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Howell Binkley Papers, 1993-2007

(Manuscript Collection #1156)

Descriptive Summary Click here to collapse or expand the contents in this section of the finding aid

Title: Howell Binkley Papers
Creator: Binkley, Howell
Repository: ECU Manuscript Collection
Languages: English
Extent: 8.25 Cubic feet, 369 items .

Administrative Information Click here to collapse or expand the contents in this section of the finding aid

Accessions Information

December 4, 2009, (unprocessed) 232 items, 6.25 cubic feet; Papers (1993-2004) documenting the work of a noted theatrical lighting designer & East Carolina University graduate, including his lighting specifications on the following musicals & plays: Dracula The Musical; Grease; How To Succeed in Business Without Really Trying; Jekyll & Hyde; My Thing of Love; Pera Palas; Sacrilege; Taking Sides; The Full Monty; & Whistle Down the Wind, performed on Broadway in New York, & elsewhere in the United States, Canada, Australia & United Kingdom, including Contact Lists, Production Calendars; Theatre Information; Shop Orders; Submasters & Groups; Cues; Magic Sheets; Cheat Sheets; Channel Hookups; Instrument Schedules; Vari*Lites; Followspots; Cue Books; Scripts; Set Design Plates; Tour Plans; Lighting Design Plans, Plots, Elevations, Sections & other drawings; Computer Diskettes; & Compact Diskettes, etc. See preliminary inventory attached. 14 boxes. 232 items. 6,258 p. (ca. 6.25 cubic feet) Recd. 10/23/2009. Notes: Mr. John Shearin, ECU School of Theatre and Dance transferred the collection to the Special Collections Department on behalf of Mr. Binkley. Donor: Howell Binkley

April 19, 2010, (unprocessed addition 1), 137 items, 2.00 cubic feet; Papers (1994-2007) documenting the work of a noted theatrical lighting designer & East Carolina University graduate, including his lighting specifications on the following musicals & plays: Circque Ingenieux, Expecting Isabel, Hollywood Arms, Necessary Targets, LoveMusik, Pied Piper, Sarah, Sarah, Seusical: The Musical, The Spitfire Grill, Tamicanfly & Tick, Tick . . . Boom!, performed on Broadway in New York, & elsewhere in the United States, including Contact Lists, Production Calendars; Theatre Information; Shop Orders; Cues; Magic Sheets; Cheat Sheets; Channel Hookups; Instrument Schedules; Cue Books; Scripts; Set Design Plates; Lighting Design Plans, Plots, Elevations, Sections & other drawings; Computer Diskettes; Compact Diskettes; oversized materials, etc. See preliminary inventory. Donor: Howell Binkley.

Access Restrictions

No restrictions

Copyright Notice

Literary rights to specific documents are retained by the authors or their descendants in accordance with U.S. copyright law.

Preferred Citation

Howell Binkley Papers (#1156), East Carolina Manuscript Collection, J. Y. Joyner Library, East Carolina University, Greenville, North Carolina, USA.

Acquisition Information

  • Gift of Howell Binkley

Processing Information

  • Encoded by Jonathan Dembo, December 03, 2009


Biographical / Historical Note Click here to collapse or expand the contents in this section of the finding aid

Howell Binkley grew up in Winston-Salem and attended East Carolina University from 1974 to 1978 when he graduated. It was while he attended ECU that he decided to make "theatrical stage production" his career. He got his start working on ECU student dance productions. Since his graduation, Howell has become one of the top three lighting directors in the world.

Over his career, Binkley has won several major awards. He has won the Helen Hayes Award four times and won nominations at least 11 times. In 1993, alone, he received a Tony Award nomination, the Sir Lawrence Olivier Award, and the Canadian Dora Award for his work on "Kiss of the Spider Woman." In 2006, he won the Tony Award for Best Lighting Design in a musical for Jersey Boys.

Binkley has worked with many well-known Broadway figures, including the prolific directors Hal Prince and Des McAnuff. He is also a collaborator and co-founder of David Parsons' Parsons Dance Company. Binkley has worked on more than 60 productions on Broadway, off-Broadway, and in regional theaters across the United States, Great Britain and Europe Binkley. He has worked at regional theaters in La Jolla & San Diego, California, at the Shakespeare Theatre, in Washington, DC, at the Old Globe Theatre, the Guthrie Theater, The Goodman Theatre, and Hartford Stage. Binkley is also co-founder of the Parsons Dance Company.

Binkley's characteristic style involves the use of heavy color, accented by clear and L201 hues. He frequently uses smoke or haze to accent scenes and for the use of cross focusing to make diamond effects. He has drawn inspiration from the work of Craig Miller and Tom Skelton's.

He has worked on the following plays & musicals:

  • Kiss of the Spider Woman (Broadway, 1993) - Tony Award nomination
  • Grease, On Tour & Broadway(1993-1995)
  • Jekyll & Hyde (Broadway, 1994-1996)
  • My Thing of Love (On tour, 1994-1995)
  • How to Succeed in Business Without Really Trying (On Tour - Broadway, 1994-1997)
  • Sacrilege (On tour, 1995)
  • Taking Sides (Broadway, 1996)
  • Whistle Down the Wind (On tour, 1996-1997)
  • Minnelli on Minnelli (Concert, 1999)
  • Parade (Broadway, 1998) - Drama Desk Award nomination
  • The Full Monty (Broadway, 2000-2004)- Drama Desk Award nomination
  • Dracula, The Musical (Broadway, 2001)
  • Pera Palas (Broadway, 2001-2002)
  • Golda's Balcony (Off Broadway and Broadway, 2003)
  • Avenue Q (Broadway, 2003 and London, 2006)
  • Radiant Baby (Off-Broadway, 2003) - Lucille Lortel Award nomination
  • Jersey Boys (Broadway, 2005) and London (2008)
  • LoveMusik (Broadway, 2007) Drama Desk Award Outstanding Lighting Design
  • In the Heights (Broadway, 2008) - Tony Award nomination
  • Bridge and Tunnel (Broadway, 2006)
  • West Side Story (Broadway revival, 2009)- Tony Award nomination

Preliminary Inventory Click here to collapse or expand the contents in this section of the finding aid

Below is material taken from a preliminary inventory and represents content from the collection that is unprocessed.

  • Box 1#1156.1
    • Folder a#1156.1.a
      Dracula The Musical, Parts 1 - 13 (9 Oct. - 18 Nov. 2001), including Cue List, Spot Cues, Elex Questions, Set Changes, Schedule, Contact Lists, Shop Order, Cheat Sheet, Hookup, Instrument Schedule, NYC List, La Jolla Playhouse Focus Charts, etc. 13 items. 243 p. Notes: Book & Lyrics by Don Black & Christopher Hampton; Music by Frank Wildhorn.
    • Folder b#1156.1.b
      Dracula The Musical, Parts 14 - 17 (14 Aug. - 18 Nov. 2001), including Script, Set Design Plates, Computer Diskettes (3.5"), La Jolla Playhouse Magic Sheets, etc. 4 items. 131 p. Notes: Book & Lyrics by Don Black & Christopher Hampton; Music by Frank Wildhorn.
  • Box 2#1156.2
    • Folder a#1156.2.a
      Grease, On Tour, Parts 1 - 6 (1994-1995), including contact sheets, tour plans, instrument & dimmer hookups, FoH Focus Sheets, Cue Lists, Spot Composite Cue lists, etc. 6 items. 122 p. Note: Tommy Tune Production of Grease; Book, Music & Lyrics by Jim Jacobs & Warren Casey; Directed & Choreographed by Jeff Calhoun.
    • Folder b#1156.2.b
      Grease, On Tour, Parts 7 - 10 (1994-1995), including National Tour Rehearsal Script, Change Fax, Course Hinds Concert Theatre, Syracuse, NY information, Shop Orders, Computer Diskettes (3.5"), Light Plot Drawings, etc. 6 items. 231 p. Note: Tommy Tune Production of Grease; Book, Music & Lyrics by Jim Jacobs & Warren Casey; Directed & Choreographed by Jeff Calhoun.
  • Box 3#1156.3
    • Folder a#1156.3.a
      Grease, Broadway, Parts 1 - 6 (1994-1995), including Cue Lists, Magic Sheets, Focus Charts, etc. 6 items. 122 p. Note: Tommy Tune Production of Grease; Book, Music & Lyrics by Jim Jacobs & Warren Casey; Directed & Choreographed by Jeff Calhoun.
    • Folder b#1156.3.b
      Grease, Broadway, Parts 1 - 3 (11-17 May 1994), including Focus Cheat Sheets, Focus Charts, Magic Sheets, Contacts Lists, Instrument Schedules, Hookups, etc. 4 items. 199 p. Note: Jeff Calhoun / Tommy Tune Production of Grease; Book, Music & Lyrics by Jim Jacobs & Warren Casey; Directed & Choreographed by Jeff Calhoun; Martin Vreeland, Assistant Lighting Designer; Eugene O'Neil Theatre; Barry & Fran Weissler, Producers.
    • Folder c#1156.3.c
      Grease, Broadway, Parts 4 - 12 (6 Dec. 1993 - 14 April 1994), including Cue Lists, Lighting Groups, Spot 1, 2 Composite Cue Lists, Rehearsal Script, Contact Sheets, Fax Correspondence & Letterhead, Computer Diskettes (3.5"), Lighting Plot & Set Design Drawings, etc. 9 items. 154 p. Note: Tommy Tune Production of Grease; Book, Music & Lyrics by Jim Jacobs & Warren Casey; Directed & Choreographed by Jeff Calhoun.
  • Box 4#1156.4
    • Folder a#1156.4.a
      Grease, On Tour, Parts 1 - 6 (1994-1995), including contact sheets, tour plans, instrument & dimmer hookups, FoH Focus Sheets, Cue Lists, Spot Composite Cue lists, etc. 6 items. 122 p. Note: Tommy Tune Production of Grease; Book, Music & Lyrics by Jim Jacobs & Warren Casey; Directed & Choreographed by Jeff Calhoun.
  • Box 5#1156.5
    • Folder a#1156.5.a
      How To Succeed In Business Without Really Trying, On Tour - Broadway, Parts 1 - 6 (1994-1995), including Contact Sheets, Phone List, Schedules & Calendars; Magic Sheets, Cheat Sheets, Channel HookUp; Instrument Schedule, Dimmer HookUp; Group Lists, EFX List, Etc.; Cue Lists; Scenic Breakdowns, Scene Drawings, Video Story Boards, etc. 6 items. 272 p. Note: Dodger Productions, Producer; La Jolla Playhouse & Richard Rogers Theatre; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
    • Folder b#1156.5.b
      How To Succeed In Business Without Really Trying, On Tour Parts 7 - 10 (1994-1995), including Lighting Ideas, Plot Notes; OutGoing Faxes & Memos, Incoming Faxes & Memos; Inventories & Cut Sheets, Theatre Info's; Short Orders, Set Electric Spec's; Light Plots in Pockets, etc. 14 items. 270 p. Note: Dodger Productions, Producer; La Jolla Playhouse & Richard Rogers Theatre; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
  • Box 6#1156.6
    • Folder a#1156.6.a
      How To Succeed In Business Without Really Trying, National Tour, Parts 1 - 6 (1996-1997), including Contact Sheets, Phone List, Schedules & Calendars; Magic Sheets, Cheat Sheets, Channel HookUp; Instrument Schedule, Dimmer HookUp; Group Lists, EFX List, Etc.; Cue Lists; Scenic Breakdowns, Scene Drawings, Video Story Boards, etc. 6 items. 195 p. Note: Dodger Productions, Producer; La Jolla Playhouse & Richard Rogers Theatre; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
    • Folder b#1156.6.b
      How To Succeed In Business Without Really Trying, National Tour, Parts 7 - 10 (1996-1997), including Lighting Ideas, Plot Note; OutGoing Faxes & Memos, Incoming Faxes & Memos; Inventories & Cut Sheets, Theatre Spec's Info; Shop Orders, Set Electrics Spec's, Computer Diskettes (3.5"), Focus Charts, Light Plot Plan & Lighting Plot Section drawings, etc. 6 items. 195 p. Note: Dodger Productions, Producer; Richard Rogers Theatre; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
    • Folder c#1156.6.c
      How To Succeed In Business Without Really Trying, National Tour, Set Models Photographs (1996-1997), including Photographic Prints. Color. 4" x 6" 1 item. 27 p. Note: Dodger Productions, Producer; Richard Rogers Theatre; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
  • Box 7#1156.7
    • Folder a#1156.7.a
      Jekyll & Hyde, Theatre Under the Stars - The Music Hall, Houston, TX Tour, Parts 1 - 6 (1994-1995), including Contact Sheets, Phone List, Schedules & Calendars; Magic Sheets, Cheat Sheets, CH HookUp; Instrument Schedule, Cue Lists, Group List, EFX, Etc.; VL Info., VL Track Sheets; lighting Ideas / Budget Stuff, Scenic Stuff, Scene by Scene, etc. 7 items. 292 p. Note: Frank Wildhorn & Leslie Bricuse, Authors; Gregory Boyd, Director; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
    • Folder b#1156.7.b
      Jekyll & Hyde, Theatre Under the Stars - The Music Hall, Houston, TX Tour, Parts 7 - 11 (1994-1995), including Outgoing Faxes & Memos, Incoming Faxes & Memos; Focus Charts; Inventories, Theatre Info, Cut Sheets; Shop Order; Set Electrics Spec.; Computer Diskettes (3.5"), etc. 5 items. 308 p. Note: Frank Wildhorn & Leslie Bricuse, Authors; Gregory Boyd, Director; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
    • Folder c#1156.7.c
      Jekyll & Hyde, Theatre Under the Stars - The Music Hall, Houston, TX Tour, Parts 1 - 6 (1994-1995), including Contact Sheets, Phone List, Schedules & Calendars; Magic Sheets, Cheat Sheets, CH HookUp; Instrument Schedule, Cue Lists, Group List, EFX, Etc.; VL Info., VL Track Sheets; lighting Ideas / Budget Stuff, Scenic Stuff, Scene by Scene, etc. 7 items. 195 p. Note: Frank Wildhorn & Leslie Bricuse, Authors; Gregory Boyd, Director; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
  • Box 8#1156.8
    • Folder a#1156.8.a
      Jekyll & Hyde, National PreBroadway Tour, Parts 1 - 6 (1995-1996), including Contact Sheets, Phone Lists, Schedules & Calendars; Magic Sheets, Cheat Sheets, Channel HookUp; Instrument Schedule, Inventories / Counts; Cue List, Group List, EFX, Etc.; VL Info.; Focus Charts; Lighting Ideas, Notes, Budget Stuff; etc. 6 items. 292 p. Note: Frank Wildhorn Composer; Leslie Bricuse, Author; Pace Theatrical Group, Inc., Producer; Gregory Boyd, Director; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
    • Folder b#1156.8.b
      Jekyll & Hyde, National PreBroadway Tour, Parts 7 - 11 (1995-1996), including GB - Scene Synopsis, Scene by Scene, Rehearsal Reports; Faxes & Memos, Outgoing & Incoming; Cut Sheets & Product Info., Theatre Specs.; Shop Order, Set Elec. Specs., Budget / Bids; Computer Diskettes (3.5"), etc. 5 items. 175 p. Note: Frank Wildhorn Composer; Leslie Bricuse, Author; Pace Theatrical Group, Inc., Producer; Gregory Boyd, Director; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
  • Box 9#1156.9
    • Folder a#1156.9.a
      My Thing of Love, Martin Beck Theatre, New York, NY, Parts 1 - 7 (1994-1995), including Contact Sheets, Schedules & Calendars, Misc. Information; Channel Magic Sheets, Channel HookUp, Unused Channels; Instrument Schedule, Patch, Dimmer HookUp; Cue Synopsis, Cue List from Board; Group List, Effects List, Submaster List, Scroller Info., etc. 7 items. 212 p. Note: Alexandra Gersten, Author; Michael Maggio, Director; Barry & Fran Weissler, Producers; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
    • Folder b#1156.9.b
      My Thing of Love, Martin Beck Theatre, New York, NY, Parts 8 - 11 (1994-1995), including Lighting Ideas; Script; Faxes & Communications; Shop Order, Inventory Lists; Focus Charts, Light Plots, etc. 7 items. 112 p. Note: Alexandra Gersten, Author; Michael Maggio, Director; Barry & Fran Weissler, Producers; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
    • Folder c#1156.9.c
      Pera Palas, Long Wharf Theatre, New Haven, CT, Parts 1 - 11 (2001-2002), including Schedule & Contact Sheet; Work Notes: Scene Breakdown; Cheat Sheet; Channel HookUp, Instrument Schedule; Script; Correspondence; Systems & Notes; Rehearsal Reports, etc. 11 items. 247 p. Note: Sinan Ünel, Author; Steven Williford, Director; Howell Binkley, Lighting Designer.
  • Box 10#1156.10
    • Folder a#1156.10.a
      Sacrilege, Rich Forum, Stamford, CT - Belasco Theatre, New York, NY, Parts 1 - 6 (1995), including Contact Sheets, Phone List, Schedules & Calendars; Magic Sheets, Cheat Sheets, Channel HookUp; Instrument Schedule, Dimmer HookUp; Group Lists, Scroller Info., EFX List, etc.; Cue List, Script; Scenic Breakdowns, Scene Drawings, etc. 6 items. 200 p. Note: Diane Shaffer, Author; Alexander H. Cohan & Max Cooper; Producers; Kraus Associates, General Management; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
    • Folder b#1156.10.b
      Sacrilege, Rich Forum, Stamford, CT - Belasco Theatre, New York, NY, Parts 7 - 12 (1995), including Lighting Ideas, Plot Notes; Notes, OutGoing Faxes & Memos, Incoming Faxes & Memos; Inventories & Cut Sheets, Theatre Info's; Shop Order (s), Set Electrics Spec's.; Computer Diskettes (3.5"); Lighting Plans & Sections, etc. 6 items. 172 p. Note: Diane Shaffer, Author; Alexander H. Cohan & Max Cooper; Producers; Kraus Associates, General Management; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
    • Folder c#1156.10.c
      Taking Sides, Brooks Atkinson Theatre, New York, NY, Parts 1 - 6 (1996), including Contact Sheets, Phone List, Schedules & Calendars; Magic Sheets, Cheat Sheets, Channel HookUp; Instrument Schedule, Dimmer HookUp; Group Lists, EFX List, Scroller Info.; Cue List(s); Scenic Breakdowns, Scene Drawings, etc. 6 items. 111p. Note: Ronald Harwood, Author; Alexander H. Cohen, Producer; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
    • Folder d#1156.10.d
      Taking Sides, Brooks Atkinson Theatre, New York, NY, Parts 1 - 6 (1996), including Lighting Ideas, Plot Notes; OutGoing Faxes & Memos, Incoming Faxes & Memos; Inventories & Cut Sheets, Theatre Spec's. Info.; Shop Order(s), Set Electrics Spec's.; Focus Charts; Light Plot Plans & Sections Drawings, etc. 6 items. 114 p. Note: Ronald Harwood, Author; Alexander H. Cohen, Producer; Howell Binkley, Lighting Designer; Martin Vreeland, Assistant Lighting Designer.
  • Box 11#1156.11
    • Folder a#1156.11.a
      The Full Monty: The Broadway Musical, Eugene O'Neil Theatre, New York, NY, Parts 1 - 6 (2000), including Light Cues; Instrument Schedule; Hookup; Cheat Sheet; Script; Playbill, etc. 6 items. 267 p. Note: Terrence McNally, Author; David Yazbek, Music & Lyrics; Howell Binkley, Lighting Designer.
    • Folder b#1156.11.b
      The Full Monty: The Broadway Musical, Eugene O'Neil Theatre, New York, NY, Parts 7 - 12 (2000), including Spot Cue List; Moving Lights; Haze Cue Notes; Computer Diskettes (3.5") & Compact Disk; Light Plot, Plans, Elevations & Sections Drawings, etc. 6 items. 60 p. Note: Terrence McNally, Author; David Yazbek, Music & Lyrics; Howell Binkley, Lighting Designer.
  • Box 12#1156.12
    • Folder a#1156.12.a
      The Full Monty: The Broadway Musical, First National Tour, Parts 1 - 8 (2001), including Cue List; Moving Light Cues; Follow Spot; Shop Order; Cheat Sheet; Hookup; Instrument Schedule; Effects List, etc. 8 items. 274 p. Note: Terrence McNally, Author; David Yazbek, Music & Lyrics; Howell Binkley, Lighting Designer.
    • Folder b#1156.12.b
      The Full Monty: The Broadway Musical, First National Tour, Parts 9 - 13 (2001), including Focus Chart; Computer Diskettes (3.5"); Compact Disk; Magic Sheet; Light Plan, Section, Elevation & Design Drawings, etc. 5 items. 117 p. Note: Terrence McNally, Author; David Yazbek, Music & Lyrics; Howell Binkley, Lighting Designer.
    • Folder c#1156.12.c
      The Full Monty: The Broadway Musical, The National Tour, Parts 1 - 2 (2002), including Compact Disk; Light Plot, Elevation & Section Drawings, etc. 4 items. 4 p. Note: Terrence McNally, Author; David Yazbek, Music & Lyrics; Howell Binkley, Lighting Designer.
  • Box 13#1156.13
    • Folder a#1156.13.a
      The Full Monty: The Broadway Musical, Prince of Wales Theatre, London, U.K., Parts 1 - 13 (2001-2002), including Follow Spots; Cheat Sheet; Hookup; Instrument Schedule; Effects List; Shop Order; Group List; Haze List; Scenic LX; Moving Light; Magic Sheet; Compact Diskettes (3.5"); Light plot, Sections, Elevations & Design Drawings; Compact Disk, etc. 14 items. 151 p. Note: Sasha Brooks Ltd., Producer; David Yazbek, Music & Lyrics; Howell Binkley, Lighting Designer.
    • Folder b#1156.13.b
      The Full Monty: The Broadway Musical, Australian Tour, London, U.K., Parts 14 - 21 (2004), including Magic Sheets; Cue List; Channel List; Instrument Schedule; Whole Hog Cue List; Strand Cue List & Contents; Compact Disk, etc. 7 items. 111 p. Note: Sasha Brooks Ltd., Producer; David Yazbek, Music & Lyrics; Howell Binkley, Lighting Designer; Gavan Swift, Australian Associate; Dale Mounsey, Head Electrician.
    • Folder c#1156.13.c
      The Full Monty: The Broadway Musical, Australian Tour, London, U.K., Parts 8 - 14 (2002-2004), including Groups; Macros & Subs.; Focus Charts; Plots; Stage Plan Drawing; Head Plan Drawing; Spot Cut List, etc. 7 items. 156 p. Note: Sasha Brooks Ltd., Producer; David Yazbek, Music & Lyrics; Howell Binkley, Lighting Designer; Gavan Swift, Australian Associate; Dale Mounsey, Head Electrician.
  • Box 14#1156.14
    • Folder a#1156.14.a
      Whistle Down The Wind, National Theatre, Washington, D.C., Parts 1 - 6 (1996-1997), including Contact List, Production Calendar, Theatre Information; Shop Order; Submasters & Groups; Cues; Magic Sheets, Cheat Sheets; Channel Hookup, etc. 6 items. 171 p. Note: The Really Useful Company, Inc., Producer; Hal Prince, Director; Howell Binkley, Lighting Designer; Peter A. West, Associate Designer
    • Folder b#1156.14.b
      Whistle Down The Wind, National Theatre, Washington, D.C., Parts 7 - 10 (1996-1997), including Insturment Schedule; Vari*Lites; Followspots; Cue Book & Scrpt, etc. 4 items. 234 p. Note: The Really Useful Company, Inc., Producer; Hal Prince, Director; Howell Binkley, Lighting Designer; Peter A. West, Associate Designer
  • Box 15#1156.15
    • Folder a#1156.15.a
      Cirque Ingenieux, Parts 1 - 8 (27 May - 27 July 1997), including Script, Act Plans, Rehearsal, Notes, Cheat Sheet, Hook-Up, Instrument Schedule, Contact Sheet & Production Schedule, Etc. 8 items. 144 p. Notes: See also oversized folder #1156.15.b.os.1
    • Folder b#1156.15.b
      Cirque Ingenieux, Parts 9 - 15 (28 March - 13 Aug. 1997), including Budget, Venue Schedule, Shop Order . Rental Info., Tech. Specs., Cues Conv. / VC, VC Prefocus Info., Etc. 7 items. 92 p. Notes: Note: See also oversized folder #1156.15.b.os.1
    • Folder c#1156.15.c
      Expecting Isabel, by Lisa Loomer, Parts 1-4 (6 April 2000), including Script, Etc. 4 items. 160 p. Note: Mark Taper Forum, Los Angeles, CA.
    • Folder d#1156.15.d
      Expecting Isabel, by Lisa Loomer, Parts 5-12 (27 April - 7 Aug. 2000), including Scenes, Blocking, RE4 Reports (Tech. Reports), Channel Hookup, Instrument Schedule, Taper, Systems, Etc. 7 items. 191 p. Note: Mark Taper Forum, Los Angeles, CA.
    • Folder e#1156.15.e
      Hollywood Arms, by Carrie Hamilton & Carol Burnett, Parts 1 - 6 (1-10 April 2002), including Script, Etc. 6 items. 118 p. Note: Goodman Theater, Los Angeles, CA.
  • Box 16#1156.16
    • Folder a#1156.16.a
      Necessary Targets, by Eve Ensler, Parts 1 - 6 (2-24 Nov. 2001), including Schedule & Contact Sheets, Work Notes, Spot Cues, Cheat Sheet, Channel Hookup, Instrument Schedule, Etc. 6 items. 112 p. Note: Hartford Stage Company. See also oversized folder #1156.16.a.os.1
    • Folder b#1156.16.b
      Necessary Targets, by Eve Ensler, Parts 7 - 10 (12 Oct.-28 Nov. 2001), including Script, Correspondence, System & Notes, Moving Lights, Etc. 4 items. 128 p. Note: Hartford Stage Company
    • Folder c#1156.16.c
      LoveMusik, book by Alfred Uhry; Music by Kurt Weill, Part 1: Script (21 March - 8 April 2007) 1 item. 160 p. Note: Manhattan Theatre Club
    • Folder d#1156.16.d
      LoveMusik, book by Alfred Uhry; Music by Kurt Weill, Part 2 -5: (5 March - 30 April 2007), including Subtitles & Rehearsal Reports, Notes, Etc. 4 items. 102 p. Note: Manhattan Theatre Club
    • Folder e#1156.16.e
      LoveMusik, book by Alfred Uhry; Music by Kurt Weill, Parts 6-13 (15 Feb. - 27 April 2007), including Subtitles / Contacts, Schedule, Magic Sheets, Hook-Up, Instrument Schedule, Grand MA diskette (3.5"), Etc. 8 items. 99 p. Note: Manhattan Theatre Club
    • Folder f#1156.16.f
      Pied Piper, Choreography by David Parsons; Music by John Congliano, Parts 1 - 8 (12 May - 22 June 2001), including Color Cards, Master Sheets, Sp. Hook-Up, Full Hook-Up, Instrument Schedule, Cue WHENS, ABT Levels, Magic Sheets, Etc. 8 items. 117 p. Note: American Ballet Theater, Metropolitan Opera House
  • Box 17#1156.17
    • Folder a#1156.17.a
      Sarah, Sarah, by Daniel Goldfarb, Parts 1 - 6 (23 July 2003 - 13 March 2004), including Shop Order, Instrument Schedule, Hookup, Other Lists, Script, Etc. 6 items. 213 p. Note: Manhattan Theatre Club, City Center Stage II. See also oversized folder #1156.17.b.os.1
    • Folder b#1156.17.b
      Sarah, Sarah, by Daniel Goldfarb, Parts 7 - 14 (12 Feb. - 14 March 2004), including Schedule & Contact, Cue List, Diagrams, Invoices, Focus Charts, Notes, Magic Sheets, Etc. 8 items. 66 p. Note: Manhattan Theatre Club, City Center Stage II. See also oversized folder #1156.17.b.os.1
    • Folder c#1156.17.c
      Seusical: The Musical, by Lynn Arhrens, & Stephen Flaherty: Parts 1 - 2 (14 May - 5 Sept. 2002) including Lighting Script, Etc. 2 items. 142 p. Note: National Tour; See also oversized folder #1156.17.c.os.1
    • Folder d#1156.17.d
      The Spitfire Grill, Book & Music by James Valcq, Parts 1 - 7 (Nov. 2000 - 1 Oct. 2001) including Contact, Schedule, Magic Sheet, Channel Hookup, Instrument Schedule, Focus Charts, Set Shots, Etc. 7 items. 104 p. Note: Playhouse Horizons. See also oversized folder #1156.17.e.os.1
    • Folder e#1156.17.e
      The Spitfire Grill, Book & Music by James Valcq, Parts 8 - 12 (22 July - 5 Sept. 2001) including Binkley's Script, F.S. Script, Notes, Computer Diskette (3.5"), Etc. 5 items. 198 p. Note: Playhouse Horizons. See also oversized folder #1156.17.e.os.1
  • Box 18#1156.18
    • Folder a#1156.18.a
      Tamicanfly, by Scott Marshall Taylor, Parts 1 - 8 (27 Nov. 2000 - 16 Jan. 2001), including Contact Sheets, Production Calendar, Slot Machines, Script, Script Revised, Set Design, 3 Computer Diskettes (3.5"), Etc. 8 items. 224 p. Note: Weissburger Theater Group.
    • Folder b#1156.18.b
      Tick, Tick . . . Boom! Book, Music & Lyrics by Jonathan Larson, Parts 1 - 9 (13 Jan. 2002 - 19 Jan. 2003) including Lighting Notes, Instrument Schedule, Channel Hookup, Group List, Rehearsal Report, National Tour Script, Scene Breakdown, Designers' Contracts, Time Line, Spot Cue List, Etc. 9 items. 187 p. Note: National Tour: Majestic Theater, Dallas, TX; Parker Playhouse, Ft. Lauderdale, FL. See also oversized folder #1156.18.d.os.1
    • Folder c#1156.18.c
      Tick, Tick . . . Boom! Book, Music & Lyrics by Jonathan Larson, Parts 10 - 15 (7 Oct. 2002 - 10 Jan. 2003) including Designers' Contracts, Time Line, Spot Cue List, Position Directory, ML Focus Chart (187 p.), Etc. 6 items. 120 p. Note: National Tour: Majestic Theater, Dallas, TX; Parker Playhouse, Ft. Lauderdale, FL. See also oversized folder #1156.18.d.os.1
    • Folder d#1156.18.d
      Tick, Tick . . . Boom! Book, Music & Lyrics by Jonathan Larson, Parts 16 - 24 (3 Dec. 1994; 26 Dec. 2002 - 14 March 2003) including LML Focus Chart (164 p.), Colour Directory, Group Directory, Cuelist, Cue Contents, Audio Compact Disc, 2 Computer Diskettes (3.5"), Magic Sheets, Etc. 9 items. 252 p. Note: National Tour: Majestic Theater, Dallas, TX; Parker Playhouse, Ft. Lauderdale, FL. See also oversized folder #1156.18.d.os.1
Oversize Folder 15bos1#1156.15bos1
Cirque Ingenieux, Light Plot & Section (18 June - 11 July 1997) 2 items. 3 p. Notes: See also folder #1156.15.a-b
Oversize Folder 16aos1#1156.16aos1
Necessary Targets, Light Plot & Lighting Section (27 Oct. - 1 Nov. 2001) 2 items. 2 p. Notes: See also folder #1156.16.a-b
Oversize Folder 17bos1#1156.17bos1
Sarah, Sarah, Light Plot (13 Feb. 2004) 1 item. 1 p. Notes: See also folder #1156.17.b
Oversize Folder 17cos1#1156.17cos1
Seusical: The Musical, Light Plot, Centerline Section, & Set Electric Details (5 Aug.. 2002) 1 item. 3 p. Notes: See also folder #1156.17.c
Oversize Folder 17eos1#1156.17eos1
The Spitfire Grill, Light Plot & Lighting Section (26 July - 6 Aug. 2001) 2 items. 2 p. Notes: See also folder #1156.17.d-e
Oversize Folder 18dos1#1156.18dos1
Tick, Tick . . . Boom! Light Plot & Section (13 Dec. 2002 - 6 Jan. 2003) 6 items. 6 p. Notes: See also folder #1156.18.b-d
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This is a finding aid. It is a description of archival material held in the Special Collections Division, J.Y. Joyner Library, East Carolina University. The materials described here are physically available in our reading room. None of the original documents in this collection are digitally available online at this time.
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