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        <distributor>East Carolina University. J. Y. Joyner Library</distributor>
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          <addrLine>Joyner Library, East Carolina University</addrLine>
          <addrLine>East Fifth Street, Greenville NC 27858-4353 USA</addrLine>
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        <date>2012</date>
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        <p rend="align(centerbold)">[This text is machine generated and may contain errors.]</p>
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          <lb />
          <lb />North Carolina Libraries<lb /><lb />Building Libraries<lb />for Changing Times<lb /><lb />BRARY - PERIODICALS<lb /><lb />CAROLINA UNIVERSITY<lb /><lb />me<lb /><lb />il<lb /><lb /><lb /><lb /></p>
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          <lb />Feel the<lb />Power...<lb />of<lb /><lb />Creation!<lb /><lb />S.; Mandarin allows you to create<lb /><lb />your own reports, customize your OPAC<lb />screens and design a database on<lb />anything from community service<lb />information to book reviews by patrons.<lb />Call today for more information on how<lb />SIRS Mandarin Library Automation<lb /><lb />System can empower you!<lb /><lb />of ~~<lb />STE<lb />he re<lb /><lb />SIRS, Inc.<lb /><lb />PRO. Box 2348<lb /><lb />Boca Raton, FL 33427-2348<lb />561-994-0079 * Fax: 561-994-4704<lb /><lb />The Symbol of Automation Mastery<lb />% SIRS Canada<lb />9630 Route Trans Canadienne<lb />1-800-232-SIRS Montréal, Québec H4S 1V9<lb />514-333-9040 * Fax: 514-336-8217<lb /><lb />SIRS », Se<lb /><lb /></p>
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          <lb />
          <lb />Nor<lb /><lb />Advertisers: Broadfoot's, 89;<lb />Checkpoint, 102;<lb /><lb />Current Editions, 64;<lb /><lb />Ebsco, 99;<lb /><lb />Mumford Books, 74;<lb /><lb />Phibig, 71;<lb /><lb />Quality Books, 91;<lb /><lb />SIRS, front cover;<lb /><lb />UNC Press, back cover.<lb /><lb />SS Se<lb /><lb />( AR0 INA<lb /><lb />Libraries<lb /><lb />Volume 99, Number 2<lb />ISSN 0029-2540<lb /><lb />LINA UNIVERSITY<lb /><lb />Summer 1997<lb /><lb />SS BuILpinG LIBRARIES FOR CHANGING TIMES Peet SOR AP Tinta PAS Cee<lb /><lb />59<lb />65<lb /><lb />fies<lb /><lb />75<lb />78<lb /><lb />58<lb />71<lb />84<lb />85<lb />86<lb /><lb />90<lb />91<lb />92<lb />a7,<lb />100<lb /><lb />Cover:<lb /><lb />Guest Editors, Phillip K. Barton &amp; Plummer Alston Jones, ie<lb /><lb />Fashion Your New Library from Old, William R. Burgin<lb /><lb />Creating Library Interiors: Planning and Design Considerations, Phillip K. Barton<lb />and Plummer Alston Jones, Jr.<lb /><lb />Form Follows Function: Redesigning the School Library Media Center,<lb />Karen Perry<lb /><lb />The More Things Change: Nuts and Bolts of Technology Planning,<lb />Kenneth E. Marks<lb /><lb />Library Dreams/Architectural Realities: North Carolina Library Architecture<lb />of the 1990s (Photo Essay), compiled by Phillip K. Barton and<lb />Plummer Alston Jones, Jr.<lb /><lb />FEATURES SE SET<lb /><lb />From the President<lb />Letter to the Editor<lb />Point: LetTs Build Libraries Where the People Go, Tom Moore<lb />Counter Point: If You Build It, They Will Come!, Dan Horne<lb /><lb />And in Edition: Issues in Retrospective Conversion for a Small Special Collection:<lb />A Case Study, Fern Hieb<lb /><lb />Wired to the World, Ralph Lee Scott<lb /><lb />About the Authors<lb /><lb />North Carolina Books<lb /><lb />Lagniappe: Reel North Carolina: Movies Filmed in the Old North State<lb />NCLA Minutes<lb /><lb />The spacious three-story atrium connects the Z. Smith Reynolds Library with the Edwin G.<lb />Wilson wing (photo page 83) at Wake Forest University, Winston-Salem. Architect:<lb />Walter Robbs Callahan &amp; Pierce (Winston-Salem.) Photo: Lee Runion.<lb /><lb />North Carolina Libraries is the official publication of the North Carolina Library Association.<lb /><lb />Art direction and design by Pat Weathersbee of TeamMedia, Greenville, NC.<lb /><lb /></p>
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          <lb />Prom the President<lb /><lb />Dave Fergusson, President<lb /><lb />uring the last month as I write this, my time has been occupied with (1) getting married,<lb /><lb />(2) purchasing a house, and (3) making the usual cosmetic changes in the house (generally<lb /><lb />this is called opainting�). Item (1) was the most enjoyable and sharing life with my new<lb /><lb />bride, Mary, has been wonderful. The aggravation factor associated with the other two<lb /><lb />activities has been steadily mounting. Did you know that todayTs latex paint is really made<lb />up of millions of microscopic worms and that they crawl up the brush, up your arm into your ear<lb />and make you CRAZY?<lb /><lb />All this is to say that my thoughts about libraries have been on the back burner for a while, but<lb />this is the time of year when many libraries are in a fight for their budgets, so I will mention politics.<lb />John Via, Chair of the Governmental Relations Committee, reports that this yearTs ALA Library<lb />Legislative Day was VERY successful for North Carolina. A small but determined group visited with<lb />just about all of our members of Congress. Congressman Richard Burr of my district, among others,<lb />met and had pictures taken with our folks. ALATs Chief Legislative Council Adam Eisgrau came for<lb />lunch to meet with Rep. Howard Coble because of the CongressmanTs committee assignments<lb />dealing with copyright and intellectual property.<lb /><lb />The delegation also included NCLA Honorary Member Elinor Swaim of Salisbury, past Chair of<lb />the National Commission on Libraries and Information Services; Friends of North Carolina Libraries<lb />President Elizabeth Laney; PLS Chair and BCALA President Sylvia Sprinkle-Hamlin; Assistant State<lb />Librarian John Welch; Nancy Gibbs from NCSUTs D.H. Hill Library, whose son Bob Gibbs is Press<lb />Assistant to newly elected Congressman Bobby Etheridge; and last but not least, our old friend and<lb />the newly appointed head of ALATs Office of Literacy and Outreach Services, Satia Orange.<lb /><lb />ALA should be commended for the good job that has been done recently to influence library<lb />related legislation. The revitalized Washington Office has been very effective. In other contexts, ALA<lb />often seems to exemplify an institution gone wild. Its systems of bureaucracy and and govenance are<lb />really a farce matched only by the U.S Congress. Jonathan Swift should be around to parody this<lb />organization. But having said that (and hoping you do not hold similar feelings about NCLA) I want<lb />to give the Devil his due regarding the Washington OfficeTs recent work.<lb /><lb />If I have learned one thing by becoming a librarian rather than a gun dealer, it is that getting<lb />what you want or what you think is needed out of our political system is very, very difficult. The fact<lb />that so much now revolves around money - campaign money, big money, soft money, take your<lb />choice - gives a spiritually affluent group like ours a slight disadvantage relative to financially<lb />affluent groups like the NRA and big labor. So, what to do? NCPLDA (Public Library Directors<lb />Association) has made real gains in State aid by using numbers (like Richard WellsT bus loads of<lb />Friends who invade Raleigh on State Legislative Day) and well thought out campaigns supported by<lb />statewide communication as they have lobbied for specific goals.<lb /><lb />It has long been my contention that libraries have never realized the potential that would exist<lb />if we could ever bring to bear the large numbers of users and supporters in our various communities.<lb />Unfortunately, none of them share the same experiences, they just LIKE libraries. Since they often<lb />enter as loners with their personal goals in mind, it is a difficult group to mobilize, not like the<lb />millions who are committed to a belief in concealed handguns or abortion rights. They will speak<lb />out for us in times of peril, but usually we are on our own. If you have had a successful experience<lb />mobilizing library users to offer support over the long haul, I would like to hear about it. Send me an<lb />e-mail at d_fergusson@forsyth.lib.nc.us (with a copy to Governmental Relations Chair John Via at<lb />jev@lib.wfunet.wfu.edu).<lb /><lb />Finally, since this has turned into a column about politics and lobbying, I will revisit a few of<lb />the suggestions Iowa legislator Richard Varn gave us in his talk at NCLA in 1993. He suggested<lb />adopting greenhorn politicians of either party, with whom you agree, and helping them win their<lb />first election. They will not forget their original supporters. Compliment politicians through others<lb />who know them. Who wouldnTt like to hear secondhand that you have been singing their praises?<lb />DonTt threaten if you donTt get what you want. Just keep trying and get more people to help you<lb />make your point. Elicit promises in public and donTt just hold politicians to them, but have lots of<lb />folks thank them when they come through. Finally, Varn recommended forming PACTs which would<lb />keep track of voting records and financially support library friends. Some of these would be major<lb />steps for NCLA and we have never made the serious leap into the political area, but we can all try<lb />some of these approaches. Write a letter when someone supports libraries. It really does help.<lb /><lb />Or do it the old-fashioned way - send them your $1,000.<lb /><lb />78 " Summer 1997 North Carolina Libraries<lb />TO I<lb /></p>
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          <lb />Fashion Your New Library from Old<lb /><lb />by William R. Burgin<lb /><lb />Ithough library planners often initially consider new<lb />construction when undertaking a building project, it<lb />is important to explore renovation, addition, and<lb />adaptive re-use of existing facilities as equally viable<lb />options. Careful evaluation of an existing buildingTs<lb />potential for addition or renovation, or of another<lb />buildingTs potential for a second life through adap-<lb />tive re-use, can yield fruitful results. Statistics reported recently<lb />by Library Journal suggest a trend toward addition and reno-<lb />vation over new construction, indicating that library planners<lb />see definite advantages to improving library facilities through<lb />the use of existing buildings.!<lb /><lb />Renovation, addition, and adaptive re-use offer many in-<lb />centives in preference to new construction. Under the right<lb />circumstances, a library has the opportunity to gain any or all<lb />of the following advantages:<lb /><lb />" Money can be saved. The general rule of thumb when con-<lb />sidering an extensive renovation is that the structure and<lb />building shell (outer wall, floors and roof decking) are worth<lb />approximately 30% of a buildingTs total cost. Thus, if a new<lb />building is compared to an existing building of equal size,<lb />30% of the cost is in place.� In cases of a change of site (adap-<lb />tive re-use), the purchase of property may require an expen-<lb />diture in excess of this amount. Renovating your existing li-<lb />brary building certainly would start with this cost advantage.<lb />If a purchase of property is a consideration, the sale of the ex-<lb />isting library building may be an option to preserve the 30%<lb />shell cost advantage.<lb /><lb />In addition, many existing buildings still have some life<lb />left in their infrastructures (i.e., plumbing, mechanical, and<lb />electrical systems). If youTre fortunate, the existing sewer<lb />main will be reusable, the air distribution ducts can be uti-<lb />lized, and portions of the main electrical distribution duct<lb />will be recyclable.<lb /><lb />Advantages from these savings may enable you to build<lb />a larger library or to begin your project years earlier than wait-<lb />ing for the funding for a new facility would require.<lb /><lb />If the targeted effort produces a project as ogood as new,�<lb />it is appropriate to compare directly the cost of a renovation/<lb />addition or adaptive re-use with a new building. DonTt let a<lb />renovation/adaptive reuse project die because the cost projec-<lb />tions appear modest. A savings of only $10.00/square foot<lb />over new for a 10,000 square foot library results in a savings<lb /><lb />North Carolina Libraries<lb /><lb />of $100,000. Even allowing for the unexpected contingencies<lb />typically found when renovating (5% of the project cost), the<lb />savings easily could be realized at $50,000. Certainly this is<lb />enough money to fill several ranges of shelving with books.<lb /><lb />" A historical or architecturally significant building may<lb />be given a second life. Frequently communities have histori-<lb />cal buildings that can produce a final library building more<lb />richly detailed than a comparably priced new building. Most<lb />older buildings were built when materials were cheap and<lb />labor costs were low enough to afford the installation of ar-<lb />chitectural amenities (raised paneling, wood casings, wood<lb />crown mouldings, solid doors, etc.). With a resourceful archi-<lb />tectural design, it may be possible to salvage and complement<lb />such architectural details. The result could be a richly detailed<lb />library building. Even at a premium cost, these opportunities<lb />merit consideration. Certainly the politics of preservation may<lb />provide additional funding for such an endeavor. The mat-<lb />riage of a library (a community asset set in tradition) with an<lb />architecturally significant structure can make a perfect match.<lb /><lb />" A renovation/addition project could preserve the tra-<lb />ditional location of the community library. Libraries fre-<lb />quently are situated in central locations within communities.<lb />Over time, the library may actually form the hub of a com-<lb />munity. With the proper addition and renovation, this tradi-<lb />tional center of a community may remain intact for genera-<lb />tions. It also is common for the renovation of a significant<lb />municipal building (and certainly a library is one of the most<lb />significant of community facilities) to begin a city or commu-<lb />nity revitalization.<lb /><lb />" An adaptive re-use may speed the opportunity to relo-<lb />cate your library in a more desirable location, out of a de-<lb />teriorating neighborhood, or into an area closer to the<lb />libraryTs user population. New projects are time consuming<lb />to assemble because they include multiple layers of steps and<lb />approvals. Beginning with property acquisition, the new<lb />project moves slowly through years of political and govern-<lb />mental budget maneuvering. Adaptive re-use, renovations, or<lb />renovations and additions focus planning on a singular effort.<lb /><lb />Assuming that the building being considered is large<lb />enough, or can be expanded to house the libraryTs space re-<lb />quirements, begin review of your prospective building (includ-<lb />ing your existing library building in case a renovation and/<lb /><lb />Summer 1997 " 79<lb /><lb /></p>
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          <lb />or addition may be appropriate) for at least the elements listed<lb />below. By following this list of building criteria and evalua-<lb />tion, you may uncover a jewel of a building solution.<lb /><lb />Structure<lb /><lb />Libraries do have demanding structural requirements. The<lb />live loads (those loads applied to the structure by the occu-<lb />pant) are 125 pounds per square foot (psf) for stacks, 80 psf<lb />for public corridors, and as much as 250 psf plus for file and<lb />film material storage. This compares to typical business fa-<lb />cility live loads of 50 psf for the office spaces and 100 psf for<lb />public lobbies.*<lb /><lb />Since the economics of construction dictate that a struc-<lb />ture be planned to carry just the loads anticipated and no<lb />more, one must assume that unless the renovation is to a<lb />building type with matching load criteria, the structure will<lb />need strengthening. This is not impossible and, depending<lb />upon the type of structure, will pose different levels of diffi-<lb />culty. Obviously the greater the difficulty, the costlier the<lb />modifications.<lb /><lb />The skeletal arrangement of a buildingTs framing is key to<lb />a buildingTs present and future flexibility. Flexibility always is<lb />tested during renovations and adaptive re-use designs. It is the<lb />key to achieving your future library program requirements.<lb />The skeletal framing (a structural arrangement composed of<lb />columns, both perimeter and interior, supporting girders, and<lb />beams supporting a floor deck) allows the library program cri-<lb />teria to be easily planned within the grid formed by the struc-<lb />tural columns. In a building with a skeletal frame, an exist-<lb />ing wall which must be removed to accommodate the library<lb />plan will be non-structural and fairly inexpensive to demol-<lb />ish. If the adaptive building size is less than required by the<lb />program, exterior non-load-bearing walls also can be removed<lb />easily to allow for the necessary building addition, while cre-<lb />. ating an adequately large, open connection that will produce<lb />good visual control within any given space plan.<lb /><lb />Look for buildings with the following structural types.<lb />They are listed in the order of probable success.<lb /><lb />Single story buildings with slab on grade floor structures<lb /><lb />with skeletal framing (most probable structural match)<lb /><lb />The slab floors more than likely will be able to carry all library<lb />loading conditions. Concrete slabs are generally poured four<lb />inches thick or thicker. This is the thickness required to pre-<lb />vent cracking and to allow working the concrete over inevi-<lb />table variations in the slabTs substrate. These floors are capable<lb />of carrying library stack live loads without modifications.<lb /><lb />Multistory buildings with skeletal framing:<lb />Multistory buildings potentially are not as successful as single<lb />story buildings. Because of the economics of construction<lb />mentioned, columns and beams forming the skeletal frame<lb />must be analyzed closely and probably modified to meet a<lb />libraryTs added structural needs. The type of materials from<lb />which these frames are made is an important factor in deter-<lb />mining the buildingTs flexibility for adaptive re-use.<lb />Framing is more easily analyzed and adapted for carry-<lb />ing an increased load if it is steel. In all cases, engineers eas-<lb />ily can measure spans of beams and heights of columns. This<lb />is true no matter what framing materials were used. Engi-<lb />neers, however, also must develop framing member section<lb />characteristics to complete a structural analysis. This is man-<lb />aged easily if the structure is of steel rather than any other<lb />build material. Concrete structures also are worthy of analysis<lb />because of their superior fire resistant nature and a reason-<lb />able ability to accept modifications to enhance structural ca-<lb />pacities. One major drawback in analyzing concrete struc-<lb /><lb />60 " Summer 1997<lb /><lb />ture, however, is the difficulty in determining the sectional<lb />characteristics of concrete beams or columns. This is because<lb />the structural characteristics of concrete are created in part-<lb />nership with reinforcing steel hidden within the concrete. If<lb />the original building plans are available and contain descrip-<lb />tions of the steel reinforcing, the analysis can be completed<lb />fairly easily. If drawings do not exist, conservative and cau-<lb />tious assumptions or destructive analysis must be under-<lb />taken. Either method adds cost to the early building analy-<lb />sis phase of the process.<lb /><lb />Multistory buildings with exterior bearing walls and<lb />interior skeletal framing<lb /><lb />A reasonable compromise would be adapting or renovating<lb />a multistory building with exterior bearing walls and inte-<lb />rior columns, girders and beam, and floor decking. ItTs par-<lb />ticularly worth consideration if the exterior dimensions of<lb />the building exceed the library programTs overall space re-<lb />quirements or if the exterior building dimensions meet dis-<lb />tinct portions of the building program. In the latter case, the<lb />renovated structure can house those distinct portions, and<lb />an addition can be added to address the balance of the<lb />libraryTs program needs.<lb /><lb />Exterior and interior bearing walls<lb /><lb />(Most improbable structural match)<lb /><lb />It would be very difficult to reuse a building whose structure<lb />consists of both exterior and interior bearing walls. These<lb />buildings offer very little flexibility, the basic building block<lb />in library planning. Consider this example of the difficulties<lb />ahead: to create a large space for stacks (in such a way as to<lb />offer visual control), bearing walls that form smaller spaces<lb />must be removed. In order to accomplish this, the walls that<lb />support the structure above must be replaced with beams and<lb />columns. This process is complex and requires expenditures<lb />for both demolition and installation of framing required to<lb />remove the structural wall. The support for the new columns<lb />also must begin at ground level. This means new footings.<lb />In cases where this type of improvement occurs on upper<lb />floors, the columns must extend to the footing through the<lb />lower floors. In addition, the new structure must be in place<lb />before the bearing walls are removed. Though the results may<lb />be acceptable, this expensive process will generate no addi-<lb />tional building square footage. Finally, if any of the buildingTs<lb />infrastructure (i.e. conduit, ductwork, plumbing, etc.) is in<lb />the way of the new column and beam system, it too may<lb />have to be torn out and reinstalled, adding even more ex-<lb />pense to the effort.<lb /><lb />Hazardous Materials " Watch Out!!<lb /><lb />Hazardous materials can jeopardize the success of a renova-<lb />tion or adaptive re-use project. These hazards typically come<lb />from asbestos, lead paint, and lead content in water piping<lb />(from lead-base solders used to make joints in copper piping),<lb />and ground water contamination. A walk-through of a pro-<lb />spective building can be a first indicator of potential hazard-<lb />ous material problems.<lb /><lb />Many states, including North Carolina, require a hazard-<lb />ous material survey prior to beginning demolition for renova-<lb />tion of a building.* This is not particularly expensive and is<lb />performed by companies specializing in material testing. This<lb />survey should be provided by the building owner as a condi-<lb />tion of a purchase option. (The results are valuable to the prop-<lb />erty owner for subsequent sales efforts even if the library does<lb />not purchase the property.) Reports from independent testing<lb />professionals carry such significant liabilities that the chance of<lb />a company fabricating favorable results for an owner to entice<lb /><lb />North Carolina Libraries<lb /></p>
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        <p>a purchase is unlikely. Certainly, the results can be verified later,<lb />just prior to a final purchase, if the library feels more comfort-<lb />able retaining services for these tests directly.<lb /><lb />Asbestos can be found in any number of building mate-<lb />tials, particularly in buildings predating 1970. The worst forms<lb />of asbestos are found in materials that have become dry and<lb />powdery. These friable materials require intensely controlled<lb />abatement. Procedures must be designed and followed to pro-<lb />tect workers and building occupants from these carcinogenic<lb />asbestos fibers. In addition, only a small number of locations<lb />exist that allow disposal of this friable debris. During a<lb />buildingTs review, look for this type of asbestos in materials in-<lb />sulating HVAC hot and cold water piping (particularly around<lb />valves and joints), domestic water piping (particularly around<lb />valves), ductwork (outer layers of insulation), boilers (both as<lb /><lb />Two new branches of the Sheppard Memorial Library in Greenville are classic<lb />examples of adaptive reuse of architecturally interesting buldings. WintervilleTs<lb />1,455 sq.ft. C.D. Langston/R. E. Boyd Library is a converted bank building.<lb />BethelTs 2,000 sq. ft. Margaret Little Blount Library is a converted train station.<lb /><lb />Architect: Hite-MSM Architects (Greenville.) Photo: Willie Nelms.<lb /><lb />based materials totally. Methods for accomplishing this re-<lb />moval include dissolving the lead chemically; tearing off the<lb />top, thin layer of wall surface; or blasting the surface with<lb />abrasive material until the paint surface is gone. Since children<lb />comprise a major segment of a libraryTs patrons and are a<lb />group most susceptible to lead dangers, it seems prudent to<lb />consider total removal in all circumstances.<lb /><lb />Other acceptable methods of dealing the lead-based<lb />paint include covering the walls with a new material, encap-<lb />sulating the lead behind the new material. An example of<lb />this is to apply a layer of gypsum board over any wall fin-<lb />ished with lead-based paint. Additionally, the hazardous<lb />material industry has many coating products which will<lb />encapsulate the lead and provide a surface that accepts a new<lb />enamel or latex-based paint or vinyl finish. The disadvantage<lb />of these encapsulating options occurs in the future<lb />when these surfaces must be demolished. Lead abate-<lb />ment during a late renovation phase could create sev-<lb />eral limitations for the library if renovation takes<lb />place while the library is in operation. Even a very<lb />small renovation could close down a significant por-<lb />tion of library services.<lb /><lb />Lead in the water system occurs because of lead-<lb />based solder used in pipe joints, acommon plumbing<lb />practice used in quality construction projects prior to<lb />the 1960s. The best solution for water system lead is<lb />to remove all the old domestic water copper piping, as<lb />well as water coolers, within the building.<lb /><lb />Ground water contamination may bea problem if an<lb />old oil tank is existing (or existed at any time) on the<lb />site. This hazard is not peculiar to renovations. Obvi-<lb />ously this hazard is probable on a site with previous<lb />construction history where oil was used as a fuel, or<lb />worse yet, where oil was distributed. You should request<lb />from the owner any history of underground storage<lb />tanks and have a soil sample<lb /><lb />exterior insulation and inte-<lb />rior fire box liners), and in<lb />acoustical plaster (mainly<lb />found in ceiling plaster). These<lb />materials are predominately<lb />white, 1/2 inch to 1 inch<lb />thick, and caulky. These mate-<lb />rials are very, very costly to<lb />remove.<lb /><lb />Other asbestos materials<lb />frequently found in older<lb />structures include asbestos<lb />floor tile (usually 9'x9' tiles<lb />sizes), vinyl sheet flooring,<lb />mastics used to glue flooring<lb />materials to the subfloor<lb />(black in color), acoustical<lb />ceiling tile (usually 12"x12" tiles sizes), and hard board pan-<lb />eling (used both for interior and exterior applications). These<lb />products contain asbestos in an encapsulated form. If they<lb />are removed carefully by qualified personnel, this abatement<lb />can be expected to cost less than friable abatement. Even dis-<lb />posal is less tricky, since many local landfills still handle these<lb />non-friable, asbestos-containing materials.<lb /><lb />Another major hazardous material is lead-based paint.<lb />Lead-based paints commonly were used in quality construc-<lb />tion projects prior to the 1960s. This material can be handled<lb />several different ways. The best method is to remove the lead-<lb /><lb />North Carolina Libraries<lb /><lb />ES eS aM a a ES eal ee eee<lb /><lb />taken to determine if contami-<lb />nation has taken place. Also<lb />look around the site for the fill<lb />caps that were used to fill these<lb />underground tanks. Soil con-<lb />tamination testing can be<lb />handled by the same testing<lb />professionals mentioned for as-<lb />bestos and lead paints. Depend-<lb />ing upon the extent and length<lb />of time the leakage has oc-<lb />curred, this type of contamina-<lb />tion can prove very expensive.<lb /><lb />Life safety<lb /><lb />An analysis of how a potential<lb />library might respond to life<lb />safety issues is the next impor-<lb />tant issue to resolve. As a gen-<lb />eral rule, the combustibility of materials used in the construc-<lb />tion of a building, the type and quality of the buildingTs exit-<lb />way system, and the size of the building are characteristics<lb />to review.<lb /><lb />Concrete will prove a better material to resist fire than<lb />steel. This is because steel loses its strength quickly in high<lb />temperatures, a factor that reduces escape time before a<lb />buildingTs collapse. Steel, in turn, will prove a better material<lb />in terms of fire resistance than wood. Wood is a contributor<lb />to fire and will quickly be consumed and collapse. Because of<lb />this, the codes allow larger areas to be built (with less demand-<lb /><lb />Summer 1997 " 6]<lb /></p>
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          <lb />ing restrictions) for buildings constructed of concrete than<lb />buildings constructed of steel or wood.<lb /><lb />As codes evolve, each writing typically becomes more and<lb />more conservative. Present codes, therefore, closely address<lb />the number and quality of exits and are probably more de-<lb />manding than they were when an older building was con-<lb />structed. It is not uncommon in older buildings to find a<lb />single stairway serving a multi-floored building. If your pro-<lb />spective building is to be born anew, plan on providing for at<lb />least two exits. Even if two exits from every floor are not re-<lb />quired by the code, it certainly is good practice. Libraries con-<lb />tain ranges for fuel (books) for a fire and frequently are filled<lb />with children and adults unfamiliar with escape routes. Ob-<lb />viously, if two buildings are contenders for purchase and one<lb />has two good exits, it deserves higher consideration.<lb /><lb />The other factor when examining exits is the quality of<lb />the exitTs construction. In order to make the exits more fire-<lb />resistant, masonry walls and steel or concrete treads and ris-<lb />ers should be used. Another factor to consider is the remote-<lb />ness of the stairs from each other. Ideally, the stairs are located<lb />at the far extremes of the building, with the libraryTs functions<lb />located between these exits. If one stair currently exists, it will<lb />more likely be located in the center area of the building plan.<lb />Though this has the advantage of providing centralized ver-<lb />tical movement, it comes at a potentially high price to life<lb />safety performance. With this in mind, plan to spend money<lb />to move stairs if it is needed.<lb /><lb />Related to life safety (but part of the buildingTs electrical<lb />infrastructure) is a modern electronic fire alarm system. A<lb />good choice here can bolster the life safety performance of any<lb />older building. These systems include pull stations (for<lb />manual triggering of alarms), smoke detection, heat detection,<lb />automated telephone notification, and visual and audio<lb />alarms. These systems should be designed to comply with<lb />NFPA standards and will in effect create an early warning sys-<lb />tem to allow safe evacuation of patrons and staff. They also<lb />will notify emergency personnel to allow for improved re-<lb />sponse time.<lb /><lb />Siting<lb /><lb />Siting issues are generally the same with new and existing<lb />buildings; in the case of renovations, however, you have a<lb />distinct advantage. You are able to observe most of the impor-<lb />tant site criteria such as:<lb /><lb />e How storm water is routed on site. Is the water directed<lb />away from the building?<lb /><lb />e Is water from other properties flowing across the property?<lb />In what ways does this affect the buildingTs performance<lb />as a library?<lb /><lb />e Is the front door easily discernible? Can pedestrian<lb />traffic easily reach the front door?<lb /><lb />e Are the building footings and foundations solid? (This is<lb />determined by reviewing the building walls and floor<lb />slabs for any large settlement cracks.)<lb /><lb />Take advantage of being able to see these site conditions.<lb />Nothing is more embarrassing and harder to live with once<lb />your renovation is complete than a problem previously in full<lb />view. DonTt forget to visit the site during a heavy rain. Look<lb />for the direction of the flow of water. Look for ponding of<lb />water in parking lots or around the buildingTs perimeter.<lb /><lb />Water Problems<lb /><lb />Roof leaks are a fact of life when dealing with renovations or<lb />adaptive re-use projects. It seems that most clients forget<lb />about servicing a roof until it starts leaking during a rainfall.<lb />Even then it takes several rains to convince some that the leak<lb /><lb />62 " Summer 1997<lb /><lb />will not heal itself. Once a building is abandoned, one leak<lb />often turns into many. Out of sight and out of mind, they<lb />cause deterioration of the building. If the damage has not<lb />reached the buildingTs structure, however, then the solution<lb />is manageable and the renovation must simply include a new<lb />roof and maybe some minor roof deck repairs.<lb /><lb />A more critical water issue exists, however, if you see<lb />signs of water penetrating walls. Look for leaking in lower<lb />level floors and basements, or signs of previous leaking such<lb />a paint oblooming� on the interior surface of walls (most<lb />likely to occur below windows and on walls below the out-<lb />side grade). Water penetrating the buildingTs walls is almost<lb />impossible to stop. Certainly, avoid buildings with multiple<lb />signs of through-wall water problems. Be particularly sensi-<lb />tive to through-wall water issues. This problem adversely<lb />affects any space occupied by paper, films, archival materi-<lb />als, patrons, or staff. In other words, any library space (ex-<lb />cept mechanical rooms perhaps) cannot handle problems<lb />created by water infiltration. Several approaches to solving<lb />this problem include repointing the masonry joints (for<lb />masonry veneer and composite masonry buildings), or coat-<lb />ing the building with a owaterproofing� wash which consoli-<lb />dates the brick and mortar surfaces. If the renovation or<lb />adaptive re-use project is an historical structure, be particu-<lb />larly careful about the choice of these waterproofing mate-<lb />rials. Products that allow the walls to obreathe� while creat-<lb />ing a waterproof protection are a necessity.<lb /><lb />Infrastructure<lb /><lb />Probably one of the major problems pushing libraries into<lb />renovation projects is the need to upgrade their utility infra-<lb />structure. This is particularly true with the electrical systems.<lb />The age of computers, electrically operated devices (i.e., copi-<lb />ers, faxes, scanners, printers, film readers, etc.), increased life<lb />safety systems (i.e., fire alarm and fire detections systems) and<lb />security systems, and better control of lighting have contin-<lb />ued to place more demand on a buildingTs electrical infrastruc-<lb />ture. This problem is compounded by a libraryTs need to main-<lb />tain flexibility for future library space plan adjustments. It is<lb />not as simple as continually routing receptacle after receptacle<lb />to various locations within the library.<lb /><lb />The best solution to dealing with a libraryTs changing elec-<lb />trical infrastructure needs is to develop a separate electrical<lb />distribution osystem� for power, data, and telephone systems.<lb />As an example, floor systems that have been built into the<lb />decking supporting the concrete floor have electrical chase<lb />ways built in that systematically route raceways through a<lb />floor. These chase ways are large enough to house multiple<lb />cables and wires to address future growth requirements. They<lb />divide a floor into a grid system that allows the wiring to reach<lb />(within the scale of the grid) almost any location on the<lb />libraryTs floor.<lb /><lb />For renovations, this floor raceway system is not an op-<lb />tion; however, a very close emulation of it can be developed<lb />around under-carpet wiring. Routing of the under-carpet wires<lb />from strategically placed junction boxes in new walls can pro-<lb />vide a flexible and complete system of wiring options. The<lb />supplies for the under-carpet wiring can be routed to these<lb />central junction boxes through conduits back to electrical<lb />panels, telephone board, or computer rooms, whichever is<lb />applicable.<lb /><lb />Miscellaneous<lb /><lb />Money and its relationship to renovations: contingency.<lb /><lb />A couple of major issues exist which could result in financial<lb />calamity after committing to a renovation project. The first<lb /><lb />North Carolina Libraries<lb /></p>
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        <p>occurs when the initial project is defined. Be sure that the li-<lb />brary program is thoroughly defined and that the design cri-<lb />teria are given to the architect prior to making the initial as-<lb />sessment of any desired building. Nothing will undermine a<lb />successful renovation project more than a major change in the<lb />program, particularly if the change results in significantly<lb />more area or space modifications. Changes are part of a basic<lb />construction axiom: oChanges always cost more!�.<lb /><lb />Unlike a new construction project where more square<lb />footage usually can be added to overcome an increase in pro-<lb />gram space demands, a renovation literally may not be able<lb />to respond to the addition of any extra space. This is particu-<lb />larly true if your building is part of a downtown setting where<lb />buildings align omain street,� side by side. It is also true for<lb />sites that are part of an office condominium or mall setting.<lb /><lb />Architects are familiar with the fact that a renovation or<lb />adaptive re-use project is more susceptible to problems than<lb />new construction. Without fail, when walls are demolished<lb />or ceilings removed, some odiscovery� will be made which<lb />requires dollars to fix. If the architect has adequately prepared<lb />construction documents that are based on a thorough inves-<lb />tigation of the existing structure and infrastructure, these<lb />contingents should fall within a ten percent total of the de-<lb />sign development budget and five percent of the construction<lb />documentation budget.<lb /><lb />Also, be prepared to allow adequate time for some sche-<lb />matic design to take place prior to committing to a purchase.<lb />Yes, the chance exists that some design fees will be lost if the<lb />building fails to lend itself to a libraryTs function; but this early<lb />investment may save thousands (or millions) of dollars and<lb />much embarrassment later if a purchased building struggles<lb />or fails to meet important program requirements. I would<lb />suggest that the design investment be monitored closely and<lb />proceed in small steps, eliminating more obvious deficiencies<lb />early and continuing only as each level of criteria proves ac-<lb />ceptable. For example, follow a simple checklist such as the<lb />one on this page. Use the list and make certain that each cri-<lb />terion is met before continuing to the next. The earlier items<lb />are more important to meet since they could render a poten-<lb />tial building undesirable for renovations or adaptive re-use.<lb /><lb />Fixture and Furniture Budgets:<lb /><lb />The purpose of a good renovation is to bring an existing fa-<lb />cility to ogood as new� condition. DonTt circumvent success<lb />by filling your finished building with old furniture and fix-<lb />tures. It is amazing how many renovation projects include re-<lb />use of existing, worn out furniture that would not even be<lb />considered for re-use if the project were new. The standards<lb />should be the same. If you would not re-use the furniture in<lb />a new facility project, then donTt reuse it in your renovation.<lb /><lb />ADA Issues:<lb />ADA issues must be managed in both renovation and new<lb />projects. Given the fact that older buildings were built with<lb />more confined supporting spaces, small toilets, front en-<lb />trances accessible only by steps, shallow entry vestibules, nar-<lb />row hallways, etc., a renovation will face greater challenges<lb />in meeting the ADA objectives than new construction. In ad-<lb />dition, since a large number of library patrons are older adults,<lb />it is important that these challenges be met completely.<lb />Libraries have several advantages over other building<lb />types in dealing with handicap-accessible issues. The greatest<lb />of these advantages is the fact that on a square-foot basis, a<lb />large majority of a libraryTs space is open. Meeting ADA re-<lb />quirements can be as simple as designing appropriate range<lb />layouts, aisle clearances, and buying ADA-sensitive furniture.<lb />Other advantages include: a preference for a single point of<lb /><lb />North Carolina Libraries<lb /><lb />entry, if possible, which means that only one location for<lb />building entry ramps may be necessary; and for gang toilets,<lb />which tend to minimize premium space needs in toilet areas<lb />for ADA compliance.<lb /><lb />More challenging design considerations may involve a<lb />series of small items such as meeting minimum door widths<lb />or having to add an elevator (appropriately sized) in multi-<lb />story buildings. Given the importance of complying with<lb />handicap accessibility needs, I would suggest accepting these<lb />as construction-related expenses and proceeding directly to-<lb />ward solution. Doors not wide enough must simply be re-<lb />moved and replaced with wider doors. Include in this correc-<lb />tion new leveler-type hardware. The elevator industry has<lb />developed construction techniques for drilling shafts for el-<lb />evators built as retrofits. The only added cost over new is the<lb />demolition of a hole in the floor matching the size of the<lb />elevatorTs shaft and perhaps some structural modifications to<lb />clear the opening.<lb /><lb /><lb /><lb /><lb /><lb />Checklist:<lb /><lb />1. Examine a building's total square footage. If the<lb />building analysis indicates adequate area to meet<lb />program needs (or an addition can be constructed<lb />which combines to meet the libraryTs total area needs)<lb />then<lb />2. Examine the loading capacities of the building's<lb />structure<lb />3. Examine the framing arrangement of a potential<lb />building<lb />a. Single story, skeletal framing, slab on grade<lb />construction<lb /><lb />b. Multistory, steel or concrete frame, interior and<lb />exterior skeletal frame<lb /><lb />c. Multistory, steel or concrete frame, interior skeletal<lb />frame and exterior bearing walls<lb /><lb />If the building's structure is adequate or can be made<lb />adequate for a reasonable cost, and if the structure allows<lb />for a satisfactory flexibility, then<lb /><lb />4. Survey for hazardous materials<lb />a. asbestos - friable<lb />b. lead-based paint<lb />c. asbestos - non-friable<lb />d. ground water contaminates<lb /><lb />If the building is clear of excessive abatement work<lb />5. Examine the building's life safety system<lb /><lb />If stairs are adequate, or can be built to meet remote<lb />criteria, then<lb /><lb />6. Examine the buildingTs site condition<lb />a. Storm water controlled or reasonably controllable,<lb />b. Room for future growth<lb />c. Building free of major water infiltration in<lb />" walls and basement walls<lb />" roof<lb />d. Infrastructure acceptable or correctable<lb />" plumbing<lb />" mechanical<lb />" electrical<lb />7. ADA compliance<lb />8. Miscellaneous items have been considered<lb />9. Money is available to adequately fund the renovation<lb />" contingency dollars of 10% included<lb />" furniture budget available and adequate<lb />10. Living with construction, prepare a plan<lb /><lb />Summer 1997 " 63<lb /></p>
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          <lb />Construction Obstructions:<lb /><lb />Living with the construction may also present a number of<lb />delicate challenges. The key points are to phase construction<lb />to allow for reasonable operation of the library and develop<lb />construction phases in such a way as to protect patron safety.<lb /><lb />Strategies for phasing can include the requirement to<lb />complete an addition before any renovations occur to the<lb />existing library. If the addition is smaller than the space sched-<lb />uled to be renovated, then plan your phases in chunks of<lb />comparable size or smaller than the addition. These will al-<lb />low an area to be completely vacant during the construction<lb />work. If most of the building is to be renovated, and services<lb />cannot be pared down to allow construction to take place in<lb />areas totally separate from library use, consider a double move<lb />(move out of the existing library during construction and<lb />move back in after the construction). Though this approach<lb />is extreme, there may be some supporting economics to this<lb />arrangement. If the time and effort required to renovate an<lb />empty building is significantly shorter and simpler than it<lb />would be if the renovation took place around staff and pa-<lb />trons, then this option should be considered. Even if the time<lb />and cost are comparable, the added safety and improved op-<lb />eration environment will make the moves worthwhile.<lb /><lb />Protection of patrons during the renovations must be of<lb />paramount importance. Construction is a dangerous business.<lb />In addition, the public is extremely curious and will more<lb />than likely migrate toward the renovation operations. The<lb />library staff may need to be creative to minimize this ten-<lb />dency. Prepare a construction progress summary for patrons.<lb />Arrange with the builders for a safe place (or means) where<lb />patrons can see the work occurring (like the hole in a con-<lb />struction fence, designed to allow for viewing a construction<lb />site, in lieu of having the curious oclimb� the fence for a<lb />oview�).<lb /><lb />During construction, always maintain a reasonable emer-<lb />gency egress system. Consultation with the local building<lb />inspector and/or fire marshal will help determine minimum<lb />standards. As part of the construction contracts, require that<lb /><lb />NCLA Placement Center<lb />1997 NCLA Conference, Raleigh, N.C.<lb /><lb />Please send your available positions or resumes to:<lb />James R. Jarrell, chair<lb />Placement Center<lb />Benjamin Branch Library<lb />1530 Benjamin Parkawy<lb />Greensboro 27408<lb />Fax:910-33-6781<lb />Hours: Weds., Oct. 8: 10-4; Thurs. Oct. 9: 10-4<lb /><lb /><lb /><lb /><lb /><lb /><lb />all existing life safety fire alarm systems, electricity, and tele-<lb />phones remain active during construction except during<lb />hours the library is closed. Construction includes the use of<lb />torches, cranes, chemicals and other dangerous items; these<lb />systems must remain in place to address emergency needs.<lb /><lb />Summary:<lb /><lb />A step-by-step analysis is key because as you get further<lb />along in your analysis, you will have more and more time<lb />and money invested. As you proceed down the checklist,<lb />you can take comfort in knowing that the probability of<lb />Success has increased measurably. Certainly the level of<lb />compromise is more acceptable as each step is taken.<lb /><lb />Remember that architecture is the business of compro-<lb />mise. DonTt sacrifice function, but recognize that compro-<lb />mises may occur more frequently during a renovation<lb />project than a new project. It is important to spend some<lb />dollars to gain as much building flexibility as possible.<lb />Flexibility is a necessary component in library design and, if<lb />the right building is found, it is an attainable goal even in a<lb />renovation project.<lb /><lb />One last consideration should be made. During the<lb />selection of an architect, give ample consideration to archi-<lb />tects with library experience, but also consider that the skills<lb />relating to renovations and adaptive re-use of buildings are<lb />equally important. In fact, it may be more practical to<lb />oeducate� your architect about library needs than to break in<lb />an architect to the practice of renovations or adaptive re-use.<lb />After all, you do have your own library knowledge to work<lb />with in educating an architect about planning a library. At a<lb />minimum, be sure that the architect has no bias toward<lb />designing new facilities.<lb /><lb />With the right review and planning, a successful and<lb />cost effective renovation or adaptive re-use library project<lb />can be managed. If, during the construction process, it<lb />appears that the project is overwhelming, take comfort in<lb />knowing that it will be over soon and that the next project<lb />will probably be twenty years away. And lastly, remember,<lb />new projects also are overwhelming at times.<lb /><lb />References<lb /><lb />1 Bette-Lee Fox and Corinne O. Nelson, oRenovations "<lb />and Additions " On the Rise,� Library Journal 119 (Decem-<lb />ber 1994): 41-52.<lb /><lb />2 R. S. Means. Square Foot Costs, 18th Annual Edition,<lb />1995.<lb /><lb />3 North Carolina Building Code, Volume 1. (General<lb />Construction), 1996 ed. (adapted from 1994 Standard<lb />Building Code).<lb /><lb />4 Requirements of North CarolinaTs NESHAP program.<lb /><lb />CURRENT EDITIONS, INC.<lb />WHOLESALERS<lb /><lb />TO LIBRARIES<lb /><lb />858 Manor Street<lb />Lancaster, PA 17603<lb /><lb />1-800-959-1672<lb />1-800-487-2278 (FAX)<lb /><lb />"Support North Carolina Libraries"<lb /><lb />64 " Summer 1997<lb /><lb />North Carolina Libraries<lb /><lb /></p>
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          <lb />Creating Library Interiors:<lb />Planning and Design Considerations<lb /><lb />by Phillip K. Barton and Plummer Alston Jones, Jr.<lb /><lb />he purpose of this article is to<lb /><lb />provide a checklist of items to<lb /><lb />consider that relate to the inte-<lb /><lb />rior design of a public library,<lb /><lb />although it is not necessarily lim-<lb /><lb />ited to public libraries. These con-<lb /><lb />siderations are intended to help<lb /><lb />the librarian, in collaboration with the<lb /><lb />architect and/or interior designer,<lb /><lb />achieve a library interior design that is<lb /><lb />highly functional and comfortable for<lb />all who use it.<lb /><lb />In addition to this checklist, the li-<lb />brary planner and interior designer will<lb />want to consult two relatively new and/<lb />or revised publications: Carol R.<lb />Brown's Planning Library Interiors: The<lb />Selection of Furnishings for the 21st Cen-<lb />tury (1995), and William W. SannwaldTs<lb />Checklist of Library Building Design Con-<lb />siderations (3rd ed.) (1997). A third pub-<lb />lication, a classic work albeit slightly<lb />dated, is Aaron and Elaine CohenTs De-<lb />signing and Space Planning for Libraries: A<lb />Behavioral Guide (1979).1 This trilogy is<lb />the core of a growing body of literature<lb />on library planning and design.<lb /><lb />Access<lb /><lb />The libraryTs interior should be as bar-<lb />rier-free as possible, beginning at the<lb />main entrance. Barrier-free design di-<lb />rectly benefits persons with disabilities<lb />while simultaneously improving the<lb />general usability and safety of the<lb />building for the general public (e.g.,<lb />doors will be easier for everyone to<lb />open, and there will be fewer tripping<lb />and falling hazards). The building must<lb />be compliant with the requirements set<lb />forth in the Americans With Disabili-<lb />ties Act (ADA) of 1990 and the ADA Ac-<lb />cessibility Guidelines for Buildings and<lb /><lb />North Carolina Libraries<lb /><lb />Facilities, issued one year later.�<lb /><lb />It is preferable that a library have<lb />only one main public entrance that<lb />serves everyone entering the building.<lb />Consider using a double-door vestibule<lb />to prevent drafts and heat loss and be<lb />sure that doors are clearly marked oEN-<lb />TRANCE� and oEXIT.� Consider also<lb />using automatic, sliding doors at the<lb />main entrance; otherwise be sure that<lb />doors are easy to open.<lb /><lb />The entrance to the childrenTs area<lb />should be very distinctive and inviting<lb />to children. If feasible, the childrenTs<lb />entrance should be readily visible from<lb />the library entrance.<lb /><lb />Acoustical Treatment<lb /><lb />Efforts should be made to minimize<lb />disturbing noises for the benefit of<lb />people who are merely browsing<lb />through the collection, as well as for<lb />those who are staying for longer peri-<lb />ods, reading and studying. Sound con-<lb />trol can be achieved in part through<lb />the types of materials used on walls,<lb />ceilings, floors, and windows. It also<lb />can be affected by the general layout of<lb />various areas, traffic through these areas,<lb />and the arrangement of furnishings.<lb /><lb />Special attention should be given<lb />to certain areas such as restrooms, pho-<lb />tocopying areas, conference and meet-<lb />ing rooms, and mechanical equipment<lb />rooms. The mechanical equipment<lb />rooms should not be located near pub-<lb />lic service reading areas, conference<lb />rooms, or library offices. Also, encour-<lb />age designers to provide a safer omar-<lb />gin of error� in controlling duct noise<lb />in areas where staff and users must<lb />talk, where staff must concentrate, or<lb />where users must study.<lb /><lb />i AR A ca a a a a<lb /><lb />Assignable and Nonassignable<lb />Space<lb /><lb />Assignable space is space that can be<lb />applied directly toward library services<lb />(e.g., collection space, childrenTs area,<lb />circulation area). Assignable space con-<lb />stitutes the net square footage of the<lb />building.<lb /><lb />Nonassignable space is the space<lb />that can not be applied directly toward<lb />library services (e.g. corridors, stair-<lb />wells, elevators, restrooms, mechanical<lb />rooms). Generally, nonassignable space<lb />will be kept to a minimum, represent-<lb />ing 25% to 30% of the total square<lb />footage of the building. One should be<lb />somewhat suspicious if nonassignable<lb />space is significantly less than 25% of<lb />the gross square footage.<lb /><lb />The combined assignable and non-<lb />assignable space constitutes the total or<lb />gross square footage of the building.<lb /><lb />Building Design (Interior)<lb />Flexibility is the key word in library<lb />building design. The library must be as<lb />flexible in space use as possible. Like<lb />the society it serves, it must be adapt-<lb />able and adjustable to meet the chang-<lb />ing needs of that society. In physical<lb />terms this means a modular design<lb />with as few permanent walls as is func-<lb />tionally possible. Where walls are re-<lb />quired, it is preferable that they, too, be<lb />modular and easily removed.<lb /><lb />Library book stacks sizes should be<lb />taken into consideration when deter-<lb />mining the location and size of col-<lb />umns. According to Aaron CohenTs<lb />specifications for the Rowan Public Li-<lb />brary in Salisbury, columns should be<lb />located with multiples of 3'6" between<lb /><lb />Summer 1997 " 69<lb /></p>
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          <lb />them (3' for stacks; 4" for end up-<lb />rights and panels; 2" for irregularities<lb />in pouring).3<lb /><lb />Aaron and Elaine Cohen recom-<lb />mend the square as the ideal shape for<lb />space planning. The square is better<lb />than other shapes acoustically, allows<lb />greater flexibility for spatial arrange-<lb />ments, and enhances visual control. A<lb />square design does not reflect sound at<lb />odd angles, as is the case in a long rect-<lb />angular space. From an interior design<lb />perspective, the square is ideal since it<lb />minimizes distances.4<lb /><lb />Ceilings<lb /><lb />A suspended ceiling is recommended<lb />for use throughout most of the library.<lb />From an aesthetic standpoint, consider<lb />using 2' x 2' acoustical tiles and frame-<lb />work, in a white or off-white color<lb />preferably with a reveal.<lb /><lb />Because it does not absorb odors, a<lb />painted wallboard ceiling is recom-<lb />mended for use in the restrooms and<lb />the custodial closets. An epoxy paint<lb />should be used.<lb /><lb />Clocks<lb /><lb />Be sure to place electric clocks where<lb />they are easy to see throughout the<lb />building. Consider using battery oper-<lb />ated clocks.<lb /><lb />Color<lb /><lb />There are four color schemes: colorless,<lb />which utilizes white, black, and the<lb />natural colors of wood, concrete, and<lb />other building materials; monochro-<lb />matic, which emphasizes variations of<lb />only one color; related, which features<lb />colors adjacent to one another on the<lb />color wheel; and contrasting, which<lb />features colors opposite one another<lb />on the color wheel.<lb /><lb />Bright, dark, and warm colors, in-<lb />cluding reds, yellows, and oranges, ap-<lb />pear to move toward the viewer (i.e.,<lb />they advance) and make spaces appear<lb />smaller. Cool and pale colors, includ-<lb />ing blues, greens, and purples, appear<lb />to move away from the viewer (i.e.,<lb />they retreat) and make spaces appear<lb />larger.®<lb /><lb />The Cohens recommend white and<lb />light colors since they otend to make<lb />spaces appear spacious and cleaner. A<lb />white ceiling raises the apparent height<lb />of a room. Dark and bright furnishings<lb />stand out better against white back-<lb />grounds.�<lb /><lb />Light and medium colors, such as<lb />buff, beige, and gray, which the<lb />Cohens call oinstitutional tones,� are<lb />the easiest to work with and are most<lb />practical since they tend to hide dirt.<lb />Conversely, dark colors are excellent<lb />for walls and ceilings since they tend to<lb /><lb />66 " Summer 1997<lb /><lb />conceal flaws on surfaces.�<lb /><lb />The use of very bright colors next<lb />to one another will set up optical vibra-<lb />tions, which are difficult to look at. For<lb />example, avoid using brightly colored<lb />stripes in carpeting or on large expanses<lb />of walls, particularly in study areas where<lb />greater concentration is required.®<lb /><lb />A good rule of thumb for working<lb />with colors, according to the Cohens,<lb />is, owhen in doubt, use fewer colors.�<lb />Colorful, decorative accents can always<lb />be added using carpeting, fabrics,<lb />paints, and banners. They strongly ad-<lb />vise using oone person to coordinate<lb />the color scheme� since ocolor design<lb />by committee rarely turns out well.�?<lb /><lb />The color scheme in the childrenTs<lb />area should have child appeal. Even if<lb />the walls and floors are subdued, use<lb />colorful furnishings and displays.<lb /><lb />Control<lb /><lb />The interior arrangement of the build-<lb />ing should afford as much visual con-<lb />trol as possible with minimal staff. En-<lb />trances, exits, elevators, stairs, and<lb />restrooms should be in easy view of<lb />staff workstations. While shelving is<lb />often a barrier to visual control, con-<lb />sideration should be given to arrange-<lb />ments that facilitate viewing from ser-<lb />vice desks and along major traffic cor-<lb />ridors. If needed, additional visual con-<lb />trol can be provided through the use of<lb />surveillance cameras and mirrors.<lb />Control also can be provided<lb />through the use of detection systems at<lb />strategic locations, such as the main<lb />entrance. Try to plan as much as pos-<lb />sible of this into the design of the<lb />building. Even if the systems cannot be<lb />installed at the time of construction, at<lb />least install the necessary conduit.<lb /><lb />Drinking Fountains<lb /><lb />Drinking fountains should be located<lb />in the area of the restrooms. Be sure to<lb />note the ADA requirements regarding<lb />drinking fountains. !°<lb /><lb />Exhibit Space<lb />The library should accommodate a<lb /><lb />variety of exhibits, including wall-<lb />hanging exhibits and freestanding ex-<lb />hibits. Exhibit space also should be<lb />provided for the display of posters, an-<lb />nouncements, etc.<lb /><lb />The use of picture hanging mold-<lb />ing is a versatile means of display, par-<lb />ticularly the type that permits hanging<lb />with wires andoS� hooks or with tacks.<lb />Lighted showcase windows located in<lb />the area of the main entrance are good<lb />for freestanding displays. Vinyl-cov-<lb />ered bulletin boards of various sizes<lb />provide attractive display spaces.<lb /><lb />According to Carol Brown, odisplay<lb />furnishings should be treated as the<lb />most dynamic element in the library.<lb />They should allow for rearrangement<lb />of the materials displayed, as well as<lb />possible movement of all or part of the<lb />fixture itself.� As a beneficial result of<lb />this dynamism, omaterials that are sel-<lb />dom used may be checked out more<lb />frequently if they are both moved to<lb />another location and displayed in an-<lb />other manner.�!!<lb /><lb />Exhibit Space " Slotwall Display Units<lb />Slotwall (or slatwall) display units can<lb />be used to create effective display areas<lb />and provide attractive visual breaks<lb />among.rows of metal shelving. It is<lb />available in wall units (standard size: 4'<lb />x 8' panels) and freestanding units,<lb />which come in a variety of shapes and<lb />sizes. The A-frame unit is commonly<lb />used. Various types of display shelves<lb />can be used with slotwall units. If ma-<lb />terials such as books will be displayed,<lb />consider outfitting the slotwall with<lb />plastic or metal inserts. Slotwall can be<lb />used very effectively as end panels.<lb /><lb />Floor Coverings<lb /><lb />Floors should be carpeted in all public<lb />and staff areas, unless specified other-<lb />wise. Consideration should be given to<lb />the carpetTs acoustical performance,<lb />wearing performance, colorfastness,<lb />texture, fire resistance, non-allergenic<lb />qualities, installation, and recom-<lb />mended maintenance. Make certain<lb />that the architects/interior designers<lb />understand that libraries fall into the<lb />oextra-heavy traffic� category, along<lb />with schools, airports, hotels/motels,<lb />and healthcare facilities.<lb /><lb />Serious consideration should be<lb />given to using carpet tiles because of<lb />the tremendous flexibility they afford.<lb />Most importantly, carpet tiles will ac-<lb />commodate under-carpeting cabling<lb />for electrical and communication wir-<lb />ing. Also, carpet tiles can be replaced<lb />relatively easily; they even can be<lb />switched with tiles from other areas of<lb />the building where traffic has been<lb />minimal. Carpet tiles are now competi-<lb />tively priced with regular carpeting.<lb /><lb />Since carpeting colors are hard to<lb />match, the Cohens suggest using dif-<lb />ferent colors of carpeting in different<lb />areas of the library, oespecially areas of<lb />high traffic.� They elaborate that oif<lb />the carpeting is different in areas of<lb />high traffic, where it is likely to wear<lb />out in five to ten years, no one will no-<lb />tice that the carpeting in the rest of the<lb />facility has not been removed and re-<lb />placed.� !2<lb /><lb />Ceramic tiles are recommended for<lb /><lb />North Carolina Libraries<lb /><lb /></p>
        <pb facs="00027359_0013" />
        <p>use in restrooms and custodial closets.<lb />Traffic mat tiles are recommended for<lb />the vestibule.<lb /><lb />There should be no thresholds or<lb />doorsills throughout the building since<lb />they interfere with the movement of<lb />book trucks. All furnishings and equip-<lb />ment requiring casters should be speci-<lb />fied to be equipped with carpet casters.<lb /><lb />Floor Loading Capacity<lb /><lb />Generally, libraries require a live load<lb />of approximately 150 pounds per<lb />square foot for normal usage. The load-<lb />ing capacity should be 300 pounds per<lb />square foot live load for microform<lb />cabinets and compact shelving. If<lb />floors are not constructed with proper<lb />live loads, then the shelving, cabinets,<lb />and other heavy weights must be<lb />spread apart to compensate.!%<lb /><lb />Furniture Arrangement and Size<lb /><lb />Aaron and Elaine CohenTs behavioral<lb />approach to space planning is centered<lb />around the premise that opeople space<lb />themselves to define personal territo-<lb />ries and to minimize eye contact.�!4<lb />Unless a work surface is unusually<lb />large, it is rare to find more than one<lb />person using it. Moreover, people want<lb />a sense of security in the study areas<lb />they choose. Carrels placed perpen-<lb />dicular to walls are popular with stu-<lb />dents because they not only provide<lb /><lb />territorial protection, they also allow<lb />visual control of access. The Cohens<lb />observed that ochairs positioned with<lb />[their] backs to an open walkway are<lb />perceived as unprotected and, there-<lb />fore, often remain empty.�!<lb /><lb />Furniture in the childrenTs area<lb />should be of a size appropriate for<lb />young children. Generally, two sizes of<lb />furniture should be purchased for the<lb />childrenTs area: furniture designed for<lb />toddlers and preschoolers, and slightly<lb />larger furniture for school-age children,<lb />up through the sixth grade.<lb /><lb />Lighting<lb /><lb />In planning a lighting scheme for the<lb />library, use a strategy that illuminates<lb />spaces for their current purposes, but<lb />which can be changed or upgraded if<lb />those purposes change. Aim to match<lb />the lighting to the various experiences<lb />of library use. Avoid taking the easy<lb />path and assuming that all spaces can<lb />be uniformly lit to a high footcandle<lb />standard.<lb /><lb />The difficulty in designing lighting<lb />systems is in producing comfortable<lb />lighting. This effort is influenced by<lb />the combination of illumination level,<lb />reflection of light, contrast, and glare.<lb />A balance of each of these factors is<lb />imperative in achieving comfortable<lb />lighting.<lb /><lb />Modular panel system furniture, shown in this preservation/conservation workstation in<lb />the recently expanded Joyner Library at East Carolina University, Greenville, is a good<lb />example of flexible task furniture which can accommodate electrical and communications<lb />wiring, as well as adjustable worksurfaces, drawer units, shelving, lighting, and a variety<lb />of other accessories. Architect: Walters Robbs Callahan &amp; Pierce (Winston-Salem). Photo:<lb />Lynette Lundin<lb /><lb />North Carolina Libraries<lb /><lb />In planning for the lighting needs<lb />of the building, the architect and/or<lb />lighting engineer should seek a suitable<lb />combination of natural and artificial<lb />lighting to provide uniformly distrib-<lb />uted, shadowless, glare-free light. Rec-<lb />ommended lighting levels are readily<lb />available in various architectural and<lb />engineering design standards such as<lb />those published by the Illuminating<lb />Engineering Society of North America.<lb /><lb />Other important considerations in<lb />designing a lighting system are energy<lb />efficiency and maintenance. It is abso-<lb />lutely necessary that the library have a<lb />lighting system that it can afford to op-<lb />erate. The system also should be easy to<lb />maintain, keeping the number of differ-<lb />ent types of lighting fixtures to a mini-<lb />mum and selecting fixtures in which<lb />lamp replacement is relatively easy.<lb /><lb />oJob specific,� or task lighting, is<lb />recommended for staff workstations<lb />and other areas where specific tasks<lb />will be regularly performed, such as<lb />public magazine reading and study ar-<lb />eas. In such locations the lighting can<lb />be focused on the required task surface<lb />at the proper intensity. Task lighting<lb />often can be accommodated as a com-<lb />ponent of the furniture.<lb /><lb />It is important that task lighting not<lb />reflect off equipment screens, such as<lb />computer terminals. Task lighting<lb /><lb />should be fully adjustable and<lb />equipped with dimmer controls.!¢<lb /><lb />Mechanical Systems<lb /><lb />Designing mechanical systems, also<lb />referred to as HVAC systems (Heat-<lb />ing, Ventilation, Air Conditioning),<lb />for libraries requires providing appro-<lb />priate environmental control of space<lb />temperatures and humidity through-<lb />out the building. The mechanical sys-<lb />tem should keep these within the lim-<lb />its that protect the buildingTs contents<lb />from environmental extremes, while<lb />supplying ocreature comfort� for li-<lb />brary users and staff.<lb /><lb />Objectively, this is easy to target:<lb />human comfort is reached at 74 de-<lb />grees Fahrenheit (plus or minus 2 de-<lb />grees) at 50% humidity (plus or mi-<lb />nus 10 percent); books, paper materi-<lb />als, films and film media are pro-<lb />tected within these same limits as<lb />well. Rare papers and special collec-<lb />tions merit closer scrutiny.<lb /><lb />Typical problems with mechanical<lb />systems include: noise; hot spots,<lb />cold spots, and drafts; humidity; and<lb />service/maintenance access (staff<lb />concern). The most difficult problem<lb />arises from the subjective nature of<lb />individual creature comforts. Accord-<lb /><lb />Summer 1997 " 67<lb /><lb /></p>
        <pb facs="00027359_0014" />
        <p>
          <lb />
          <lb />ing to the architect William R. Burgin,<lb />these are all issues that should be ad-<lb />dressed with the architect and/or me-<lb />chanical engineer when designing the<lb />system.!� Another important consider-<lb />ation is the impact of increasing num-<lb />bers of computers on the climate in the<lb />building.<lb /><lb />A mechanical design is considered<lb />100% successful if people do not realize<lb />the system exists. In other words, the<lb />mechanical system operates invisibly.<lb /><lb />Public Address System<lb /><lb />A public address system is recom-<lb />mended as a means of announcing in-<lb />formation and instructions regarding<lb />library activities (e.g., closing). The sys-<lb />tem should provide for total area as<lb />well as for specific room/area broadcast<lb />from a central location such as the cir-<lb />culation desk.<lb /><lb />Public Copying Machines<lb /><lb />Each public service area should have at<lb />least one coin-operated copying ma-<lb />chine. (See also oAcoustical Treat-<lb />ments.�) Directional and identification<lb />signage should be planned to guide<lb />users to the machines.<lb /><lb />Seating (see also Task Seating)<lb /><lb />Carol Brown recommends that oit is<lb />essential to select a chair that is strong<lb />enough to withstand heavy and varied<lb />use, especially because it is often ex-<lb />pected to last for 20 years or more.�!8<lb />The ostandard� reading chairs sold by<lb />library furniture manufacturers are<lb />oavailable either with or without arms,<lb />with a sled or four-legged base, with an<lb />upholstered seat and back, or with a<lb />wood seat and back.� Their construc-<lb />tion varies oin the number of stretchers<lb />used, the placement of the stretchers,<lb />the size of the backrest and other mem-<lb />bers, and the manner in which the<lb />parts are joined.�!9<lb /><lb />Brown finds that upholstered fur-<lb />niture adds warmth and color to the<lb />environment. She also is insistent that<lb />owhen selecting a chair with an arm, it<lb />is absolutely essential to make sure that<lb />the arm will fit easily under the<lb />worksurface of any carrel, table, or<lb />other piece of furniture with which it<lb />might be used.� She further warns that<lb />othe purchase of stylish arm chairs that<lb />do not fit under a table can be an em-<lb />barrassing and costly error for a librar-<lb />ian or designer.�2°<lb /><lb />Planning with the disabled in<lb />mind, Brown is concerned that oa per-<lb />son in a wheelchair should be able to<lb />pull a chair out of the way easily and<lb />quietly. A reading chair or stool should<lb />be neither so heavy that it cannot be<lb /><lb />68 " Summer 1997<lb /><lb />moved with relative ease, nor so light<lb />that it falls over when it is pulled.�21<lb /><lb />Brown notes that since the arms of<lb />upholstered chairs, sofas, and other<lb />lounge furniture get soiled quickly, the<lb />obetter choices in areas with heavy<lb />public use are chairs with a butcher<lb />block panel that serves as an arm, or<lb />those with an upholstered side panel<lb />that have a wood strip or cap on the<lb />top of the arm.�22<lb /><lb />Have vendors supply sample chairs<lb />for staff to try out, since there are often<lb />several different opinions about how<lb />comfortable a particular chair is. For<lb />this reason alone, Brown suggests hav-<lb />ing oseveral different people, of vary-<lb />ing heights and weights, try out a<lb />chair.�23<lb /><lb />Brown advises library planners and<lb />interior designers to ocheck with local<lb />and state fire marshals to obtain infor-<lb />mation about any applicable regula-<lb />tions that will affect your choice of up-<lb />holstery.�24 The Association for Con-<lb />tract Textiles (ACT) promulgates per-<lb />formance guidelines and standards for<lb />upholstery in the areas of fire<lb />retardancy, colorfastness to wet and<lb />dry crocking (rubbing of hands against<lb />fabric in wet or dry conditions), color-<lb />fastness to light, physical properties<lb />such as strength of seams and ability of<lb />fabric to resist tearing, and abrasion or<lb />damage from wear and rubbing.?5<lb /><lb />Library planners should have avail-<lb />able the California Technical Bulletin<lb />133 (CAL 133), which is a full-scale fire<lb />test for seating furniture manufactured<lb />for use in public buildings, including<lb />libraries. This California legislation,<lb />put in force on March 1, 1992, is now<lb />oa nationally accepted fire safety stan-<lb />Gardece<lb /><lb />Security/Fire/Smoke Detection<lb />Systems<lb /><lb />Creating a safe environment in a public<lb />place requires careful planning. When<lb />designing a facility, work with the ar-<lb />chitect and/or interior designer to assess<lb />the security risks of the building"for<lb />the staff, the public, and the materials.<lb />It will be far easier to deal with design<lb />flaws at this juncture than after the<lb />building is already constructed.<lb /><lb />Heat- and smoke-sensing devices<lb />will be required. It is preferable that the<lb />system be linked directly to the nearest<lb />fire department. The control panel<lb />should be located in an area that is al-<lb />ways staffed, such as the circulation<lb />desk area. Be sure to install heat and<lb />smoke detectors in the vicinity of inte-<lb />rior book drops.<lb /><lb />All secondary exits should be<lb /><lb />equipped with door alarms that signal<lb />when the doors are opened. Consider<lb />equipping the door with a delay<lb />mechanism that prevents it from open-<lb />ing immediately. An alternative would<lb />be to install a camera to videotape a<lb />person exiting through the door.<lb />Consider other desirable types of<lb />security systems: sprinkler system,<lb />theft detection system, surveillance<lb />cameras, silent alarms, and motion de-<lb />tector system. Even if a particular sys-<lb />tem cannot be installed initially, have<lb />it designed into the building and in-<lb />stall the necessary conduit to facilitate<lb />installation at a later time.<lb /><lb />Service Desks<lb /><lb />Carol Brown suggests that ocirculation<lb />and reference desks must be designed<lb />to support the needs of the staff and<lb />users of a particular library.�2� She rec-<lb />ommends using a combination of stan-<lb />dard desk modules, including shelf<lb />units, but also incorporating some cus-<lb />tomized features.<lb /><lb />Brown states that oit is essential in<lb />planning for the present needs of the<lb />library, to design a desk with built-in<lb />flexibility so that the desk can be<lb />adapted as library staff, procedures,<lb />and equipment, as well as philosophy<lb />of service change.�28 One of the most<lb />obvious changes to the design of tradi-<lb />tional circulation, reference, and other<lb />service desks is their ability to accom-<lb />modate computer technology.<lb /><lb />Shelving<lb />High-quality bookstacks will last the<lb />lifetime of the library, usually consid-<lb />ered to be 20 to 30 years. Wood<lb />bookstacks, cantilevered steel shelving,<lb />or a steel shelving system with wood<lb />end panels are the three most popular<lb />choices for libraries. According to Carol<lb />Brown, when deciding which of these<lb />three to choose for various areas of the<lb />library, oone of the three selection fac-<lb />tors (function, maintenance, or appear-<lb />ance) is likely to be an overriding con-<lb />sideration.�29<lb /><lb />Steel shelving is very durable,<lb />sturdy, made of inert materials, and is<lb />less expensive than solid wood shelv-<lb />ing, and particularly good for storing<lb />heavy equipment and other nonbook<lb />materials. Wood shelving gives a more<lb />traditional, luxurious look. Make sure<lb />that wood construction utilizes solid<lb />wood and not particleboard, which<lb />tends to warp and sag under the<lb />weight of densely shelved books.?°<lb />Also keep in mind that library preser-<lb />vationists are warning us of the poten-<lb />tial for acid migration and off-gassing<lb />produced by wood shelving.<lb /><lb />North Carolina Libraries<lb /></p>
        <pb facs="00027359_0015" />
        <p>Signage<lb /><lb />One of the most important, yet often<lb />neglected, aspects of library interior<lb />design is signage. Signage design<lb />should take place along with building<lb />design, space planning, and furniture<lb />selection. The effect of good library<lb />planning and design is destroyed by<lb />the appearance of hand-lettered signs<lb />in many shapes, colors, and styles. This<lb />lack of systematic signage detracts<lb />from the image and philosophy of ser-<lb />vice that the library was designed to<lb />project.<lb /><lb />ADA guidelines apply directly to<lb />signage in the library, including osigns<lb />that designate permanent rooms and<lb />spaces, directional signs, and informa-<lb />tional signs.� In addition, according to<lb />Carol Brown, oaccessible elements of<lb />the building, such as entrance doors,<lb />rest rooms, water fountains, and park-<lb />ing spaces, must display the interna-<lb /><lb />tional symbol of accessibility.�?!<lb />Signs have psychological and be-<lb />havioral aspects as well, according to<lb />the Cohens. oSigns can be wall-hung,<lb />ceiling-hung, or freestanding,� but otoo<lb />many signs compete with one another<lb />and create a feeling of visual noise.�32<lb />They suggest that oin bright illumina-<lb />tion, dark letters against light back-<lb />grounds are best. In dim illumination,<lb />light letters against dark backgrounds<lb />are best.�33 The Cohens further recom-<lb />mend using a combination of upper-<lb />case and lowercase letters in informa-<lb />tional signs and obeyond three or four<lb />words, avoid using only capitals.�34<lb />Since the perception of color is to-<lb />tally dependent on light, a good con-<lb />trast between the background and the<lb />lettering of the sign is important. The<lb />Cohens state that a 75% contrast is<lb />considered a minimum; otherwise, col-<lb />ors may blend too much. Pay attention<lb />to the light reflectivity of the back-<lb /><lb />grounds of the signs: matte finishes are<lb />preferable to glossy.*5<lb /><lb />Study Spaces<lb />Carol Brown recommends that olarge<lb />computer tables or carrel configura-<lb />tions should include electrical systems<lb />and wire management channels simi-<lb />lar to those described for service desks.<lb />Furniture designed to hold library-<lb />owned equipment should have power<lb />and data outlets below the work-sur-<lb />face. Items designed to hold user-<lb />owned equipment should have power<lb />and data outlets conveniently located<lb />above the worksurface.�3° She particu-<lb />larly likes round or hexagonal-shaped<lb />workstations which ohave an advan-<lb />tage in that power and data entry from<lb />the building can occur in the center of<lb />the furniture where the wiring is not<lb />exposed to view.�37<lb /><lb />The use of large double-faced pieces<lb />of furniture with several workstations<lb />may be out of scale and therefore im-<lb /><lb />The Independence Regional Library of the Public Library of Charlotte and Mecklenburg County utilizes a hexagonal-shaped computer<lb />workstation which effectively conceals the power and data wiring. Library materials are displayed using slotwall panels. Architect:<lb />TBA?Architects (Charlotte) Photo: Ciarlante.<lb /><lb />North Carolina Libraries<lb /><lb />Summer 1997 " 69<lb /><lb /></p>
        <pb facs="00027359_0016" />
        <p>practical for a small space. Carol Brown<lb />suggests that oin a small building ...<lb />single-sided workstations 30-42 inches<lb />deep may be more desirable than<lb />double-sided workstations that may be<lb />as large as 60-84 inches deep.T�38<lb /><lb />For flexibility in space planning<lb />Brown recommends that libraries con-<lb />sider purchasing tables or carrels with<lb />adjustable-height worksurfaces. An-<lb />other equally important worksurface<lb />consideration involves the use of com-<lb />puters for CD-ROM products and on-<lb />line catalogs. According to Brown, oa<lb />PC workstation with monitor and key-<lb />board requires a worksurface that is a<lb />minimum of 30 inches deep from front<lb />to back.�3? Brown further cautions li-<lb />braries that are currently using dumb<lb />terminals for their online catalogs to<lb />otake into consideration the possibility<lb />that these smaller terminals may be re-<lb />placed eventually with larger computer<lb />workstations connected to a local area<lb />network� and that oadditional pieces of<lb />equipment not currently used, such as<lb />printers, will require space when they<lb />are added to a single workstation.�40<lb /><lb />Tables<lb />Carol Brown observes that othe size and<lb />number of its members, the construc-<lb />tion of the joints, and the strength of<lb />the materials used determine a tableTs<lb />durability� and states that all tables<lb />must be engineered to withstand verti-<lb />cal loads, resistance to deflection (i.e.,<lb />stiffness), and resistance to sideways<lb />and front-to-back loads.*1<lb /><lb />A library often has more than one<lb />style of table to make the interior more<lb />interesting and to provide a variety of<lb /><lb />worksurfaces for patrons with varying<lb /><lb />needs. The CohensT research into li-<lb />brary user behavior has shown that<lb />orectangular tables seem better for<lb />work and concentration, while circular<lb />tables are best for conversation.�42<lb />Here, again, the elements of creating<lb />personalized space and minimizing eye<lb />contact are determining factors in a li-<lb />brary userTs selection of a table or other<lb />work space.<lb /><lb />Task Furniture<lb /><lb />Furnishings for work areas are com-<lb />monly known as task furniture. Work<lb />areas may be furnished with conven-<lb />tional freestanding furniture, such as<lb />desks, credenzas, and lateral or vertical<lb />files, with furniture that is part of an<lb />office panel system (system furniture)<lb />or with a combination of both. As with<lb />other library furnishings, function,<lb />maintenance, and appearance also are<lb />considerations in the selection of fur-<lb />nishings for work areas. An important<lb /><lb />70 " Summer 1997<lb /><lb />we rg oo ge SE Ree<lb /><lb />additional consideration in the selec-<lb />tion of task furniture is flexibility.*2<lb /><lb />To determine what is needed in the<lb />work area, an audit or less formal as-<lb />sessment should be conducted. Accord-<lb />ing to Carol Brown, the design of work<lb />areas and selection of furnishings for<lb />them should be based on a clear under-<lb />standing of opersonnel, space, work<lb />flow, and equipment needed for the<lb />tasks to be performed in the work area<lb />now; possible growth and changes<lb />needed in the size of the staff, space,<lb />equipment, and tasks to be performed<lb />in the future; and special needs of the<lb />staff now and in the future.�*4<lb /><lb />Decision makers in the furniture<lb />selection process need to be aware of<lb />ergonomic issues and any state and lo-<lb />cal regulations that apply to task fur-<lb />nishings. It also would be helpful to<lb />have some familiarity with the stan-<lb />dards for office/task furnishings estab-<lb />lished by the American National Stan-<lb />dards Institute.<lb /><lb />Some specific task furniture consid-<lb />erations, discussed by Carol Brown, in-<lb />clude worksurface size and heights ap-<lb />propriate for the tasks being performed<lb />and the equipment being used; storage<lb />components and ease of access; proper<lb />and adjustable lighting; safe, conve-<lb />nient power and data distribution and<lb />wire management systems; and ad-<lb />equate acoustical treatment and dis-<lb />play capabilities. As with other furni-<lb />ture, it also should be attractive, com-<lb />fortable, and easy to maintain.45<lb /><lb />The overall workstation should be<lb />of an adequate size to facilitate move-<lb />ment from one task to another and<lb />have an arrangement that facilitates ef-<lb />ficient work performance. The worksta-<lb />tion also should have built-in flexibility<lb />and adjustability to allow for changes<lb />in personnel, tasks, and equipment.*¢<lb /><lb />Task Seating<lb /><lb />Seating for work areas is generally<lb />termed task seating or task chairs. Task<lb />chairs are used at staff workstations,<lb />and increasingly, at public worksta-<lb />tions, such as public computer stations<lb />and microfilm reading stations.<lb /><lb />Carol Brown notes that oexperts on<lb />ergonomics in the workplace agree that<lb />the selection of properly designed task<lb />chairs is vital to ensuring safe condi-<lb />tions in the office environment.�4� The<lb />selection of a task chair depends on vari-<lb />ous factors, such as the types of tasks to<lb />be performed (reading, conferencing, in-<lb />tensive computer activity, reference<lb />work, etc.), othe kinds of equipment that<lb />will be used, the length of time that is<lb />spent on any one task, the length of time<lb /><lb />a person will remain seated in the chair,<lb />and whether or not the chair will be used<lb />primarily by a single individual or will be<lb />used in shared work space by several dif-<lb />ferent people.�48<lb /><lb />Task chairs are classified as having<lb />active or passive ergonomic design.<lb />Active ergonomic chairs utilize sev-<lb />eral levers and knobs to make a wide<lb />range of adjustments, whereas pas-<lb />sive ergonomic chairs are essentially<lb />self-adjusting.*9<lb /><lb />According to Carol Brown, otask<lb />chairs selected for the library should<lb />meet ANSI/HFS (American National<lb />Standards Institute/Human Factors So-<lb />ciety) standard 100-1988, or revisions<lb />of the standard as they are made in the<lb />future.�S° Other attributes of quality<lb />task chairs recommended by Brown in-<lb />clude a backrest that allows for proper<lb />back support, distribution of the userTs<lb />weight, and correct curvature of the<lb />spine; a design and contour that prop-<lb />erly distribute the userTs weight and<lb />support the body correctly; a seat that<lb />is shaped and angled to position the<lb />spine properly and to distribute the<lb />userTs weight correctly; arms that do<lb />not impede the userTs movement from<lb />side to side; a five-point steel base for<lb />stability; ease of adjustment; and ease<lb />of maintenance.5!<lb /><lb />Wall Coverings<lb /><lb />The guiding criterion in the selection<lb />of all wall covering materials and fin-<lb />ishes is the need for minimal mainte-<lb />nance. Wall surfaces either should be<lb />painted with a high grade, washable<lb />paint or covered with a medium- to<lb />high-grade vinyl wallcovering. If paint<lb />is used in restrooms and high traffic ar-<lb />eas, it should be an epoxy paint. Vinyl<lb />wall covering is especially recom-<lb />mended for staff work areas.<lb /><lb />Window Treatments<lb /><lb />Drapes and/or blinds may be used for an<lb />aesthetic purpose and/or as a means of<lb />controlling noise and/or light. If noise<lb />control is desired, drapes are preferable.<lb /><lb />Wiring Systems<lb /><lb />The key consideration with wiring,<lb />whether retrofitting an old building or<lb />designing a new one, is to provide the<lb />greatest flexibility possible so that new<lb />functions can be incorporated easily as<lb />they are needed.<lb /><lb />The distribution of wiring through-<lb />out a building can be accomplished in<lb />a variety of ways, including a tradi-<lb />tional conduit system; a system of un-<lb />der-carpet cabling, or flat wire, which<lb />can be used only with carpet tiles; a<lb />raised floor system; runways or race-<lb /><lb />North Carolina Libraries<lb /></p>
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        <p>ways through false ceilings, walls, base-<lb />board, and/or under the floor; and<lb />wireless systems, such as radio fre-<lb />quency and infrared. The best solution<lb />to future wiring needs is to design re-<lb />dundant systems into the building.<lb /><lb />Summary<lb />Here you have in a handy format the<lb />wisdom of expert library planners and<lb />designers. Lest you feel daunted by the<lb />amount and variety of information that<lb />must be dealt with during the planning<lb />process, remember that all of their rec-<lb />ommendations are the result of trial<lb />and error and cumulative experience.<lb />Place a copy of this checklist in your<lb />planning notebook along with other<lb />helpful articles and illustrations you<lb />find in your research. Add your own per-<lb />sonal experiences and insights as they<lb />occur while meeting the challenge of<lb />creating library interiors. Most impor-<lb />tantly, share your findings with future<lb />library planners and interior designers.<lb /><lb />References<lb /><lb />! Carol R. Brown, Planning Library Inte-<lb />riors: The Selection of Furnishings for the<lb />21st Century (Phoenix, AZ: Oryx Press,<lb />1995), a revised edition of her Selecting<lb />Library Furniture: A Guide for Librarians,<lb />Designers, and Architects (1989); William<lb />W. Sannwald, Checklist of Library Building<lb />Design Considerations (Chicago: Ameri-<lb />can Library Association, Architecture of<lb />Public Libraries Committee, LAMA<lb />Buildings and Equipment Section, 1997);<lb />and Aaron and Elaine Cohen, Designing<lb />and Space Planning for Libraries: A Behav-<lb />ioral Guide (New York: Bowker, 1979).<lb /><lb />2 Americans with Disabilities Act<lb />(ADA) of 1990, Public Law 101-336; and<lb />ADA Accessibility Guidelines for Buildings<lb />and Facilities, published in Federal Regis-<lb />ter 56, no. 144 (Friday, July 26, 1991):<lb />35605-91.<lb /><lb />3 Aaron Cohen, oGeneral Design<lb />Guidelines,� Rowan Public Library Build-<lb />ing Program, 1985. Unpublished.<lb /><lb />4 Cohen and Cohen, 65.<lb /><lb />5 Ibid., 194-6.<lb /><lb />© Ibid., 193.<lb /><lb />7 Ibid.<lb /><lb />8 Tbid., 192-3.<lb /><lb /> Ibid., 196.<lb /><lb />10 ADA Accessibility Guidelines.<lb /><lb />11 Brown, 121.<lb /><lb />12 Cohen and Cohen, 192-3.<lb /><lb />13 Cohen, Rowan Public Library Building<lb />Program.<lb /><lb />14 Cohen and Cohen, 20.<lb /><lb />1S Tbid., 21-2.<lb /><lb />16 An excellent source for more basic<lb />information on library lighting is Library<lb />Lighting: A Primer, developed in 1996 by<lb />Meyer, Scherer &amp; Rockcastle, Ltd., an ar-<lb /><lb />North Carolina Libraries<lb /><lb />chitectural and interior design firm lo-<lb />cated in Minneapolis, Minnesota. Single<lb />copies of the publication are available for<lb />the cost of postage. Copies can be ordered<lb />via e-mail (scher001@maroon.tc.umn.edu).<lb />Indicate lighting primer in the subject line.<lb /><lb />17 William R. Burgin, oThose Who Use<lb />Should Choose: Library Design Decision<lb />Making,� North Carolina Libraries 49 (Fall<lb />LOOT) A253<lb /><lb />18 Brown, 60.<lb /><lb />Me pidey G7,<lb /><lb />20 Ibid).<lb /><lb />21 Tbid., 68.<lb /><lb />22 Tbid.<lb /><lb />23 Ibid:<lb /><lb />24 Tbid., 71; California Technical Bulletin<lb />133, A Fire Test for Seating, Furniture in<lb />Public Buildings, Questions and Answers<lb />(Sacramento, CA: California State De-<lb />partment of Consumer Affairs, Bureau of<lb />Home Furnishings and Thermal Insula-<lb />tion, 1992).<lb /><lb />25 Brown, 70.<lb /><lb />26 Mord; alls<lb /><lb />Dear Editor Bradburn:<lb /><lb />27<lb />28<lb />29<lb />30<lb />31<lb />32<lb />33<lb />34<lb />30)<lb />36<lb />37<lb />38<lb />39<lb />40<lb />41<lb />42<lb />43<lb />44<lb />aS<lb />46<lb />47<lb />48<lb />49<lb />50<lb />SL<lb /><lb />Brown, 59.<lb />Ibid.<lb /><lb />Ibid., 34.<lb />ibid Sor<lb />Tbigk, s7e<lb />Cohen and Cohen, 204.<lb />Ibid., 199.<lb />Ibid., 207.<lb />Ibid., 210.<lb />Brown, 84.<lb />Ibid., 85-6.<lb />Ibid., 86.<lb />Tbr 67.<lb /><lb />Ibid.<lb /><lb />Ibid., 73.<lb />Cohen and Cohen, 23.<lb />Brown, 103.<lb />Ibid., 104-105.<lb />Ibid., 106.<lb />Ibid.<lb /><lb />Ibid tds<lb />Ibid.<lb /><lb />Ibid., 113.<lb />Ibid.<lb /><lb />Ibid., 113-14.<lb /><lb />| found the viewpoints expressed on technology in your oPoint: CounterPoint�<lb />section of the Winter, 1996 issue to be thought-provoking. During my library school "<lb />days, oelectronic index� was an alien term. | recognize the obvious fact that technol-<lb />ogy is an integral part of our society today and that it has a beneficial role to play in<lb />library service at all educational levels. At the same time | am not sure that its place<lb />should be a prominent one as Jerry Thrasher argues. Any present-day librarian would<lb /><lb />be naive to advocate a return to the card catalog; yet librarians must admit that the<lb />computer is not an instrument for solving problems in the library " public, school, or<lb />academic. The goal of all librarians should be to achieve a delicate balance between<lb />traditional librarianship; i.e., printed sources, and technology. Admittedly, that is not<lb />an easy task, but it is one which should constantly engage our attention.<lb /><lb />Sincerely,<lb />Al Stewart, Retired Academic Librarian<lb /><lb />FOREIGN BOOKS and PERIODICALS<lb /><lb />CURRENT OR OUT-OF-PRINT<lb /><lb />Specialties:<lb />Search Service<lb /><lb />Irregular Serials<lb />International Congresses<lb /><lb />Building Special Collections<lb /><lb />ALBERT J. PHIEBIG INC.<lb />Box 352, White Plains, N.Y. 10602 * FAX (914) 948-0784<lb /><lb />Summer 1997 " 71<lb /></p>
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          <lb />Form Follows Function:<lb />Redesigning the School Library Media Center<lb /><lb />ew schools are being built<lb />and older schools reno-<lb />vated at an amazing pace<lb />throughout the United<lb />States. According to the<lb />Cincinnati Enquirer, for ex-<lb />ample, over $10 billion has<lb />been spent on school construction<lb />projects every year since the 1991-92<lb />school year.! As Michael Resnick, ex-<lb />ecutive director of the National School<lb />Boards Association, states, this trend<lb />will continue for the foreseeable future:<lb />oWe're watching a very significant in-<lb />crease in the number of children who<lb />are coming to school and will be com-<lb />ing to school for quite a few years.�2 As<lb />school districts across the country fo-<lb />cus on how to build and/or renovate<lb />buildings, one of the main areas tbeing<lb />emphasized is school library media<lb />centers (SLMCs) and the technologies<lb />that will be included in them. Some of<lb />the things that must be considered are<lb />electronic resources, availability of<lb />electricity, furniture, lighting, and<lb />acoustics.<lb />The change in media formats to<lb />CD-ROM and electronic formats has<lb /><lb />The transformation of the SLMC is<lb />dramatic and global, as the new<lb />forms for school library media<lb />center design follow the functions<lb />these facilities now are being<lb />asked to accommodate.<lb /><lb />by Karen Perry<lb /><lb />been the most dynamic force in rede-<lb />signing the look and shape of media<lb />centers in the ~90s. Space must be<lb />found for computers and computer fur-<lb />niture in areas that are often already<lb />cramped and crowded. Logically new<lb />cable and telephone connections, serv-<lb />ers and wiring closets, conduits and<lb />network drops often are placed in the<lb />media center first, the one location<lb />within the school that is centrally lo-<lb />cated and accessible to the entire stu-<lb />dent population. Renovation projects<lb />that give additional space and up-<lb />graded electrical status to media cen-<lb />ters are proposed to school boards who<lb />must stretch scarce construction dol-<lb />lars. Many proposed bond referendums<lb />include media center renovations or<lb />new media facilities to be added to<lb />older buildings as well as new schools.<lb />The transformation of the SLMC is dra-<lb />matic and global as the new forms for<lb />school library media center design fol-<lb />low the functions these facilities are<lb />now being asked to accommodate.<lb /><lb />In the past several years, school li-<lb />brary media center reference collec-<lb />tions, in particular, have moved toward<lb />a heavy dependence on<lb />CD-ROM and electronic<lb />sources.? The computers<lb />and table-top space re-<lb />quired have been a stum-<lb />bling block for older facili-<lb />ties attempting to upgrade<lb />while working with the<lb />same floor plan. In addition,<lb />there is the expectation that<lb />at least the school library<lb />media center will be up-to-<lb />date in a school, even when<lb /><lb />72 " Summer 1997<lb /><lb />classrooms cannot support<lb /><lb />technology. oIn no institution does the<lb />expectation of electronic miracles<lb />make better sense than in libraries.�4<lb />The parents, faculty, and students us-<lb />ing a school library media center de-<lb />mand instant dispensation of informa-<lb />tion. Facility designers and construc-<lb />tion engineers must take into account<lb />the implications of this mindset when<lb />designing traffic patterns, placement of<lb />electronics, sound buffering, and pro-<lb />viding for visual supervision.<lb /><lb />Not only do schools have to plan<lb />for the electric power to run comput-<lb />ers; they also must make provisions for<lb />the cabling that will network comput-<lb />ers into building-level (local-area) and<lb />district-wide (wide-area) networks as<lb />well. Cabling standards continue to<lb />change as rapidly as the machines they<lb />connect; indeed, building specifica-<lb />tions for cabling must be as flexible<lb />and as forward-thinking as possible to<lb />allow for future technology. Ease of re-<lb />placement for cabling should always be<lb />a major consideration.<lb /><lb />Soundproofing and acoustics have<lb />become more of a concern with the ad-<lb />dition of multimedia computer stations<lb />to SLMCs. Electronics call for flexibil-<lb />ity in furnishings and sound manage-<lb />ment. As Nicholas Van Hoffman com-<lb />ments, oYou canTt whisper shush to a<lb />computer keyboardTs clicking.�5 Car-<lb />peting, choices in types and locations<lb />of printers, use of low shelving as divid-<lb />ers for areas, glass walls for offices, and<lb />varying ceiling treatments are among<lb />the ideas most commonly used to add<lb />flexibility and to cope with both sound<lb />management and supervision of<lb />heavily used areas.<lb /><lb />Wiring from numerous pieces of<lb /><lb />North Carolina Libraries<lb /></p>
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        <p>electronic equipment in SLMCs is haz-<lb />ardous but seems to be the one item<lb />that is not standardly controlled. Plan-<lb />ners will hide wires inside table legs<lb />(wet legs) or run conduit underneath<lb />flooring and use grommets in table<lb />tops and countertops to feed dangling<lb />wires through to floor or wall electrical<lb />outlets. Another popular wire<lb />management device is the wire<lb />tray on the back edge of computer<lb />furniture. Mobility and flexibility<lb />of furniture arrangement in<lb />SLMCs are higher priorities than<lb />elaborate wire management.<lb /><lb />. Furniture for new facilities is<lb />often custom designed by build-<lb />ing planners. Bid specifications for<lb />flexible pieces that can serve any<lb />style of computer or control wires,<lb />and service the age of the popula-<lb />tion are being drawn up together<lb />by experienced media specialists<lb />and furniture designers. Helen<lb />Tugwell, Director of Media Ser-<lb />vices for Guilford County Schools,<lb />points out that oWhen choosing a<lb />new circulation desk, I am en-<lb />couraging media specialists to<lb />think smaller and more compact.<lb />They donTt need the barricade of<lb />old.�® Sue Spencer, Director of Me-<lb />dia and Technology for the<lb />Randolph County Schools adds,<lb />oAlthough we donTt always have<lb />control over square footage and<lb />placement of the facility within<lb />the building, the planning for ar-<lb />rangement of areas and furniture<lb />should be done by experienced media<lb />specialists. Architects canTt know all<lb />there is to know.�7<lb /><lb />Lighting adjustment for technol-<lb />ogy in the school library media center<lb />is also important. Areas that can be par-<lb />tially darkened for computer display<lb />panels or video presentations, but that<lb />allow continued use of the other por-<lb />tions of the facility foster full utiliza-<lb />tion of the space. Visual supervision<lb />with lights down is critical for school li-<lb />brary media specialists who are respon-<lb />sible for safety and instruction. Many<lb />new schools feature as a standard item<lb />multiple control switches for lights<lb />with infinitely adjustable dimming<lb />switches.<lb /><lb />New school library media facilities<lb />are being built at a record pace in fast-<lb />growing areas of North Carolina. Char-<lb />lotte-Mecklenburg County Schools, for<lb />example , opens two new SLMCs each<lb />year. Winston-Salem/Forsyth and<lb />Guilford County Schools are likewise<lb />opening new schools with state-of-the-<lb />art SLMCs. Wake County built four<lb /><lb />North Carolina Libraries<lb /><lb />new schools last year and plans to open<lb />three more in August 1997. Reusing<lb />several prototype designs, the Wake<lb />County Schools media facilities have<lb />many features that were not included<lb />in the quiet reference and study areas<lb />of the past. Whole new areas for mul-<lb />timedia usage and production as well<lb /><lb />as Internet access are included so that<lb />SLMCs can function efficiently with<lb />todayTs and tomorrowTs technology.<lb /><lb />A Case Study<lb /><lb />To aid in implementing their construc-<lb />tion bond money effectively, Wake<lb />County Schools developed a standard<lb />for media center design and reno-<lb />vation for elementary, middle,<lb />and high schools. These standards<lb />reflect the trends, objectives, and<lb />activities of the school library<lb />media program. Designed by a<lb />committee with reference to state<lb />and national guidelines and rec-<lb />ommendations, these county<lb />standards are updated as trends<lb />and needs change at the local<lb />level.<lb /><lb />The high school SLMC stan-<lb />dard for Wake County specifies a<lb />reading-listening-viewing area of<lb />7,150 square feet; an audiovisual<lb />equipment room, multimedia dis-<lb />tribution center, and teacherTs<lb />curriculum lab " all with areas of<lb />300 square feet; a transition com-<lb />puter lab of 800 square feet; a me-<lb />dia center office and workroom of<lb />450 square feet; and a private toi-<lb />let of 45 square feet. oOur goal<lb />was five square feet per student<lb />but the cost of building was so<lb />high in our area, we had to cut<lb />back,� said Jane Parker, Wake<lb />CountyTs Director of Media Ser-<lb />vices.® Based on a population of<lb /><lb />Top: Flexibility is a key element in designing todayTs school library media center. Mobile<lb />shelving, in the media center at Pilot Elementary School in the Guilford County School<lb />System, is an example of how flexibility is being achieved. (Photo: Karen Perry)<lb /><lb />Bottom: The compact, custom-designed circulation desk at the Lincoln Heights Elementary<lb />School in Raleigh is multi-leveled to accommodate a variety of functions and does not<lb />pr esent a barrier. Architect: Ramsay, Burgin, Smith Architects, Inc. (Raleigh and Salisbury). Photo: John Ramsay, Jr.<lb /><lb />Summer 1997 " 73<lb /></p>
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          <lb />1,600 students, this stan-<lb />dard allots 4.46 square feet<lb />per student.<lb /><lb />Some of the areas in<lb />these standards need expla-<lb />nation in terms of the tradi-<lb />tional floor plan for media<lb />centers. The multimedia dis-<lb />tribution area is a new label<lb />for a space controlling a con-<lb />glomeration of services. This<lb />room contains the master an-<lb />tenna control for in-house<lb />television systems, video re-<lb />trieval control, storage of vid-<lb />eocassettes and laser discs<lb /><lb />as networks extend to class-<lb />rooms and homes, the need<lb />for navigators, interpreters,<lb />and instructors makes the<lb />job of school library media<lb />specialists and the facilities<lb />in which they work even<lb />more important.<lb /><lb />oThe media center is still<lb />the hub " the heart of the<lb />whole process in the search<lb />for information.�!2 The<lb />form of the facility may<lb />change as the function<lb />shifts from bookkeeping to<lb />electronic navigation, but<lb /><lb />owned by the school, CD-<lb />ROM computer servers, and<lb /><lb />the essential role of the<lb /><lb />The workroom in the media center at the Riverside High School, Durham school library media center<lb /><lb />sometimes other computer County Schools, incorporates privacy with the ability to supervise through remains the same " to pro-<lb />control equipment. Existing counter-height Windows. Architect: DTW Architects and Planners Ltd. (Durham). Photo: Karen Perry) vide locale for resources to<lb /><lb />outside the media center is a<lb /><lb />separate wiring closet containing the<lb />hubs, routers, and main file servers for<lb />the school computer network. The tran-<lb />sition computer lab listed in the stan-<lb />dards is adjacent to the media center and<lb />designed for research and cooperative<lb />group work, but also has exits to the hall<lb />for traffic control.<lb /><lb />Lessons learned in Wake County<lb />can help others with more modest<lb />building programs. Lighting needs will<lb />require separate circuits for partial<lb />room darkening, while acoustical treat-<lb />ments will vary for different types of<lb />ceilings. Sources of natural light are<lb />needed for students to feel comfort-<lb />able. And for media specialists working<lb />in these new environments, at-a-glance<lb />supervision at all times is extremely<lb />important.<lb /><lb />Jane Parker commented that<lb />through experience oWe have learned<lb />that the window in the office door<lb />must begin no more than 42 inches<lb />from the floor so that a seated person<lb />can see out into the room.�?<lb /><lb />Areas for cooperative group work<lb />have become more desirable than<lb /><lb />study carrels as educational reforms en-<lb />courage teachers to use varied ways to<lb />motivate and instruct students. The<lb />SLMC is the most common place<lb />where student teams are taught to<lb />break larger research tasks into smaller<lb />parts, gather information, and come<lb />back together to share.!9 In Wake<lb />CountyTs standards, there are specific<lb />large-table areas for cooperative group<lb />work, including at least one terminal<lb />for Internet and network access to in-<lb />formation resources.<lb /><lb />The planning and foresight of ad-<lb />ministrators in Wake County have<lb />helped to make the most efficient use<lb />of the construction dollar in their<lb />school library media centers. They<lb />have incorporated trends and current<lb />practices in media center use to design<lb />facilities that look to the future.<lb /><lb />Summary<lb /><lb />Renovation and new library buildings<lb />bring out the zealot who believes that<lb />the book is oa 19th century relic� and<lb />that owe'll soon get all of our informa-<lb />tion from a computer screen.�!! Even<lb /><lb />be shared within a school.<lb /><lb />References<lb /><lb />1 Kathleen Hillenmeyer, oSchool<lb />Growth Building for the Future,� Cin-<lb />cinnati Enquirer (August 7, 1996), A1.<lb /><lb />2 Ibid.<lb /><lb />3 Kim Carter, oImages of Information<lb />in a 21st Century High School,� School<lb />Library Journal 40 (February 1994): 28.<lb /><lb />* Nicholas Van Hoffman, oChecking<lb />Out Electronic Libraries: Repackaging In-<lb />formation for the Next Millennium,� Ar-<lb />chitectural Digest 53 (October 1996): 130.<lb /><lb />5 [bid., 134.<lb /><lb />6 Helen Tugwell, Comments on<lb />GASL electronic listserv on Guilford<lb />County Schools server 10 April 1997.<lb /><lb />7 Sue Spencer, interview, April 15, 1997.<lb /><lb />8 Jane Parker, interview, April 15, 1997.<lb /><lb />9 Ibid.<lb /><lb />10 Cindy Darling Codell, oBrick by<lb />Brick: Building a School Library from<lb />the Ground Up,� School Library Journal<lb />41 (February 1997): 22.<lb /><lb />11 oDefend the Library as a Citadel of<lb />Books,� [Editorial] Greensboro News and<lb />Record (April 20, 1997), F2, column 1.<lb /><lb />12 Spencer.<lb /><lb />* 19 Years of Service<lb />+ oHands On� Selection<lb />* Pre-School Through Adult<lb />_ © Discounts up to 70% Off<lb />* Now Two Adjacent Warehouses<lb />* Sturdy Library Bindings<lb />100% Fill<lb />¢ Cataloging/Processing Available<lb /><lb />(904) 737-2649<lb /><lb />74 " Summer 1997<lb /><lb />* Over 21,000 Current &amp; Backlist Titles<lb /><lb />oNothing like seeing<lb />for yourself.�<lb /><lb />MUMFORD LIBRARY BOOKS, SOUTHEAST, INC.<lb />7847 Bayberry Road « Jacksonville, Florida 32256<lb /><lb />FAX: (904) 730-8913<lb /><lb />MUMFORD<lb /><lb />RELIABLE WHOLESALER SINCE 1977<lb />North Carolina Representative " Phil May<lb /><lb /><lb /><lb /><lb /><lb />1-800-367-3927<lb /><lb />North Carolina Libraries<lb /><lb /></p>
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          <lb />The More Things Change ...<lb />Nuts and Bolts of Technology Planning<lb /><lb />he old adage, othe more things<lb />change, the more they stay the<lb />same,� certainly applies to the re-<lb />lationship between technology<lb />and buildings. In spite of the em-<lb />phasis on the rapid advance of<lb />technology, fundamental issues<lb />have remained unchanged for years.<lb /><lb />There is no question that personal<lb />computers have become faster and<lb />more powerful as they have become less<lb />expensive. The cost of electronic storage<lb />has dropped in price per megabyte.<lb />Software applications have become<lb />more powerful. The Internet tidal wave<lb />has overwhelmed existing networks.<lb />These and other developments tend to<lb />focus a personTs attention on the never-<lb />ending flow of newer and more fantas-<lb />tic electronic gadgetry. The key claim in<lb />this technological cornucopia is that<lb />our professional lives will become much<lb />more effective and efficient.<lb /><lb />As in so many environments, the<lb />basics often become lost in the fascina-<lb />tion with the newest technologies. If<lb />these fundamentals are not addressed,<lb />the technological superstructure that<lb />every organization wants to build can<lb />fall apart.<lb /><lb />First among these fundamentals is<lb />the conduit to hold the network ca-<lb />bling. Unless the library is relatively<lb />new, it is likely that there will be little or<lb />no conduit in the walls and ceilings of<lb />the building. It is possible to install and<lb />operate a network without pulling the<lb />cabling through conduit, but if that is<lb />done, the data transmission could be<lb />affected by interference from such<lb />sources as fluorescent lights and eleva-<lb />tors. Even if the cabling is shielded, it<lb />ought to be housed in conduit.<lb /><lb />If library staff are planning new<lb /><lb />North Carolina Libraries<lb /><lb />by Kenneth E. Marks<lb /><lb />space or preparing for renovation, the<lb />installation of conduit can be an inte-<lb />gral part of the construction that takes<lb />place. The common tendency to under-<lb />estimate the amount and size of con-<lb />duit that is needed must be guarded<lb />against during the planning process.<lb />Architects, electrical engineers, electri-<lb />cians, networking specialists, and others<lb />may not realize the extent to which<lb />many libraries are already dependent<lb />on networked resources. This depen-<lb />dency will not decline; it will grow. Try-<lb />ing to go back and install additional<lb />conduit can be terribly expensive. Re-<lb />view the dimensions of the proposed<lb />conduit and do not hesitate to<lb />double or triple its size. This is true<lb />even if you plan to install only fiber<lb />optic cable.<lb /><lb />Also consider the raceways or<lb />cabletrays that carry cabling in bulk<lb />throughout the library. It is essential<lb />that the size of the cabletrays be large<lb />enough and easily accessible. Typi-<lb />cally, they should be accessible from<lb />above or the side; otherwise these<lb />cable passageways might be located<lb />with plumbing and other piping,<lb />thus requiring a contortionist to get<lb />at them. Remember to make access<lb />easy for the workers who will have to<lb />deal with these installations in the<lb />future.<lb /><lb />Once the conduit is installed, it<lb />is time to be concerned about the<lb />network cabling that will be pulled.<lb />While it might be a laudable goal,<lb />there is little immediate prospect for<lb />most libraries to install fiber optic<lb />cable to the desktop PC. There are a<lb />variety of reasons for this. First, it is<lb />probably more expensive than most<lb />libraries can afford or justify. Second,<lb /><lb />bandwidth demands in most libraries<lb />are not yet sufficient to justify the in-<lb />stallation. Third, it is probably unrealis-<lb />tic to expect local personnel to be able<lb />to work with or troubleshoot fiber optic<lb />cable installation.<lb /><lb />A more reasonable, cost-effective<lb />cabling option is Category 5 shielded<lb />twisted pair which should provide ad-<lb />equate carrying capability for the near-<lb />term in most libraries. It is reasonable to<lb />expect that someone among the library<lb />staff can learn how to place the neces-<lb />sary ends on the cable so it can be con-<lb />nected to the network cards and hubs,<lb /><lb />The amount and size of conduit should<lb />not be underestimated. (Photo: Joyner<lb />Library, East Carolina University.)<lb /><lb />Summer 1997 " 75<lb /></p>
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        <p>routers, and bridges. The equipment to<lb />do this is inexpensive.<lb /><lb />A question might be raised at this<lb />point by many librarians in small librar-<lb />ies: since we are so small, will we ever<lb />have a reason to be networked? The<lb />answer is a resounding, Yes! Even the<lb />smallest library can benefit in two<lb />ways from networking its PCs. First,<lb />sharing applications, resources, and<lb />work can bring enormous benefits.<lb />Second, public access to electronic in-<lb />formation resources from multiple<lb />workstations is extraordinarily impor-<lb />tant in every library, regardless of size.<lb /><lb />The next fundamental crucial to<lb />library technology is the quality of the<lb />electrical power. Many libraries are de-<lb />pendent on power that appears to be<lb />generated by a pair of caged chip-<lb />munks. Power surges, power spikes,<lb />and brown-outs, among other events,<lb />are the bane of an electronic environ-<lb />ment. Conditioned power is impor-<lb />tant if the investment in electronic<lb />equipment is to be protected and ac-<lb />cess preserved over an extended pe-<lb />riod. Typically, librarians will purchase<lb />surge protectors that plug into a wall<lb />outlet. These deliver band-aid solu-<lb />tions. The best solution is a power con-<lb />ditioner that controls all power enter-<lb />ing the library. Retrofitting a library for<lb />this equipment may not be practical<lb />from a physical or cost viewpoint un-<lb />less a major renovation is underway.<lb />In a new building, however, condi-<lb />tioned power should be an absolute re-<lb />quirement.<lb /><lb />TodayTs electronic technologies are<lb />so robust that they no longer require<lb />the oglass house� with special environ-<lb />mental conditions in order to operate.<lb />Nonetheless some common-sense pre-<lb />cautions are advised. Position PCs and<lb />servers so they cannot be kicked acci-<lb />dentally and network cables pulled<lb />loose. Loose network connections may<lb />be the single greatest cause of network<lb />problems. Raise PCs off the floor to<lb />avoid flooding. Do not place the equip-<lb />ment in a space that lacks adequate cir-<lb />culation.<lb /><lb />If a library is renovating or building<lb />new space, it is wise to provide some<lb />type of server room to house a variety of<lb />electronic equipment. Servers, routers,<lb />bridges, hubs, and modems can be rack-<lb />mounted and placed in a relatively<lb />small space. The most significant payoff<lb />from this placement is security. No mat-<lb />ter how secure librarians believe their<lb />facilities to be, there are individuals<lb />who will cause havoc with the network<lb />and its equipment if the opportunity is<lb />presented. Nearly all libraries have ex-<lb /><lb />76 " Summer 1997<lb /><lb />perienced petty mischief such as the<lb />theft of mice roller-balls and keys from<lb />keyboards. As a result, it is wise to secure<lb />the more critical pieces of a network.<lb />Another facet of the security issue<lb /><lb />Modular furniture provides secure concealment<lb />for wiring. (Photo: Joyner Library, East Carolina University.)<lb /><lb />involves the placement of PCs in a li-<lb />brary. Plans for East Carolina<lb />UniversityTs Joyner Library expansion<lb />included dispersing PCs widely<lb />throughout the building. Clusters of<lb />two and three PCs were scattered<lb />throughout the second and third floors<lb />of the new space in August. Before the<lb />end of the fall semester, most of the PCs<lb />had fallen victim to intentional vandal-<lb />ism by library patrons who attempted<lb />to remove various operating parts of the<lb />equipment. The distributed PCs had to<lb />be relocated to establish clusters of ap-<lb />proximately 12 PCs that could by super-<lb />vised whenever the library was open.<lb />This new configuration required some<lb />rearrangement of the stack and furni-<lb />ture layouts.<lb /><lb />Once the infrastructure for the net-<lb />work is in place, librarians need to turn<lb />to the use of technology in their librar-<lb />ies. Although many libraries still em-<lb />ploy hardwired dumb terminals, they<lb />should develop a plan to migrate away<lb />from that technology. A library that is<lb />fortunate enough to have a new or<lb /><lb />renovated facility should make cer-<lb />tain that the equipment budget con-<lb />tains funds for PCs, printers, servers,<lb />hubs, etc. This may be the one time that<lb />a quantum leap in technology can be<lb />taken, so take full advantage of it.<lb /><lb />Prices have fallen dramatically for<lb />PCs and related peripherals in the past<lb />year. Pentium-based PCs can be ob-<lb />tained without obreaking the bank.� A<lb />most critical but often neglected con-<lb />sideration is the amount of RAM pur-<lb />chased with a PC. It is commonplace<lb />today to find PCs with 16 megabytes<lb />(MB) of RAM at very reasonable prices.<lb />Configurations with 24 and 32 MB<lb />RAM are becoming more common.<lb />Thoughtful consideration should be<lb />given to a minimum configuration of<lb />32, and possibly, 48 MB RAM. Although<lb />this might be considered extravagant, it<lb />may be the best form of insurance to<lb />guarantee a longer useful life for the<lb />PCs that are purchased. Software appli-<lb />cations such as those that run in a Win-<lb />dows 95 or NT environment are ohogs�<lb />when it comes to requirements for<lb />RAM. Few things are more frustrating<lb />than an under-powered PC trying to<lb />deliver the full functionality of the lat-<lb />est version of a standard application on<lb />which the library is dependent.<lb /><lb />The other element in a PCTs con-<lb />figuration that should be considered<lb />very carefully is hard disk storage space.<lb />Many of us can remember when a 10<lb />MB hard disk was an unbelievable re-<lb />source which no one could imagine fill-<lb />ing. Now there are applications that re-<lb />quire many times more storage space. It<lb />is common for PCs to come equipped<lb />with 2 Zales D GigaByte hard disks.<lb />This is one of those situations where<lb />more is better, even if there is a convic-<lb />tion that the space will never be filled.<lb />It will, and sooner than anyone can<lb />conceive.<lb /><lb />Give serious consideration to moy-<lb />ing beyond the 10 MB network cards<lb />typical of Ethernet networks, particu-<lb />larly since 100 MB network cards now<lb />are reasonably priced. As libraries move<lb />more and more images across their net-<lb />works, it may be a wise investment to<lb />purchase the faster network card and<lb />the requisite upgraded hubs/routers.<lb /><lb />If library staff are interested in tak-<lb />ing the plunge, consider the alternative<lb />of a wireless network. There are cer-<lb />tainly advantages to a wireless environ-<lb />ment, such as avoiding the large scale<lb />installation of conduit and pulling of<lb />cable. Wireless network speeds, how-<lb />ever, will not match those of the more<lb />traditional network environment. An<lb />additional potential problem could<lb /><lb />North Carolina Libraries<lb /></p>
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        <p>arise if the space in which the wireless<lb />network is to be installed is filled with<lb />many columns or a large quantity of<lb />steel girders or supports. These could<lb />generate so much interference and dead<lb />areas that satisfactory data transmission<lb />could never be achieved. Nevertheless,<lb />every library ought to consider and<lb />evaluate wireless networks.<lb /><lb />Plans for equipping a new or reno-<lb />vated library space should include a<lb />thoughtful configuration of the furni-<lb />ture, especially in terms of wire manage-<lb />ment. Too many library work areas and<lb />public spaces are cluttered by an un-<lb />sightly mass of network cables, tele-<lb />phone lines, and peripheral cabling.<lb />Besides the obvious visual pollution<lb />that results from various types of cables<lb />spilling across the floor, tables,<lb />counters, and desk, it is only too likely<lb />that these cables will be pulled or jerked<lb />inadvertently, disrupting functions.<lb /><lb />The solution to this disorder is fur-<lb />niture designed for wire management.<lb />A variety of methods is used to hide or<lb />disguise the cabling, and librarians<lb />should choose the one that is best for<lb />their environment. Select furniture that<lb />provides management capability for<lb />both network/computer cabling and<lb />telecommunications as well as electrical<lb />lines. Ideally, these will be managed in<lb />separate trays built into the furniture.<lb />Reject furniture that requires specialized<lb />technical people to pull cable in these<lb />Management systems or to move the<lb />furniture.<lb /><lb />Two developments in electronic dis-<lb />play equipment, otherwise know as<lb />monitors, should be kept in mind. First,<lb />as more electronic resources contain im-<lb />ages, an increased demand for 17- or 19-<lb />inch monitors is likely. These units are<lb />significantly larger than the standard<lb />13- or 15-inch monitors and conse-<lb />quently affect the functionality of study<lb />carrels or worktables. It is possible that li-<lb />brarians will have to redefine the ostan-<lb />dard�-sized workspace. Second, this year<lb />the first of the othin� plasma displays<lb />have appeared in the marketplace. While<lb />they now are quite expensive, the con-<lb />sensus seems to be that they will be cost<lb />effective within another two years. Li-<lb />braries will be able to purchase monitors<lb />that are 36 to 54 inches wide and 3 to 4<lb />inches deep. These monitors can be<lb />hung on a wall instead of placed on a<lb />table or carrel, creating an entirely new<lb />set of challenges.<lb /><lb />Three other technological develop-<lb />ments will become important to library<lb />technology planning. Video confer-<lb />encing and voice recognition may be<lb />viewed as irrelevant or unnecessary to-<lb /><lb />North Carolina Libraries<lb /><lb />day, but both features<lb />will be accepted quickly<lb />by both librarians and<lb />patrons. The third is the<lb />DVD, best known as the<lb />digital video disk or the<lb />digital virtual disk.<lb />Most librarians have<lb />heard of CU-SEE-ME and<lb />have seen the advertising<lb />for the small, inexpen-<lb />sive video cameras that<lb />can be positioned beside<lb />or on top of a monitor.<lb />These small cameras will<lb />continue to improve in<lb />quality, decrease in size,<lb />and become even less ex-<lb />pensive. It is only a mat-<lb />ter of time until they are<lb />sold as an integral part of<lb />all PCs. The consequence<lb />for librarians is that plan-<lb />ning has to begin now to<lb />resolve how to provide<lb />the necessary network<lb />connections. Equally<lb />critical is lighting in the<lb />areas where these PC/<lb />video workstations will<lb />be located. Unless an ap-<lb />propriate level of lighting<lb />is available, complaints<lb />about the unsatisfactory<lb /><lb />Wire management is accomplished in the renovated Joyner<lb />Library at East Carolina University with punch panels and<lb />hubs in eleven data equipment closets.<lb /><lb />nature of the equipment<lb />and the libraryTs failure to provide satis-<lb />factory service will be constant.<lb /><lb />Voice recognition software will<lb />make a significant appearance in the<lb />next twelve to eighteen months. The<lb />first voice recognition applications that<lb />work with continuous, rather than<lb />stilted speech have just been released.<lb />The cost of voice recognition software<lb />has dropped precipitously and, conceiv-<lb />ably, could be one of the new features<lb />that is packaged with PCs in the next<lb />year or two. How will libraries integrate<lb />PCs that use voice recognition software?<lb />Should all public workstations be<lb />equipped with this capability? Should<lb />this capability be restricted to a limited<lb />number of workstations available only<lb />to the handicapped? Will the noise level<lb />in libraries increase beyond an accept-<lb />able level (whatever an acceptable level<lb />may be)? Does this mean that special<lb />precautions should be taken to install<lb />soundproofing in various parts of a li-<lb />brary as it is renovated? There are no<lb />ready-made answers to these questions,<lb />but now is the time to begin consider-<lb />ing them.<lb /><lb />DVD is a technology that may be-<lb />gin to have an impact on libraries<lb />within the next eighteen months. As a<lb /><lb />delivery medium for providing access to<lb />video-based materials, this technology<lb />has a number of distinct advantages<lb />over videotape. Not the least of these is<lb />the fact that wear and tear should be<lb />minimized. Also, it is likely that PC<lb />manufacturers will begin to sell their<lb />equipment with DVD players installed.<lb />When this happens, every PC in a li-<lb />brary can become a video display unit,<lb />thus allowing VCRs to be phased out.<lb />PCs with DVD players installed should<lb />be available at reasonable pricing in<lb />about eighteen months.<lb /><lb />It is apparent that there will be no<lb />decrease in the rate of technological de-<lb />velopment. It is apparent, too, that li-<lb />brarians need to consider the implica-<lb />tions of these technological develop-<lb />ments now and prepare to respond to<lb />the opportunities that will occur. Those<lb />librarians fortunate enough, or cursed<lb />enough, to be involved in planning a<lb />renovation of existing library space or a<lb />completely new space should become as<lb />informed as possible about the impact<lb />of technology on their facilities. Re-<lb />member, however, that technology is a<lb />moving target that can never be<lb />brought completely within sight.<lb /><lb />Summer 1997 " 77<lb /></p>
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          <lb />Library Dreams/Architectural Realities:<lb />North Carolina Library Architecture of the 1990s<lb /><lb />by Phillip K. Barton and Plummer Alston Jones, Jr<lb /><lb />The architectTs philosophy that form follows function is abundantly evident in<lb />this photo essay of recent library architecture in North Carolina.<lb /><lb /><lb /><lb />Right: The old adage<lb />onecessity is often the<lb />mother of invention� is<lb />captured in the media<lb />center at the Southwest<lb />Elementary School in<lb />Lexington, where<lb />structurally essential<lb />columns were transformed<lb />into playful giant Tinkertoys.<lb /><lb />Architect: Ramsay, Burgin, Smith,<lb />Architects (Raleigh &amp; Salisbury) Photo:<lb />Courtesy of Donna Smith<lb /><lb />Above: The media center at the new Pilot Elementary School in<lb />the Guilford County School System typifies the modern media<lb /><lb />center which is designed to accommodate traditional library<lb /><lb />functions alongside the latest technology,<lb />Architect: Moser, Mayer and Phoenix Associates (Greensboro). Photo: Karen Perry.<lb /><lb />Below: A new media center was part of a recent addition to the<lb />Lincoln Heights Elementary School in the Wake County School<lb />System. The center features a vaulted ceiling with clerestory<lb />windows, child-sized furniture and service desk, and ofun�<lb /><lb />elements like the palm tree. Architect: Ramsay, Burgin, Smith, Architects, Inc.<lb />(Raleigh and Salisbury). Photo: John Ramsey.<lb /><lb />The recently expanded Joyner Library at East Carolina University in Greenville<lb />features a state-of-the-art interactive viewing room which provides links to<lb />NCIN and MCNC. Architect: Walters Robbs Callahan &amp; Pierce (Winston-Salem) Photo: Lynette Lundin<lb /><lb /></p>
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          <lb />Left: The 8,000 sq. ft. Plaza Midwood Branch Library<lb />of the Public Library of Charlotte and Mecklenburg<lb />County captures the distinctive geometric forms of<lb />the art deco style. A curvilinear design is reflected in<lb />the circulation desk, shelving, and ceiling beams.<lb />Architect: TBA? Architects. Photo: Courtesy of TBA? Architects (Charlotte)<lb /><lb />Below: The D. Hiden Ramsey Library at the University<lb />of North Carolina-Asheville was expanded and<lb />renovated in the early 1990s. The Cafe Ramsey<lb /><lb />provides an excuse for people to linger in the library.<lb />Photo: J. Weiland :<lb /><lb />Above: The new focal point of the<lb />Gaston College campus in Dallas is the<lb />very handsome Morris Library, which<lb />features traditional Georgian<lb />architecture with a state-of-the-art<lb />interior. Reflective lighting fixtures, as<lb />seen here in the current periodicals<lb />reading area, are used throughout the<lb /><lb />libr Aly. Architect: Little &amp; Associates (Charlotte)<lb />Photo: Courtesy of David L. Hunsucker<lb /><lb />Right: A classic domed rotunda houses<lb />the Special Collections search room in<lb />the new addition to Joyner Library at<lb /><lb />East Carolina University in Greenville.<lb />Architect: Walters Robbs Callahan &amp; Pierce (Winston-Salem)<lb />Photo: Lynette Lundin<lb /><lb /></p>
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          <lb />Exterior details are reflected throughout the interior of the<lb />new Southern Pines Public Library. The entrance into the<lb />young childrenTs area reflects the semicircular arch<lb /><lb />apparent in the exterior arcade, as well as the library's<lb /><lb />roof line.<lb />Architect: Hayes/Howell, PA (Southern Pines) Photos: McKenzie &amp; Dickerson, Inc.<lb /><lb />The 23,000 sq. ft. Eva Perry Regional<lb />Library in Apex, a branch of the Wake<lb />County Public Library System, is a<lb />striking contemporary design both<lb />outside and inside. The childrenTs area<lb />is designed with a lot of child appeal,<lb />oand includes such features as a tree in<lb />the middle of a reading area, and a<lb /><lb />visually exciting mural.<lb />Architect: Cherry Huffman Architects PA (Raleigh)<lb />Photos: Terri Luke<lb /><lb />oe = es = ts<lb /><lb />The Albert Carlton-Cashiers Community Library of the Fontana Regional<lb />Library features a clerestory, which provides additional natural light to the<lb />interior, and a veneer of natural rock. Computer workstations are located<lb /><lb />around columns to facilitate access to electrical and communications wiring.<lb /><lb />Architect: Michael Osowski (Cashiers) Photos: Phillip Barton<lb /><lb />A striking pergola denotes the<lb />main entrance into the<lb />Independence Regional Library of<lb />the Public Library of Charlotte and<lb />Mecklenburg County. The 17,300<lb />sq. ft. building blends classic _<lb />architectural details with modern<lb /><lb />functionality.<lb />Architect: TBA? Architects (Charlotte)<lb />Photos: Ciarlante<lb /><lb />The Graham Public Library is the latest<lb />library in the Central North Carolina<lb />Regional Library. The main entrance<lb />features a portico with classic lonic<lb />columns. The interior features custom-<lb />designed furniture by Michaels Associates<lb />of Alexandria, VA, including the circulation<lb /><lb />desk, reading tables, and end panels.<lb />Architect: Alley Williams Carmen and King (Burlington)<lb />Photos: Courtesy of Margaret Blanchard<lb /></p>
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          <lb />Top: The Learning Resources Center at Stanly Community College<lb />in Albemarle occupies the first floor of the new Snyder Building.<lb />The second floor contains classrooms and faculty offices. The<lb />14,156 sq. ft. LRC includes the library, a television<lb /><lb />studio, conference and seminar rooms.<lb />Architect: J. Hyatt Hammond, Associates, Inc. (Greensboro)<lb />Photo: Courtesy of Mary Avery<lb /><lb />Left: The new Olivia Raney Library in<lb />Raleigh, a branch of the Wake County<lb />Public Library System, is dedicated to local<lb />history and genealogical research.<lb /><lb />The entrance into the building features the<lb />capitals, benches, and lanterns from the<lb />original Olivia Raney Library.<lb /><lb />Architect: Brown Jurkowski Architectural Collaborative (Raleigh)<lb />Photo: William G. Morrissey<lb /><lb />Above &amp; Left: The King Public Library, a<lb />branch of the Northwest Regional Library,<lb />reflects some Moravian design features,<lb />such as dormers with a semicircular arch<lb />roof. Child-size furniture in the childrenTs<lb />area features a variety of colors (mint and<lb />raspberry sherbet) and shapes (circular<lb />and square tables) to create an<lb /><lb />environment inviting to children.<lb />Architect:Thomas H. Hughes (Winston-Salem)<lb />Photos: Joan Sherif<lb /><lb /></p>
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          <lb />The Edwin G. Wilson wing of the<lb /><lb />Z. Smith Reynolds Library at Wake<lb />Forest University in Winston-Salem<lb />reflects the classic design elements of<lb />the original library. The addition<lb />includes a spectacular three-story<lb /><lb />atrium. (Cover photo.)<lb />Architect: Walter Robbs Callahan &amp; Pierce (Winston-Salem)<lb />Photo: Courtesy of Wake Forest University<lb /><lb />Below: The library of the Worrell Professional Center at Wake<lb />Forest University in Winston-Salem serves the needs of both the<lb /><lb />School of Law and the Babcock School of Management.<lb />Architect: Cesar Pelli (New Haven, CT) Photo: Lee Runion<lb /><lb />Left: The 67,000 sq. ft. High Point Public Library was<lb />named in honor of longtime library director, Neal Austin.<lb />The modern design incorporates a juxtaposition of straight<lb /><lb />and curved surfaces.<lb />Architect: Smithey &amp; Boynton (Roanoke, VA)<lb />Photo: Courtesy of Kem Ellis<lb /><lb />The attractive one-story<lb />Asheboro Public Library (R) of<lb />the Randolph County Public<lb />Library was significantly<lb />expanded with a seamless<lb />two-story addition (L). The<lb />complementary addition was<lb />achieved through the<lb />continuation of the roof line,<lb />and matching roofing<lb />materials (Italian-made roof<lb />tiles with a copper cap) and<lb /><lb />brick veneer.<lb />Architect: Alvis O. George, Architect<lb />(Asheboro) Photo: Courtesy of Ross Holt<lb /><lb /></p>
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          <lb /> POINT<lb /><lb />LetTs Build Libraries Where the People Go<lb /><lb />by Tom Moore<lb /><lb />the same time. Public libraries were for the most part built in central cities which were the<lb /><lb />hub of public transportation. Larger cities which developed a branch system built those<lb />branches in regional transportation centers. As long as people relied upon public transporta-<lb />tion to get around, these libraries in the hearts of the cities thrived. After World War II,<lb />automobile usage began to change the way that Americans shopped, pursued recreation, and<lb />even used libraries.<lb /><lb />At first the changes were gradual. During the fifties and the sixties regional and strip<lb />shopping centers developed and invited customers to use their cars to get there by building<lb />large parking lots around them. Downtowns began to fade as commerce and shopping centers.<lb />We, however, continued to build large main libraries downtown.<lb /><lb />During the seventies and eighties, library leaders like Charlie Robinson advocated decen-<lb />tralized library systems. oGive ~em what they want� and oBuild ~em where they are� were his<lb />two main themes. People like myself followed his lead and built libraries around the county in<lb />shopping centers and in other highly traveled places. We found that our customers would<lb />come almost wherever we placed our libraries.<lb /><lb />I believe that we had built-in biases. In fact, when it comes to placing branches, all<lb />directors think almost exactly alike. DonTt put a branch near a school, we say. The kids will<lb />overrun us! DonTt put the library near a post office. Instead, letTs find an old abandoned post<lb />office to use as a library. DonTt put the library in or near a park. We'll be used as a rest room<lb />and cooling off place. DonTt put the library inside a school because, because ... Just because!<lb /><lb />I believe that our old thinking is just that, old. LetTs try some new things. LetTs put our<lb />libraries where the people go. In Wake County we have libraries in shopping centers (three<lb />different ones in different parts of the county), in office parks (our busiest branch is hidden in<lb />an office park), in government complexes (one with a town hall and police department, one<lb />with a post office and senior center, one with a senior center and one inside the county office<lb />building), in schools (located inside a high school, this library has the most loyal customers of<lb />all our libraries), and even in parks (one inside a park and one next to a swimming pool). A<lb />few of our branches are stand-alone buildings with nothing else around. As long as there is<lb />parking, they are well used.<lb /><lb />When I think back to my reasoning against having libraries in many of these sites, I realize<lb />how set in my ways I was. I thought that you shouldnTt put libraries in these places because I<lb />read somewhere that you shouldnTt. Or maybe I didnTt read it; I heard someone say it. Or<lb />maybe I just made it up because I didnTt want to put a library in any of these places.<lb /><lb />These are two events that changed my thinking on placement of libraries. The first<lb />happened about twelve years ago. A county commissioner announced that a new branch was<lb />going to be placed in an office park. I was appalled. First, I didnTt know anything about this<lb />done deal, and second, who was going to go to a library in an office park? I quickly got over<lb />the first. The answer to the second was, more than we could handle. The second event hap-<lb />pened just a couple of weeks ago. We had just cut the ribbon on our newest branch. ItTs<lb />located in a park. Before the refreshments were eaten up, I saw two boys in the branch with<lb />BASKETBALLS!!! Before I could say, oWhat are you doing in here with those basketballs?� I<lb />realized what they were doing. After exercising their bodies, they were exercising their minds.<lb />They were looking at books. They were waiting to check our books. They were using a library<lb />that was located where they were. I rest my case.<lb /><lb />I have a theory that public libraries and public transportation developed at pretty much<lb /><lb />84 " Summer 1997 North Carolina Libraries<lb /><lb /></p>
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        <p>GOUNFER- POINT<lb /><lb />If You Build It, They Will Come!<lb /><lb />by Dan Horne<lb /><lb />Directory to get information and a feel for the stateTs different library systems. I started with<lb />Raleigh and the Wake County Public Library system, but couldnTt figure out which library<lb /><lb />was the main library. Where would I call if | wanted information? Where would I go if I wanted to<lb />take a closer look and talk to key members of the staff? The impression was of a mess of store front<lb />libraries surpassed in ugliness only by the strip mall and office park surroundings. I was bewildered<lb />and decided right then I didnTt want to work in a library surrounded by dollar stores, independent<lb />insurance agencies, and beauty parlors.<lb /><lb />Although TomTs theory of branch placement makes a certain kind of perverse sense, it is mis-<lb />guided. The American free public library is the greatest public institution in the history of the world.<lb />Libraries provide a service that people need and want. People will flock to a<lb />library no matter where it is. Given free parking, the promise of an intelli-<lb />gently developed collection full of useful materials, and excellent service LetTs try some new things.<lb />committed to helping individuals with everything from navigating their way i j<lb />through the complexities of electronic resources to finding a good book to LetTs put our libraries where<lb />read, people will drive the extra ten or fifteen minutes it takes to get to such a<lb />wonderful place. , the people go.<lb /><lb />So whatTs the matter with building a centralized library and branches<lb />designed by architects expert in library design? When I came to North Caro-<lb />lina, I was fortunate enough to be hired by the New Hanover County Library<lb />in Wilmington. New Hanover County transformed an old department store<lb />that had been forced out of downtown by urban sprawl and the proliferation<lb />of strip mall blight into a beautiful, well-designed, modern facility. The presence<lb />of the library downtown has contributed greatly to old WilmingtonTs revital- Attractive surrounding § are<lb />ization and reemergence as a center of culture and commerce. The main ;<lb />libraryTs downtown location may be inconvenient for some, but that much more compatible<lb />hasnTt stopped close to half million visitors per year finding the place. As a reas<lb />member of the reference staff, I have a panoramic view of the library and with intellectual endeavor<lb /><lb />let me tell you that we are extremely busy from the moment we open our .<lb />doors in the morning to closing time when we pry the last patron out. than bori ng s tore fronts<lb /><lb />i ; Xen years ago, when planning my relocation to North Carolina, I looked through the ALA<lb /><lb />" Tom Moore<lb /><lb />Sometimes it seems more like the county fair rather than the county with parking lot views.<lb />library. And no one has yet complained that the drive wasnTt worth it!<lb />Library systems donTt have to stoop to putting libraries where people " Dan Horne<lb /><lb />go. Libraries are the place to be and where we build them, they will come.<lb /><lb />Branch development isnTt a bad thing. And small, easily accessible,<lb /><lb />convenient facilities stocked with the latest novels and talk show titles are a valued and necessary<lb />adjunct to a strong, centralized library. But locating these branches in busy malls and ugly store<lb />fronts doesnTt make them anymore accessible than building an attractive stand-alone facility on any<lb />decent intersection in town. Planning and design are the keys! Libraries should never become just<lb />another road side attraction!<lb /><lb />So letTs strive for beauty in our public library design. Attractive surroundings are much more<lb />compatible with intellectual endeavor than boring store fronts with parking lot views. The public<lb />and the members of our noble profession deserve better.<lb /><lb />And about those two boys with basketballs? Tom"letTs be realistic"bleeding hearts are out of<lb />style. I strongly suspect that they were using the library as a ocooling off place� after all.<lb /><lb />North Carolina Libraries Summer 1997 " 85<lb /><lb /></p>
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        <p>we Cw edttiou goa<lb /><lb />Editor's Note: North Carolina Libraries presents this feature in recognition of the increase in excellent unsolicited manuscripts that merit<lb />publication, but are not necessarily related to each issue's specific theme.<lb /><lb />Issues in Retrospective Conversion<lb /><lb />for a Small Special Collection:<lb />A Case Study<lb /><lb />by Fern Hieb<lb /><lb />small special collection presents a unique problem<lb /><lb />for the task of retrospective conversion of the cata-<lb /><lb />log to machine-readable form. Unless associated<lb /><lb />with a college or university library, a small collec-<lb />tion frequently does not have a professional librarian on the<lb />staff who can formulate a plan for retrospective conversion<lb />(recon) and answer related questions.<lb /><lb />This paper will identify and explore issues from the view-<lb />point of a small special collection planning for recon. The<lb />Moravian Music Foundation is used as a case study, but most<lb />of the questions and recommendations would apply to any<lb />special collection.<lb /><lb />The Moravian Music Foundation was established in 1956<lb />as a repository for music of the Moravian Church. The ar-<lb />chives of the foundation contain music composed or used by<lb />Moravians in early America: tune books; band books from<lb />the Civil War; hand-copied works of Haydn, Bach, and<lb />Mozart; and works by Moravian composers (Charles G.<lb />Vardell, Johannes Herbst, Johann Friedrich Peter, and others).<lb />The archival holdings are housed in two locations: Winston-<lb />Salem, North Carolina and Bethlehem, Pennsylvania. In ad-<lb />dition to these archival holdings, the foundation maintains<lb />the Peter Memorial Library in Winston-Salem, a reference<lb />collection for the use of visiting scholars. The foundationTs<lb />total holdings are as follows:<lb /><lb />Peter Memorial Library 6,000 items<lb />Winston-Salem Archives 4,120 items<lb />Bethlehem Archives 4,900 items<lb /><lb />Lowens Tune Book Collection 1,175 items<lb /><lb />16,195 items!<lb /><lb />Why Automate the Catalog?<lb /><lb />There are several basic advantages in having the catalog au-<lb /><lb />tomated. First, it becomes more easily and quickly accessible<lb />from any location. Retrospective conversion will integrate all<lb />of the bibliographic records of the Moravian Music Founda-<lb />tion into a single online catalog, including holdings in both<lb />Bethlehem and Winston-Salem. The major benefit to the<lb />Foundation will be improved access by scholars from remote<lb />locations. A researcher working in Boston, for example, will<lb /><lb />86 " Summer 1997<lb /><lb />have access to the FoundationTs complete catalog from home<lb />or office, using a personal computer and a modem.<lb /><lb />A second reason for having the catalog online is for ease<lb />of updating. When new materials are accessioned or when<lb />corrections are made to bibliographic records, updating is<lb />easily done online. Other benefits of automation include<lb />more manageable inventory control, easier collection devel-<lb />opment, and bibliographic files that are better preserved and<lb />more secure.� An online catalog also can support such appli-<lb />cations as serials control and circulation.<lb /><lb />What Are the Options for the Actual Conversion<lb /><lb />Process?<lb /><lb />Without a professional librarian on the staff to manage the<lb />retrospective conversion, two major options are available.<lb />The first is to hire temporary staff to manage the operation;<lb />the second is to outsource the project. The two alternatives<lb />are compared below with regard to cost, staffing, time in-<lb />volved, and desired quality of the converted records.?<lb /><lb />The first conversion option is to do the project in-house<lb />with temporary staff hired for the project, deriving records<lb />from OCLC or from a database on CD-ROM such as The Mu-<lb />sic Catalog on CD-ROM from the Library of Congress.* The<lb />greatest advantage to hiring temporary project staff to work<lb />in-house is a much higher level of quality in the converted<lb />records.° If questions arise, project staff can pull the item<lb />from the shelf to check bibliographic data. Using this option,<lb />permanent staff are available to answer questions, but will be<lb />only minimally involved in day-to-day project work. The<lb />timetable generally is set by the duration of funding, but is<lb />likely to be more flexible with the temporary staff on site. On<lb />the negative side, costs will be high, since project staff have<lb />to be hired, trained, and supervised. Data access, project ter-<lb />minals, network charges, and office equipment will all add<lb />to the cost.<lb /><lb />A second option is to outsource the project to an outside<lb />vendor such as OCLC (Online Computer Library Center,<lb />Inc.).° Shelflist cards are sent to the commercial vendor; who<lb />does the conversion process at a remote site. An advantage<lb />of this option is that the vendor provides staff with consid-<lb />erable experience in retrospective conversion projects, so<lb /><lb />North Carolina Libraries<lb /></p>
        <pb facs="00027359_0032" />
        <p>little time is lost in training. Also, the timetable and cost of<lb />the project are specified in the contract. Quality control<lb />however, is the main reason not to go with a commercial<lb />vendor. As experienced as a commercial vendor might be,<lb />record quality is usually compromised because of time con-<lb />straints, lack of familiarity with details about the collection,<lb />inability to look at the actual item when the shelflist card is<lb />lacking information, and inability to ask questions of regu-<lb />lar staff on a day-to-day basis.<lb /><lb />How Can the Conversion Effort Be Quantified?<lb /><lb />A major aspect of planning for either conversion option is<lb />determining how many of the libraryTs bibliographic records<lb />can be copied from records already in the OCLC database. At<lb />the Foundation, a random sample of 100 cards was pulled<lb />from the Peter Memorial Library and the archives to check<lb />the hit rate on OCLC. The 50 cards pulled from the Peter Me-<lb />morial Library yielded 34 hits, meaning that approximately<lb />68% of the records would be derivable from existing OCLC<lb />records. The hit rate might in reality be higher, considering<lb />that the Peter Memorial Library consists largely of standard<lb />reference materials, but the cataloging on the shelflist cards<lb />was often too minimal to confirm a match with an OCLC<lb />record. If the information on the cards is inadequate, the<lb />item itself must be pulled from the shelf for comparison with<lb />OCLC records. For the records that do not have a match on<lb />OCLC, the librarian will have to create original records. If the<lb />conversion project is sent to a commercial vendor, only the<lb />definite hits will be converted. The remaining cards will be<lb />returned for local staff to convert after questions are resolved.<lb /><lb />Not surprisingly, the archives yielded a very low hit rate<lb />since the collection is largely manuscripts. An off-site com-<lb />mercial vendor would be unable to convert much of an ar-<lb />chival collection.<lb /><lb />What Will Retrospective Conversion Cost?<lb /><lb />Recon is a costly venture, whether done in-house with<lb />temporary staff or outsourced to a commercial vendor. In<lb />general, the lower the hit rate on OCLC, the higher the<lb />cost, since the records that are definite ono-hits� will re-<lb />quire original cataloging. But it is difficult to determine<lb />definite hits when a shelflist card has minimal or question-<lb />able information.<lb /><lb />In the title area, for example, it is sometimes unclear<lb />whether the title was transcribed from the item or was syn-<lb />thesized by the cataloger.� Were titles translated into English<lb />by the cataloger or transcribed as they appeared on the item?<lb />Were any title words moved around, added, or deleted? If the<lb />title came from the cover, was that indicated? These ques-<lb />tions make it difficult to determine from the shelflist card<lb />whether or not it matches the OCLC record.<lb /><lb />In the publication area, the date of publication often<lb />appears in brackets on the shelflist card, meaning that the<lb />date was not on the item, but was supplied by the cataloger.<lb />If the record that appears to be a match on OCLC does not<lb />have brackets around the publication date, then the item will<lb />have to be checked to see whether this item really is a match<lb />with the OCLC record.<lb /><lb />As to physical description, many old shelflist cards lack<lb />pagination. Even when pagination is given, it often differs by<lb />a few pages from what appears to be a match on OCLC.<lb /><lb />Subject headings and added entries are critical access<lb />points in bibliographic records, but these often are lacking on<lb />old shelflist cards. The cards that do provide subject headings<lb />and name-added entries have to be checked against author-<lb />ity files for accuracy.<lb /><lb />North Carolina Libraries<lb /><lb />Another major issue is the staff time required per record<lb />conversion. The author has had personal involvement in es-<lb />timating the proposed recon project for manuscripts on mi-<lb />crofilm at the Isham Memorial Library at Harvard University.<lb />In that proposal, a total of 38.5 minutes was allocated for<lb />each hit on OCLC (22.25 minutes for students who search<lb />the database and do data entry, and library assistants who<lb />edit the records and do authority work, and 16.25 minutes<lb />for a professional cataloger who revises the records). For<lb />records not found on OCLC, a time of 50.5 minutes was pro-<lb />jected for converting each record, since the record would<lb />have to be created, not just revised.§ HarvardTs projected cost<lb />in 1994/95 for that project was $21/record.<lb /><lb />If the Moravian Music Foundation chose to hire a tem-<lb />porary staff to do the project in-house, students from nearby<lb />colleges could be hired for such tasks as searching and data<lb />entry. With a full-time librarian as supervisor and general<lb />manager, the project could be completed in two or three<lb />years. Printed catalogs of parts of the collection would be ex-<lb />cellent resources (i.e., Frances CumnockTs Catalog of the Salem<lb />Congregation Music? and Marilyn GombosiTs Catalog of the<lb />Johannes Herbst Collection.)!° Another time-saver might be the<lb />downloading of Foundation holdings that are already a part<lb />of the database Repertoire International des Sources Musicales<lb />(RISM).!! Online cross references to these catalogs would aid<lb />the researcher.<lb /><lb />If the Foundation outsourced the recon project to OCLC,<lb />the costs would be based on such factors as the estimated<lb />number of hits, the type of material (scores, books), the lan-<lb />guage of the material, the type and number of special local<lb />requirements, the percentage of shelflist cards containing an<lb />LC card number or an OCLC number, and other factors re-<lb />lated to editing.<lb /><lb />If a small collection chooses to hire an outside vendor to<lb />convert the catalog, the shelflist cards are mailed to the ven-<lb />dor. If hits cannot be verified, those cards are marked as prob-<lb />lems (exceptions) to be resolved at the local level. VendorsT<lb />charges are calculated on searches, not hits, so if the vendor<lb />has to conduct extra searches because of minimal shelflist<lb />information, the cost will increase.<lb /><lb />An analysis of the options for the Moravian Music Foun-<lb />dation indicated that hiring an in-house staff was the pre-<lb />ferred approach. The decision was based on two major fac-<lb />tors: 1) an overriding concern for good quality records, and<lb />2) the large percentage of archival holdings that will not have<lb />copy on OCLC.<lb /><lb />How Is In-house Retrospective Conversion<lb /><lb />Actually Done?<lb /><lb />Generally, shelflist cards are used as the source of cataloging<lb />information, rather than catalog cards. Shelflist cards are<lb />more likely to provide subject headings and added entries.<lb />Also, patrons are less likely to be inconvenienced since they<lb />use the catalog instead of the shelflist.<lb /><lb />Student workers and/or library assistants pull shelflist<lb />cards, search for hits on OCLC, and then edit the derived<lb />records into machine-readable form. Editing a derived record<lb />involves adding local information and updating access<lb />points to bring the record into conformity with national bib-<lb />liographic standards. Producing original records has to be<lb />done by a professional librarian who has a broad understand-<lb />ing of cataloging rules.<lb /><lb />Project staff need access to basic cataloging support ma-<lb />terials. These include the Anglo-American Cataloguing Rules<lb />(AACR2R),!2 OCLCTs Bibliographic Formats and Standards,'3<lb />LCTs Subject Cataloging Manual (Shelflisting),!4 LCTs Descriptive<lb /><lb />Summer 1997 " 87<lb /></p>
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        <p>Cataloging of Rare Books,!5 and HensenTs Archives, Personal Pa-<lb />pers, and Manuscripts.'©<lb /><lb />In the case of the Moravian Music Foundation, the Pe-<lb />ter Memorial Library probably will be converted first because<lb />more hits will be found on OCLC from that collection than<lb />from the archival collections. This will launch the recon ef-<lb />fort with initial success and speed.<lb /><lb />Unique Aspect of Automating the FoundationTs<lb /><lb />Music Archive<lb /><lb />A single text often was set to different tunes by various<lb />Moravian composers. The musical incipit (first few notes of<lb />a tune) is often the only way to differentiate among various<lb />settings of the same text. The Foundation currently relies<lb />heavily on the musical incipits found on the back of many<lb />catalog cards. The recon effort needs to include a system for<lb />coding these musical incipits. The appendix of this paper<lb />describes the method recommended for the Moravian Music<lb />Foundation, based on Barry BrookTs A Plaine and Easie Code<lb />System for Musicke.*�<lb /><lb />What Are the National Standards for Online<lb /><lb />Records?<lb /><lb />The USMARC}* standard for online records varies somewhat<lb />according to the format of the item being cataloged. Formats<lb />for scores, books, serials, etc., are all integrated into the Bib-<lb />liographic Formats and Standards by OCLC. The standard for<lb />library cataloging is the Anglo-American Cataloguing Rules<lb />(AACR2R) and, for archival description, Archives, Personal Pa-<lb />pers, and Manuscripts (APPM).<lb /><lb />The standard for authority records is the LC authority<lb />file on OCLC. Since authority control provides standardiza-<lb />tion of access points throughout the database, every access<lb />point should be checked against the authority file. These<lb />access points include proper names, titles of works, subject<lb />headings, and added entries. Published musical works often<lb />are found in different manifestations: as a score, a score and<lb />parts, parts alone, a vocal score, an arrangement, etc. Author-<lb />ity control will be critical for collocating these different<lb />manifestations of the same work under a uniform title. A<lb />music librarian will be needed to understand the nature of<lb />the music itself and to recognize names, titles, and musical<lb />forms for authority work.<lb /><lb />Although AACR2R is slanted heavily toward data found<lb />in published books, the chapters describing formulation of<lb /><lb />names for persons, geographic places, corporate bodies, uni- T<lb /><lb />form titles, and cross references will be of value to archival<lb />catalogers. !9<lb /><lb />What Is the Recommended Library Automation<lb />System?<lb /><lb />Once the organization has chosen the recon strategy, then it<lb />must select an automated system. It is essential to choose a<lb />library automation vendor that has experience and stability.<lb />The vendor should be committed to providing support and<lb />to enhancing the software.<lb /><lb />When choosing an automated library system, the follow-<lb />ing factors should be considered: functionality, price, ease of<lb />use, workflow requirements, standards, training, perfor-<lb />mance and reliability, and expandability.<lb /><lb />Library automation vendors tend to sell to specific<lb />niches of the market. Innovative Interfaces Inc., for example,<lb />is the premier automated library system focusing on large<lb />U.S. academic libraries. Ameritech and DRA generally sell to<lb />smaller academic institutions.2°<lb /><lb />88 " Summer 1997<lb /><lb />" SoS -<lb /><lb />What Are the Options for Remote Access?<lb /><lb />The automated catalog can be made available to patrons in<lb />several ways. One possibility is to have a personal com-<lb />puter with a modem at the site of the collection. Bulletin<lb />board system software makes it possible for patrons to dial<lb />into the personal computer. Unfortunately only one pa-<lb />tron, or a very limited number of patrons, can access the<lb />data simultaneously.<lb /><lb />Another possibility is to distribute the catalog in CD-<lb />ROM format. This works best if the collection accessions only<lb />a limited number of items each year. Tapes of the database<lb />can be printed onto CD-ROM disks for distribution to inter-<lb />ested patrons.<lb /><lb />Perhaps the best approach for remote access, but also the<lb />most expensive, is the Internet. A large number of patrons<lb />can access the catalog simultaneously, and online updating<lb />is visible as soon as it is completed. The library purchases an<lb />account through an Internet access provider.<lb /><lb />Conclusion<lb /><lb />The decision to undertake a retrospective conversion project<lb />involves a number of complex decisions. One of the most<lb />critical first decisions concerns desired quality of the finished<lb />records. A project staff on site will be able to consult the col-<lb />lection or the permanent staff when questions arise. A librar-<lb />ian as project manager will ensure that standards are fol-<lb />lowed. The resulting high quality of completed records is the<lb />most important aspect of the project.<lb /><lb />The decisions about remote access and choice of automa-<lb />tion software also are critical to the success of the retrospec-<lb />tive conversion project. Retrospective conversion merits a<lb />substantial investment of time and money because it will ul-<lb />timately be a major determinant of the collectionTs usefulness<lb />and accessibility.<lb /><lb />Status of the Moravian Music Foundation Project<lb /><lb />At the time of this writing, the Moravian Music Foundation<lb />is projecting that retrospective conversion of its catalog will<lb />begin in 1998. Currently, a new building is under construc-<lb />tion that jointly will house the Southern province offices and<lb />the FoundationTs library and archives. The new building will<lb />be equipped with computer hardware to support an auto-<lb />mated catalog and remote access.<lb /><lb />Appendix<lb /><lb />Several systems exist for the coding of musical incipits into<lb />a uniform typewriter code. Since the RISM project already<lb />uses Barry BrookTs A Plaine and Easie Code System for Musicke,<lb />it is recommended that the Foundation use the same system.<lb />There are several reasons why this system would suit the<lb />FoundationTs needs:<lb /><lb />1) it is simple and accurate as to pitch and rhythm;<lb /><lb />2) it is closely related mnemonically to musical notation;<lb /><lb />3) it requires only a single line of typewriter characters;<lb /><lb />4) it is usable by anyone with some musical training;<lb /><lb />5) it is easily recognizable as music from the symbols<lb />alone;<lb /><lb />6) it is applicable to all western music;<lb /><lb />7) it is universally understandable and internationally<lb />acceptable.<lb /><lb />Pitches are indicated by capital letters, rests by a dash,<lb />time values of notes and rests by numbers, and other quali-<lb />fying terms by symbols and lower case letters. Precise loca-<lb />tion of pitch is accomplished with a minimum of octave<lb />symbols (commas and apostrophes).<lb /><lb />North Carolina Libraries<lb /></p>
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          <lb />References<lb /><lb />! Claypool, Richard D. oArchival Collections of the<lb />Moravian Music Foundation and Some Notes on the Philhar-<lb />monic Society of Bethlehem,� Fontes artis musicae 23, 4<lb />(1978): 180.<lb /><lb />2 Jutta Reed-Scott, Issues in Retrospective Conversion: Report<lb />of a Study Conducted for the Council on Library Resources (Wash-<lb />ington, D.C.: Bibliographic Service Development Program<lb />Council on Library Resources, Inc., May 1984): 4.<lb /><lb />3 Reed-Scott, 15.<lb /><lb />4 Music Catalog on CD-ROM (Washington, D.C.: Library of<lb />Congress, Cataloging Distribution Service, 1994-)<lb /><lb />5 Reed-Scott, 21.<lb /><lb />6 OCLC is a major bibliographic utility. The regional mem-<lb />bership cooperative for OCLC is SOLINET (Southeastern Li-<lb />brary Network, Inc.), 1438 West Peachtree Street, N.W., Suite<lb />200, Atlanta, GA 30309-2955. Tel. 1-800-999-8558. Fax no.<lb />(404) 892-7879.<lb /><lb />7 Sue Weiland, oMusic Scores: Retroconversion or<lb />Recataloging?� Technical Services Quarterly 10, 1 (1992): 67.<lb /><lb />8 Grant proposal for 1994-1995 to convert records for<lb />4700 manuscripts of musical sources and 2200 rare early<lb />printed and manuscript treatises on music at the Isham Me-<lb />morial Library, Harvard University.<lb /><lb />° Frances Cumnock, ed. Catalog of the Salem Congregation<lb />Music (Chapel Hill: University of North Carolina Press, 1980).<lb /><lb />10 Marilyn Gombosi, comp. Catalog of the Johannes Herbst<lb />Collection (Chapel Hill: University of North Carolina Press,<lb />1970).<lb /><lb />11 The RISM-U.S. Music Manuscripts Database is copy-<lb />righted by the Joint Committee on RISM of the American<lb />Musicological Society and the Music Library Association. It<lb /><lb />is part of Repertoire International des Sources Musicales (Kassel:<lb />Barenreiter, 1971-). To contact the U.S. RISM Office, send e-<lb />mail to RISMHELP@RISM.HARVARD.EDU.<lb /><lb />12 Anglo-American Cataloguing Rules (Ottawa: Canadian Li-<lb />brary Association; Chicago: American Library Association,<lb />1988).<lb /><lb />13 OCLC, Bibliographic Formats and Standards (Dublin, Ohio:<lb />OCLC, 1993-).<lb /><lb />14 Library of Congress, Cataloging Policy and Support Of-<lb />fice. Subject Cataloging Manual. Shelflisting (Washington, D.C.:<lb />The Office, 1995).<lb /><lb />1S Descriptive Cataloging of Rare Books (Washington, D.C.:<lb />Cataloging Distribution Service, Library of Congress, 1991).<lb /><lb />16 Steven L. Hensen, comp. Archives, Personal Papers, and<lb />Manuscripts: A Cataloging Manual for Archival Repositories, His-<lb />torical Societies, and Manuscript Libraries (Chicago: Society of<lb />American Archivists, 1989).<lb /><lb />17 Barry S. Brook, and Murray Gould. oNotating Music with<lb />Ordinary Typewriter Characters,� Fontes artis musicae 11<lb />(1964): 143.<lb /><lb />18 USMARC format is the standard for representing and<lb />communicating bibliographic and authority records in ma-<lb />chine-readable form.<lb /><lb />19 Jackie M. Dooley, oAn Introduction to Authority Con-<lb />trol for Archivists,� in Archives and Authority Control: Proceed-<lb />ings of a Seminar Sponsored by the Smithsonian Institution Oc-<lb />tober 27, 1987 (1989; reprint, Archives and Museum<lb />Informatics Technical Report no. 6): 5-18.<lb /><lb />20 Jeff Barry, Jose-Marie Griffiths, Gerald Lundeen. oThe<lb />Changing Face of Automation,� Library Journal 120, 6 (April<lb />1, 1995): 44-54.<lb /><lb />Broadfoot's has TWO Locations Serving Different Needs<lb /><lb />Broadfoot's<lb />of Wendell<lb /><lb />6624 Robertson Pond Road ~ Wendell, NC 27591<lb />Phone: (800) 444-6963 ~ Fax: (919) 365-6008<lb /><lb />SOFTWARE<lb /><lb />MULTICULTURAL<lb />SELECTIONS<lb />VISUALS<lb /><lb />Spring &amp; Fall Catalogs<lb /><lb />Are you on our mailing list?<lb /><lb />Tar Heel Treasures<lb />for<lb />natives &amp; newcomers<lb />young &amp; old<lb /><lb />North Carolina Libraries<lb /><lb />]Broadfoot<lb />|Publishing<lb />Company<lb /><lb />1907 Buena Vista Circle ~ Wilmington, NC 28405<lb />Phone: (800) 537-5243 ~ Fax: (910) 686-4379<lb /><lb />Recent Publications:<lb /><lb />The Colonial &amp; State Records of NC (30 vols.)<lb />North Carolina Regiments (5 vols.)<lb />Roster of Confederate Troops (16 vols.)<lb />Supplement to the Official Records (100 vols.)<lb /><lb />Full Color Catalog (free upon request)<lb /><lb />Summer 1997 " 89<lb /></p>
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          <lb />orld<lb /><lb />by Ralph Lee Scott<lb /><lb />Battle of the Browsers:<lb />~ Round Two<lb /><lb />(hum ... wonder where they came up with that<lb /><lb />name?), Internet users are eagerly awaiting the release<lb />of the latest version of the two major Internet browsers:<lb />MicrosoftTs Internet Explorer 4.0, and NetscapeTs Communica-<lb />tor/Navigator 4.0 Suite. Both of these packages are now<lb />available to be examined in beta release form.<lb /><lb />The Communicator suite is called Netscape Communicator<lb />Pro in the beta 4.0 release version, and consists of nine<lb />software packages bundled in one: Navigator, Composer,<lb />Collabra, Messenger, Profile Manager, Netscape Conference,<lb />Netscape Calendar, IBM Host On-Demand, and Configure<lb />Media Player. Navigator is the browser that most of us are<lb />familiar with; Communicator is the Netscape version of an e-<lb />mail program; Composer is an expanded hypertext markup<lb />language editor/composer; Collabra is an electronic listserv/<lb />news mail manager; Netscape Conference is an online<lb />electronic real time discussion group manager; Netscape<lb />Calendar is a personal electronic calendar; IBM Host On-<lb />Demand is a telnet session launcher; and Configure Media<lb />Player allows you to configure Communicator plug-ins. Plug-<lb />ins are software application programs that run programs to<lb />display .gif pictures, and run .mpeg movies.<lb /><lb />Major enhancements to the Navigator 4.0 browser<lb />include changes in the menu system, icons and toolbars.<lb />The bookmarking system has an icon that divides into four<lb />components: a navigation toolbar, a personal toolbar, a<lb />location toolbar, and a component toolbar. When you click<lb />on the bookmark icon folders the screen fills up with your<lb />bookmarks which you can then arrange, edit, and click and<lb />drag. For traditionalists the old bookmark pull down still<lb />exists. The location toolbar has been added as an icon next<lb />to the Web address field, which is located to the right of the<lb />navigation toolbar. Underneath the navigation toolbar,<lb />you will find your personal toolbar, indicated by Netscape<lb />icons and the name of the toolbar (i.e. icon Bill Gates). For<lb />example, you could have personal toolbars for subject areas,<lb />hobbies, or the names of different persons who share<lb />Netscape software on one machine.<lb /><lb />The icon system of Navigator has been changed to<lb />incorporate some of the more important features of former<lb />pull down menus. For example, there is now an icon for<lb />reload, that handy feature we have all come to enjoy! Large<lb />arrow icons are provided for back and forward. Additional<lb />icons include: home, search, places, print, and security.<lb /><lb />The entire menu system has been redesigned and incorpo-<lb /><lb />| ike the projected arrival of the Raleigh Hurricanes<lb /><lb />90 " Summer 1997<lb /><lb />rates a minimization bar. Basically what this means is that<lb />the menu is divided into three sections, each of which can<lb />be minimized at will to save screen space so that you can<lb />better see your other Internet goodies. The three sections<lb />consist of a top bar that contains the basic icons listed<lb />above (home, reload, etc.), a middle bar that has the<lb />navigation toolbar and the Web address field (which can be<lb />expanded as a pull down menu for prior URLs), and a lower<lb />bar which has the personal toolbar arranged in a row. This<lb />allows you, for example, to minimize the personal toolbar<lb />row to save space. Changing the bar back is just a click<lb />away.<lb /><lb />Netscape Messenger, in keeping with the modular nature<lb />of Communicator, is a separate software package that<lb />handles e-mail and listserv readers. This used to be part of<lb />Navigator, but now you can manage your mail and reader<lb />traffic through a series of mailboxes as you would in a<lb />typical mail handling package such as Microsoft's Exchange.<lb />Typically you have an inbox, an outbox, trash, personal<lb />mailboxes, a new odraft� box, and boxes for newsgroup<lb />readers. Large buttons on an icon bar enable you to edit<lb />quickly and add groups and messages. These icon bars can<lb />be minimized like the bars in Navigator.<lb /><lb />Collabra is basically another private newsgroup reader<lb />that has the ability to add internal newsgroups that you<lb />create. For example, if you want to route a memo to a<lb />group of people (say the History Department faculty), all<lb />you have to do is create that group. People you give rights<lb />to can read and add to this group discussion. You also can<lb />have a suggestion box that people can write to but not read<lb />or edit. So, for example, if you received a posting ona<lb />listserv that you want to distribute to support staff, you<lb />could move from Messenger to the appropriate group in<lb />Collabra. Yet to be seen is whether users actually like this<lb />method of communication transfer.<lb /><lb />Communicator suite has an HTML page editor called<lb />Composer. Composer can be used to create and edit mail,<lb />documents, or Web pages. It is similar to a word processing<lb />package like Word or WordPerfect. The design of Composer is<lb />like the previous components of Communicator (minimized<lb />bars, icons, buttons). Instead of adding the HTML code, the<lb />user can click the appropriate function on the menubar and<lb />add text or graphics. Composer has a built-in Java script<lb />editor, a spell-checker, and templates to fill in to make page<lb />construction even easier. When you get everything in the<lb />tight order, a Composer routine can upload the page to the<lb /><lb />North Carolina Libraries<lb /></p>
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        <p>server that you specify. Neat, efficient, and<lb />a lot easier than learning HTML coding!<lb /><lb />Conference is basically a software<lb />package that allows you to chat and have a<lb />conference meeting over the Internet.<lb />People can send ideas, files, graphics, etc.<lb />to the conference for all to read. This ia a<lb />Netscape version of Cool Talk.<lb /><lb />CommunicatorTs other features are<lb />fairly standard. Profile Manager enables you<lb />to set suite parameters; Configure Media<lb />Player does what you would expect it to do.<lb />Calendar is a standard electronic reminder<lb />calendar; and IBM Host On-Demand is<lb />basically a telnet launcher (TN3270).<lb /><lb />With this new version of Navigator,<lb />Netscape has changed from an all-in-one<lb />browser to a bundled group of software<lb />packages that explores the Internet. Given<lb />the growth of applications on the Internet,<lb />it makes sense to break out the different<lb />applications into separate, integrated<lb />software packages that can be launched<lb />individually, but are linked together under<lb />the Communicator suite. It remains to be<lb />seen if the marketplace likes this type of<lb />arrangement or prefers the integrated<lb />approach that MicrosoftTs Internet Explorer<lb />will continue to use in its 4.0 release.<lb /><lb />URLs: www. microsoft.com/ie/<lb />www. netscape.com/comprod/products/<lb />communicator/<lb /><lb />ABOUT THE AUTHORS ...<lb /><lb />Phillip Barton<lb />Education: B.A., Davis &amp; Elkins College; M.L.S. Indiana University<lb />Position: Director, Rowan Public Library, Salisbury (Building Consultant)<lb /><lb />William R. Burgin<lb />Education: B.A., North Carolina State University<lb />Position: Architect, Ramsay Burgin Smith Architects, Salisbury<lb /><lb />Fern Heib<lb />Education: B.A., Bethel College; M.M., Washington University;<lb />M.L.S., Simmons College<lb />Position: Temporary Catalog Librarian, University of Arizona, Tucson<lb />(formerly Reference Librarian &amp; Coordinator of Document<lb />Delivery, Winthrop University, Rock Hill, S.C.)<lb /><lb />Plummer Alston Jones, Jr.<lb />Education: B.Mus., East Carolina University; M.S., Drexel University;<lb />Ph.D., University of North Carolina-Chapel Hill<lb />Position: Director, Library Services and Professor, Catawba College<lb /><lb />Kenneth E. Marks<lb />Education: B.S. and Ph.D., lowa State University; M.L.S., University of<lb />California, Berkely<lb />Position: Director, Academic Library Services, East Carolina University<lb /><lb />Thomas Moore<lb />Education: A.A., Springfield College; B.A., Cardinal Glennon College;<lb />M.S.L.S. Rosary College<lb />Position: Director, Wake County Public Library System<lb /><lb />Karen Perry<lb />Education: B.A. and M.S.L.S., University of North Carolina-Chapel Hill<lb />Position: Media Coordinator, Griffin Middle School, High Point<lb /><lb />John Higgins, Sales Representative<lb /><lb />ww<lb />OXFORD<lb /><lb />North Carolina Libraries<lb /><lb />P.O. Box 21011<lb />Columbia SC 29221<lb /><lb />1-800-222-9086<lb />Fax: 803-731-0320<lb /><lb />OXFORD UNIVERSITY PRESS ea QUALITY BOOKS INC.<lb /><lb />Summer 1997 " 91<lb /></p>
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          <lb />"_"_"".<lb /><lb />Dorothy Hodder, Compiler<lb /><lb />im GrimsleyTs world is poor and violent. Winter winds blow through rattling sharecropper<lb />cabins; pinto beans and cornbread stave off starvation but not hunger; alcohol-stoked fathers<lb />beat their wives, children cower; and sex drifts about the edges of it all like a rib-thin yard dog.<lb />GrimsleyTs world also has its talismans. There are slow rivers to lie down beside and<lb />trestles that cross them. A dollTs foot appears in the dirt of a temporary sanctuary during the<lb />height of danger. Fragments of hymns rise above kitchen sinks, near frosty morning wood-<lb />piles, and in abandoned cemeteries. There are dreams and ghosts and, most<lb />importantly, the murky places where they commingle.<lb />If books are frigates that carry us to lands away, then GrimsleyTs is a destina-<lb />Jim Grimsley. tion best visited through the safety of a spyglass.<lb />My Drowning is Jim GrimsleyTs fourth novel, a prequel to his first, Winter<lb /><lb />M y Dr own! ng Z Birds, which won the Sue Kaufman Prize for First Fiction and was a finalist for<lb />Chapel Hill: Algonquin the PEN/Hemingway Award. His second work, Comfort and Joy, has yet to be<lb />Books of Chapel Hill, 1997. published in the United States, and his third, Dream Boy, won the American<lb />258 pp. $18.95. ISBN 1-56512-141-4. Library AssociationTs Gay, Lesbian, Bisexual Book Award.<lb /><lb />In My Drowning, Ellen Tote, old and comfortable with food enough in her<lb />refrigerator, freezer, and pantry to last weeks, and camellias, roses, and azaleas<lb />blooming in her back yard, remembers her childhood, a place where few things<lb /><lb />bloomed except cotton and where an extra biscuit was as rare as a kind word. Her memories are driven<lb />by a recurring dream that has been with her since childhood. Its central image is her lumbering mother,<lb />leaning back and sliding quietly into a pond, her slip pulling free to float upon the water.<lb /><lb />My Drowning surpasses Winter Birds. It is multilayered, well-paced, and is written in an unselfconscious,<lb />graceful style. At its foundation is a multitude of gritty details: a chipped enamel slop jar; the pooled drool<lb />of a crippled brother; the sixtiesT sunglasses and scarf Ellen wore as a young mother, a dress pulled tight<lb />across a fleshy backside, the veiny limp breasts of a dying grandmother. This is powerful stuff. One must<lb />quake alongside young Ellen as she nervously pans off before dressing each morning to fully know the<lb />triumph shown by old EllenTs sweeping the dead blossoms from her yard.<lb /><lb />I cannot imagine a North Carolina library doing without this " or any " of Jim GrimsleyTs works.<lb /><lb />" Kevin Cherry<lb />Rowan Public Library<lb /><lb />f, as Kaye Gibbons recently said, Eudora Welty has been omother� to many young North Carolina<lb />writers, including Reynolds Price at the beginning of his career, Price has been ofather� to a<lb />number of writers whom he either taught at Duke, including Anne Tyler, or mentored, including<lb />Fred Chappell.<lb /><lb />In the first full-length study of PriceTs work in ten years, James A. Schiff, a professor of litera-<lb />ture at the University of Cincinnati and author of numerous essays on American literature, notes<lb />that the long overdue critical attention Price is currently receiving is the result of his recent<lb />prodigious output " fourteen volumes in the nine years between 1986 and 1995 " and of the<lb />more accessible style of his recent novels, especially those in which<lb />Price has used a first-person point of view, Kate Vaiden (1986) and Blue<lb />Calhoun (1995).<lb /><lb />datpes pS chis. Schiff begins his immensely readable text with a brief biographical<lb /><lb />Unders tanding Reynolds Price. sketch and a critical overview of PriceTs literary career, which he<lb /><lb />divides into three phases, the last beginning in 1984 when Price<lb /><lb />Columbia: University of South Carolina Press, learned that he had cancer of the spine. In this section Schiff is<lb />1996. 217 pp. $24.95. ISBN 1-57003-126-6. particularly apt when he notes that ocultural matters and literary<lb /><lb />92 " Summer 1997<lb /><lb />fashion,� together with PriceTs rather difficult prose, as well as his<lb /><lb />North Carolina Libraries<lb /></p>
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          <lb />relentless interests in family, redemption, and mystery, had a great deal to do with<lb />the critical neglect of PriceTs work before the publication of Kate Vaiden in 1986.<lb /><lb />After his fine introduction, Schiff divides his analyses of the novels and two<lb />volumes of memoirs into four sections: oThe Mustian Novels� (A Long and Happy Life,<lb />A Generous Man, and Good Hearts); oThe Mayfield Trilogy� (The Surface of Earth, The<lb />Source of Light, and The Promise of Rest); oArtists and Outlaws� (Kaye Vaiden, Blue<lb />Calhoun, Love and Work, and The Tongues of Angels); and oMan of Letters� (Clear<lb />Pictures and A Whole New Life). The text concludes with a complete bibliography of<lb />PriceTs work, a bibliography of critical articles, and a selected bibliography of reviews,<lb />followed by an index.<lb /><lb />SchiffTs analyses are clear and reasonable, and his summaries and selection of<lb />quotations from critical reviews and articles are well-chosen. There is little to quarrel<lb />with, beyond his puzzling interpretation of the reason for Blue CalhounTs betrayal of<lb />his wife Myra, whom Schiff says is osexually repressed.� Blue, on the contrary, several<lb />times states that there is nothing wrong with his sexual life with Myra, and that his<lb />infidelity was the result of mystery and the workings of Fate in his life. Price, a<lb />believer in fate and mystery, stresses this idea throughout the novel. It would have<lb />weakened the novel considerably had Price relied on the rather simplistic and<lb />hackneyed reason usually given for menTs infidelities: their wivesT frigidity.<lb /><lb />Other than this divergent interpretation of this aspect of Blue Calhoun, and the<lb />authorTs qualified estimate that o[f]or those who admire and value his work, [Price]<lb />has indeed become a major American literary figure,� Schiff is due nothing but praise<lb />for his text. Belying its portable size and easy weight, the matter within has consider-<lb />able heft, well worth the study of scholar, critic, and interested reader. Suitable for<lb />academic, public, and school libraries.<lb /><lb />" Sally Sullivan<lb />The University of North Carolina at Wilmington<lb /><lb />eorge Moses Horton is a unique individual, the first black American slave to<lb />protest his confinement in poetry. He is also the first black to publish a book in<lb />the South and the only slave to earn substantial income by selling poems. The<lb />Black Bard of North Carolina: George Moses Horton and His Poetry borrows its title<lb />from HortonTs The Poetical Works of George M. Horton, the Colored Bard of North-<lb />- Carolina, published in 1845. The book provides biographical information and<lb />selected poems.<lb />Horton lived sixty-eight years as a slave and died at the age of eighty-six.<lb />Existing laws prohibited slaves from learning to read and write, but Horton learned to do<lb />both. Noted as an ambitious person, he started to learn the alphabet from old spelling books<lb />and progressed to reading the Bible, hymnals, poetry, and<lb />novels. Putting that training to practice, Horton began to<lb />write poems. He also discovered that his writings could turn a<lb />Joan R. Sherman profit as he found an audience of students at the University of<lb /><lb />nile 0% North Carolina. During the free time that slaves had to<lb />The Black Bard of North Carolina: themselves on the weekend, he walked eight miles to Chapel<lb /><lb />George Moses Horton and his Poetry. Hill to sell fruit and poems. Horton benefited from the<lb />opportunities to conduct these transactions within the<lb /><lb />Chapel Hill, NC: University of North Carolina Press, tolerant environment of a oliberal� slave state.<lb /><lb />1997. 158 pp. $29.95. ISBN 0-8078-2341-4. Rutgers University professor emerita Joan R. Sherman<lb />deftly weaves together HortonTs life story and the history of<lb />slavery in North Carolina. This work serves as an appropriate<lb />follow-up to her most recent book, African-American Poetry of<lb /><lb />the Nineteenth Century: An Anthology, which includes Horton as a featured poet. ShermanTs<lb />newest book offers a near-comprehensive picture of the fabled poet, including a bibliography<lb />of HortonTs writings, reference works, and critical and biographical sources. Included are<lb />photocopy samples of HortonTs actual writings.<lb /><lb />The book consists of two major sections. The introduction is a narrative of HortonTs life,<lb />with critical analysis about his body of work. The second part is a selected collection of his<lb />writings, drawn from three books and his uncollected poems. A notable aspect of HortonTs<lb />work is that his writing style"and perhaps even his topics"mirrored those of his white<lb />contemporaries. Horton did not ignore slavery as a topic, writing about it in a strong voice,<lb />but he used it sparingly. Academic and public libraries should buy this book.<lb /><lb />" Lawrence D. Turner<lb />Queens College<lb /><lb />North Carolina Libraries Summer 1997 " 93<lb /></p>
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          <lb />alt Wolfram and Natalie Schilling-Estes have written a study of the well-known dialect,<lb />or brogue, spoken on the barrier island of Ocracoke. Located off the Outer Banks of<lb />North Carolina, Ocracoke (whose natives refer to themselves as OTCokers) has been<lb />exposed to such a variety of linguistic influences, yet at the same time has been so<lb />isolated, that its dialect is a linguistTs gold mine. The authorsT intensive study of<lb />Ocracoke dialect, involving as much on-site acquaintance with everyday conversation as<lb />academic analysis, offers something of interest for a range of readers, from the inquisitive<lb />traveler to the specialist in regional language differences.<lb />For those interested in the technicalities of usage and the evolution of word forms,<lb />Hoi Toide on the Outer Banks is replete with tables, comparative informa-<lb />tion, and historical background. One need not be a linguist, however, to<lb />Walt Wolfram and Natalie Schilling-Estes. enjoy the wealth of stories about the engaging individuals who were<lb />° ° interviewed and quoted at length. Indeed, Wolfram and Schilling-Estes<lb />Hoi Toide on the Outer Banks. have integrated themselves effectively into the culture of Ocracoke and<lb />Chapel Hill: The University of North thus are able to offer a window into highly informal and natural<lb />Carolina Press, 1997. 192 pp. dialogues. Perhaps the most delightful feature of the book, and one<lb />Cloth, $29.95. ISBN 0-8078-2318-X. which will make it a worthwhile addition to public as well as academic<lb />Paper, $14.95. ISBN 0-8078-4626-0. libraries, is the compilation of an OTCoker vocabulary and a test of<lb />competence for the off-islander, locally known as a dingbatter.<lb /><lb />After reading this truly informative and enjoyable book, this reviewer<lb />concluded that not only is it all right to say omight could,� it is also<lb />more fun; recoiled in horror from a videotape which purported to cleanse the viewer of all<lb />speech contaminants such as accents and regional phrases; and nicknamed our portly and<lb />none-too-bright cat as Wampus Cat. A series of family members picked up and devoured<lb />the book while visiting, stimulating a new enthusiasm for the social aspects of dialects in<lb />areas where we have lived: the Shenandoah Mountains and the Tidewater region of Vir-<lb />ginia. Both of these dialects are discussed in Hoi Toide on the Outer Banks, and, according to<lb />the authors, each shares some characteristics with the Ocracoke brogue.<lb /><lb />" Meredith Merritt<lb />University of North Carolina at Charlotte<lb /><lb />ince childhood, Walker Fann has been a man of few words and few visible emotions,<lb /><lb />reluctantly but predictably fulfilling the expectations of his domineering father, the<lb /><lb />chairman of the board and owner of the town newspaper. When WalkerTs temper flares<lb /><lb />after he single-handedly causes his softball team to lose the playoffs one summer night in<lb /><lb />St. Andrews, North Carolina, it sets off a chain of events that no one in the town could<lb />have predicted would have had its origin with Walker.<lb /><lb />Somehow this night things are different. His wife has recently died, and Walker and his two<lb />children have moved in with his parents. Perhaps this is why Walker allows his<lb />emotions to drive him. In any case, the anger that caused his public outburst on<lb />the softball field eventually targets a young black boy who steals WalkerTs<lb /><lb />Howard Owen. softball glove. The boy is caught and Walker presses charges, putting into<lb />motion the events that will disrupt his comfortable, white, middle class life and<lb />The Measured Man. alter the face of his small southern town forever.<lb /><lb />New York: HarperCollins Publishers, The boy is the son of one of WalkerTs former schoolmates, Raymond Justus,<lb />1997. 259 pp. $23.00. a man who helped integrate the townTs schools in his younger days and who<lb />ISBN 0-06-018654-2. supports the construction of a slavery museum in St. Andrews, an idea to which<lb /><lb />most of the white business people in town, including WalkerTs father, are<lb /><lb />vehemently opposed. As Walker and Raymond renew their friendship, it be-<lb />comes apparent to Walker that he must act on his convictions that St. Andrews needs the slavery<lb />museum in order to mend old rifts between the races and to create dialogue where none has been.<lb />Acting on these convictions is more than simply defying his father, however, and soon the reality of<lb />what he is up against" nearly 70 years of deliberate suppression of the truth " almost manages to<lb />silence him once again.<lb /><lb />With The Measured Man, Howard Owen reexamines many of the themes he previously explored<lb />in his earlier novels, Little John, Fat Lightning, and Answers to Lucky. He is honest about the damage<lb />caused by bigotry and hypocrisy, and in the character of Walker Fann, Owen bravely illustrates why<lb />the personal must become political in order for our society to move forward.<lb /><lb />Recommended for public libraries, high school libraries, and academic libraries.<lb /><lb />" Adrienne Ehlert<lb />" East Garner Middle School<lb /><lb />94 " Summer 1997 North Carolina Libraries<lb /></p>
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        <p>rom 1943 to 1958, the employees at the Harriet and Henderson Mills in<lb />Henderson, North Carolina, had the unique experience of being<lb />represented by a union. Like Night &amp; Day focuses primarily on those<lb />fifteen years when the Textile Workers Union of America (TWUA) held<lb />onto a small segment of the stateTs textile industry workforce.<lb /><lb />Contrary to the supposedly southern anti-union sentiment of the<lb />time, the mill workers actively welcomed the unionTs arrival and felt that they<lb />benefited from their union membership. Not only did unionization bring better<lb />wages and benefits, it also offered workers a way to present their grievances with mill<lb /><lb />owners and supervisors and have them arbitrated. Author Daniel J.<lb />Carter contends that it was those grievances and arbitration rights that<lb />Daniel J. Clark. the workers found most appealing, as they offered a practical recourse<lb />° ° . ae ° to the perceived arbitrary and whimsical management practices<lb />Like N igh t &amp; Da y: Unionization Setalent in the mills. Cane: goes into great detail to ae examples of<lb /><lb />in a Southern Mill Town how grievances and arbitration affected the worklife of the millTs<lb /><lb />employees.<lb />Chapel Hill: University of North Carolina In 1958, union and management contract negotiations broke<lb />Press, 1997. 260 pp. Paper, $16 9S. down over the central issues of workersT grievance and arbitration<lb />ISBN 0-8078-4617-1. rights. The mill owners brought in a strike-breaking workforce. Gover-<lb /><lb />nor Luther Hodges had to station state troopers and, ultimately,<lb />National Guard troops in Henderson to keep order. In the end, mill<lb />management broke the strike and ended the TWUATs fifteen-year<lb />presence at Harriet and Henderson.<lb />Daniel J. ClarkTs outstanding research and lucid writing provide yet another<lb />Sa interesting and important chapter of North CarolinaTs labor history. Using oral<lb />ght &amp; day history tapes he made with some of the TWUA mill workers and having direct access<lb />to Harriet and Henderson management's actual working files, Clark allows the reader<lb />to see both sides of the action simultaneously. In particular, transcriptions from the<lb />oral history tapes give this volume a oYou Are There� flavor that heightens the<lb />narrative action. Clark also examines the background and the development of the<lb />Harriet and Henderson mills and the impact that the mills had on the community<lb />prior to the arrival of the TWUA.<lb /><lb />This volume is highly recommended for all North Carolina history collections,<lb />for collections dealing with labor relations and unionization in the South, and for<lb />collections concerned with the textile industry. This volume contains source notes,<lb />bibliography, and is indexed.<lb /><lb />na southern mill town<lb /><lb />"John Welch<lb />State Library of North Carolina<lb /><lb />arly twentieth-century America saw a nationwide boom in the creation of large<lb />country dwellings. One of the most spectacular was Reynolda, the country estate of<lb />Katharine Reynolds and her husband, R.J., the famous tobacco entrepreneur. Located<lb />three miles outside of downtown Winston (now Winston-Salem), North Carolina,<lb />Reynolda included a post office, two churches, and two schools, making it more a<lb />self-sufficient village than just a country home. Barbara MayerTs Reynolda, a History of<lb />an American Country House describes this elaborate estate by examining<lb />the historical, social, and personal aspects of Reynolda and its creators.<lb />Mayer accurately documents ReynoldaTs creation in the early<lb />twentieth century, its restoration in the mid-1930s, and, finally, its<lb /><lb />ea ee transformation into a modern Museum of American Art. Taking her<lb />Reynolda: A History of an information from original correspondence, countless interviews, and<lb />; thorough study of the Reynolds family papers, the author engages the<lb />American Coun ty House. reader in the lives of this prestigious family. By studying the estate<lb /><lb />through its creators, she exposes the personal influence that the fimily,<lb />especially Katharine Reynolds, had on Reynolda and on the community.<lb /><lb />Mayer continues her comprehensive history by examining the<lb />personalities of the original architects and inhabitants of all parts of<lb />Reynolda. The story of Reynolda then is traced through the eccentric<lb />lives of the Reynolds children and the restoration efforts of Mary<lb />Reynolds Babcock and Barbara Babcock Millhouse. The many photos which illustrate<lb />the work, although not printed as well as one would wish, do establish a concrete image<lb />of the Reynolds family, their employees, and Reynolda in all stages of its history.<lb /><lb />Winston-Salem; John F. Blair, 1997.<lb />143 pp. $19.95. ISBN 0-89587-155-6.<lb /><lb />North Carolina Libraries Summer 1997 " 95<lb />a<lb /><lb /></p>
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          <lb />Though she is experienced in writing about design, decoration, and crafts,<lb />this book is Mayer's first attempt at an historical work. Beyond achieving her<lb />basic goal of presenting ReynoldaTs history in a thorough and well-organized<lb />manner, she weaves the lives of the people and the history of the country home<lb />together to produce a rich documentary. Though very informative and factual,<lb />Mayer avoids being dry; her journalistic experience and talent are evident in her<lb />engaging style. The author's study in the history of decorative art informs her<lb />discussion of Reynolda as the showplace it was in its early years, as well as the<lb />modern museum it is today. Because of its accuracy, thoroughness, and compre-<lb />hensive index, this work is appropriate for research, public, and junior high and<lb />high school libraries as an important and interesting history as well as a valuable<lb /><lb />research tool.<lb />" Laura Baxle<lb />University of North Carolina at Chapel Hill<lb /><lb />OTHER PUBLICATIONS OF INTEREST ...<lb /><lb />North CarolinaTs favorite quilter has patched together an assortment of projects of varying<lb />levels of difficulty in Georgia BonesteelTs Patchwork Potpourri. The workbook-size book<lb />features color photographs, detailed instructions with diagrams, and templates for some 20<lb />projects. Bonesteel is the author of six other quilting books, but is best known for the series<lb />oLap Quilting with Georgia Bonesteel,� produced by the UNC Center for Public Television<lb />(1997; University of North Carolina Press, P.O. Box 2288, Chapel Hill, NC 27515-2288, 124<lb />Pp. paper, $21 95; ISBN 0-8078-4660-0.)<lb /><lb />Allen de Hart, author of North Carolina Hiking Trails and many other hiking guides, has<lb />added two new titles to his list. Trails of the Triangle describes over 200 hikes in the<lb />Raleigh/Durham/Chapel Hill area, and Trails of the Triad covers over 140 hikes in the<lb />WinstonSalem/Greensboro/High Point area. The small paperback volumes would fit easily ae nm a ,<lb />in a backpack for a daytrip, and include basic descriptions of the trail areas with addresses Jeorgia Doneotoel y<lb />and telephone numbers for more information. Trail maps are marked for hikers, bikers, Patehwork Potpourri<lb />horseback riders, and handicapped persons, and include locations of telephones, restrooms, pppoe ka A<lb /><lb />picnic areas, campsites, and parking areas. The author recommends also investing in county<lb /><lb />maps for the more rural walks. Both books include indexes to the trails, a list of addresses<lb /><lb />for useful resources, and a list identifying handicapped accessible and interpretive trails. (1997; John E. Blair, Publisher, 1406<lb />Plaza Drive, Winston-Salem, NC 27103; Trails of the Triangle: 163 pp.; paper, $11.95; ISBN 0-89587-160-2; Trails of the Triad:<lb />130 pp.; paper, $11.95; ISBN 0-89587-161-0.)<lb /><lb />Another handy guidebook is Wildflowers of the Blue Ridge Parkway by J. Anthony<lb />id what Alderman. The first section is a field guide to the flowers, sensibly arranged by color.<lb />A There follows a list of the 75 best wildflower sites on the Parkway and the flowers that<lb />1 / d ] OVW AAS may be expected to be blooming at each one during the spring, summer, and fall, keyed<lb />Si bit to the ParkwayTs mileposts. Color photographs of each flower are printed all together at<lb />of the Blu�,� Ridge Parkway the end of the volume, after the brief glossary, bibliography, and indexes to flowers and<lb />z 2 : sites. (1997; University of North Carolina Press, P.O. Box 2288, Chapel Hill, NC 27515-<lb />2288; 222 pp.; paper, $12.95; ISBN 0-8078-4651-1.)<lb /><lb />Two useful sources of state history have been reprinted by the Division of Archives and<lb />History after being long out of print. They are Indian Wars in North Carolina, 1663-<lb />1763, by E. Lawrence Lee, first published in 1963; and A Chronicle of North Carolina<lb />during the American Revolution, 1763-1789, by Jeffrey J. Crow, first published in 1975.<lb />(1997; Historical Publications Section, Division of Archives and History, 109 E. Jones<lb />Street, Raleigh, NC 27601-2807; Indian Wars: 94 pp.; paper, $6.00; ISBN 0-86526-084-2;<lb />A Chronicle: 61 pp.; paper, $6.00, ISBN 0-86526-110-5.)<lb /><lb />Allen Paul Speer has delved into his own family history in Voices from Cemetery Hill,<lb />editing the Civil War diary, reports, and letters of Colonel William Henry Asbury Speer,<lb />written between 1861 and 1864. Colonel Speer was from Yadkin County, and although<lb />opposed to slavery and secession, he served in the 28th Regiment, North Carolina<lb />troops. He fought in 16 major battles of the Civil War, was wounded twice in battle and<lb />served time in Northern prison camps, and was elected to the North Carolina Senate a<lb />few weeks before his death from wounds received at the Battle of ReamsT Station (1997;<lb />Overmountain Press, P.O. Box 1261, Johnson City, TN 37605; xiv, 221 pp.; paper, $19.95;<lb />ISBN 1-57072-050-9.)<lb /><lb />96 " Summer 1997 North Carolina Libraries<lb /><lb /></p>
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          <lb />he aguiappe' North Canrcliniana<lb /><lb />*Lagniappe (lafi-yapT, lah� yapT) n. An extra or unexpected gift or benefit. [Louisiana French]<lb /><lb />compiled by Plummer Alston Jones, Jr.<lb /><lb />Reel North Carolina:<lb />Movies Filmed in the Old North State<lb /><lb />The movie industry has come to North Carolina, an exciting proposition not only for the movie producers, who like our cli-<lb />mate and local scenery, but also for the citizens of Wilmington, Asheville, Charlotte, Graham County, and other locales who<lb />need the job opportunities it brings. Drama majors throughout North Carolina show up for the crowd scenes " a chance to<lb />be a star, make a cameo appearance, or at least gain some experience in front of the camera. And, of course, the union-scale<lb />wages donTt hurt either.<lb /><lb />The following reviews of movies filmed in North Carolina demonstrate quite clearly the quality of films produced in our<lb />own backyard. Enjoy these reviews submitted by your colleagues, who are avid movie buffs and competent critics.<lb /><lb />Most of the reviews this time are of movies for adults. One movie with a PG-13 rating is suitable for young adults. None<lb />of the movies reviewed is suitable for children. With your help in discovering them, this glaring omission will be corrected in<lb />future columns.<lb /><lb />Movie reviews are solicited for any movie filmed or set in North Carolina, or for any movie that features a prominent North<lb />Carolina actor or screenwriter. Your review should make clear that special North Carolina connection. Mail or e-mail your re-<lb />view to: Plummer Alston Jones, Jr., Catawba College Library, 2300 W. Innes St., Salisbury, NC 28144; PAJONES@catawba.edu<lb /><lb />The Journey of August King, in typical Miramax film fashion, is filled with lush vistas and beautiful<lb />natural scenery. It takes me back to childhood days of playing in the woods and family trips to the<lb />North Carolina Appalachian mountains. I could smell the damp earth and feel the coolness of the<lb />running water. The motion picture was filmed, and takes place in, North Carolina. While the North<lb />Carolina accents are not perfect, they do not grate on the ears as some attempts do.<lb /><lb />The Journey of August King Jason Patric plays the lead role of August King, a farmer who helps a runaway<lb />(1995). 92 minutes; VHS; Color; slave named Annalees Williamsburg escape to freedom in the North. Thandie<lb />Rating: PG-13; $14.67 (re-release). Newton (also in Jefferson in Paris) plays Annalees. Those who know Larry Drake as<lb />Available from: Ingram Library Services | Benny Stulwicz in LA Law from 1987 to 1994, will be pleasantly surprised with his<lb />(1-800-937-5300, ext. 2). performance as Olaf Singleterry, the slave owner.<lb /><lb />What makes this film special is that it does not rely solely upon the drama of the<lb />ever-present possibility of being caught. The tension of the moral dilemma found in one manTs<lb />struggle between the desire to obey the laws of man and the need to obey the law of humanity is<lb />compelling. August makes difficult decisions with full knowledge of hard penalties. This journey is as<lb />metaphysical as it is physical, creating an affinity between the characters and drawing in the audience.<lb /><lb />Directed by John Guigan, The Journey of August King is based on the book by John Ehle, a resident<lb />of Winston-Salem. The book is available in paperback from Hyperion, New York (ISBN 0-7868-8031-7).<lb />For more information on this movie, take a look at the Internet Movie Database, Ltd.: http://<lb />us.imdb.com/cache/title-exact/51402<lb /><lb />" Lauren Corbett, Queens College<lb /><lb />If you expect the videotape of The Last of the Mohicans to be a faithful adaptation of the James Fenimore<lb />Cooper novel, you will be disappointed. What it is, however, is an entertaining trip to colonial America<lb />in all its natural beauty and, sometimes, in all its unnatural brutality.<lb /><lb />The lush scenery of the Appalachian mountains of western North Carolina is<lb /><lb />The Last of the Mohicans used as a backdrop to present the northern New York State territory of the mid-<lb />(1993). 114 minutes; VHS; Color; 1700s. The setting reminds us of a time before the land was stripped and spoiled " a<lb />Rating: R; $14.98. Available from: time when nature was revered and held in high regard. This is evident in the<lb /><lb />Facets Video (1-800-331-6197). opening scene when the hunters take the time to thank the spirit of the deer, which<lb /><lb />they have just killed, for providing sustenance.<lb />Director Michael Mann, who directed the fast-paced cop show Miami Vice, co-produced the film with<lb />Hunt Lowry, and co-wrote the screenplay with Christopher Crowe. Daniel Day-Lewis, Best Actor Acad-<lb /><lb />North Carolina Libraries Summer 1997 " 97<lb /></p>
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          <lb />emy Award winner for his role in My Left Foot, is Hawkeye, also called Nathaniel, the adopted white son<lb />of Chingachgook, the Mohican of the title. Hawkeye spends most of his time rescuing the Munro sisters<lb />and, in the process, falls in love with the older one, Cora, portrayed by Madeleine Stowe. The Native<lb />American activist Russell Means takes on the role of Chingachgook. While the film did not win any<lb />Oscars for its actors, it did win the award for Best Sound.<lb /><lb />The screenplay is based loosely on the novel and a 1936 Randolph Scott movie. When Cora, her<lb />sister Alice, and their escort, Major Duncan Heyward, are introduced, they are traveling to Fort William<lb />Henry to join their father, a British officer defending the fort from attack by the French. Soon they are led<lb />into an ambush by their guide, the Huron brave, Magua. This is the point at which Hawkeye,<lb />Chingachgook, and ChingachgookTs natural son, Uncas, come to the rescue. The adventure is only<lb />beginning, as there is another ambush to come, along with a raid on the fort " where constant bombard-<lb />ments light up the night sky " an escape and chase down a river and through the woods, a cave hidden<lb />behind a waterfall, and a woman flinging herself over a cliff to escape the ofate worse than death.�<lb /><lb />Filmed on location at Chimney Rock, North Carolina, and at the Biltmore Estate in Asheville, the<lb />panoramic scans of the scenery are not lost to the videotape audience because of the letterbox format,<lb />with the black bands at top and bottom. Therefore, while the grandeur of the big screen cannot be<lb />totally captured, it is not compromised by cutting the film to fit the television screen.<lb /><lb />Best of all is the beautiful North Carolina scenery, which is readily available to anyone who would<lb />care to hike Chimney Rock or visit Biltmore Estate. So enjoy the views on the video and, then, enjoy<lb />them in person.<lb /><lb />" Rodney Lippard, Catawba College<lb /><lb />The mountains of Graham County, North Carolina, star in Nell, a 1995 film directed by Michel Apted,<lb />the British filmmaker famous for his 7 Up series. Also in the picture are Jody Foster, Liam Neeson, and<lb />Natasha Richardson.<lb /><lb />Foster, in an Academy Award-nominated role, plays Nell, a wild child reared by her hermit<lb />mother in a far-off cabin in the North Carolina wilderness. With only a stroke-impaired parent to<lb />teach her, Nell grows up to speak a language all her own. When a grocery delivery boy discovers the<lb /><lb />body of NellTs dead mother, Neeson enters the picture. He is the sensitive, Irish-<lb />Nell (1995). 113 minutes; VHS; Color; born country doctor who leaves his practice for three months to ease the barefoot<lb /><lb />Rating: R; $19.98. Available from: innocent " at least slightly " into the twentieth century and a more understand-<lb /><lb />Baker and Taylor (1-800-775-2600, ext. able version of standardized English. He does this so that Nell can continue living<lb />2026), Facets Video (1-800-331-6197), in her cabin by the creek.<lb /><lb />or CBS/Fox Video (1-800-457-0686). Richardson (NeesonTs wife in real life) is the country doctorTs scientific competi-<lb /><lb />nt RENIN CRETE Cutten enter eee ey ot SOR OMN thee Gityronehanottie: She initially wants to cart Nell from the woods to<lb />a psychiatric hospital, but, as often happens in film, she and the sensitive country doctor reach a level<lb />of higher understanding by being exposed to NellTs childlike wonder and naked interpretive dance.<lb />This movie was designed to be a star vehicle for Jody Foster. She co-produced the film along with<lb />her partner, Renee Missel, who fell in love with the character of Nell after watching a Los Angeles<lb />production of Indioglossia, the play upon which the film was based. Reviewers called Nell fatuous, self-<lb />serving, useless, simplistic, and sentimental. But what do they know? ItTs a good date movie, as long as<lb />the date isnTt too bothered by contrived plots. (Nell gives a climactic courtroom speech that would<lb />make even Raymond Burr proud.) The date had better be accepting of HollywoodTs version of psychol-<lb />ogy, too. (NellTs afraid of men? Then show her the good doctorTs penis. A few giggles later, and that<lb />phobia is conquered.)<lb />Although reviewers applied a wide variety of adjectives to the film, they had one word for the<lb />North Carolina setting. Gorgeous. Yep, yaT gotta agree.<lb />" Kevin Cherry, Rowan Public Library<lb /><lb />Ruth Anne (nicknamed Bone), born out of wedlock to Anney Boatwright in 1950sT South Carolina,<lb /><lb />Knows a life of poverty, but is nourished by a strong bond with her mother. AnneyTs marriage to oDaddy<lb /><lb />Glenn� Waddell changes BoneTs life forever, as she is subjected to beatings and escalating sexual molesta-<lb />tion. Although Anney knows at some level that Bone is being abused, she is conflicted<lb /><lb />Bastard Out of Carolina (1996). by her need for GlennTs love despite her close bond with Bone. When AnneyTs family<lb />180 minutes; VHS; Color; Rating: R; realizes that Glenn is beating Bone, the men beat him. Bone leaves to live with<lb />$97.99. Available from: BMG Video, relatives, and Anney leaves Glenn " but the dynamics of GlennTs jealousy and<lb /><lb />1540 Broadway, 26th Fl., New York, NY obsession, as well as AnneyTs dependence on Glenn, result in a shattering conclusion.<lb />10036-4021; (1-800-678-1552). An emotionally searing film with flawless performances, Bastard is also an<lb /><lb />a SiS :<lb />outstanding directorial debut by Angelica Huston. Although quite controversial<lb /><lb />because of the strong subject matter, it is presented in context and not sensationalized. That said, this<lb />is not a film suitable for children or some adults. It is a serious film, a portrait of an extreme family<lb />situation, and a character study, revealing the depths of the likable as well as the despicable.<lb />Essentially, the story is that of a child who loves, and is loved by, her mother, but is caught<lb />between the rages, weakness, and jealousy of her stepfather and the inability of her mother totally to<lb /><lb />98 " Summer 1997 North Carolina Libraries<lb /><lb /></p>
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          <lb />abandon that manTs love despite her bond with her child.<lb />Libraries with collections of serious films intended for an adult audience should consider Bastard,<lb />with the reservations about audience suitability noted above.<lb />" Melody Moxley, Rowan Public Library<lb /><lb />I knew Wilmington had hit the big time in movie-making when, in the summer of 1987, I walked into<lb />a friendTs home in Laurel, Montana, and saw my alma mater, New Hanover High School, filling the<lb />television screen as a setting for David LynchTs 1986 film, Blue Velvet. As a lifetime<lb />fan of film, it was a thrilling moment to see that familiar site, along with many<lb />other local spots so far out of context, over a thousand miles away in a movie that<lb />some say is as classic as HitchcockTs Psycho or ScorceseTs Taxi Driver.<lb /><lb />Could the director who came up with the freakish Eraserhead and earned an Oscar<lb />nomination for the highly acclaimed The Elephant Man actually choose Wilmington as<lb />a place to form his craft? Evidently he could, and today Wilmington boasts a thriving<lb />community of filmmakers and has become a second home to such film people as VélvetTs co-star, Dennis<lb />Hopper. WilmingtonTs success has helped to make North Carolina a leader in film production.<lb /><lb />For anyone unfamiliar with LynchTs unique and eerie style from his television program, Twin Peaks, or<lb />his latest narratively challenged movie, Lost Highway, Blue Velvet is a good introduction to the director's<lb />darkly strange mix of everyday life and the bizarre. This is apparent from the opening scenes of the movie<lb />where we get a tour of the squeaky clean town of Lumberton, the name given to Wilmington in the film.<lb />Everything looks as normal as Mayberry until the camera peeks a little closer. A severed and decaying<lb />human ear covered by ants is discovered in a field by the straight-as-an-arrow hero of the film played by<lb />Kyle MacLachlan. When a visit to the police produces few results in solving the mystery of the ear, the<lb />young man begins his own investigation with the help of a detectiveTs daughter played by Laura Dern.<lb /><lb />Their snooping soon involves Isabella RoselliniTs character, whose child and husband have been<lb />kidnapped by a sadistic Dennis Hopper. The innocence of the young would-be sleuths is contrasted<lb />with the seedy underworld they discover. As MacLachlan attempts to help the seductive, but troubled<lb />Rosselini, his character is eventually tested and pushed to violent means.<lb /><lb />After an explosive confrontation between good and evil, the film concludes by returning to a<lb />Disneyesque vision of a small Southern town where a mother hugs her child in the park and young<lb />lovers admire a bird from a kitchen window. Such charming images of American life no longer enchant<lb />us now that Lynch has taken us below the surface.<lb /><lb />Wilmington and North Carolina can be proud to be part of such artistic and insightful filmmaking.<lb /><lb />" William H. King, Division of State Library<lb /><lb />Blue Velvet (1986). 120 minutes;<lb />VHS; Color; Rating: R. Available from:<lb />out-of-print (look for re-release or try<lb />out-of-print vendors).<lb /><lb />EBSCO<lb /><lb />INFORMATION SERVICES<lb /><lb />PH. ELE A D-ECR IN INTEGRATED INFORMATION MANAGEMENT<lb /><lb />North Carolina Libraries Summer 1997 " 99<lb /> "<lb /></p>
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          <lb />NorTH CAROLINA LIBRARY ASSOCIATION<lb /><lb />Minutes of the Executive Board<lb />April 18, 1997, Cumberland County Public Library and Information Center<lb /><lb />Members and Guests present: Dave Fergusson, Steve Sumerford, Rhoda Channing, Jerry<lb />Thrasher, Pauletta Bracy, Teresa McManus, Beverley Gass, Cynthia Cobb, Martha Davis, Karen<lb />Perry, Sue Ann Cody, Kathryn Crowe, Patrick Valentine, Wanda Brown, Jackie Beach, Barbara<lb />Levergood, Robert Burgin, Marsha Wells, John Via, Tracy Babiasz, Sheila Core, Lou Bryant,<lb />Barbara Akinwole, Ginny Gilbert, Edna Cogdell, Gene Lanier, Gwen Jackson<lb /><lb />President Fergusson called the meeting to<lb />order at 10:00 am. After a few typographical<lb />errors were corrected, President Fergusson<lb />asked for a motion that the minutes from the<lb />January 17,1997 be approved. Robert Burgin<lb />made the motion, which was seconded by<lb />Patrick Valentine. The motion passed<lb />unanimously.<lb /><lb />PresidentTs Report<lb /><lb />President Fergusson reported that Capital<lb />Consortium had requested permission to<lb />post an announcement on the NCLA listserv.<lb />Since Capital Consortium is a for-profit<lb />company, he felt that it was not appropriate.<lb />The group agreed. President Fergusson also<lb />reported that the AIDS Awareness committee<lb />is still not active and that there is no one<lb />who wants to take responsibility for the<lb />committee. He has received some comments<lb />that the committee is no longer needed or<lb />that it should be under NCASL. He will write<lb />a letter to NCASL regarding the status of the<lb />committee.<lb /><lb />TreasurerTs Report<lb /><lb />Wanda Brown thanked Marsha Wells for<lb />preparing the report in a manner that is<lb />easier to understand. Our year to date<lb />revenue is $51,498.25. Our year to date<lb />expenses are $13,712.26. The budget for<lb />1997 is $82,740. Total assets are<lb />$122,619.50. Karen Perry asked about<lb />whether this report was based on fund<lb />accounting. Marhsa Wells explained that the<lb />budget report showed only administrative<lb />and operating expenses. Patrick Valentine<lb />pointed out that we don not have funds for<lb />conference grants at this time.<lb /><lb />Administrative AssistantTs Report<lb />Marsha Wells reported that current<lb />membership is 1534. 501 former members<lb />have not renewed and membership in<lb />almost all sections and round tables is down.<lb />Dave Fergusson suggested that names of<lb />non-renewing members be given to the<lb />section chairs so that they can contact<lb />members who have not renewed.<lb /><lb />100 " Summer 1997<lb /><lb />Reports from Sections<lb />and Round Tables<lb /><lb />College and University Section<lb /><lb />Kathryn Crowe reported that the Academic<lb />Curriculum Librarians will hold a discussion<lb />on accreditation criteria with representatives<lb />from NCATE and the Department of Public<lb />Instruction. The section will sponsor a<lb />meeting on NC LIVE with Susan Nutter,<lb />Library Director at NCSU, as speaker. The BI<lb />Interest Group sponsored a workshop on<lb />May 23rd in Wilmington, oTeaching for<lb />Knowledge - Not Just for Information -<lb />Freshmen Instruction and the LibraryTs<lb />Role.� The section has also discussed<lb />strategies to recruit new members to the<lb />section, including identifying new librarians<lb />and developing a brochure.<lb /><lb />Community and Junior College<lb /><lb />Libraries Section<lb /><lb />Sheila Core reported that the Executive<lb />Committee of the section met on November<lb />22, 1996 and discussed the proposed merger<lb />with the College and University Section. It<lb />was decided to survey both present and<lb />potential members of CJCS to see how they<lb />felt about the proposal. The section distrib-<lb />uted a survey in late March to 157 present<lb />and/or potential members of the section,<lb />with approximately 22% of the surveys<lb />having been returned by April 16th. Due to<lb />the lack of program grant funds, the section<lb />decided not to attempt to present a program<lb />at the Learning Resources Conference, but<lb />plans are being made for the NCLA biennial<lb />conference.<lb /><lb />Documents<lb /><lb />Barbara Levergood reported that the board of<lb />the Documents Section had some concerns<lb />about the correct interpretation of the policy<lb />regarding registration fees for non-members<lb />who attend workshops and conferences<lb />sponsored by NCLA sections and round<lb />tables. The Documents Section is planning a<lb />Spring Workshop presented by Ken Rogers of<lb />STAT-USA (US Department of Commerce) on<lb /><lb />their STAT-USA/Internet service on the World<lb />Wide Web and on the National Trade Data<lb />Bank (NTDB) CD-ROM product. They are<lb />also planning a Fall Program on access to<lb />government documents via the Internet.<lb /><lb />Library Administration and<lb /><lb />Management Section<lb /><lb />Robert Burgin made a motion that o the<lb />NCLA Executive Board add a non-codified<lb />policy to specify that the books for the<lb />conference financial report be completed by<lb />the end of the second quarter of the year<lb />following the conference.� Karen Perry<lb />seconded the motion. After discussion, the<lb />motion passed. LAMS is negotiating with the<lb />Library Administration and Management<lb />Association of ALA to co-sponsor a pre-<lb />conference for the 1997 Biennial Conference.<lb />The pre-conference is LAMATs 1997 institute,<lb /><lb />which is entitled oStaffing Issues for the Year<lb />2000.�<lb /><lb />North Carolina Association of School<lb /><lb />Librarians<lb /><lb />Karen Perry reported that the NCASL<lb />Executive Board met on March 6, 1997 in<lb />Research Triangle Park She noted that there<lb />had been much discussion of the issues<lb />related to NCASL and NCLA. They adopted<lb />a budget of approximately $19,000<lb />including NCASL and NCLA held accounts<lb />for the year 1997. An ad hoc committee on<lb />flexible scheduling presented a draft of a<lb />pamphlet for principals to support media<lb />specialists and supervisors attempting to<lb />implement flexible scheduling in elemen-<lb />tary and middle schools. The winners of<lb />the Children Book Awards and the Junior<lb />Book Award were selected by the childrenTs<lb />votes across North Carolina. Officer Buckle<lb />and Gloria won the ChildrenTs Book Award<lb />with an overwhelming 13,000+ votes and<lb />Wicked Jack won the Junior Book Award.<lb />The Battle of the Books Committee has<lb />selected the 1998 booklist.<lb /><lb />Public Library Section<lb /><lb />The section is making plans for the biennial<lb /><lb />North Carolina Libraries<lb /></p>
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          <lb />conference. Margaret Maron will be one of<lb />the speakers sponsored by the Public Library<lb />Section and the Roundtable on the Status of<lb />Women.<lb /><lb />Reference and Adult Services Section<lb />Sue Ann Cody reported that RASS has<lb />booked Joel Achenbach as luncheon speaker<lb />for Thursday, October 9th. Mr. Achenbach is<lb />a journalist for the Washington Post, a<lb />commentator on National Public RadioTs<lb />Morning Edition, and the author of Why<lb />Things Are and Why Things Aren't.<lb /><lb />Resources and Technical Services Section<lb />Ginny Gilbert reported that RTSS has<lb />planned four programs for the Biennial<lb />Conference. The main one features Arnold<lb />Hirchon, Vice Provost for Information<lb />Resources at Lehigh University and co-author<lb />of the recently published book, Outsourcing<lb />Library Technical Services.<lb /><lb />New Members Round Table<lb /><lb />The NMRT will soon finalize plans for<lb />NMRTTs Big Adventure, a workshop to be<lb />held June 20th. The event will include<lb />tours of three libraries in the Durham area:<lb />Perkins Library at Duke University, Durham<lb />County Public Library, and the National<lb />Humanities Center; and lunch at the<lb />Durham Public Library. This will be an<lb />opportunity for new members to observe<lb />different types of libraries and to meet other<lb />new members. NMRT will be involved in<lb />three conference programs. They will also<lb />have a luncheon/business meeting with an<lb />author as speaker.<lb /><lb />NC Library Paraprofessional<lb /><lb />Association<lb /><lb />The round table is planning a series of<lb />workshops to include oManaging Interli-<lb />brary Loans� and oSearching the World<lb />Wide Web.� Sydney Pierce, Associate<lb />Professor, UNC School of Information/<lb />Library Science, has committed to present a<lb />workshop on oCollection Development<lb />Using Free Resources from the Internet.�<lb /><lb />Round Table for Ethnic Minority<lb /><lb />Concerns<lb /><lb />REMCO is planning for an upcoming<lb />newsletter edition to include such items as<lb />the announcement of the NCLA Program<lb />speaker, a call for nominations for the<lb />Roadbuilders Award, and the appointment<lb />of a nomination committee to prepare a<lb />slate of officers for the next biennium. The<lb />roundtable further discussed Board activities<lb />related to participation in the National<lb />conference for African American Librarians.<lb />Claude Clegg, author of An Original Man:<lb />The Life and Times of Elijah Muhammad, was<lb />confirmed as the speaker for the NCLA<lb />biennial conference. Dr. Clegg is a professor<lb />of history at North Carolina A&amp;T State<lb />University.<lb /><lb />Round Table on the Status of Women<lb />RTSW is planning activities for the biennial<lb />conference.<lb /><lb />Technology and Trends<lb />Technology and Trends is sponsoring an<lb />HTML workshop at Forsyth Tech on April<lb /><lb />North Carolina Libraries<lb /><lb />25th and they are making plans for the<lb />conference.<lb /><lb />Committee Reports<lb /><lb />Conference Committee<lb /><lb />Beverly Gass made a motion that each non-<lb />NCLA group be charged a $5 service fee for<lb />each ticket sold to a meal function. Gwen<lb />Jackson seconded. The motion and the<lb />motion carried.<lb /><lb />Given the need of NCLA to increase<lb />revenues, the Conference Committee voted<lb />to recommend to the NCLA Executive Board<lb />that all meal functions sponsored by a<lb />section, roundtable, or other conference<lb />presenter/group be charged a service fee by<lb />the NCLA Conference.<lb /><lb />The Registration Subcommittee will<lb />contract with David Workman to rewrite the<lb />registration program to run in a Windows<lb />95 environment. The Publicity Subcommit-<lb />tee has designed the Conference program<lb />cover and established the olook� of all<lb />conference materials. Sharon Johnston,<lb />Publicity Chair and Public Relations Director<lb />of the Public Library in Charlotte and<lb />Mecklenburg County, will also manage the<lb />development of web pages for the confer-<lb />ence. The web pages are scheduled to be<lb />publicly available by the end of May when<lb />the first reminder announcement of the<lb />conference will be mailed. A full conference<lb />program will be available on the web pages<lb />at that time.<lb /><lb />Constitution Codes and Handbook<lb />The committee proposed that the board<lb />recommend the following bylaws change:<lb />Amend Article 2, Section 5 of the bylaws as<lb />follows:<lb />Directors-at-Large. The Directors<lb />assume such other duties as are<lb />assigned by the President. In case of a<lb />vacancy, the Executive Board shall<lb />appoint a Director to serve until the<lb />next regular election is held.<lb /><lb />The Constitution, Codes and Handbook<lb />Revision Committee passed along to the<lb />Administrative Assistant amendments to the<lb />NMRT and NCASL bylaws, duly passed by<lb />those sections, for inclusion in the hand-<lb />book. The committee placed language in the<lb />handbook stating that NCLA biennial<lb />conferences shall not conflict with religious<lb />holidays, as per board action (Non-codified<lb />Policies, 2.4.1). The committee placed into<lb />the handbook as non-codified policies three<lb />Financial Vitality Committee recommenda-<lb />tions approved by the Executive Board.<lb />Policy 2.1.3 specifies the amount of reduc-<lb />tion in workshop, conference, etc. fees as $25<lb />or 50 percent, whichever is less. (The<lb />committee drafted partial language and<lb />following clarification of the Financial<lb />Vitality CommitteeTs intent, the chair<lb />completed the language and forwarded it for<lb />inclusion). Policy 2.2.7 requires the Finance<lb />Committee to make a recommendation for<lb />the allocation of conference net funds<lb />during the budget planning process that<lb />includes a conference start-up reserve. Policy<lb />2.2.8 states that effective January 1, 1998,<lb />each committee, section, and round table of<lb /><lb />NCLA shall contribute $5 to the NCLA for<lb />each paid registrant to conferences (except<lb />the biennial conference), workshops, etc.<lb />The policy also states that the NCASL will<lb />contribute $5 only for each paid registrant to<lb />its biennial conference.<lb /><lb />NCLA PROPOSED CONSTITUTION/<lb />BYLAWS AMENDMENTS<lb /><lb />Amend the CONSTITUTION, Article VI,<lb />Section 1:<lb />ARTICLE VI. EXECUTIVE BOARD<lb /><lb />1. The officers of the Association, the<lb />Past President, the representatives of the<lb />Association to the American Library<lb />Association Council, the North Carolina<lb />member of the Executive Board of the<lb />Southeastern Library Association, the editor<lb />of North Carolina Libraries, and the chair of<lb />each section and round table, and others as<lb />stipulated in the AssociationTs bylaws shall<lb />constitute the Executive Board. A parliamen-<lb />tarian may be appointed by the President as<lb />a non-voting member. The Administrative<lb />Assistant shall serve as a non-voting ex-<lb />officio member.<lb /><lb />Amend the BYLAWS by adding to Article IV,<lb />Section 5S:<lb /><lb />5. Sections and Round Tables whose paid<lb />membership on March 31 prior to the<lb />biennial conference exceeds 350 members<lb />shall name one additional representative to<lb />serve as a voting member of the NCLA<lb />Executive Board. For every 200 members<lb />above the initial 350, the section or round<lb />table shall name one additional representa-<lb />tive to serve as a voting member of the NCLA<lb />Executive Board.<lb /><lb />Finance Committee<lb /><lb />Teresa McManus discussed changes in the<lb />NCLA Financial Procedures for Operating<lb />Funds. The committee recommends<lb />ononoperating� funds be handled by the<lb />same procedures as ooperating funds.� She<lb />asked that we consider the changes and send<lb />comments to her before the next meeting,<lb />when we will vote on the changes. The<lb />committee will be preparing the annual<lb />budget for 1998.<lb /><lb />Governmental Relations Committee<lb />John Via reported that this yearTs national<lb />Library Legislative Day activities took place<lb />in Washington, DC, on May Sth and 6th.<lb />Tuesday, May 6th was Library Legislative<lb />Day, when library advocates rallied and<lb />visited senators and representatives on<lb />Capitol Hill. At the end of the day, the<lb />library advocates hosted a reception for<lb />legislators and members of their staffs.<lb />NCLA had a delegation at the May Sth<lb />briefing session co-sponsored by the<lb />American Library Association and the<lb />District of Columbia Library Association.<lb />NCLA members made rounds of Congres-<lb />sional offices on May 6th and hosted a<lb />luncheon for North CarolinaTs congressional<lb />delegation at noon.<lb /><lb />Intellectual Freedom Committee<lb />Gene Lanier discussed the concerns about<lb />libraries using filters to prevent children<lb />from viewing Internet sites which are<lb /><lb />Summer 1997 " 101<lb /></p>
        <pb facs="00027359_0047" />
        <p>perceived as indecent. The committee had<lb />librarians participate in a CNN poll on-line<lb />concerning their feelings on the Communi-<lb />cations Decency Act. The Chair made a<lb />presentation at the NC Community College<lb />Learning Resources Association conference in<lb />Research Triangle Park. He was interviewed<lb />on three television channels and one radio<lb />station concerning the Supreme CourtTs<lb />review of the appeal of ALA/ACLU v.<lb />Department of Justice case, March 19, 1997.<lb />Nominations are being solicited for the<lb />NCLA/SIRS Intellectual Freedom Award for<lb />the 1996-97 biennium. The deadline is<lb />August 9, 1997. Nominees must be NC<lb />residents presently active in fostering<lb />intellectual freedom. Each nomineeTs efforts<lb />should have furthered the cause of intellec-<lb />tual freedom in the state. The award consists<lb />of $500 to the recipient; $500 for materials<lb />to the library of the recipientTs choice; a<lb />plaque to the recipient commemorating the<lb />award donated by NCLA/IE. The award will<lb />be presented at the biennial conference.<lb />Nominations with supporting documenta-<lb />tion should be sent to: Gene D. Lanier,<lb />NCLA/IFC Chair, Department of Library and<lb />Educational Technology, East Carolina<lb />University, Greenville, SAC 27858-4353.<lb /><lb />Literacy Committee<lb /><lb />Pauletta Bracy asked for support from the<lb />Executive Committee for a paper regarding<lb />library services to people who do not speak<lb />English as their first language. President<lb />Fergusson encouraged the committee to<lb />present the paper at the next Executive<lb />Committee meeting. The Literacy Commit-<lb />tee is working on the following tasks: (1) to<lb />monitor relevant statewide legislation; (2) to<lb />present a program at NCLA-1997; (3) to<lb />complete the directory of libraries engaged in<lb />literacy activities and plan dissemination of<lb />it; (4) to conduct a survey of ESL activities in<lb />libraries and make recommendations for<lb />further development and articulation in this<lb /><lb />area; and (S) to prepare a bibliography of<lb />recommended audio-visual and software<lb />materials suitable for literacy instruction.<lb /><lb />Membership<lb /><lb />The Membership Committee has completed<lb />the promotional poster. Barbara Akinwole<lb />reported that the committee participated in a<lb />Careers Fair and some new members were<lb />recruited. She discussed a concern about the<lb />fact that the new policy regarding Directors-<lb />at-Large does not specify who the chair of<lb />the Membership Committee will be.<lb />President Fergusson said that the intent of<lb />the new policy is that the President appoint<lb />the chair and that this chair would serve<lb />more than one biennium. Jackie Beach<lb />reported on the nominations for awards.<lb />There was discussion about whether the<lb />Membership Committee should make the<lb />decisions about who should receive the<lb />awards. The Board asked the Committee to<lb />bring the recommendations for awards to<lb />the next meeting, but that the names of the<lb />winners will not actually be announced until<lb />the conference.<lb /><lb />North Carolina Libraries<lb />No report.<lb /><lb />Scholarship Committee<lb /><lb />Edna Cogdell reported that the committee<lb />has sent out approximately 25 applications<lb />to date and has received six requests.<lb /><lb />SELA Report<lb /><lb />The last issue of the current volume of<lb />Southeastern Librarian was published in April.T<lb />The spring leadership meeting, usually held<lb />in March, did not materialize this year. No<lb />word has been given concerning negotia-<lb />tions with SOLINET and Jo Anne Treadwell<lb />to provide office services needed by SELA.<lb /><lb />Ad-Hoc Committee on the NCLA Web<lb />Page<lb />Sue Cody requested input on the future of<lb /><lb />Tired of making<lb />opermanent loans?"<lb /><lb />4 CheckpointT<lb /><lb />Ralph M. Davis<lb /><lb />Sales Representative<lb />P.O. Box 144<lb />Rockingham, NC 28379<lb />1-800-545-2714<lb /><lb />Tomorrow's Technology for Today's Libraries�"�<lb /><lb />550 Grove Road ¢ P.O. Box 188 * Thorofare, New Jersey 08086<lb />(800) 257-5540 * TELEX: 84-5396 « FAX: (609) 848-0937<lb /><lb />102 " Summer 1997<lb /><lb />the ad-hoc committee. Robert Burgin made a<lb />motion that the responsibility for the Web<lb />page be given to the Publication and<lb />Marketing Committee. Gwen Jackson<lb />seconded it. The motion carried. The Web<lb />Page Ad-Hoc Committee has developed a<lb />series of web presentation goals and objec-<lb />tives. The intended audience of the web site<lb />includes NCLA members and prospective<lb />members, librarians and library staff in<lb />North Carolina and beyond, legislators and<lb />other policy makers, and the general public.<lb />The primary purposes of the web site will be<lb />to promote NCLA by providing information<lb />about NCLA and NCLA activities, and to<lb />provide information about librarianship<lb />useful to NCLA membership. The committee<lb />also proposed a list of web page standards to<lb />be required on every NCLA web site page, to<lb />include: a NCLA graphic, logo or banner; a<lb />link to the NCLA home page; the pageTs URL;<lb />the date when the page was last modified;<lb />and the document author(s), preferably with<lb />a omail to� link.<lb /><lb />Grants Committee<lb /><lb />Robert Burgin reported Dr. Speller would be<lb />posting a web page for grants and would create<lb />a listserv for librarians interested in grants.<lb /><lb />ALA Report<lb />Martha Davis reported that at the 1997<lb />Midwinter Conference, discussion centered<lb />around full disclosure of the salary package<lb />offered to Elizabeth Martinez, ALA Executive<lb />Director, and the issue of a bonus that was<lb />paid to her shortly after she agreed last<lb />summer to stay on until the end of her<lb />contract. As the Search Committee an-<lb />nounced that it had already received<lb />applications for the Executive Director,<lb />Council members expressed concern about<lb />hiring a non-librarian and the effect it might<lb />have on the integrity of the degree, on hiring<lb />practices in individual libraries, and the<lb />implication that MLS librarians cannot<lb />effectively direct the organization. The<lb />announcement was also made that the<lb />Hewlett Packard advertisement which<lb />portrayed libraries in a negative light has<lb />been pulled odue to the excessive number of<lb />letters received.� ALA continues its focus on<lb />the ALA GOAL 2000 initiative and litigation<lb />concerning the Communications Decency<lb />Act. Several council documents of interest to<lb />state associations were discussed and acted<lb />upon. Copies of the documents are available<lb />form the ALA Councilor at any time, anda<lb />complete list of documents will be published<lb />in one the spring editions of American Libraries.<lb />President Fergusson adjourned the meeting.<lb /><lb />" submitted by Steve Sumerford<lb /><lb /><lb /><lb />Thank You to NCLA<lb />Contributing Members:<lb /><lb />David S. Ferriero, Duke University<lb />Dr. Benjamin F. Speller, Jr.,<lb /><lb />North Carolina Central University<lb />SOLINET<lb /><lb />Tom Broadfoot,<lb />BroadfootTs Publishing Company<lb /><lb /><lb /><lb /><lb /><lb /><lb />North Carolina Libraries<lb /></p>
        <pb facs="00027359_0048" />
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          <lb />
          <lb />NortuH CAROLINA LiprAry ASSOCIATION 1995-1997 EXECUTIVE BOARD<lb /><lb />PRESIDENT<lb />David Fergusson<lb />Forsyth County Public Library<lb />660 W. Fifth Street<lb />Winston-Salem NC 27101<lb />Telephone: 910/727-2556<lb />Fax: 910/727-2549<lb />D_FERGUSSON@FORSYTH.LIB.NC.US<lb /><lb />VICE PRESIDENT/<lb />PRESIDENT ELECT<lb />Beverley Gass<lb />M.W. Bell Library<lb />Guilford Technical College<lb />P.O. Box 309<lb />Jamestown NC 27282-0309<lb /><lb />Telephone: 910/334-4822<lb />x2434<lb /><lb />Fax: 910/841-4350<lb /><lb />GASSB@GTCC.CC.NC.US<lb /><lb />SECRETARY<lb /><lb />Steven L. Sumerford<lb />Glenwood Branch Library<lb />1901 W. Florida Street<lb />Greensboro, NC 27403<lb /><lb />Telephone: 910/297-5002<lb /><lb />Fax: 910/297-5004<lb /><lb />STEVES2241@AOL.COM<lb />TREASURER<lb /><lb />Wanda Brown<lb /><lb />Z. Smith Reynolds Library<lb />Wake Forest University<lb /><lb />PO Box 7777 Reynolda Station<lb />Winston-Salem, NC 27109-7777<lb />Telephone: 910/759-5094<lb />Fax: 910/759-9831<lb />WCASONG@LIB.WFUNET.WFU.EDU<lb /><lb />DIRECTORS<lb />Jacqueline B. Beach<lb />Craven-Pamlico-Carteret<lb /><lb />Regional Library<lb /><lb />400 Johnson<lb />New Bern, NC 28560<lb />Telephone: 919/823-1141<lb />Fax: 919/638-7817<lb /><lb />Barbara Akinwole<lb /><lb />State Library of North Carolina<lb />109 E. Jones Street<lb /><lb />Raleigh, NC 27601-2807<lb />Telephone: 919/733-2570<lb />Fax: 919/733-8748<lb />BAKINWOLE@HALDCRSTATENC.US<lb /><lb />ALA COUNCILOR<lb />Martha E. Davis<lb />M. W. Bell Library<lb />Guilford Tech. Comm. College<lb />P. O. Box 309<lb />Jamestown, NC 27282-0309<lb /><lb />Telephone: 910/334-4822<lb />Fax: 910/841-4350<lb />DAVISM@GTCC.CC.NC.US<lb /><lb />SELA REPRESENTATIVE<lb />Nancy Clark Fogarty<lb />Jackson Library<lb />UNC-Greensboro<lb />Greensboro, NC 27412<lb />Telephone: 910/334-5419<lb />Fax: 910/334-5097<lb />FOGARTYN@IRIS.UNCG.EDU<lb /><lb />EDITOR, North Carolina Libraries<lb />Frances Bryant Bradburn<lb />Information Technology<lb /><lb />Evaluation Services<lb /><lb />Public Schools of North Carolina<lb />301 N. Wilmington Street<lb />Raleigh, NC 27601-2825<lb />Telephone: 919/715-1528<lb />Fax: 919/715-4823<lb />FBRADBUR@DPI.STATE.NC.US<lb /><lb />PAST-PRESIDENT<lb />Gwen G. Jackson<lb />494 Breezy Point Road<lb />Swansboro, NC 28584<lb />Telephone: 919/393-2651<lb />GJACKSON@UNCECS.EDU<lb /><lb />ADMINISTRATIVE ASSISTANT<lb />(ex officio)<lb />North Carolina Library Association<lb />c/o State Library of North Carolina<lb />Rm. 27 109 E. Jones St.<lb />Raleigh, NC 27601-1023<lb /><lb />Telephone: 919/839-6252<lb />Fax: 919/839-6252<lb />SECTION CHAIRS<lb /><lb />CHILDRENTS SERVICES SECTION<lb />Beth Hutchison<lb />Public Library of Charlotte and<lb />Mecklenburg County<lb />301 N. Tryon Street<lb />Charlotte, NC 28202<lb /><lb />Telephone: 704/336-2409<lb />Fax: 704/336-2677<lb />BAH@PLCMC.LIB.NC.US<lb /><lb />COLLEGE anp UNIVERSITY SECTION<lb />Kathryn Crowe<lb />Jackson Library -<lb />UNC-Greensboro<lb />Greensboro, NC 27412<lb /><lb />Telephone: 910/334-3215<lb />Fax: 910/334-5097<lb />CROWEK@IRIS.UNCG.EDU<lb /><lb />COMMUNITY anp JUNIOR<lb />COLLEGE LIBRARIES SECTION<lb />Shelia Core<lb />Surry Community College<lb />P.O. Box 304<lb />Dobson, NC 27107<lb /><lb />Telephone: 910/386-8121<lb />x317<lb />Fax: 910/386-8951<lb /><lb />DOCUMENTS SECTION<lb />(Term ends 1996)<lb />Cheryl McLean<lb />State Library of North Carolina<lb />109 E. Jones Street<lb />Raleigh, NC 27601-2807<lb />Telephone: 919/733-3683<lb />Fax: 919/733-5679<lb />CMCLEAN@HAL.DCR.STATE.NC.US<lb />(Term ends 1997)<lb />Barbara Levergood<lb />Davis Library CB#3912<lb />UNC-Chapel Hill<lb />Chapel Hill, NC 27514-8890<lb />Telephone: 919/962-1151<lb />Fax: 919/962-4451<lb />LEVERG.DAVIS@MHS.UNC.EDU<lb /><lb />LIBRARY ADMINISTRATION anp<lb /><lb />MANAGEMENT SECTION<lb />Robert E. Burgin<lb />North Carolina Central Univ.<lb />1801 Fayetteville Street<lb />Durham, NC 27707<lb />Telephone: 919/560-6485<lb />Fax: 919/560-6402<lb />BURGIN@NCCU.EDU<lb /><lb />NORTH CAROLINA ASSOCIATION<lb />OF SCHOOL LIBRARIANS<lb />Karen Perry<lb />1000 Parkwood Circle<lb />High Point, NC 27262<lb />Telephone: 910/819-2870<lb />PERRYK@UNCG.EDU<lb /><lb />NORTH CAROLINA PUBLIC<lb />LIBRARY TRUSTEES ASSOCIATION<lb />Clifton Metcalf<lb />56 Cedar Hills Circle<lb />Chapel Hill, NC 27514<lb />Telephone: 919/962-0331<lb />Fax: 919/962-2279<lb /><lb />PUBLIC LIBRARY SECTION<lb />Sylvia Sprinkle-Hamlin<lb />Forsyth County Public Library<lb />660 W. Fifth Street<lb />Winston-Salem, NC 27101<lb />Telephone: 910/727-2556<lb />Fax: 910/727-2549<lb />S_HAMLIN@FORSYTH.LIB.NC.US<lb /><lb />REFERENCE anp ADULT SERVICES.<lb />Sue Ann Cody<lb />UNC-Wilmington<lb />601 S. College Road<lb />Wilmington, NC 28403-3297<lb />Telephone: 919/395-3688<lb />Fax: 910/395-3863<lb />CODYS@UNCWIL.EDU<lb /><lb />RESOURCES anp TECHNICAL<lb />SERVICES SECTION<lb />Janet Flowers<lb />Davis Library CB#3902<lb />UNC-Chapel Hill<lb />Chapel Hill, NC 27514-8890<lb />Telephone: 919/962-1120<lb />Fax: 919/962-4450<lb />JANET_FLOWERS@UNC.EDU<lb /><lb />ROUND TABLE CHAIRS<lb /><lb />NEW MEMBERS ROUND TABLE<lb />Carol Freeman<lb />Allied Health Library<lb />Forsyth Technical Com.<lb />College<lb />1900 Beach Street<lb />Winston-Salem NC 27103<lb />Telephone: 910/723-0371<lb /><lb />X29<lb /><lb />Fax: 910/748-9395<lb />CFREEMAN@BULLNCDCC-CCNCUS<lb /><lb />NORTH CAROLINA LIBRARY<lb />PARAPROFESSIONAL ASSOCIATION<lb />Renee Pridgen<lb />Cumberland Co. Public Library<lb />300 Maiden Lane<lb />Fayetteville, NC 28301<lb />Telephone: 910/483-1580<lb />Fax: 910/486-5372<lb />RPRIDGEN@CUMBERLAND.UIB.INCUS<lb /><lb />ROUND TABLE FOR ETHNIC<lb />MINORITY CONCERNS<lb />Sheila Johnson<lb />Forsyth County Public Library<lb />660 W. Fifth Street<lb />Winston-Salem, NC 27101<lb />Telephone: 910/727-2556<lb />Fax: 910/727-2549<lb />S JOHNSONG@FORSYTH.LIB.NC.US<lb /><lb />ROUND TABLE ON SPECIAL<lb />COLLECTIONS<lb /><lb />Sharon Knapp<lb /><lb />Perkins Library<lb /><lb />Duke University<lb /><lb />P.O. Box 90185<lb /><lb />Durham, NC 27708-0185<lb /><lb />Telephone: 919/660-0185<lb />Fax: 919/684-2855<lb />SEK@MAIL.LIB.DUKE.EDU<lb /><lb />ROUND TABLE ON THE STATUS<lb />OF WOMEN IN LIBRARIANSHIP<lb />Elizabeth Meehan-Black<lb />Davis Library CB#3902<lb />UNC-Chapel Hill<lb />Chapel Hill, NC 27599-3902<lb />Telephone: 919/962-1120<lb />Fax: 919/962-0484<lb />BETTY_MEEHAN-BLACK@UNC.EDU<lb /><lb />TECHNOLOGY AND TRENDS<lb />ROUND TABLE<lb />Cristina Yu<lb />Z. Smith Reynolds Library<lb />Wake Forest University<lb />PO Box 7777 Reynolda Station<lb />Winston-Salem, NC 27109-7777<lb />Telephone: 910/759-5094<lb />Fax: 910/759-9831<lb />CYU@LIB.WFUNET.WFU.EDU<lb /><lb />NCLA |<lb /><lb />North Carolina Libraries<lb /><lb />North Carolina Library Association<lb />Summer 1997 " 103<lb /></p>
        <pb facs="00027359_0049" />
        <p>EDITORIAL STAFF<lb /><lb />Editor<lb />FRANCES BRYANT BRADBURN<lb />Information Technology Evaluation Services<lb />Public Schools of North Carolina<lb />301 N. Wilmington Street<lb />Raleigh, NC 27601-2825<lb />(919) 715-1528<lb />(919) 715-4823 (FAX)<lb />fbradbur@dpi.state.nc.us<lb /><lb />Associate Editor<lb />ROSE SIMON<lb />Dale H. Gramley Library<lb />Salem College<lb />Winston-Salem, NC 27108<lb />(910) 917-5421<lb />simon@sisters.salem.edu<lb /><lb />Associate Editor<lb />JOHN WELCH<lb />Division of State Library<lb />109 East Jones Street<lb />Raleigh, NC 27601-2807<lb />(919) 733-2570<lb />jwelch@hal.dcr.state.nc.us<lb /><lb />Book Review Editor<lb />DOROTHY DAVIS HODDER<lb />New Hanover Co. Public Library<lb />201 Chestnut Street<lb />Wilmington, NC 28401<lb />(910) 341-4389<lb />dhodder@co.new-hanover.nc.us<lb /><lb />Lagniappe/Bibliography Coordinator<lb />PLUMMER ALSTON JONES, JR.<lb />Corriher-Linn-Black Library<lb />Catawba College<lb />2300 W. Innes Street<lb />Salisbury, NC 28144<lb />(704) 637-4449<lb />pajones@catawba.edu<lb /><lb />Indexer<lb />MICHAEL COTTER<lb />Joyner Library<lb />East Carolina University<lb />Greenville, NC 27858-4353<lb />(919) 328-0237<lb />miccot@joyner.lib.ecu.edu<lb /><lb />Point/CounterPoint Editor<lb />HARRY TUCHMAYER<lb />New Hanover Co. Public Library<lb />201 Chestnut Street<lb />Wilmington, NC 28401<lb />(910) 341-4036<lb /><lb />Advertising Manager<lb />KEVIN CHERRY<lb />Rowan Public Library<lb />P.O. Box 4039<lb />Salisbury, NC 28145-4039<lb />(704) 638-3021<lb />kcherry@ncsl.dcr.state.nc.us<lb /><lb />ChildrenTs Services<lb />MELVIN K. BURTON<lb />Gaston-Lincoln Regional Library<lb />1555 E. Garrison Boulevard<lb />Gastonia, NC 28054<lb />(704) 868-2165<lb /><lb />College and University<lb />ARTEMIS KARES<lb />Joyner Library<lb />East Carolina University<lb />Greenville, NC 27858-4353<lb />(919) 328-6067<lb />artkar@joyner.lib.ecu.edu<lb /><lb />Community and Junior College<lb />BARBARA MILLER MARSON<lb />Paul H. Thompson Library<lb />Fayetteville Tech. Comm. College<lb />PO Box 35236<lb />Fayetteville, NC 28303<lb />(910) 678-8253<lb /><lb />Documents<lb />MICHAEL VAN FOSSEN<lb />Reference Documents<lb />Davis Library CB #3912<lb />University of North Carolina<lb />Chapel Hill, NC 27599<lb />(919) 962-1151<lb />vanfosen.davis@mhs.unc.edu<lb /><lb />Library Administration and<lb />Management Section<lb />JOLINE EZZELL<lb />Perkins Library<lb />Duke University<lb />Durham, NC 27708-0175<lb />(919) 660-5880<lb />jre@mail.lib.duke.edu<lb /><lb />New Members Round Table<lb />RHONDA HOLBROOK<lb />Florence Elementary School<lb />High Point, NC 27265<lb />(910) 819-2120<lb /><lb />N.C. Asso. of School Librarians<lb />DIANE KESSLER<lb />Durham Public Schools<lb />808 Bacon St.<lb />Durham, NC 27703<lb />(919) 560-2360<lb />kesslerd@bacon.durham.k12.nc.us<lb /><lb />North Carolina Library<lb />Paraprofessional Association<lb /><lb />MELANIE HORNE<lb />Cumberland Co. Public Library<lb />6882 Cliffdale Road<lb />Fayetteville, NC 28314<lb /><lb />(910) 864-5002<lb /><lb />Public Library Section<lb />ROSS HOLT<lb />Randolph Public Library<lb />201 Worth St.<lb />Asheboro, NC 27203<lb />(910) 318-6806<lb />rholt@ncsl.dcr.state.nc.us<lb /><lb />Reference/Adult Services<lb />SUZANNE WISE<lb />Belk Library<lb />Appalachian State University<lb />Boone, NC 28608<lb />(704) 262-2798<lb />wisems@appstate.edu<lb /><lb />Resources and Technical Services<lb />PAGE LIFE<lb />Davis Library CB#3912<lb />UNC-Chapel Hill<lb />Chapel Hill, NC 27599<lb />(919) 962-1151<lb />lifedavis@mhs.unc.edu<lb /><lb />Round Table for Ethnic Minority Concerns<lb />JEAN WILLIAMS<lb />F.D. Bluford Library<lb />NC A &amp;T State University<lb />Greensboro, NC 27411<lb />(910) 334-7617<lb />williamj@athena.ncat.edu<lb /><lb />Round Table on Special Collections<lb />MEGAN MULDER<lb />Wake Forest University Library<lb />PO Box 7777 Reynolda Station<lb />Winston-Salem, NC 27109-7777<lb />(910) 759-5091<lb />mulder@lib.wfu.edu<lb /><lb />Round Table on the Status of Women<lb />in Librarianship<lb /><lb />JOAN SHERIF<lb /><lb />Northwestern Regional Library<lb />111 North Front Street<lb /><lb />Elkin, NC 28621<lb /><lb />(910) 835-4894<lb />jsherif@ncsl.dcr.state.nc.us<lb /><lb />Technology and Trends<lb />DIANE KESTER<lb />Library Studies and Ed. Technology<lb />East Carolina University<lb />Greenville, NC 27858-4353<lb />(919) 328-4389<lb />Isddkest@eastnet.educ.ecu.edu<lb /><lb />Wired to the World Editor<lb />RALPH LEE SCOTT<lb />Joyner Library<lb />East Carolina University<lb />Greenville, NC 27858-4353<lb />(919) 328-6533<lb />ralsco@joyner.lib.ecu.edu<lb /><lb />Trustees<lb />ANNE B. WILGUS<lb />N.C. Wesleyan College<lb />Rocky Mount, NC 27804<lb />(919) 442-2662<lb />(919) 977-3701 (FAX)<lb /><lb />104 " Summer 1997<lb /><lb />North Carolina Libraries<lb /></p>
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          <lb />wees ot) NORTH<lb />AROLINA<lb />PRESS<lb /><lb />Weaving New Worlds<lb /><lb />Southeastern Cherokee Women<lb /><lb />and Their Basketry<lb /><lb />Sarah H. Hill<lb /><lb />oHillTs passion for knowing the heart and soul<lb />of Cherokee women, their baskets, and their<lb />intertwined history is matched dramatically by<lb />her capacious, keen scholarship.T"Rayna<lb />Green, National Museum of American History,<lb />Smithsonian Institution<lb /><lb />June $45.00 cl (0-8078-2345-7)<lb />June $22.50 pb (0-8078-4650-3)<lb />7 x 10, 110 illus., 5 maps<lb /><lb />Hoi Toide on the Outer Banks<lb /><lb />The Story of the Ocracoke Brogue<lb /><lb />Walt Wolfram and Natalie Schilling-Estes<lb /><lb />This intriguing study of a dialect steeped in 300<lb />years of history offers insight into the language,<lb />culture, and people of a unique island<lb />community off the North Carolina coast.<lb /><lb />April $29.95 cl (0-8078-2318-X)<lb /><lb />April $14.95 pb (0-8078-4626-0)<lb /><lb />The Nature of North Carolina's<lb />Southern Coast<lb /><lb />Barrier Islands, Coastal Waters, and Wetlands<lb />Dirk Frankenberg<lb /><lb />Dirk FrankenbergTs second guide to North<lb />CarolinaTs coastal environs focuses on the<lb />southern coastland, from Portsmouth Island<lb />to South Carolina.<lb /><lb />June $17.95 pb (0-8078-4655-4)<lb />6x 7%, 111 illus., 7 maps<lb /><lb />Wildflowers of the<lb /><lb />Blue Ridge Parkway<lb />J. Anthony Alderman<lb /><lb />This easy-to-use guide, designed to help visitors<lb />locate, identify, and enjoy more than 250<lb />species of wildflowers, includes a milepost-by-<lb />milepost map showing 75 of the best sites, with<lb />accompanying lists of each seasonTs blooms.<lb />May $12.95 pb (0-8078-4651-1)<lb /><lb />42x 72, 205 color illus., 1 map<lb /><lb />A Carden of One's Own<lb /><lb />Writings of Elizabeth Lawrence<lb /><lb />Edited by Barbara Scott and Bobby J. Ward<lb /><lb />A new collection of writings from one of<lb />AmericaTs most cherished garden muses, who<lb />blended her horticultural expertise and stylistic<lb />elegance.<lb /><lb />June $24.95 cl (0-8078-2349-X)<lb /><lb />The Black Bard of North Carolina<lb />George Moses Horton and His Poetry<lb /><lb />Joan R. Sherman, editor<lb /><lb />oJoan Sherman's thoughtful and balanced<lb />critical commentary re-situates Horton among<lb />his primarily white contemporaries and invites<lb />further exploration of the works of this ~slave<lb />poetT who left an impressive creative legacy.�<lb />"Trudier Harris, University of North Carolina<lb />at Chapel Hill<lb /><lb />April $29.95 cl (0-8078-2341-4)<lb /><lb />April $12.95 pb (0-8078-4648-1)<lb /><lb />A Chapel Hill Book<lb /><lb />Redeeming the South<lb /><lb />Religious Cultures and Racial Identities among<lb />Southern Baptists, 1865-1925<lb /><lb />Paul Harvey<lb /><lb />oWith the candor of faith, the insight of hope<lb />and the judiciousness of charity, Paul Harvey<lb />has documented the uneasy spiritual rap-<lb />prochement between white and black Chris-<lb />tians for a critical segment of American<lb />history.T"C. Eric Lincoln, Duke University<lb />April $49.95 cl (0-8078-2324-4)<lb /><lb />April $17.95 pb (0-8078-4634-1)<lb /><lb />Fred W. Morrison Series in Southern Studies<lb /><lb />Please call for a free copy of our catalog<lb /><lb />b 19<lb /><lb />oa Ne<lb /><lb />a eo)<lb />eo)<lb />i=<lb />z 7 ears ew this Spring<lb />4<lb /><lb />ey Chapel Hill + Phone (800) 848-6224, Fax (800) 272-6817<lb /><lb />http://sunsite.unc.edu/uncpress/<lb /><lb />Ceorgia BonesteelTs<lb /><lb />Patchwork Potpourri<lb /><lb />Georgia Bonesteel<lb /><lb />More than twenty new projects from the creator<lb />and host of UNC-TVTs popular quilting series.<lb />May $18.95 pb (0-8078-4660-0)<lb /><lb />8'2 x 11, 44 color illus., 36 color photos, 196 illus.<lb /><lb />Like Night and Day<lb /><lb />Unionization in a Southern Mill Town<lb /><lb />Daniel J. Clark<lb /><lb />By examining plant records and arbitration<lb />transcripts, Daniel Clark reveals in detail the<lb />importance of the TWUA in the Harriet and<lb />Henderson cotton mills and recounts its bitter<lb />defeat in a 1958 strike.<lb /><lb />Mar $49.95 cl (0-8078-2306-6)<lb />Mar $16.95 pb (0-8078-4617-1)<lb /><lb />What Do We Need a Union For?<lb /><lb />The TWUA in the South, 1945-1955<lb />Timothy J. Minchin<lb /><lb />o[Minchin] brings postwar southern textile<lb />workers to life as never before. It is a splendid<lb />addition to labor and regional history.�<lb />"Robert Zieger, author of The CIO, 1935-55<lb />March $45.00 cl (0-8078-2317-1)<lb /><lb />March $16.95 pb (0-8078-4625-2)<lb />Fred W. Morrison Series in Southern Studies<lb /><lb />Southern Strategies<lb /><lb />Southern Women and the Woman<lb /><lb />Suffrage Question<lb /><lb />Elna C. Green<lb /><lb />oBrings the history of women in the New South<lb />to a new level of sophistication and interest, and<lb />it will richly repay the attention of both special-<lb />ists and general readers.T"Elizabeth Fox-Geno-<lb />vese, author of Within the Plantation Household:<lb />Black and White Women of the Old South<lb /><lb />May $45.00 cl (0-8078-2332-5)<lb />May $16.95 pb (0-8078-4641-4)<lb /><lb />Winner of the 1996 Mayflower Cup for Nonfiction,<lb />Society of Mayflower Descendants in North Carolina<lb /><lb />Schooling the New South<lb /><lb />Pedagogy, Self, and Society in North Carolina,<lb />1880-1920<lb /><lb />James L. Leloudis<lb /><lb />oDespite the many subjects that this book ex-<lb />plores, it remains a very readable and inte-<lb />grative history.T"Paul D. Escott, Wake Forest<lb />University<lb /><lb />April 96 $39.95 cl (0-8078-2265-5)<lb />Fred W. Morrison Series in Southern Studies<lb /><lb /></p>
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          <lb />Upcoming Issues<lb /><lb />Fall 1997 Government Information<lb />Michael Van Fossen, Guest Editor<lb /><lb />Winter 1997 Conference Issue<lb /><lb />Spring 1998 North Carolina Library Innovators:<lb />Lessons Learned from the Past<lb />Plummer Alston Jones, Jr. and Kevin Cherry, Guest Editors<lb /><lb />Summer 1998 Legal ~Lectronics<lb /><lb />Fall 1998 Advise and Consult<lb />Artemis Kares, Guest Editor<lb /><lb />Winter 1998 ChildrenTs Services<lb />Beth Hutchison and Mel Burton, Guest Editors<lb /><lb />Unsolicited articles dealing with the above themes or any issue of interest to North Carolina<lb />librarians are welcomed. Please contact the editor for manuscript guidelines and deadlines.<lb /><lb />North Carolina Libraries, published four times a year, is the official publication of the North<lb />Carolina Library Association. Membership dues include a subscription to North Carolina<lb />Libraries. Membership information may be obtained from the Administrative Assistant of<lb />NCLA. Subscription rates are $32.00 per year, or $10.00 per issue, for domestic<lb />subscriptions; $50.00 per year, or $15.00 per issue, for foreign subscriptions. Backfiles are<lb />maintained by the editor. Microfilm copies are available through University Microfilms.<lb />North Carolina Libraries is indexed by Library Literature and publishes its own annual index.<lb />Editorial correspondence should be addressed to the editor; advertisement<lb />correspondence should be addressed to the advertising manager. Articles are juried.<lb /><lb />£SF7-8S822<lb /><lb /></p>
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