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        <distributor>East Carolina University. J. Y. Joyner Library</distributor>
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          <addrLine>Joyner Library, East Carolina University</addrLine>
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        <date>2012</date>
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        <p rend="align(centerbold)">[This text is machine generated and may contain errors.]</p>
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          <lb />INSTITUTE OF OUTDOOR DRAMA<lb /><lb />NEWS<lb /><lb />INSTITUTE OF OUTDOOR DRAMA<lb /><lb />CB# 3240, NCNB Plaza<lb />University of North Carolina<lb />Chapel Hill, NC 27599-3240 For Immediate Release<lb /><lb />919/962-1328 October 16, 1990<lb /><lb />Outdoor Dramas Outperform Travel Industry &amp; Broadway<lb /><lb />Even though the U.S. travel and tourism industry was down 5-10 percent this past<lb />summer, the nation�?Ts outdoor historical dramas posted an overall increase in paid<lb /><lb />attendance of more than 13 percent.<lb /><lb />The Institute of Outdoor Drama, a national service and advisory office of the<lb />University of North Carolina at Chapel Hill, reports that total paid attendance<lb />for the 1991 summer season, based on early October figures from just 44 of the 75<lb />Outdoor drama companies across the country, stood at 1,939,237, compared with<lb /><lb />1,712,515 in 1989 for the same number of theatre companies.<lb /><lb />Between June 4 and Labor Day, more people attended outdoor history plays,<lb />religious dramas, Shakespeare festivals, and historical pageants across the<lb />country than saw all plays on Broadway. Total paid attendance for Broadway<lb />productions this summer was 1,854,146--only slightly above the 1988<lb /><lb />Broadway summer season.<lb /><lb />This was good news to representatives of outdoor historical drama companies from<lb />21 states who gathered recently in Cherokee, North Carolina for the 28th Annual<lb />Conference of the Institute of Outdoor Drama, the only national meeting for<lb />those involved in the planning, production and management of outdoor historical<lb /><lb />dramas nationwide.<lb /><lb /></p>
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          <lb />Outdoor historical drama, which got its start in this country in 1937 with Paul<lb /><lb />Green�?Ts The Lost Colony, now celebrating its 50th season in Manteo, North<lb /><lb />Carolina, involves the production of an original play depicting historical events<lb />which took place on or near the theatre site. The strong sense of place and of<lb />basic human values, along with the larger-than-life portrayals and generous<lb />portions of song and dance -- often supplemented with spectacular special<lb /><lb />effects -- combine to create a unique form of epic American theatre, viewed<lb /><lb />last year by more than 2 million people.<lb /><lb />Attending the conference in Cherokee were representatives from communities in<lb />Alabama, Mississippi, Tennessee, Pennsylvania, and the U.S. Virgin Islands, all<lb />of whom are currently planning the production of new outdoor historical<lb /><lb />dramas. Together with general managers, directors and playwrights, they<lb />gathered in Cherokee for three days of panel discussions and workshops<lb />interspersed with social events, tours of local historic attractions, and an<lb /><lb />evening of live theatre presented by members of the cast of The Reach of Song,<lb /><lb />the official historic drama of the state of Georgia.<lb /><lb />In light of the recent controversy swirling around the National Endowment for the<lb />Arts, of special note at the conference was guest panelist Jessica Andrews,<lb />director of the NEA�?Ts Theatre Program, who traveled from Washington, DC, to<lb /><lb />participate in a discussion of "Ethics and Professional Theatre Practice."<lb /><lb />Highlighting the conference was the announcement by Institute director Scott J.<lb />Parker of the creation of the Mark R. Sumner Award, honoring the lifetime<lb /><lb />contribution of the man who for 25 years headed the Institute of Outdoor Drama.<lb /><lb />"Introduced wherever he goes in America as ~Mr. Outdoor Drama,~" noted Parker,<lb /><lb />"Mark Sumner is the one person in the country who knows more about this unique<lb /><lb /></p>
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          <lb />form of theatre than anyone else; the one person who, more than anyone else, has<lb />nurtured and encouraged it. To establish the first nationwide award for<lb />significant contribution to outdoor historical drama in Mark~s name is an<lb />altogether fitting and appropriate honor. Future recipients will take genuine<lb /><lb />pride in being associated with his name and reputation."<lb /><lb />The award will recognize significant contribution by an individual to a specific<lb /><lb />drama, or to the outdoor historical drama movement as a whole, including, but not<lb /><lb />limited to, playwrighting, directing, acting, design, theatre architecture,<lb /><lb />patronage, scholarship, musical composition, technology and innovation, producing<lb /><lb /><lb /><lb />and administration.<lb /><lb />"While we hope to present the award annually," Parker said, "to ensure its place<lb /><lb />as the highest national recognition in our profession, the Sumner Award will be<lb /><lb /><lb /><lb /><lb />presented only when, in the opinion of the Institute�?Ts Administrative Board, a<lb /><lb />nominee warrants such prestigious recognition."<lb /><lb />Co-hosted by the Cherokee Historical Association, this year�?Ts conference featured<lb /><lb /><lb /><lb />an inside look at the amphitheatre and support facilities of one of the nation�?Ts<lb /><lb /><lb /><lb />premiere outdoor historical dramas, Kermit Hunter�?Ts Unto These Hills. Since<lb /><lb />opening in the Mountainside Theatre on July 1, 1950, the play, with its cast of<lb /><lb /><lb /><lb />130, has been seen by nearly 5 million people.<lb /><lb />The Mountainside Theatre, built in 1949, is an outstanding example of an older<lb /><lb /><lb /><lb />facility that has been maintained in excellent condition. During the mid-1980s<lb /><lb />the Cherokee Historical Association spent $243,000 renovating the then-35-year-<lb /><lb />old amphitheatre, installing new seats, trails, ramps and electrical wiring.<lb /><lb /><lb /><lb />A new administration building was completed in 1986 and in 1987-88 CHA<lb /><lb />refurbished the theatre�?os backstage, at a cost of just under $1 million.<lb /><lb /></p>
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