Rebel, 2012


[This text is machine generated and may contain errors.]










ssscdenccanpcescinsmictssinealuianamitastaraniis











ay

aE IR en a ty gyn ty

es,

a

>
~3
>
I
ta







1, this issue of the Rebel literary arts magazine, we strive to show the
impact of advertising while documenting the award-winning creativity of
the students at East Carolina University.

The average American is exposed to thousands of ads per day and it is
because of this continual onslaught that their underlying messages affect us.
Rebel 54Ts concept is to show that the advertising industry does more than
simply promote products; it encourages cultural and social stereotypes.
Advertising creates messages, instills values, tells us what to purchase and
targets consumers of all ages on both conscious and subconscious levels.
These messages are infused with concepts of what we should strive
for in terms of relationships, success, sexuality, and lifestyle.

Like it or not, advertisements are everywhere.

cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14 ls I Ia 18 Tg







Tg

18

Ia

16

ils

14

iS

lee

Iba

10

cm







Table of contents






Best in show 6-13

Dance 4-77
Illustration 28"3/
Ceramics 38-47

Painting 48-59
Poetry 60-67
Fiction 68~77
Non-fiction 78-85
Metal design 86-95
Graphic design 96-105
Mixed media 106-115
Digital photography 116-123
Traditional photography 124-13]
Drawing 132~"139
Textile design 140-149
Sculpture 150-161

Printmaking 162-173

Judges 176-177
Staff 178
Special thanks 180
Collage source 181]
Production 182
Copyright

cm dl z 3 4 © 6 at 8 S| 10 Iba lee iS 14 ils I Ia 18 Tg











~

fea
oe
=
issue
=
ae
ees

| Sees
Eee

I

I

ime
Ee
zs
ee
=
ae
aa
=

1

eee
ae
nee
=
ae
ae
ra













BLOT IN SHOW







| Cl !
""
| ==
ry
>" |
Thee
ce |
| om
| |
| ee |
| = |
" |
| me
| " |
| Lod
" |
| oO. |
EI |
aed |
Fe) |
| Cco)
| => |
Lendl
pn ae
som
| : a " & |
am | 7
| "







REBEL*II







ai SPSL SATA TTR HRD IAT aE RATE GOAN DRAFT CIN ATRL MTT TOT TT TROOP TINT i i in Dedicated cei sitseasaion
sii anche m7 siaaeop inne > epee PN LOL DHA iar Soe pe IT ME ARRAS TRI Tm







3

REBEL











1

"
EE
cE
I

|
|
|
1

~~

=

FUT TUTTE TTT TTT TTT TTP] TT TTT



















CHOREOGRAPHER: LEAH DAVIS pespies







IST PLACE = PERFORMERS: KATIE-BETH PAYNE
ELLEN SICKENBERGER
BETH GREEN







2ND PLACE

CHRISTEN QUATTLEBAUM

oMARCUS HARDY

PERFORMERS







a,
5
26
=
>"
(om |
C=
>"
a
os
ee
|
oc
"ol
_"

CHOREOGRAPHER







-BETH PAYNE sour

KATIE

CHOREOGRAPHER







SAD PLACE = PERFORMERS: KATIE-BETH PAYNE
NICOLE PITTMAN
ELLEN SICKENBERGER







RYANN VAUGHAN

PERFORMERS

HONORABLE MENTION







CHOREOGRAPHER: AYANN VAUGHAN wauscoue |

me







ELLEN SICKENBERGER conn

CHOREOGRAPHER







HONORABLE MENTION

ELLEN SICKENBERGER
MARCUS HARDY

ERFORMERS:

P







resis _
EPR PAIN ASP INTE TIE TATE TOON TD





H PVT TT| yt HITT | HTT TTT I YH IY TTT | PTV TTT TTT HE













~ ILLUSTRATION












¥ "Tooke. as
| We
IE ty

ASHLEY THOMPSON te woues ano tHe cao © SCRATCHBOARD 1ST PLACE

es ge.

" REBEL:33







}

K-A-LOPE

THE VILLAN AND JAC

LOGAN WAGONER seur-promoriovat sens







WATERCOLOR SERIES " 2ND PLACE

REBEL:35





OIL PAINTING 3RD PLACE

"
=.
ce
Ca)
an
jo
"_
c=
=r
fs
"_
"
Seales
oI
eae
(SD
=>
Lad
cx
"_
=
TT
som Ya
a
ll
La
CC�)
=.
oO
[a am |
i
Cr
"_
Cc





REBEL:37

INK & DIGITAL HONORABLE MENTION
SCRATCHBOARD HONORABLE MENTION

Cc
r
TP
headed
"_
=
Hedland
"
"
ce
"_
it
"_
Cc
""
cS
asnuasall
cS)
oo
"
"

TIMOTHY WEAVER

EDUCATION VS THE STATE

cm







ee ea:

et Eales ace





PEP PE RAS PRE AAA

FT TTT ETT ETE TET TTT







SHRP bts NEL mtr WRF en OE ORR AR Ad







CERAMICS "













IST PLACE

CATHERINE STASEVICH covoen pueasanr prrcuer

43

REBEL







LIZ BROWN "bunoconsuerion "-2ND PLACE





FACE WITH GLASSES AND HAT VS NAME

SAD PLACE

ites angrerseseite

By,

ral

Tg

18

Ia

I

ls

14

Ls:

lee

iil

10

cm







CATHERINE STASEVICH " ancuereisn porn HONORABLE MENTION







ALISON FLEGAL

ABUNDANCE

HONORABLE MENTION



ral

Tg

18

Ia

I

ls

14

Ls:

lee

deal

10

cm













-"
"
+"
I

}+"
jaan
==
i













= EE SSS





te mg? �







IST PLACE

OMAR ABBAS veces stave overtaxes













SAD PLACE

=

"_.

a3
>"
Ldlaall
iiiiaial
Lila
Lllaall
=
Blind
sa
a
cn
"
=.
"_

ral

Tg

18

Ia

I

ls

14

Ls:

lee

iil

10

cm













HONORABLE MENTION

TARA MOLDOVAN sox





HONORABLE MENTION

| SAY HOLD IT TIGHTER

Fd

a
wa
A
a)
a
==
sted
"_"
tl
"_
"
""
eae
>"
(. om
CO







HONORABLE MENTION

MALLORIE KEELEY tre mrror posoneo THE HUMAN HEART

18

Ia

I

ls

14

Ls:

lee

deal

10

cm

















+ Sommaire. ; ~ Me : :

z if
i 4
} fi i
|
i
{
i
} i
\ 3



He
~
i 4
{
} ;
|
:
tt
j
i
}
|
{
i ~
t

t
{
| t

pd

ry \

q
'
i
;













is
PROS Le
ae _ :
.
& cae oe
ee _

ce

oe
ee

ee

SS : _ _ .
: Sauer esa uncer aasu ma
a
oo .
: ee
= . oe
ee Sues ale OnG Se: Sse
Paar aan a aR a ar oa GeoRSS ES
="="ese
se aye ea
= oo
ae oe ee ae 2
a es oe
. " Soe on
Rane Se nance =a se
. a.
:

: ©
aS ae

ee : By
ri Sata ee

Nae eee tere ie © ACEO ~4 x
se eesti re 2 3s aR LOSY Rar
PASE GERRI IONE: ence snee Buea & 2 Emeriss UASceen sea eyisiea cones
soem coe ean cine See peter i Runner eae gaa ecraaue eee ee
ee : ee oo
gees ee

si

: - =
© Bas é ~ sigue ene see oaates Bee
ee ee oe : | coe
oe eee ae : SoS oe S
oe a "

= ee ee oo
swee Rea g Beane ru a a BROS Eeaae ea rae SNe a se eee
_ _ i...
- oF oe : ce : ae ee oo
oe " " ae oe - " : ae . -
as e a ee oo a

Se
: BURRERON
ehaweueeenrai
ee "
"
ee
oe ae cS 8 ee paaene
oo

Se

SoG
eee

5 x : 3 .
pe : S ee ae
Re omaeuiee $ oun : Aubuauaec ata sece Nau er 5 é Senet
ee ee ees ee oe
__ = oe . oo

" e

= oo :
i.
a
: Se
: 4 2="h"mt"iCst'"rrhrrt"e
. oe
2 4 * a eS Se ee ¥ aes SOLS cea res
oS es a es oo oo
oe Weare a Soe Pee See oo
coe es oo eS
oo
Se peue nea nue #
oe
Soe ee
Bae:
oes a ies
_ -
oo
:

aoe

Se

o8 si} aoe
- i.
g Bee a
oo " oe
ee
.
sep Se : oe
eS

_

:
Se
:
a

:

:
Boag ce SESE OS ee Be
She Reine ommnaeenn ea e
a _ -
Soo

:

Peto ee ote PAPO Ge ie eek a o 7S 3
SSeS ; SORE oe : oe RS ana ie
: _ oe es a
ee ae oe :
ee ee "
.
oF ee ee ae
Se Sete OR PO eet ee
oe " =

a

-
pee Ds
aes
pee

Bees Secs

Rian Beas Bi

oo
" :

eee
oe :
=.
ee
oe _
oe oo
Se ees
_
so

ees

is
oe
B

BY

a
2

es

Pee aD

IER a,
Pee x
eee

oo
3

a

Be
oe

es
oe





Howling to the moon
The rain monsoon

This afternoon

Swoon and swell

Their voices tell

Of tales beyond the deep

Of voices from the great deep sleep.

For when sunshine is hidden
Behind clouds of blackish gray,
Our shadows do not follow us
They have left the ground today.
Distracted by the thunder

The shadow slips away,

Deep into the storm drains

In the tunnels where they play.

Falling from the sky
The groaning gasps of rain
Tumble down umbrella skins

Into puddles on the ground.

And the rain continues to fall

As the deep night grows old

Drenching the walls of buildings tall

And oozing out into the cold.

REBEL~63





REBECCA BLANCHETTE ave trroucy © 2ND PLACE

My foot retreats from the pedal

as I float through a small Connecticut town,
quaint and friendly like the breath of a neighbor.
ThereTs a clock tower on a cobblestone sidewalk,
screaming at me to keep going

as it creeps its way towards 2 o'clock.

A big white gazebo is standing in a patch of grass,
taking its authoritarian stance in the center of town
as it watches over everybody.

ItTs competing with the wise walls of the coffee shop,
that listen to the townsfolkTs small talk.

What is it about fresh java,

that makes everybody spill the beans?

The park is littered with the snowfall of burnt leaves,
and a festival brings together all the people

who know each otherTs names.

Pumpkin pie is being sold,

alongside hot roasted peanuts and cider,

in wooden vendor stands.

And the trees are fashioning apples
that people are picking
and placing in burlap sacks.

They'll bring them home to their mothers or wives,

who will slice them up for apple pie,
and serve it warm after supper

with vanilla bean ice cream.

Children are stuffing leaves in old flannel shirts
building scarecrows to put on their front porches,
next to plump pumpkins

with googly eyes and marker-made smiles.
Crunchy cornstalks crinkle in the wind,

where the outskirts of town begin.

ITve only got three hours to go,

just enough time before the dark blanket
swallows the shy sun.

So I push a little harder on the gas

and keep pointing my jalopy north,

towards the city.

cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14 ls I







KATIE THARRINGTON icxtcreune © 3RD PLACE

Mountains and continents

Toy with my confidence

Critical thinking and a critical mass
A mountain of monuments

With no lasting memories

I hear the starlit vespers

With each nightTs suggestive gestures

To the sky.

The birds and bats and nocturne owls

Nesting in the treetops, roosting hoots and growls.
Near the misty mountains we hear the lionTs
Mighty roar and half past the belt of Orion,

In the skies above she climbs.

Leo lights the lovely sky tonight.

REBEL:67













TTTTT]

i HV TT TI | HTTP TT | HTT TTT I | HTTP TT | TT] TTT TTP T TT | HOM TT | eT PEEP RAM ITT

A
a







nit

ait

entesioarser apse,

igarette

Cj

a
®

SURGEON GENERAL'S WARNING

smoke Contains Carbon Monoxide.



Tg 2 (

18

cm













IL}

iy

Its

ilies)

"
_

oo
4
2

14

eS

ilies

JLAL

10

es

. ey "
ees SS
ia a :

efter:

rape
sees
Pape

_

ies

me
eee

_

: a
SS eee ae
He :

ears

.

PSR ELL i

fe Se
a

ee

2 a Seaieet a

cm

Al.

alee)





oIs something wrong?�

I see his bare legs swing over the edge of my bed as he sits up. I wonTt let my eyes venture any higher than that.

I should respond.
Instead I fasten my bra, pick up my school sweatshirt from the laundry-strewn floor and pull it over my
head, not bothering to put on a top.

oIs something wrong?� he asks again. I feel him staring at me.
I can't look at him, sitting there in his underwear, watching me tug my jeans higher to cover mine.

oItTs fine. I just need to get a little fresh air. I'll be right back,� I say to the pink hibiscus printed on the bedspread.
He takes a long, steadying breath, then exhales huffy.

oOkay.� He hesitates. oDo you want me to go with you?�

oNo, Tl be right back.�

Three minutes later, ITm peeling back the hole in the chain link fence next to my apartment and shimmy-
ing my body through to the other side. I maneuver my way through the dark strip of woods buffering the
playground from my building, crunching over the fallen leaves. ItTs disconcerting at first, the sudden crackle
in the unlit grove, but after three or four steps itTs familiar, reminding me of selecting the best leaves to pulverize
beneath my light-up sneakers. I march the last few steps into the clearing, relishing the deliberate crack.

My pants vibrate.

oIs everything ok? "Kyle�
I put the phone back in my pocket. I should go back.
ItTs brighter on the playground than in the woods. Even though itTs late October, the trees still boast
enough leaves to block out most of the moonlight. There arenTt any trees here, though. I can make out
the silhouettes of all the equipment: the jungle gym, the slide, the monkey bars. All of them are blan-
keted in a blue wash, but not the swings. The sand beneath the swings is subtly luminescent, like snow,
and casts an ethereal light on the eight chains. The glow encourages me forward. I nestle into the seat
and wrap my hands around the thick chains. They feel cold against my skin. Perhaps I should have taken
the time to put on a real shirt. The swing is low to the ground; itTs going to be difficult to get started.
Rather than kick off just yet, I twist the chains around one another, rocking side to side.

I donTt know why I came here. I really had intended to get some air. I guess this still counts. ItTs appropriate,
in a way, that I would come here tonight. My first romantic experience was on a playground, after all.

Well, oromantic� probably isnTt the most accurate word for it. 1 made my friend tell the boy I had a crush
on that I liked him. Then I took off running.

Still, thatTs a lot more romantic than this. ITm certainly not going to scrawl oI love Kyle� on my
notebook or oMrs. Kyle"�

Do I laugh or cry? I do neither and allow the chains to run parallel again. Do I really not know his last name?
I pull out my phone and scroll to his name on the contacts list. Simply Kyle.

I have to know it.

Did Jessie say it when she introduced us Friday night? I didnTt know anybody at that party.

It was all people from her high school and her boyfriendTs friends, so there were a lot of names to remember
and everybody was so loud. No, she didnTt. ThatTs right, Kyle introduced himself. Did he say it?

No, he just said that he thought we had a biology lecture together last semester. I told him I thought I

recognized him. ITve never taken a biology lecture. It was nice to have someone to talk to, though.

We talked for three hours on the porch! How could he not have said it? It was much quieter out there,

REBEL:73





so I would have heard it if he had. A lot of the people at the party were underage, so the porch was generally
avoided to prevent the debauchery from being too obvious.

He didnTt say it on the way to the diner either. All P'd said was that ITd heard they had great sundaes, but
felt silly going without a date. Then we were in his car. He used his credit card to pay for the dessert.
I should have checked it then instead of worrying whether or not my hair was messed up.

He did compliment it, though.

My pants vibrate.

oAre you coming back? "Kyle�

Ltext back. oJust a minute.�

I meet a boy. We have one date. We get naked together.

I push off from the ground, tucking my legs tightly under me to keep my feet from dragging.

Each pump repeats the statements. Legs out.

I meet a boy.

Legs back.

We have one date.

Legs out.

We get naked.

Legs back.

I meet a boy.

Legs out.

One date.

Legs back.

Naked.

Legs out.

Naked. Naked. Naked.

I thrust harder, forcing myself higher into the air. I try to kick the thought away with my feet, leave it

on the ground, but I canTt escape it. Each squeak of the chains screams it at me. Naked. Naked. Naked.
I'd never been naked with a boy before tonight. ITve been without clothes, but never naked.
Until now, I never understood the difference between naked and nude. ITve been nude with boyfriends. I
felt vulnerable, sure, but thereTs a trust involved in being nude, a comfort level. I was in love with the boys
ITd been with before. It was never rushed or purely physical. It actually meant something.
I meant something.
I donTt mean something to Kyle-With-No-Last-Name. Not something important, anyway. I was naked.
I was exposed. We weren't going to make love; we were going to have sex. Some people think thatTs corny,
but it makes a difference to me. But thatTs not why I left. I left because I wanted to do it.
I want to do it.
I used to swear that I would stay a virgin until I was married. When I was seventeen, I fell in love and
made an exception, and it goes on from there until ITm in college sitting on an elementary school swing
without a shirt while a man I donTt know waits for me in my bed.
My pants vibrate.
I drag my feet, bringing the swing to a stop. I pull out my phone.
oChecked outside. You're not there. I can take a hint. ITm leaving. "Kyle�
I read the text again, digging a trench with my toes in the sand ahead of me.
I drag my foot back and forth as I weigh my options.
I get off the swing and type as I walk back to the woods.

oSorry. DonTt leave yet. On my way.�

cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14 ls I Ia 18 Tg

ral







SARAH JAKUBOWSKI oiscrunren 2ND PLACE

oCan I have a Bt, double-meat, on whole wheat?� Maria looked at the customer. oWhy? Do you really

think the wheat will make it healthy?�

Shit. SheTd been saying things like that more frequently, lately. Just yesterday, her idiot boss had a
otalk� with her. Told her to stop being a smart-ass to the nice customers, only he didnTt phrase it that way.
Then he had smiled at her and patted her on the back, just like they were pals.

She didnTt care. She didnTt like this job. She was better than this job. But she needed this job to pay

rent, so she had to be a good girl and keep her mouth shut. Greet the customers and smile, smile, smile.

As she made the BLT, she idly contemplated murdering her boss. Hide the body in the big walk-in freezer.
Would whoever found it be able to know it was she who did it? Maria knew that to date bodies, they
checked potassium levels in their eyes. Potassium, K, atomic number 19. After death, potassium in eye

mucus decreases at a steady rate.

She didnTt know if freezing would slow that process or make it harder for the investigators to figure
out the time of death. Maybe if sheTd passed Chem1000, sheTd know by now. Of course, if sheTd passed

Chem1000, she wouldn't be back in her home town, making sandwiches for $7.25 an hour.

Maria didn't drop out of school because she was an idiot. Far from it. She just hated stupid, required classes.
And she was able to do well on exams without attending class, so she was often absent. The only problem
with prerequisite classes was that, unless attendance was required, nobody would show up, which is why
they made it so if you missed a certain number of days, your grade would drop, eventually to an F.

She did that her first semester, failing general chemistry. Fuck general chemistry. She wanted biochem.,
she wanted physical chem., she wanted organic chem. She didnTt need tests on the periodic table.

SheTd memorized the periodic table in middle school, had a poster of it on her wall, recited it silently
at work if she needed an internal distraction from external hell. Screw waking up at eight to go to class
and study it. General chemistry was the first class she failed. Next semester she failed it again, after she
overslept on exam day. The semester after that, she dropped out of school and slunk back home, like a

dog who'd tried to run away but couldn't hack it in the real world. Sorry, Mom. Sorry, Dad.

Her mother enrolled her in community college. oMaybe you just werenTt ready for real college,�
she said in an attempt to reassure. But of course community college Chem1000 was even worse than

oreal� college Chem1000. So she dropped out of community college, too.

Her parents didnTt kick her out like some parents do with their unemployed, dropout kids.
In fact, her mother had the habit of reminding her, oNo matter what you do, we'll always love you and
you Il always have a place to call home.� Sometimes, sheTd say this more than once a day.
There was only so much of that that Maria could take. So she moved out, to a tiny hotelroom of an apartment.
The carpet was worn. The faucets constantly dripped. Other than the bed sheTd brought over from her
parentTs house, she had no furniture. With no job yet, and no money left over after the security deposit, her

refrigerator was barren. After a week, the novelty of having her own place wore off and she started to hate it.

Thus began the frantic job search, the countless applications. It was the wrong time of year to apply for a

job. Everywhere she went, it was the same: oWe're not hiring now, but you can fill out an application.�

Well, fuck that. It wasnTt like she could say to her landlady, oWell, I donTt have rent now, but hereTs
a voided check.�

REBEL:79

Tg

ral





cm

EEL DRSE ELSES ELIF LPT TGS LPI TAT AE PREETI: zr 7 A

4

Finally, finally, finally she got hired at a place named Sandwich USA, a privately owned, incompetently
run Subway knockoff. Then came the training, her boss condescendingly walking her through the simplest

tasks: oAnd hereTs how to chop an onion...�

That was the first day. Chopping onions until her eyes watered. Then it was overripe tomatoes until her
hands and the work area were soaked in tomato juice. Every now and then, her new boss would peer over
her shoulder. oGood work!� heTd say, encouragingly. Maria gritted her teeth and thought, oHydrogen,
H, atomic number one. Helium, He, atomic number two. Lithium, Li, atomic number three....� Until it
was time to go home. She wanted to be a famous scientist who helped solve crimes, but instead she was
chopping vegetables and learning the aBcTs of customer service. But at least the job gave her financial
stability, which meant a lot to her. She still couldnTt afford furniture and her fridge always seemed woefully,
depressingly empty, but she could pay rent. She could pay rent.

A year passed, and then another. Not much changed. She'd acquired a couple of chairs, learned to save
her tip money to buy groceries. She didnTt have much, but did the best she could with what she did have,

and she managed. Physically, anyway. Emotionally, she was a wreck.

oItTs not supposed to be like this,� she would think before going to sleep. oITm a scientist. I shouldnTt be
stuck here, making overpriced sandwiches, prostituting myself out to rude customers for tip money.�
She would bite her lip and turn her face into the pillow, trying not to cry. She would think, oBeryllium,

Be, atomic number four. Boron, B, atomic number five.�
All things considered, it was no wonder she slipped up now and then and was honest with the customers.

She wrapped the Bit in wax paper and gave it to the health-conscious customer. Maria smiled and said,
oHave a nice day.� The customer didnTt tip.

When she went home that day, Maria was tired and in a bad mood. She unlocked her apartment and

looked around. oJesus,� she thought. oHow is it possible for a place with so little things to get so messy?�

It was mostly the kitchen. The few dishes she did own were dirty. They filled the small sink and crowded

the counter. Accidental science experiments of mold grew near her real science experiment of ammonium

nitrate and lye.

Whenever she was going through a rough time, she liked to make potassium nitrate. Potassium nitrate, KNO3.

A fun, cheap, homemade thing to set on fire. She didnTt have a TV, so she had to keep herself entertained

somehow, and setting things on fire was as good a way as any.

She decided that science had priority over dirty dishes, so she got started on the potassium nitrate.
A couple of days ago, she'd stolen a cold pack from the first aid kit at work because of its ammonium
nitrate contents. SheTd dissolved it in hot water. Mixed it with lye that had also been dissolved in water.
For the past two days, she'd been waiting for the water to evaporate. Her apartment wasn't well-ventilated,
so sheTd been constantly light-headed. Even with the oven fan turned on high, she'd had to wave away
ammonia fumes every time she wanted something from the kitchen. But now the mixture was dry and

all she had to do was add a little sugar and drop a match. Burn, baby, burn.

18

Tg

ral







Some part of her considered scattering the mixture across her apartment. Really rub it into the grain of
the carpet, then set the whole fucking place on fire. A purplish pink flame of bad memories and lost hopes.
But no, she lit it on an oven sheet, with a bowl of water next to her just in case something weird happened

and she needed to put out the flame.

Today, not even pyrotechnics could brighten her mood. Quite the contrary. She watched the brief
outburst of flame, and then started crying. Everything was wrong with her world. She wanted to be solving
crimes, she wanted to be saving the world. Instead, she was in a kitchen full of dirty dishes, setting
things on fire. She didnTt even know what potassium nitrate was really for. Surely it had a use, but all

she'd ever do with it was set it on fire. Pretty. But useless. Not saving anyone.

oFuck that,� she scolded herself out loud. oFuck that self-pity shit.� She balanced the oven tray on top
of the rest of the dishes, and went to take a shower. She was still in her red, white, and blue Sandwich
USA work shirt. The stench from work clung to her. No lie, thereTs no place dirtier than a restaurant.
She stood under the hot water, washing off her tears, washing off the work day, trying to wash off the past
three years of her life. She stayed in the shower until the hot water ran out (which, granted, wasnTt very long).
Dried herself off, then stood naked in front of the mirror, examining her reflection.

First the typical girl worries. She sucked in her stomach. Observed the thin sliver of fat that was starting
to form under her chin. She really needed to stop stealing cookies from work, it was starting to show.

After the usual ceremony of criticizing her body, she looked closer. Gave her reflection a wary smile.
Who are you? She leaned closer towards the mirror, just looking at her face now, just looking at her eyes.
They were wide and wondering and scared. Who are you:

She blinked and swallowed. Carbon, C, atomic number six. Nitrogen, N, atomic number seven.

Oxygen, O, atomic number eight.

REBEL:77







as







L.

iid os

=
jaa
=
ae
"
aes
jcc
=
>
=
==
=







oer
seg logg Oe:

fd 5 AaB

Ta i
So hi ATOR PIO

NB AREA TRE

= Re
Ypnedincen pee ape,

ieee cttetinsceaptenin st













eee RET TREE RETO NET TORT RET OTE







I have spooned with a skeleton. We both stayed very, very still. Lying like that " curled in the same position,
facing the same direction, sharing the same pillow " we were not so different. I was taller, but the
proportions were the same. Same number of ribs. It was held together with wire and masking tape and I
was held together with muscle and flesh, but we were there for the same reason " to be drawn.

Nudity isnTt something thatTs thought of on an everyday basis, even in this enlightened age.

ItTs possible that I was the first entirely naked person some of the students have ever seen " or at least
the first they've thought of in an artistic or anatomical sense. Same with the skeleton " bones just arenTt
thought about very often. All of us are somewhat aware of our inner structure. Maybe we've stood in a
graveyard and wondered about what lies underneath. Certainly we've all heard scary stories about
skeletons coming to life. But when was the last time you thought about your own skeleton, as much a
part of you as your name is?

To me, bones aren't horrifying or morbid any more than nudity is perverse or indecent. All the same,
sharing a dressing room with a to-scale model skeleton is unnerving. Undressing in a front of a skeleton
is different from undressing alone or disrobing in front of a group of people. ItTs sort of like when you
change clothes at home and your cat walks in " itTs awkward, but you're not entirely sure why.

Sometimes, I'd dress the skeleton. ITd pull my shirt over its skull or slip its long feet into my shoes.
Once, I put my bra on it. Unfortunately that day, the day I put my bra on it, was the first day the teacher
actually used the skeleton for a demonstration. He went to the closet to get it and I followed. After a long
moment, while he no doubt was trying to figure out the protocol of unclasping a studentTs bra, even if the
bra is not currently on the student, he said, oWell. It is a girl.� Which is how I learned the skeletonTs gender.
Later I learned that a previous class had named it Gertrude.

The reason Gertrude and I posed together was usually anatomical. We'd be set up in the same position so
the artists could compare what someone looks like on the outside versus what they look like on the inside.
In these poses, I was very aware of the engineering of my body. I knew that my knee operated by hinge
joint, my shoulders rotated by ball-and-socket joint. I knew that I had 12 ribs, the bottom two
ofloating� " as in not connected to my sternum. I knew that if I were to move my arm " which I
wouldnTt, of course " the parallel ulna and radius bones would move separately from one another.
I knew myself as a structure, as a machine.

Other times, the skeleton was used as a prop. Not as a replica of me, but something distinct.
I was the live subject, it was the still life.
On one of these poses, I was perched on a set of stairs, and the skeleton lay in a crumpled heap below me.
I was looking vaguely downward. It was a three-hour pose. I stared at a speck of charcoal on the floor
in front of Gertrude. ITd estimated that I was about an hour into the pose and was counting down the
remaining time. I would count to ten six times, then think, othatTs a minute.� ITd do this 60 times, then
would think, othatTs an hour.� Then Id do it all again. ITd wonder if it was possible to actually die of
boredom, for a brain to simply shut down out of lack of use. My vision blurred, my head started to droop.
My eyes met GertrudeTs eye sockets and we shared a silent, still moment of understanding before I

lifted my head again.

REBEL:83

Tg

va







ciate Min sl aiannansuetens

: oe

rc roc}
ae eure : ee _
i 2

oe ae a c
oe ee eS : : se
rs Renamer i ge:

re

eh

S
Soe
=
SS

: " =

RRS

BS

.

eRe: 9 y Se ae eS ~ Z ee is

ee - ee : ee : a : .
| " : = a S oe aS oo oS
" : ee oe : e Le oo 2 Po

ee - : e : oe = ee Oe
_ : i. =_"_"s6

Bo oe ee : Se
~8 eee eae oe a RSS RIS ee % A =
oo oe " oe
PSO SC. i 5 puso wenn
: a
:

Pa
re
oie

ra oi, ee

oi

_

a
ee

°
Ree :
. .
" Pe a ee ee oe
Se uy yan ee ae OES aS : :
. . oo | oo
" Se oo : es eee oe = a ie
a . : Sens : . ee a ee ". oo e ee ea : a oe oe Ces : a oes eee
" ce eS See Ce : : : Se : Se : : : eee
ee " oe oe ee " . oo ee
SOS : ee ee Eee ee : " ee e ee Se : :
ee : SS Bo es : x Peo ae = pees Pe arto BOG eee eRe ae ta A ES ease : :
soe: Se % gs case : g a : oe SEWER SS nano OT Tie RR RA : es eRe Rea
oo ee : eS : ee Se ee : Cee =
oo ae : a oh " 8 S
te he Gey. Y SS aes: oe oy oie BG 3 SAGA OSGI ENO POC REG: 50 iSte o =:
: | " " i. "
3 Bean Ree estos ee oe
ees a Sot

sie
ey

-
a
ii

_

i
is
Ree

Se

oa: >

7,
Hest

a
=

e:
8 z %
Genre es

é os 3

Aeaebe ie

pee

oh

S

oe
7

is
inns
Cees
sue
a
_
eee
#
asics
es
ie
7
oe
pee
e
a

nee
ee
se es x
ee
Bee
Gar
oe
a
saat
Bes
eet,
Bs
i

:
rae oe :

oS

a)

Su eee

RR Ra ihe
| Se
cee

: ns oe
oe
eae oS

es
Bees:
nee
e

Se
re a
ees

S
a a
ASS
3 aS
she
Seek

a

ee
ia
is
elas:
i
et

no
He
oe
ae
oe
-
nee
os
es

a
ie
esa
os

oe
se

5

ae
ae

& Se : SE ee Bas " ee eee
c i. B= CC
Se " Se ee oe ae
| - . -

5 ae ee 3 3 Beak oe ~ : a

ie us
ee

PSR PERE RRS I
Pees Seay See ae =
Se nesses: ee apaeenee :

Bes eRe R eT aa S

Bae

anes

35
Deans
Bh i
Boe ipae
s i

res

. BRAS aS
. i. :
. =.
sae eet : nee eve arannaot ae 2) a
Se RS Ross ee 5 oes a
=
i

ee
-
Bs
ee
Bis
8
; -
:
esas
ee
Bs

Bes
ee
i
oe
Ries

e

h

eens

ey
ae

ite
ae

fis

Ls

FES Re Se
- ee Soe oe ae
- _ eS oe oo oo oe oo =
aoe Ree 3 ao : Senay ee roe oae Ree
oo : " . -
RO Sa & S: SOOT ARI LOS, SS Sa x
: e : one : S ae oo _ Sean
ioe 5 oe
s e ~ :
Ba Se iS
oe ee
S oe oS

:
aoe
Seeiche
:
a
:
-
:
:
io
:
Be
yey
-
:

" ee Se . Se : : a
x SS & 3 : Ba : RG ok ;
Se : : oe : Se oe :
x Ss : : : : See SS Sees Se x Re ¢ Se ee
"" " se oe _. . |
eS ESS : Se a oo : " coe oe ORAS oo : |
oo : : : : ee " - . So ooo _ " :
: : ES ARES cS " SSC Ee eeRRSERE # oe ee oe Pease an SS
eas RES oe S ee PO Re ee ee
. || .
" " "
oe oe _ :

-
.

ee ee
EUROS UO ED

Pees

Re

ai

& ee

i
ae
re
ee

z

ue
e
ie

ee

Bee

es

.

oes

Bee =
ee
ee

Zi

ee
BETIS
a
oe
Las
BeBe
ee

rs

oe
fees

eB

_
aati
os

ee

Baie

Ri

ie arse:
e

ae 5

Ge
heels
a
oe
Pee
oe
e
Sass
Far ee
Rees
Soh ia tn
Hee

fed

oe
a
oe
3
_

ey

Z
oe
ey

oe

fie

SRY Re
z Z
oe

ibe
ee

gy
ee
:
5
i
:

oy

_
ea je oi
takes

-
eo
es
e

ae

oo
"

.

ASS RAN
= ss
a.
: "

SUR
ae
BRS

1

Bigeye

;
:
.

:

-
2
:
-

oe
-
i
Q
i

ee
3
Bi
(ee
ie
re

a
oe Se
oe " . oe
: Pe oe
i. =
eres ER SOE et ees
|.
oo Re a ne eee ome Oe
Ss Pe oe
: "

ee ees
Pea e uae ER

oo " SS, pe Saree
PO ee
Ee es ae SS Re

Seat cree Ce Sy

sa i See oe oes

o
e

Le
ee
ee

ise
nee

ais
figs
Be
is

we

ras
ies
fi

oe
as
He
ee
-

es
es
ie
ch
race

ees
ieee
ee
ae
ie
Hees

oo
BS. ic si oy
SOR: UR Peer es
. =.
se =.
Se : Se ee eae
" oo | .
. a .
" ee. =§
oo oe " oe
- . - - ae oe . = _ Se
So:

ae
oe
oe
:
te

o
zs
SeRg
ioe
ies

Ee
rare
ee
ss
Bees
-
Ss
a
eg
re
_
es
i

zh

2S

Bs
ie
es

.
boss

a

ae
pas
&

fi

S,

-
ese
g fs
_
a

iB
ey
&
x
i
3
jk
pst
eS
ees

@

ie

8

ze

C

oes

ies
folie

or

she
Be
Senos

Lee
Des

se
ee
B45
Be

2

ee
ae
Le
:
Pe
erie
ee

e

ey

Bes
a

x

_
rae

ee
ee
oa
Lae,
Le
i

ae

ne
2

vi
ee
se
oe
eo
_
-
5
aeons
ee
:
a

bs ie i s
ee ieee

LoS a
ie

Ps

a
x
x
oe
Re
Ene
&
ae
ee
ee

ae
oe

=e

ty
oe

aes 28
ae
2
ee 5
:

:

|
.

hed
ee o

2
oe
ee

es

He
rae
%

2
ee
es
ae
ae

es
ee
gre
fe
1
a
&
Q
She
556

a

2
BEA
os
ee

2
i
ee

a

i
i
nO

SERS Seeks: Se
ee: " RNC a NUN ERT SOE
SE SE OCS oo
|
i. §=
. } |
SURE RIO
SRS ae
.

S
ee
Ses ei

RAR 5

. "
o Appt
:

Sites
-
:

i
Be
Be

is
ee

Se

-
fils
Ras
es

ge

%

S

2

Z

roa

S

ae

Ren

.

Se
Beta
:

73
esis
ies

ee
ae
i
eee
ee
3
-
Ry
ce

ea
a

Mage
ea

ree

rat

*
sae
eeu,

sey
oe
ee
a

Bey
iu
oe
ee
Bee

=
vs
i

ee
ea

ee
2
ue

Soe. z Fe
. SNES a ay uy SUES
See E RS Soseees Sa RRA eM Raa GeO vases anen Sioa
ae oo Se "
EARS $ & Rea Reese es eae Ee OS SRE RSENS eases
Se ee rrr
"
: : at Re oe Ree ouRR ea . oo Rs oe ae
_ " .
SS PRN eS Sa ene eGo
oe "
" ""es""see
Se " Re eC
===.
oe oo : . :
RUA RS x
_

ae ee ae
Suan OSes 3 BER
ae ae RA : i Ba Bees § : oe =
Soe Co

os,
eee
a

&

So
Hays
es
Bh
-
Era
es
ie
:

ee

/
ere
Bie

ae
ica
ee
ie
bie
i
Boe
ie
a
ie
ss

o
e

_
a
ehh
eo
ee
i
Ee
REE ne res
BES
Bi

ee
.
ie

Be

os:
yy
is
#3
ye
Be
@

i

hes

ms
ey

oe

ne

te
es

ae

eh
a

ie
oy
Ba
%y

i
e

oe

ie
whe

is
a

w
By
Be

os
ae

ae
-

Coes
es

ea
ae
ae:

3

3

BoE
es
ee

es
:

7

e
oes
2
se
eas
s
ees
Bas
ee
ae
ae awae
i

:

3

z
Hes i
ee
i
-
ee
tees
ee:
SED: 9
elpe rs
eee

oe

eee
oe
Bes

ie
os

Bis
a

fs
a
ie

ORES
es ee ee s
ec ERO
~ Bae USA RRC Spas MRT aS eae ORRE ee
_ "

a

Bi
Zs
é
Sg
iy
i
ee
pie

rei
a
wees
ecleson
Be
a4
So

RSS,
oo
RAS
ee

a

ae
oo
abe e
es
Le
Bee
cee
Boe
Tees

fe

: Seat acaete sence ed:
ee
ce

ee:
ioe,

ia,
be
a
ae ath
ee
i z
fe

Ss
"
- .
.

Se . :
So
_. . -

Bees Se

a So
"

igs
oe
oe
oie
ae
Ce)

a
Sees

OR
SSSR SS es
oo
oS _ _ e

ees

ee
faa
Bebe

i
es

: &
: ES SERS eS :
ee " _ . - :
aes Ce a Sees " Ce %
oo ee oe es
So _ Soa

_

Ghers

2
ie
:

pope

SoG hee

a

_
_
ee
ig ins

ee

SS
eet

.

es

ee

Bi
We

Gi
ie,
os

a

ii
fy

a

fies
eae ee Z
Bey Eber
sae
te
Beer
bigs
ee
i
3
ete
oe

ae

eo
p

oe
ae
e
2

ae

if

za PRS eS
oe Sepia soc eosaunnes meres
Be :
oe =
ee as COs
eee NSH cette CMa eae CRS Ne SRS sea =
Le = ee
PO ie
ri oo
oo " oe : es
ee ee
Ee
ere a eee eaneeee Be SRa oop RO Se EAN EN ASS Sosa SS Se SOE: Sena ores ena Bey eS
Se Se See ee See
SO RUE eae Soe ee cee Be eer ee ee ae
Coe ee
" # . .}.§} }§}§3§§.
- " " . " ee
scene RRs zy =: SRA SUREPOS ORR RO ene ener epee
Ce : ee - :
. "
-. =O
Seanad eon eS aets Sees Pan Gente un ceaan aac rue
ee ee See
= .
: ee ae oe ote et
oe ee oe ee
.. . .} § }8488§§�,�©"6"_"_"ol oo oe
:
Seco ey PRS B SEERA RE 2 SS & is S. S aS
a one Sees ee SaeteRs ee SOR CR ROO ES oss anaes ee : Bae
ee ee cee ee e : ee Re
oo . " ee a
SERCO ne 5 ESO PSS ne oeees x peee sarees ea, een
| a =
3 &% sas Dhewoimmonoerr Gah o DROS tS A ioe 35 oes 5 g oe See
Be
ae : oe = oe eS ee ee : Seo = ee
= SR reason ons, ey Reena RITE RR Reena
_
Bins aenae MCR Se Asana: es SES ae Set
: ee oe Es

ee?
:

Be
i
a
Pa:
APS

A
uh a
Le
Be bag
y
ee 2
_
ee
es

g

Lig.
Bees
ee
Base,
es
PRCT
sibs
i
ee
rae
by

oe
peas
aS

Re

oe
ae
Q
i
a
ae
ee
Be
ee
-
E

ies:
nee
a

Per ags
i
i
re
a
oh
is
ae
ee,
Bey
e
8
aes
as
Be
es

2

:

ve

be

oh

ee

a
Ee

/

Ses ey - oe " ee eS oe
See ae BGR RI Lease anaes ne ~ BS ROO REA ea Bees tea bac wena e
. _ is oo . oe oe :
CO " oo :
es Ss es es SS oe : Es Ree eas
- ee " eS oe Co
es : ee ee | oe

:

BRS ee
Rea ee tee ae SSeS: :
os Ree eee Seen ae és g :
oe ee a es - oo :
2 : ae : : & : anges iihnatici aaa tss ase: %
: Reece BeREb Rane eR RCC eR Behe .
_ : : " So oo.
Soe é
&

ress
a
ce
Be
ee

Se
-
seahas

oe
eed

Leics

oe

Zoe
ie
zs

eh

.

oeh
o
M5
oh

ee
Bes

Ee

is
ie
fe

hes

oe
eae nie aeas
.
ee
.
laa nares
oe
oe

Bee

Bee
oo
Lan
Ber

e
fate
a
a
:
es

SORES
e

Sh

2
oo
hoe i

te

ae

eas
ic:

Peeters
-

re

=

a

eh

ms

ie

S:

ETS
_
2

ie

ie

Ge
es

i
-
_
oh
fa
Lee
ihe

ae
Ee

ee
oo
ee
~af

ee
08s

ia

ee
f
ee
i
i

as
aS
oe
Be

a
ee
a8

ae
&

oy

a

és
if
a
if
is
oe
a
He
ae
:

ae ee

oes

eb
if
7
eget
i ee
fe
H
Biss
Se
ig
By

ee

eat
SUES

ae
:
:
om
ae

ie
se
Be
e
Be
Biers
ees

ie
i
es
is

bite

ee
rips
siete
wee
ee
es
ae
ais
as
oe

eis

Bea
S: Sa

a
Be

|
:
me
ioe
2
Pe,

oe

es
:

ioe

ee
see
e
Bes
oe

i

nee
2
:
:
enone:
|

"

B

seisies
2
bo
z ies
Lee
oye
. -
ee
bie
ee

cee

Se
ee eee
. :

a

oo

"

eg
:

=

ok
SUR
$e:

os
Gah

bi

es

ere:

St

ae

ta
a

o

Bane

Baty

ee
ce
ce
ee
oe
Sees age
joka santo
Ging
ee
Tig
e

@
eee
ie
a
oe
ee
&
/

ae v.

ee

Ess
ce
a

ee
ae
:

Be
ee

ae
ee
Ba oo Seay
So a
Pasare Sane ONS
ee
oe
Ae eae
se

ie

a

-

es
Be
as
Le
Hes
ae

ae

ee

i

Ba

a

e

fa

j
i
ee
|
es,
ie
Pe
Q
2
2

ne

Be
Be
a
es
ee
os
ae

op
_

ee

ree
ane

oh

is
Hy
ia
es
g
ae
ee
ee
ee
~
eS
BED ch as
ee
ve
a
es a8
neat,
we
Pe
ae

ie
se
ey
ae
oe
Bier
aes

i 6
rege
ae
Bae
Se
i
oe

G ee
Le
ee
a
ie
a

ce
Q

-
ie

e Ses

oe oe
|. " oo _ "
a RRR & oe REGAL ERE RR RI,
_- :
oe aes SORE ARISES

a _

6
See

eee,
Be
7

Li

: :
:
SOS : eo ae OS
33 ES Ree 5 nee ee oe 3 . e : = ae .
: ce ce oe = =o :
See a : SEG = SRR ; oe Ree eae me
Se ~ ae oe SUS Se: ea : Be ee ea S Co ae ee x :
ss ieee... 44. ="rt"o"O�"�"OC"S"SCC"C" Thr . =.
_ " oo . : . . : _ oo | " oe a oo. . .
oo i i sts"o~o~o~~~~o(~((~oi~(~i~oCS i= " " "
SR ce : Se OS oe ee a ee ROR ee eae Coe eG aR Rk eee ene
" o cS " =| " oe _ So oF . a oF
" " - " " . . . oe
SPSS Rata eenece uses eu % S: ROSES Cuno Sao = Thies s RESO S SU OORT TO LO oy as SEER: PRR IRC r ey Dy DOSE TS SLO aes ao. AIS SOLS BROS RED ae
SRS SS : : 3 x rs 23 REUSE: son SER Be ene 3 es eS EEGs Bs Re ee " Sara Shes Re Pe BS eae
a : [oe " . ~ a PRO Coe Re eRe
y Se = % See See NES 3 ae eS * x : oes eRe SERS : Rue RE 5 RY Re SPIGA a mee
Se ae ee ee ee oe Oe
eS SE 2 a SPEER ae RUE ene ORY ROR ee Re Secu : 2 8 BEERS Dee ace %
S " a . . oe : oe Co oo ees ee S ee ee
: . " "" ss ee 8 . " ee Pee _
. o i RESEND N MER es Sue z 8: eS R SOSA SARS OR aR ORR Bae z ean SSenaoa eS ASS i E
S aS Se ECR RS " Re : e 3 Peay iS COR RO Oe oe Re
Bay SPATS USOT SER xe ary 3 aS es = Ss sane, RS =: S % y
oo " " . . " oo = " " . . _
sf eee : a Sas ee : a ae Se : EO oo Pee EN eR aS
"rt"oi~_O._CLrCOOCOCCiCiCiizsrsC;szisiziisCUisC~iC(SCN. " a =
:
: =

Se
2 oe es ace =
ane " " ae oe oe :
a . .
es g g oe: oe
ORE Ta GORY is 3
Soe aes ~ ae Sete
. a ee oe
ae 5:
ce
. " oo : :
oe ee . Roe ae : ce
sss . " - oo " "
co " 2 oo ee oe cS a
/ . _ 8 -| "
: : :
~S See ee = 8 Sa
au ae oe oe ee ee ee as 9
oe es Ss : ee : . - 8 we so = See PR eee oe z : :

a ae a

eee
ee

oe

a

ee

ROR

: :
ce oe : :
oes ne Nese ene as GekeS a een: ace
a oo "
" " = oF
es Se ee : :
saat i: ee
eS a 8
Se

eS
SSNS
Sens: ee
SoS Socata
eee : Sees
. .

ors

oe

es

eB
ee
ties

S Roa oe 2
a3 SONS SE aes aes 2 ok
Re mi Sian sie Sen Seca SMe AGS eee 5 : Seana
oo " So oS
REE ee ee : Ease) oe Skee
oe a . } } ©§ . "
Sate ees Nas: SEUSS DIESE ORES READE ORS RS CARERS UE SE S x Ms Coe
SRR Seren ue ea Cae e
"="ri""sSsSsSsSsS�"�T
: SES

ea

i

iy
ee

Oe;

pe

Meter

_
a

a
a
" See Sk
Se RON SER eT ORS eee Bhat Sona Es ROAR eteRsaS SARE SUS ees 3
eee @é�,�@é@i@i@@@.@@.@.@.. eee i... £4.
: Raa eae me 5 % Sere RE Bare DARN ANAT RTO SSR RES REUSE SOSA CRS CTS PRR RO RONSON S: SOR SOO S) 58 AERIS SN
a Css eee ...606..�,�6§�,�©6fs 8. .�,�£=.
RRS ee : : : Sees SS Cae Se ac Re " oe SR SSR SECA RSC es
SR SOR : ae ae Se _ a SONS OEE SERS AU RUSS SEEN
ee oe a . . = . oo " . - oe :
: oo a

ies
fi

Ss

Ry . S

ae

See
eS

a
2
ie
a

-
a i
is

a

ts

ioe
Be

s :
oS CEES eee
Se: : Behe i
= auoontS Tees ee ee

oe
Gane

i:

Bere
ae

fs

=
Sat
Raat

ie

ae

ke ea aaek es ee, : ; : oe
a . oe
Bae é eee ; SO : S x Cee
Rae
-

seit

ea
rae
:
ae
a
ee

_
a
oo

Bp
eee
Bie
a
gee
Resets)

.
Be
:
£95
:

is
ie

ee
i
ae
Be
Ae
Pos
ei
zs
7p
Bas
a
ee
Re
oe
eS
Fes

ee
Be

a
i

ye
5
ee
Rr
S

: . ERS
BSS Seay
.
a _ RE
Uae RRO RRA Sates Seas
-
.
oo

SERA
_

:
eee
ee
i
rates
ae
Z
face

rie

S86
3,

ey
ois

:
ie
is

7

(eee
Bos

ae
a
i
ee

Be
ee

Be

wees
S

ne

ers
os

mee

Es

ie

ee
s
Biohcepaar
So
ae
_
TE
Sib
ee
:
bes
Kea:

es

ee

te
YE

-
o - _ . oe
s Ree s 6 Se Rs on. esac RNR NR Ia: Bes ~ SES ee
& oS - eS : _ a oo " oo oe eae Se :
SORA. Bee Se ORS OS RS e Rom
ee Fe oo . es
. e oe Se
OSCAR ION SON ana arua Satan O NAO RIOR eS BRS SR RS pasa na ane wa tanner s 6 x ee
: ES So Rae eee PaCS ae Sone ~ Eas ee BS ce eas
See " oo x : Se : Se . 2 = cS es
Se : RRS Oe en a Se a Poy ee ae oo = ee
f RES SRR ROU eae SR UREN: : eee: Suna Sseaeeseascen Se e aS Seay oe
" UU©6C-_"hmemMm =. :
oe aes a ee SEAR BONS
os . oe
: :

ns S : :
a
. " _ So ee - . . _"
SERS ORE 3 SAGs See ae Sas Satan eonea ER SRS ea : Bee. 2 Sey REO eae
x oo 5 " Ree : oo ae . " - oo - e oe " ee
© BB . oS "
= Pee ose: eas ee a ~ a ee % x BEES y
oo a . ae Se oo
-" : . : "
oo : oe oo oe " : ee a oe
" a ees & Ree RO Se " " . : . oe
" ae Se Os Bae oe Co 5 Se Oe : oe ee
I oo oe fos eRe BOR ee OR REIN aC RR coe aD : : es oe
" SS Se : " ee eG é " " ae oe - = : ; ae : Bae
: : .
se i %
Baee

.
ROSS : =
: oo oe
.
: :
oe me -
: 2 BEN I. IRS,
-" oo a . oe
ee oe . : Oe . So
YOR OS S28. ee e as 3 = RES ay BERS RS
oo Se : : ca ae
See " Ske Ena aes ¢ putas nee N eS ae
SCREEN So BS Bee REE
. .
See ROR es ESN Ces x oe
_ | = : - |
= RS ne Res : RAR Sorat ue ERR
x . : Se ee
oo oo |
REGRESS Oo
BS 2 Ske a. oo 8 Bee SSS RAN ee
. - " .
: a8 Soe . es : 2
ORS Ce LR ee Soe
oo - " ce oe : " x oe =
" ee =
So eee : ee ee
. : . "
eUis ca enemine nanan et Ragen R as z eaRscesbe ea % Seen
= ES oe See Ss
oe : 3
Bs % 2 ee Bee
% : sees: BES Bate SE SSCURNAS eae eS SSSR RRS
" ee = oe "
Se : oe oo ee oo 2 " " a
" " oo oe " rr
Sees ENS ae Sees oe Soe : See SRN aR RS = g x
oe oo : oo ~ 2 ee 2
BRE OC RE Soars 3 e SeoS ae 8 é ees Rakes e
BES % " oe coe . " Ee oe a Sei ae oo eS
oe ~ : " & : : oe oe eS
z Re eA gS & SORE
ROG eee oo
ISOS SORE O LOSS, rs en Sips
. ae RE eee Ree a
= . : oe
fey eS eae
. . 8 . oe oS
SOS ae oe 3 3 :
" = Se Se ee = = -
. = TNE & be PSM.
: co = ey

- Ss Se
So ee oe SS
-. . -
is. - _ -
a ERE ROS Seana as 2h aes Se
ee : : ee
se a ee es Se
Re So
Boy SReean & ESS aa
oes Re . SE Se
BOER ae : SOS SR eee oe Ss
. é8-BGBG6&--C=S"r="tses_EN "
oo oe " = oe " : :
oe oo . . " . a . . oe
w98 SeGneoeeNn ll Seeman ere: Roe Nee 3 oe. ays �,� Say ms egy 3 = LR
a |. =. .s " "
ce rs oe ee 3 " "
6 ROSES ISSO ARE SORE SOOO 5 Be Ste Ss a8 LOSER He eR eee 3 3 =
oe "" " oS oe a oe . = 8
" a. - a | " -
oe " : . So oo
SRS See ef BRO Rese RNG
x oS = ce = Sa "
= " ae " o.
ek sages
" Uae! Rea ae
ae oe So -
BSNL RRL: " heey ee S55: aR eaateawans
ae 5 % RG Be Sea aOR "
: a > S = o . seuss Ses 3 aeeigeas
SS eeERS : ee :
Soe aS aoe OS SS : ee RE
EE ERC : : . Pee Se es : ee S : Sees = RRR : : :
. ROSS : . " . . | % : . _ oo _ . SR oe " " - = : oe :
" " " | " a oS oo oe
5 S ae SORES: a Rea ERC ERNS ARERR S aR Sales : ET Re eR RR PRON as Seas a Rees 2 : : 2S)
. . " . - " | " oo
" oo oe " Be
Se SERRE ee SESE Se Se ee Ue Se Se as
i rt st"~oCsisisOsOsOsOsOOCOCiCOsisCSsS:sSsi~(~iO : a moo Se
SS ce Roe: SESE SR cu en ae er Ce Ses SE RS Ue Sees ae SS SURE Se
ae oo Se oe " " . " . . SERS ss . . oo a ee
ee z Sue Soe oe a een a Aes a . are " : See - " xe
Sonne ae pene SEES s SA eae a S OREN
Seka em SERS ae 2 2 2588 ete =
. a | "
. oe . SO oe oe ee ee
Fe EN ae ae ee Se
: oe "

a
eae oe Seas
.
=. .
. : oe oe
RSS _ es Sake BERS SE
oS 6 :
: x ee 8 ROE ee
ee naneanene eS : SOR RSS aA SEU SRG ORSON ee
: : ts
" oe = .
RU REELS SESS a ~
" RN : . aoe .
SC Se
RES 8 S
oO
5
a
es So : ~
= - oS Se cos
Bs eS Pe oo
oS : = : oe
zs Ree es
s RCH ERS x o 3 y es oe
PERS Se Se eee SRS SS as Ree
. #@.#§§="Eeme .
See x Sos So g aS Eee ee ~ aR Pe en
: ae PERO : SERS : RENEE oe se ARISES . Ses o oe Coe
Se - " " ee . : oo ae
" See :
i

z SERS a : eS a
RoR : eS : oe Sees : : SaaS : : :
S ERR % 5 : ROR ANS a SORE RS Ra x Re : s 2
_ i. " " "
oo Soe a oo " = a. ii
x ones eRe 3 eee RRR ONE Beiresesonn anes x aes SRE eA Baan % : a pomowteesesess S SRR PERI aS RS eRe oan NORe NaS: :
PAGS Seen R SRS Se SOS eRe een nae Pe eae Se ee See 2 z
RRR SORE SERRE ROE aeRO a Re ERR y SSUES RNR SS See rR a Sie
" . _ eo ce - ==. " a
& x a a S RAS BOS aS im x RRs S ~ 2 % " O05

. | . . _ oo
oo ee oe " rr "s"S"iCS oe
oe i... |
Soe oe : LL

oF " .rs"o"it " i

: Se Se : BE eS ee

eee. =.
SS % oe ee : Be een sess: Cee Gane aS oe ee ce Boies
SSS SER a ee = oo = SO Ce oo See = ae : ee oe Back es ae
i...
x 5 : EROS eae
eras ez
=

sees
ce
e es

s

x
=
Bi
oe

oe
a

gee
is

is
Be
ee

ay Ee
os
ee
a aa eaSs
Ses
PeeN ate wae

a

ESS Rone

ak Paes
RS

& POP ER

ete

ies

Re

PoP scare
fe
ee

Be
re

:
ee
|
we
|

a
a
Ber

Lis
a

as

fet

io
ih
ee!

ORR
.

oo eS

oS

|

:

:
ek

Ba

ens
i

a

so
Stes

ae

pone:
: & :
Se ake
oe 8 ate ee Sas

ee
ee
_

be

S
ae
Be

se

ae
re
ie

ne

8
Ry.

KE

:
Be
.
eae
:

oe

ye
ree
:
es
:
ee

ee

ee fi

Se
oe

ey

ie
fies
by
es
15,
os
Be

nae
-
os

be
bs
e

ce
Bes

eh
oH
eee
feiss
.
ai
aslea,
eh
oe
i
is
cee
oe
Wage
ae
Se
os
oe
es
Esse
hae
_
Spee
sss
ee
Hh
ioe
|
2

ae

: Rene

SEER

|

SoteERRE RMS eR SERS

"
Se

See

aes

Fike

Fe

ay
ey

ty
rss
RSE
eae
ai
e
if
ee
oe
PEs
oe
se
Ls
oe
i
ee
i
is

e
ee

:
OR SGuR
-

-

a

se
ee
_
oe

is

:
:
:

ee
g
se
oe
i
ies
ig
ee
Ee
fe
a
ii
8
i
4
2

Ss

ee

ioe
os
ies

Pisano
ee
ee
LOK
i,
ites
bees
ie
Sree
es
oe
ee
eee

ee
eo
oe

Rea g Rees % i 5
RY SR ss RE Rane ees
- = a rs
ee s oo :
ee oe RO
""
: " ae
Co ES . = ae
| | ;
2 %
Ss : oo ua
Ss 3 US: eet ee mere
Ree : :
RS : .
. & ae

oe " :
PR oe Bt tia ave dunn nah ans 2 2
sss : .
B ees . si Ss % ISON SRR RCE SITES 3 = ee z Soar
: " " " " So oa : oe
: Bee 3 Se : coe : : : ee
SU ES ~ ee on Ge SU ee : x
ee a Cee eee es ae me ee
So - ee oo " " = a : aa : a a oe
ESS = SSRN ee oe Saeres : 4 . Sees 5 Say
: " " . oo
: Bes ee RE a : See REO
a oo ~ : ee
: ee See ees
Se eee:
BS eR a =
Sem Ge ccreaoteae ee SES &

es
|
ie

ee
ee
Pe
Tetley.
ass
Ley
fet
ah
ie
om

Bisse

G5

fe
1a)

-

Be
So
Se Tae Ee
ee
aS abe ease Seat
.
PERE RR
=

-
zs
_
ie
z
ys
ee
iesee i
z
Cake
ao
i
i

ee
i
es
i
ee
ee

=

ty
a
Sis
Bie
ries
Sa

.
is
Li
oy:
Le
Sas

eS
Se
ERS

S
ee
g
a
i
oe
e

=:

eh
Wee
of
:
He
:

ee

es

so

3

ee
es
a
es
ee

Be
ee

ee
RoR aes
ee
a
eA ae
Ses
" "
oo

3 es

is

S

i

es
gs ie
eae
fags
Re inesescte,
RE pers
ery: s
He
polarity.

ee
s

oh

e

3
oh

ee
3

ie
Bis
ae

:
Gees

i
ae
By
ie!
ies
ae
Pe
ee
ie
ele

es
Lid
is
ae
if

a

a
es
ae
Be
Bs
He
a
raw
Oph

ee

Be

:
:
3
eBhe

:

L

seh

aS

ia
Tey
i:

ae 3 5
oe oe = oS ss Se
. "_ =
=.
. . . a
eS eae Se H
: oo : ee

SESE rae a
RS Pete 2
. .
oo Ce : : : :
ERR ee OS 5 Ses ef :
. . . " "
aaa sinaatet eas % ORRIN Pee: Neuen Ue nena OSes BS cosa lose Sense aa ate 2 Se I OCR
RR Cate ze SESS: one = seu S ah sate: 5 eee BS 3 Rubee oR on NERS SOTA AAR ae Scene an ean a NS
oo i - ee " . "
se Seah eae

ee
Li
Ge
oie
Bis
ee
Liters
re
ie
ae
ee
Sys
ie
ee
i
Re

Si oe
OS ES PURER ae a as ~
RAS aaa ReneS aeRO RMN NCR ER ie
@#§};«©#]9©8rrti~i=~=i~_C:SSssSsésC
a So Se oo
aS SES

a
a

SG
fs

5
#

Oo. Bae eS
RRP
ee

RRS

a

me

Bs
se

Ree 2 3
Soe Sea et
eS ay
ONS Se RS OURS PERUSE
SOR ees "
: ORO
Ree

Ss
ce
is
oe
Le
ce
ae

S

a
:

i
5
ee
iu
be

is

i:
ae
oe
oe

es
is
is

eS,
as
se

2
a
eh
A
5
a
os
a
Be

ie

Es
ee
jo
/
|

£9
es
wy
a
i

;
oe
-

aes
ie
ee
Bee
a

aes

eh
Be
Bees
ee

ce
ae ~s ce
g
oe

Heese

re

is

Bee

aie
a

Bae i : i Se is ee Bees z ER a %
: eee e : Ce a SS ene Res 2 RN OOS ue me = a :
: ee g EOS. RNa Ta NNN a ASIN GUC erg LE i SSeS SS ROR RSERREN SRR RUNS BEI ROTTS saree RRse NS See: :
. i.28Oeegeg s§| = =""r"r"CC".CSCOVCL
~ oe : se Se Shoe i i SIS NN SERS Roe CONRAN SRS REMI ASRSO UR: % SERRA Se BRAS USER OCONEE DOSER NCA NONE PRON
= | ee.-...|s
Sey vs % Bera geeree a
~ AS re
pasa

Sas: ROE Raa s Sy
" " a ce es ae oo me oo K
Se ee
ay REISS e
ee

rie
oe
ee

Me,

8

Bei
aes
sons
ee
ra

_

ei

ae
Te
oF
G25 io
ate
ee
yates

i

oe

Hees
Ts
es
oS
Re
ee
e
i
es
ii
ee
ee
ee
es
se
a
a

se

o

Se,

s

/
Bee
2

fe

S
a
_

i

Bs
a

iS
i
ee
_
es
oe

Be

Bay
a

a

2:

a8

wis

Sa
S

oah
i

BRS
ene
ie
me
oe

Suet ©
. oe : =
oo a

.
SS a

PS
oo

Bik
ge
ek
Bs
ae
if

io

oe
a

5

oh
a
x

foe
e
ee
:

es
-

i

fy

Be

ee
a

a
as
Bis

.

=
3
ee

ie

x
= Re

oe
see
ee

ss
SORE

fg

=

ie
ee
Be
ie
ye
ane
ees
5
He
4

RAEN
_
ee

REN
RS ao ae
oe set

Bie
Sis
See
es

SS
oe Se "

REGS 3 RS
Re en ae
2

ie

Soke es ee RE
" See : oe SOG . ~ Bae |. "

ie
Ie.

sy

Perea:

oe
-

5a
eu
=

on
Wy.

Har:

Hee

bai
ei

ie

_ ss _
: PERS s x ER
-. : .
x ee : a "
es OREO aY. Se os = : RS ee i eRe a
Renae : oe eee ail : : oo
oe

oe
aS

BARES
ee
See eS
" .
Ree AEC S IO RRR OS ER
_ :
: : ES cee ee PES ees
aera SERRA ROSA TERR EOE SORE Shee SSeS Une eS
| ee... ee.
: See ee eee oe : SO ~
ener eneeo een tS SONOS SS aca aceRNS Baaeeeon Saharan Beets PRR CORR
= : : . oo " So oe oo oo Se : eS =
: es RNa 5 Reet ee: : SERS SeaeSR RCN 5 Recah Rae SE Se ERS RR : eee : Re ae Se
EO eee ee ee a = oe ERS es SO RS Ee ee
Bes ees oe % 5 : Se Bs oo Se EUS OS SSS aa SESE : ees ee Saas ae
" ; oo - . : i. Se See Se
: oS See ee oe oe SO Se ce
oo : : " ,,rrrtrtr~"~"oi~osON ae "
Soe : PERRET RR RACCOON EES BEE SERRE ENRON ECR ROE ORR ES ee See
oe : | =m : . . . - . . "
Bey oS See - eget aaa : Soa PRS as Seana SEES : oR ¥ LAREN BERS s ERROR ONS
: § By = = = pioee ss Ses OES z eeeRARS 5 SEO REN Re wee ERR
_ " " . -
s ey zi eRe ea e ob SOC S RENE PERRO IS ORION OTT OR Song ee BORER ORO PASE HRAS RN em See S RC OR RERUNS
: a " . " oo oo .
.

is
Be
i
Hy

ge

ee
ae

es

Hes
a

2
ee
eee
_
alee ase Gen
ee
.
peas

eee

ee

Es

ee

2

c

=

i

es
oe)
a

ri

ae
Seas oe SER

Bs
ed
Gi
ree

RON

ee,
ee

oe

is
oe

i
bs
i
ie
2
as
°e
rs
Pes

i
a

Tasee ne
aS eR SE RS Bases .
Cs : a

_ oo " oo

Bie
i
oes

es
se
ers

a
he

SAS a
_ oo
Se ERROR CE RAR ASAE ULES
. =
Bees Lomo OTE ORONO Ia
: Se

i,
i
xe

oe a

SCN US

e

See
ee ee ~ 5 : ee BE
ae a : See SEs

=
ae

: oe

ey

"

oe
ie
oie
ve
pees
ee
es

one

ea ny eee

se

-
ee
a

ee

Res

Bihar
Lees
oe
g
En
55
eee
te
e

ues
2
Re
ee
E
a
ie
oe
eee
Bee:
a
Seas
Loko oer:

one ee
x CS a
a ae Bos te S
es ees
ay RAR Ree es ee
3 :
oe

oe
ae ee : ; 5 ~ Seaese ee

oe |

.

ks
ae
Z

oe
ee
Be
Per

i
ie

Bae

ae
is:

oe

e
L
oo
ree
Se
Q
ce
&
y
ests
Be

-
oo

ie

:
o Bee %
.
o
:
ae
ce
agen:

ges
Pee
shee

:
Se
RS

te

eee
S eee
ae Ba

Ze

25

Ce oe
Seu RIOR: : 8 RES SESS ASsgk ee
. . | "
So So oe
. ee oe " oS So
ue SO Re RS ee os
- "s"o" "

is
~a es

oS

ee

5
.

peo
ies

eee Pa RS
Bek Sa RAC Soe ROSE SSNs a
. "
. . " "
eo : Oe ee "
"rts"o_eOO"O"O"O"" " .
.

Reet
i
Bes
Bi
We
ee
Bs
Us
Be

Be

Si
S Se

3 Be 3
Se Ree
oe oe
. SSeS a
Se @
So

eS
oe

Rake

ee

bere

ae
ee
ie
-
ee

i
je
fase
DS

@

~See

oe

eS
Sie

SE
a Roe SRO
oe oe oo
=

SS SR gS

SRO RRR OR tan
Re On eee : ee ;
Sp Aeaeuneie NER GR PRR ss ee ei SORTS RORNTS Se ae
eeeB§6@- | : =.
oe Se eG ee ea OES Ee) SCREENS au eG Sate
Se POOR ee ; Rae : So See Pea
SEO se oe Re re : OR ey eee ES aS oe
é : : : os . Se AS ae x ae RASA BRIS RR nS ROSTER

a " a r"si"o~i~o~(~(~(i~i~oi~oi~i~i~i~i~i~i~i~i~i~i~ is "

Se So oo

RSS ae ce Se ~ ee oe ee ee a

a : ek ee

: : : SHISE ESAS SSNS eo :

: ee

Be
be
S

ees
ase ee
ie
Rene,
oe
is
y

i
ee
Be

eins

ee

a

ee
ie
eet
ae
Seen
oe

5

we
: - SA Se

ee

ib
See
oe
is
es

ee
cabs
ae,
ieee
BETS

Bt Aetas

4
ee
a
SpE
Sr
eo
Bee

SS

Tian
:
:
ee
oe

" : : oo oe :
Bee ene Roan eee 2 Oe ; Se PRE oe eS eR :
ee a . ee : oe . a aS . " ee " . ee oo
ee 2 sins Bae SORE ES NNN URS Ses CURR RO ~ SOROS : Rae see : Soe
cen eens : oe eee ee ee ee ee Eee nue Sos ea

Sue

ee
3

a : .
bee s : : Se Ra eeu =e ; ees :
= ee 3 uns SS Sos Ree eee Rune RR Pe RR 5
Sas : oe : SR RESO Eee Ss Re : =
: Pee s SRE SoS FROG ERROR PORaR NO Seen So Se RNR ae SSRN RRRUUN Suu RU AACR ARENT ERACRE RRS & . Be
#. eee..-..©..
ee

Bee
BS
E:









Martha Graham, legend of modern dance, said oDance is the hidden language of the soul of the body.�
Well, if thatTs true, I suppose that means the soul of my body is mute.
You see, I cannot dance.

You, like so many others before you, may be thinking, oEveryone can dance.
What you mean is that you canTt dance well. Here, I will show you that you can dance.
Just move with the music, like this.� But I promise you it has been tried. At birthday parties, drama club
rehearsals, middle school dances, high school proms, downtown clubs, determined friends have placed
their hands on my hips and fought to make them match the music. I try to learn from my well-intentioned
instructors (Lord, do I try!), but the second my hips are free of their grips, my body reverts to its uncertain
spasms, stiff and inelegant as always.

I remember a wedding I attended as a kid; I couldnTt have been older than six. I strutted out to the dance

floor and whirled myself around, spinning in circles as my dress flew out around my knees, like the petals

of a baby pink flower in full bloom. The music pulsed from the DJTs station. My pirouettes quickened.

I lost my balance, was lifted off the floor and tumbling back to Earth all in one motion. It was then that
my mother noticed me, a pink-petaled heap on the floor. She grabbed my hand and plucked me from the
ground. oWhat are you doing?� she demanded, dragging me to the childrenTs table.

oDancing.�

oSpinning isnTt dancing,� she scolded. oSit here and behave yourself.�

As ITve grown older, ITve learned that most of what my mother tells me is correct.

In this instance, though, I have to disagree with her. I may not remember how to do it now"now that
ITm old enough to know what judgment is, now that I know how to feel foolish"but ITm certain that my

spinning, that swirling movement of unabashed elation, was dancing.

REBEL:89

cm dl z 3 4 © 6 at 8 S| 10 iil lee Ls: 14 ls I Ia 18 Tg ral











TTTTT]







age

4














VES eas ESS ESHER

Se reste

NICK HEYL stuoy or rapereé tcc #1& #2 © EGG, COPPER, SILVER IST PLACE







|

REBEL





Here

one
a

TINA LAZZARINE tort COPPER SILVER, ENAMEL 2ND PLACE





SILVER SRD PLACE

, COPPER,

ENAMEL

ee
"a
=
allen
Sa)
| a |
Cc.
x
|
mm
ass
"a
"
"_
"_" |
=r
"







cm

10

deal

lez

Ls:

14

NICK HEYL

FORTIFIED BEARINGS
HONORABLE MENTION

ls 16 iki Iki

19

ral







HONORABLE MENTION

ELIZABETH SMITH creatures oF tHe oer

ls

14

Ls:

lee

iil

10

cm







ean aN





=

1

jue
"
as







y

Mornm

ee,













spans
psarpneriotns









IST PLACE

IDENTITY SYSTEM

cpsnereonarae

101

REBEL







gid OUNCES - 750 py







steegeemeee ee ee = Sane ~ ae owt pS Aine mamma arn a niin
: a = a

REBEL:103

PACKAGING DESIGN " 2ND PLACE

JOSH VAUGHAN HAYMAKER





i ; t
| oe "
a a

ARTICLE SPREAD 3RD PLACE

Seow
Sed
=
axe
=
pm]
Sad
oo
aoe
eed
bond
A
~eel
tne
|
wt
=
e
oon
ined
A
-
i

DEVIN BUTLER PEARLY WHITES

q
4
4







es
ee:
@es °
- ...
8 s «
@ee:
oe °
m�"� « -:
i\| @ e *
Sa '
ia.
118s .
|| @ ae ,
+@e:
@ a ,
~Se -:
S s -:
i; @ ese >
~es -
~See :
@es:
-> 6
cay
@ese :
_a., .
Ss -:
@ -« .
-_-m

|

|

|

|

|

cm 1 z

Me. Beach, South Carolina
4 ¥ iis home to many must-see
attractions for animal lovers, from
RipleyTs Aquarium to T.1.G.E.R.S.
Preservation Station, but one desti-

nation stands out among the rest. If

you're looking for a unique experi-
ence and the chance to see rare and
unusual creatures, pay a visit to Al-
ligator Adventure. Not only is it the
home of Utan, the largest crocodile
in captivity, but it is also the only
place on the East Coast where you
can see the amazing albino alligator.
With their cream-colored scales
and milky white eyes, the albino
alligators are like nothing youTve
ever seen before. Alligator Ad-
venture rescued these two reptiles
from the swamps of New Orleans,
where they would never have been
able to survive on their own. The
reason albino alligators are such
rare finds is because of their cold-
blooded nature; alligators have
to sunbathe in order to keep their
body temperatures high enough to
survive. Because albinos have no
natural protection against the sunTs
radiation they canTt be exposed to
extreme light for long periods of
time. To make matters worse, albi-
nos donTt blend in with their envi-
ronments as well as normal alliga-
tors, and thus have a harder time
surprising their prey. The muta-
tion makes it difficult for albinos
to survive even long enough to
be discovered by humans, which
is why Alligator Adventure is
proud to be home to not one, but
two of these fascinating animals.
The albino alligators are housed

in a special building in the park
where they can be shielded from the
sun while maintaining a consistent

SC Travel Companion - Summer 2011

67

10

iil

lee

Ls:

14

ls

I

Ia

REBEL:105

18

Tg

ral







ee
nme nan ese ne ata

TTT SEE





















cmeines unin



Cis os













IST PLACE

NICK HEYL verurons on rors ANO MATERIAL

REBEL*IIl













2ND PLACE

COBB CUTTLEFISH AND CORAL

BRITNEY N

REBEL~II3

__ pa







KENDALL BOOTH

OH THE WAYS TO MAKE A WISH
SRD PLACE





ae
iy

a

REBEL*113













Sa oy

5

L.

a TTT a IVT UY TTT

















INKJET PRINT 1ST PLACE

RUSSELL CLARK a setr-wonuwent







TAKER

LORRAINE TURT te can

2ND PLACE

INKJET PRINT

REBEL:I21







INKJET PRINT SRD PLACE







es
3
y

BRYAN BANKSTON soot

INKJET PRINT HONORABLE MENTION

REBEL*123

} az







ST a cee







=
a
a
oa
=
=
pte
iin
z=

y

a=
ae

|

=

I

=
ae

1

=
"

1
=
_
=
an
ian
ae
=
=







OF
PRR te ee ie:

Pie Care ter eae

me ern eee ACTA NT TAREE EET a renee SS eee





" =" ne 4
"

RADITIONAL PHOTOGRAPHY







IST PLACE

aoialspseene

BRYAN BANKSTON patuerina on tracks

BROWN VAN DYKE







bine

BRYAN BANKSTON percue BROWN VAN DYKE 2D PLACE cy |







MY BRIDGEMAN wxnmo

GELATIN SILVER PRINT

aS

SRD PLACE

ral

Tg

18

Ia

I

ls

14

Ls:

lez

iil

10

cm







REBEL*131













TUTTE TTT TTT TTT TTT







wer,
Pid







se eae See i













C9
5
ae
[om
"""
Co)
pa oan
sea
pea:
cz,
=. |
[om am | |
i
Cc |







BETHANY PIPKIN txistics

2ND PLACE

GRAPHITE













a a ee a

eer

SS es







=
"
=
=
"
"
=
jaa
asus
ae
a
=e
Gees
=
""
=
==
}












TEXTILE DESIGN





ARR RE RARH RR TARR AHS SO
WR Bad EEN em gi FH aE JH RHEE *
dda dae ide eas tas ded sad eda ana
Aa adG AAA AGES SAHARA pean baad.
RV RR TR EIE ARERR ARAAR RE

aaa 9aas
AMAIA AE

RSM MASS AAS eas
scis dees ae sanaeaa eaters On
vee yewual A dehaas Feary Agate deed
Avil .* ~a eeevtaty Pat Va aaa OT)
ied eudiae ab he a RAR RM 4 VHPAERRES
ft teal cat Wada a bt

Vareereren!

asin
iia nads saga aaas SOE OU OUCe DOC aiddaigse
ee 1 ARS #48 Palghat tala letctstetl aly HAART TA 48 AKA

OOo



re © |
Road

14448 8
eee ys J
pita aa # heey
NE reals ele : rity

i Cee Bed
+ cee AG Voie aed
ae j

gates
heeding sis:
4 ad

giuae #4
i PI? Fo ON RIDA
PP eree bt east Med eine

Huy tRat

@RRSEC EE PE FEES Re

SESS nn
lili NEN NENN sate
appease,







IST PLACE

SYDNEY SOGAL ursan wax-terovci

REBEL:149







rt
"P95 eh BRS AS NTN ATE TEEN AIRED AAS







7

REBEL

BETHANY SHAKER sncnous corser

2ND PLACE

|







RETO spate aFGF EE

coal

>see

i;







cm

KATHERINE HOBBS

EXCHANGE
SRD PLACE

10 iil lee Ls: 14

ls

I

Ia

REBEL~149

18

Tg

2 (










AUN ULRIN UALIN LARS LAIN ERD LLL

-

1

dt

ae
ian
"

oa
ta
=
Ea
iin
z=

}
Ea
ae

|

=
Eee
=
ae

1

=
ee
=
i
"
=
=
an
ian
=
ere





ge ee

Gg Oe ag�
ag fe 3 i -

eees Bon

\\ \
14 :
ay ar
' veh
y 4 |
4 L

v4 \

rVEa

| eae fi i

oes 2
PAA |
eA

ae eg a ee

~ee aga) Ga, Sat ied

(pe Pe Se Se hee

oR Baer

wt
at
3

egy

apace



Vo 2 ae
t a
x , ae

Tee ae
ca
LV aA
ae eee e
eV aya
ioe Tp ae
aie WA) ae ts ee ace
Thee
Moe ery ~
ere aaa
ae er

nemaeae�"�
sane

pier tee
ent
poet
re sel
acs

~
4
f
i
¢
;
es
KS £
~s
£ $
Bg
ee
§
:
seeds 2 & ig
he Fao ~a,

nda





. is IB i a Rae sc a ee eee acca ee
Fass Sa Si a a ier At I a SE ee er aT RRO UTR TET Hn eT soit = as de uaa ia ao aoa el 3

ce





sare APART FOS

i re a sal al ka







:

CATHY PERRY iow PINK ALABASTER
NRE



REBEL:155







2ND PLACE

IKE MCATEER te sourt swatt ratse wy stoop sugar FLOCKING

FOAM

MOLDING PASTE
POLYMER CLAY







CHOCOLATE-FILLED JUVENILE DIABETES

FLOCKING 2ND PLACE
LATEX RUBBER
POLYMER CLAY

REBEL*137







SRD PLACE

IRON

SAMANTHA WOITOVICH rerpous raucers

c=
al

I

ls

14

Ls:

lee

iil

10

cm







REBEL:199







"
"
a
=>
"
ca
Soto
Lo
~
=
ao
co
co
a
ated
3
=
Fad
"
Ct.
oa
Lenn
SS
"
ees
a
=.
C3

=
a
poms
"
anadhsel
"
lnedhened
er |
co
=
o-
eal
=
ea
= a

20

19

Iki

iki

16

ls

14

Ls:

lez

deal

10

cm







CHRIS MORGAN

GENUFLECTION TO THE CUBE STEEL

HONORABLE MENTION

JENNY READLING victorian oowwes STEEL

HONORABLE MENTION

I61

REBEL

20

Tg

18

Ia

I

ls

14

Ls:

lee

iil

10

cm







pages neoprene

a i a a = Se a







CES PE aR ae RN ORSON I a NEE me Fe sah

7

TTTTT]

fi







St;

pert

pucten

a

""__

Sass

2.

Freee aint
prinare atts
sete

paar
sree :
ries : eer cat
Siete et
Phrreets







PRINTMAKING







Nc a a

agin gia ata Fer a A







167

REBEL

INTAGLIO IST PLACE

HEATHER FILTZ tunet cscs











HEATHER FILTZ srusu tomy wean
LITHOGRAPHY A, ab

REBEL:169







LITHOGRAPHY © 3RD PLACE

ANNA BOGGS CARNIVAL

20

Tg

18

Ia

I

ls

14

Ls:

lee

iil

10

cm





INTAGLIO ~=HONORABLE MENTION

TIMOTHY WEAVER: none

cm 1 z 3 4 © 6 at 8 S|







|

LITHOGRAPHY HONORABLE MENTION

TIM MOORE unm

20

Tg

18

Ia

I

ls

14

Ls:

lez

iil

10

cm







Passing the cherry.

THER FILTZ passing tHe cueray LITHOGRAPHY HONORABLE MENTION

REBEL:173

cm 1 z 3 4 © 6 at 8 2 10 deal lez Ls: 14 ls 16 iki Iki 19 20







c=
al

I

ls

14

Ls:

lee

iil

10

cm













cm

Sica thanks to the judges of the 54th edition of the Rebe/ who
dedicated their time and expertise to jury the many entries submitted by
East Carolina University students during Fall, 2011.

Each judge brought her own distinct expertise, which yielded the selection

of the highest quality of creative talent featured throughout this magazine.

I

Ia





Judges

Visual art

Literature

Dance

Stacy Jarrell

Instructor, Advertising and Graphic Design
Pitr Community College

Jodi Hollnagel-Jubran

Professional Sculptor, President of J&H Studio Inc.

Adjunct Instructor 1998-2007, School of Art and Design
East Carolina University

Charity Valentine

Coordinator, Associate of Fine Arts,
Pitt Community College

Liza Wieland

Fiction Editor
North Carolina Literary Review

Associate Professor of English
East Carolina University

Patricia Pertalion

Retired Professor, School of Theatre and Dance

East Carolina University





Rebel 54 Staff

Ea
FG, Gan

Rebel 54 design
eee Jacklyn Lopez

Andrea Smith
Phillip Winn

Faculty advisor
z Craig Malmrose

Professor, Graphic Design

Photog aphy
ae Henry Stindt Photographic

Student media

Genevia Hill

Interim Director of Student Media

Paul Isom
Former Director of Student Media

Yvonne Moye
Administrative Support Associate
Student Media, Student Media Board

Copy editors
P. Lisa Beth Robinson

Tori Rodriguez












Speciat thanks Holly Garriott

Henry Stindt

Paul Isom

Craig Malmrose

John Dixon

Patricia Weeks

Yvonne Moye

Pitt County Arts Council at Emerge
Hanna Jubran

Carl Billingsley

PIP printing

Lisa Beth Robinson
Gunnar Swanson

Kate Lamere

Rich Griffis

Nikki Rausch

Kyle Walker

Campus 31 Student Television
Chris Stansbury

Cara Friez

Matt Egan

Genevia Hill

Teresa Ramaglino
Maria Modlin
Materials Management
Frank Pulley

Theo Davis Printing

Our professors, families, friends and anyone whom we might have left out.





Collage source

Playboy
Penthouse
Hustler

OMNI

Co-Ed

Esquire

Life

Farm Journal
DC Comics
Field & Stream

Car Review

lime

TV Star Parade





ena om

Production

Printer

Edition

Press

Stock

Typography

Theo Davis Printing

1,540 books and DVD's

Komori Lithrone S40

Cover: FRENCH POP-TONE in Lemon Drop, 100 lb. cover
Text: Mohawk Via Smooth Warm White, 801b. text
Mohawk Via Linen Pure White, 7Olb. text

Libel Suit
Adobe Garamond Pro





Copyright

Rebel 54 is produced by and for the students of East Carolina University.
Offices are located within Student Media in the Self-Help building.

The contents are copyrighted 2011 and 2012 by Rebel 54.

All rights revert to the individual artists and writers upon publication.
Contents may not be reproduced by any means, nor stored in any information

retrieval system without written permission of the artist or writer.

Printed with non-state funds.







3

ae.

oO

4

QO

vv

« ©

imo) SS

ns

ee |

Se ay te)

BN Gah oar

yo 22

= © a

Seta | ag

SAE
Qa

as

co ©

S22

te Ou ise

"a ~GF O

= 2

S 2 e

ow 6

es!

7a)

2 8

Cl mM Cr

ena

GD) (0)

64 2

ae.

vu

iF a)

o

ao

aw







20

Tg

18

Ia

16

ils

14

iS

lee

Iba

10

cm

















Stl
soe

" - " : = : . " i a rE See oo

ARISES ALBA AOD RIES LEE YOO P DEL COLLIE IDEN AVE MERELY POOLE LEED

natn CEE LEE LEE LL LL TELA LLL LEAL LED LELLLOD AE

TR TLS SN






Title
Rebel, 2012
Description
The Rebel was originally published in Fall 1958. The purpose of the magazine was to showcase the artwork and creative writing of the East Carolina University student body. The Rebel is printed with non-state funds. Beginning in the 1990s some volumes included a CD with featured music.
Extent
Local Identifier
UA50.08.54
Permalink
https://digital.lib.ecu.edu/62623
Preferred Citation
Cite this item
Content Notice

Public access is provided to these resources to preserve the historical record. The content represents the opinions and actions of their creators and the culture in which they were produced. Therefore, some materials may contain language and imagery that is outdated, offensive and/or harmful. The content does not reflect the opinions, values, or beliefs of ECU Libraries.

Contact Digital Collections

If you know something about this item or would like to request additional information, click here.


Comment on This Item

Complete the fields below to post a public comment about the material featured on this page. The email address you submit will not be displayed and would only be used to contact you with additional questions or comments.


*
*
*
Comment Policy