />same tale about Jack Wilson and the apple trees.<lb /><lb />All of the children, except Justan, had been too<lb />afraid to even walk past WilsonTs house. Justan<lb /><lb />had always had to prove to everyone that she was<lb />just as good as any of the boys in Diamond City<lb />" and twice as brave. So, the kids were always<lb />daring her to sneak over to JackTs and bring back<lb />something to prove she had actually been there.<lb />Once, she had stolen a dozen apples. Another<lb />time, she had brought back a jug of the liquid she<lb />had seen Wilson making from the apples. One<lb />taste of the apple brandy was enough to convince<lb />the young Banksers that it was the work of the<lb />devil.<lb /><lb />But stealing those little things had been mere<lb />childTs play. The older boys racked their brains<lb />for weeks trying to think up a suitable conquest<lb />for Justan. Finally, they decided: Justan could<lb />oborrow? JackTs skiff. That skiff was his prized<lb />possession. The sides were always sparkling<lb />white, not a single spot of dirt could be found<lb />from the bow to the stern, and he kept the bot-<lb />tom barnacle free. The thought of taking Wil-<lb />sonTs skiff out had filled Justan with excitement.<lb />But Justan had known she couldnTt handle that<lb />escapade by herself, so she had convinced her<lb />younger brother, Jonnie, to join her. Jonnie was<lb />scared stiff of Jack Wilson, but he would have<lb />done practically anything his older sister had<lb />asked him to do.<lb /><lb />When the day came, the two children slipped<lb />past WilsonTs house without any trouble. The<lb />apple trees provided excellent camouflage from<lb />the front of the old manTs house. In back of the<lb />house, a huge sand dune partially hid Back<lb />Sound from view. Jack kept his beautiful skiff<lb />pulled up on the shore behind the dune.<lb /><lb />Jonnie and Justan should have found it an easy<lb />task to float that skiff, but Jonnie was too ner-<lb />vous. Although he had helped his father push off<lb />his skiff many times, the launching of WilsonTs<lb />skiff proved almost too much for Jonnie. He kept<lb />expecting to see Jack Wilson jump from behind<lb />the dune and turn him into a fiddler crab or some<lb />other small, insignificant creature. If Jonnie<lb />heard any creak or snap, he would drop the bow<lb />of the skiff and dive into it.<lb /><lb />Half dragging, half pushing, Justan finally got<lb />the skiff into the water. Jonnie was relieved that<lb />they could pole out to the channel and be out of<lb />the reach of JackTs magic. He had settled back<lb />and begun sorting out the fishing gear while Jus-<lb /></p>
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        <p>tan did the poling. He hauled his handkerchief<lb /><lb />out of his pocket and untied the knot in it. He<lb />unfoled the corners to reveal everything needed<lb />to catch fish: twine, safety pins, and a slab of fat<lb />meat. No other type of bait in the world would<lb />ever beat fat meat.<lb /><lb />Justan pulled in the oar, but didnTt bother to<lb />throw out the anchor. Throughout her life, that<lb />was JustanTs favorite way of fishing, just letting<lb />the skiff float wherever it wanted. She settled<lb />down next to the anchor rope and threw her<lb />fishing line overboard. As the boat gently rocked,<lb />Justan began to think of the croakers she and<lb />Jonnie would catch and she hoped they would get<lb />lucky and catch a few crabs. She closed her eyes<lb />and imagined how those crabs would taste stewed<lb />with strong onions and fresh potatoes swimming<lb />in gravy.<lb /><lb />Suddenly, Justan was jostled from her dream<lb />by a volet rocking motion. Jonnie had caught a<lb />crab, but before he got it off the line, the crab<lb />caught JonnieTs toe.<lb /><lb />oStop jumpinT around,? Justan yelled as she<lb />grabbed for her brotherTs foot. She didnTt notice<lb />that her own foot and gotten tangled in the an-<lb />chor rope. As she lunged toward Jonnie, the mo-<lb />tion caused the skiff to capsize. Justan remem-<lb />bered feeling the anchor rope pull tight around<lb />her ankle; so tight that the rope burn would leave<lb />a permanent scar. Then, the anchor jerked her<lb />under. The more she struggled, the tighter the<lb />rope got. She tried to scream, but her mouth only<lb />filled with salt water.<lb /><lb />Justan seemed to stay underwater for an eter-<lb />nity. The water she swallowed was choking her,<lb />but she knew she couldnTt afford to cough and<lb />take in more water. She tried to reach Jonnie, but<lb />couldnTt find him.<lb /><lb />Then, she felt something pulling on one of her<lb />pigtails and her head was raised above the water.<lb />A hand reached down and Justan remembered<lb />feeling the slackening of the the rope as a knife<lb />cut through it. Justan thought that the skiff must<lb />not have capsized completely and that Jonnie<lb />was helping her. She went limp and allowed her<lb />rescuer to pull her into the boat.<lb /><lb />Then he spoke. oI lost my boy to the same<lb />thing that just about took you two. Fool kids.<lb />Never think about the dangers of anything.?<lb /><lb />oThe more she<lb />struggled, the tighter<lb />the rope got. She<lb />tried to scream, but<lb />her mouth only filled<lb />with salt water.?<lb /><lb />Justan was stunned by Jack WilsonTs words.<lb />None of the Banksers had ever said anything<lb />about Jack having a boy. She wondered if anyone<lb />else knew.<lb /><lb />Jack got up and pulled the oar out. As he was<lb />poling to shore, he kept muttering about how<lb />lucky they were that he saw them and that old<lb />man PateTs skiff happened to be close by. Then<lb />Justan heard sniffling. She thought it was Jonnie<lb />whimpering about the beating Wilson had given<lb />them until she saw the old man grappling for his<lb />handkerchief.<lb /><lb />The next day, Justan took a pan of bread to<lb />Jack as a peace offering. Her motherTs bread had<lb />always helped break the ice when she wanted to<lb />make friends. When she reached the house<lb />thought, Wilson was not in sight. She walked<lb />around back and saw that he had managed to<lb />save his skiff and was down on the shore cleaning<lb />it. Justan started to go down to him, but she<lb />heard him talking and stopped to listen:<lb /><lb />oYou never listen, boy, never listen. I know |<lb />shouldnTt have let you take that skiff, but youTd<lb />have done it anyway. It wasnTt bad enough I had<lb />to raise you by mTself. Now all I have to tend to<lb />are my apple trees. You never listen.?<lb /><lb />Justan walked back to the house and left the<lb />pan of bread under one of the apple trees. Mf<lb /><lb />51<lb /><lb /></p>
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        <p>Sa<lb /><lb />NEMS), NINE<lb /><lb />CN AE DORR ME tT Re<lb />OE A OO OT<lb /><lb />ME.<lb />EXT MOP Sd<lb />AE RES<lb /><lb />- . o<lb />ee ae<lb /><lb />-<lb />Lar ow<lb />ear<lb /><lb />PR ada<lb /><lb />ADA Ps ee<lb /><lb />+0 40 68<lb /><lb />phnblanwentiretie tengo esins<lb /><lb />"7<lb />mr<lb /><lb />"?<lb />o<lb /><lb />Feed<lb /><lb />Fp worn<lb /><lb />~* t ;<lb />PEO I DE WER EAA LE AGN NBA SL Ae<lb /><lb />i<lb />J<lb />i)<lb />;<lb />: 4<lb />:<lb />-<lb />.<lb /><lb />RAVE SR<lb />ed eae: ee ~ "'y<lb /><lb /></p>
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        <p>BANJO<lb /><lb />Old banjo singing<lb />through thick fingers<lb />moving fast.<lb /><lb />Strong man after work,<lb /><lb />picking and posing<lb />in calm likeness<lb /><lb />of a prophet,<lb /><lb />never stops to think<lb />of reading Plato<lb /><lb />or writing lyrics.<lb /><lb />He just picks<lb /><lb />and listens<lb /><lb />to CBS Evening News<lb />without voting "<lb />loving potatoes<lb /><lb />and oatmeal cookies.<lb /><lb />Richard Hudson<lb /><lb />53<lb /><lb /></p>
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          <lb />NUGATORY POEMS I, III, AND V, AND VITAMINS<lb />I<lb /><lb />God is good. God is bad.<lb />And we thank Him for lightning bugs.<lb /><lb />Ill<lb /><lb />I'd like to speak in tempo di valse,<lb /><lb />I have the sky, but havenTt the time.<lb />Words that are metered always sound false,<lb />Especially when they rhyme.<lb /><lb />V<lb /><lb />After everything melted,<lb /><lb />What had started out as<lb /><lb />For lack of sleds fun<lb /><lb />Became a bumpy springtime game of<lb />Rolling down the hill in a garbage can.<lb /><lb />VITAMINS<lb /><lb />Eat the skins, theyTre better than the potatoes.<lb />Eat the orange peels, theyTre better than the inside.<lb />The silos are better than corn.<lb /><lb />Raymond Schmidt<lb /><lb />55<lb /><lb /></p>
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          <lb />TO MY DAD " THE COLONEL<lb /><lb />While I slept<lb /><lb />You lay half-awake<lb />Waiting<lb /><lb />For the siren to<lb /><lb />Order you to the flight line<lb /><lb />While I played<lb />~oSquint-and-make-Jap-eyes<lb />Bang-bang-youTre-dead?T<lb />With defunct grenades and<lb />Wearing hand-me-down fatigues "<lb />Miles away<lb /><lb />You fought the real wars<lb />So that when I grew up<lb />and learned to talk<lb /><lb />I would be free<lb /><lb />To say what I pleased<lb /><lb />While I sat<lb /><lb />Behind desks in school and<lb /><lb />Read and wrote and wished<lb /><lb />That I had a job, too<lb /><lb />You worked overtime<lb /><lb />Above and beyond the call of duty<lb />So that I would have everything<lb /><lb />I needed<lb /><lb />And most things I wanted<lb /><lb />And now<lb /><lb />As I sit here<lb /><lb />Writing a poem, which<lb />While not a great poem<lb /><lb />Is a poem about a great man<lb />Miles away<lb /><lb />You lay dying<lb /><lb />And I salute you<lb /><lb />Sir<lb /><lb />L.K. Johnson<lb /><lb />FIRST RECITAL<lb /><lb />That night on stage<lb /><lb />all that mattered was<lb /><lb />my saxophone solo.<lb /><lb />[ wanted you there<lb /><lb />but knew you couldnTt<lb /><lb />make it in time.<lb /><lb />Then the conductor raised his baton.<lb />I started playing<lb /><lb />and forgot about you.<lb /><lb />But Mother saw you<lb />standing in the doorway.<lb />Your face was hidden<lb /><lb />by engine grease<lb /><lb />and sweat. You drove<lb />without sleep to hear me.<lb /><lb />No one understood why<lb />an old man was there<lb />covered with dirt and<lb />aching for sleep.<lb /><lb />Christie A. Lawrence<lb /><lb /></p>
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          <lb />HOW THE WEFT* WAS ONE<lb /><lb />Batavia: the gluon is disclosed,<lb /><lb />a matter-of-course on the pilgrimage to the infinitesimal.<lb />Electromagnetic, weak, strong, gravitational forces,<lb /><lb />4 sea serpents circling the Known World<lb /><lb />are biting their tails (as well as their tongues)<lb /><lb />timely as coelacanths.<lb /><lb />Burlington: 2 ladies waiting for broken weft<lb /><lb />(for the clock to spin) pause from their industry.<lb /><lb />One wears an implausible headdress " earphones,<lb /><lb />tortoise shells of green resin. The otherTs ears are stuffed<lb /><lb />with ceruminous cotton and despite the continual din they gossip,<lb />shoulder to clavicle, jowl to chin.<lb /><lb />The first weaver grins; her gilded front tooth reveals<lb /><lb />the persistence of dental decay and what little<lb /><lb />bacteria know of angst.<lb /><lb />The banging shuttles in number obscure their own rhythms,<lb />the Big Bangs excruciate (what a difference dacron makes.)<lb /><lb />Dale Maness<lb /><lb />*the thread carried by the shuttle in weaving<lb /><lb />HAIKUS LEFT BY THE SPRING<lb /><lb />Tulip bulbs at last<lb />Press their way through warming loam<lb />" Moles turned into birds<lb /><lb />Morning lawnmowing<lb />On the loom of my dreaming<lb />Weaves sweet strands of grass<lb /><lb />Ernest Marshall<lb /><lb /></p>
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        <p>PELs RO POE<lb /><lb />PLANTS, ANIMALS, AND WHAT HAVE YOU<lb /><lb />My old friends find me, among other things,<lb />Quite leapless now,<lb /><lb />Having given the last of my faith<lb /><lb />To charity.<lb /><lb />ItTs allright though, because<lb /><lb />For six seventy-five I bought myself<lb /><lb />A used botany text.<lb /><lb />Twenty years ago someone wrote in the front<lb />what is the purpose (wrong)<lb />should be function<lb /><lb />ItTs the first thing everybody learns.<lb /><lb />Flowers donTt bend in order to smile at the sun.<lb /><lb />TheyTre just growing on the opposite side.<lb /><lb />At first I used to worry<lb /><lb />As I leaned out the upside-down window.<lb />Quite leapless,<lb /><lb />I couldnTt make myself crazy,<lb /><lb />I couldnTt make myself invisible,<lb /><lb />I couldnTt make myself stop.<lb /><lb />ItTs alright though, because, according to the<lb />Text, life is like a mailbox,<lb /><lb />A locker combination, a bus driver,<lb /><lb />A blanket, a family, a serious talk.<lb /><lb />There is no purpose behind it.<lb /><lb />ItTs all whatever works.<lb /><lb />I hope to become an unembarassed American chestnut.<lb />My old friends find me<lb />Among other things.<lb /><lb />Raymond Schmidt<lb /><lb />TRACKS Against the cold, early porcelain of sink and stove<lb />I drink my coffee black<lb /><lb />Gone. lifting back my curtain<lb /><lb />Even the snow melts away I squint<lb /><lb />from the tire tracks " into the white glare of snow<lb /><lb />your last comment and watch the sun make tears<lb /><lb />of the thin ice threads hanging<lb />This morning high on the glazed maple branches from my home<lb />a bluejay scratched into my waking on this window they wave<lb />his call the first vein of Spring.<lb /><lb />harsh in the morning light<lb />June Sylvester<lb /><lb />59<lb /><lb /></p>
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        <p>|<lb /><lb />ba<lb /><lb />oe<lb /><lb />tis: a<lb /><lb />r<lb />Le ine .<lb />on AG a Be Asa 4<lb /><lb />oy<lb />3 Se<lb /><lb />Ben,<lb /><lb />se hag s F<lb /><lb />~~<lb />ae<lb /><lb />Pia brmtse oAes<lb />- 5 st .<lb /><lb />ae te<lb /><lb /></p>
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          <lb />62<lb /><lb />WRITERS BIOGRAPHIES<lb /><lb />DON BALL is a graduate of William and Mary. He<lb />taught high school English in Virginia and hopes to<lb />enter graduate school at East Carolina in the fall. He<lb />has previously published in several North Carolina<lb />magazines.<lb /><lb />GARY R. BRYANT is a writing major. He is the<lb />winner of this yearTs prose award.<lb /><lb />KATHY CRISP is a senior writing major from<lb />Washington, N.C. Kathy is editor of this yearTs Rebel.<lb />HAL DANIEL is a Professor of Speech, Language<lb />and Autitory Pathology at ECU. He is currently a<lb />visiting scholar in the Department of Anthropology at<lb />the University of Washington. This is his second ap-<lb />pearance in The Rebel.<lb /><lb />RICHARD HUDSON is an English writing major.<lb />He has previously published in St. AndrewTs Review,<lb />Aspects and The Rebel.<lb /><lb />L.K. JOHNSON is a junior writing major from<lb />Greensboro, N.C. Her hobbies include photography,<lb />tennis and biking. This is her first appearance in The<lb />Rebel.<lb /><lb />ROBERT JONES is a senior writing major. He has<lb />previously worked on The Rebel staff.<lb /><lb />CHRISTIE LAWRENCE is a graduate student in<lb />English from HarkerTs Island, N.C. This is her first<lb />appearance in The Rebel. She is on The Rebel staff.<lb />ROGER LELL is a senior at ECU majoring in Eng-<lb />lish and minoring in Philosophy. He has been writing<lb />poetry for two years. This is his first appearance in<lb />The Rebel.<lb /><lb />DALE MANESS is a senior majoring in painting.<lb />This is his publication debut.<lb /><lb />ERNEST MARSHALL is a professor of Philosophy<lb />at ECU. He has previously published in The Rebel.<lb />GARY PATTERSON is a freshman Commercial Art<lb />major. This is his first appearance in The Rebel.<lb /><lb />LISA RYAN is a junior French major. She has pub-<lb />lished previously in Miscellaney and Rag and Bone.<lb />RAYMOND SCHMIDT is an undergraduate stu-<lb />dent in Philosophy on a yearTs leave of absence from<lb />ECU, presently conducting research with Hal Daniel<lb />at the University of Washington.<lb /><lb />SAM SILVA is a poet from Goldsboro, N.C. He has<lb />previously published in The Rebel.<lb /><lb />JUNE SYLVESTER is a senior writing major from<lb />Elizabeth City, N.C. She has published in past issues<lb />of The Rebel.<lb /><lb />LINDA UNDERWOOD is a graduate student in<lb />English from Pensacola, Florida. She has published<lb />previously in an anthology for college poets. This is<lb />her first appearance in The Rebel.<lb /><lb />ARTISTS BIOGRAPHIES<lb /><lb />BETTE BATES is a graduate student in printmak-<lb />ing. She works primarily in lithography.<lb /><lb />SID DAVIS is a senior in Commercial Art. He has an<lb />interest in photography.<lb /><lb />ROBERT DICK is a painting major and expects to<lb />graduate with an MFA degree in May, 1981. He re-<lb />cently had his first one man show at the Greenville<lb />Museum of Art.<lb /><lb />MICHAEL EHLBECK is a printmaking instructor<lb />at ECU. Much of his work deals with the fantastic and<lb />the absurd.<lb /><lb />RAY ELMORE is an ECU drawing instructor. He<lb />works in mixed media and graphite on paper.<lb /><lb />TOM GRUBB is an MFA candidate in the School of<lb />Art. His major field of study is sculpture.<lb /><lb />KRIS GUNDERSON is a senior sculpture major<lb />with a minor in metal design. He received several<lb />awards in this yearTs art show.<lb /><lb />BRUCE RIVERS HALL has recently begun explor-<lb />ing the field of illustration and is aiming for a situa-<lb /><lb /></p>
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          <lb />tion where his creativity can flourish. He is a graduate<lb />student in CA.<lb /><lb />SUSAN HALL is a senior majoring in Communica-<lb />tions Art.<lb /><lb />PAUL HARTLEY is the chairman of the ECU<lb />Painting Dept. He has most recently been exploring<lb />three dimensional mixed media work.<lb /><lb />STACY HELLER holds a BFA in illustration with a<lb />minor in painting. She plans to pursue photography.<lb />GARY HINNANT is a senior BFA candidate in<lb />Communications Art. He is interested in animation<lb />and painting.<lb /><lb />M.A. HUTTO is a senior majoring in metal design.<lb />She won second place for a mixed media piece in the<lb />Rebel art show.<lb /><lb />LAURA JACKSON, a graduate student, is majoring<lb />in printmaking and minoring in textiles. She was a<lb />second place art show winner in design.<lb /><lb />JIM JACOBS is a graduate student majoring in<lb />painting. One of his works was a first place winner in<lb />the art show.<lb /><lb />DAVID DODGE LEWIS hails from Bar Harbor,<lb />Maine. He is an ECU graduate with an MA in painting<lb />and is now looking into the MFA Program.<lb />MICHAEL LODERSTEDT is a senior BFA candi-<lb />date in printmaking. He also has an interest in writing.<lb />JOAN LESTER MANSFIELD is working toward<lb />her MFA in illustration.<lb /><lb />MARIA MCLAUGHLIN, a senior painting/print-<lb />making major, won first place in the printmaking cate-<lb />gory in this yearTs art show.<lb /><lb />ED MIDGETT, Rebel art editor, is completing his<lb />graduate studies in printmaking. He has published in<lb />several past issues of the magazine.<lb /><lb />ELAINE MILLER plans to travel as much as possi-<lb />ble. She is a senior in printmaking and intends to<lb />enter graduate school. One of her peices received sec-<lb />ond place in printmaking in the Rebel art show.<lb />PAULA W. PATTERSON comes from Colorado<lb />Springs, Colorado. She is currently completing her<lb /><lb />bel 8}<lb /><lb />MFA in painting. One of her drawings received a first<lb />place award in this yearTs art show.<lb /><lb />KEVIN PHILLIPS is making his first appearance in<lb />The Rebel. He is a senior art major. His home is<lb />Swansboro, N.C.<lb /><lb />BOB RASCH serves as chairman of the Communica-<lb />tions Art Dept. at ECU. He works primarily in gum<lb />bichromate prints.<lb /><lb />ED REEP is an artist in residence at ECU. He has<lb />been listed in WhoTs Who in America and has received<lb />honors too numerous to list. He says his work is a<lb />reflection of his life " experiences real and imagined.<lb />ROXANNE REEDP is a graduate student in jewelry<lb />design. Her minor is drawing.<lb /><lb />ROCHEL ROLAND spent two years at Chowan<lb />College and is now in photography at ECU. She hopes<lb />to become a CA major in graphic design. She was a<lb />second place winner in the Rebel Art Show photog-<lb />raphy category.<lb /><lb />BETSY ROSS is an ECU drawing instructor. She is<lb />currently working in miniatures.<lb /><lb />DONALD SEXAUER has exhibited prints through-<lb />out the country. He is the chairman of the ECU Print-<lb />making Dept.<lb /><lb />KATHY SHOLAR won a first place award in the<lb />mixed media area of the art show. She is a senior in<lb />Communications Art and is planning to attend gra-<lb />duate school.<lb /><lb />LARRY SHREVE is a graduate student in painting.<lb />He received his BFA from ECU, also.<lb /><lb />HENRY STINDT is a conceptual artist. He is an<lb />associate professor of Communications Art at ECU.<lb />MICHAEL VOORS is from Fort Wayne, Indiana.<lb />He holds an BFA and MEA in printmaking.<lb />SUSAN WARD won first place in the photography<lb />competition in the art show.<lb /><lb />63<lb /><lb /></p>
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