Dragon, Patricia The East Carolinian, November 23, 1982 East Carolina's student-run campus newspaper was first published in 1923 as the East Carolina Teachers College News (1923-1925). It has been re-named as The Teco Echo (1925, 1926-1952), East Carolinian (1952-1969), Fountainhead (1969-1979), and The East Carolinian (1969, 1979-present). It includes local, state, national, and international stories with a focus on campus events. UA50.05.06.02.233 57516 1812 19821123 eng text newspapers East Carolina University Students East Carolina University Newspapers United States North Carolina Pitt County (N.C.) Greenville (N.C.) East Carolina University contributor This item has been made available for use in research, teaching, and private study. Researchers are responsible for using these materials in accordance with Title 17 of the United States Code and any other applicable statutes. If you are the creator or copyright holder of this item and would like it removed, please contact us at als_digitalcollections@ecu.edu. http://rightsstatements.org/vocab/InC-EDU/1.0/ Student Newspaper Collection newspaper The East Carolinian tecaro University Archives The East Carolinian, November 23, 1982 East Carolina's student-run campus newspaper was first published in 1923 as the East Carolina Teachers College News (1923-1925). It has been re-named as The Teco Echo (1925, 1926-1952), East Carolinian (1952-1969), Fountainhead (1969-1979), and The East Carolinian (1969, 1979-present). It includes local, state, national, and international stories with a focus on campus events. East Carolina University--Students East Carolina University 19821123 Text newspapers J. Y. Joyner Library, East Carolina University eng 57516 http://rightsstatements.org/vocab/InC-EDU/1.0/ East Carolina University--Newspapers United States--North Carolina--Pitt County (N.C.)--Greenville (N.C.)
She lEaat Carolinian Serving the East Carolina campus community since 1925 Vol.57 No24 Tuesday, November 23,1982 Greenville, N.C. ft Pages Circulation 10,000 Drunken Drivers Campus Police Say Dill Arrests Up ByALMAGINNES Staff Writer There has been a rise in recent months in the number of arrests by ECU security officers for driving under the influence on the campus. There were thirteen such incidents in October. This figure stands in con- trast to thirteen for the whole year in 1980. ECU Chief of Detectives Francis Eddings attributes the rise in arrests to an overall increase in the number of offenses. "There appears to be more people driving who are drink- ing he stated. "Another reason (for the umber of arrests) could be that the officers are now more alert to this sort of thing Eddings said the problem was not confined to ECU. "I've talked with people in other places he said, "and the trend seems to be the same everywhere Eddings said that he did not think that law changes, such as the pro- posal currently before Gov. James B. Hunt to raise the legal drinking age, would have much effect of the number of offenses. He added that stricter punishment for convicted offenders might hold down the number of offenses. "I think that more stringent disciplinary action with people convicted would create a deterrent" he said. Eddings noted that not all those arrested for driving under the in- fluence on campus were not students. "They're mostly in the same age bracket as students. Some of them are visiting friends on cam- pus or whatever Eddings said. He said that most suspects were stopped at night. "If a person is stopped on cam- pus, and there is a reason they are stopped, such as driving left of center, weaving or driving reckless- ly, they are asked to perform a series of sobriety tests, such as standing on one foot with arms extended and touching the end of one finger to the end of his nose said Eddings. If it is the opinion of the officer that the suspect is intoxicated, the suspect is then arrested and taken to the magisrate's office, where a breathalyzer test is administered to determine the alcohol content of the blood. A count of .10 is considered intoxicated in North Carolina. Ed- dings said that ECU has four liscensed breathalyzer operators on the security staff. If the suspect refuses to take the breathalyzer test, their license is automatically revoked for six mon- ths and they may still be charged with DU1, Eddings warned. Eddings said that campus security forces would continue to be on the alert for people driving under the in- fluence on campus. "Our job is the safety and welfare of the students and everyone who comes on this campus he stated. "If we can keep someone from be- ing killed or killing someone else or being injured or injuring somebody else, then we are accomplishing our mission. �y STANLEY LEAEY Petition Against Proposed Building Site Geology Club President David Jerose works to gather signatures on a petition calling for a public debate on the new building proposed for ECU. The petition is sponsored by the Geology and Biology Clubs. See story page 3. ECU Honor Fraternity Picked As Number One In Country By PATRICK O'NEILL Staff Urilrr The Tau Chapter of ECU's Phi Sigma Pi national honor fraternity has been chosen the most outstan- ding chapter in the nation for the eighteenth consecutive time. The Tau's received the 1982 Joseph Torshia Outstanding Chapter Award, at the fraternity's recent national convention in Arl- ington, Va. The ECU chapter has actually reigned as number one for over twenty years since the award was originally given every two years. ECU professor of economics Dr. Jack W. Thornton, who is faculty advisor to the Tau chapter, praised the students for their hard work and dedication. "It's a student run organization (and) it's student dedication that ac- counts for the winning of the award Thornton said. According to Thornton Phi Sigma Pi is the oldest fraternal organization on campus. They have been active since 1936. Two chapter members Robert Zalimeni, an ECU computer science manor and Michael Hosey, a graduate student, were also chosen as recipients of the Richard Cecil Todd scholarship award of $600 each. The scholarship program was established by Dr. Richard C. Todd, professor of history and one of the founders of the ECU chapter. "It's a mighty fine organizaiton on cam- pus Todd told The East Caroli- nian in a telephone interview from his Greenville home. "I'm real pro- ud of it Todd said that the fraternity was conceived in 1916 because at the time teachers training schools were not allowed to have chapters of Phi Beta Kappa. Todd noted that at one time ECU was called East Carolina Teachers Training School. Todd further noted that the Phi Sigma Pi's are based on the "tripod of scholarship first, leadership se- cond, and fellowship third The Tau chapter was chosen for the award based on the various ways they developed these three criteria. The overall grade point average of all 40-plus members were compiled, the number of service projects they performed was considered as well as the leadership skills of its members. Thornton mentioned that the group had participated in several service projects throughout the 1981-82 academic year including an Easter Party for disabled children, a Christmas party for under- priveleged children and volunteer work with the American Cancer Society. A sudent must have a grade point average of 3.3 or better to be con- sidered for Phi Sigma Pi member- ship. It is open to both men and women from all disciplines who have completed between 32 and 96 credit hours. Currently there are ap- proximately 20 new pledges to the chapter. Zalimani and Hosey were both also elected to national offices dur- ing the convention. Zalimeni was elected national vice president and Hosey national alumni represen- tative. Both will serve two year terms. With 21 members attending, Tau chapter had the largest attendencc at the convention. Drunken Driver Causes Wreck Student Recovering After Auto Accident Robert Morgan Photo By STANLEY LEAHY Former U.S. Senator Robert Morgan from North Carolina spoke in Mendenhall Student Center last nieht to the N.C. Student Legislature. By PATRICK O'NEILL Staff Writer An ECU student, who was seriously injured when her car was struck by another vehicle which was being pursued by police in a high- speed chase, is recovering well at her mother's home in nearby Walston- burg. ECU Biology student Teresa Karen Whitley's vehicle was struck in the early morning hours of Fri- day, Sept. 3, by a truck being driven by another ECU student, David Earl Jackson. At the time, the Jackson vehicle was being pursued by the ECU campus police in a high- speed chase through narrow Green- ville streets near the Tar River. As a result of the accident, Whitley spent three weeks in Pitt County Memorial Hospital with a number of serious facial injuries which have required operations to restructure her bones. Jackson was arrested and charged with driving under the influence as well as other offenses at the time of the accident. He suffered no serious injuries. He was subsequently given a one month suspended jail sentence, a four-year probation, a $500 fine, and told to pay $100 for DUI school. Jackson was also ordered to spend five days in jail after classes are ended for the fall semester. According to Teresa's mother, Mrs. Margaret Whitley, her daughter is "making progress but, "she still has a long way to go Teresa was recently readmitted to the hospital to have a steel pin removed from her face that was at- tached to her cheek bones. Some in- fection and swelling of her left eye resulted, and she was forced to spend four more days in the hospital. Mrs. Whitley said her daughter still cannot eat hard food that re- quires a lot of chewing and other eating restrictions because of her condition. She also stated that Teresa would need a series of dental work to straighten her teeth and replace those that are missing from the accident. At the present time, Teresa is no longer required to take any medica- tion and she's not in a lot of pain. However she does experience some memory loss on occasions. Teresa is focusing her studies on her ambition to become a medical doctor. Teresa is Mrs. Whitley's only child and throughout the ordeal she maintained a daily vigil at her daughter's bedside. For seven weeks Teresa was on a restricted diet of clear liquids because her mouth was wired. At the time of her accident there was a lot of debate among ECU students about whether police should engage in high speed chases.Mrs. Whitley felt the inci- dent could have been prevented had the officer, Lt. Ernest Suggs, not pursued the Jackson vehicle at such high speeds. Other people felt Suggs' decision was correct. Teresa has been under the care of Dr. Ira Hardy, a neurosurgeon and Dr. Kelly Wallace, who specializes in plastic and reconstructive surgery. She is now beginning to drive again, but she did experience some fear at first. "She's very cautious Mrs. Whitley added. Foreign Student Group Holds International Festival For All Former U.S. Senator Robert Morgan Gives Lecture On Politics To Campus By EMILY CASEY By BOB MORGAN Slaff Writer Approximately 50 ECU students, professors and staff members at- tended a reception last night spon- sored by the North Carolina Student Legislature. Former Sen. Robert Morgan was the guest speaker at the event. Morgan, a 1947 alumnus of ECU, directed his speech towards members of the NCSL and talked about how to become active in politics. He emphasized that the best way to get started is to begin at the grass roots level of politics. Too many people, he said, think they, can run for an office like governor before they do their "labor in the vineyard Elected to the Senate in 1974, Morgan held a number of public of- fices before becoming a senator. These included state senator, senate pro tempore and attorney general. His first legislative experience, he pointed out, was through his work with the NCSL as a ECU student. After his speech, Morgan opened the floor for questions from the au- dience. Anticipating and encourag- ing hard hitting questions, Morgan seemed somewhat disappointed at the relatively soft inquiries about such topics as the B-l bomber, the MX missle and the tobacco tax in- crease. Criticizing Sen. Jesse Helms, D-N.C, as shrewd and mean, Morgan claimed that the Republican's tactics in the senate are designed more to raise money than to move ahead with construc- tive legislaton. Morgan referred to the comments of Sen Alan Cranston, D-Calif who said that Helms has brought a sense of meanness to the Senate that has not been there since the early 1950s. In his campaign for reelection in 1980, Morgan was defeated by former ECU political science pro- fessor John East. He was the victim of a controversal negative campaign waged against him by East and the Congressional Club. The International Student Association held their annual Inter- national Dinner featuring various dishes from 25 countries for a sell- out crowd in MendenhalPs multi- purpose room. The ISA, which has close to 100 members from 39 countries, is open to any ECU student. According to ISA President Cecilia Vaca Pardo, 21, an ECU business student, the group is trying to recruit more members. "The group we have now is a very fun group to work with Vaca Pardo said. "I like all students to participate; I think they miss something by not participating "It's a good source of cultural in- formation added ISA member Oscar I. Orozco who helped with the entertainment for the dinner. Orozco, who is originally from Peru, is majoring in Psychology. Like Vaca Pardo, who moved to the U.S. from Boiovia, Orozco hopes more students will get involved in ISA activities. "The ISA brings all foreign students together Orozco said. "Its purpose is to make students feel comfortable at school and share .their cultures with the other students and the American community "It's more than just a group Vaca Pardo said. "It's a communi- ty added German Suarez, a sophomore in pre-engineering. Suarez is also from Bolivia. "All of us (foreign students)have different ex- periences, but we go through the same process of adapting to this new culture said Vaca Pardo. The dinner consisted of a buffet of food from the various countries that ISA members hail from, as well as dancing music and other cultural activities such as Japanese paper folding called origami. A Costa Rican dance known as the Salsa was performed as well as a Bamboo dance from the Philippines known as the Tinikling, a dabkee Lebanese dance, two belly dances, and a Kaza Chock Russian dance. Orozco performed a Bolivian accor- dian piece known as the Labamba. Orozco and Vaca Pardo noted that all ECU students � not just foreign students � are invited to join in their activities. "I think every member represents a great source of information Vaca Par- do said. "This is a good way for the Americans to see what our culture is like added Suarez. Vaca Pardo prepared a Bolivian Fruit Salad for the dinner. "You mix all kinds of fruits, then add sugar and wine she said, "Bolivian wine of course Suarez prepared another dish known as arroz con polio or chicken with rice. "Everybody seemed so enthusiastic about the dinner Vaca Pardo said. "It seems like they really enjoyed themselves The dinner, which took over a month to arrange, was sold out two days in advance and was an all-you- can-eat event. MbWbmm� m � � �;�� sal � �� 1 THE EAST CAROLINIAN NOVEMBER 23, 1982 Announcements ANNOUNCEMENTS If you or your organization would like to have an item printed in the announcement column, please type it on an announcement form and send it to The East Carolinian in care of the produc tion manager. Announcement forms are available at the East Carolinian office in the Publications Building. Flyers and handwritten copy on odd sized paper cannot be ac cepted. There is no charge tor an nouncements, but space is often limited. Therefore, we cannot guarantee that your announce ment will run as long as you want and suggest that you do not rely solely on this column for publicity. The deadline for announcements is 3 p m Monday for the Tuesday paper and 3 p.m. Wednesdayy for the Thursday paper. No an nouncements received after these deadlines will be printed. This space is available to all campus organizations and depart ments. ALL CAMPUS PARTY The Phi Kappa Tau fraternity is sponsoring "Chill Thrill 'B2" on Friday, Dec. 3 from 3:00 until. The party will be held at the Phi Tau house at 409 Elizabeth St. There will be lots of free beverages, com petition events, giveaways and a drawing for a Fuji Supreme bicy cle. FGor further information con tact any Phi Tau or call 752 4379. BAPTIST STUDENT UNION HEY! Do you enioy friendly fellowship, good friends and food, and a chance to be yourself in this "rat race" environment at ECU? Then come join us at the Baptist Student Union where we have din ners on Tuesdays at 5:30 for only tl 75 PAUSE on Thursdays at 7:00 to allow us to take a break after art almost fulfilling week, and lots of people lust like you who enoy others. Call 752464a if you have any questions. Bob Clyde campus minister. ALPHTAU Thanks for getting us up in time to rock n roll'er skate and drink at 5:00 a.m. if you ever do that again, you all will be so sorry, keep up the good work. The B triers. ECGC The ECGC will meet AAondayt, November 29 at 7:30 p.m. at the Newman House There will be a speaker. Dr. Susan McCammen, from the psychology department. All interested persons are invited to attend what promises to be an interesting discussion. FALL GRADUATES Remember to pick up your cap and gown from the Student Supply Store, East Carolina University before leaving school. These keepsake gowns are yours to keep, providing the graduation fee has been paid For those receiving the Masters Degree the tee pays tor your cap and gown, bu' there is an extra fee of $11.75 for your hood ECCEA ECU Cooperative Educational Association will have its next meeting on Thursday, December 2 at 4 00 p.m. in 306 Rawl. We'll be planning the Christmas party so make plans to attend. All in- terested persons are welcome. CATHOLIC NEWMAN CENTER The Catholic Newman Center would like to invite everyone to join in with us for celebrating Mass every Sunday in the Biology Lecture Hall starting at 12:30 and every Wednesday at 5:00 at the Catholic Newman Center located down at the bottom of College Hill. CADP Campus Alcohol ana Drug Prevention will meet today in room 210, Erwm Hall. If you would like to incease your awareness abou' alcohol and drug prevention please attend tne meeting CONCERT On Nov. 30,1982 student Council for Exceptional Children will host the Casweil Spirit Singers for a Christmas concert. The concert will begin at 3:30 p.m. in Auditorium 244 Mendenhall Stu- dent Center. Everyone is invited and welcome Come out and get into the Christmas spirit early. PHI SIGMA PI Phi Sigma Pi, National Honor Fraternity will sponsor a canned foods drive for the Salvation Army on Thursday, Dec. 2 from 8:00 a.m. until 4:00 p.m. in front of the Student Store. Please help us to br- ing a merrier Chrismas to those in need. PAUSE Do you sometimes fel alone-like you are the only person who feels like you do! Well, you are not alone! Come join us at the Baptist Student union and find others who feel like you do. Good well- balanced meals are on Tuesdays at 5:30 for only SI 75. PAUSE is is on Thursdays at 7:00 to review your week and your place in the world today. Call 752-4646 if you have any questions. Bob Clyde is our campus minister and he can be yours too ALPHA PHI SIGMA Alpha Phi Sigma will hold a din ner meeting at the Western Sizzlin Steak House on Nov. 29 at 5:00. Meet at Allied Health Building(Belk) at 5:00 where we will meet members of NASW, ADM and CorSo. All members, prospective members and staff are encouraged to attend. PSI CHI Mo(o)re on Sex. you can become informed November 30 at 7:30 in room 109 Speight. Psi Chi presents Dr. Moore who will lecture on sex- ual deviance. This will be Psi CLhi's last informative lecture of this semester. This is open to Psi Chi members and all other in terested persons. Come and learn. SCHOLARSHIPS Scholarships are available for Business majors. Students in- terested in making application should secure forms from the Financial Aid office or the follow- ing departmental offices: Accounting R325. Decision Sciences-R23t; Marketing R223, Finance R343; and Management R137 The deadline is November 30,19(2. All applications should be submitted to Ruth Jones. Add! tional information is on the bulletin board in Rawl. BAKE SALE The brothers of the ETA-Nu Chapter of Alpha Phi Alpha will be having a canned food drive and bake sale in order to give Thanksgiving baskets to the needy families in Greenville area. The . cooperation of all ECU students will be appreciated. There will be a collection table in front of the book store on TuesThur. JUVENILES OFFENDERS What are the alternatives to jail ing juvenile offenders The public is invited to a symposium on this crucial issue on Nov. 23 at 7:00 p.m. at the Willis Building at the corner of First and Reade Sts. A panel will present the problem and solutions foiowed by a question and answer session. WOLFTRAP All day Tuesday, Nov. 23 Sigma Alpha lota, ECU'S non-profit women's music fraternity will be holding a Rock-a-Thon in the lobby of the music building in order to raise money SOCIAL WORK AND CORRECTIONS MAJORS If you have an overall GPA of 3.0 or above, and a 3.2 in your Correc- tions classes, you are eligible for membership in Alpha Phi Sigma, our Chapter of the National Criminal Justice Honor Society. Don't miss our next meeting, Dec. 2, at 4:30 p.m. at the Ramada inn. For more information, contact Mr Weber in the Social Work of fice. �r lName VASSI liLU AU& use a separate sheet of paper if � vniin�Hinnr.i;nM Th�.�.� ! CltVlStatC Zin Phone units per line. Each letter, punc- j tiiatinn mark anrl umrH � . Na lUlCSat 7�ie ivr line t Wr�enclosed. counts as one unit. Capitalize and j hyphenate words properly. Leave s space at end of line if word doesn't fit. No ads will be ac-�j - cepted over the phone. We j V reserve tne right to reiect any ad. t All ads must be prepaid. Enclose�i� 75 per line or fraction of a tine. j Please print legibly! Use capital and lower case letters �� Refer lu MMMA BOARD office loot EAST ' CAROLINIAN office) k 2 p.m. Moadar before : Taeasay paper sad Wtdaratey before Tbanday 1- 1rrJ,AS-rJTJ�am GYMNASTICS The IRS department is pro- viding a supervised period for recreational free use of the gym- nastics room located in Memorial Gym. Each Tuesday and Thurs- day night from 6:30-9:00. The area is open for free exercise use of the matted area as well as supervision and direction on some apparatus. SAB MEETINGS There will be a Student Athletic Board meeting tonight at 6:30 for all officers and 7:00 for ail members. The meeting will be held in Room 247 of Mendennali Student Center. GRE The Graduate Record Examina- tion will be offered at East Carolina University on Saturday, December 11, 1982 Application blanks are to be completed and mailed to Educational Testing Service, Box 966 R. Princeton, NJ 08540. Applications may be obtain- ed from the ECU Testing Center, Room 105, Speight Building. ACT The American College Testing (ACT) will be offered at East Carolina University on Saturday, December 11, 198J. Application blanks are to be completed and mailed to ACT Registration, P.O. Box 414, Iowa City, Iowa 52240. Ap plications may be obtained from the ECU Testing Center, Speight Building, Room 105 FREE PLAY The IRS department will offer an opportunity for free play volleyball andor badminton in Minges Coliseum on Dec. 3 and 10 fom 8:00 to 10:00 p.m. These dates provide rare occasions for free play volleyballbadminton ac tivities on campus due to the busy schedule of activities on campus due to the busy schedule of ac- tivities reflected in our facilities. The equipment and supervision will be provided. All you need are bodies and some interest. CONGRATULATIONS Congratulations to ECU'S ultimate team, the lRATES, who placed third in the NC Ultimate Championships held last weekend in Raleigh. Duke kept their first place standing and State took se cond. The team plays at the oot torn of the hill Tuesday ad Thurs day at 4:00. Club meetings are Monday nights at 8:00 in vsc "room 248. PHI SIGMA IOTA Phi Sigma lota, the National Foreign Language Honor Society, is sponsoring a lecture by Dr John Bort on Nov 23 at 8 p m in the Cof fee House at Mendenhall. Dr. Bort. of the Dept. of Sociology. An thropology and Economics, will speak on "The Distribution of Languages in Central and South America and Their Use m Et nohistorical Research A recep tion will follow the lecture. All in terested persons are welcome to attend. The East Carolinian Serving the campus community since 1925 Published every Tuesday and hursday during the academic year and every Wednesday dur- ing the summer The East Carolinian is the of ficial newspaper of East Carolina University, owned, operated, and published for and by the students of East Carolina University Subscription Rate: Hi yearly The East Carolinian offices are located m the Old South Building on me campus of ECU, Greenville. N.C. POSTMASTER Send address changes to The East Carolinian, Old South Building, ECU Green ville, NC 27834 Telephone: 757-634, 6367. 639 (7s3 mm OH CAMP05 JNo B.S. Jewelry Repair (Custom Crafting � Fair I I P Prices & ,Gua ran teed Work) I jbvLES JEWELRY 120 E. 5th St. J72S-2127 T- 10-5 TuesSat. j Bring this ad tor 2f i off UK chain repair piener's SIS Dickinson Ave. Downtown Greenville 752 5251 Hfl Green ville s Finest Bakery ' Fresh Pies Baked Daily Don't go home Thanksgiving empty handed - Surprise your mother with a pie. ABORTIONS UP TO 12th WEEK OF PREGNANCY ABORTIONS FROM 13-14 WEEKS AT FURTHER EXPENSE $185 oo Pregnancy Test, Birth Control, and Problem Pregnan cy Counseling. For further infor- mation call 832-0535 (Toll Free Number 800-221-2568) between 9 A.M. and 5 P.M. Weekdays. RALEIGH WOMEN'S HEALTH ORGANIZATION 917 West Morgan St Raleigh. N.C. QUALITY SHOE REPAIR SAAD'S SHOF RtPAIR 113 Grande Ave. 758 1228 When it comes to the food at Taco Bell there's really only one school of thought. What a difference! To begin with, your order's made up fresh from the best ingredients. That's different. And it's all served up piping hot to be sure you get all of the delicious flavor. That's different. You also get served fast, which means that our schedule will keep you on yours. That's different. And you get it all at the terrific Taco Belt, price. That's really different. Plus, where else do you find food with deliciously different names like Taco Supreme Burrito Supreme, and Enchirito.? Each one a far cry from the usual fast food fare (not to mention whatever that is they serve in the cafeteria). So cut out the coupon, then cut out for Taco Bell and see for your- self what a difference we make. �$$ Pepsi and the Pirates a winning combination TIM YOUR FI6WC YOUR BEST LOOK, INC. 155-1969 Lose 17 15 Pounds m 3 Weeks Program for Men 4 Women � Medical Weight Control � Nutritional Counseling SKIN CARE individual Skin Analysis Deep Pore Cleansing Face 8, Body Waimg Manicures ami Pedicures Complimentary Cwiw"t�" Check phone book for discount coupon Pei Bui Or! c Pr Geolos tion i for a on wht buildn loca well. Jer teamel Get close tions. tentatul post; throui I currei W( O DEf ScS ?r, ise men bring jewels at Christmastime. From �2000�� Lauteres Jewelers Registered Jewelers Certified Gemologists 414 Evans St. we do not sen promotional or discount lewelry PLEASE PRESENT THIS COUPON WHEN ORDERING. LIMIT: ONE COUPON PER PERSON Free Taco ,w withThePwchaseOfOneAtReguimPrice. Crisp corn tortilla. Fresh ground beef. Lettuce and real cheddar cheese. 1IC0 i�h BELL GOOD ONLY AT 319 E. Greenville Boulevard Greenvile NOT GOOD WTTH ANY OTHER OFFER. OFFEREXP1RES Ok. 23.1982 JUNIORS,SENIORS & GRADUATE STUDENTS Are you a college junior, senior or grad student trying to establish credit? Iff so ZALES is now offering a special charge account for college (you) students-no credit or job necessary to qualify. Stop by our Carolina East Mall store and fill out an appplication, while you're there let us show you our wide selection of diamond and fashion rings, watches, and 14k gold jewelry. Come in and see us for all your gift giving needs this holiday season. ZALES s 0eti a- Ace J B vat Sane Arc. Saml Puz Srtai you need to kiuw for Chrbimak. CAROLINA EAST AAALL Floating Hearts (14k) FREE to the First 100 Qualified Applicants (Please Bring Your Student Registration) - - � � - ' Acl Di Hoi SHl DI mmmm mmmm �. w�ff� n�w1 THE EAST CAROLINIAN NOVEMBER 23, 1982 �-H� ft.1 feiry (torn llair I Work)) ELRY1 h St. I � 0-5 I for 20 jrepairi. mwi IfcST Inc. n 3 Weeks i 1 Women It Control � uselng are i inj!�in le j-ii'9 1 V�a�in�, I Pedicures Consultation I boon tor pupon ise men Kvels at lastime. 12000�� �res leters Jewelers temologists fans St. oo'��ii �I or discount Leiry s Petition Against Building Going Well Organizers Claim ��SSSSK SsSwsgs ABORTIONS App'ts CALL Gl Camouflaged Fatigues and T-Shirtt, Sleeping Bags. Backpacks, Camping Equip ment, Stel Totd Shoes. Dishes and Over 700 Different New and Used items. Cowboy Boots, ARMY-NAVY store ,Mr ITALIAN N1TE LASAGNA According to co- organizer David Jerose, President of the Geology Club, a peti- tion compaign calling for a "public debate" on where a new campus building should be located, is going very well. Jerose, who has teamed up with Geology Club Presi- dent Karen Thomas, said he has distributed close to 50 of the peti- tions, which protest the tentative location of the proposed building, to campus groups, dorms and other organizations throughout campus. Both Jerose and Thomas oppose the current proposal to locate the new building in an area known as the arboretum behind the Rawl Building because of the many trees that would have to be destroyed to forward the project. Other peo- ple have complained that the arboretum site is the last natural area still preserved on cam- pus. Jerose has been cir- culating copies of the petition as well as col- lecting signatures at a table he has set up out- side the student supply store. He hopes to get 5,000 names. "Do ECU students give a damn about anything?" Jerose said. Uk) It 100 ints itudent WOMEN'S HEALTH CARE YOU CAN ABORTION: a difficult deci- DEPEND ON. sion that's made easier by the women of the Fleming Center Counselors are available day and night to support and under- stand you Your safety, comfort and privacy are assured Dy the caring staff of the Fleming Center SERVICES: � Tuesday � Saturday Abortion Ap- pointments � 1 st & 2nd Trimester Abortions up to 18 Weeks � Free Pregnancy Tests � Very Early Pregnancy Tests � All Inclusive Fees � Insurance Accepted � CALL 761-5550 DAY OR NIGHT � Health care, counseling jjg FLEMING CENTER Bausch & Lomb Soft Lenses COMPLETE Includes initial eye examination, lenses, care kit, instructions and follow up visits for one month. ECU student I.D. required. AND PAGHETTH ALL-YOU-CAN-EAT Plus Oartle Breed $99 99 00 L and education for wo- men of an ages. OPTOMCTWC �Y�CAR�0�HI�R Of OrBBiivWB M 228 GREENVILLE BLVD. 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Fri. 9 6 p.m. by appointment only STROWS presents THE PHANTOM FORECASTER WIN $100 Beat the Phantom Forecaster Contest Details in Dec. 7th issue of PHANTOM FORECASTER Overton's Marsh's Surf-NSea AccnCopy J.B. s�lstand Seafood Varsity Ba ber Shop Sandwich Game Arcade Variety & Grill Sammy's Country Cooking Pizza Transit Authority Sharp's Formal Wear PJRC WBFTa PRESENT m OTffBgtf TUBS. NOV. 23, M8 5:30-1:00 Hodges Bonds Archie's Steaks Pantana Bobs Subway Nautili; U.B.E. 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QUre lEaHt (Earottttiatt Serving the East Carolina campus community since 1925 Fielding Miller, General Manager Mike Hughes. Managing Ednor WAVERLY MERRITT. Director oj Adverting ClNDY PLEASANTS, Sports Editor Robert Rucks, bus, Manager Greg Rideout, mm Editor ALl AFRASHTEH, Credit Manager STEVE BACHNER, Entertainment Edttor Stephanie Groon. ohmm mmm Juliana Fahrbach. style Editor Chip Gideons, Tech supervisor Mike Davis, ����� Meager (aROSS, NATIONAL November 23, 1982 Opinion Page 4 Vietnam Vets' Memorial Those Left Behind Forget Too Quickly "Maybe it's time to get it behind us once and for all These philosophical, if not ominous, words (those spoken by Vietnam vet Glen Mundy to Newsweek magazine last week) have, perhaps, best characterized the post-war plight of American veterans and the American public. And amid all the commemorative regalia at the recent dedication of the Vietnam Veterans' Memorial in Washington, D.C forgetfulness was, indeed, the dominant theme. They gathered by the thousands to salute the dead, to console one another and to pay tribute to those who returned home disabled � hav- ing suffered both physical and men- tal wounds. For many, the anguish continues. Many were rendered permanently disabled or disfigured in a war they had no business fighting. And for many, if not most, the toll of mental anguish is overwhelming. But whereas the recent com- memorative ceremonies may, in- deed, have been marked by a theme of forgetfulness, we who never saw the terrors would surely be mistaken if we should forget. In recent years, the Vietnam war has become regarded as a "black era" in American history. And con- sidering the fact that 57,939 U.S. lives were lost in the still-unclear conflict, it is certainly a time worth forgetting. But if putting the war out of mind causes us to forget those who suffered � and who con- tinue to suffer � then we have sure- ly forgotten too much. War memorials and the like are fine. If nothing else, they demonstrate the sympathies of those of us who remained. But for the thousands of veterans who came home in wheelchairs, the welcome home was short-lived. They have to deal with the horrors � of both the war and the subsequent return � everyday. It seems we have written off the war as a mistake, having never paid fitting tribute to those who fought in it. Why, even the memorial itself was financed almost totally by the veterans themselves. And almost as an ultimate affront to the vets, neither Ronald Reagan nor Nancy (who had been named honorable cochairperson of the "National Salute to Vietnam Veterans") at- tended the ceremonies. President Richard Nixon's declaration of "peace with dignity" in the early 70s has, indeed, proven itself an exercise in empty speech, a perfect example of the frustrations and futility most of the Vietnam veterans have since experienced. They are entitled to forget; we are not. r-Campus Forum RtMlY GROSS NATIONAL PROPUCT CflBgjgMCTggMW Nuclear Build- Up The Ultimate Irony (On Nov. 11) I read Keith Brittain's "Out For World Conquest" and was somewhat vexed by the article's ex- cessive paranoia, which seems to characterize the majority of neo-Falwell Reaganites. While I agree that Kremlin leaders are pursuing an expansionist policy, McCarthy type fear and paranoia is no way to counter this "threat In short, we don't need "Uncle Ronnie" and "Brother Jerry" personae making American foreign policy. To me, wasting billions of dollars on nuclear armament seems ridiculous when we can already an- nihilate the vast majority of Soviet citizens. Is the United States any more secure if it can destroy the Soviet Union eight times instead of four? Once, 1 think, should suffice. I also consider the mass build-up of conventional forces to be a waste of money. While the U.S. needs sufficient military forces to defend its interests at home and provide limited naval and air support for European allies (and, in the short run, Japan) matching the Soviet build-up is not only impossible but un- necessary. First of all, the United States of America hasn't as many enemies as the Soviet Union. Take China, for instance, which now has a population exceeding one billion and the world's largest army. While its army may be technologically lacking by Western standards, China's vast size and population make it a for- midable opponent for any opposing force short of God. To the west of the Soviet Union, there is NATO, which consists of the most po- tent military and economic forces in the world. Even without the United States, Western Europe, with its dense popula- tion and technologically advanced military and society would be invincible in the face of a Soviet attack. Take, for example, Italy, France, Great Britain and West Germany, the four principle military and economic powers which have a combined popula- tion of more than 200 million. Only a halfwit would even consider launching an attack against such awesome powers. Yet if the Soviets were to launch an at- tack against NATO, not only would they go against France, Great Britain, West Germany and Italy, but also Spain, Greece, Turkey, Denmark, Canada and, of course, the United States. Thus, it becomes clear that the U.S with its Chinese and European allies, is not in such a position that it must counter the Soviet threat alone. Yet Reagan seems bent on pursuing a policy that cannot be termed anything except foolish. By overburdening America's economy with wasteful military spending and record budget deficits (Who was the 1980 presidential candidate who was going to balance the budget?) and alienating European allies, he is weakening America's position at home and abroad. Yet Reagan sup- porters always come to Reagan's rescue with the ever-popular catch phrase "Well, he's trying What I want to know is what in hell is he trying to do? Keith Brittain, how can anybody with even Neanderthal cerebral activity consider this man realistic? If you want to help America, vote for a liberal candidate in 1984. Walter Mon- dale? John Anderson? Edward Ken- nedy? All the men seem groovier than groovy to a master logician like myself. Who knows? Maybe we'll be lucky, and former President Jimmy Carter will run again! Patrick Uzzell Sophomore, French Although their intentions are good, even noble � I'm assuming they're not accomplices or unwitting dupes of the KGB � the liberal do-gooders that pro- fusely infest our campus media should remove their idealistically tinted sunglasses and look at the world in the bright light of reality. History teaches us that the strong have always exploited the weak (the U.S. at the end of WW II is one of the few ex- eptions that come to mind), and to think that the Soviets will dismantle their nuclear arsenal if we dismantle ours first contradicts 6,000 years of history and the basic human nature of greed in a finite environment. The Soviet subjuga- tion of a prostrate Eastern Europe after WW II is an example of how they capitalize on weakness. It is a fact, a lesson in reality that the idealists, somehow, don't see. A less obvious example of the flawed reasoning of the idealistic do-gooders is the world hunger causes they champion on our campus. To aid a nation whose people are starving because of an earth- quake, floods or some other disaster has disrupted its normally healthy, self- sustaining way of life is good. Lives are saved, and after the emergency has pass- ed, the people can return to their natural state of existence. But to continuously supply food to a nation that does not have the resources to feed its people is a disservice and only exacerbates the na- tion's plight. The population continues to grow, and the disparity between stomachs and natural resources in- creases, causing more hunger and re- quiring even more aid. This is not con- jecture or my own slanted opinion but a fact supported by reality. One need only look at the recent histories of India and China. Following WW II, both nations were in similar predicaments. They both had large illiterate populations without a developed agriculture to feed them and no modern industry to provide a decent standard of living. Starvation and poverty abounded. India, because it remained aligned with the West and adopted democratic principles, has received constant and massive amounts of food aid for the past 35 years. Yet, hunger and starvation are a greater problem today; the population is ever increasing; industry and agriculture continue to founder. Basical- ly, India has not solved its problems because it has not been compelled to, thanks to food aid from abroad. China, because of its communist revolution, has received no aid from the West and certainly no food from its in- itial patron and present antagonist the Soviet Union � they can't feed themselves. So, for the 35 years China has struggled alone to solve her over- whelming problems. In a do-or-die situation with no foreign aid, China has made great progress stablizing her population, feeding her people and rais- ing their standard of living. India, because of the millions of tons of Western grain, has not. I am not condemning or praising either communism or democracy; the political systems are incidental facts ir- revalent to my argument. I only point out the harm we do by continuously sup- porting nations that have popula- tionresource imbalances, nations that are inherently sick. A sore, if allowed to scab over, will heal itself in time. So, too, will sick nations if we let them. A natural balance and natural order will emerge if the idealistic do-gooders will take off their rose-tinted glasses and confront reality. Gordon Ipock Senior, English 'Bad' Books Burned To Protect Jerry's Kids A week ago, The East Carolinian ran a story concerning the trials and tribulations of Dr. Gene D. Lanier, a professor of library science and chairman of the In- tellectual Freedom Committee of the North Carolina Library Association, an organization vocally opposed to and fighting against literature censorship. Aside from restating the tiresome arguments of Moral Majority book ban- ners, the story brought the ageless con- troversy surrounding First amendment rights back to the forefront once again. For years � far too many years � groups like the Moral Majority, Religious Round Table and Christian Voice have at- tempted at various locations nationwide to practice their own forms of ex post-facto censorship. Community school and library facilities have become the most frequent targets for attempted bannings. But bannings account for only part of their destructive work. In the past six years alone, groups like the Moral Majority have also incited book and record burnings, which have accounted for the destruction of at least $5 million worth of media pro- ducts, a fact reminiscent � among other things � of Nazi Germany. Whereas in most highly-principled con- troversies, each side adheres to at least a few valid points, it would be difficult to find the slightest trace of validity in the arguments of would-be book banners. And as the story pointed out, these organizations, all of which inevitably claim "moral" (hence, religious) objections to various literary works, still make attempts to censor materials they deem anti- American or communist-inspired. In order to "protect" the young American public, these groups would ban the likes of Catcher in the Rye, Caich-22, The Crapes of Wrath, all of which are, in- deed, prime examples of immorality, aber- rations against both God and country. Why attempts have even been made � and formal complaints lodged � against such obscene, vulgar works as The Adventures of Huckleberry Finn, The Diary of Anne Frank and William Shakespeare's "porno" play, The Merchant of Venice. Mike Hughes Just The Hay It Is Needless to say, this is mere insanity. If the Moral Majority were allowed to prac- tice as they wish, they would have us reading Trixie Bilden novels for enter- tainment until we turn 30, watching reruns of Father Knows Best for sex-education in- struction and dancing to the upbeat tunes of the Ernest Angley Singers (provided, of course, we didn't dance too closely and were in bed by 10:30 p.m.). It somehow seems ironic, too, that a bunch of people calling themselves Chris- tian Americans should ignore many of the fundamental tenets of both Christianity and patriotism. Are we to understand from their claims that Russians and other com- munists are lesser people merely by virtue of their heritage or political structure? Is a communist-sympathetic or communist- inspired work evil from its inception? And for those organizations to claim patriotism as the other basis for their cen- sorship well, that is simply a conflict in terms no less. Why, practically everything these book burners stand for (in regards to the issue at hand) runs directly against American principles. Censorship has no place in a free society, lest the marketplace of ideas (one of our greatest tools) wither away. What groups like the Moral Majority and the Religious Round Table fail to realize is that by attempting to impose their literary and ethical values on others � which is exactly what they're trying to do � they are merely likening themselves that much more to those sworn aggressors they so vehemently attack. Without a doubt, these "moral" censors win the 1982 Frank Burns Award for patriotic ignorance. I've read a number of books on the Moral Majority hitlists, and I can honestly say that I have never been incited to perversion or other social deviation by those or any other hterary works. (Perhaps I've been perverse all along; that's beside the point.) But like any other American, I can exercise freedom of choice. That was set forth by our nation's forefathers in the U.S. Constitution � not only as a privilege of sorts, but as a protection against the likes of these would-be censors. I can choose to reject the books that are, to me, "patently offensive But if another person finds some sort of worth in the same work � be it literary or otherwise � then who am I to deny him or her the privilege, the right to read? By the same token, who are the Mora) Majority, the Religious Round Table and the Christian Voice that they feel they can dictate and legislate morality for us all? If reading such "obscene" literature as Catcher in the Rye, Catch-22 ox, God for- bid, a Playboy interview with Henry Fon- da makes me a lesser American or a lesser moral being in their eyes, I really couldn't care less. � � � On the other hand, though, the con- troversy does provide us � or well, me anyway � with some light entertainment. Being the victim of an uncontrollably- wandering, if not sick, mind, I can't help but wonder what will happen in the near future if the present rate of influence by the Moral Majority continues. I can see it now: The year is 1988; Chief Justice Falwell sits upright behind the bench, which has incidentally been moved to Lynchburg, Va. The Court's daily docket reveals a wide variety of cases, ranging from a pending obscenity ruling on the Readers Digest Condensed Bible to an 13-year-old accused of espionage for reading "subversive" comic books. But high atop the list is yet another obscenity case invloving the Dr. Seuss classic Are you My Mother? After minutes of debate and consolation behind closed doors. Justices Mel and Norma Gabler return to the full courtroom with the verdict. Writing the unanymous deci- sion, Justice Graham expounds: It would seem that the High Court's position on cases such as these, in which flagrant undermining of the family unit is so very obvious, would likewise be obvious. Why, the obscenty and profanity precedents set in Moral Majority v. Walt Disney Produc- tions (I U.S. 4: 3-5) alone compel this Court to uphold the lower court's obsceni- ty ruling District Judge Angley is a per- sonal friend of mine and a dam uh darn good judge And the effects spread to other facets of American life as well, such as football: No longer allowed to play tackle because of its homosexual implications, the players are forced to reform the league under the auspices of the Rev. Jesse Jackson, whose first executive actions include rescheduling games for Tuesday mornings, reshaping the pigskin (so it doesn't look "so dread- fully much like two female breasts joined in the middle") and terminating the con- tracts of those "Godless hordes" of NFL infiltrators from such anti-American na- tions as Puerto Rico, Nigeria and Canada. Millions of hot dog venders around the country are suddenly rendered jobless for "peddling flagrantly phallic foods Moral Majority police officers, armed with clerical collars, burlap sacks and "the grace of God patrol neighborhood beaches and swimming pools, insuring that the strict bathing dress codes arc enforced. Of course, Lite Beer commercials and Stroh Light nights arc striken from TV history books, and Rodney Dangerfield is executed. And worst of all, smart asses, er alecks, like me are put out of commission. Ah humanity. Editor's Note: Mike Hughes is a known communist sympathizer from Belch, N.C where he engages in such subversive ac- tivities as roping and binding the neighbors pets, eating the middle of Oreo cookies and throwing out the rest and rooting for Minsk in the Russian Olympics. N The V will preset under th Eric Knigi Wayne Hi Tuesdav. The Berezo Overture Christmas! Knight. Suite. Gal Brass Hansel Treat an kofie"s Tickets S8 tor a citizens available the concej Dubt Phiiadelnl Al Nfcvs theater tl a not-so- occured zvks inc the 5 ant to screen From Broad a even able a James mostlv bj being shj which thJ Cher �a nis had tuallv. a$ Black, assumrm wrong! with th nounccdl life of J( almost squalid Mona t son is t James the Deaj local cks thai scenario! Winesbi Wilson, of the questioi pretentij 11 beloi one to tl and Dn This who poj faroffs what Joanne merely Gh MMM � ' THE EAST CAROLINIAN Entertainment NOVEMBER 23. 1982 Page 5 i ithout a them and c a decent it;on and aligned mocratic kstant and lor the past jxation are "pulation Istry and .r. Basical- problems ipelled to, lad. rommunist trom the rom its in- kgonist the tn't feed ears China her over- do-or-die jChina has lining her e and rais- iv India, tons of r praising racy; the ! facts ir- mly point lously sup- popula- itions that laliowed to time. So, M them. A order will oders will llasses and don Ipock r. English S ngley is a per- im uh darn Mher facets of Is football: No because of its (�e players are je under the ickson, whose rescheduling gs, reshaping )k "so dread- Dreasts joined iting the con- ges" of NFL American na- and Canada. rs around the ed jobless for (foods fficers, armed icks and "the leighborhood insuring that i are enforced, imercials and cen from "TV angerfield is ses, er alecks, imission. Ah is a known Belch, N.C, tbversive ac- binding the iddle of Oreo the rest and sian Olympics. ABTII Has Abundance Of Young Talent Ballet Theatre II productions Le Corsaire (left) and Conversations. The company impressed, an ECU audience on Thursday. N.C. Symphony Performing Tops Whiz' Knight mil Conduct In Goldsboro From Staff Reports The North Carolina Symphony will present a holiday pops concert under the direction of conductor Eric Knight in Goldsboro's Eastern Wayne High School Auditorium on Tuesday, Nov. 30 at 8 p.m. The program will include Berezowsky's Christmas Festival Overture (Ukrainian Noel), A Christmas Package arranged by Eric Knight, Tchaikovsky's Nutcracker Suite, Gabrieli's Canzona for Triple Brass Choirs, Humperdinck's Hansel and Gretel, A Hanukkah Treat arranged by Knight, and Pro- kofiev's Lt. Kije Suite. Tickets for this performance are $8 for adults and $5 for senior citizens and students and will be available at the door on the night of the concert. Dubbed "Pops Whiz" by the Philadelphia Bulletin following a concert with the Philadelphia Or- chestra, Eric Knight, principal pops conductor of the Baltimore and N.C. Symphony orchestras, is one of today's most sought-after pops conductors. During his career he has presided over the symphonies of Atlanta, Buffalo, Dallas, Denver, Detroit, Indianapolis, Kansas City, Los Angeles, Milwaukee, Min- nesota, Pittsburgh, Rochester, San Antonio, San Diego, Seattle, Syracuse, etc. Knight Wrote For Fiedler & Boston Pops For ten years Knight worked closely with Arthur Fiedler, supply- ing the late maestro with many premiere arrangements for the Boston Pops and for his guest con- ducting throughout the world. After Fiedler's death, Knight programm- ed and conducted "A Fiedler Tribute" which has become a hallmark pops presentation throughout the U.S. and Canada. Aside from Knight's countless ar- rangements and orchestrations recorded by the Boston Pops, he is continually called upon to create special arrangements for leading stars. Up in Central Park, an Angel Records album featuring Beverly Sills and Sherrill Milnes, is the result of such a collaboration. So impress- ed was Ms. Sills with Knight's way with the orchestra, she has invited him to conduct the pops segment of her New York City Opera galas held annually at the State Theatre of Lin- coln Center. In 1981, Knight twice contributed to the musical life of the White House. He conducted the orchestra at President Reagan's pre- inauguration festivities, and arrang- ed a medly of Christmas carols presented in the Oval Office by Ms. Sills and members of the new York City Opera and the U.S. Marine Corps Band. For the opening of Baltimore's new symphony hall in September, 1983, Knight has been asked to com- pose an original work to be per- formed by the Baltimore Symphony and Maestro Sergiu Comissiona, who has already conducted several original symphonic premieres by Knight. Eric Knight maintains a home in the sleepy fishing village of Mon- tauk at the tip of Ling Island, but still continues to reside in Manhat- ten with his wife and two teen-age daughters. By DARJRYL BROWN Asstelaai Nw� Miior When I was a student at the N.C. School of the Arts, there was one young dancer named Dane Smith whom all the girls envied. She was almost unanimously considered the best dancer in school at the time, both for her prodigious technique and her endearing stage presence. Well, last Thursday night I saw her again, this time as a professional performer, and she was better than ever. She is now winning the hearts of audiences and the envy of dancers as a member of American Ballet Theatre II, the junior training company of the world-renown American Ballet Theatre. ABT II performed in McGinnis Theatre to a nearly sold out house. The troupe of seventeen young dancers gave a strong performance of a heavily classic repertory, with only occasional weak spots due to the dancers' youth and inex- perience. In the only contemporary piece of the evening, Dane Smith and Christophe Caballero put on the strongest performance of the night in Diary, choreographed by Lynne Taylor-Corbett. Dancing to a piano and the voice of Judith Lander, the two young peformers stole the show in an powerful and emotion-packed dramatic love duet. Caballero prov- ed himself to be a dancer of cap- tivating strength and stage presence, as well as solid dance technique. Smith was equally as competent. The choreography of the duet, which proved to be the audience favorite for the evening, won a Silver Medal at the International Ballet Competition. The evening's most humorous piece was Pas Des Deesses, choreographed by Robert Joffery. A period piece about four well- known 19th century ballerinas, the archiac style and dated romantic theme touched more funny bones than heart strings. John Turjoman as the idyllic cavilier partner of the three ballerinas came off more as a knight in plastic armour. Theresa De Rose, Mary Wilson and Dane Review Smith played their roles ap- propriately tongue-and-cheek to fit the dance's saccharine-sweet and stilted storyline. Only chuckles could be expected for this ballet whose time is past, because the vir- tuosity of the young dancers in the awkward and comic choreography couldn't save the piece. Never- theless, it proved to be enjoyable. The program's opening ballet. Tribute, by Frederic Franklin, was a model of the young ensemble's well-rehearsed unison. While the choreography of this neo-classical, lyric ballet in the style of Balanchine was unexceptional for the most part, the company's thorough train- ing shown through. The dance calls for perfect unison and intricate tim- ing between the six dancers onstage, often when they cannot sec one another. They pulled it off flawless- ly. ABT II has had Tribute in its repertory only a few months, but they evidently knew the piece well. The Grand Pas from Raymonda, a traditional Russian ballet, was the finale of the evening. Dane Smith demonstrated again her excellent technique in the female lead of the grand pas de deux. She was in total command during the time she was on stage, and the audience broke in- to an applause of admiration for her more than once. John Turjoman had a better opprotunity to show his talents as Smith's partner and as the male lead. His extension and flex- ibility along some spectacular jumps were highlights of the piece and drew spontaneous reactions of praise from the audience. The ensemble of ten dancers again work- ed in fliud and near-perfect sym- metry; and danceri with spirit the Hungarian folk dances in the ballet. Those coming to the concert and expecting to see a performance equal in quality to the parent com- pany would be dissapointed. These See BALLET. Page 6 vmMMmmmemmmm0mmmmmmmmmmmmmmm�imMtmm9m��mmmmmmtm99mmmti���9i Hanging In There Airman's Latest Also Mediocre By ANDREW SARRIS Villa Voice NEW YORK � The cinema is so far superior to the theater these days that even a bad play can be made into a not-so-bad movie. At least that is what I assume has occured in Robert Altman's transference of Ed Grac- zyk's incredibly contrived dramatic dirge Come Back to the 5 and Dime Jimmy Dean, Jimmy Dean, from stage to screen. From what I have heard of the critically lambasted Broadway production, it seems that Altman was not even able to establish the flashback machinery by which a James Dean fan club celebrates its 20th anniversary, mostly by recollecting the hectic days when Giant was being shot on location near the Texas wasteland in which the fan club was formed. I had heard also that Cher was the revelation of the play, though Sandy Den- nis had the biggest part, and Karen Black, well Ac- tually, as I recall, people were very vague about Karen Black. They were vague about the plot, too, and so I assummed that there wasn't much plot. Wow! Was I wrong! Come Back to the 5 and Dime has turned up with the craziest plot since a Danish filmmaker an- nounced some years ago his intention of filming the sex life of Jesus Christ. Yet though Graczyk's plot is lurid almost beyond belief, I could anticipate most if its squalid revelations from a long way off. Hence, when Mona (Sandy Denis) announced that her 20-year-old son is the fruit of her one-night-stand with the late James Dean, it is fairly obvious that she has fantasized the Dean star-fuck out of an actual union with Joe, a local Dean lookalike (Mark Patton), with gay tenden- cies that lead to his being driven from the town in a scenario of persecuted eccentricity that flows from Winesburg, Ohio, through William Inge to Lanford Wilson. Why Joe happens to be the only male member of the James Dean fan club is the kind of mundane question we are not encouraged to ask of this floridly pretentious conceit. Of the 12 acting credits in the film, 11 belong to women, nine assigned to the fan club, and one to the older woman who is the proprietress of the 5 and Dime. . . This brings up the mysterious Joanne (Karen Black), who pops up at the 5 and Dime in a Porsche (parked as far offscreen as it is offstage). After a few moments of what looks like a mysteriously overbearing star turn, Joanne begins dropping enough hints that she is not merely a glamorous stranger, but someone more central Cinema to the plot, that what begins as a wild suspicion degenerates into a turgid reality. Joanne is of course Joe after a sex-change operation, and, hence she is the real "father" of Jamie Dean. This leaves us with Sissy (Cher) and her revelation of a traumatic mastectomy that almost gets lost in the shuffle of sensationalism. Among the subordinate members of the fan club are Stella Mae (Kathy Bates), rich, raunchy, and childless; and Edna Louise (Marta Heflin), plain, gauche, but ac- cording to the wistfully envious Joanne, glowingly preg- nant. The various thematic configurations of the script con- stitute a clumsy parody of just about every "serious" American play of the past 40 years. Blance Dubois hav- ing a Picnic at Bus Stop while waiting for A Streetcar Named Dean Sire. At his best, Altman has tended to transcend the ideological pretentiousness of his projects with the behavioral resourcefulness of his characters. He is handicapped in this instance by his fidelity to a text that is too painfully and laboriously explicit to allow any of the characters any existential breathing space. Still, he has profited from his greater proficiency on screen with the visual mechanisms of mirrored nostalgia. Also, Sandy Dennis, Cher, and Karen Black become texts in themselves in a film, whereas they are merely star presences struggling with impossible parts in a play. Dennis, Cher, and Black are an interesting study in con- trasts, though Dennis is saddled with the most irritating role imaginable. Cher reveals once more, at least to me, that she could have been a major movie talent with a lit- tle bit of luck. As for Karen Black, her extremely asser- tive femininity makes her almost ideal casting as the transsexual, and wildly funny in the bargain. It may seem like a long way, and all down, from Nashville to the 5 and Dune, but this is hardly the first time in Altman's career that his vaudeville has been infinitely superior to his vision. Keaton Is Distraught Wife In Upcoming Divorce Drama Diane Keaton stars as Faith Donlap, a newly separated wife in Shoot the Moon, a tragic flaw ehosrt the impact that a divorce has on an oppir nsiddlf rsast faaaity. Asm Parker Pink Floy The Wmu ft Midnight Express) directed; Assort Flnney as llefeo Asteee-otar.ThesowM��showaasa Union Free Flick foftowiag the Thanhsgiisag hildeys oa Dec. 2, 3 sd 4. The cost cssssfc Maude will he shown foBowktg Shoot the Moon on Friday e�4 Ss4s�4sy sag a sssdsdgstt. On day, Doc. 1, at I p.m the Stndent Union FUsss Cnsasnitsse has Loans Mssss's crsskss eulsimii My Dinner With Andre. t0040000�0�00�0000000000000000000000e0000e�0000e0e0eeot0O9e -np�p���!�, iriniMrin tmmm fn�i r.�-����wwpw MM '�' '� H if THE EAST CAROLINIAN NOVEMBER 23. 1982 Classifieds PERSONAL NIXS� Recaii a purple night in London? Gee, 2 more months makes junior glad it's wed. Love. AGNES. puodin Have a nice holiday. Tell Ma and Pa hello. Love ya! PUNKIN TOMMY: Good luck with the Big meeting. KITTY AOPi's: ONLY 11 days to go until the big night. Fun time at the beach. AOPhi hopes each has a lovely Thanksgiving. Have a safe trip home. HEY BILLY BOB: How's 'bout squealin' like a pig fer mt. EUNICE ROOMMATE WANTED 2 FEMALE ROOMMATES wanted by M-�3 S�l per month, pets okay. Call 755114. FEMALE ROOMMATE WANTED I or 2 females to share apartment close to campus M3.33 mo plus 13 utilities. Call 7M-6SOT. ROOMMATE NEEDED - preferably female, l block from campus, call 758 4987 SERVICES PROFESSIONAL Typist wants to type at home. Reasonable rates; 75140. PROFESSIONAL Typing service- experience, quality work, IBM typewriter. Call Lanie Shive. 7S4) S30I or Gail Joiner 75101 TYPING TERM papers, resumes, thesis, etc. Call 7� 733 TYPING: TERM PAPERS. THESIS, etc. Call 7S7-1M2 before tOO p.m. BUSINESS TUROR Ex-Grad student and business instructor will tutor most business classes. Get help before FINAL EXAMS. Call 'SI �3S4 or 75 5377 after 5 WANTED PART-TIME DRIVER-maint. truck 21 hr. week SShr. only depen- dable mature; l Ref. req. 757 3M1 S only. MISC. SKI VERMONT: FIVE-DAY ski vacation to Smuggler Notch, VT. Jan. 2 7. Package deal for sis 50 inc jdes S-day ski pass, slopeside condos and college bash partie. For further info contact BETH or LISA at 75 573 or 757-3829 DO YOU know your foorball? Beat Hie Phantom Forecaster for g00.00. WHO IS THE PHANTOM Forecaster? You'll find out who it is when you get a check for $100.00 with his name on it. FOR SALE- 2 FISHER SPEAKERS model 530s would like to trade for cassette deck. Call 7S-t�77 or The East Carolinian 7573 and leave message for Geep Johnson. FOR SALE: 171 HONDA 250 XL DIRT OR STREET BIKE. Call 7S0-W0 Mon- Thur. NICE GRAY AND WHITE RAB- BIT FUR JACKET FOR SALE 550 CALL 7S0-3OM. WATERBEDS and bedding- one- half off! DON'T pay retail! We have complete waterbeds as low as SH9.95. Also bedding sets as low as $79.95 come by Factory Mat- tress and Waterbed Outlet 730 Greenville Blvd. next to Sweet Caroline's. 355 22. NIKON 35 MM SLR CAMERA, perfect cond. SI50. Call 7S0-0O17 days; 757-1163 nights. DKGREEN upholstered chair, excellent cond. price neg. 3SS-M52 after . TREE TRIMMING PARTY All East Carolina University students, faculty, staff and their dependents are cordially invited to the Department of University Unions Christmas Tree Trimming Party, a big, beautiful tree Ms been purchased and will be located on the main floor of Mendenhall Student Center. Please join in on the fun and spirit of Christmas this coming Monday. November If. between the hours of 1:00 and 500 p.m. Lots of refreshments will be on hand I MODERN BEAUTY SALON Nov. 23rd thru Dec.7th Haircut Special $20 off Beyond Moose Lodge on right 756-7414 Sarah Patty professional Stylist Pizza JLtui Greenville's Best Pizzas Are Now Being Delivered! Most delivery pizzas lack in true quality and have 'hidden' delivery costs in the price PIZZA INN has changed all that! We sell our delivery pizzas at Menu Prices! No Surcharge. We also give FREE Drinks with our large and giant pizzas. TRY US TODAY! CALL 758-6266 Greenville Blvd. Ballet Theatre Continued From Page 5 are young dancers in a company designed to give experience to per- formers not yet ready for larger companies and to bring dance to areas were the American Ballet Theatre would never visit. No, Thursday night's performance was not the quality of a major professional company. But it was quite en- joyable and as good as most regional com- panies in the country. AXAAAn APPY HOUR at 200 WES" 9:00-1:00 Happy Hour prices 10:00-12:00 50t cans 25t suds Tues. Nov. 23,1982 ���������������������������.������-k��� WANTED: Responsible person to share new 3 bedroom house in Greenville. Call 756-2376, ask for John.After 5 p.m call 756-8652. SELLING: � Large Colonial tweedcouch; inex- eel lent condition: $55 � Large wire spools;excellentfor tables: $8 � Formica top desk: $8 � Wide 6-drawer dresser:$15 � Large brown bookshelf:$5 - Call 758-6402 FAMOUS PIZZA Dine in or Fast Free Delivery HOTONENSLBS. I i�fu Sr��r� Himburf�f� HAPPY HOC! 2-Ooie �I 2J PhA� W Mu� DAILY SPECIALS $-25 Small Pepperoni Pizza $2 NOT FOR DELIVERY 758-5982 IMPORTED 105 TRADE ST. BESIDE TODD'S STEREO GREENVILLE. N.C. � PHONE (919) 756 7114 WERE YOUR LOCAL DISTRIBUTOR FOR � BAP (.ION WE CARRY 100 s OF ACCESSORY ITEMS Amco t Robbins Con��rtibl� Tops. KoKo Mats. Waber Carburetors Kamcl Spoilers Rear Window Louvres. Sport Wheel Rims Cibie Lights. Bosch Lights Sway Bars Car Covers. Sheepskin Seatcovers Leather Steering Wheels NOW OFFERING Mark IV complete Air Conditioning Kits and REBUILT BRITISH LEVER SHOCKS AT HALF THE COST OF NEW' CUSTOMERS WE HAVE DROP SHIP DELIVERY $1.00 OFF Any Purchase over $10.00 wthis ad $2.00 OFF Any Purchase over $20.00 wthis ad OPEN: Mon.Sat. 8 a.m.6 p.m. Drastic Reductions on ALL" ANSA a MONZA Exhaust Systems ALSO AMCO CONVERTIBLE TOPS FOR ANY IMPORT WEBER DUAL CarburatC" Conversion Kits ON SALE LIST $400 oo $579' !240 I 260?) ALSO WEBER SINGLE A DUAL DOWN DRAFT KITS TREMENDOUS SAVINGS MEW CHRISTMAS SPECIAL PRICES FKDK NOW TUX CMWSTMAS Aitcm 45 lit 11.DO � � 70i 11-00 TIL ADMISSION UQ f TOO-930 $KT UL SIS MAPPV HOUR COME EAELYH! ����ae������� ATTENTION BSN CLASS OF �83 The Air Force has a special �- program for BSNs. If selected, yon can enter active duty soon after gradu- ation � without waiting for the results of your State Boards. To quali- fy you must havs an overall 3.0 CPA. After commissioning, you'll attend a five- month internship at a major Air Force facility. It's an excellent way to prepare for the wide range of experiences you'll have as an Air Force nurse officer. For more information, contact: AIM HIGH Pilot Training Opportunities FLY NAVY The Navy presently has several openings for the most exciting and challenging job in the world - NAVY PILOT. If you ' qualify, we will guarantee you a seat in the most prestigious flight school anywhere. At the completion of training you will fly the Navy'b high-performance aircraft. Qualifications Are: Bachelors degree Less than 28 12 years old 2020 uncorrected vision Excellent health U.S. Citizen If you think you can qualify and would like to earn a starting salary of $18,000 with $28,000 in four years, send a letter of qualifications to: NAVY PILOT PROGRAMS 1001 Navaho Or. Raleigh, NC 27609 or call Student Golf Special Indian Trails Country Club Fairway Dr Griffon, N.C. Cart (2 riders) & Green Fees for 18 holes only 56.00 Monday-Friday 8 a.m5 p.m. 524-5485 ;Tar Landing Seafood Restaurant 105 Airport Road Greenville. N.C. ALL YOU CAN EAT Tues Wed & Thurs. Shrimp Oysters Flounder Trout Only Served with Franch Fries or Baked Potato. Cole Sia ano Hushpupp�es Regular Sunday thru Thursday Hours. Friday and Saturday 105 Airport Road Greenville. N.C. 758-0327 Bob Herring. Manager wishes to invite everyone out to enjoy a line kSeafood Dinner He'll be in the Greenville Restaurant from now on. So come by and say Hello sisssssssssassassssssssssssssg Banquet Facilities Available 7580327 Bob Herring. Manager Or Combination of Any 2 11 00 A M � 900P M 11:00 AM to 10 OOP M iHMiiHHiimMiiimHHimiHimmiiiiiMiiiHiiiimimiiHimHiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii IS YOUR CAR READY FOR THAT BIG TRIP HOME? WE CAN GET YOU THERE! 1-800-662-7231 11 ! I & beI beef buy iftgrccftvilkl 22 ounce draft 85$, refill 50$; keep the cup. Wednesday night is college night at the Sandwich Game. After your first beer at regular price, each 22 ounce Sandwich Game Cup of draft is only 50c. Get your friends and come to the Sandwich Game�the best beer buy. cheapest games, and finest sandwiches in town. 264 Bypass Behind Ramada Inn South Park Shopning CenterGreenville I Coggins Car Care S ! 756-5244 IIIIHIIHIHIIIIHHnntlllllllllHHIIIIHWHWHItWtlllWIMIIIIIIIwlWllllllllllllltllinilWWiaW �' t r Km � . � . , . - - -��MMtmmm wi �i im 11 tx�IM ��. � Bu BCIM "II wi !tatahThose head football the Pirates she sity Saturl Philadelphia" With only the Bucs dispij that the Owi against this Pirates to theil on the road a "I'm just t said Emory to a bowl gai should be the win on the ro There wen players in thej so than Pfc Starting in sophomore gram sru just what be gained 105 - six of 12 at:en scram'oiec I top off mance. 'I was fee gram said. and friends h me for today that out of tl hurt me an Led by In$ up 33" yards! in total offei Tony Baker career with to beat h J Offer I Beckish. w first season the offer � ding perfon super job ti has realh ci Beckish Pirates woi against the Temple had tion attack E ByCr Dressed I Philadelphia Valentine wi Saturday afff The ton along with mg througl Veterans St the Cmcinal But for Vai of the NF1 was better "It feeisli Valentine great day morale is concent rat .i The Ea$ before the against the 1-1 record he doesn't up where :t like like w( he said. ' though we'I to win L' didn't wm. tempt ml Phiiadelprnl the Bengf touchdown game to behind. 18- Valentin? siona! care like he ha After playj Steelers fol was traded But a fui Valentine head coaci "Frank di to me V believe it. around Accordii suppose toj but Kush Valentine Kush agaii practice ffc the head was going Leaving Valentine of confusi saw the "When 1 remote cot it to ESP! was on ti 1VBV. know hoi When EM up, Kush oye. Vakntu toughness JCCtKMt, I I s 982 lose rhis ad M llltlllll!illiltll!ll& THE EAST CAROLINIAN Sports NOVEMBER 23, 1982 Page? Bucs End Season Tying Best Record In State By CINDY PLEASANTS Spons Editor "It was a storybook finishThose were the words of head football coach Ed Emory after the Pirates shocked Temple Univer- sity Saturday, 23-10, in Philadelphia's Veterans Stadium. With only 6,135 people on hand, the Bucs displayed an option attack that the Owls have not been up against this year. The win led the Pirates to their third straight victory on the road and a 7-4 record. "I'm just thrilled to finish 7-4 said Emory. "If any 7-4 team goes to a bowl game, then East Carolina should be the one picked. We had to win on the road There were quite a few valuable players in the game, but none more so than Philly's own Kevin Ingram. Starting in his third straight game, sophomore quarterback Kevin In- gram showed the hometown folks just what he was capable of. Ingram gained 105 yards rushing, completed six of 12 attempts for 101 yards and scrambled for two touchdowns to top off his homecoming perfor- mance. 'I was feelin' good today In- gram said. "Having all the family and friends here could have affected me for today, but I tried to block all that out of the mind. I don't think it hurt me any Led by Ingram, the Pirates rolled up 337 yards rushing and 455 yards in total offense. Freshman tailback Tony Baker had the finest day of his career with 20 carries for 165 yards to beat his previous record of 154. Offensive coordinator Larry Beckish, who just completed his first season with the Pirates, praised the offensive team for an outstan- ding performanceThey just did a super job today he said. "Kevin has really come on Beckish said he thought the Pirates would score more points against the Owls, especially since Temple had not confronted an op- tion attack all seasonIf you don't see it during the season, you're go- ing to have trouble defending against it he said. " We expected Temple to have some difficulty with our option going into the game Beckish's foresight proved to be right. The Pirates began the first of many marches to the goal-line when they elected to receive after winning the coin toss. The Bucs moved from' their own 20-yard line to the 13-yard mark, where Heath booted a 30-yard field goal to put the Bucs on the board for a 3-0 lead. "That's the third (coin) toss in a row that we've won and gone down and scored Emory said. "I think that is a heck of a tribute to our of- fensive staff. We were ready to play Temple, being led by junior quarter- back Tim Riordan, found wide receiver Reggie Brown for two first downs and runningback Harold Harmon scrambled to put the Owls on ECU's 10-yard line. Two plays and eight yards later, Temple sat on the one-yard line in a fourth and goal situation, but the ECU'S Amos Twitty came up with the big tackle to stop Harmon from going up the middle. With 6:00 remaining in the first quarter, ECU began its rally from the one-yard line. Ingram, taking advantage of the astro turf, used his speed to move the Pirates to their own 42-yard line. Byner and Baker then moved the ball to the Temple 13. Ingram then kept and ran left in- to the endzone to give ECU a 10-0 lead. "When we stopped them on the one-yard line and drove it 99-yards to score, that was a big thing for us Emory said. The Pirates ran 11 plays on the scoring drive to mark their longest of the season. Midway through the second quarter, Heath popped a 21-yard field goal to boost the Bucs' lead to 13-0 and set an ECU record. Heath connected 16 field goal kicks this season � breaking the previous record of 14 kicks, which was set by Pete Conaty in 1976. Described by Emory as being "phenomenal Heath has kicked three field goals in one game three times this season and booted four at Texas Arlington, including a record- setting 58-yard kick. "Yeah, it was in the back of my mind about the school record Heath said, "but I just try not to think about such things, as I would probably mess up. The astroturf has been good to me Heath has been good to the Pirates. The Virginia Beach native finished with a perfect extra-point record, making 27 of 27 attempts. With the second half just under- way, Heath came out and kicked a 32-yard field goal to up the Pirates ��� to SCOTT UMISOM Quarterback Kevin Ingram scrambles in the Pirate backfield on his 'home turf against Temple. lead to 16-0 � the only points scored in the third quarter. Ingram, who is notorious for his late pitches, was hit on the play preceding Heath's kick and came limping off the field. But the ball was in good hands. Junior quarterback Greg Stewart, who started in seven games this year, needed just nine yards to move into fifth place as one of ECU's leading career passers. Stewart came in and threw two passes for 17 yards to clinch the spot and bring his total up to 1,466 yards. At the beginning of the first quarter, a bad snap cost the Pirates a Heath field goal and a 29-yard loss. Temple took advantage of ECU's mistake and Riordan pushed the Owls to ECU's33-yard line, where Bob Clauser kicked a 50-yard field goal to put the Owls on the scoreboard for the first time. With Ingram back in calling the signals, the Pirates once again began another scoring drive. Baker, a High Point native, carried the ball from Temple's 20 to the one-yard line in five consecutive carries. In- gram then kept, and ran up the mid- dle to score. The Pirates now led 23-3, but the Owls were about to score their first touchdown of the game. Riordan, who completed 22 of 33 passes for 248 yards, completed five of seven passes to put the Owls in the endzone for a touchdown. The Pirates now led 23-10 with 12:17 re- maining. Temple fought off the Pirates in their final scoring attempt as the clock ran out. The Pirates, led by defensive end Jody Schulz, held the Owls to just 43 yards rushing � holding Temple to only 10 in the second half. East Carolina has held six of this year's opponents to 90-yards or less rushing. Sophomore P. J. Jordan led the Bucs with nine tackles, while Hal Stephens had six and seniors Twitty, Sykes and Schulz each had five. Schulz, Steve Hamilton and Lawrence Brooks also had one quarterback sack to their credit. Schulz finished the season with 105 tackles and 10 quarterback sacks for an 84-yard loss. The Owls' head coach Wayne Hardin, who has compiled a record of 80-52-3 during his 13 years at Temple announced last week that he would resign from coaching after this season. According to the coach, the last game of his coaching career was a hopeless case. "The game was totally anti-ctimatic Hardin said. "It was a no win situation for the kids, the coaches and everybody. The loss was no big deal and it was just another straw in the pile of my career. As of today, I am officials retired. Tomorrow I start my golf- ing career at nine o'clock Emory, on the other hand, is moving in the opposite direction. After getting a two-year contract ex- tension and finishing with a 7-4 season, the head coach has nothing but optimism about ECU's football future. "We're getting better We're moving the football and our defense is getting better. "It takes a heckuva football team to be 7-4 � � � E.Carata11��� 26First Do�roIf 64 366Rushes-Yards2J-� litPassing YardsMi 15-8-0PassingJJ-22-0 i-41 0Punung4-3 ' 3FumNes Loss1-0 4-30Penalties2 I EaMCaraiaa11)3 1-li Tempi� t� W-M Scoring ECL -Heath V K ECL -Ingram13 run (Heath kKl) ECL -Heath 11 FG ecv -Heath 2 FG TEM -Clauser50 FG EtL -Ingram1 run mm kick) TEM -Carter.10 pass from Riordan (Clauser IkKkl Rushing ECI - Bsner 14-51. Ingram 21 105. MM 20-165. Branch 3-11. Wak�en4-I5. Corses 4-15. Cob 1-4. TEM � Harmon 14 5). Riordan 4-0. Moore I 3. Slade 3-14 Mvers 1-1 Passing ECL � Ingram 12-6-101. Ste�an 3-2-1 TEM - Riordan 33 22 24 Receiving ECC - Vann 3-4. S Viarm 1 21. O'Roark 2 16. Netson 2 33 TEM - House 2 22. Brcmn 55 McCds 4-53. 5ade 1-6. Harmon 4-J6. Moore 1-2. Carter 4 5 Mvers 1-1 Attendance 6.135. Former Pirate Making Philly New NFL Home By CINDY PLEASANTS Sports Editor i Dressed in a green sweat suit, Philadelphia Eagles linebacker Zack Valentine was back on his home turf Saturday after a 57-day break. The former ECU defensive end, along with his teammates, was runn- ing through a light work-out at Veterans Stadium before meeting the Cincinatti Bengals on Sunday. But for Valentine, as well as the rest of the NFL players, any practice was better than none at all. "It feels good to be back Valentine said. "We've had four great days of practice, and the morale is good here. Everyone is concentrating on winning The Eagles played two games before the players went on strike against the owners, giving them a 1-1 record. Valentine, however, said he doesn't expect the team to take up where it left off. "We won't play like like we did before the strike he said, "but basically we feel as though we'll do what we have to do to win Unfortunately, the Eagles didn't win. Despite a valiant at- tempt in the second half, Philadelphia came up short against the Bengals after scoring a touchdown in the last seconds of the game to put them four points behind, 18-14. Valentine, who began his profes- sional career five years ago, feels like he has finally found a home. After playing for the Pittsburgh Steelers for four years, Valentine was traded to the Baltimore Colts. But a funny thing happened when Valentine arrived at Baltimore's head coach Frank Kush's office. "Frank didn't have anything to say to me Valentine said. "I couldn't believe it. I waited and waited around According to Valentine, he was suppose to meet with Kush at 1:30, but Kush never met him. Later, Valentine said he tried to meet with Kush again after he came off the practice field, but was informed by the head coach's secretary that he was going jogging. Leaving Baltimore after 6 p.m Valentine returned home in a state of confusion. But Valentine soon saw the light the next morning. "When I woke up, I grabbed the remote control for my T.V turned it to ESPN, and who do you think was on the T.V? "Me. They were saying 'Do you know how tough Frank Kush is? When Zack Valentine didn't show up, Kush said you're late � good- bye Valentine doesn't think Kush's toughness was the reason for his re- jection, though. "Baltimore wanted to pick me up later, when I would be cheaper he said, "but I came to Philadelphia Being a first-draft choice, Valentine believes the Colts wanted to wait until he was less af- fordable. But Valentine wasn't about to wait around, and Philadelphia's head coach Dick Vermeil was eager to sign him on. The Eagles con- tacted Pittsburgh and said they were, willing to open a slot for Valentine1 if he wanted to play. According to Valentine, the Eagles had six linebackers but wanted seven. "Coach Vermeil told me he was glad it didn't work out with Baltimore, and that he felt like he was getting a steal Valentine said. So Valentine packed his bags and headed for the "City Of Brotherly Love, a move he hasn't regretted. "It was a stepping stone Valen- tine said. "Sometimes things like that happen by nature. I feel blessed with the ability I have and I must admit I was stunned by what Baltimore had done, but that's the way football is. "What happened happened for the best. The situation is a lot better for me in Philadelphia. I'm op- timistic about my playing time here. I'll be playing with a great team and great coaches Valentine was coached by Pat Dye during his sucessful years at ECU. Valentine racked up 165 tackles, 84 assists and six quarter- back sacks during just three years. Dye described Valentine as a "coach's dream to coach "Zack is also just an ail- American boy, the kind little girls and old women like he added He has a great attitude for the game and has desire and plays with great in- tensity Denkler Kicks In With 33 Right now, the burning question is whether or not Valentine will get any playing time with the Eagles this year. The 1,500 players will vote to- day on the owners' tentative agree- ment and if they refuse the offer, the strike will then resume. Valentine is one of the many athletes who are dissatisfied with the present offer. "Personally, I didn't think we got what we wanted he said. "There are many things we could improve on Valentine said he doesn't believe the players should control any of the owners' revenue, which has been one stipulation throughout the negotiation talks. But the question still remains. Will the players strike again? "There is that possibility he said. "I know that there are a lot who are unhappy about it, but we'll just have to wait and see If the professional athletes do strike, angry fans will once again have to accept another devastating blow. "The fans are bitter right now Valentine said, "and in a way they should be. But I'm bitter at times too. We've been at this game since junior high, then high school and college. Any injury we suffer can put us out for life Meanwhile. Valentine will con- tinue to learn the Eagles' playing terminology and look toward the future. "We've all just got to accept what has happened and go on with it he said. ECU Strength Complex Valuable Football Asset Ladies Roll In Opener fey OAVB WILLIAMS Senior Forward Mary Denkler By CINDY PLEASANTS Sports Editor The Lady Pirates Basketball team opened the season Monday night with a big bang, rolling over Fayet- teville State 91-51. Senior forward Mary Denkler scored 33 points against the Broncos for a new career high and grabbed 14 rebounds to lead the Pirates to their first victory of the season. "They were passing the ball in well Denkler said. "I feel like we've come a long ways since the scrimmage. It was just a great team win for us The Pirates got off to a slow start but veterans Loraine Foster, Darlene Chaney and Denkler gradually set the pace in the first half. The Bucs began pulling away with 11:52 remaining in the first period. The Pirates were up 13-8, and a three-second call on the Bron- cos gave the Bucs the ball. Denkler laid a rebound back up, Chaney was fouled and 5-4 freshman guard Delphine Mabrey made a fast break lay-up to boost the Pirates to a 21-10 lead. After scoring six points for the Bucs, Chaney went down with a hurt knee with 6:29 remaining, and freshman forward Lisa Squirewell made her debut as a Lady Pirate. The Wake Forest native grabbed two rebounds, made four points and drew a charging foul in just a few minutes of play. Playing a tough man-to-man defense, the Lady Pirates held the Broncos back, and went ahead to gain a 37-13 lead at the half. In the second half, the Pirates came out to keep a 20-point lead, with Mabrey leading the way. The petite Rocky Mount native finished with four assists and five rebounds. The Broncos were scrappy, but the Lady Pirates performed up to their usual fast-break expertise to maneuver past Fayetteville, 64-31, with 8:35 remaining, and continued to build their lead throughout the rest of the period. Foster scored 18 points in the se- cond half, while the freshman players on the team contributed at least four points each. The Pirates had a 51-percent shooting average in both halves, and made 25 of 27 freethrows for a percentage of 92.6. "I've never seen a team so en- thusiastic Andruzzi said, "and I'm real pleased with the way the veterans mixed with the freshmen Andruzzi was disappointed in the number of turnovers � 22 in all, but believed most of the players turned the ball over because they were just over-anxious. Andruzzi praised many of the players for their performances, in- cluding Foster. "We told Foster to hold up and look for the big shot and she did that Andruzzi said. "I also thought Delphine did a good job in there. She has a lot of poten- tial The Lady Pirates leave town Wednesday en route to contests with Fair field on Nov. 26 and Fairieigh Dickinson on Nov. 26. The "Rats then return to Ralegih to face N.C. State on Dec. 2 at 7:30 p.m. By CINDY PLEASANTS Sg�rts Editor When head football coach Ed Emory arrived at ECU three years ago, he quickly realized that the team's present weight-lifting pro- gram left much to be desired. "We probably had enough work- out equipment for four people Emory said, shaking his head. So the new coach set out to make a few improvements, with a a new weight facility listed at the top of the agenda. Former ECU all-American Lou Hallow, who owns a storage building on 14th street, donated a large section of of the building to be used as East Carolina's new strength complex center. Through the alum- ni, Emory was also able to fill the facility with first-rate equipment. Emory, however, was still lacking the most essential part of a weight- lifting program � a strength coach. "They (the players) spend more time with him (strength coach) over 12 months than they do with sports medicine and even the coaches Emory said. "We almost thought we'd have to give up a coaching position for a weight coach ECU's first weight coach was Mike Gero, who came from Clem- son. After a four-month stay, Gero left and another Clemson product, Jeff Johnson, worked with the players for two years before leaving to train Olympic athletes. Following Johnson's departure, Emory began a nationwide search for a new strength coach. After scanning all the way from Canada to California, Emory selected UNC assistant Mike Gentry. "We felt like he was one of the finest in the field he said. "He was not very interested in powerlif- ting, but seemed more interested in an athlete's abilities, like stretching and flexibility � the mechanics of the body Emory added that Gentry also designed the team's stretching pro- gram and stopped by periodically to see how well the team was perform- ing the exercises. "He's very serious and professional he said. He's gonna work or get out. He doesn't have a lackadaisical attitude According to Gentry, the players have been more than cooperative. "The players have worked very hard he said. "They've never quit on us. Sometimes they seem to en- joy it too much he added with a laugh. "Maybe we need to make it harder Gentry said his main objective was to help the football players develop good, explosive power. "We want the players to have quick strength he said, "and they can develop this by doing hang-cleans and bench-pressing. "For most power sports, we try to to emphasize the hips, legs and lowerback areas Gentry said 14 players bench- pressed more than 400 pounds this season, with offensive guard Terry Long hitting the 500-pound mark. Long not only outshines his team- mates, but probably excells above the best college athletes in the coun- try. Long, a 6-0, 279-pound junior from Columbia, S.C bench- presses 500 pounds, squatlifts 710 pounds and hang-cleans 441 pounds. "Long hasn't gotten the recogni- tion he deserves Gentry said. "He's probably the strongest col- lege player in America The strength coach added that Long can deadlift 850 pounds � only 30 pounds off the national record. Gentry's goal, however, is not to train weightlifters. "We train foot- ball players to be championship football players he said. "Everything comes when we win, when we put points on the board Gentry, who works with every varsity team during the season, said all of the athletes have been highly motivated so far this season, but Emory contended that motivation is a two-way street. "If our football players are motivated, then a lot of it has to do with Mike. The guys believe in him. There's no one else better to make them more aware body-wise Iiiiiiiiiii.iiiiiii V ? f � ��-fBiawaw 8 THE EAST CAROLINIAN NOVEMBER 23, 1982,� Swimmers Victorious The ECU men's and women's swim teams competed against UNC-Wilmington and Georgia Southern this weekend at Minges Natatorium, with both squads capturing vic- tories. ECU freshman Joanne McCulley broke two varsity records during the meet and had 13 national cut times. The Pirates edg- ed out UNC-W, 55-51, before losing by three points to Georgia Southern, 73-76. The Lady Pirates are now 2-2. The men ousted both opponents to up their record to 3-1. The Bucs easily swam past UNC- W, 66-47, and downed Georgia Southern, 68-43. Doug McMillan plac- ed first in the 200 freestyle, while Kevin Richards swam the 200 IM in 2:00.49. Stan Williams swam the 100-meter freestyle in 47.46 to also place first. Watch The Pirates Attack 7:30 p.m. Nov. 27 at Duke. LAUTARES JEWELERS, INC. 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NO. 1 WIN I KR. 1�.�.V. MERYL STREEP CHOOSES f Sophie's Choice The Bmk Cvygfodi BMMJMG SPECIAL EFFECTS JESSICA LANGE AS FRANCES FARMER, TRAGIC THIRTIES STAR TONY MILL DI1ECTS M0OMES iWUMMY MAEY TYLEIEp TEAT IS Previews of PIRATES OF PENZANCE, STING Ll& VIDEODROMEJ V.� W xyH s a MOVIE M A features Meryl Streep Chooses Sophie's Choice4 Exclusive Interview The Dark Crystal 6 Amazing Special Efleets Previews 8 The Pirates of Penza nee, Sting II 8c Videodrome. Jessica Lange as Frances11 Tragic Hollywood Tale Produced by Marie Yates and Jonathan Sanger Tony Bill Directs Six Weeks12 Starring Dudley Moore 8c Mary Tyler Moore G A Z I N E eMOVIE M I N 1 Publishet Durand W. Achee Editor-in-Chief Art Director Judith Sims AssocmU Editoi Byron Laursen Contributing Editors Jacob a Atlas, Steven X. Rea, Davin Seay Catherine Lampton Produt turn Managt Chip Jones Production Assistant Dan Eicholtz Offict Managt i Barbara Harris Corporate Offict s Jeff Dickey. President Alan Westoti Communications, Inc. 1680 Sorth Vine, Suit, 900, Holltwood, CA (2s c 1982 Alan Weston Publishing, a division l Alan Weston Communications. Inc 1680 Ninth Vine, Suite 900, Hollywood, CA 90028. All rights re- served. Letters become the property ol the publishei and m.i be edited. Publishei assumes no responsibility foi unsolicited manuscripts. Published three times during the vear. Annual subscription rate is $3.00. lo ordei subscriptions oi notih change ol address, write I hi Moint Magazine, 1680 North Vine, Suite, ton. Hollvwood, CA 90028. The Perspective During the short 70 vears since the hirth of the motion picture industry, movies have defined our heroes, shaped our morality, set the pace for fashion, created na- tional controversy, entertained us, provided new perspectives and perhaps best of all. stimulated our imaginations. It's difficult to comprehend the true scope and power of the film medium. Vet we all know the magic created when facing a big screen and being touched by Breaking Away, thrilled by Raiders of the Lost Ark, moved by Ordinary People, or charmed bv E.T. Whether the film industry pro- vides escape or entertainment, makes us laugh or makes us crv, it is an important part of our cul- ture and our lifestvle. You, as a reader of The Movie Magazine, belong to the most active movie-going segments of the popu- lation. As such, you have a tre- mendous influence on the film in- dustry and the movies it makes. The Movie Magazine is designed to bring the personalities and the process of creating motion pictures into clearer focus. We hope to pro- vide interesting insights into up- coming films � films whose crea- tion you have directly influenced and which eventually may influ- ence you. We invite your input and encour- age you to write us with vour comments. Durand Achee Publisher ii vvv U.Vx NEW YORK :r, big beige couch in a Friend's apartmeni just off Central Park South, sits Meryl Streep, t he 33-vear-old actress whom Lift magazine � in .1 head) flurry t hype and hyperbole sur- rounding lasi year's Victorian-era epk, The French Lieutenants Woman � dubbed 'Amer- i a's Best Actress Mervl Streep is between pictures. At : A.M. on lune 2nd, .ti the Old Fox Movietone Studio m Manhattan, director Alan Pakula called out his dual "Cm on Sophu Choke, the long- anticipated film version ol William Styron's semi-autobiographical, best-selling novel. Streep is Sophie � Sophie Zawistowska, a beautiful, beguiling young Polish immigrant living in the Prospect Park area ol Brooklyn in the summei ol 1917. In anothei few weeks. Streep. with Sophies blonde haii clipped to a scruffy shag and dyed dim brown, makes foi Dallas, fexas. w hen- she starts woik m the title role ol Silkwood, aftei Karen silkwood. the plutonium plant woi kei-tin ned-aiiti-nui leai activist who died m stei iotish in 1974. I was real upset when Sophies (Juno w tap- ped she sas. talking in sudden animated bursts. "I had this feeling that I'll never et a pan like that again. I put evervthing into it and it was hard to leave That's what the .ill say, ol course, but Stieep. who hist read Styron's turbulent ro- mance in its original manuscript form when she was still attending the Yale Drama School, means it fm the film, which tells the stoi ot a would-be William laulknei named Stingo il'etet MacNkhol) and his stormy relationship with two lovers � Nathan (Kevin Klittei and Sophie � all ot whom share the same Brook- lyn boarding house. Streep threw herself into the pan like a woman possessed, she under- went 5 months ot tutorship to learn Polish and German foi the scenes ot Sophie's pie- World War II homeland. She immersed her- self in Alan Pakub's s t ipt and Styron's book, virtualh becoming the young CathohY giil who had been imprisoned at Auschwitz by the Nais. living with the guilt ot having survived the death tamp while those she loved perished. Though she had lead the book ba�k m 191 I and fantasized then about playing the pan ' "I was looking tot every excuse to get out ot drama s( hool she laughs). Streep's coming to the part ol Sophie was not � even attei hei Aiadenn waid foi ki� vs. Kramei mu hei mm h-balK booed roll' as Sarah m " French Lieutenant's Woman �a tail accompli. In but. as she nils u. Streep practically had to beg wi ltei-diiei loi-pioduiii Pakula to ioii- sidt-i hei foi the role ol the enigmatk Sophie. "It's a long Storv Streep sas. leaning lot- ward and planting hei led. low-heel Italian pumps on the carpet. "It was nalK silly to read it when I was waiting on tables and eat- ing tuna fish at Yale thinking. Well, sun- Id like to pla that pan � who wouldn't but then, when vears later, the possibility arose that I actualh might play n. 1 reread the book. It had been attei a touple ot olhei things I d done � Holocaust ami Kramei � and I wasnl sine that I wanted to do anothei teinale victim ' I his was previous to reading a screenplay, she continues, "ami then- was this long evo lution ot events where Man Pakula called me while Flu Frem ant's Worn Englam said Aoi VOU Ilk lo do it? Sophie's Choice stars Meryl Streep. Kevin Kline as Sathan (center) and Peter MacS'ichol as the young nar- rator Stingo (right). and I said. Well, veah, I mean, but what's il snipi like- It's a vert nice novel but 1 doi know what the so ipt will be And he sakl skralfv, trust me and 1 - lid, basically, no. I can't. nd he said. Well. Til lb ovei t" I gland and tell VOU the story' And I s.ud. I know the story Vnd so lie ot mad at and went ahead and looked tot othei peopii So that was that. s.is Streep, except tl then she got ahold ot a pirated copy ot Pal la's screenplay. "I ir.ul it and 1 just wanted do it so badly ' she remembers. It n.m i son ot stereotypical victim at all. it was real multi-dimensional charactei with a lot ol m it � humoi and size � a kaleidoscope emotions. So then it began all ovei again agent i ailed Pakula and s.ud. "Please, pk see hei' and he finally consented to t t walk in and he had thiszech .muss p � all ovei the walls and he had just about i ided that she was Sophie � she was jus! ah set to do it. We talked foi a kmg time V talked and talked and talked Vnd ah week l.ttei he i ailed me and miiI 'You I ll it ' ( me ot the reasons Pakula and co-prod Keith Barish) had been inclined to go with unknown Czechostovakian ovei a big nan Hollywood st.u was that be was. tccord Streep, dead-set on Sophie's authenticity hei Eastern Europeanness "That'swhat tt held him back she sw So I old hin learn Polish. I'd do anything 1 thought n would be a piece ol like picking up Italian oi French oi soi lung � but It's not Its ,t lot like 1 there ate 7 i jms. I think �ai hei w ill kill me it I this right � grammai wasi strongpoint. I i an u lent ii w av, be atis! that It was teal bald to ie VOU have to pat -c cvei m Kin e as vou speak it, i � wiiid i hanges its ending i oi ding u whethet it s obei t ot a senteiu e � �� subject oi tin- indirei i fi t It's leaiiv wild ( � � � . : � I Meryl Streep Talks about 'Sophie's Choice Acting & Other Things BY STEVEN X . R E A ' I Men 1 Streep falks about ophies Choice Voting & Other hings FPf,tS5rZT THE D ARK CRYSTA Special Effects Wizards Create A Mystical New World BY JACOBA ATLAS It sounds like a producer's dream. No agents to call, no contracts to negotiate, no star salaries to pay, no temperamental actors to placate. In fact, no actors at all. The Dark Crystal is the brainchild of Muppet creator Jim Henson. Henson came up with the idea of making a film populated only with creatures (he has no other definition for what he creates, noting this latest development is neither a puppet nor a muppet) five years ago, before E.T was even a gleam in Steven Spiel- berg's eye. But E.T has already become a na- tional treasure. Any film which uses me- chanical creatures to tug at our heartstrings is bound to be labeled a bandwagon jumper, whether deservedly or not. Can the man who made Kermit the Frog and Miss Piggy lovers for the Seventies and realized the Yoda for George Lucas take on the challenge of the lumpy, lovable Extraterrestrial? "I never intended to spend five years mak- ing The Dark Crystal admits Henson. He speaks with the slow, soft deliberation of a kindergarten teacher. "I was ready to go sooner but Lord Lew Grade (who financed the Muppet movies) wanted to make The Muppet Movie first. I figured why not postpone Crystal a little longer? I knew we could use the time for research and development. "The big plus about the postponement Henson adds, laughing, "is that at least now I can describe The Dark Crystal to people and have them understand what I mean. Before when I'd talk about a movie without people, no one knew what I meant. Now I can say it's on the order of E.T. or Yoda, only more so Much more. E.T. and Yoda were the only manipulated creatures interacting with a cast of humans, while The Dark Crystal is all ma- nipulated creatures interacting with other manipulated creatures and special effects. The logistics have nightmarish pro- portions, but Henson shrugs off the obstacles. (L to r.): Kurtx VOz "In the early days of movies Henson ex- plains, "all you could do was put a man in a gorilla suit. Now there are options. You can create almost anything. Anything you can see in your mind you can put on film Yes, if you have the time, the money and the craftspeople to do the job. The Dark Crys- tal, for instance, ate up five years, more than $20 million in production costs, and the tal- ents of hundreds of skilled laborers, from the usual camera and lighting experts to the not- so-usual false-eye experts and even rubber importers. Not many filmmakers could have found the financial backing for a film as complex and unprecedented as The Dark Crystal. George alive and possesses its own personality, its Lucas, certainly; Steven Spielberg, now that history, its own complex set of emotions. E.T. proves he can do no wrong; and Henson. Froud interpreted Henson's thoughts. Although Henson is a generation older than which hundreds of people � molders, m either Lucas or Spielberg (he has grown chil- lers, technicians, fabricators and mecha dren, one of whom is the editor of Harvard's designers � turned those thoughts into n prestigious Lampoon), he shares with them a Work on The Dark Crystals creatures bega sense of perpetual childhood. It was Henson early as 1979 when Henson and his col who kept the vision alive, Henson who were still filming The Great Muppet Caper. I brought in artist Brian Froud to design the of the more than 450 experts who event look of the picture, Henson who co-directed contributed to making The Dark Crystal with fellow Muppeteer Frank Oz (the creator never before worked in movies. Explai of both Miss Piggy and Yoda). production coordinator, "We needed pi The Dark Crystals story (by Henson; David who were flexible. Some of the ideas Jim Odell wrote the screenplay) is a traditional sounded strange fable in an imagi- r�� i,� nary world where m j fKt � nary world where rivers whisper and f mountains move. Characters come "J from races of J Gelflings, Skeksis, Mystics and Gar- Jc thims. Like most V fables, the story is about the battle between good and evil where a loner t hero, Jen, must prove his worth v ' and deliver the � world from greed and decay. Shades of Luke Skywalker , had created crea- " ��� tures for Saturday Night Live which were un- like anything I had done for the Muppets. Those creatures moved more realistically and all of a sudden I started thinking along new lines. I wanted to do something that obscured the line between what was a puppet and what was human It was artist Brian Froud, most noted for his best-selling book, Faeries, who articulated the look of The Dark Crystal The film combines I the fanciful with the romantic, art deco with Victoriana. What Henson wanted and what tap, with CtHmgjen) V a Gmrtkim Warrior never before worked in movies. Explains production coordinator, "We needed people � who were flexible. Some of the ideas Jim hariT sounded strange �p� Quite strange. For I stance the Skeksis, the masters of the Dark C tal, are described as ing birdlike faces, b like mouths, extra ha and a reptilian tail. Garthim, the warri , I who carry out the of the Skeksis, are like creatures with claws, while the striders have long friendly faces and anatomy based on; raffes. Each and e creature had to l realistically, requi dozens of movable artjt larrior naturalistic skin ant pressional eyes. The eyes gave filmmakers the most problems. With lievable eyes the creatures would be perform but not to act. After all, as some once said, all good movie actors speak their eyes. At first the movie-makers j the traditional route, experimenting i taxidermists and the waxmakers at Ma Tussaud's. Eventually they settled on t cians who design eyes for humans who lost them due to accident or illness. Ai year and a half the eyes finally satisfied! son and Froud. A major stumbling bloc Froud designed was a world of total anthro- technicians had refused to make the iriie. pomorphism; every element in the world is It just offended their professional pride. Another maj insisted that hi: Kira, have hum catch the ligh used and mast who created tr Dustin Hoffnu came in as an Crystal was com Malaysian rube creatures. Making the lematical. Hen; -no hesitancy. " about how the says Henson, " them some of t clowns and a movement. Tl were brought work on the en Producer Gai both Star Wars sists the mimes cent of the urn were accompl niquev radio c draulic enginec petry � the old Henson adn chanics was of was often man people at one I ture. With us creatures perfo pretty crowded the movie will Grand Central have come in h "Without T made the mov developed the monitor whiW Sesame Street. camera and shi When we are p the video moni lated a creatun were even tiny for the mimes i Henson insist itional special Star Wars. But movie bone er ference is that Crystal were ace on the sounds added during Kurtz contra. great deal of through such matte paintings blue screens. M � one aspect ol film, then anot elements are ft ing. Special efT� Roy Field and of James Bone firm Kurtz's asa what we see in I the set. Waterf; kets were all stages. For Fiesd an feet was aging Mv sties. "Usual Another major problem was skin. Henson insisted that his heroes, the GelHings Jen and Kira, have humanlike skin. It needed to move, catch the light. Eventually foam latex was used and master make-up man Dick Smith, who created the Oscar-winning make-up for Dustin Hoffman's 120-year-old Little Big Man, came in as an advisor Bv the time The Dark Crystal was completed, more than nine tons of Malaysian rubber had lx?en used to cover the creatures. Making them move was equally prob- lematical. Henson wanted no jerks, no ticks, no hesitancy. "I don't like to get too specific about how the creatures were made to work says Henson, "but we did use people inside them some of the time. They were mimes and clowns and acrobats, people who know movement. Those who did the movements were brought in very early and helped us work on the creatures Producer Gary Kurtz, whose credits include Ixith Star Wars and The Empire Strikes Buck, in- sists the mimes were used only about five pei cent of the time. The rest of the movements were accomplished through various tech- niques: radio control, mechanical linkage. hy- draulic engineering and even traditional pup- petry � the old at m-in-the-sleeve trick. Henson admits the result of all the me- chanics was often chaos. "E.T for instance, was often manipulated by as mans as eight people at one time � that's just for one crea- ture. With us it was a matter of dozens of creatures performing at the same time. It got pretty crowded Frank Oz, who co-directed the movie with Henson. likened the set to Grand Central Station. A traffic cop would have come in handy. Video saved the da. "Without TV monitors we couldn't have made the movie admits Henson who first developed the technique of watching .1 TV monitor while working the Muppets for Sesame Street. "The video goes through the camera and shows us exactly what's going on. When we are performing out primary focus is the video monitor. Each person who manipu- lated a creature had his own monitor. There were even tiny monitors inside the creatures for the mimes to see what they were doing Henson insists The Dark Crystal is not a trad- itional special effects movie in the sense of Star Wars. But in another sense the entire movie is one enormous special effect. The dif- ference is that most of the effects in The Dark Crystal were accomplished during the shooting on the soundstages of EMI in I-ondon. not added during post-production. Kurtz contradicts Henson and says that a great deal of the picture is accomplished through such traditional special effects as matte paintings, miniatures, models and even blue screens. Most effects are created serially � one aspect of an effect is shot on a piece of film, then another, then another until all the elements are finally married in optical print- ing. Special effects experts on The Dark Crystal, Roy Field and Brian Smithies, both veterans of James Bond and Superman movies, con- firm Kurtz's assessment but add that much of what we see in the movie was accomplished on the set. Waterfalls, smoking orbs, flaming cas- kets were all exploded right on the sound- stages. For Field and Smithies the most difficult ef- fect was aging the Garthim monster and the Mystics. "Usually explains Smithies, "aging is done with dissolves. But what we wanted was to show the process happening, so we created a vacuum effect where the skulls collapsed inward on command "In the first scene of the film Smithies says, "the I)ing Master, when telling Jen of his task, raises from a Ixiwl of water the image of the crystal shard and Aughard's mountain (she's .1 sorceress). This could have lx?en done with a series of models and dissolves, but we sculpted the mountain from ice and shot it in reverse, using stop frame and melting the ice each time It ttx)k about four hours and we had to keep the ice at freezing point because we also had light coming up underneath which naluialK warmed the water. "Flu- same applied to the crystal shard. Both those scenes having Ix-en shot were then improved optically b cutting out frames to speed up the sequence and doing a partial dis- solve between frames to get awav from the slight jerky movement that you get when vou do stop fiame (Interestingly. Revenge of the Jeili. the sixth Stai Wars adventure, uses no stop fiame ac- tion. Instead. Lucasfilm's special effects arm. Industrial light and Magic, developed some- thing the call go-motion, which eliminates the jerks. Co-motion was first seen in the otherwise forgettable Dragonslayer and earned an Oscar nomination for ILM.) For all the technique. Henson is well aware that what draws people to a movie is storv. imagination, a sense of magic With fantasv films, perhaps more than with an other genre of filmmaking, a bond xcurs between the storyteller and the audience If that bond isn't created the movie lies Hat and dull. Henson. through his Muppets. has proven he can create such a bond like Spielberg and Lucas. Henson has a gift for translating the fantastical into popular form. "I make movies I want to go see Henson sas simply, echoing the exact same words Lucas used to explain win he made Raiders of thr Lost Ark. The Dark Crystal opens December 17th. Streep V The Pirates cast (I. to r.): Angela Lanshury, Linda Ronstadt, George Rose. Rex Smith and Kevin Kline. The Pirates of Penzance "The stvle of The Pirates of Pot zance savs Wilford Leach, di- rector and screenwriter of the up- coming multi-million dollar musi- cal, "derived from oin knowing that we had to create a world in which all that happens in the story would logically happen. I he result is that Penzance offers a view of what really is another planet: one thai is smaller, mote old- fashioned, optimism and gener- ous than out own, hut no less hu- man The Pirates a Penzanct is adapted from the Gilbert and Sullivan operetta first produced in 1H79. It concerns a roving hand of 19th Century privateers, led by the BY JAMES H. BURNS dashing Pit ate King (Kevin Kline). Among the sailors is young Fre- deric (Rex Smith), indentured to the pirates as a boy when his nurse. Ruth (Angela Lansbury). misheard his parent's instructions to apprentice him as a pilot. Ruth � now plain looking and middle aged � has staved with Frederk throughout his servitude She has also fallen in love with him. Since Ruth is the only woman whom the voting buccaneer ever remembers seeing, she makes him believe that she is beautiful and convinces het charge to marry her. Despite Fre- deric's relationship with Ruth, he hates his life at sea. and he intends to leave the privateers on his 21st birthday, the time when his ser- vitude is to lx' terminated. On that birthday, the pirate ship sails into Cornwall, England where a group of beautiful young women � all wards of the Majoi General (George Rosei � ate wading. Fre- derk immediately sees that Ruth has lied to him. making him renounce not onh the buccaneers, hut Ruth as well. Frederk is also instantly attracted to one of the girls. Mabel (Linda Ronstadt). Meanwhile, the pirates are husv living to woo the othei ladies. Frederk plots to defeat the sailots bv helping the Cornwall police, commanded hv a rambunctious seaigent (Tom Aitol. i id then community ol the privateers B fore the planned attaik on thi rates can commence, however ' Pirate King and Ruth inform 1 deiic that since he was Unit oi February Jth (which onh eveiv leap veai i. he has not v� had 21 birthdays. Frederic's sen ol dutv prompts him to rejoin tl � buccaneers, meaning that he mus now aid them in thwarting the police onslaught that he helpet! organize. 1 his conflict even- . sets the scene toi all of Penzai characters to find happiness Modern interest m the Gilbei and Sullivan classic was inspired when Manhattan theatrical mipie saiio Joseph Papp. head of the New York Shakespeare Festiva launched a Genital Patk staging the plav m July of 1980. Its enormous success led to a move to Broadway, where I'n.itt' is still running, accompanied hv affiliated productions taking place m many patts ol the country s with most successful Broad- way shows, interest in Pemtaue film lights was almost mmiediateh displaved hv numerous studios And producers. Papp rejected those otters until he agieed to produce a him rendition m assKi- ation with Ed Pressman, whose- past credits (including Old H : friends. Heart Beat And Coman) pioved that he pos-s-d a shiewd combination of commercial and artistk sensibilities "Ed was the only peison who seemed genuinely interested in presenting out adaptation in its original form explains Papp. "Ed wanted k. reflect the nature of the show hv retaining the original cast and keeping Wilford leach as di- lectot Ohvioiislv. Pirates' casting deci- sions had already lx?en made, hut what made Leach choose his initial selections? "I wanted actois whose voices would keep then individuality the director responds. "1 also like xp singers, which made it natural toi us to think of Linda Ronstadt for Mattel 1 he Gods were with us. Ix'cause not onh did Linda have the voice to do the show, but she wanted to be in it. It tunis out that Linda had wanted to !x- m a t.il- ben and Sullivan show evei since she was in the sixth grade, when hei oldei sisiei sang "Sun Her Lot" from M S '� ifon i tually, that's whv we added that song to � leach tilled the hulk of � zance's additional stalling parts with seasoned stage performers. Kevin Kline had named undei and worked toi John Houseman, and won a lonv Award iBtoad- way's Oscai i ti Century George mi Broadway tin sue h plavs as 1 Hamlet, Kaihciit Ah �� Lady -aiv ic-vival at (earning awan tWOl IollV lt Threepenny ' : � and m the films .md Union h PiraU tens, role. Frederk given to Rex Mac Dai 1973s Sting ing tale ot tw GOndoi ff and ling the pet ted gangster, Doyl world ic'spondt stowing it with and making H grossing movie i! was announo be a sequel � tgi gmal's release. prised. When that Jackie Gfc Paul Newman that Mac Davis singing. vouic stead ot Robi !v WcXxl V s "When vou ng sav ac it vou ate don nal cast, vou i ,i Sting 11. whu 11th. makes a are different proaches to i tween the gi ltt film udging 1 has fx-en diici m it. I think ; 1 H E M () V I E M A G A Z 1 N E Aj0iairz m v'ateers. Be- it on the pi- owever, the inform Fre- is lxrn on i only falls las not vet eric's sense i rejoin the lat he must arting the he helped eventualh if Penzante's iness the Gilbert as inspired rical impre- ead of the re Festival. i staging of 1980. Its ) a move to ties is still nied bv iking place unt i v. rful Broad- Penzance's nmediatelv us studios rejected agreed to n in associ- an. whose i, Old Boy- id Conan) d a shrewd ercial and erson who crested in tion in its Papp. "Ed ture of the riginal cast each as di- sting deci- made. but e his itiitial use voices lividualitv 'I also like e it natural a Ronstadt re with us. .inda have iw, but she ns out that ie in a Gil- ever since ade. when Sorry Her id fore. Ac- dded that Ik of Pen- ring parts erformers. led under Houseman, id (Broad- iv's Oscar) for On the Twentieth ntury. George Rose had played Broadway for over 20 years, in i h plays as Richard Burton's lamkt, Katherine Hepburn's Coco, r Fun Lady's twentieth anniver- iv revival and The Kingfisher lining awards for the latter ,vo). Tony A.ito had appeared in hreepenny Opera and Happy End � -(I in the films Sight of the Juggler 'id Union City. Pirates' remaining male lead i �le, Frederic, was ultimately ken lo Rex Smith, a rock singeractor who had been seen on Broadway in Crease, on TV in Sooner or Later and in the film Heading for Broadway The one newcomer to The Pi- rates of Penzance's headliners is an- other Tony Award winner, Angela Lansburv, veteran of 41 films (gar- nering 3 Oscar nominations for Gaslight, The Picture of Dorian Grey and The Mainhurian Candidate), 13 major stage shows (most memora- bly in the 1900s' Maine and the re- cent Sweeney Todd), and 26 TV pre- (Continued on fxige 14) Mac Davis (bloody) isf Jackie Gleason (be-ringed) in Sting II. STING II 197:Vs The Stmg told the spellbind- ing tale of two con men, Fargo Gondorff and Jake Hooker, pul- ling the pei feet scam on a sinister gangster, Doyle Lonnegan. The world responded to the film bv be- stowing it with numerous awards and making it one of the highest grossing movies of all time. When it was announced that there would tx- a sequel eight yean after the ori- ginal's release. Hollywood was sur- prised. When it became known that Jackie Gleason would replace Paul Newman as Gondorff and that Mac Davis, best known for his singing, would plav Hooker in- stead of Robert Redford, Hol- lywood was shocked. "When you do the 'Son of any- thing" savs Jackie Gleason, "even if you are doing it with the origi- nal cast, you can lx in trouble. Vet. Sting II, which opens February 11th. makes a switch � now there are different attitudes and ap- proaches to the association be- tween the grifters than in the first film. Judging bv the way the movie has been directed and the acting m it. I think that Snag is going I to lx' a hit. When people walk out of the theater, they'll sav. 'We were very well entertained Despite the new film's altered perspective, the original's screenwriter. David Ward (who re- cent ly made his directorial debut on Cannery Row), wrote Sting 's scenario. With producer Jennings Lang Earthquake. The Front Page) and director Jeremy Paul Kagan (The Chosen, Heroes) taking over the reins from Stmg 's production troika of Michael and Julia Phillips and Tony Bill and director George Roy Hill. Ward is the on!) behind-the-scenes principal who worked on the initial picture. Ward's screenplay picks up nearly ten years after Stmg I in 1940s New York, when Kid Colors (Bert Renisen). veteran con man who helped Gondorff and Hooker in the first film's scam, is mur- dered by Doyle lonnegan (Olivet Reed). Lonnegan arranges through the grapevine for Man- hattan's underworld to think that a wealthy racketeer named Macahnski (Karl Maiden), was re- (Continued on fxige 14) Video- drome "If people go to Videodrome expect- ing to see a head explode, they'll be disappointed says writer director David Cronenberg, re- ferring to the infamous scene in his last film, Scanners (about bat- tling telepaths). "Videodrome is a bit more radical than my past work in terms of structure, but my sense and choice of themes and imagery is still intact Cronenberg's special brand of intense filmmaking has thus far been witnessed in the low-budget movies The Brood, Fast Company, Rabid, and They Came from Within, which featured such diverse sub- jects as the world of race car driv- ing and a veneral disease that breeds parasites which drastically alter their hosts' personalities. Vid- eodrome marks Cronenberg's first picture for a major studio. The premise that so intrigued Universal involves small time cable TV station operator Max Renn (James Woods) discovering a pro- gram entitled Videodrome that is being aired covertly via satellite. It showcases perverse sex acts, in- cluding sadomasochism, bon- dage, and possibly carnal murders. Renn is captivated bv the show, which soon starts causing him to have his own weird fantasies. When Max suspects that the broadcasts emit some type of in- ducement to their viewers to hal- lucinate, he becomes obsessed with tracking down Videodrome' source. During his investigation, Renn meets such eccentric characters as pop psychologist Nicki Brand (Deborah Harry); Professor O'Blivion (Jack Creley), who offers vagrants a mission where thev can watch television for free; the Pro- fessor's daughter, Bianca (Sonja Smits): and Barry Convex (Les Carlson), who finally turns out to be one of the picture's heavies. Reims ultimate conflict begins when he has trouble separating his "ideodro me -in flue need illusions from reality. "Videodrome is not 'the film that attacks television states Cronen- berg. "A tag like that would be an over-simplification, because Videod- rome is incredibly complex. Such a description would also make the movie sound like a parody of TV and maybe seem boring. Simply bv Videodrome's nature, however, it does touch on television's potential for manipulation L'niversal's original release plan for Videodrome would have enabled America to have already judged whether the director's critique is ape Videodrome was going to be dis- tributed last October, until audi- ences' reactions at test screenings made the studio decide that Vid- eodrome needed further editing. The picture is now scheduled to open January 28. "Having to do the extra editing didn't bother me Cronenberg claims. "In fact, that's whv you have advance screenings. When I do a preview, I'm not hoping that people will love the film, because I know verv well that the picture isn't yet perfect. The audience's response helps show vou the areas of your movie that need refining Some of the film's reworked ma- terial concerns Max Renn's fig- mentations. Those sequences allow (Continued on page 14) T H E M O V 1 E M A G A Z I N E VA. U.v- Presenting High Bias n and the Ultimate Tape Guarantee. 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YOU LL FOREVER WONDER IS IT LIVE, OR IS IT c. � �jfcw. - JES Prm Com to th H ( Wht-i I mi k sl I � � . M �l.t � tt M iii lltU IK �! � u no i - n�l �- v en ilu .n .mil and i i�elhei t � 'P � JESSICA LANGE AS FRANCES Producer Marie Yates Brings the Compelling Story of Frances Farmer to the Screen Jessica Lange stars as tragic Thirties actress Frances Farmer (far left left). The real Frances Farmer (above) died in 1970. BY CHRIS HODENFIELD When Hollywood makes a picture alxmt Hol- lywood, it usually turns out to lx� an expose of the grim, shark? side of the glitter pool. Sunset Boulevard, The Oscat, The Big Knife, early ver- sions of A Star Is Bom. Mommie Dearest, it's a long list. Stags � Rain is one ol the few to take a light-hearted look. This can't Ik- an accidental trend. h was a rainy day in the San Fernando Val- k and Marie Yates, producer of the new movie Frances, was waiting for Mick Jagger to call. She came to the door of her dark slate house and said, "Good things happen on rainv days She had warm, twinklv eyes, a maroon sweater, weathered jeans and gold slippers. It ocurred to me, as Ms. Yates served me coffee in a black Chinese porcelain cup, that this was a different kind of movie producer. Marie Yates was working a mid-level pro- duction job at MCM six years ago when she came across the shopworn, unsold manuscript of William Arnold's Shadowland, which told of the beautiful, spirited and rebellious 1930s ac- tress Fiances Farmer and her horrifying ex- periences with Hollywood, asvlums, elec- uoshock and worse. Yates not onlv bought the rights to Shadowland, she dove into the re- search and helped edit the book. Yates man- aged to root out the last survivors, including a very private detective who'd held a torch for the actress these many years. From the book and her own interviews and research, Yates and co-producer Jonathan Sanger put to- gether the awesomely awful saga of Farmer's life (the screenplay is by Eric Bergren, Christ- opher DeV'ore and Nicholas Kazan). Singin' in the Rain it isn't. "She was like a Diane Keaton or a Jane Fonda. She dressed as she liked, she was out- spoken, she went out with the farmworkers and picked fruit says Yates. "That's why I sav she was about 15 or 20 years ahead of her time Fiances Farmer, though onlv 21 years old, had just scored her biggest success, portraying two roles in Come and Get It (1935) when she- got fed up with Hollywood. She moved to the New York theater world and fell in with Clif- ford Odets and the left-oriented Group Theatre Disappointed in them, she returned to Hollywood. "When she came back, she really had to eat it Yates savs. shaking her head. "She was making B-movies back to back and she started to drink and take pills to keep her weight down. She was so beautiful and so well known, and she haled that. She started to re- sent the fact that people were exploiting her. They got more vindictive and gave her more B-movies. "There was a scene in a movie called Haw- ing Gold where she had to fall in the mud. And she had to do it something like 17 times. She kept asking, 'Why am I doing this?' And her director just sat there and let her fall in the mud Because of her associations with leftists, she came to be labeled, wrongly, a communist. Her troubles came in a heap. While on parole for a drunk driving charge, Frances Farmer got in a free-swinging fight with a hairdresser, a woman, and broke her jaw. The hairdresser (whom Ms. Yates tracked down in Hawaii for interviews) pressed charges. "The police went and broke down her door at the Knickerbocker Hotel where she had been sleeping in the nude Yates savs. And thev said she had been coming on to the police as thev broke down the door. They lxoked her. That was the first time she was pui into a home Farmer was released into her mother's cus- tody. Whenever thev would disagree, her mother would threaten her with another trip to the asylum. Fventuallv, the threats were fulfilled. Fran- ces Farmer spent five years in an asylum in the state of Washington, frequently subjected to electroshock therapy. "1 don't know if you know about the condi- tions of those days Yates says. "Thev ate and slept on the Boor and did everything else on the Moor. She was taken out of the hospital and raped, 1 don't know how many times, by the soldiers from a nearby Army base. The soldiers would also take her to parties where politicians were, and they would dress her up and thev would rape her because she didn't know one side from the other anv more. And then thev would electroshock her so she wouldn't remember any of it Farmer eventually found her wav into the hands of a Dr. Walter Freeman, who had the motto "Lobotomies get them home His spe- cialty was the trans-orbital lolxMomv, a less dismantling process, comparatively, than a pre-frontal. "He said people were sick in their imaginings. By putting this instrument just underneath their evelids, that would sever the artist's ability to imagine. Because that's where (Continued on page 13) T HE MOVIE M A G A Z I N E II �mt w Actor-Director Tony Bill Sails Through Hollywood fc? Guides Dudley Moore & Mary Tyler Moore In Six Weeks' HOWARD ROSENBERG BY ERIC ESTRIN on) Bill stands at the helm of his 65-foot sailboat, Olinka, tanned and grinning. The balm) breeze ruffling liis hair is also powering his craft gentry up the southern California coast. It is late sum- mer, the hottest, smoggiesl da ot the year in Los Angeles. But here on the water it is cool and clear, and Bill, decked out in white slacks and red shirt, looks as it his 011K concern in the world is keeping his sails lull and enjoying the afternoon sunshine. A Hollywood Renaissance man. Bill, now 42, achieved film success first as an actor (Shampoo, Washington Behind Closed Doors), next as a producer (The Sting, Taxi Drhvr), and most recently as director ot the critically acclaimed My Bodyguard. He has just finished shooting Six Vkeks, his second directorial effort (star- ring Dudley Moore and Mary Tyler Moore). Despite all his activity in the film industry; Bill makes ii abundantly clear that this is where he feels most comfortable. "1 go to work so I can afford the boat �let's put ii that way he sas. in a voice flat and calm as 10- day's sea. "Sailing is my only habit It Bill sounds a little different from the ap- ical, "show-business-is-my-life" movie pro- ducer, it s because 20 years after breaking into the business playing Hank Sinatra's little brother in Come Blow Yout limn, he is still, in a sense the new kid on the block, a Hollywood maverick struggling to do good woik outside the competitive confines of the corporate film-making machinei y. Alv tec-ling is. you spend so much time not making movies, that that's what you should pa attention to in your lite he explains. Accord- ingly, Bill surrounds himself with good friends and good art. and spends as much time as possible on the water, enjoying an av- erage of two or three long sailboat races each year to places like Honolulu and Puerto Val- larta. It's a schedule- thai allows him barely enough time to make movies, and certainly not enough io concern himself with the cap- rices ot the business, which he considers a dying industry. "I'm lotallv ignorant about the movie business he- savs. "I try not to pay at- tention to anvthing 1 have no control vei. 1 just kind ot don't go anywhere I can't walk. The lifestyle suiis him well. In a business where connections are said to Ik- everything. Bill has gone outside the svstem to establish a network ot bis own and based il in Venice Beach, miles awav from the Hollywood hustle. He has staffed il with neophytes in need ot a break, and risen io the challenge bv turning out an unusual ration ot successful, cjitalitv dims. What's more, lies managed to become well liked bv the Hollywood establishment while- doing so. an unachievable accomplishment foi The director at ease (left) near his Venice studio and squinting through the cam- era (below). Opposite, Bill exhibits his low-key directo- rial style with Mary Tyler Moore (left) and Dudley Moore and Katherine Healy (right). othei independent-minded filmmakers who (.mi se-em io gel ibeii woik distributed to the public . lot that. Bill owes something to his IhivisIi charm Md even-tempered personality � a combination that makes him a talented deal- make! without causing bun to sacrifice bis personal vision. Bui Bill, oi I B. as his friends call bun. maintains that it he makes it look casv. ii's onlv a little Hollywood sleight-of- hand. When it comes to directing, he insists, an) appearance- ot sophistication on his part stems not from knowledge oi skill, bin from his ex- pectation of eventual failure. "I teel like I'm condemned foi the- rest l mv lite to go to work knowing that 1 don't know what I'm do- ing he admits. "1 do not have the confidence ot the kind of director who savs. 1 know just where Io put the camera: we don! need to film the rest ot that sequence; we're gonna i in over there, and then we're gonna tome back over here Bill had been looking around lor a film to direct since My Bodyguard in 1980. There were things about directing he death enjoyed �the opportunity to use a synthesis of his outside knowledge, tor instance, and his knack foi functioning as an inspirational team captain. 1 he script he decided on (bv David Nelteri is the story ot a congressional candidate who's drawn to the head ot a cosmetics empire alter he Hips lor her voting daughter. Bill was attracted to Six Weeks for several reasons, including the chance to woik with Dudley Moore in his lust dramatic role. Ac- cording io Bill. Moore was everything he ex- pec led. "It was as good as it gets he savs. 'Abu show up in the morning, and laugh your ass off all dav long while doing good work And Moore, in turn, praises Bill tor creat- ing in atmosphere where everyone can con- tribute. Ionv is very relaxed and he's verv willing tor actors to do what thev want, what thev feel comfortable doing. The tact that he doesn't consider himself a strong director is actually much more ot a help than a hindr- ance because it allows me to deliver what I can instead oi aiming tor somebody's image ol what 1 can do After Bill came aboard. Mar) Ivler Moore was signed to plav the female lead, adding an- other light-hearted touch to what is essential!) a bittersweet famih drama. 1 11 E MOVIE MAG A Z I N E I he sioi v levc Healy, whom B non-piotessiona I've worked wit vears Healy, a Yoik itv balle him iole- becau plays the daugl Man Mel Mo. Bill recalls n eis. jon Peters asked him the filming in eigl later? " 1 hat wa st i ipi and Dud called everybw v Bodyguard .i Many could, ai pleted on time It probablv c toi Bill's studio a piojet tion i dailies, and ed able dm 1114 I Moie imports othces in the wuh friends . shares a give-a (The studio i- sides: he has with his estran ' It 1 have .1 ing the Hash. the buildmg 1 much lathei tenoi motive writing a scri none ot the si off he expla Bill has a u c an approae h opinion about over his trail produced i niii but ovel come from si without ageni the material, creative wav. Though he percentage o established w lather deal 11 territory, am Venice wkh� T. V eft) and cam- Bill recto- yler knack for n captain, ivid Seltzer) lidate who's mpire after for several work with tic role. Ac- hing he ex- :s he says, laugh vour od work ill for creat- me can con- d he's verv want, what fact that he ; director is lan a hindr- r what I can s image of yler Moore I. adding an- is essentiallv he story revolves around young Katheiine Heady, whom Bill calls "the most remarkable unprofessional I've ever worked with, and ; ve worked with a lot of unknowns over the ears Healv, a star ballerina with the New Vork Cky ballet, was recruited for her first film role lecause of her dancing skills. She plays the daughter who serves as a catalyst in Man Tvler Moore's reluctant romance. Bill recalls meeting with the film's produc u Jon Peters and Peter Guber, when they asked him the big question: Could he start Riming in eight weeks and finish 10 weeks later? "That was the given Bill savs. "It was a script and Dudley and eight weeks to go. So I called everybody who had worked for me on Uv Bodyguard and said, "Can you ride again? Many could, and the film was eventually com- pleted on time and under budget. Ii probably couldn't have been done if not for Bill's Studio, Market Street, which includes .1 projection room where he was able to view dailies, and editing facilities, which were valu- able during the final phase of production. More importantly though, the dozen or so offices in the compact studio were stocked with friends and associates with whom Bill shares a give-and-take of opinions and advice. (The studio is also where Bill currently re- sides; he has two teenage children who live with his estranged wife in Brentwood.) "If I have a janitor who goes around empty- ing the ti.tsh. or the windows need cleaning or the building needs painting or whatever, I'd much rather hire somebodv who has the ul- terior motive of being an actor or director, or writing a script, than somebodv upon whom none of the surrounding atmosphere will rub off he explains. Bill has a reputation as the man newcomers i.m approach for a break, or at least an honest opinion about their work. Screenplays pour in over his transom. Almost all the films he's produced or directed (including the endear- ing but overlooked Hearts of the West) have come from scripts by first-time screenwriters without agents, and he's especially receptive to the material, he says, when approached in a creative wav. though he might le able to find a higher percentage of quality scripts by dealing with established yvriters and agents. Bill says he'd rather deal in volume. He's staked out his own territory, and it enables him to stay close to Venice without having to hang around pub- lishing houses to find out yvhat the hot new novels are, and to take lunches with people he dtesn't like. "1 don't have a lot of people to compete yvith this way he savs. "It's some- thing I wouldn't do yvell IB finishes his pate and lets the Olinka drift ,i yvhile longer, while he discusses upcoming sailing plans with his friends. It's almost Labor Day weekend, so that means three davs ol sail- ing � one yvith producers Peters and Guber, another with Sally Field and her kids, and a third day still open. On the wav back. Bill muses about his im- provisational directing style, which he de- scribes as "a tight wire act with no net If he keeps his head clear and his balance intact, he can manage to avoid falling into the abyss of bad judgments and broken budgets that he's convinced yvould bring about a swift end to his directing career. "I have no idea how cap- able I yvould be of taking it on the chin he savs, not surprisingly, since it would be a rela- tively new experience for him. "I'm talking about real pants-down, boo, hiss, tomatoes-at- the-screen rejection. "When that happens, to tell vou the truth, I think I'll just skulk away he says with a de- fiant chuckle. "Reallv, I think I'll just sav, 'You're right, you're right, I agree. Vou finally caught up with me. Now I finally get to go on a real long cruise His crew has a good laugh over that one. .Six Weeks opens December 17th. FRANCES (Continued from page 11) they were sick And what it would do would inhibit them, if not completely stop them, from conceptualizing. And it vou take that away from an artist, what do you have left? Freeman was being touted as the king of the lobottxny, the brilliant man of the day. Later on people realized that he was a madman Vates admits the story would have leen loo depressing if it were not for a man in the shadows of Farmer's life, the partly fic- tionalized role that is plaved in the movie by playwright Sam Shepherd. "The movie begins and ends with him, so it's not a total doyvner. They were soul mates. Once when he was up on a phonv murder charge, she supported him with about $18,000. He knew Frances from the time she was 16 to the day she died. He's a rather ec- centric individual, localise he talks about a truth that people don't want to hear. I'd heard of him. but for 25 years he yvas still clandestine. He would never talk to any- one about Frances Farmer A private detec- tive, he ran a make on Vates. It took months for him to open up. "Finally one day he just ciacked. He walked me to my car and a tear trickled down one side of his face. He said. It's been 25 years that I've never talked to anyone about Frances Farmer. Who are you to come along and open it up Every actress in town was naturally fasci- nated by the Farmer role (Jane Fonda and Goldie Hayvn yvanted it: Jessica Lange. who finally plaved it. had earlier attempted, unsuc- cessfully, to interest directors in the story). Many of the uninterested studio bosses, how ever, still only foresaw a dark story of a star. probably immoral, who used to throw fits. "They didn't care why Vates said. "T wanted to be true to Frances. 1 wanted to vin- dicate her Iwo others interested in vindicating her were director Graeme Clifford and producer Jonathan Sanger. whose success with The Elephant Man earned him the readv interest ot EMI-Brookshlms. Sanger knew that Farmer's storv. which is taken as far as her 1958 ap- pearance on the TV show This Is Your Life (she died in 1970). would be a heavy picture, but of an inspirational, cathartic value. "She was not a basket case by anv means Sanger informed us. "She was a courageous, life-affirming per- son who yvas l)eaten for it Sates' being the Woman in Charge Hre gave her some special insights into Farmer's problems, or those of anv yvoman in the movie racket. "I'm not into identification at all Vates demurred, "but I began to see some of the difficulties. Women are treated a certain wav Also providing inspiration yvas Vates" show- business family. Her mother was radio star Ann Page, and her uncle worked with Greg- ory Peck. �Montgomery Clift was always around and literally bounced me on his knees as a child she says. Besides overseeing the final stages of Fran- ces, Marie Vates is also nailing down an 8-part TV mini-series, an original love storv, and the Mick Jagger project. Speaking of yvhich, the phone rang. She look the call and her speaking tone was de- lighted. It sounded like long distance. When she hung up. she was bright with excitement. Was that J agger? "No she said. "That was the call before the call from Jagger Frances opens December 3 in New Vork and Los Angeles and in other selected markets on January 28. T H E M O V 1 E M A G A Z I N E 13 vs- lc - The Pirates of Penzance . . . (Continued from page 9) sentations. Leach let l.ansbury work fairly independently, which he says is the way that he deals with all actors. "Lei an actor find the role in himself Leach asserts, "and then he'll almost be the character Leach's main concern with his cast was to unite them in bringing Penzance to life in the kind of madcap, fun-filled way that has provoked some critics to compare the tone of the play to the antics of Monty Pvthon and the Marx Brothers. "Pirates' humor comes from showing a world of realitv askew states Leach. "It would have leen a mistake for me to think of Pen- zance in any conventional way. For example, at the time that this story- takes place, there were no pirates any more. Consequent I v. anyone claiming to lie a pirate would be some sort of free spirit To enhance Pirates' thematic de- lights with celluloid magic. Leach enlisted the services of special ef- fects wizard Brian Johnson, who won an Oscar for The Empire Strikes Back and also worked on Dragonslayer, Alien and Space: 1999. (Johnson's tricks were added to live action footage shot by cinematogiapher extraordinaire Douglas Raiders of the Lost Ark Sfocombe.) The Pirates of Penzance's visual thrills weren't only generated technically. The picture contains the wildest action scenes this side of Steven Spiellerg. "Pirates gets so wild that a lot of people think that we did a lot of improvised tumbling and bumbl- ing says Tony Azito, "but we didn't. There couldn't be improvis- ing with everybody moving around like that. There would have l)een chaos, Oraciela Daniele (both the play's and film's choreographer) is a perfectionist. .4 of the fight sequences for the stage play were planned. For the movie, they had to be even more precise No matter how proficient Azito and company were, a potential danger for Pirates is that moviegoers might consider the story an antique that couldn't pos- sibly please a 1980s audience. "We treated Penzance as a new work � something living, rather than as something to Ik? done with reverence toward the dead. We approached the production from the script and music, rather than from the tradition of how The Pi- rates of Penzance 'ought' to be done Leach's approach worked on Broadway, where Pirates won 3 Tony Awards (for Best Revival, Best Director and Kevin Kline), 2 OBIE Awards, 5 Drama Desk Awards and the Outer Critics Cir- cle Award for Best Musical. The director and his associates are ob- viously gambling that this Febru- ary 18, filmgoers will also react posi- tively to a movie whose stylized whimsy could present a refreshing relief from the world's ubiquitous everyday hassles. "The Pirates of Penzance" Leach admits, "presents a world without cvnicism. There's not one charac- ter in the picture that you wouldn't like to have over to din- Sting II (Continued from page 9) sponsible for Colors' death. Jake Hooker, now down to his last dollar due to bad investments, and Fargo Condorff, fresh from a two-year stay in the Florida State Penitentiary "on a bum rap de- cide to get revenge on Macalinski. They scheme to haye Hooker pose as a champion lx)xer, not realizing that Lonnegan is aware of their every move, determined to kill them in retribution for conning him a decade earlier. Ward's script also introduces a beautiful con woman named Ver- onica (Teri Can), who uses the alias Countess Veronique. A ro- mance develops between Veronica and Hooker, with the latter ignor- ant that the "Countess" has some sort of mysterious tie to Lonne- gan. Flelping the gangster is Big Apple police detective Francis X. Bushman (Val Avery), whom Hooker first meets when he steals a railroad ticket from him. "Sting II is inspired and is an ex- pansion of the first Sting, rather than a continuation asserts di- rector Kagan. "Our Fargo Gon- dorff and Jake Hooker are based on two very famous real-life con men who are totally different from the original two characters. Sting II also has more comedy and the nature of the con is more in- triguing than in Sing . In this pic- ture, the con men themselves get conned Kagan feels that a director should try to put together a cast that is friendly to one another. He even went so far as to fly Oliver Reed (who inherits the part of Lonnegan from the late Robert Shaw) in from London for a few days so that he could get ac- quainted with the picture's ensem ble one month before the En- glishman had to show up for film- ing. During that visit, Oliver clowned around by doing hand- springs and lewd gestures off- camera while the other actors were filming their scenes. At one point, Reed peeled off his shirt and jumped in front of the camera, dancing around the cast members. "That's the way he is without hav- ing a drink comments Jackie Cleason, grinning. Not all of Sting 's unplanned moments were as wild as Reed's stunts. When the film was lensing at Los Angeles' posh Rex restau- rant � posing as "The Blue J' nightclub � famed bandleader trumpeteer Harry James (who plays himself) and a few of Sting ITs other musicians treated the crew to an impromptu concert. The event was made even more memorable when Jeremy Paul Kagan joined the group on clarinet. To help achieve a sense of pleas- ant illusion, the artists responsible for Sting 's look often opted to "suggest" the 1940s, instead of re- creating the era in exact detail. "We tried to make the clothing in Sting II capture the essence of the period, rather than actually documenting it confirms cos- tume designer Burton Miller. One design element that couldn't be merely suggested: men's hair- cuts. All of Sting ITs male actors had to get 1940s coiffures. "When that was done Mac Davis recalls, "nobodv recognized me. When I came home after the haircut, mv dog � a big old bloodhound � tried to tear me up. L'ntil he smelled me, he didn't know who I was Davis' pursuit of realitv for his role included doing his own stunts during Stmg ITs climactic boxing match. "I got banged up reveals Davis. "I was trying to make a slow motion shot � there's a point in the fight where Jake gets knocked down � and I went flying through the air, landed on mv rib cage, and broke a rib: it looked terrific! It was mv own fault, though. I was overacting Some media pundits have sur- mised that Davis went to such lengths to help offset a compari- son between himself and his prog- enitor as Hooker, Robert Redford. When told that some people will view his performance in Redford's shadow, Davis doesn't seem bothered, apparently believing that he's not in competition with the famous star. Mac considers Sting II as another chance to ex- pand his thespian abilities, dis- played twice before in Xorth Dallas Forty and Cheaper to Keep Her. "I'm basically a songwriter who sings and an entertainer who acts, quote, unquote. Acting is a chal- lenge because it's something I re- ally don't have that much experi- ence at. Film acting is hard work It's long hours and very repetiti ous, but I love it. Acting is a chance to jump out of my skin and be someone else for a change. Who hasn't wanted to do that once in a while?" Inevitably, the entire Stmg sequel will be pitted against its predeces- sor. Jeremy Paul Kagan insists that his picture can sustain the test, as long as people care about Stmg ITs characters. "I think that they will states the director. "Even though all of the characters in Sting II survive by ly- ing, there's a backstage' area where thev don't lie. That's where I feel audiences will learn to care about these people. At least, what's important to me is the truth in people's lives Video- drome (Continued from page 9) Videodrome to display the morbidly fascinating special photographic and makeup effects that Cronen- berg's movies have become famous for Vuieodrome's scenes of delusion � including a television that be- comes organic � were developed by Rick Bakers EFX Inc. (An American Werewolf in London I. Frank Carere and video coor- dinators Michael Lennick and l.ee Wilson. "Their contribution comments Cronenberg, is a tremendously vital p.ti I of the movie. Videodrome was written so that its hallucinat- ory aspects actually lead to one of the film's major revelations. At the same time, I'd hate for people to feel that Videodrome is solely an ef- fects picture. Its first half hour doesn't have any effects. Videod- ; tome's other elements � acting and story � are good enough to stand on their own. If nothing else, 1 think that the least people will sav is that Videodrome 'is an interesting movie. As a result. I think that its market can be broader than that of a film that only highlights spe- cial effects. "Obviously the director adds, j "there'll be some people who might not want to sit through Videod- j rome's 'straight' scenes. Overall. though, I don't think that will be l the case. Effects freaks still want more than just special effects, even if they don't always realize it. "I mean, why settle for great ef- fects if vou can get effects plus?" 14 THE MOVIE MAGAZINE Engine Tvpe of drive Transmission Steering Fuel Tank II �v� 4 Reed n'c!iil ntl his shin .in i I h.il � 1 In- w ,1 � . nitinth be tort the hi "I'm basicallv .1 songwritei who in hail in nIi.iw up tin him sings and .in entertainei whi) .uts. Dm - in ii thai visit. Olivei i quote, .uiujui �u Vcting is ,i chal- . , � liimi; hand- ' init because it's something I re- - i �: - ires �� � alh don 1 have thai niiuli experi- lera while the other actors wert enct .ii Filn acting is hard work. iheii stenes one point, j It's long Iniu and ven repetiti- iis. Inn 1 love n. Acting is ,i i !u- camera. I i hance to jump out of mv skin and t members li someone else loi .i change. � hav- Ini hasn't wanted in ill ih.it once Irink mi meiits acki� in a vv bile � � t; Inevitablv, the rntm sti. sequel � v- i" unplanned ivill Ik- pined .t.iinst u- predeces- � : i wilt! as Reed's ' soi eremv Paul Kagan insists thai Win; tin � in is tensing � his picture can n-i.im the test, as V i i - nosh Rex restau- I nng .is people care about Sting II s posing as 1 he Blue " t h.n a� tei s. � urn (I bandleadt i I ilnnk thai thev ill states the i e Han ames twho i directoi "Even though .ill ol the ii v, � . �( u , i Sting i'haracters in Sting 11 survive bv Iv- !u i musicians treated the j in. there's .i 'hackstage' area o .in impromptu concert i where thev ion't lie. That where I lent w - �� ide .mi: more j teel audiences will learn n care table � i � i ii'iin Paul ! ahoul these people. t least, what's nip on important to mt is the iinili in K'ople's lies. chievt a sense t pleas- iisiou. the artists ; c-n himI U i Ii K)k i 'tun opti . to si the 111 Mis, instead ol it - - - - eact detail Video- drome . . . no at in in.in .ui ii.n i ; i ' � � � � '�'� ptigi nting t. contirms cos I . � . � displav the morbid Iv - - i Burton Mil lei lat inatiug spec ial photographic - n emeni that ililn'i and makeup effects that ronen- l suggi s , men s hair- berg s movies have become tamous ( iciors tor lutiiHiromt s scenes of delusion : I'1'1 ires - including .i television thai be- done. Ma i mines organic -� were developed ills �� recognized In Rick Baker's 1 1 Inc. � i I came In urn aftei tin ���� � U, �. . � . , ��. . log i big old 1 rank arete and video coor- i I to i n mi up 11 in.it i us Michael Lennick and Lee � � � ed : i . In didn't j W ikon. � u as " I lien contribution comments - teali loi I is lonenlierg. "is a tiemendoiish H his own stunts . vital pan ol the movie. Videadromt �- II' din ictii Ixixing was written mi thai its hallucinat- j or aspei is a tualh lead lo one oi reveals j the hlm's majoi revelations i the lvas living to make a slow j same lime. I'd hate foi people to there's i pi.mi in j leel that I � I ��. is soleh an ef- 1 .k� gets knocked ' lects picture Its hrsi hall houi mi! I weni living through sn't have ����; effects Yidend titled on m rib age, and - � othei elements - ai ting and iii' ii kxked terrihe! Ii j stor � are good enough to stand own fault, though. I was j on then nun Ii nothing else. I I think thai the least people will s lia pundits have sur- j is ihat Vidradmm, is an interesting iiai Davis weni to such movie. Vs a result, I think that its i com par i- j market can In- broadei than ili.it "I .i film thai onh highlights spe- i ial effei is ?bviously the diree toi adds. "there II be some people who might nvai sit i hrough Yidi d � " ' s -ti aight' sC enes.Kei all, though. I don'i think thai will U- the i .isc l ttc, tv freaks till want more than jusi spi ial effei is. even il thev don'i alwavs realize il 1 mean, whv settle foi greai ef- �i ' ween himself and Ins pi. - Hm iker. �. ilei l Ri-db m d. . i hat .i ime jx-i �ple w ii! his H"i foi mam t in Redti i d's i�w. Davis doesn't seem i : .i ppa i eni l believ 111-4 In - not in ci impetitii m w uli is stai M.ii considers .is am .1 hei i li.nu e ii e- his thespian abilities, dis- ci tvke before in V�i th 11, 111 ��� - " Kret II- tills It , ,m ,�( s pllls . 1 M () V II f A (. A Z I N I iS . s.� �?�� m v j& . rsj. fc- rl tj 1 ?�� �-5!fc Crlh NOW TOE WORU) HAS PICKUPS WITH TOE POWER OF A DIESEL AND TOE PUNCH OF 7URB0CHARGING. DODGE POWER RAM 50 SPORT SPECIFICATIONS Note: TAirbo Diesel is available in 4WD and 2WD models. Engine 2.3L. 4-cyl Fuel-injected Turbo Diesel: Max. h.p. 80 Max. torque 125 lbs. ft. 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