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~The collar of his stained white shirt
was barely shoved into his olive wool
sweater vest.
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Fiction A5
Crystal Kuegel
Stuart Parks
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48 Fiction
oJee-zus, Cynthia,� I gritted
my teeth and fished around in
my lap for my bottle top, oAre
you trying to kill us? What the
hellTs so"�
on) oe! ee) I)
rT
Lal
Fiction 49
oThat's going to be our house, Bill,� she said.
oIt's fine,� Cynthia cut me off again, leaning
back to sit on the hood of the car. oIt might need
,
a little work before we can move in, but itTs fine.T
6 8,
Fiction
oT want that house, Bill,�
Cynthia said matter-of-
_ factly as the thick trees
grew smaller in the
rearview mirrors and row
upon row of tobacco filed
frantically by. oI want that
house and I'm going to
have it.�
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Well, itTs going to be, honey,� I told her, obut,
you ll grow into 1
oThis ain't the country, sis. ItTs more like
nowhere in the middle of nowhere.�
4
Fiction
Within the next two weeks the summer became
hotter and what with the perpetual coolness of
the house, we all became fairly sick. It wasnTt long
before we got horrible head colds and frequent
cases of aches and chills, leaving us good for little
more than lounging miserably around the cool
dark house.
Fiction 55
I felt a little better once
I got out on the road,
ebaXe Lefont asot-Ve mesma eK el}
through my shift, I began
to feel almost normal.
56
Fiction
The rooms! They themselves took on new
form in the swelling darkness. With no corner
in the entire house lit, and the walls only vaguely
identifiable shapes amidst the gloom, our rooms
loomed larger with every day.
a� jy r'"�"�""5 ae Di || =) ow Pray ¥ ie /\ @ 4
Fiction
oYou know, Cynthia, [don't . .. think this is
a good house for us,� I insisted, speaking out the
thoughts that had been rapidly coalescing in the
last week, oAs much as I don't like the idea, maybe
we could go stay with your mother and Jim for a
few days, just to get away, get healthy. From there
we could decide what else to do.�
a7
58 Fiction
oIn my house, my babyTs still my baby,� she said
sternly and patted my arm. oBill wonTt mind. Do
ya, Bill?�
eeetnenc cement " a _
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Fiction
oThat's not our home
anymore, Ly-ly,T I
stooped down and gave
her a hug. oThat home
was too big for us.
oo
60
Fiction
oWhat's to think about,� Cynthia turned to
us, bewildered and uncomprehending. oThe
only thing ITm thinking about is making a house
payment ona house that I canTt live in.�
oThat is my house, Bill.
ItTs been waiting for me.
And you are not going to
keep nie Ot of 11,
SSE IRCA CAN LTS LATE LTA TENTED OH ELENA RET ET A ED Ne TIE ORR
PIction
62
Fiction
We were barely in JimTs shop for thirty
minutes and came back to Mrs. WatsonTs to find
the old woman face down in the middle of the
kitchen floor, bruised and unconscious. The
broken shaft of a closet hanger rod lay guilty in
one corner. JimTs truck was gone, as were Cynthia
and Lydia.
oHelp me find her.�
| Cynthia,
don't
Fiction
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BSR EEE DEEN ER LEE EOE ILE LAE ERED SLL ALLIEN TLE NED ID TENSE TRY SC RE RE
Fiction 65
oHow could you do that
to your mother? What
has gotten into your
66 Fiction
| fought the urge to strangle her and, with
the help of the flashlight, began to tear the house
apart, upstairs and downstairs. I flipped beds,
opened boxes, moved furniture, and even went
so far as to venture outside and stumble around
through the thick silent tangles of the lawn. Lydia
was nowhere to be seen.
6/7
Fiction
oITm still mad at you.�
a
68
Fiction
I had to concentrate to hear her last few heavy
breaths, crying into my knees as I clutched myself
on the last, small oasis of light left in the world.
I must have wailed for hours.
a Nl
i
But, it is too empty to
ever be filled. Please, to
whoever finds this, if Jim
hasn't already done it,
burn this place. Burn it
to the ground.
Fiction
69
70 Fiction
ON SEX &
AI
eee teve won't show that he is angry that
ou didnTt have
THIS WILL BE
THE FIRST TIME
MOM HAS LET
YOU AND STEVE
SHARE A ROOM
riGhion 7S
oDO YOU WANT
TO TALK?�
WILL FINALLY ASK
Picton
Throughout history there have been many
intellectual people who have made amazing
discoveries to better mankind. AND... lam proud
to say that I have become one of them. That's
right, I have made my very own great discovery.
Some might not believe me but it is entirely true,
BRIAN GONZALES, an ordinary student, has
made a profound yet somewhat useless discovery.
Now, before I bore you with my ongoing egoism,
perhaps I should recount the events that led up to
my discovery...
..Actually, I donTt really remember much of
the details. I have no idea what day it was or the
time; however, I clearly remember it being late
at night. I was trying to go to sleep because I had
school in the morning, but my mind was too
active for sleep. So I found myself, as | usually
do, in an unbreakable state of insomnia. During
these insomniatic (is that even a word?) episodes,
besides thinking about how much I hate waking up
five minutes before my alarm clock goes off, my
mind wanders and starts acting on its own. I start
thinking about everything from women to what
lies out in the deepest reaches of outer space...
but mostly women. The topic for that night was
Illustration by Ashley Pierce
debating over whether or not I snore in my sleep. [
started thinking... snoring is such a strange habit,
and there isnTt anything one can do about it. ItTs
not as if one chooses to snore. O n top of that itTs
very annoying to all those cursed with having to
listen to it. How did snoring evolve into the human
species? Why does it sound like that? Why canTt it
be something that calms people down and helps
them fall asleep? Like math class or something. |
wonder if cavemen snored...
And thatTs when it hit me...
... now knew why people
snored...
ae actually has a purpose, or
rather...
... HAD a purpose.
As it turns out, snoring is sort of like your
appendix (no really 'm serious). ItTs a vestigial
structure. For those of you that donTt know what
that means I'll expla in. Your ap pendix is a part of
~fi ae
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76 Fiction
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your body that serves no purpose; HOWEVER, ' Y f AH : THAL S RI GH |.
: ~~ to os = " ue man I TH OUGHT C) F
in digesting certain foods. Likewise, snoring
currently has no purpose but once did to early ALL JUsihe B E FO RE
man. NO YOU 1DIOT Fi DIDNT HELP TEEM S Ci HH O O ig () N E N I Cri)
DIGEST FOOD! Think about it. Early man BECAUSE I COULDNTT
= ae ae eS sce a F A 3 AS LE E Pr
them from the elements and various predators that B E CAUS E I ~ M THAT
may have hunted them, specifically big cats. Seeing
é . ra Le & 99
as how most cats are nocturnal man didnTt have DAMN CO) O D ~
much protection at night when sleeping. THAT
is why snoring makes that loud growling noise. ... They're unconsciously protecting you from
THAT is why it evolved with the human species. ferocious animals that lurk in shadows just waiting
THAT is why it is not a calm, soothing melody. for you to let your guard down. (Yeah I know,
4 . ~ ¥ = an é ~ ~ ay Cayporyy te ~ es EME SQ PUTKAT PY OES i ae eb axr \ 1; ATA vent s
Snoring was a defense mechanism. Mimicking the they seem to be everywhere these days.) It was right
6 ; ¥e re 5 6 Vistas: Ye time that | Lon AQ Ag mY i Zee WOE WY
snarling and growling of a large animal, snoring about this time that I fell asleep only to wakeup
scared off predators. Those that did not snore in five minutes before my alarm clock was set to go
their sleep were hunted into extinction. off...
So, the next time you're irritated by someone's
snoring remember... w...man, | HATE that.
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NON-FICTION
106 Non-Fiction |
Written by: Stuart Parks
Illustrations by: Chris Warlick
The Holy City
Non-Fiction
107
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PAINTING
Painting 139 |
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Photography 147
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I wasnTt thinking of my mother
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Written by Bridget Todd
[llustration by Jessica Hines
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154 Poetry
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Written by Stuart Parks (for Thomas Kinsella)
Photography by Charity Valentine
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Printmaking 159
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CHARLES STEPHENS
Printmaking
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Printmaking 163
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173 Textile Design
HOLLY ROACH
VIDEO ART & FILM
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INDEX
184
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we we Lat | if | Ivers me ver? ve neve veri id ner aver ver aver Le le
186
STAFF
EDITOR
Ed McKim
ART DIRECTOR
Marie Nowell
DESIGNERS
Amanda Kinsch
Colin Maiso npierre
DESIGN FACULTY ADVISOR
Craig Malmrose
EXHIBITION PHOTOGRAPHER
Henry Stindt Photographic
STUDENT MEDIA STAFF
Stephanie Dicken
Yvonne Moye
Janet Respess
Ken Robol
Copy EpIrors
Beth C opeland
Crai g Malmrose
Lisa Beth Robinson
CONTRIBUTORS
Ricky Chan
Kareena Detwiler
Fay Edwards
Jessica Hines
Crystal Kuegel
Cindy Meyers
Jerry Odom
Ashley Pierce
Marion Sak
Betha ny Salisbu ry
Lacey Siva
es
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en Bireline
Practicing Artist, Rale igh, NC
Amy Freeman
Assistant Professor of Painting & Drawing, East Carolina University
Annie Hogan
o
Assistant Professor of Photography, East Carolina University
| Martha Scotford
Professor of Graphic Design, North Carolina State U niversity
SS Ee 2 ee
| LITERATURE REVIEWERS
Christy Baker |
=
| a" Lecturer, East Carolina University
=
Carrie Knowles
Artist & Writer, Free Range Studio
imal
lo rraine Ro binson
(AMAL.
Lecturer/Director, East Carolina University
Music JUDGE
Ed Jacobs
(mA
Assistant Professor of Music, East Carolina University
é
me oe
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188
REBEL 49 THANKS:
EAST CAROLINA SOAD FAcuttry, ESPECIALLY:
Crai g Ma lmrose
Lisa Beth Robinson
Gunnar Swanson
EMERGE GALLERY & ART CENTER STAFF:
Holly Garriott & and all the student volunteers who
worked diligently to hang the show and make the
opening reception a shining success!
HENRY STINDT PHOTOGRAPHIC:
Henry Stindt and Trish Hayes
MATERIALS MANAGEMENT:
Harrison Metcalf
THEO Davis, INc.
Frank Pulley, For our lovely posters
UNIVERSITY PRINTING & GRAPHICS
Hughlene Crisp
Earlene Mills
Ann Wei ngartz
Thanks to all our families, friends and
those not mentioned.
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PRODUCTION
log
PRINTING
University Printing & Graphics, Greenville, NC
EDITION
2,500 copies
PRESS
Heidelberg Speedmaster 2 color press
University Printing & Graphics
STOCK
Text - 80 lb. Corniche coated text stock, color: white, finish: velvet
Cover - 100 lb. Corniche coated cover stock, color: white, finish: velvet
TYPE FAMILIES
Mrs. Eaves
~Trade Gothic
percent
COPYRIGHT
Rebel is produced by and for the students of East Carolina University. Office is located in room 206E of
the Self Help Building in downtown Greenville. The contents are copyrighted 2007 by Rebel. All rights
revert to the individual writers and artists upon publication. Contents may not be reproduced by any
means, nor stored in any information retrieval system without the written permission of the writer or
artist. Printed with non-state funds.
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