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          <mods:abstract>East Carolina's student-run campus newspaper was first published in 1923 as the East Carolina Teachers College News (1923-1925). It has been re-named as The Teco Echo (1925, 1926-1952), East Carolinian (1952-1969), Fountainhead (1969-1979), and The East Carolinian (1969, 1979-present). It includes local, state, national, and international stories with a focus on campus events.</mods:abstract>
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          <dc:title>Fountainhead, July 12, 1978</dc:title>
          <dc:description>East Carolina's student-run campus newspaper was first published in 1923 as the East Carolina Teachers College News (1923-1925). It has been re-named as The Teco Echo (1925, 1926-1952), East Carolinian (1952-1969), Fountainhead (1969-1979), and The East Carolinian (1969, 1979-present). It includes local, state, national, and international stories with a focus on campus events.</dc:description>
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                <pb facs="00058062_tn_0001" />
Serving the campus com-<lb />
munity for ever 50 years<lb />
With a circulation of 4,500,<lb />
this issue is 12 paget.<lb />
Fountainhead<lb />
5?<lb />
Vd.$47Nc,5r<lb />
East Carolina University<lb />
iim, Nortn UaVdina<lb />
ON THE INSDE<lb />
Crayfish p.3<lb />
NEH grantsp.3<lb />
Jerzy Kosinskip.6<lb />
Southern Miss, reportp.10<lb />
Summer session<lb />
Class cancellation policy<lb />
By JIM BARNES<lb />
News Editor<lb />
Consider this: you are all h<lb />
to graduate after second session<lb />
of summer school. All you need is<lb />
that one certain psychology, math<lb />
or English course to complete<lb />
your degree. You show up for the<lb />
first day of class only to learn that<lb />
the course you need is being<lb />
cancelled due to lack of anroll-<lb />
ment. It is university poli�y, you<lb />
later learn, that summer school<lb />
courses with less than ten stud-<lb />
ents enrolled are cancelled.<lb />
Cancelling classes during<lb />
summer session is not frequent,<lb />
according to Dr. Susan McDaniel,<lb />
assistant vice-chancellor fa aca-<lb />
demic affairs and director of<lb />
summer school. "It's (cancella-<lb />
tion) not something we like to<lb />
do McDaniel told FOUNTAIN<lb />
HEAD but to serve the needa of<lb />
the largest number of students we<lb />
sometimes have to let the smaller<lb />
groups go<lb />
Dr. McDaniel explained that<lb />
the summer session is funded<lb />
differently from the regular<lb />
school year. First, a decision of<lb />
available funds is made, followed<lb />
by courses scheduled by depart-<lb />
ment heads, who must anticipate<lb />
demand for summer courses. Over<lb />
the long run, the projections have<lb />
been quite accurate, according to<lb />
McDaniel, but she added that "as<lb />
we get larger and larger, we seem<lb />
to be knowing less and less about<lb />
what students are going to do"<lb />
concerning summer school enrol-<lb />
lment.<lb />
While faculty members do not<lb />
face salary cuts for courses which<lb />
do not "make" (meet minimal<lb />
numbers for enrollment), there is<lb />
no compensation to a professor<lb />
who has a course cancelled due to<lb />
lack of enrollment. Dr. McDaniel<lb />
noted that it, is understood that<lb />
summer employment is contin-<lb />
gent upon numbers of students<lb />
enrolled.<lb />
Summer school class cancelat-<lb />
ion usually affects graduate stud-<lb />
ents more than undergraduates,<lb />
according to McDaniel. The grad-<lb />
aute student population is sign-<lb />
ificantly smaller, and thus their<lb />
enrollment in courses is more<lb />
likely to hover around the magic<lb />
number of ten students, minimal<lb />
enrollment for a summer school<lb />
course.<lb />
The policy requiring a min<lb />
-imum of ten students per course<lb />
in summer school is not a new<lb />
policy at ECU, McDaniel said,<lb />
adding that the policy has been in<lb />
force since she first came to ECU<lb />
in 1967.<lb />
DR. SUSAN McDANIEL, ECU vioe-chanceUtr<lb />
�<lb />
Student Union: identity crisis<lb />
MENDENHALL STUDENT CENTER IPfwto by Jahn H' Qr0B"1<lb />
Intercessor<lb />
To Intercessor:<lb />
I have neard something rec-<lb />
ently about a self-help program<lb />
on campus. It is related to<lb />
financial aid in any way? Where<lb />
do I go to apply for a job under<lb />
this program? On only needy<lb />
people work under the self-help<lb />
program?<lb />
The self-help program is not<lb />
the latest in pop psychology.<lb />
According to Karen A.<lb />
Barbee of the Financial Aid<lb />
office, self-help i- a program<lb />
whereby studert seek part-time<lb />
employment within the univer-<lb />
sity. Self-help is not administered<lb />
through financial aid, nor is<lb />
employment under self-help bas-<lb />
ed on the financial need of the<lb />
student.<lb />
There is no program for<lb />
self-hp per se at ECU, rather,<lb />
students who are interested In<lb />
part-time employment must seek<lb />
out available positions in the<lb />
various departments of the univer-<lb />
sity. Once a job possibility has<lb />
been located, the student then<lb />
applies for the job, funds for<lb />
which must come from the budget<lb />
of the department which hires the<lb />
student<lb />
(See INTERCESSOR, p. 31<lb />
By TERRE P1RKEY<lb />
Assistant News Editor<lb />
Help! The audent Union is<lb />
experiencing an identity crisis!<lb />
The Student Union's functions<lb />
are being confused with those of<lb />
the Student Government Asso-<lb />
ciation (SGA) and MendenhaJI<lb />
Student Center (MSC), according<lb />
to Mike Mass, Student Union<lb />
president. He stated that darif<lb />
cation of the role of the Student<lb />
Union will resolve the issue.<lb />
The confusion stems from the<lb />
fact that the audent Union and<lb />
the SGA offices are both housed<lb />
in MendenhaJI audent Center.<lb />
While the audent Union's ident-<lb />
ity problem also stems from this<lb />
commonality, student ignorance<lb />
of audent Union functions is a<lb />
contributing factor to the prob-<lb />
lem.<lb />
Morse confirmed that the<lb />
audent Union, the largest and<lb />
chief programmer of the univer-<lb />
sity, is a service organization<lb />
staffed by student volunteers who<lb />
plan, select, and present a variety<lb />
of social and cultural events<lb />
"The Union provides a<lb />
balanced program of events so<lb />
that all segments of the student<lb />
population have an opportunity to<lb />
participate in our programs he<lb />
stated.<lb />
The 11 oommittiees compris-<lb />
ing the audent Union are: Major<lb />
Attractions, Lecture, Theatre<lb />
Arts, Coffeehouse, Special<lb />
Attractions, Minority Arts, Art<lb />
Exhibition, Artist's Series,<lb />
Entertainer, Travel, and Films.<lb />
Although some of these<lb />
committees' activities take place<lb />
in MSC, the two organizations are<lb />
separate entities.<lb />
Morse commented that "we<lb />
offer something for everyone.<lb />
We are not out to make money,<lb />
but merely to meet costs He<lb />
added thai the Major Attractions<lb />
Committee is the only committee<lb />
of the 11 which strives to have<lb />
See UNION, p. 3<lb />
Four history faculty promoted<lb />
ECU News Bureau<lb />
Four faculty members of the<lb />
ECU DePaf1-<lb />
ment of History have received<lb />
promotions in rank effective<lb />
August 28.<lb />
Associate professors loren<lb />
Champion and Charles Cutlop<lb />
were promoted to the rank of<lb />
professor, and assistant profes-<lb />
sors John Connor Atkeaon and<lb />
Donald Lennon were promoted to<lb />
associate professor.<lb />
A native of Indianapolis, Ind<lb />
Dr Champion holds degrees from<lb />
Indiana University and hat done<lb />
additional study at the Ludwig-<lb />
Maximilian University of Munich<lb />
in Germany.<lb />
Before joining the ECU faculty<lb />
in 1964, he taught at Indiana and<lb />
Northern Illinois Universities.<lb />
During his years here, Champion<lb />
has. erved as director of graduate<lb />
studies in European history and<lb />
as faculty member for the ECU<lb />
European 8udy Program in<lb />
Bonn, West Germany.<lb />
He is the author of a book-<lb />
length study of the late 19th<lb />
century German military estab-<lb />
lishment.<lb />
Dr. Cullop, a native of<lb />
Marion, Va is an alumnus of<lb />
Emory and Henry College with<lb />
advanced degrees from the Univ-<lb />
ersity of Virginia. He has also<lb />
studied at Harvard University.<lb />
Before joining the ECU 'ac-<lb />
uity in 1968, he was a faculty<lb />
member and administrator at<lb />
Davis and Elklns College in West<lb />
Virginia.<lb />
Cutlop has been a fellow of the<lb />
American Council of Education, a<lb />
program sponsored by the Ford<lb />
Foundation, and is the author of a<lb />
book, "Confederate Propaganda<lb />
in Europe" published by the<lb />
University of Miami Press, and<lb />
several articles in professional<lb />
journals<lb />
Atkeaon, a member of the<lb />
Ea&amp; Carolina faculty sines 1961,<lb />
Is a native of Norfolk, Va.<lb />
His undergraduate study was<lb />
done at the College of William<lb />
and Mary and Randolph Macon<lb />
College, and he holds the MA<lb />
degree from the University of<lb />
Richmond. He is s doctoral<lb />
candidate at Vanderbilt Univer-<lb />
sity.<lb />
Atkeaon's research interests<lb />
have bean public health history<lb />
and medical laws, and several of<lb />
his reviews nave appeared in<lb />
historical animals<lb />
Lennon, a native of BrunswM<lb />
County, is an East Carolina<lb />
alumnus. He has also studied at<lb />
N.C aate University, American<lb />
Unweratty and UNC-Wilminoton.<lb />
See PROMOiivho, p. 2)<lb /><pb facs="00058062_tn_0002" /><lb />
Flashes<lb />
Page 2 FOUNTAINHEAD 12 July 1978<lb />
Scuba<lb />
The department of Health,<lb />
Physical Education &amp; Recreation<lb />
will start a basic Scuba dass on<lb />
July 11, 1978<lb />
Peace Corps<lb />
The Campus Peace Corps<lb />
representatives will be in their<lb />
office thioughout the Summer.<lb />
If you are interested in finding<lb />
out more about Peace Corps or<lb />
Vista experiences, the represent-<lb />
atives would be happy to see you.<lb />
Call or visit Flanagan Science<lb />
Building 425; 752-6586.<lb />
LSAT<lb />
The Law School Admission<lb />
Test, required of candidates for<lb />
admission to most American law<lb />
schools, will be given at ECU Oct.<lb />
14, 1978; Dec. 2, 1978; Feb. 3,<lb />
1979; April 21, 1979 and June 23,<lb />
1979.<lb />
Further information about the<lb />
test registration materials are<lb />
available from the ECU Testing<lb />
Center, 105 Speight Building, or<lb />
directly from Law School Admis-<lb />
sion Services, Box 944, Princeton,<lb />
N.J. 08541.<lb />
Counseling;<lb />
This summer, candidates for<lb />
the master's degree in Counselor<lb />
Education are conducting a sup-<lb />
ervised counseling service in<lb />
room 130 Speight building.<lb />
This is the final phase in<lb />
earning the degree. These coun-<lb />
selors in training are present from<lb />
8 a.m. to 5 p.m. Monday through<lb />
Friday to help deal with<lb />
their concerns through counsel-<lb />
ing, administration and interpre-<lb />
tation of aptitude and interest<lb />
inventories, and information<lb />
sources.<lb />
Grades, academic decisions,<lb />
and personal matters are some of<lb />
the sources of concern for many<lb />
students who come into the<lb />
counseling laboratory.<lb />
A 9QUIRREL SURVEYS the ever-decreasing refuge available on the<lb />
ECU campus Photo by Peggy Durham<lb />
MAJOR<lb />
ATTRACTIONS.<lb />
Planning another<lb />
exciting year.<lb />
A Student Union Committee.<lb />
PROMOTIONS<lb />
continued from p. 1<lb />
He is the author of several<lb />
articles and archives publications<lb />
and was co-editor of "The<lb />
Wilmington Town Book, 1743-<lb />
1778 Before coming to ECU. he<lb />
taught in New Bern schools and<lb />
worked with the N.C. Dept. of<lb />
Archives and History.<lb />
Since joining the ECU faculty.<lb />
1967, Lennon has been director of<lb />
the East Carolina University<lb />
Manuscript Collection, a reposi-<lb />
tory of records for historical<lb />
research which has been mantain-<lb />
ed by the ECU history depart-<lb />
ment and the Joyner Library.<lb />
JS3M<lb />
omcL<lb />
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With Coupon1 1With Conpon<lb /><pb facs="00058062_tn_0003" /><lb />
Target: cure for epilepsy<lb />
12 July 1978 FOUNTAINHEAD<lb />
Crayfish subjects of nerve impulse research<lb />
By GEORGETTE HEDRICK<lb />
ECU Medical Writer<lb />
An ECU<lb />
physiologist is studying the giant<lb />
nerve of the crayfish in a project<lb />
which may provide insight into<lb />
several neural problems including<lb />
epilepsy.<lb />
Dr. Edward M. Lieberman, as<lb />
associate professor in the ECU<lb />
School of Medicine, is studying<lb />
the n movement of sodium and<lb />
potassium in nerve membranes<lb />
under a two-year, $74,879 re-<lb />
search grant from the National<lb />
Science Foundation, Division of<lb />
Behavorial and Nural Sciences.<lb />
Bassman,<lb />
Acevez, and<lb />
Williams get<lb />
NEH grants<lb />
ECU News Bureau<lb />
Three faculty members of the<lb />
East Carolina University Depart-<lb />
ment of Foreign Languages and<lb />
Literatures have received grants<lb />
from the National Endowment for<lb />
the Humanities to partiapate in<lb />
summer seminars.<lb />
They are Dr. Michael<lb />
Bassman, Prof. Luis Aoevez and<lb />
Dr. Thomas Williams.<lb />
Bassman will participate in a<lb />
summer seminar on Latin paleo-<lb />
graphy at the University of<lb />
California at Los Angeles, under<lb />
sponsorship of the UCLA Center<lb />
fa Renaissance and Medieval<lb />
Studies and the ECU Research<lb />
Council.<lb />
A specialist in French and<lb />
Latin language and literature, Dr.<lb />
Bassman is now researching<lb />
different versions of the life of 9.<lb />
Alexis.<lb />
Acevez will be one of 12<lb />
persons participating in a seminar<lb />
on modern Latin American exper-<lb />
imental literary forms at the<lb />
University of Illinois at Urbana-<lb />
Champaign.<lb />
His individual research will<lb />
concern the writing techniques of<lb />
Garcia Marquez, whose recent<lb />
novels in translation have been<lb />
acclaimed by literary critics.<lb />
Dr Williams will be among<lb />
12 participants in a seminar on<lb />
literary and philosophic move-<lb />
ment in French literature at<lb />
UNC-Chapel Hill. His topic will<lb />
� � 1 yle and thought of Andre<lb />
of the surrealis-<lb />
tic school of writing<lb />
Williams is the autha of<lb />
"Ma ;�; of<lb />
Mysticism. -Med by tN<lb />
the NEH seminar<lb />
ge of the<lb />
�<lb />
�<lb />
NERVE CHEMISTRY<lb />
"The ability of cells to send<lb />
nerve impulses to tho brain<lb />
deponds on the movement of<lb />
sodium and potassium in and out<lb />
of the brain cell says<lb />
Lieberman "Sodium hasa higher<lb />
concentration outside the cell,<lb />
potassium on the inside.<lb />
"During a nerve impulse,<lb />
sodium enters the cell and<lb />
potassium leaves the cell, and<lb />
this movement occurs in a<lb />
delicate balance. The proper ratio<lb />
of these elements must be<lb />
maintained by metabolism if the<lb />
nerve cells are to perfam proper -<lb />
iy<lb />
INTERCESSOR<lb />
continued from p. 1<lb />
Onoe hired, the student then<lb />
sets his a her own hours which<lb />
are coadinated with the employ<lb />
er. Barbee naed that any<lb />
student currently under a finan-<lb />
cial aid program must naify<lb />
financial aid if the student seeks<lb />
work under the self-help pro-<lb />
gram. Financial aid must approve<lb />
all such applications.<lb />
 you have a problem or<lb />
question concerning programs or<lb />
politics at ECU, contact<lb />
INTECESSOR, we may be able to<lb />
help Write out your problems<lb />
and send it to INTERCESSOR<lb />
editor, FOUNTAINHEAD, Old<lb />
South, ECU, or call 757-6366.<lb />
Please sign your name and<lb />
address or telephone number in<lb />
case we need to contact you for<lb />
details.<lb />
UNION<lb />
continued from p. 1<lb />
some overhead in ader to meet<lb />
ever-rising oosts fa the next<lb />
year.<lb />
When asked what can be cone<lb />
to clarify the role of the Student<lb />
Union, Mase replies, "better<lb />
publicity tsthekey Getting mae<lb />
posters out and mentioning the<lb />
phrase a Student Union produc-<lb />
tion' at the beginning and ending<lb />
of a radio commeraal' are two<lb />
ways of improving publicity.<lb />
We also plan to use a<lb />
trailer' with films to identify<lb />
them as productions of the Union<lb />
rather than MSC<lb />
Mase made clear that every<lb />
full-time student is a member of<lb />
the Student Union by virtue of the<lb />
activity fee ho a she pays each<lb />
BSta He also encouraged<lb />
involvement in the Student Union<lb />
mlng a- warding<lb />
A special brochure on Student<lb />
Union activities is availabln to all<lb />
ECU '<lb />
n at the<lb />
hall Student Center.<lb />
To learn how sodium and<lb />
potassium balanoe is maintained,<lb />
Lieberman inserts electrodes into<lb />
the giant nerve of the crayfish and<lb />
takes samples of the cell intena<lb />
The electrical activity of the nerve<lb />
cell is then studied and the<lb />
composition of the sample is<lb />
examined.<lb />
"Nerve impulses are generat-<lb />
ed in the same way fa all animals<lb />
-fron crayfish to man - and the<lb />
crayfish is one of only a few<lb />
animals with nerves large enough<lb />
to permit the use of internal<lb />
sampling equipment says<lb />
Lieberman, who has been con-<lb />
ducting research on nerve impul-<lb />
ses since 1966.<lb />
"By using crayfish as a model<lb />
to study the movement of sodium<lb />
and potassium, it may be possible<lb />
to learn how the transpat is<lb />
actually accomplished<lb />
Scientists now think that<lb />
groups of cells responsible fa<lb />
epileptic seizures may suffer from<lb />
faulty transpat systems that do<lb />
nox maintain the proper balanoe<lb />
of the two elements.<lb />
Siezures are triggered by a<lb />
small group of cells which are<lb />
hypersensitive to brain activity.<lb />
These cells sometimes become so<lb />
sensitive to namal aain activity<lb />
that they send off massive<lb />
electrical impulses in the area and<lb />
cause an epileptic seizure.<lb />
Altered transpat systems are<lb />
also linked to certain muscle<lb />
diseases such as myaonia.<lb />
"Scientists know so little<lb />
about the nervous system that if s<lb />
like having 10 pieces of a 1,000<lb />
piece puzzle says Lieberman.<lb />
the autha of numerous research<lb />
papers dealing with his work in<lb />
nerve physiology. "And with that<lb />
limited knowledge it's difficult to<lb />
see what the whole picture is all<lb />
about<lb />
"However, by understanding<lb />
the transport system in nerve<lb />
membranes, it may be possible to<lb />
fill in some gaps and derive<lb />
methods fa dealing with many<lb />
neural problems<lb />
Wiener King<lb />
IT'S NATIONAL HOT DOG MONTH AND<lb />
WE'RE THE WIENER KING<lb />
fan ���.��� � � . . . Med<lb />
National Hot Dog Monti-�<lb />
er2l llion hot dogs tl � " Andya ���  lauront is the pbce i ei<lb />
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� . . � � , - . . ,<lb />
mustard � �<lb />
pi.  . Buy fa '� Iget<lb /><lb />
BUY ANY FRANKLY DELICIOUS<lb />
H0T00GAN0GETASMALL<lb />
ORDER OF FRENCH FRIES<lb />
FREE! "<lb />
MTM��<lb />
1011 CharlesSt<lb />
Greenville, N.C.<lb />
July 31. 19a<lb /><pb facs="00058062_tn_0004" /><lb />
Editorials<lb />
Page 4 FOUNTAINHEAD 12 July 1978<lb />
Pesticide purge<lb />
Roaches and other pests have long been a<lb />
problem in the dormitories, especially since the<lb />
Housing Office authorized dorm cooking some years<lb />
back. Several spraying efforts have been launched to<lb />
no apparent avail; the creatures continue to infest the<lb />
dorms in ever greater numbers.<lb />
Students have made several attempts in the past<lb />
to get the university to increase their extermination<lb />
efforts, but usually have no more success than the<lb />
pesticide purges against the insects. The<lb />
university's argument, that they can do little to<lb />
combat the roaches unless students improve their<lb />
housekeeping and sanitation habits, although<lb />
circular, has some merit to it.<lb />
Usually, there are two or three Oscar Madisons<lb />
on a hall whoseoverflowing garbage cans and week<lb />
old dirty dishes act as a magnet for the neighborhood<lb />
roaches. Asa result, everybody gets to share in the<lb />
fun of chasing bugs in the night.<lb />
Probably the most effective solution to the<lb />
problem would be to ban cooking in the dorm rooms,<lb />
but this is an unsatisfactory solution. University<lb />
spraying efforts must oontinue, but the only practical<lb />
method at present is for the residents of each room to<lb />
fight them as best they know how through cleanliness<lb />
and poison.<lb />
Incoming freshmen should receive some instruc-<lb />
tion either during orientation or as part of a freshman<lb />
brochure on how to oontroi and eventually eliminate a<lb />
roach population which might be sharing the same<lb />
room.<lb />
Roaches will remain one of Greenville's perennial<lb />
problems like parking and the monthly monsoons.<lb />
However, at least for the forseeable future, the guys<lb />
in Scott will still be able to watch the beasts get high<lb />
on Black Flag and the ladies in Fletcher won't have to<lb />
cancel their Tuesday night roach races. And finally,<lb />
after all the poison and spraying attacks have ended,<lb />
chances are the roach will still rise victorious, having<lb />
adapted itself to an insecticide laden environment.<lb />
So it goes.<lb />
Fountainhead<lb />
Serving the East Carolina community tor over titty yemra.<lb />
"Wflthtt to mo to dock whether we should have<lb />
 government without newspapers or newspapers<lb />
wWnou government, I should not hesitate a moment to<lb />
prefer the latter<lb />
Thames Jefferson<lb />
EditorDoug White<lb />
Production ManagerLeigh Coakley<lb />
Advertising ManagerRobert M. Swaim<lb />
MewsEditor jjm Bern<lb />
Trends EditorSteve Bachner<lb />
�rts EditorChrJs Hdloman<lb />
FOUNTAINHEAD Is the Mutant nemepepm of East Carolina<lb />
Untvaratty aponaarad by the Madta Board of ECU and la<lb />
dUributad aooh Tueaday and Thursday, weekly during ths<lb />
nmar.<lb />
Mailing addraas:OW South BuUdhtg, OrssnvHts, N.C 27834.<lb />
EdHoria! offtcaa: 757-6386, 757-6367, 757-6308<lb />
Subaoriptiana: $10 annually, alumni $6 annually<lb />
Forum<lb />
Student laments cancellation of grad courses<lb />
To FOUNTAINHEAD:<lb />
Dickens wrote The Old<lb />
Curiosity Shop' somewhere in<lb />
the 19th Century, yet it remains<lb />
gratifying when one realizes that<lb />
at least titles remain oonsstently<lb />
cyclical. At ECU one may find a<lb />
truer such shop' in a fold of<lb />
Brewster; one finds decisions<lb />
whimsically made: they gather<lb />
I ike odds and ends and clutter the<lb />
lives of student like glass herons<lb />
on coffee tables. One decision of<lb />
dubious merit was made at the<lb />
beginning of the second summer<lb />
session. All classes of less than<lb />
ten bodies exist no more; know-<lb />
ledge only exists in groups of<lb />
eleven.<lb />
The only classes significantly<lb />
affected by this example of<lb />
company policy are graduate<lb />
classes, for there are not enough<lb />
of us to warrant attention.<lb />
5000 level classes make, 6000<lb />
level courses are in Dante s 7th<lb />
level, along with the suicides.<lb />
Another, you say, atuaiton of<lb />
necessity? No money, no honey,<lb />
as they say to sailors in port?<lb />
Perhaps the university has an<lb />
obligation to its various depart-<lb />
ments to allow only those courses<lb />
which generate interest. Under-<lb />
standable. But who determines<lb />
the acceptable level of interest9<lb />
In this case I smell a decision by<lb />
committee, an arrangement of<lb />
one shielded by others. This is not<lb />
a complaint, sense asks only that<lb />
one remember an avant-garde<lb />
Darwin's definition of a camel: a<lb />
horse constructed by committee<lb />
D. Staley<lb />
Reader disagrees with HERALD editorial<lb />
To FOUNTAINHEAD:<lb />
I am writing to express my<lb />
oonoern in relation to the issue<lb />
pertaining to the editorial<lb />
"EBONY HERALD a waste<lb />
May I begin by stating that I am<lb />
a white student at ECU and have<lb />
been affiliated with the school for<lb />
three years.<lb />
I feel that<lb />
FOUNTAINHEAD has inflicted<lb />
great injustice upon the EBONY<lb />
HERALD staff, who have worked<lb />
hard for the benefit of not only the<lb />
black students of ECU but for<lb />
every student interested, includ-<lb />
ing the white population.<lb />
For me, it is a sad revelation<lb />
to realize that there are students<lb />
who refuse to recognize and<lb />
appreciate the extended oonoern<lb />
and effort of people such as the<lb />
EBONY HERALD staff whose<lb />
goals have been to broaden and<lb />
diversify human in interests on<lb />
our campus. I feel there is a<lb />
certain need fa the EBONY<lb />
HERALD, as there is a need for<lb />
FOUNTAINHEAD, to eliminate<lb />
isolation and to promote con-<lb />
sciousness among the ethnic<lb />
groups or i campus<lb />
It is truly a misfortune that the<lb />
interests and activities of the<lb />
students have been dichotomized<lb />
only to encourage isolation. To<lb />
eliminate the EBONY HERALD<lb />
publication would only serve as a<lb />
catalyst to further destroy exist-<lb />
ing unity of the student body.<lb />
I think it would be worthwhile<lb />
to consider the social factors<lb />
involved before la! eling the<lb />
EBONY HERALD a "waste<lb />
For those who desire to limit<lb />
their interests to their immediate<lb />
activities and interactions, it is<lb />
probable that the EBONY<lb />
HERALD is a "waste<lb />
Fa those of us who are<lb />
interested in the activities and<lb />
functions of various groups and<lb />
aganizations on campus, the<lb />
EBONY HERALD is a necessity<lb />
of which we should not be<lb />
deprived.<lb />
Dabney Glick<lb />
Forum policy<lb />
All Forum letters must be<lb />
typed or neatly printed and<lb />
oontain the author's name, sign-<lb />
ature, and their address or phone<lb />
number. If a letter does not meet<lb />
these spedtications, it will not be<lb />
printed<lb />
The Editor reserves the right<lb />
to edit letters tor taste, brevity,<lb />
and libelous or obscene state-<lb />
ments<lb /><pb facs="00058062_tn_0005" /><lb />
12 July 1978 FOUWTAINHEAD<lb />
Crosswinds<lb />
Patience, television, and the All-Star Game<lb />
By JIM BARNES<lb />
I'm not at all sure that what I<lb />
want to talk about will interest<lb />
anyone, but here goes. The date<lb />
is July 11 and the event is the<lb />
All-Star baseball game. I realize<lb />
that many people are not interest-<lb />
ed in baseball: it's too slow the<lb />
players act as if they have to fill<lb />
up two and a half hours of<lb />
network time.<lb />
O.K. If you feel that way,<lb />
then stop reading; there's little I<lb />
could do to interest you. But if<lb />
you can watch a baseball game<lb />
with a degree of sustained<lb />
interest; if you can, in all honesty,<lb />
say "wait a minute" to your<lb />
spouse when your team is behind<lb />
7-0 in the last of the eighth - well,<lb />
hang in there. This might be for<lb />
you.<lb />
Tonight the National League<lb />
beat the American League 7 to 3<lb />
in the 1978 Baseball All-Star<lb />
Game. But what is beyond the<lb />
game this year, and what is<lb />
behind the concept of baseball, is<lb />
the basic premise of the game.<lb />
Patienoe.<lb />
Patience of the batters,<lb />
patienoe of the pitchers, the<lb />
fielders, the fans - this patienoe<lb />
typifies the game of baseball.<lb />
Patienoe is not a visible<lb />
commodity today, but it is still<lb />
a consideration<lb />
Patience is passe today. It is<lb />
quite easy to drive to the<lb />
cleaners, the green grocer, the<lb />
bank, the drive-in snack bar, and<lb />
then home - all without leaving<lb />
your car. In light of such a mobile<lb />
culture, it's no mystery why<lb />
baseball has lost its appeal fa<lb />
many Americans. It takes too<lb />
long.<lb />
Today's society is ravaged by<lb />
time segments. Everything is<lb />
split, divided or bisected into<lb />
segments which conveniently fit<lb />
into segments designed to fit<lb />
other segments. In short, we<lb />
have TV Mentality. TV Mentality<lb />
is an insidious disease which<lb />
affects the central nervous sys-<lb />
tem, most alarmingly that seg-<lb />
ment which deals with reality.<lb />
TV addicts tend to view life in<lb />
periods of 30, 60, a 90 minute<lb />
segments. Look at what the<lb />
Waltonscan do in one hour. Can<lb />
you do that? Can anyone you<lb />
know do that?<lb />
How is it that all the really<lb />
important world and national<lb />
news fits naturally into a 30<lb />
minute segment (including the<lb />
prescribed commercial minutes)<lb />
each evening? That is a stupid<lb />
comment, right? I ask you only to<lb />
consider the number of people for<lb />
whom reality is portrayed on a<lb />
television screen.<lb />
But television is not the sole<lb />
souroe of the "want it now"<lb />
group; it is but an indication of<lb />
the society which it portrays. We<lb />
hurry at everything - sex, eating,<lb />
leisure activities, drinking, work-<lb />
ing - you name it. Perhaps it<lb />
would not be such a bad idea to<lb />
let it drift fa awhile; it might do<lb />
Forum<lb />
Farren defends his Nantucket review<lb />
some good.<lb />
I suggest baseball<lb />
Baseball is baing; it is slow<lb />
But a defender might just as well<lb />
say that baseball is deliberative,<lb />
like Fischer-Spassky. It all<lb />
depends upon how you look at it.<lb />
I prefer to see baseball as a<lb />
lazy afternoon (a rare oommodity<lb />
these days) watching a contest<lb />
which ultimately pits man against<lb />
man. whether it be pitcher-batter,<lb />
batter-fielder, a-fielder-fielder.<lb />
It takes time fa all of this to<lb />
happen. O.K. - perhaps we need<lb />
to take a little time.<lb />
Perhaps we need to take a<lb />
little time. Watch a baseball<lb />
game - try to empathize with<lb />
those guys out thae, try to sense<lb />
the tenser and life which the<lb />
players must feel - and you may<lb />
discover that in seeming relaxtion<lb />
comes awareness, it sal I a matter<lb />
of perception.<lb />
By the way, the National<lb />
League beat the American<lb />
League tonight, 7-3 in the 1978<lb />
All-Star Baseball Game. Despite<lb />
the scae, it was a pretty 9��<lb />
game.<lb />
ToFOUNTAINHEAD:<lb />
Dear Ms. Page:<lb />
In response to your reoent<lb />
letter to FOUNTAINHEAD con-<lb />
deming the job I did in reviewing<lb />
the Nantucket album, let me first<lb />
say that I sincerely appreciate<lb />
your letter and the time you put<lb />
into it; fa if nahing else, at least<lb />
my article angered you enough to<lb />
retaliate. However, I must admit<lb />
that I find your reasons fa the<lb />
criticism a bit perplexing.<lb />
You wrrte of Nantucket's<lb />
overwhelming popularity and in-<lb />
aeasing recad sales, but what in<lb />
reality does that have to do with<lb />
what is actually on the album? If<lb />
Nantucket were to sell 5 million<lb />
oopies tomarow and become<lb />
number one in the nationwide<lb />
charts, it would still na change<lb />
my opinion of the album.<lb />
Being a fan of Nantucket's<lb />
type of music, you more than<lb />
anyone, should know that popula-<lb />
rity does na necessarily go hand<lb />
in hand with quality; if so, Shaun<lb />
Cassidy and Kiss would be<lb />
among this country s most ac-<lb />
complished musicians.<lb />
As far as the group's hard<lb />
work and the dues they have paid<lb />
who in rock music hasn't paid<lb />
dues? To take these things into<lb />
account would be to lose any<lb />
objectivity that a reviewer might<lb />
have.<lb />
You are taally carect when<lb />
you say that my exposure was<lb />
limited to the album itself, but my<lb />
intention was to review the<lb />
album, na the group's histay a<lb />
individual personalities. It seems<lb />
to me that you have let your<lb />
loyalty and friendship affect your<lb />
judgement.<lb />
As fa Tanmy Reid's "no-<lb />
fnlls" lyrics (I guess that's one<lb />
way of putting it), lines like "girl<lb />
you blew a good thing when you<lb />
jived me" are certainly na going<lb />
to change the wald, but I'm na<lb />
sure that even they should be<lb />
considered (as you put it) a<lb />
"natural approach to, relation-<lb />
ships with women<lb />
Howeva, all ihe things that<lb />
you have to say in your letter, I<lb />
think the thing that confused me<lb />
most was your labeling of my<lb />
review as "wimpy<lb />
In my opinion, you could have<lb />
called my review wimpy if I had<lb />
been afraid to take a stand, a<lb />
been inoonsistant in my views.<lb />
On the oontrary, my review, I<lb />
feel, was extremely straightfa-<lb />
ward and a definite stand was<lb />
taken.<lb />
As I see it, my jobasaaiticis<lb />
togiveatnaough, intelligent and<lb />
well thought out opinion, so that<lb />
one, :hrough agreeing and dis-<lb />
agreeing can better express and<lb />
feel, their own opinion, and in the<lb />
end gain a better and more<lb />
oomplete understanding and ap-<lb />
preciation of the music<lb />
Consequently, while I wish<lb />
Namucket the best of luck, I had<lb />
to write what I truly felt.<lb />
I hopy that what I have said<lb />
has made sense, and that you will<lb />
feel free to oomment on future<lb />
articles.<lb />
Chris Farren<lb />
Capeao<lb />
Danskin<lb />
BARPE,ltd<lb />
805 Dickinson Ave.<lb />
Greenville, N.C 752-5186<lb />
SA C<lb />
Ivy s" "usws ysastf<lb />
STUDENT ID. ,<lb />
(EX PI RES SEPT I, 1978)<lb />
WITH THI PWRCHASK CHAUY<lb />
PLATTC. SHOW CASrtiefi-<lb />
MAI IDC �U ' GD iZe�<lb />
HOURS -TMO�- SAT 2.100<lb />
DLBAtt<lb /><pb facs="00058062_tn_0006" /><lb />
Page 6 FOUNT AINHEAD 12 July 1978<lb />
Kosinski<lb />
Blind Date transcends<lb />
its violence and sex<lb />
IIM BARNES<lb />
News f- dita<lb />
Briny the name Jerzy<lb />
Kosinski during a discussion of<lb />
smporary lit instant-<lb />
 dsturn; it will<lb />
. �<lb />
inski, a Polish immigrant<lb />
and winner of the National Book<lb />
Award Steps, gained fame in<lb />
1965 with the publication of The<lb />
'ted Bird, a World War II<lb />
� odessey of a small child<lb />
�h strongly paralleled<lb />
-inski s own experiences as a<lb />
-gee in war-ravaged Poland It<lb />
was m The Painted Bird that<lb />
ki first rvealed his unique<lb />
' to fiction which was<lb />
her exposed in Steps (1968),<lb />
Being There (1971), The Devil<lb />
Tree (1973). and Cockpit (1975)<lb />
With th on of Being<lb />
-  w- ,ih<lb />
with random existence.<lb />
Kosinski steadfastly refusesto<lb />
rw the reader tooozily slip into<lb />
an anticipated order or pace of<lb />
in It is difficult to read<lb />
Kosinski - not because of lang-<lb />
uage or concepts, but because of<lb />
his style. Kosinski justly ranks<lb />
with his countryman Joseph<lb />
Conrad in unexcelled achieve-<lb />
: in writing in English, the<lb />
adopted tongue of both of these<lb />
novelists<lb />
There is, in all of Kosinski s<lb />
work, an intensity which demands<lb />
to be shared by the reader There<lb />
is power in Blind Date: the<lb />
igonist faces the moments of<lb />
his existence with an intensity<lb />
which one is tempted to call tola<lb />
The language is direct almost to<lb />
the point of being blunt. this fits<lb />
naturally with the distance<lb />
Trends<lb />
vels bears<lb />
of Kosinski<lb />
uno ot" struct<lb />
'loments rat-<lb />
'han seq lopment<lb />
'tant if st, battling<lb />
against the<lb />
State s construction of personal<lb />
liberty, and ps the most<lb />
famous (or infamous) of<lb />
Kosinski's hallmarks- the brutal-<lb />
ink depiction of violence and<lb />
sex in his characters' lives.<lb />
Blind Date, Kosinski's latest<lb />
novel, may, in the above sense,<lb />
be considered a typical<lb />
Kosinski novel. And yet it is<lb />
dangerous �o label any of<lb />
Kosinski s work as "typical<lb />
even for him. For Kosinski, as for<lb />
each of of his protagonists, life is<lb />
not a well though-out plot, a neat<lb />
chain of casuality<lb />
Life is spontaneous in its<lb />
unfolding, or perhaps explosion.<lb />
As the French biologist Jacques<lb />
Mon mentions to George Levater,<lb />
the protagonist of Blind Date,<lb />
concerning Levanter's friend.<lb />
your friend Romarkin doesn't<lb />
dare to admit that blind chance<lb />
and nothing else is responsible<lb />
for each random event of his life<lb />
Instead, he is searching for a<lb />
religion that, like Marxism, will<lb />
assure him that man's destiny is<lb />
spelled out in the central plot ot<lb />
Meanwhile believing m the<lb />
in orderly, pn<lb />
mini � cheme, Romarkin<lb />
Kh<lb />
1 iqonists poss<lb />
i are loners; they h<lb />
ficulty feeling (in the personal<lb />
- leeply about other pe<lb />
Not dwelling in the past, nor<lb />
linking witt sed logic one<lb />
event with another. Levanter<lb />
seems cold and distant. Shortly<lb />
after he has plunged a sword up<lb />
the rectum of a foreign agent,<lb />
Levanter returns to his<lb />
apartment: But what had taken<lb />
place there had already receded<lb />
into a remote corner ot his<lb />
memory It was nothing but an<lb />
ojd Polaroid snapshop, no nega-<lb />
tive, photographer jnknown,<lb />
camera thrown away.<lb />
Kosniski's protagonists seem<lb />
brutal and uncaring; yet to the<lb />
reader of the traditional novel,<lb />
they must seem that way Not<lb />
piling memory upon memory and<lb />
dwelling on happier times,<lb />
Kosinski's characters are very<lb />
much alive and aware of,the'now'<lb />
that eternal present which de-<lb />
mands an acute awareness of<lb />
one's surroundings as well as of<lb />
oneself<lb />
The k.ey to Blind Date, as well<lb />
astothe rest of Kosinski's canon,<lb />
is the willing suspension of<lb />
disbelief required of one to enter<lb />
Kosinski's world of incidents.<lb />
This world is different fror that<lb />
normally peroeived by soa<lb />
and � iion is different fr<lb />
ually een in trie novel<lb />
� i<lb />
ieorg � tei ell<lb />
JERZY KOSINSKI IS currently enoymg a literary vogue. He is the author of Blind<lb />
Jerzy Kosinski talks about Blind<lb />
Date and The Painted Bird<lb />
The following interview with<lb />
author Jerzy Kosinski is the first<lb />
of two installments Read the<lb />
conclusion of the interview in the<lb />
TRENDS Section of the July 19<lb />
edition of FOUNTAINHEAD<lb />
CPS - The eyes, which used<lb />
to terrorize the Gypsies, haven t<lb />
lost their ability to stun.<lb />
About ten feet from where he<lb />
sits is rack of objects called Hit<lb />
Harold' Harold is a tiny, inflat-<lb />
able everyman, whose instruct<lb />
ions suggest that he be placed at<lb />
a convenient spot on your desk<lb />
and beaten whenever life threat-<lb />
ens to overwhelm.<lb />
A kid. after five minutes of<lb />
pretending to shuffle through a<lb />
pile Ot birthday cards, walks over<lb />
and lays a paperback in front of<lb />
him<lb />
irobably one of<lb />
etl ible books I've<lb />
ions of an acquired langauge<lb />
Kosinski fled Poland when he<lb />
was 24 Since then he ,<lb />
published five novel st re-<lb />
cently B<lb />
T' atmosphere A the large<lb />
department - Sear I y bores<lb />
s there behind a table<lb />
overflowing with copies of his<lb />
book, waiting for something to<lb />
engage him. surprise him, prefer-<lb />
ring a life where "a predictable<lb />
environment becomes tense<lb />
CPS: At the end of Blind Date.<lb />
your protagonist, George<lb />
Levanter, is told that his entire<lb />
life has been a blind date Could<lb />
Jerzy Kosinski be told the same<lb />
thing?<lb />
JK Most of my generation 'did<lb />
in any notion '<lb />
tiny He saw it discredit� i<lb />
etray i nany thin<lb />
i tl A to all of u<lb />
.<lb />
and this should be, ideally, every<lb />
moment Hence I consider myself<lb />
on a blind date from the time I<lb />
was six years old And certainly<lb />
by the time I was 12. I was<lb />
convinced that the only form life<lb />
takes, the only meaningful form<lb />
is the blind date.<lb />
CPS Blind Date appears almost<lb />
to be a roman a def. Jacqu<lb />
Monod, Henry Kissinger, Charles<lb />
Lindbergh all appear.<lb />
JK They are in the book not<lb />
because I have known thern, but<lb />
above all their presence in this<lb />
novel is because they can illus-<lb />
trate the ideas of this novel I<lb />
want to say that the philosophy of<lb />
George Levanter is something<lb />
which has a presence outsit)'<lb />
i evantei ih.it it is a sdenl<lb />
pfiii' isophy<lb /><pb facs="00058062_tn_0007" /><lb />
���HBHHBHnMHH<lb />
Sombrero Fallout<lb />
12 Jiiy 1978 FOUNTAINHEAD<lb />
I<lb />
K<lb />
Hind Date<lb />
lind<lb />
dealiy, every<lb />
lsider myself<lb />
n the tin<lb />
ind ertainly<lb />
 i was<lb />
nly ocni life<lb />
nngful form.<lb />
jears almost<lb />
ef. Jaoqi<lb />
ger, Charles<lb />
e book not<lb />
n them, but<lb />
jnoe in this<lb />
y can illus-<lb />
iis novel I<lb />
hilosophy of<lb />
something<lb />
ice outside<lb />
a scientific<lb />
Brautigan'slatest: 'ambitious<lb />
By Jf f f HOI t INS<lb />
Assistant "rends Edito<lb />
In In latest book, Sombrero<lb />
f allout I Brautigan<lb />
j ambitious but not r<lb />
suooessful Still. Sombrero<lb />
Fallout marks a broadenii<lb />
; lutiga e which we are<lb />
et<lb />
W.ttermelon Sugar, Trout<lb />
' r Jung In America and his of<lb />
previous un novels were bril-<lb />
allieson H (he<lb />
� litionaj novel What n i)<lb />
novels different from quasi av<lb />
lard failures is the profound<lb />
 i I his books having found<lb />
their form solely in their sub<lb />
stance<lb />
In Sombrero Fallout our at ten<lb />
tioi first aught by the novi<lb />
on posed in<lb />
two complete . i and<lb />
la<lb />
tt least in thi -<lb />
- - and trie<lb />
the story th<lb />
A<lb />
plots have al i<lb />
thing todo with eaii other. but<lb />
. 3. be set as two pa<lb />
rhe mam charade-<lb />
a ed by name t .<lb />
rred ti<lb />
rist" ha<lb />
i<lb />
. �<lb />
n ting her. him wanting to<lb />
� ' amburgei bul stop;<lb />
himself becau i<lb />
hamburgers the previous<lb />
other such mundane goings<lb />
' that somehow add up to a<lb />
penetrating psychological por<lb />
of the wr<lb />
The other half of Rot A deals<lb />
with the young Japanese beauty.<lb />
Yukiko, dreaming. Brautigan is<lb />
his most lyrical in these passages.<lb />
He describes Yukiko's flowing,<lb />
fragrant onyx hair as sleeping<lb />
along with her. dreaming its own<lb />
dream Indeed, Brautigan uses<lb />
Yukiko's rich black hair as her<lb />
dommat image, to the point that<lb />
he crams her deep, lovely,<lb />
shimmering, veluptuous hair<lb />
down our throats.<lb />
At one point the writer finds<lb />
one of her hairs in the sink and is<lb />
transfixed by it. He drops it, and<lb />
'Brautigan s man is sophisticated and<lb />
neanderthal, rather a fool, but a<lb />
beautiful and hauntingly tragic one. '<lb />
I" '� a i I md a<lb />
from the floor<lb />
But the n ag�<lb />
the rrn<lb />
appropriatni<lb />
cribes the girl by rm u<lb />
"� earns of light<lb />
m Jap,n of sweet moi<lb />
� O �xJy<lb />
Yukikoandher black purring<lb />
orrelativi<lb />
well The cat � gourously<lb />
fen �� � wit fight,<lb />
Still, fa<lb />
ingenuity with which Brautigan<lb />
� -<lb />
essentially<lb />
�tie too g<lb />
to I �<lb />
te to the<lb />
Theultii<lb />
i mtallant<lb />
hile Plot B is an<lb />
. h man-<lb />
�<lb />
�<lb />
out. come! fi n J � B <lb />
I<lb />
I<lb />
I<lb />
A so mysteriously<lb />
' . 'the<lb />
ground in a small American town<lb />
The mayor of the town,<lb />
mayor's assistant, and a man<lb />
without a job are gathered around<lb />
the sombrero trying to deduce<lb />
from whence it came and what<lb />
they are going to do with it For<lb />
reason, the sombrero is -24<lb />
degrees cold.<lb />
These three men, each, for<lb />
different reasons, jealous of each<lb />
other. begin to have an argument<lb />
about the sombrero which ulti-<lb />
mately results m the President of<lb />
the United States having to call in<lb />
troups to quell the violence that<lb />
has been started by the small<lb />
town Rot B is silly and in being<lb />
that it emphasizes its point about<lb />
the foolishness of and trivial<lb />
motivation for many of history<lb />
Ton! i c and Thurs.<lb />
TEiYTII AVEOTJE<lb />
AT THE<lb />
3I3BO ROttftT<lb />
IVi. V Sai. 4'ustf oiucr<lb />
prccia i ion 51-1 1<lb />
Sim. rallies iic<lb />
The two pints, ir � and<lb />
contradistinction a<lb />
subi<lb />
mat � ularly the American<lb />
��� On one side of the main<lb />
' �  ei i line yet<lb />
: on the<lb />
��' we see his sens<lb />
gether the two plot<lb />
with an image of American<lb />
in who does not search out his<lb />
motivations but rather acts fra<lb />
nal and ph<lb />
� This Amer<lb />
humorist . writing a story that<lb />
- intends to publish and is<lb />
tally masturbating about a<lb />
womat who no longer loves or<lb />
eds him<lb />
Sombrero Fallout is an ingen-<lb />
ious idea in terms of novelistic<lb />
form and is original and oddly<lb />
con. in its content and<lb />
me. Theme9 Applying that<lb />
word to a Brautigan novel-like<lb />
g is like talking about time-<lb />
� � an internal<lb />
�nbulary<lb />
- intil a bettei j I a <lb />
und fa "<lb />
� which a B'<lb />
'XI us tl<lb />
ist suffice<lb />
Brautigan s then,<lb />
tal mar rsly manifesting<lb />
himself m this pet<lb />
Brautigan s man is soph<lb />
ated and neanderthal, rather a<lb />
fool, but a beautiful and haunt-<lb />
inqly trag me<lb />
HIUHAHU bHAUTlGANS SOMBRERO Pa ngenious iOee n<lb />
terms of novehstic form ancl is original ana odefy convincing<lb />
content ana theme Theme Applying that wora to a Braut<lb />
novel-like thing is like talking about time- ���<lb />
internal-combustion engine vocabui Br<lb />
� � a � � , ,<lb />
Be Somebody<lb />
at<lb />
Pan tana Bob's<lb />
3� -XZL<lb />
STUFFY'S<lb />
Good Stuff at Stuffy's<lb />
Free Large Drink<lb />
With The Purchase Of Anyone Of<lb />
Stuf fy's Famous Subs<lb />
5<lb />
�hWithl )n)<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
I<lb />
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I<lb />
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I<lb />
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I<lb />
i<lb /><pb facs="00058062_tn_0008" /><lb />
Page 8 FOUNTAINHEAD 12 July 1978<lb />
Convoy: 4epic tripe'<lb />
By STEVE BACHNER<lb />
Trends Editor<lb />
Sam Peckinpah's heavy-hand-<lb />
ed direction is just the touch<lb />
needed to bring the hodgepodge<lb />
of stars, extras, mammoth 18<lb />
wheel mechanical monsters and<lb />
old film genres together to form<lb />
some semblance of order and<lb />
eventually the film Convoy.<lb />
But where do I go from there?<lb />
The lead in Convoy requires<lb />
THE RE IS A ST<lb />
IEWC<lb />
DIFFERENCE!<lb />
macho appeal. Enter Kris<lb />
Kristofferson. Sex and Snob-<lb />
bery? Ali MacGraw. A spirited<lb />
heavy? Ernest Borgnine. The<lb />
casting is par excellent .<lb />
But let me point out one thing.<lb />
Nobody is going to win an<lb />
academy award by doing a<lb />
Peckinpah film. The director is<lb />
far more interested in his action<lb />
sequences and message-filled<lb />
material than in tour-de-force<lb />
fodder fa any one player.<lb />
There's a message for us in<lb />
this movie . Well Convoy's big<lb />
message is what finally brings the<lb />
entire 18 wheeled mess to a<lb />
grinding halt.<lb />
Convoy is tightly based on<lb />
C.W. McCalfs ballad about a<lb />
major (50 trucks or more) convoy<lb />
fOUCATlONAl<lb />
CfWTFB<lb />
TEST PREPARATION<lb />
ECIALISTS SINCE 1B3t<lb />
Visit Our Ctnttrt<lb />
And Sm Foi YoursaH<lb />
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We have in ilock<lb />
jSamvoo Window<lb />
Cxnnexof<lb />
fjth �r Coianche.<lb />
that keeps on truckin' despite the<lb />
unvelievable odds stacked against<lb />
it.<lb />
From this premise, Peckinpah<lb />
elicits a protest march composed<lb />
of an innumerable assemblage of<lb />
trucks replete with operators from<lb />
every imaginable walk of life.<lb />
Just about every trucker has a<lb />
legitimate beef. One driver is<lb />
discontent with our boys in<lb />
Washington; another disgruntled<lb />
about the 55 m.p.h. speed limit,<lb />
and some are just along for the<lb />
ride.<lb />
The protagonists,<lb />
Kristofferson and his little<lb />
troupe, are on the lam . . . from<lb />
the law, from themselves, and , of<lb />
oourse, from society.<lb />
Tripe cm an epic scale!<lb />
Fortunately, the banality of the<lb />
material is surpassed by<lb />
Peckinpah's ingenious allusions<lb />
to one of the cinema's foregone<lb />
genres, the western.<lb />
Peckinpah is obsessed with<lb />
the lifestyle of the old west and its<lb />
eye-fa-an-�ye oode of ethics. He<lb />
aptly depicts this violent exist-<lb />
ence, as he does in many of his<lb />
films, in what is probably his best<lb />
work, The Wild Bunch.<lb />
Peckinpah fulfills the promise of a<lb />
Ride in the High Country in what<lb />
may be classified as one of the<lb />
most important records of the<lb />
mood of our times and one of the<lb />
most important American films of<lb />
the era.<lb />
�<lb />
JOHN'S BIKE SHOP<lb />
HAS CHANGED NAMES BUT NOT IT'S LOCATION<lb />
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KRISTOFFERSON AND MACGRA<lb />
In his attempt to repeat the<lb />
feat under a different guise,<lb />
Peckinpah has managed to mus-<lb />
ter some fine moments for us to<lb />
revel in.<lb />
Audiences have, it seems,<lb />
always been reassured by some<lb />
elements of continuity between a<lb />
specific film by a director and that<lb />
director's ensuing efforts.<lb />
Hence, and this is especially true<lb />
for Peckinpah, stars are almost by<lb />
definition players who never vary<lb />
from film to film and for a star to<lb />
play a part that fell outside his<lb />
customary range was always<lb />
considered a risky undertaking.<lb />
In the same way, if the film<lb />
itself can be made to fit into a<lb />
certain category, so that the<lb />
audience knows what to expect in<lb />
general terms but it is intrigued<lb />
as to how the well-known ingredi-<lb />
ents will be served up this time,<lb />
then a certain level of success can<lb />
almost be guaranteed.<lb />
Audiences like to know what is<lb />
in store for them and a successful<lb />
film is one which can be clearly<lb />
and accurately labelled.<lb />
To an even greater degree,<lb />
Convoy is like the contemporary<lb />
Peckinpah westerns of the direct-<lb />
or's earlier days. It is a story of<lb />
adventurous open-air life that can<lb />
take you out of your everyday life,<lb />
away from the monotony of your<lb />
job or textbook.<lb />
It is a dear and gripping<lb />
development that moves to a<lb />
satisfying climax when every-<lb />
thing is settled in a blaze of guns.<lb />
But the automatic response<lb />
evoked by Peckinpah, resulting<lb />
from a certain sameness not only<lb />
inherent in his films but in the<lb />
"western" style itself, is so<lb />
W star in Peckinpah's "Convoy<lb />
strong in Convoy that it drowns<lb />
his message.<lb />
But fa the filmmaker who<lb />
wants to talk directly to his<lb />
audience about moral values, or<lb />
about themes such as male<lb />
friendship a patriotism, the<lb />
western can offer unequalled<lb />
freedom.<lb />
Westerns tend to be about a<lb />
certain period of American his-<lb />
tory and to show the building-up<lb />
of an organization united in a<lb />
common good cause, but the best<lb />
of them have an attraction that is<lb />
international. The topicality of<lb />
Peckinpah's guise is the main<lb />
reason fa loss of that feeling of<lb />
universality and in a sense what<lb />
we are left with is a poa man's<lb />
Nashville.<lb />
There is no doubt that<lb />
Peckinpah has a nice sense of<lb />
time and place; that his locations<lb />
and groupings, as well as the<lb />
faces and peripheral activities<lb />
that fill a given sha have the<lb />
right look and feel about them.<lb />
But he is much less sure about<lb />
the staging of the main action in a<lb />
scene, except where seedy de-<lb />
bauchery a sudden flare-ups of<lb />
violence are concerned. The<lb />
dialogue rides high in Convoy as<lb />
well as wide - from the awful to<lb />
the quite acceptable. But even<lb />
the hip CB slang employed<lb />
inevitably leads us to believe that<lb />
Peckinpah is playing cowboys and<lb />
Indians again.<lb />
Peckinaph is half Indian, and<lb />
that may have induced our guilt<lb />
feelings to turn him into a prodigy<lb />
befae his time; it may also give<lb />
him a keener understanding of his<lb />
subject matter.<lb />
COMPLETE �<lb />
HAIR CARE FOR<lb />
THE ENTIRE FAMILY<lb />
fitchells Hair Styling<lb />
�  y� ju)' i �-��"<lb />
e<lb />
Put Plui Shopping C�i"i<lb />
Crrrnollr Norrh Carotin 3714<lb />
756-2950<lb /><pb facs="00058062_tn_0009" /><lb />
12 July 1978 FOUNTAINHEAO<lb />
Kosinski's new book is powerful in content<lb />
continued from p.6<lb />
for Levanter is one incident after<lb />
another, each lived by the sensit-<lb />
ive reader as well as by Levanter<lb />
himself.<lb />
In a much-publicized section<lb />
of the novel, Levanter is to meet<lb />
his Polish friend Woytek at a<lb />
mutual friend's house in Los<lb />
Angeles. Levanter, by the mis-<lb />
chance of a baggage foul-up, has<lb />
to stay over in New York fa the<lb />
night. It's just as well; that night<lb />
Woytek, along with Sharon Tate<lb />
and others, is murdered by the<lb />
Manson gang. Blind chanoe,<lb />
then, saved Levanter's life. It was<lb />
another incident.<lb />
Kosinski imagines the Tate<lb />
murders from the standpoint of<lb />
the victims and particularly of his<lb />
friend, Woytek. Here, the novel-<lb />
ist is powerful in his style. His<lb />
descriptions derive their powerful<lb />
effect from the brutality inherent<lb />
to the crime and Levanter's (and<lb />
Kosinski's) willingness to exper-<lb />
ience each moment in full, not<lb />
turning aside, not trying to<lb />
remember or forget - just exper-<lb />
iencing.<lb />
Thus Levanter imagines his<lb />
strong friend Woytek amazed,<lb />
disgusted and finally senseless as<lb />
the latter is beaten and stabbed<lb />
repeatedly by the "Crabs of<lb />
Sunset a name Woytek had for<lb />
the hippies of L.A.<lb />
To attempt to feel to the<lb />
utmost 3cene8of horror as well as<lb />
mose of physical love may seem<lb />
to some to be perverse, mentally<lb />
unhealthy. But fa the Kosinski<lb />
protagonist, such is the stuff of<lb />
iife. To apprehend life in all of its<lb />
possibilities at any given moment<lb />
is to live; the aha is self-styled<lb />
illusion.<lb />
Thae is a scene in Blind Date<lb />
whae Levanta meets a defamed<lb />
girl, little more than the stump of<lb />
a taso and a head. Yet he is<lb />
intrigued by this wonan, who<lb />
seems open and free of the<lb />
psychological scars one might<lb />
namal'y expect to find with such<lb />
defamity. He watches ha being<lb />
varried into the room; he aosses<lb />
to meet ha.<lb />
Afta the oonvasatiai,<lb />
Levanta oansidas the woman<lb />
and decides that, as he was<lb />
imagining himself ha leva, ha<lb />
fascinatiai was that she had<lb />
incorporated her dfeformity into<lb />
the totality of her life. She was a<lb />
woman, and her view of herself in<lb />
the world was that of woman. Her<lb />
view was as mysterious and<lb />
exciting to him as that of any<lb />
woman he had ever desired. He<lb />
wanted to become an object of her<lb />
emotion and her passions, to<lb />
enter her world and be given her<lb />
knowledge of it.<lb />
Levanta, at the end of Blind<lb />
Date, has a measure of suooess<lb />
with ana ha individual. Me�ing<lb />
Pauline, a wonan pianist first<lb />
encountaed earlia in the novel,<lb />
the two go to Levanta's apart-<lb />
ment where, during the subseq-<lb />
uent love-making he appears to<lb />
exhibit a feeling of care about his<lb />
partna. The closed wald opatsa<lb />
aack furtha as Levanta allows<lb />
just a bit of involvemoit with<lb />
Interview reveals Kosinski<lb />
continued from p.6<lb />
nostalgia fa the atmosphae of<lb />
Eastan Europe, whae writing is<lb />
a more engaged' act.<lb />
JK: That is why Qeage Levanta<lb />
is an investigata, a Tarden of<lb />
Cockpit and agent. Roles which<lb />
Amaicans paceive as more<lb />
dramatic. But that is the oily<lb />
nostalgia thae is, aha than<lb />
clearly I neva wanted to seva my<lb />
roots. Eastan Europe is Swiftian.<lb />
It is like Gulliver's land, in fact, in<lb />
which oie small man owe<lb />
traveled.<lb />
CPS: Is socialism Swiftian?<lb />
JK : In the last 3 years, I've come<lb />
to see socialist societies, so-called<lb />
totalitarian societies, as an op-<lb />
pression by the party simply in<lb />
the absence of oonputas. The<lb />
idealogy becomes an eva present<lb />
ajmputa. Acrudecomputa. It is<lb />
actually a leveling device which<lb />
IBM can pafam much betta. A<lb />
man in a taalitarian state is<lb />
helpless. He a she feels that the<lb />
taal apparatus of society is so<lb />
much more powaful, eventful, so<lb />
much more equipped to deal with<lb />
the destiny of the whole tribe.<lb />
This oaresponds, I tihink, to<lb />
the helplessness felt by a man<lb />
a woman trapped in their four<lb />
wheel vehicle on a highway called<lb />
freeway. It'sna freeanymae. It<lb />
takes half of your life unda the<lb />
guise of rendaing you free a<lb />
advent ureous I think the popular<lb />
culture is the idealogy of the<lb />
oomputa, which creates the<lb />
archetypal figures of heroes like<lb />
Dais Day a Rock Hudson. While<lb />
Marxism may be a a ude aomput-<lb />
a, the oomputa state can do all<lb />
this 'eveling not through the party<lb />
seartary, but through a oomput-<lb />
a card popping out and saying<lb />
you are above avaage, below<lb />
average, you have to move here ot<lb />
thae. It discredits the oommon<lb />
man a woman by rendaing than<lb />
completely 'uneventful' and pas-<lb />
sive.<lb />
CPS: You onoe tolCTour class at<lb />
Yale that, "I'm rot hae to save<lb />
you, I'm na a missionary, I'm<lb />
only trying to save myself from<lb />
what has happened to you Do<lb />
you still teach?<lb />
JK: I'm on leave smce 1973 and I<lb />
haven't gone back to teaching.<lb />
CPS: Do you want to?<lb />
JK: Part of me wants to and part<lb />
says no. It is too protective an<lb />
environment. It sheltas too<lb />
much.<lb />
'A man in a<lb />
totalitarian state is<lb />
helpless the<lb />
total apparatus of<lb />
society is so much<lb />
morepowerful<lb />
CPS: What is the disease the<lb />
Amaican student is suffaing<lb />
fran.<lb />
JK: Two things. One is that they<lb />
consciously embrace notions of<lb />
destiny inhaited from the culture<lb />
and their parents. That is how it<lb />
manifests itself. It manifests itself<lb />
in the inability to grasp oneself as<lb />
a truly dramatic protagonist in<lb />
one's own life, in the dramatic<lb />
units of this life as it oomes by<lb />
and the univaaity should certain-<lb />
ly be a dramatic incident in the<lb />
course of one's life. If you<lb />
combine these two rations, you<lb />
get a oondition of passivity, partly<lb />
unaware, because thae is na<lb />
that much one oould a should do.<lb />
That I find too traumatizing to<lb />
witness.<lb />
CPS: What you just said sounds<lb />
like mid-twentiah century exist-<lb />
entialism.<lb />
JK: Hae I would kindly, no<lb />
unkindly, disagree. I think this<lb />
philosophy is the vay opposite of<lb />
existentialism. In fact my philoso-<lb />
phy, Geage Levanta's philoso-<lb />
phy, and that of my aha<lb />
charactas stresses the moment to<lb />
be extended, to be lived, daiming<lb />
that that moment contains all<lb />
principle ingredients to one's<lb />
oonnection to life. In essence it is<lb />
the vay opposite to existential-<lb />
ism.<lb />
CPS: But in practice this idea of<lb />
grasping each moment and push-<lb />
ing it to its fullest is precisely how<lb />
Camus defined existentialism as a<lb />
project.<lb />
JK: All right.<lb />
CPS: Could you charactaize the<lb />
Kosinski public?<lb />
JK: Atrue Kosinski reada oould<lb />
have written all my novels and<lb />
when some of these reactors<lb />
reviewed them, they reviewed<lb />
them exactly on mental tarns I'd<lb />
set fa myself. So the sense of<lb />
recognition and the sense of<lb />
identity is staggaing and absol-<lb />
utely blissful.<lb />
CPS: You enjoy meeting people?<lb />
JK: That is all I enjoy. I have no<lb />
conflict rnaaphysically with my<lb />
fellow humans, while I have a la<lb />
of advasary reactions to our<lb />
culture.<lb />
ana ha<lb />
Ya, as if to deny this "pla"<lb />
developmait, Kosinski snatches<lb />
Levanta up and places him back<lb />
at the ski resort whae Levanta<lb />
had earlia met Pauline. As the<lb />
novel ends, Levanta, attempting<lb />
to ski a large run alone at night,<lb />
faltas, and a chill sets In. As<lb />
frostbite slowly threatens<lb />
Levanta, he flashes back to<lb />
warma scenes - a beach, a boy<lb />
playing in the wata.<lb />
Blind Date is a powaful<lb />
novel, powaful in style as well as<lb />
in content. From its pages<lb />
emages a philosophy of life<lb />
which transcends the stack of the<lb />
violence and sex which are its<lb />
vehicle. Kosinski is a saious<lb />
novelist, portraying life as he<lb />
senses it to be, and his wak<lb />
should be taken seriously<lb />
Fa those wishing light fiction<lb />
fa the pool a bed-side, Blind<lb />
Date should be put aside. Fa the<lb />
reada who desires involvement,<lb />
sorrwtimes at a frightening level,<lb />
then Kosinski, and Blind Date,<lb />
need to be investigated.<lb />
ARMYNAVY STORE<lb />
1501 S. Evans St.<lb />
Backpack, camping equipment,<lb />
beets, shoes, rainwear. Military<lb />
Jackas. Surplus of all kinds<lb />
Special jeans $3.95<lb />
The BOOKTRADER<lb />
919 Dickinson Ave.<lb />
Parking ori 10th St.<lb />
Trade Papaback Books<lb />
Fa the BOOKTRADER s<lb />
Hours Daily 9-7 Sun 2-6<lb />
30 to<lb />
50 off<lb />
Summer sportswear.<lb />
Orig. $5 to16. A select group of summer<lb />
sportswear including taps, slacks, skirts,<lb />
shorts, and swim wear.<lb />
Junior, misses and full sizes.<lb />
This<lb />
is<lb />
dCPenney<lb />
�Shop 10 A.M. 'til 9:30 P.M.<lb />
�Phone 756-1190<lb /><pb facs="00058062_tn_0010" /><lb />
Page 10 FOUNTAINHEAD 12 July 1978<lb />
USM seeks revert<lb />
ainst Pirates<lb />
�<lb />
�<lb />
�  si<lb />
The one wil<lb />
eavy under<lb />
He USM squad But once<lb />
a was apparent<lb />
it the Golden Eagles were ill<lb />
handle the Pirates<lb />
ECU went on to ro<lb />
es 48-f<lb />
�<lb />
i<lb />
�vith a 2-9 record.<lb /><lb />
�<lb />
�<lb />
I juartei<lb />
1 fa his<lb />
ft Hammond<lb />
1) 195 started nine gan-<lb />
I connected on 25 of 58<lb />
 4M yards while his<lb />
up Dame McDaniel hit :8 of<lb />
73 passes for 473 yar<lb />
John Ca � b, 1) 185<lb />
 will return to split endaftei<lb />
leading the t- fall with 19<lb />
'or 295 . : The<lb />
flanker will be Chuck Brown, (6,<lb />
'0. He h for<lb />
�<lb />
� this<lb />
� �<lb />
i<lb />
�<lb />
I<lb />
ihowi<lb />
' ' i will take<lb />
ne of those<lb />
this year<lb />
 the people in Hatties-<lb />
. Mississippi, havi<lb />
CXten that 48-0 rout And to<lb />
' to the Pirates troubles is the<lb />
�l they must face the<lb />
In their new 33,000<lb />
� �<lb />
But what about the Golden<lb />
f the USM fan,<lb />
ad -<lb />
�<lb />
i<lb />
-<lb />
posr n will bi<lb />
t -<lb />
hnsa 2) 235<lb />
On defense only two starters<lb />
r"turn to the front wall and this<lb />
has to cause coach Collins some<lb />
concern H di �s, however, have<lb />
some capable replacement<lb />
The returnees are tackle J. J.<lb />
Stewart (6. 4) 260 and senior n ,<lb />
guard Thad Dillard (6, 1) 240.<lb />
� . Warren (6. I) 250 is<lb />
er tackle<lb />
m<lb />
�W" �3w<lb />
.<lb />
ECU HALFBACK WILLIE Hawkins heads down field tor more yardage against Southern Mississippi<lb />
IN 1976 ECU BLASTED Southern Missippi 48-0 in Hattiesburq thii vear wnere i defeated the<lb />
the Pirates home operm Thi Pirates return to Golden Eag<lb />
Sports<lb />
inhoi<lb />
L.<lb />
�. ,��?<lb />
�'�'� KBfMleK<lb /><pb facs="00058062_tn_0011" /><lb />
Simply Sports<lb />
12 Juty 1978 FOUNTAINHEAD Page 11<lb />
H Sam Rogers<lb />
Taylor leads Eagle defense<lb />
OLIVER MACK, ECU'S record co<lb />
waking as an instruda at Lefty Dria<lb />
University ol Mai fland rhe New fort<lb />
onstderation for Playboy Magazim �'� Ai erica hid will<lb />
probal � i ometime in I . , .<lb />
th in the nation in scoring witl<lb />
ECU single game � with 4 poii<lb />
Carolina Aikei<lb />
NEXT SEASON, Mack will be the naticx<lb />
scorei behind tal irry Bii �<lb />
game I Mac n I<lb />
Hattei � i �hei the I nst<lb />
Indiana State Other learni ompeting in the touri<lb />
late and Stet ex<lb />
JIM KAM'4 � .M , ist week he will transfi I ex<lb />
� eason will nol beeligil<lb />
�' oul thi 19 I seascx md will beca<lb />
Althougl Ra e aid I i ind I CU head cad<lb />
� � . had no problen at, N<lb />
time was i bach G<lb />
.<lb />
� � � r;u<lb />
�iii<lb />
oad 5 in<lb />
eason. He als .<lb />
� �<lb />
l champion Dal la : . � .<lb /><lb />
�� � e scholars! tud leresl<lb />
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osii <lb />
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foriTM mdout Ha<lb />
1977<lb />
Horl t<lb />
aea loui<lb />
i r Mil<lb />
; aw � 0, David Q'Da<lb />
� ophomo<lb />
onsio i - .<lb />
xxjldbe tough up � <lb />
XMTH a � Mr,<lb />
a omewhat<lb />
�<lb />
�fxt the<lb />
Pit i rig a rew<lb />
rrwl glaring<lb />
� M)en<lb />
esburgbecaua<lb />
� x, � ndet to<lb />
ABC schedule announced<lb />
Nl<lb />
ia<lb /><lb />
1<lb /><lb />
WILLi- K. now<lb />
working at West sp<lb />
Patrick served tv�<lb />
ogatx zing on to West � his swimn<lb />
rial recognitia<lb />
A partial 197 . � <lb />
ed fcx �<lb />
i<lb />
i �<lb />
, - veel<lb />
ast of tl<lb />
�<lb />
Committee i<lb />
ition<lb />
- .<lb />
- I<lb />
ATTIC<lb />
WKUK<lb />
&amp;<lb />
Tlic ATTIC<lb />
v Summer<lb />
giveaway:<lb />
FREE Trip for Two to<lb />
ICiis�Ii ia riUiis.<lb />
CllOiee Wed. July 12<lb />
limr. - SiiK:r iirii<lb />
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�<lb /><pb facs="00058062_tn_0012" /><lb />
Page 12 FOUNTAINHEAD 12 July 1978<lb />
Compton busy lecturing on national tour<lb />
BySAM ROGbm<lb />
Assistant Spats Editor<lb />
Rod Compton's travel ittenary<lb />
this summer resembles a sche-<lb />
dule more appropriate fa a<lb />
faeign ambassada<lb />
Compton, the Pirate s Spats<lb />
Mediane Directa. has journeyed<lb />
from oie end of theoountry to the<lb />
dimmer speaking at<lb />
inventions and conferences.<lb />
During the month of June<lb />
Comptoi visited the Medical<lb />
College of Geagia in Augusta fa<lb />
t vvockshop befoe flying to<lb />
Las Vegas, Nevada, with his<lb />
assistants, Jim Keating and Liz<lb />
White, fa the National Athletic<lb />
iiner Assoaatioi conventioi<lb />
Following the NATA convent-<lb />
ion, it was on to another wakshop<lb />
at Madison University in Harris-<lb />
burg. Va.<lb />
And this week, Comptoi is oi<lb />
the road again lecturing at East<lb />
Texas State University in Com-<lb />
merce, Texas.<lb />
Basically our wakshops are<lb />
fa fjoaches and student<lb />
trainers said Compton, now in<lb />
his eighth season at ECU. "We<lb />
want to educate both the coaches<lb />
and the student trainers on<lb />
injuries as well as the treatment<lb />
and prevention of them. When a<lb />
high school program has no<lb />
student trainer we want the<lb />
coaches to have enough practical<lb />
knowledge to take care of prob-<lb />
s when they happen.<lb />
We're aiming fa all the high<lb />
school programs to eventually<lb />
have at least one certified trainer<lb />
at each school<lb />
Canptoi waks closely with<lb />
representatives from Kramer Pro-<lb />
ducts while lecturing at each<lb />
wakshop. Kramer is recognized<lb />
as one of the nation's top athletic<lb />
supply companies which special-<lb />
izes in tape, ointments and<lb />
liniments fa the prevention of<lb />
injuries.<lb />
A base wakshop will last<lb />
fa five days which involves some<lb />
very intense training explained<lb />
Canpton. "Although there is a<lb />
lot of lecturing, we 'jet aside a lot<lb />
of time fa "situation labs<lb />
where coaches and trainers get a<lb />
BOYD'S BARBER<lb />
and HAJRSTYLING<lb />
1008 S. Evans St<lb />
Phone 758-4056<lb />
By Appointment Only<lb />
Melvin H. Boyd<lb />
MelvinH.BoydJr.<lb />
Franklin C Tripp<lb />
chance to disgnose the injury and<lb />
decide what to do in a given<lb />
situaiton<lb />
After the East Texas State<lb />
University wakshop, Comptoi<lb />
will spend two days in Dallas,<lb />
Texas with Gil Brandt, the<lb />
directo of Player Personnel fo<lb />
the Dallas Cowboys, discussing<lb />
player conditioiing and the pre-<lb />
vention of heat stress.<lb />
Compton will then return to<lb />
Greensbooto speak at a four day<lb />
wokshop fo the N.C. Coaches<lb />
Association. He will finish just in<lb />
timetoreturn toGreenville where<lb />
the Pirates repot fo pre-season<lb />
practice August 11<lb />
"I've been extremely proud of<lb />
the progress we've made since I<lb />
came in 1970 noted Compton.<lb />
The use of a van with a potable<lb />
training room fa ai the field<lb />
emergencies was an idea started<lb />
here at ECU and it's being used<lb />
all over the country. Next year<lb />
we've got almost 40 students who<lb />
will be in our spots medicine<lb />
curriculum. We like to think we<lb />
have oie of the finest spots<lb />
mediane programs in the<lb />
country<lb />
Yet, Comptoi is not one to<lb />
rest on his past achievements. He<lb />
is currently waking with Spats<lb />
Mediane Attaney Larry Graham<lb />
oi a licensing law fo Certified<lb />
Trainers in N.C. He has also<lb />
Sports<lb />
Writers<lb />
Needed<lb />
Call<lb />
757-6366<lb />
Welcome Dr. Brewer!<lb />
Overton's extends a warm welcome to ECU's new Qiancellor,<lb />
Dr. Thomas Brewer and has family.<lb />
OVEBXONS<lb />
SUPERMARKET A<lb />
'NC<lb />
� i !<lb />
Located 2 blocks from LCU at the corner of 3rd &amp; Jarvis.<lb />
We have everyday low prices that are more than competitive with any other store,<lb />
large or small. A free cart service is available to push your groceries home.<lb />
We as accept Master Charge and Visa,<lb />
rhehomeof Greenville's best meats.<lb />
begun wok oi a Spots Mediane<lb />
Foundation which will provide<lb />
scholarships fa students interes-<lb />
ted in pursuing a career in spats<lb />
medicine.<lb />
"We want to continue to grow<lb />
and develop more every year,<lb />
said Compton. "We've made<lb />
tremendous progress during the<lb />
past eight years and we've gotten<lb />
a la of students interested in our<lb />
program "<lb />
SPORTS MEDICINE DIRECTOR Rod Compton lectures at the Pirates<lb />
co Mediane Workshop held in May<lb />
M<lb />
ii<lb />
B.F.Goodrich<lb />
Car Care Service<lb />
4 POINT BRAKE CHECK<lb />
I Poll Front W�M�. Impoct Lining �nd Drurm<lb />
J. Chock Gtmw Soor. Wnoel Cyllndw tor Lfc�o<lb />
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And get three games for only $1.25.<lb />
( Per Person Rate )<lb />
L0CITED BESIDE RIVER BLUFF IPTS<lb />
Phone 758-1820<lb /><pb facs="00058062_tn_0013" /><lb />
Tyson recruitment<lb />
NCAA probes basketball<lb />
By WESLEY WILLIAMS<lb />
aaff Reporter<lb />
Mississippi head basketball<lb />
coach Bob Weitiich said Saturday<lb />
he would neither oonfirm nor<lb />
deny whether the Rebels were<lb />
responsible fa leveling charges<lb />
against the ECU baskatball pro-<lb />
gram which has resulted in an<lb />
investigation by the NCAA.<lb />
The alleged violations are<lb />
believed to have occured in the<lb />
recruiting of Al Tyson, a prep<lb />
standout from nearby D.H.<lb />
Conley High School who has<lb />
signed a grant-in-aid with the<lb />
Pirates next season<lb />
"I'mnot going to deny it, but<lb />
I can't elaborate when there's an<lb />
investigation going on said<lb />
Weitiich. "It's common know-<lb />
ledge we were recruiting Tyson as<lb />
were a lot of other people. It's<lb />
also common knowledge that<lb />
most of us had a hard time doing<lb />
Serving the campus com-<lb />
munity for over 50 years.<lb />
With a circulation o' 4,500,<lb />
this issue is 8 pages.<lb />
so. There were a lot of difficult-<lb />
ies<lb />
Tyson, a 6-10 center, was<lb />
highly recruited last season by<lb />
many schools and was the object<lb />
of a bitter struggle between<lb />
Mississippi and ECU.<lb />
NCAA investigator Tommy<lb />
Yeagers spent five days in<lb />
Greenville last week but would<lb />
not oomment on the reason for his<lb />
visit a whether the NCAA would<lb />
take any disciplinary action agai-<lb />
nst the Pirate basketball prog-<lb />
ram.<lb />
Yeagers quest ;oned Tyson's<lb />
high school coach Shelly March<lb />
last Wednesday and was also<lb />
believed to have questioned<lb />
Gillman and Dillon concerning<lb />
the reauiting of Tyson.<lb />
"He wanted to know about<lb />
Al's economic status during the<lb />
past year said Marsh. "He<lb />
asked about Al's spending<lb />
money, housing, clothes and his<lb />
grades. He certainly knew what<lb />
he was talking about and was very<lb />
familiar with the Greenville area.<lb />
"I don't know if he has<lb />
oontacted any of Al's teammates<lb />
but I wouldn't be surprised if he<lb />
hasn't contacted them by now<lb />
Although Marsh said he had<lb />
no idea which school may have<lb />
complained to the NCAA, he<lb />
believed it could have been<lb />
Mississippi.<lb />
"Al had given ECU a verbal<lb />
committment before he visited<lb />
Old Miss explained Marsh.<lb />
"But when he visited Ole Miss<lb />
things were completely different<lb />
down there than what he had<lb />
anticipated. Al probably gave Ole<lb />
Miss a verbal committment dur-<lb />
ing his visit and Eddie Oran felt<lb />
he was going to come to school<lb />
there.<lb />
"But apparently Al changed<lb />
his mind when he came back and I<lb />
think that really upset Eddie.<lb />
He couldn't figure out why Al<lb />
changed his mind<lb />
Ole M iss assistant Eddie Oran<lb />
told FOUNTAINHEAD Monday<lb />
he wasn't aware of any recruting<lb />
violation by ECU a Mississippi<lb />
and also added he had no<lb />
problems with the ECU coaching<lb />
staff.<lb />
"We lose a lot of players<lb />
every year just like a lot of other<lb />
schooisdo said Oran. I really<lb />
iidn't know if Al was coming to<lb />
Mississippi. You'd have to ask Al<lb />
about that<lb />
Marsh said Oran came to<lb />
Greenville in April to sign Tyson<lb />
on the national signing date, but<lb />
was unable to find him.<lb />
Eddie came to Greenville on<lb />
the national signing date said<lb />
Marsh, "but I got the impresskxi<lb />
h nouldn't find Al anywhere. He<lb />
wasn't in school a at home and<lb />
Eddie wasn't able to locate him<lb />
anywhere. Al did miss school<lb />
several days around the signing<lb />
date, although I don't know<lb />
exactly how many<lb />
When asked if he oontacted<lb />
Tyson during that time, Oran had<lb />
no comment and refused to<lb />
Fountainhead<lb />
Vd.j4Ho.ftf &amp;3 East Carolina University<lb />
Greenville, North Carolina<lb />
19 July 1978<lb />
LARRY GILLMAN<lb />
answer any more questions. Oran<lb />
said any other information would<lb />
have to oome from his head coach<lb />
Bob Weitiich.<lb />
Gillman would not comment<lb />
on any questioning concerning<lb />
the NCAA investigation and said<lb />
any additional information would<lb />
have to oome from ECU<lb />
chancellor Dr. Thomas Brewer or<lb />
athletic director Bill Cain.<lb />
ON THE INSDE . . .<lb />
Band camp,  p. 3<lb />
Kenny Loggins,  p. 5<lb />
SW Louisiana preview, . . p. 7<lb />
McGinnisprepares to<lb />
undergo renovation<lb />
Photo by John H.<lb />
DR. BREWER MEETS with the Media Board am WECU<lb />
Dr. Brewer, Media Board meet<lb />
By JIM BARNES<lb />
News Editor<lb />
In a meeting Tuesday with<lb />
Media Board members and the<lb />
general manager of WECU-FM,<lb />
ECU chancellor Thomas E.<lb />
Brewer stressed the responsibilit-<lb />
ies and obligations of operating a<lb />
50,000 watt radio station, and<lb />
suggested that a full-time profes-<lb />
sional broadcaster be hired to<lb />
co-ordinate station management.<lb />
Noting that the proposed<lb />
frequency for WECU-FM is the<lb />
sole remaining frequency band of<lb />
50,000 watts in the eastern North<lb />
Carolina area. Brewer expressed<lb />
reservations about "a station<lb />
which had as Its call letters<lb />
WECU over which the university<lb />
has no control Under the<lb />
current constitution of the Media<lb />
Board, student media are to be<lb />
student controlled, as they are<lb />
financed by student fees.<lb />
Brewer stated that he had<lb />
called the meeting because, upon<lb />
reviewing the WECU issue after<lb />
assuming the chancellor's office,<lb />
he had some questions he wanted<lb />
to discuss, chief among them<lb />
station control, financing of a<lb />
50,000 watt station, and the<lb />
responsibilities of such an opera-<lb />
tion.<lb />
Much of the meeting concern-<lb />
ed questions Brewer asked of<lb />
John Jeter, general manager of<lb />
the radio station. Fa over a year,<lb />
Jeter has been waking toward<lb />
the realization of an FM station<lb />
fa the ECU sh dents and the<lb />
surrounding communities. Cur-<lb />
rently, an application fa an FCC<lb />
license is being routinely proces-<lb />
sed in Washington, D.C.<lb />
Brewer's recommendation of<lb />
a full-time professional staff<lb />
member fa the station came as<lb />
the chancellor told the arouo of<lb />
his apprehensions concerning a<lb />
student-run station which has a<lb />
50,000 watt broadcast power.<lb />
50.000 watts is a powerful signal<lb />
which would effectively reach<lb />
beyond Greenville, perhaps as far<lb />
as Raleigh.<lb />
Brewer felt that the responsib-<lb />
ilities inherent to such a station<lb />
might better be co-adinated by a<lb />
professional. "Were not talking<lb />
about the students '(listening)' ,<lb />
Brewer continued. "With a<lb />
50,000 watt station, we're talking<lb />
about the entire area of eastern<lb />
North Carolina<lb />
Elabaating at the public<lb />
respajsJbi.ity of WECU-FM,<lb />
Brewer added, "I do not agree<lb />
that it is the role (of the station) to<lb />
program just what the people<lb />
want to hear. The station should<lb />
also expose the audience to what<lb />
they ought to hear, as well as act<lb />
See WECU, p.3<lb />
By KA REN C. BLA NSFIELD<lb />
News Editor<lb />
After the usual years of<lb />
planning, proposals, and red tape<lb />
that inevitably accompany any<lb />
kind of construction a renovat-<lb />
ion, the Drama Department of<lb />
East Carolina University has<lb />
finally received the green light fa<lb />
a lo�g-planned renovatton of<lb />
McGinnis Auditorium. That<lb />
light is in the fam of a $1.9<lb />
million appropriation made by the<lb />
state legislature in June, culmina-<lb />
ting several previous requests fa<lb />
funding.<lb />
The $1.9 miMton is part of a<lb />
total package plan of $2.7 million,<lb />
with the remaining amount to be<lb />
requested next year. Awarding to<lb />
Preston Sak, General Manager of<lb />
the ECU Piayhouae, construction<lb />
will probably begin either in the<lb />
faM a next spring. The uncertain-<lb />
ty of exact dates is due to changes<lb />
wh��:h must yet be made in the<lb />
architectuaJ design.<lb />
"These plans are eight years<lb />
old Sak explained. "They're<lb />
going to have to go back to the<lb />
drawing board fa a few days at<lb />
least and make sure that every-<lb />
thing they've got in there meets<lb />
the new code specifications and<lb />
so forth<lb />
The primary changes which<lb />
will be wrought by the impending<lb />
renovations are enlargement of<lb />
the stage, revamping of the<lb />
lighting system, raking of the<lb />
seating area and improved acces-<lb />
ibility of the auditaium to<lb />
wheelchair patients<lb />
Expansion of the stage will<lb />
oome first. "The stage is going to<lb />
be about twice as deep as it is<lb />
now Sisk said "It'sgoingtobe<lb />
made taller than it is now. The<lb />
rule of thumb is that the gridiron<lb />
above the stage floa ought to be<lb />
ten and a naif times as high as the<lb />
proscenium arch. This one is only<lb />
about one and five eighths as<lb />
high, which means that if you fly<lb />
a big piece of scenery, the bottom<lb />
of H is either going to show a<lb />
you're going to have to hang<lb />
something black in front of it so<lb />
tow that it blackens cut the<lb />
picture<lb />
The cost of this portion of the<lb />
project, which will induce knock-<lb />
ing out the back wall of McGinnis<lb />
will be conpounded by the<lb />
necessity of raising the roof.<lb />
which, as Ssk points out, is a very<lb />
expansive project.<lb />
"But it's a necessary project<lb />
to make the theatre wak he<lb />
aded emphatically. "That's one<lb />
of the most important things -<lb />
raising the gridiron and getting<lb />
our flying facilities waking so we<lb />
can get scenery up and down and<lb />
out of sight, and all the scenery<lb />
wo need on the stage at one<lb />
time<lb />
As an illustration of what kind<lb />
of problems the present setup<lb />
See MCGINNIS p. 2<lb /><pb facs="00058062_tn_0014" /><lb />
Pm 2 FOUNTAINHEAD la J.J. mm<lb />
MCGEN1NIS<lb />
oontinued from , 1<lb />
poses, ask ated a dilemna faced<lb />
by the Drama department last<lb />
winter during the production of<lb />
"The Skin of Our Teeth Be-<lb />
cause there was so much scenery<lb />
on the stage for that play, it was<lb />
necessary to cut the corners off on<lb />
of the set s to enable the complica-<lb />
ted shift from one oomplete set to<lb />
another. "Consequently, one<lb />
night the scene shift took twenty<lb />
minutes<lb />
When this stage expansion is<lb />
oomplete, MoGinnis Auditorium<lb />
will actually be about six feet<lb />
shorter than it is now, and the<lb />
dressing rooms which are now<lb />
located begind the stage will be<lb />
directly beneath it.<lb />
Another important problem<lb />
which will be solved by such a<lb />
major alteration is lighting. The<lb />
antiquated lighting system, which<lb />
is presently located "on a pinrail<lb />
twenty feet off the floor in the<lb />
stage right wing will be replac-<lb />
ed by a new modern system and<lb />
will be moved to the production<lb />
booth above the lobby. This new<lb />
system will probably require<lb />
rewiring of the auditorium.<lb />
The audience area will not see<lb />
any expansion either, although<lb />
significant changes in arrange-<lb />
ment will be made. An orchestra<lb />
pit will be added, and the slope of<lb />
the seats will be noticeably<lb />
increased fa better audience<lb />
observation, particularly the last<lb />
rows. This change, Sisk believes,<lb />
will make the theatrical product-<lb />
ions not only different in nature<lb />
but more exciting as well.<lb />
"What happens is that in the<lb />
auditorium as you've got it now,<lb />
everybody is looking straight on<lb />
or up at the action. That means<lb />
they see the action essentially in<lb />
two dimensions - it's flat. What<lb />
you really see is height and<lb />
width. But when you raise the<lb />
audience above the action - and<lb />
two thrids of the audience or so<lb />
will be up above the action when<lb />
this goes - then you've got the<lb />
audience looking, and they see<lb />
height, they see width, but they<lb />
also see the floor. The floor has<lb />
some depth, and you can perceive<lb />
movement patterns on the floor.<lb />
And it calls for a whole different<lb />
kind of directing, a different kind<lb />
of design, and it's really more<lb />
interesting, in my opinion<lb />
The only probem with this<lb />
design - and it is a problem which<lb />
has not yet been ironed out - is<lb />
how to make the back seating<lb />
area available to wheelchairs. The<lb />
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present plans call fa stairs<lb />
leading up to the rows, as well as<lb />
other designs will have to be<lb />
revamped, since federal law now<lb />
requries that buildings be totally<lb />
accessible to the handicapped<lb />
Present speculation for increased<lb />
accesibility includes some plans<lb />
to put an elevator in the lobby.<lb />
Etecause the status of con-<lb />
struction progress is unknown at<lb />
this time, it is impossible to<lb />
predict what impact will be felt<lb />
on the fall theatrical season.<lb />
Consequently, no plans have<lb />
yet been made for upcoming<lb />
programs. When work is actually<lb />
begun on MoGinnis, all the shows<lb />
will have to be moved to the<lb />
Studio Theatre, which seats only<lb />
a hundred people, as opposed to<lb />
the 690 seats available in<lb />
MoGinnis. Such a move will pose<lb />
two main problems, according to<lb />
Sisk, it will reduce the number of<lb />
people who are available to attend<lb />
the performances, and it will cut<lb />
the revenue which the theatre<lb />
takes in. In addition, it will<lb />
severely limit the scope of the<lb />
productions themselves, a factor<lb />
which will not necessarily be<lb />
negative since it will help to<lb />
reduce operating costs some-<lb />
what.<lb />
One solution to the problem of<lb />
the cutback in seating in the<lb />
Studio Theatre isto increase a run<lb />
from the usual four or five nights<lb />
to ten to twelve nights. This<lb />
increase could prove difficult,<lb />
Sisk explained, because of the<lb />
great strain it would inevitably<lb />
place upon the people involved in<lb />
each production.<lb />
"That's one of the perennial<lb />
problems in an education situat-<lb />
ion - how long can you run a play<lb />
without diminishing returns?"<lb />
But despite all the barriers<lb />
that remain to be faced and<lb />
overcome, all the inevitable com-<lb />
plications and holdups, the end<lb />
product will, ask believes, be<lb />
well worth the trouble.<lb />
"I think that we'll have a<lb />
theatre we can hold our head up<lb />
about and bo proud of he stated<lb />
with certainty. " There's no doubt<lb />
about that. I don't think we're<lb />
going to have any major prob-<lb />
lems<lb />
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COUPON EXPIRES IUIt 31. 1978<lb /><pb facs="00058062_tn_0015" /><lb />
Annual Band Camp pi<lb />
RwTFRRF PIRKFV take nrivatp Ipq�yic r ;� ��  JL -M.<lb />
19 July 1978 FOUNTAINHEAD Pagf ?<lb />
ByTERRE PIRKEY<lb />
Assistant News Editor<lb />
The sound of music  how<lb />
sweet it is!<lb />
The annual ECU School of<lb />
Music summer band camp is<lb />
here! Herbert Carter, director<lb />
of Summer Band Camps for the<lb />
past 25 years, is proud to<lb />
announoe that again this year<lb />
there are two band camps lasting<lb />
from July 2 - 14 and July 16 - 28.<lb />
Anyone from age 12 through<lb />
high school w:th at least one<lb />
year's experience m ahomown<lb />
or school band and a recomn �nd-<lb />
ation from his or her director can<lb />
attend either of the two-week<lb />
camps. A fee of $150 pays for<lb />
room, board, tuition, recreation,<lb />
and insurance. A fun-filled cal-<lb />
ender of educational opportunit-<lb />
ies ranging from rehearsals and<lb />
ensembles to recitals and theory<lb />
sessions awaits the young music-<lb />
ians attending the camps, accord-<lb />
ing to Carter. Students can also<lb />
take private lessons or join the<lb />
jam -ession.<lb />
Carter, the camp staff,<lb />
and students would like to invite<lb />
the public to attend their oonoert<lb />
Sunday, July 23 at 6:30 p.m.<lb />
outside in front of the Music<lb />
Building recital hall. "The prog-<lb />
ram will oonsist of show tunes and<lb />
light marches - something every-<lb />
one will enjoy Carter comment-<lb />
ed. This camp's final concert will<lb />
be on Friday, July 28 at 2 p.m.<lb />
in Wright Auditorium.<lb />
David J. Jones, Assistant<lb />
Dean of Men and Counselor of the<lb />
camp, stated that approximately<lb />
three hundred students from the<lb />
Eastern United States, mostly<lb />
from North Carolina, South<lb />
Carolina, and Virginia, are at-<lb />
tending the second camp. "We<lb />
divide them into four different<lb />
bands - blue, red, green, and<lb />
purple - ranging from the oldest<lb />
and most experienced to the<lb />
youngest and least experienced<lb />
Jones added. He also said,<lb />
WECU<lb />
continued from p. 1<lb />
as a reoruting tool fa the<lb />
university<lb />
AccorrJing to Jeter, the pro-<lb />
posed programming consists of<lb />
classic album rock, progressive<lb />
jazz, progressive country, and<lb />
classical music. Public service<lb />
announcements and educational<lb />
programs will also be offered by<lb />
the station, Jeter said.<lb />
The public image of ECU<lb />
which would be reflected in the<lb />
station's broadcasting was also a<lb />
oonoern of Brewer's. Noting<lb />
previous problems at other<lb />
schools involving student-run<lb />
media, the chancellor said, "I've<lb />
seen this happen with a school<lb />
paper. I've seen a student paper<lb />
come out and advise students not<lb />
to nttend that school<lb />
oeter responded that, aocord-<lb />
mg to FCC regulations, any<lb />
editorial expression over an ed-<lb />
ucational fm station is strictly<lb />
prohibited Citing Ms authority<lb />
and advisor in the matter as Mr.<lb />
Ed Perry of Educational FM<lb />
Associates of Massachusetts,<lb />
Jeter said that "you cannot<lb />
editorialize or take a stand on any<lb />
issue whatsoever" on the air.<lb />
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"Quite a few students and aiumni<lb />
from ECU School of Music are<lb />
connected with the camp<lb />
The camp ha oeen in exist-<lb />
ence for 25 years, but<lb />
last year expanJed to two camps,<lb />
according to Carter. "Some<lb />
schools have 20 to 24<lb />
people attending tne camp<lb />
Those go back home and tell their<lb />
friends what a good time they<lb />
had, so that each year the number<lb />
of attendants increases, Jones<lb />
commented.<lb />
Directors of the four bands are<lb />
Herbert Carter, ECU School<lb />
of Music (blue); Ray Haney<lb />
from Elizabethtown, (red),<lb />
Ed Jones from Woodbridge,<lb />
VA (green); Dr. George Knight,<lb />
ECU School of Music (purple).<lb />
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THE VILLA ROMA<lb />
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With Coupon<lb /><pb facs="00058062_tn_0016" /><lb />
Editorials<lb />
Page 4 FOUNTAINHEAD 19 July 1978<lb />
Gillman should resign<lb />
ECU head basketball ooach Larry Gillman<lb />
recently spoke to an ECU journalism class and said<lb />
'before I came here, people didn't know ECU had a<lb />
basketball program. At least everyone knows we<lb />
have a program now<lb />
Yes, everyone has been made well aware of the<lb />
fact that ECU has a basketball program. But what<lb />
reptuation does that program have? Gillman has<lb />
done little so far during his stay at ECU but generate<lb />
negative publicity about himself and the basketball<lb />
team.<lb />
Gillman made front page news throughout the<lb />
state when Mount Vernon (NY) High School ooach<lb />
Vincent Olsen wrote a letter to several North Carolina<lb />
sports editors demanding a public apology from<lb />
Gillman because he allegedly contrived portions of<lb />
his resume, claiming to have been an assistant<lb />
coach on Olsen's staff. Olsen denied that Gillman<lb />
had ever served on his staff.<lb />
Later, following weeks of public pressure for his<lb />
removal or resignation, Gillman claimed he had been<lb />
offered a position with the National Basketball<lb />
Association franchise the Chicago Bulls for a<lb />
reported $32,000 a year. A spokesman for the Bulls<lb />
said they had never heard of Larry Gillman and had<lb />
no such opening on their team.<lb />
Reports from within the ECU Athletic Depart-<lb />
ment indicate that Gillman does not mix particularly<lb />
well with the rest of the department, either. The<lb />
former head of the Sports Information office had a<lb />
running feud with Gillman and the two men were,<lb />
according to sources within the department, no<lb />
longer on speaking terms after December. Former<lb />
ECU assistant basketball coacn Billy Lee resigned<lb />
after just one season at ECU under Larry Gillman.<lb />
ECU star basketball player Jim Ramsey recently<lb />
announced his plans to transfer to Stetson University<lb />
next year.<lb />
And, finally, Pirate basketball is being investigat-<lb />
ed by the NCAA for possible recruiting violations .<lb />
Some of these arguments may simply be<lb />
coincedence, others are probably true. Whatever the<lb />
case, it is dear that Gillman has lost the support of<lb />
his co-workers, his fans, and his team. It would be in<lb />
the best interests of Gillman's personal reputation<lb />
and that of Pirate basketball for him to step down<lb />
before further damaging an already tainted image.<lb />
Fourtfainhead<lb />
Swing the East Carotins community for over titty years.<lb />
"Wmm ithrt torn to aecfcfe whether we stoufrf hare<lb />
a gwmrnimnt without oswspepers or newspapers<lb />
without ammnmmnt, I should not hesruta a morrmnt to<lb />
prmor tho lottor<lb />
Thomas Jefferson<lb />
EditorDoug White<lb />
Production ManagerLeigh Coakley<lb />
Advertising ManagerRobert M. 9waim<lb />
News Editorsjtm Barnes<lb />
Karen C. Blansfietd<lb />
Trends EditorSteve Bachner<lb />
Shorts EditorChris Hdloman<lb />
FOUNTAINHEAD is the student nawsjmmi of East Carolina<lb />
University sponsored by the Media Board of ECU and is<lb />
distributed each Tuesday and Thursday, weekly during the<lb />
nmar.<lb />
Mailing address: Old South Building. Greenville, N.C 27834.<lb />
Editorial offices 757-6385, 757-6387, 757-6308.<lb />
Subscriptions: $10 annually, alumni $8 annually<lb />
Brer Gillman - Briar Patch or Tar Pit ?<lb />
Forum<lb />
Former editor defends HERALD editorial<lb />
To FOUNTAINHEAD:<lb />
Attention;<lb />
Gerald Barnes<lb />
Sheila Mendoza<lb />
Dabney Glick:<lb />
Perhaps you should reread<lb />
Mr. White's editorial entitled<lb />
"EBONY HERALD a waste<lb />
because apparently each of you<lb />
missed the point.<lb />
In the first place, Ms.<lb />
Mendoza, where did you learn<lb />
your journalism? Certainly not<lb />
under Larry O'Keefeor Ira Baker<lb />
in the journalism program. I<lb />
question your ability as a newspa-<lb />
perwoman if you do not know<lb />
what an editorial is.<lb />
Editorials are opinions,<lb />
supposedly the opinion of the<lb />
newspaper in which it is printed.<lb />
Ms. Mendoza, most opinions, if<lb />
not all, are biased, so yes,<lb />
editorials are biased. Surely the<lb />
EBONY HERALD has a diction-<lb />
ary Perhaps you should learn the<lb />
meanings of words before you use<lb />
them.<lb />
Mr. Barnes, you claimed that<lb />
you feel as if you had been<lb />
"attacked by a dose of good oie<lb />
southern racism I reread Mr.<lb />
White's editorial twice and no-<lb />
where did I see any "southern<lb />
racism<lb />
Since you are concerned with<lb />
racism, Mr. Barnes, don't you<lb />
realize that the mere existence of<lb />
the EBONY HERALD is racist?<lb />
The editorial was not racist; you<lb />
only believe that it is because you<lb />
interpret it in a different light.<lb />
Mr Barnes, the point of the<lb />
editorial is that it duplicates<lb />
efforts mart by FOUNTAIN ��<lb />
HEAD. No, not every story that<lb />
appears in the EBONY HERALD<lb />
is printed in FOUNTAINHEAD,<lb />
but the latter doesn't think that<lb />
fashion shows, fa example, are<lb />
newsworthy - unless it's being<lb />
held to raise money fa a wathy<lb />
cause.<lb />
When you read the editaial,<lb />
you must have blocked the fourth<lb />
graph from your mind. The first<lb />
sentence states. "The idea of a<lb />
newspaper concentrating solely<lb />
on black students is just as<lb />
bigoted as a newspaper which<lb />
covers only the activities of white<lb />
students<lb />
Would you like to know one<lb />
reason which probably<lb />
contributes to the fact that there<lb />
is not as much news of the<lb />
minaities on campus as you<lb />
would like to see in FOUNTAIN-<lb />
HEAD? There are no minaity<lb />
students employed at FOUN-<lb />
TAINHEAD. Which, I might<lb />
add, is not the newspaper's fault.<lb />
During the two-and-a-half<lb />
years I waked at FOUNTAIN-<lb />
HEAD, I recall only five black<lb />
students who waked ai the<lb />
paper. Bill Keyes waked fa a<lb />
time as assistant spats edita,<lb />
Joyce Evans has written fa<lb />
FOUNTAINHEAD, but was also<lb />
busy with the EBONY HERALD<lb />
and WECU radio; Ken Campbell<lb />
was assistant news edita, but<lb />
resigned to become edita of the<lb />
EBONY HERALD; Helena<lb />
Woodard waked as assistant<lb />
news edita, but resigned due to<lb />
an increased wak lead in the<lb />
English graduate program. Arah<lb />
Venabie began writing fa<lb />
FOUNTAINHEAD last spring and<lb />
I hope that she will oontinue to do<lb />
so when she returns this fall.<lb />
Mr. Barnes, you wrote "the<lb />
claim that the HERALD repro-<lb />
duces FOUNTAINHEAD is a lie.<lb />
Proper analysis of the HERALD<lb />
would reveal this<lb />
I could na find a copy of the<lb />
HERALD to analyze it (I don't<lb />
remember the last time it was<lb />
printed), but I do remember the<lb />
front page of an issue during SGA<lb />
elections about a year ago.<lb />
FOUNTAINHEAD had interview-<lb />
ed presidential candidates Neil<lb />
Sessoms, Tim Sullivan, and Scott<lb />
Bright, and what did I see in the<lb />
HERALD? The very same.<lb />
Certainly you cannot say that this<lb />
was not a duplication of FOUN-<lb />
TAINHEAD.<lb />
And Mr. Glick, I understand<lb />
your comments on social factas,<lb />
but tell me, what newspaper is<lb />
printed twice a year? Most<lb />
newspapers are dailies, biweek-<lb />
lies, a weeklies. Twice a year?<lb />
That's na a newspaper, it's a<lb />
newsletta<lb />
The HERALD staff has<lb />
apparently not been trained to<lb />
make up newspaper pages. The<lb />
appearance of a newspaper is<lb />
very impatant, and headlines,<lb />
outlines, copy, photos, and white<lb />
space must be used effectively.<lb />
If the HERALD will begin<lb />
printing newswathy articles, not<lb />
duplicate the effats made by<lb />
others, and straighten up the<lb />
overall appearance of its pages,<lb />
maybe then it will contribute<lb />
something to the student body,<lb />
and na just to one group of<lb />
people.<lb />
Cindy Broome<lb />
Famer FOUNTAINHEAD Edita<lb />
Kl<lb /><pb facs="00058062_tn_0017" /><lb />
19 July 1978 FOUNTAINHEAD Page 5<lb />
Kosinski: part two<lb />
KENNY LOGGINS' NIGHTWA TCH only ont ude ,s worth a listen<lb />
Loggins' Nightwatch<lb />
disappointing follow-up<lb />
By CHRIS FARREN<lb />
Staff Writer<lb />
Over a year sinoe Kenny<lb />
Loggins was oelebrated home,<lb />
Nightwatch. his latest release had<lb />
become one of the most awaited<lb />
albums of the summer, and at last<lb />
it has arrived. But first a little<lb />
reminiscing.<lb />
the remake of "Down In The<lb />
Boondocks" is something I will<lb />
never understand.<lb />
The rest of the side almost<lb />
sounds like an early sixties rock<lb />
group, with exception given to the<lb />
title cut which shows signs of the<lb />
Loggins of old, but is nearly<lb />
drowned by heavy handed prod-<lb />
uction.<lb />
Tr<lb />
ends<lb />
In his first solo effort since<lb />
leaving Jim Messina, Celebrate<lb />
Me Home, Loggins had proved<lb />
beyond a doubt to any skeptics his<lb />
ability to make it as a soloist, with<lb />
a totally solid and class perform-<lb />
ance that would have to rate as<lb />
one of my five best picks of 1977.<lb />
The Loggins we saw in<lb />
Celebrate Me Home was out to<lb />
prove something, an effort he<lb />
put his entire heart and soul into<lb />
in hopes of gaining individual<lb />
acceptance.<lb />
His work was rewarded by an<lb />
album that was aitically acclaim-<lb />
ed and commercially received by<lb />
an extremely diverse audience.<lb />
Unfortunately for you and me<lb />
and for Loggins, once you pro-<lb />
duce quality material people tend<lb />
to expect quite a lot from then on,<lb />
and as such Nightwatch is bluntly<lb />
a poor and disappointing follow<lb />
up.<lb />
Nothing about Nightwatch<lb />
shows as much ef fat or quality as<lb />
Celebrate Me Home, from the<lb />
produdion to the lyrics. The<lb />
songwriting is the most obvious<lb />
and immediately disappointing<lb />
change.<lb />
Where befae Loggins seemed<lb />
just as comfatable with driving<lb />
"Lady Luck in Nightwatch he<lb />
appears to be aching to explode<lb />
into hard-oore rock n rai at any<lb />
moment.<lb />
Sde One sounds mae like Rod<lb />
Stewart then Kenny Loggins, and<lb />
Fatunately Sde Two is consi-<lb />
derably better. Opening with the<lb />
catchy "Whenever I Call You<lb />
Friend a duet with Stevie<lb />
Nicks, this song puts Loggins<lb />
back in place where he is most<lb />
oonfatable and effective.<lb />
Here Loggins most dynamic<lb />
talent is at work, namely his<lb />
vace, where the falsetto smooth-<lb />
ness of the verses is superceeded<lb />
only by the melodic intensity of<lb />
the final chaus.<lb />
The next saig, "Wait A Little<lb />
While" is probably the best cut<lb />
on the album that truly helps to<lb />
redeem faith and shows that he is<lb />
still capable of writing exception-<lb />
al tunes.<lb />
The third song oi Side Two,<lb />
"What A Fool Believes is yet<lb />
another solid tune, oowritten by<lb />
Loggins and Michael ("Taking It<lb />
To The Streets "It Keeps You<lb />
Runnin "You Belong To Me")<lb />
McDonald, one of the most<lb />
aitically overlooked talents in<lb />
music today.<lb />
The album doses with the<lb />
haunting "Angelique" which is<lb />
intriguing but again a bit over<lb />
produced, showcas ing the trem-<lb />
endous range and colas of this<lb />
perfamer's mighty voice<lb />
As I see it, if you buy this<lb />
album it will be fa oily aie<lb />
side, but then again, aie sde of<lb />
good Kenny Loggins is wath<lb />
about three a rour of anybody<lb />
else.<lb />
In an interview with CPS<lb />
which appeared in last week s<lb />
edition of FOUNTAINHEAD<lb />
author Jerzy Kosinski discussed<lb />
several of his most popular novels<lb />
and their relationship to western<lb />
tr adit on Below is the conclusion<lb />
of that interview<lb />
CPS; Jerzy Kosinski is<lb />
legendary fa his ability to hide<lb />
from friends, fa his taste fa<lb />
subterfuge.<lb />
JK One doesn't exclude the<lb />
other Your ability to hide is to<lb />
remain yourself. I am created as a<lb />
self befae I am able to embrace<lb />
other Unless I can guard myself<lb />
from an act of unnecessary<lb />
incorporation with the wald<lb />
outside, I will not be able to know<lb />
exactly what it is that draws me to<lb />
other. The self has to be guarded<lb />
to maintain its integrity and I use<lb />
the wad 'integrity' quite advis-<lb />
edly. It is a psychological integr-<lb />
ity which prevents me from<lb />
turning into a missionary, a<lb />
policeman a aie of my charact-<lb />
ers. In many encounters I keep<lb />
myself, my private life, very<lb />
carefully camoflaged.<lb />
CPS It is a guardedness all your<lb />
characters share.<lb />
JK : Even Jonathan Whalen in the<lb />
Devil Tree, who tries desperately<lb />
to see himself as his own event, is<lb />
quite unable to arrive at a<lb />
definition of the self. Maybe<lb />
because he has been inoaporat-<lb />
ed.<lb />
CPS: Yet Tarden, Whalen and the<lb />
narrata of Steps don't respect<lb />
the integrity of aher people.<lb />
They manipulate them psycholog-<lb />
ically, techndogically and em-<lb />
aionally. They use recording<lb />
equipment and phaography. In<lb />
fact, many of your early books<lb />
seem to propose that love, a<lb />
affection, always results in man-<lb />
ipulation.<lb />
JK: Is it possible that this<lb />
situation manipulates both part-<lb />
ners equally? That they are<lb />
encounters aeated by culture?<lb />
Who is manipulating whom right<lb />
now? Lets put it in one of my<lb />
novels. Tarden is being inter-<lb />
viewed. To a degree, of course,<lb />
the interviewer defines the situa-<lb />
tion fa the interviewee, but<lb />
th loteriewop trained in the<lb />
artsof manipulation, camouflages<lb />
himself cleverly; yet he stm<lb />
respondstothe stuation impose J<lb />
now by a larger unit, society,<lb />
which aeated the whole fam of<lb />
the interview. You are no freer of<lb />
this fam than I am. This binds us<lb />
together in the act of mutual<lb />
manipulation. What is wrong of<lb />
being aware of this?<lb />
CPS: Enlarge on that. Would you<lb />
say that American culture was a<lb />
false dialogue?<lb />
JK: No, but most of the western<lb />
tradition is. And a man aware of<lb />
some of this falseness, such as<lb />
the narrata of Steps, is no freer<lb />
simply because he is aware The<lb />
naion that someoie who knows<lb />
the nature of fear is a fearless<lb />
man is simply not true. I know the<lb />
nature of fear very well and I get<lb />
frightened so easily you can't<lb />
imagine. I know the nature of<lb />
power, of bureauaacy and uni-<lb />
form very well. I have patrayed<lb />
some powerful characters, yet<lb />
when I'm coif rented by a police-<lb />
man I'm completely snaky<lb />
CPS: Most authaity figures in<lb />
your books are oompeltely dis-<lb />
credited.<lb />
JK: That is true. Tarden gets<lb />
locked in an elevata which,<lb />
despite all his talents, he can't<lb />
get out of. So in a way, the ad of<lb />
aminpulation clearly belongs to<lb />
both parties.<lb />
I wouia not see one of them, a<lb />
woman a a man, as a victim.<lb />
They are locked into a cultural<lb />
device from which at least one of<lb />
them tries to get out by either<lb />
using it a giving in to it.<lb />
CPS: In a Godard film there is a<lb />
slogan scrawled on a wall that<lb />
says, "I replace vague philoso-<lb />
phical concepts with dear<lb />
images Your early novels em-<lb />
ploy almost a phaographic tech-<lb />
nique. They are a series of<lb />
snapshots. Yet aren't images<lb />
often too dear? Can't they be<lb />
manipulated in a hundred unin-<lb />
tentional ways?<lb />
JK : To say that because I address<lb />
the reader in very plain language,<lb />
na in the available highbrow<lb />
aesthetics, to say that this leads<lb />
me to perfam in terms of the<lb />
popular culture is not true. I'm<lb />
pondering this.<lb />
CPS: Still, asnapsha is by nature<lb />
vague and this vagueness can be<lb />
exploited to give the snapsha a<lb />
hundred different intapretations.<lb />
JK : That is right. What sets this<lb />
as adversary to popular culture is<lb />
the ambiguily, the open-ended-<lb />
ness of the language - predsely<lb />
because it cant be discredited as<lb />
an explosive language, as an<lb />
exercise in linguistics, a aesthe-<lb />
tics, but in strudure. What sets it<lb />
apart is the overwhelming errv<lb />
phasson incident which of course<lb />
the popular culture doesn't even<lb />
acknowledge. It has life, a a<lb />
span of life, a when I was in<lb />
school etc. There are maal<lb />
judgements in my novels. They<lb />
are implicit, not expliat. They are<lb />
prejudged in tarns of an easy<lb />
maaility, a a ludeo-christian<lb />
ethics<lb />
CPS: You mention highbrow<lb />
asethetics. Do you feel that your<lb />
contempaaries, writers like<lb />
Pynchon a Bellow, are essential-<lb />
ly engaged in linguistic exer-<lb />
cises?<lb />
JK : I think you may have just said<lb />
it You perceive it as writing.<lb />
what Pynchon does I perceive my<lb />
own books as staytellmg. I<lb />
narrate. I think there is a<lb />
difference. This could explain<lb />
why the priests of the highbrow<lb />
literary ootene would scan Blind<lb />
Date, feeling that narrating a<lb />
staytellmg is, in fad, a device of<lb />
the popular culture. They are<lb />
confusing narrating with enter-<lb />
taining. I think they have oont-<lb />
empt fa entertaining, perhaps<lb />
justly so, the popular culture does<lb />
nothing but entertain<lb />
CPS: Your fidion is unusual in<lb />
that almost all of your prdago-<lb />
msts are businessmen, captains<lb />
of industry, with all the power<lb />
trappings that accompany that<lb />
position. On the other hand you<lb />
have a jaundiced view of oapa-<lb />
ate motives. Jonathan Whalen in<lb />
the Devil Tree murders his<lb />
stockholder.<lb />
JK: While now only two stock-<lb />
holders, and I don't think he<lb />
murdas them, it's the sea that<lb />
murders them.<lb />
CPS: We didn't purge them, they<lb />
purged themselves?<lb />
JK Now come on A family<lb />
reason may have sometning to do<lb />
with it. I really don t know, I'll<lb />
have to reexamme his motives.<lb />
I' m somewhat separated from Jon<lb />
Whalen, who I think of all my<lb />
charadas is the most caught.<lb />
Even his tape reoader can't save<lb />
him. He really watches his lang-<lb />
uage far mae carefully than<lb />
anyone else in my books. He<lb />
reoads himself the despair to<lb />
know what language has done to<lb />
him. He is the most desperate of<lb />
all my charaders, but are they all<lb />
really busnessmen. Of course the<lb />
boy in The Painted Bird isn't. He<lb />
is an avenga. He perceives<lb />
himself as independent and can<lb />
pass his experiences on to others<lb />
regardless of whetha they want<lb />
it a nd To a degree therefae he<lb />
isnota businessman, but he will<lb />
become one<lb />
CPS: Would you say that all of<lb />
your charaders, in ader to seize<lb />
contrd of their lives, incapaate<lb />
themselves into this dominate<lb />
ideology of competitive business?<lb />
JK: And the wad incapaation?<lb />
Already it signifies business.<lb />
Tarden is the tool of business.<lb />
Geage Levanter associates with<lb />
businessmen<lb />
CPS: All of your charadas deal<lb />
with oppresive situations by<lb />
intanalizing the methods of their<lb />
antagonists and, so to speak,<lb />
beating hem at their ow game.<lb />
Isn't the game won at the cost of<lb />
their humanity?<lb />
JK: My charadas don't lose<lb />
theirs I don't think. They are<lb />
vidimized often enough to retain<lb />
it by age, chance, accident. Th�y<lb />
may have tried to incapaate<lb />
others by an ad of manipulation,<lb />
but they fail<lb /><pb facs="00058062_tn_0018" /><lb />
Paoe 6 FOUNTAINHEAD 19 July 1978<lb />
Jaws 2<lb />
A schlock summer sequel<lb />
that promises too much<lb />
By STEVE BACHNER<lb />
Trends Editor<lb />
The narrative style of Univer-<lb />
sal's otherwise clubfooted sum-<lb />
mer junk-sequel, Jaws 2, is<lb />
probably the only developed<lb />
tendency in this uneven, unneces-<lb />
sarily heavy-handed, supposit-<lb />
ous horror saga.<lb />
Plot chronology is certainly<lb />
intact: the film begins tidily and<lb />
concludes tidily; everything in<lb />
between is a sham.<lb />
This sequel to Steven<lb />
Speilberg'ssuperlative 1975 thril-<lb />
ler is Hollywood's most unjustif-<lb />
ied attempt to cash in on the<lb />
A GROUP OF sailboatmg teenagers are attacked by Universal s giant<lb />
rubber shark in this summer's schlock sequel to "Jaws<lb />
Capezio<lb />
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JATBARRE,ltd<lb />
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Part-time<lb />
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success of a forerunner to date.<lb />
Unfortunately, the banality of<lb />
most of the current "sequels,<lb />
prequelsand remakes" will have<lb />
little bearing on the box office<lb />
prosperity of this insipid genre of<lb />
film.<lb />
Jaws 2 totally lacks any<lb />
genuinely original material of its<lb />
own and settles for a superabun-<lb />
dance of excessively gory variat-<lb />
ions on the shark attacks we<lb />
remember from its predecessor.<lb />
Even the film's best moments<lb />
(i.e. Roy Schieder'sdiscovery of a<lb />
mangled torso; a partially gnawed<lb />
killer whale happened upon by<lb />
two teenagers on the beach)<lb />
provide only schlock shocks. One<lb />
of the cinema's oldest and most<lb />
effective tricks, that of atlowing<lb />
the camera to sneak up behind<lb />
the viewer and yell "boo has<lb />
been rendered a thousand times<lb />
before and a thousand times<lb />
better in just about every other<lb />
film in this genre.<lb />
The shark attacks in Jaws 2<lb />
are completely without motivation<lb />
so that what we are subjected to,<lb />
quite unfairly I might add, is a<lb />
string of meaningless, unimagin-<lb />
atively staged Jeaths.<lb />
The multi-talented Speilberg<lb />
took Peter Benchley's prosaic<lb />
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LORRAINE GARY CAUTIONS MarcGilpm to be quiet when Roy<lb />
Scheider falls asleep from exhaustion, in a scene from ' Jaws 2<lb />
of the film. The result is that after<lb />
soap opera and crafted an enjoy-<lb />
able and exciting adventure tale<lb />
that rose far above the novel from<lb />
whence it came.<lb />
Jaws was crafted in the<lb />
Hitchcock tradition and sported<lb />
some brilliant comic relief, first<lb />
rate performances by a likeable<lb />
cast and memorable screen<lb />
shocks.<lb />
Even as simply a horror tale,<lb />
and Jaws? embodies horror at its<lb />
lowest level, the sequel belongs<lb />
in the category of horror movies<lb />
in which horror is the be-all and<lb />
(alas) the end-all  the only<lb />
reason fa the film's existence.<lb />
The film is a continuing<lb />
stream of poorly executed, poorly<lb />
acted, dully directed, often clum-<lb />
sily rendered and shoddily sadist-<lb />
ic sequences, and it is just this<lb />
kind of film that has given the<lb />
genre a reputation for cheap<lb />
sensationalism.<lb />
It is a shame too, for the<lb />
original on which it was based<lb />
was a class-A motion picture in<lb />
which horror was the essential<lb />
ingredient, but not the only, or :<lb />
chief, reason for makinq it.<lb />
The revelation of the "terror<lb />
from the deep" too early in the<lb />
film is another weakness. The<lb />
shark, morecontrivedly repulsive<lb />
and a little bigger than the<lb />
original, is actually less fearsome.<lb />
It is revealed quite early on and<lb />
swims around throughout the rest<lb />
ATTIC<lb />
ATTIC<lb />
i<lb />
Tliur.<lb />
Jwly 22<lb />
JESSE BOLT<lb />
a few fairly effective moments,<lb />
not much else is left and the<lb />
climax, the hokey electrocution of<lb />
the shark, is fatally weakened -<lb />
in addition to being less strongly<lb />
handled in itself.<lb />
Just as the door half-opening<lb />
onto a sinister room can be more<lb />
alarming than one which reveals<lb />
fully the terror lurking within, to<lb />
the unseen isoften more frighten-<lb />
ing than the seen.<lb />
The key to any horror story is<lb />
knowing when to stop, when to<lb />
suggest without statement. This<lb />
may be applied to any manifestat-<lb />
ion of horror.<lb />
The trouble with Jaws2 is that<lb />
it promises too much. In example<lb />
after example, tension and sus-<lb />
pense are worked up with semi-<lb />
effective minor shocks being<lb />
injected en route. But if the film is<lb />
to be finally satisfying, the<lb />
promise must be fulfilled - the<lb />
ultimate climax exceed all that<lb />
has gone on before.<lb />
This is an elementary condit-<lb />
ion that goes on ignored Hence,<lb />
the climax topples over into<lb />
absurdity. Horror dissolves into<lb />
derisive laughter.<lb />
The most frightening climax<lb />
to a period of tension may often<lb />
be a true, or apparent, anti-<lb />
climax. Why not let the shark<lb />
gobble up Roy Scheider and swim<lb />
away?<lb />
The original Jaws gave us<lb />
everything we could have asked<lb />
for in the way of a thriller. In this<lb />
sense, the sequel is a perfect<lb />
example of not knowing when to<lb />
stop.<lb />
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HUH<lb />
19 July 1978 FOUNTAINHE<lb />
James, Gray lead 'Ragin' Cajuns' offense<lb />
ByCHRISHOLLOMAN<lb />
Sports Editor<lb />
This is the eighth in a series of<lb />
scouting reports on ECU'S 1978<lb />
toot ball opponents. Next week we<lb />
will scout the Appalachian State<lb />
Mountaineers.<lb />
Last year one of the most<lb />
disappointing games fa the<lb />
Pirates was the 9-7 loss to<lb />
Southwestern Louisiana in<lb />
Ficklen Stadium. What made<lb />
matters worse is the fact that USL<lb />
won the game with three field<lb />
goals and not by a touchdown.<lb />
This year however things<lb />
could be different; or oould they?<lb />
The Pirates will have some<lb />
advantages over the USL team<lb />
that last year did not exist but<lb />
then again the Pirates play USL<lb />
away<lb />
One of the Pirates advantages<lb />
is the fact that USL lost one of the<lb />
top quarterbacks in the nation<lb />
due to the graduation of Roy<lb />
Mr Magic" Henry. Henry<lb />
made everybody's All-Amencan<lb />
team and was one of the top<lb />
passing quarterbacks in the<lb />
nation.<lb />
It is then a well known fact<lb />
that a replacement must be found<lb />
for Henry if the Ragin Cajuns are<lb />
to be an equal or better team.<lb />
The candidates for Henry's<lb />
starting job include Sophomore<lb />
Curt Caldarera, (5-10, 170), and<lb />
David Guildry (6-1, 175), and<lb />
senior Ken Matthews (6-5. 215)<lb />
who sat out the ' 77 season.<lb />
Other possibilities at the<lb />
quarterback position are JUCO<lb />
All-America Bob Gaghano, as<lb />
well as freshman Kyle<lb />
Kirkpatrick and Divid Pingston.<lb />
The receiving corp is in great<lb />
shape as all the personnel return<lb />
to that area.<lb />
The returnees are Calvin<lb />
James (6-3, 230) who caught<lb />
passes for 574 yards and six<lb />
touchdowns on 41 catches. Split<lb />
end David Gray 6-2, 180 will also<lb />
be back as well as wmgback Nat<lb />
Durrant 5-6 160.<lb />
In the backfie!d, senior full-<lb />
back Allen Stambler (5-9 200) was<lb />
granted an extra year of eligibility<lb />
by the NCAA<lb />
Last year Stambler ran for 473<lb />
yards, he is noted as a strong<lb />
runner and blocker.<lb />
At the tailback position there<lb />
are four good possibilities. They<lb />
are Harry Herbert (5-9, 180),<lb />
Booder Price (5-11, 195), Charles<lb />
Gray (5-8, 170) and Genry Lee<lb />
(5-10, 175).<lb />
Coach Tammanello is said to<lb />
have made some changes on the<lb />
offensive line because he wasn't<lb />
pleased with the play of this unit<lb />
last year.<lb />
The line will be a battle<lb />
between the old and the new. The<lb />
only starter more or less assured<lb />
of a starting nod on the offensive<lb />
line is center Roy Murry (6-2. 230)<lb />
At the guard position there is a<lb />
battle shaping up between<lb />
seniors Ron Tabor (5-11, 255) and<lb />
Lemuel Pitts (6-1, 225) and<lb />
juniors Matt Brooks (5-11. 235)<lb />
and Charles Betrand (6-4, 245).<lb />
At tackle the candidates are<lb />
Mark Domingue (6-4, 250) and<lb />
Mark David (6-3, 245).<lb />
Another problem facing coach<lb />
Tammariello besides the replac-<lb />
ement of Roy Henry is patching<lb />
up the defensive unit that was hit<lb />
hard at the line and the lineback-<lb />
ing positions.<lb />
At the flanker positions senior<lb />
Ken Chenier (6-2, 245) Junior<lb />
John Singletary (6-0, 210) and<lb />
sophomore Randy Thomas (6-2,<lb />
220) are all long on experience.<lb />
At the tackle position however<lb />
there will be some new faces. The<lb />
frontrunners fa the tackle spots<lb />
are Jeff Holm (6-4, 240), Joe<lb />
Kelly (6-4, 240) and Kfint Head<lb />
)6-3, 240).<lb />
At the noseguard will be Jeff<lb />
Tanguis(6-1, 220).<lb />
In the linebacking department<lb />
look fa senia Clarenoe Hannah<lb />
(5-10, 210) with junia Randy<lb />
Champagne (5-11, 255). Also<lb />
battling fa the staritng nod are<lb />
Tim Bretz (6-0, 210) and Dave<lb />
McRae(&amp;0, 200).<lb />
The secondary Icoks in good<lb />
shape as three of the four starters<lb />
return.<lb />
Among those starters return-<lb />
ing is Ron Irving (6-1, 200). Irving<lb />
hasbeen an All-Southland Con-<lb />
ference pick fa the last two<lb />
year. He intercepted six passes<lb />
in '77 one of which he returned<lb />
fa 90-yards fa a touchdown. He<lb />
also'ran back a punt return fa<lb />
95-yards fa a scae.<lb />
At the other secondary spots<lb />
will be senias Al Kennedy (5-11,<lb />
185) and Gerald Joseph (6-3,<lb />
Sports<lb />
v .<lb />
L<lb />
AUGIE TAMMARIELLO<lb />
190). Sophomae Willie Allen<lb />
(6-0, 180) is the top candidate at<lb />
the other canerDack position.<lb />
There is no doubt that the loss<lb />
of Roy Henry will hurt the Ragin<lb />
Cauns this coming season Also<lb />
the defensive front looks to be a<lb />
problem if the new faces can' t get<lb />
the job done it seems this year<lb />
that USL will be a more ground<lb />
oriented team than the one last<lb />
year with Henry at the controls.<lb />
Gallaher returns for final season - again<lb />
m<lb />
ECU SPLIT END Terry Gallaher looks tor one of 27 grabbed two touchdown passes<lb />
passes he caught last season. Gallaher finished the<lb />
season with 51? vards in receptions and also<lb />
Photo by Keith Barnes<lb />
It will take some dang to top<lb />
the act that Terry Gallaher put on<lb />
as wide receiver fa ECU the past<lb />
three seasois. At the close of the<lb />
1977 season he was the school s<lb />
top receiver in career yardage and<lb />
touchdowns and collected the<lb />
award as the top senia.<lb />
A three-year starter . he<lb />
departed the Pirates fold with<lb />
recads in hand and left coach Pat<lb />
Dye with a problem. Who would<lb />
line up at split end when the<lb />
Pirates opened the 1978 season<lb />
Sept 2 at home against Western<lb />
Carolina?<lb />
Dye needn t have waned, fa<lb />
at the annual NCAA meeting in<lb />
the spring, the national aganiza-<lb />
tioi adopted a solution allowing<lb />
players who were eligible to play<lb />
their freshman year  but didn t<lb />
- an extra season. It was a dream<lb />
come true fa both Dye and<lb />
Gillaher<lb />
"I've said all along that there<lb />
isno finer split end in the country<lb />
in a wishbone offense than Terry<lb />
Gallaher said the Pirate coach.<lb />
"I'm glad he's back again. He is<lb />
an outstanding blocker, runsgcod<lb />
patterns, and can catch the ball<lb />
anywhere it's thrown. I wouldn't<lb />
trade him fa anyone<lb />
For Gallaher. the decision<lb />
meant a second senia year and<lb />
new hopes.<lb />
After ending last season<lb />
he said. "I wanted a chance to<lb />
play one mae game. Thanks to<lb />
the new rule. I'll be able to do<lb />
mae than that. It's not everyday<lb />
that you get to live the last of your<lb />
hfeover again, so I'm grateful fa<lb />
the oppatunity<lb />
When it came time to balance<lb />
the choices and mae the decision<lb />
of whether a not to use the extra<lb />
year. Gallaher indicated there<lb />
was one prime fact a that induced<lb />
him to cone back - ECU'S<lb />
newly-expanded 35,000-seat<lb />
Ficklen Stadium<lb />
For four years, he said.<lb />
"We've all been waking hard<lb />
and hoping to get a chance to play<lb />
m the new stadium l though fa a<lb />
while like I would miss the<lb />
oppatunity, but I'm glad to have<lb />
the chance now<lb />
"That's just part of the<lb />
reason, though, he continued.<lb />
"Mae than anything else, we all<lb />
want to play in a bowl game It<lb />
has eluded us ta several years,<lb />
but I really think this team has the<lb />
best chance of any team yet. We<lb />
have a lot of talent, but we also<lb />
have a tough schedule I haven't<lb />
played on a single losing team in<lb />
all my years at ECU . and I didn't<lb />
come back to play on one this<lb />
year<lb /><pb facs="00058062_tn_0020" /><lb />
P�Q8 FOUNTAINHEAD 1Q h,Y in<lb />
New Ficklen pressbox nearing completion<lb />
THE NEW FICKLEN Stadium<lb />
pressbox will be completed for the Pirates' first<lb />
home game Sept. 2 against Western Carolina. Cost<lb />
of the three level structure is estimated at more than<lb />
$ 1 million. The first level will house news media<lb />
while the second level will acoomodate radio and<lb />
television crews<lb />
TonitcXEXTHAVE:<lb />
&amp; 10c '�� Appreciation<lb />
At The<lb />
EISO R90MT<lb />
Tlmrs.<lb />
 norm i; n a pp v hoik<lb />
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IH.XSar.<lb />
?C 1ST. APPRECIATION 9-11<lb />
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WtOXTESTAITE<lb />
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Chugging Contest Prize<lb />
 Prizes &amp; Gfto Surprise <lb />
Birth defects<lb />
are forever.<lb />
March of<lb />
Dimes<lb />
By SAM ROGERS<lb />
Assistant Sports Editor<lb />
The old Ficklen Sadium pres-<lb />
sbox resembled nothing more<lb />
than a treehouse mounted on four<lb />
columns. Working space for<lb />
sports writers along with radio<lb />
and TV crews was extremely<lb />
cramped. Bathroom facilities<lb />
were virtually non-existent.<lb />
And since there was no<lb />
elevator to transport writers to<lb />
the pressbox, the media was<lb />
forced to carry all their equipment<lb />
to the top of the stadium.<lb />
Complaints from the media were<lb />
numerous and they were certainly<lb />
justified.<lb />
Former ECU Sports Informa-<lb />
tion Director Ken Smith said one<lb />
of the happiest days of his life was<lb />
watching construction workers<lb />
destroy the old pressbox.<lb />
And with the expansion of<lb />
Ficklen Stadium, ECU now has<lb />
one of the finest pressbox facili-<lb />
ties in the nation, according to<lb />
new Sports Information Director<lb />
Walt Atkins.<lb />
Clip this coupon!<lb />
And get three games for only $1.25.<lb />
( Per Person Rate )<lb />
LOCATED BESIDE RIVER BLUFF ACTS<lb />
Phone 758-1820<lb />
"I don't think there is a better<lb />
pressbox in the region and maybe<lb />
throughout the entire nation<lb />
said Atkins. "It's as good if not<lb />
better than anything I've ever<lb />
seembefore. It's certainly going to<lb />
be a pleasure working in it and I<lb />
know the media around eastern<lb />
N.C. will find it far more<lb />
comfortable than the old one<lb />
The new pressbox has three<lb />
levels and can acoomodate as<lb />
many as 210 members of the<lb />
working press. Each level has two<lb />
bathrooms, and there are also two<lb />
darkrooms which photographers<lb />
may use to develop pictures<lb />
during the game.<lb />
The first level will be used by<lb />
the working media with 92 seats<lb />
available for sportswriters. Each<lb />
seat has an electrical outlet as<lb />
well as a phone jack, according to<lb />
Atkins.<lb />
"We're fast approaching the<lb />
age of electronic journalism<lb />
explained Atkins Media need to<lb />
gather their information quickly<lb />
and get it out fast. Each writer<lb />
has plenty of working space to<lb />
finish his assignment quickly and<lb />
effeaently<lb />
"We will also have an inside<lb />
the pressbox public address<lb />
system along with a screen<lb />
showing running statistics as the<lb />
the game progresses. All these<lb />
things help the media and make it<lb />
easier to corner a game<lb />
The seoond level of the<lb />
pressbox will consist of nine<lb />
booths which will .acoomodate<lb />
coaches along with the radio and<lb />
television media. The third level<lb />
will be used tor television crews<lb />
and coaches making their films of<lb />
the game.<lb />
STUFFY'S<lb />
MTjTIClPfilil<lb />
Jv"N<lb />
V,<lb />
TgT' T-SHlkT<lb />
Good Stuff at Stuffy s<lb />
25' OFF<lb />
The Regular Price Of Anyone of<lb />
Stuffy's Famous Subs<lb />
(Offer Good From July I -July 26th With Coupon)<lb /><pb facs="00058062_tn_0021" /></div></body></text></tei:TEI></mets:xmlData></mets:mdWrap></mets:dmdSec>
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