Dear Bat Poet & Wife
Thanks for the pretty little book! delightful!
Our book looks gorgeous and soon – soon! – it will be all put together & we will rejoice.
So all good wishes!
Der Bat artist
Category: Stuart Wright Collection
Dear Bat Poet & Wife
Source: #1169.5 Wright Collection/ Randall Jarrell Papers, East Carolina Manuscript Collection Staff Person: Lynette Lundin Description: The Randall Jarrell Papers are dated 1913 to 1989. The manuscript collection includes correspondence, essays, manuscripts, printed poems, notes, original art, AV materials and books. He was an American poet of distinction, author and educator. Some of [...]
Telephone number: 362-3678
3601 49th Street, N W Washington S C 20016 18 November 1965
My dear Red: Oh, nobody knows better that I all the reasons that keep writers from writing letters . . . I have begun to hesitate to write to my friends because they instantly get the idea that they must write to me in turn. Don’t mistake this for generosity- – its just a level look at one of the facts of life: and I love to write letters, and love to get them from my friends, but for a good while now- too long- I have been living in a snake pit between Hell and High Water, and that is not a restful place to get bogged down in. . .
Two hours ago I had in my hand the big envelope containing your poem: I mean to point you out some lines that I loved at first sight, and then second, but I cannot remember lines as I once did: (once I knew all of Shakespeare’s Sonnets by heart and in their right order- or what was then taken for their right order. I was reading the other day some critic who set out to prove that Shakespeare wrote all those sonnets to HIMSELF, and that if you jostle the sonnets around in a certain order, it can be proved. . . I think that is what he said. It was late at night and I was sleepy: and I long ago decided for myself that I for one didn’t care who Shakespeare wrote those sonnets to, I was just glad he wrote them: and much as I love John Crowe Ransom’s poetry, and have and will, I never paid any more attention to his criticism after I read his blast against Shakespeare’s Sonnets. .) Well, that poem has vanished out of this little office, I have retraced my steps all over the house and I cannot find it. But it is not lost. I bet, I hope, I must believe that My beautiful and long-suffering Miss Miller has toted it down stairs and filed it away. When you all get well and come to see me, you will be astonished at the operation we are carrying on in that basement.
You remember? I had two nearly fatal rounds of pneumonia in ten months last year, and here, just a yuear later, I am not well, and I take care of myself, and follow doctor’s orders, and have refused about thirty speaking engagments- (stet!) except one at the Library of Congress– and spend twelve or fourteen hours a day in bed, and try to eat properly and as a result I am apparently withering away. So you are now called upon to rise up and assert your authority as sole head of the house under God, and restrain Eleanor for her good and everybody else’s, if this last crowd matters. Because you can well from one case of pneumonia about a year, but now two. . . In answer to your timely question whether I have learned any sense, the reply could nearly be yes, but I think a little too late. So please remind Eleanor not to waste herself because you can’t afford it. Nor can we, other others.
Next day. I don’t remember what interrupted me yesterday, and can’t foresee what will stop me this time, but anyway, I haven’t the poem, my Rosa has been in here again, tidying up, but I love your poetry, I have every one you ever published, you have always been to me first of all a poet, best of all your work. I am happy you are n the wen again, if you were ever out of it. But I will read eagerly anything you write.
Did you happen to notice that a reviewer on Time called me “the grimmest misanthrope in the history of American literature” or something like that, and an Irishman on the New York Review tried to bulldoze me off the littery [sic] landscape altogether. The last phase in life has set in. But they can’t hurt me– I have had and just the friends I would have chosen, and now come the right enemies. Life is good if a little uncertain just now. Love again, Katherine Anne.
This photograph, taken on 9 November 1948, by Life Magazine photographer Lisa Larsen, captured some of the assembled guests at possibly the most famous literary party in American history. The scene was the Gotham Book Mart — New York City’s most famous bookstore. The occasion was to welcome the poets, Sir S.W. Osbert Sitwell and his sister, Dame Edith Sitwell, to the United States to do a series of readings. Seen in this image are some of the most famous figures in 20th century literature: Front row: William Rose Benet, Charles Ford, Delmore Schwartz, Randall Jarrell; Middle row: Stephen Spender, Sir Osbert and Dame Edith Sitwell, Marianne Moore, Elizabeth Bishop; Back row: Marya Zaturenska, Horace Gregory, Tennessee Williams, Richard Eberhart, Gore Vidal, Jose Garcia Via, and W. H. Auden. One of the guests, the noted poet Randall Jarrell, preserved this copy of the print among his papers now in the Stuart Wright Collection. On the verso Jarrell commented: “I thought you’d want this for the eyebrows. Marianne Moore and Elizabeth Bishop are just behind me, Auden on the ladder, Spender sitting on table to far left. What could have possessed me to cut off so much of the moustache? That isn’t Medusa in middle with snakes, but that awful creature Edith Sitwell.” The photograph has appeared in various publications over the years, including in an article by the party’s hostess, Frances Steloff, entitled, “In Touch With Genius”, in Journal of Modern Literature, Vol. 4, No. 4 (April 1975), pp. 749-882. Among the literati who attended the party but who did not appear in the photograph were: Benet Cerf, Jim Farrell, Kreymborg, Mary McGrory, William Saroyan, Carl Van Vechten, William Carlos Williams, Lincoln Kirstein, among many others.
Source: Stuart Wright Book Collection Printed Works Inventory #46-18 Staff Person: Ralph Scott Description: Henri Cartier-Bresson [1908-2004] was a French photographer that pioneered modern photojournalism. Early to try the new 35mm Leica format, Cartier-Bresson is famous for his street scene photographs and portraits of individuals. He felt that the new compact camera format enabled him [...]
Source: Stuart Wright Rare Book Collection 59-23 Staff Person: Ralph Scott Description: X-Ray photograph of Merrill Moore, author of The Noise that Time Makes. Photograph is captioned “because his poems are chiefly about time Mr. Moore thought the x-ray more appropriate than the ephemeral face.” Photograph is inscribed to John Crowe Ransom.